October, 2001 AJA Newsletter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Shikon – Ryu Aikibudo Honbu Renkishin Dojo Shodan Kihon Waza
Shikon – Ryu Aikibudo Honbu Renkishin Dojo Shodan Kihon Waza Idori Sitting Techniques Gensoku 1. Nigeru dori Escape art Nigeru 2. Tenchi-nage Heaven & earth throw Nage 3. Aiki nage Harmonious spirit throw Nage 4. Kote gaeshi Wrist turn Kote gaeshi 5. Tsuki shiho nage Thrust four direction throw Shiho nage 6. Ude ikkajo osae Arm first control Ikkajo 7. Mune ikkajo osae Chest first control Ikkajo 8. Shomen uchi ikkajo osae Front strike first control Ikkajo Hanmi – Hantachi Waza 1 person standing, 1 person sitting Gensoku 9. Katate mochi shiho nage One hand grab four direction throw Nage 10. Ushiro kubi shime Ikkajo Rear neck strangulation 1st Control Ikkajo Tachi Waza Standing Techniques Gensoku 11. Mae zeme dori Front attack art Kamae 12. Ryoto mochi atemi dori 2 hand grab – strike to the body art Atemi 13. Kote gaeshi Wrist turn Kote gaeshi 14. Tsuki shiho nage Thrust – four directional throw Shiho nage 15. Ude ashi osae Arm – foot control Ikkajo 16. Mune ashi osae Chest – foot control Ikkajo 17. Shomen uchi ashi osae Front strike – foot control Ikkajo 18. Ryote mochi – hihi jime Two hand grab – elbow lock Shiho nage 19. Yokomen uchi shiho nage Side strike four direction throw Shiho nage 20. Tsuki irimi nage Thrust entering throw Nage 21. Tani – otoshi Valley drop Otoshi 22. Kubi shime nage Neck strangulation throw Nage 1 Shikon – Ryu Aikibudo Honbu Renkishin Dojo Kihon Doza 1. Mae Mawari 2. Ushiro Mawari 3. Mae Mawari Kaiten 4. Ushiro Mawari Kaiten 5. Ayumiashi – 18 Movements 6. Tai No Henko Ichi 7. Tai No Henko Ni 8. -
Student Manual
Student Manual UNITED STATES ACADEMY OF MARTIAL ARTS 21 ZACA #100, SAN LUIS OBISPO, CA 9341 805-471-3418 www.us-ama.com PARENTS FREE MONTH One free month of training for any parent(s) of a current US-AMA student! 28 ADDITIONAL TRAINING CONTENTS AIDS Welcome!............................................................................................................1 (Available through the Dojo Office) What is the United States Academy of Martial Arts…………………………..2 Along with your regular class instruction it is important that you practice your What Our Students Have to Say……………………………………………….4 techniques at home. Since we all know that it is easy to forget a particular move or block, US-AMA has produced training films to help you progress Questions & Answers………………………………………………………….6 through each rank. US-AMA Instructors…………………………………………………………..8 Adult Classes and Family Self-Defense……………………………………….9 From a Woman’s point of View…………………………………..…9 A Male Perspective………………………………………………....10 Physical and Mental Benefits……………………………………………...…11 Children’s Program…………………………………………………………..12 Team Ichiban………………………………………………………………....14 Guide for Parents……………………………………………………………..15 Karate Buck Program……………………………………………………...…17 The Picture of the True Martial Artist………………………………………..18 Rules and Regulations……………………………………………………..…19 Attitude and Respect…………………………………………….….19 Dojo Etiquette……………………………………………………....19 A Word about Testing and Rank Advancement……………………………...22 White Belt Bar Requirements…………………………………....…22 Beginning Terminology……………………………………………………...24 -
Purple Level
Rising Sun Reference Page Martial Arts Level Purple Rule #1: Karate is for defensive purposes only. Rule #2: Students may not teach others what they have learned without the explicit Belt Color approval and supervision of a member of the dojo teaching hierarchy. Sequence White When you receive your patch, Purple Mon /mŏn/ - Patch or emblem. your instructor will help you Yellow position it properly. If it becomes Orange misaligned before you sew it in Blue Obi /Ō-bē/ - Karate belt. place, put on your gi jacket and Green obi. Position the patch on the left Brown Gi /gē/ - Karate uniform. breast so that the emblem’s feet are parallel to the floor. Black Respect When bowing to a higher rank, lower your eyes. When bowing to a lower rank, keep your eyes up. Exception: when sparring, always keep your eyes up! If you arrive late for class, open the door slightly and stand at attention. Wait patiently to be invited into the class. (Never interrupt bows/meditation.) Kneeling in Seiza Seiza is a formal meditation posture. To get to seiza, begin by going down on your left knee. Mesubi Dachi Then put your right knee down. Attention Stance (Informal) Big toes should be side-by-side, not crossed. Sit back on your feet, with your hands open on your thighs. Gentlemen have their knees apart, fingers pointing slightly inwards. Ladies have their Sanchin Dachi knees together with their fingers Three Battle Stance pointing straight ahead. Ō-Sensei Chojun Miyagi April 25, 1888 – October 6, 1953 Founder of Goju Ryu Karate-do. -
Hiroo MOCHIZUKI Soke De L’École YOSEIKAN BUDO
Hiroo MOCHIZUKI Soke de l’école YOSEIKAN BUDO To the Yoseikan world Salon-de-Provence, 27th December 2013 This year 2013 is marked by the 10th anniversary of the death of my father, Master Minoru MOCHIZUKI, first Soke of the Yoseikan School. As I was chosen to be his successor concerning the Budo of the Yoseikan School, I felt all the weight of the responsibilities for this legacy, as far as passing down and improving the School knowledge as well as ensuring its continuity is concerned. With this letter, I want first of all to thank his closest pupils for their support during this mission and especially for their efforts to preserve the spirit of work, research and uprightness that has been my father’s since the founding of the first Hombu dojo Yoseikan in Shizuoka (Hitoyado cho) in 1931. As Soke of the Yoseikan School since 2000, it is my duty to publicly remind everyone of the official list of experts who were awarded the diploma “Menkyo Kaiden” (*) by my father almost twenty years ago. It was published at his request in April 1996 in the journal of his international organisation BUDO YOSEIKAN. 1. MOCHIZUKI Hiroo 2. MURAI Kyoichi (†) 3. SUGIYAMA Shoji 4. MOCHIZUKI Tetsuma 5. MOCHIZUKI Kanji (†) 6. AKAHORI Katsutoshi 7. YAMASHITA Takeshi 8. SHINMURA Masaji 9. SUGIYAMA Seiichi 10. YOSHIDA Nobumasa 11. SUGIYAMA Tadashi 12. YAMAMOTO Kazumasa 13. MOCHIZUKI Seiichi (†) 14. TAKAHASHI Minoru 15. TEZUKA Akira (†) 16. WASHIZU Terumi 17. AUGÉ Patrick 18. KENMOTSU Hiroaki 19. FUKUJI Shigetaka 20. KAN Masaki First and foremost, I have to rectify the regrettable and inexplicable oversight of the name of Mr Alain FLOQUET in this list, member of the Yoseikan School since 1958. -
Budotaijutsu/Ninjutsu Terms
BudoTaijutsu/Ninjutsu Terms Here is a short list of terms and their meanings. This list will be added as time goes, so ask you instructor for updates. Aite- Opponent Ganseki Nage- throwing the big rock Anatoshi- Trapping Garami- Entangle Ashiko- Foot band with spikes Gawa-Side Ate- Strike Gedan Uke- Low block Bujutsu- Horsemanship Genin- beginning ninja Barai- Sweep Genjutsu- Art of illusion Bisento- Long battlefield halberd Geri- Kick Bojutsu- Bostaff fighting Gi- Martial arts uniform Bo Ryaku- Strategy Godai- Five elements Boshi Ken- Thumb strike Gokui- Secret Budo- Martial way Gotono- using natural elements for Budoka- Student of the martial way evasion Bugie- Martial arts Gyaku- reverse Bujin- Warrior spirit Hai- Yes Bujutsu- Martial arts techniques Haibu Yori- From behind Bushi- Warrior Hajime- Begin Bushido- Way of the warrior Hajutsu- escaping techniques Chi- Earth Han- Half Chi Mon- Geography Hanbo- 3 foot staff Cho Ho- Espionage Hanbojutsu- 3 foot staff fighting Chu- Middle Happa Ken- One handed strike Chunin- Intermediate ninja Hasso- Attack Daisho- Pair of swords Heiho- Combat strategy Daito- Large sword Henka- Variation Dakenjutsu- Striking, kicking, blocking Hensojutsu- Disguise and impersonation Do- Way arts Dojo- training hall Hicho- flying bird Doko- Angry tiger Hidari- Left Dori- To capture or seize Hiji- Elbow Empi- Elbow strike Hiki- Pull Fu- Wind Hishi- Dried water chestnut caltrops Fudo Ken- immovable fist Hodoki- escapes Fudoshin- Immovable spirit Hojo- Bind, tie up Fudoza- Immovable seat Hojutsu- Firearm arts Fukiya- -
Martial Arts Unlimited Association
Keishidojo Martial Arts Unleashed (803)795-8927 www.keishidojo.com [email protected] Keishidojo Martial Arts Unleashed Student Success Kit Version 6.06.18.1 All the information you need to begin training: Schedules, policies, rules, class descriptions, attire, equipment, theory and more! 1 Welcome to Keishidojo Martial Arts Unleashed www.keishidojo.com 803-795-8927 Welcome Welcome and Thank You for Your Membership and Participation! We enroll students with the intention of having a long relationship with them and their families, as the most powerful and valuable lessons found in the practice of the martial arts come over time and through constant and never-ending improvement. My staff and I make ourselves available to assist you in any and all issues relating to our school, your practice, and just about anything else you might need help and/or assistance with. Here is my personal cell phone number, should you want or need to speak with me about anything: 803- 795-8928. My e-mail is [email protected]. Don’t hesitate to call, but always text, phone or write me, if possible, when your questions or concerns are fresh, as issues that aren’t addressed in a timely fashion can take on a life of their own, yes? No issue is too small. No concern of yours trivial. I am (we are) here to serve you. Now, on a more somber note: My team and I work as advocates to people who need help with bullying issues, confidence, and issues involving personal safety and well-being. If you ever come across someone, anyone, who needs someone to stand up on their behalf --or who is otherwise in need of help --please contact me immediately. -
Health and Martial Arts in Interdisciplinary Approach
ISNN 2450-2650 Archives of Budo Conference Proceedings Health and Martial Arts in Interdisciplinary Approach 1st World Congress September 17-19, 2015 Czestochowa, Poland Archives of Budo Archives od Budo together with the Jan Długosz University in Częstochowa organized the 1st World Congress on Health and Martial Arts in Interdisciplinary Approach under the patronage of Lech Wałęsa, the Nobel Peace Prize laureate. proceedings.archbudo.com Archives of Budu Conference Proceedings, 2015 Warsaw, POLAND Editor: Roman M Kalina Managing Editor: Bartłomiej J Barczyński Publisher & Editorial Office: Archives of Budo Aleje Jerozolimskie 87 02-001 Warsaw POLAND Mobile: +48 609 708 909 E-Mail: [email protected] Copyright Notice 2015 Archives of Budo and the Authors This publication contributes to the Open Access movement by offering free access to its articles distributed under the terms of the Creative Commons Attribution-Non- Commercial 4.0 International (http://creativecommons.org/licenses/by-nc/4.0), which permits use, distribution, and reproduction in any medium, provided the original work is properly cited, the use is non-commercial and is otherwise in compliance with the license. The copyright is shared by authors and Archives of Budo to control over the integrity of their work and the right to be properly acknowledged and cited. ISSN 2450-2650 Health and Martial Arts in Interdisciplinary Approach 1st World Congress • September 17-19, 2015 • Czestochowa, Poland Scientific Committee Prof. Roman Maciej KALINA Head of Scientific Committee University of Physical Education and Sports, Gdańsk, Poland Prof. Sergey ASHKINAZI, Lesgaft University of Physical Education, St. Petersburg, Russia Prof. Józef BERGIER, Pope John Paul II State School of Higher Education in Biała Podlaska, Poland Prof. -
Entrevista a Michel Coquet Sensei
Entrevista a Michel Coquet Sensei París, 19 de Octubre de 2016 Pregunta: Hace muchos años que queríamos hablar con usted, pero no pretendemos ser inoportunos… Respuesta: ¡No, en absoluto! Si os recibo es por voluntad propia y porque quiero dedicaros un poco de tiempo. Sé quiénes sois y el objeto de vuestra investigación me alegra. ¿Por dónde queréis empezar? P –Quisiéramos saber cómo fue su retorno a Francia, después de unos años en el Japón. ¿Se sintió fuera de lugar por la mentalidad francesa? ¿Cómo superó su accidente? R - ¡Bueno, esto son dos preguntas! No tiene sentido hablar de mi rodilla, estaba dañada y me operaron, aunque antes trabajé durante seis meses por cuestiones del seguro. La primera operación fue un fracaso y tuve que someterme a una segunda operación. Lugo me recuperé por mi cuenta y cuando me fue posible comencé a enseñar a algunos amigos y miembros de mi familia. En esa época vivía en Villepinte y mi único dojo era la acera y la calle frente a la casa de mis padres. De esta forma corrió la voz de que yo enseñaba las artes marciales en línea directa del Japón y varios jóvenes vinieron a verme por curiosidad o para entrenar, no había más de diez. P – ¿Queda alguien todavía con usted de esa época? R – Sólo uno, Jean-Louis Mignotet, hoy instructor de Aikido y de sable Katori. ¡Pero ya lo conocéis, es mi alumno más antiguo! Con el tiempo empecé a ser conocido y la ayuda me llegó a través del padre de un alumno que trabajaba en la Federación de Judo y Disciplinas Asociadas. -
Ritual Formalism and the Intangible Body of the Japanese Koryū Budō Culture
Original scientific paper Received: 27 January 2014 Accepted: 14 March 2014 DOI: 10.15176/vol51no109 UDK 796.8(520) Ritual Formalism and the Intangible Body of the Japanese Koryū Budō Culture LEO RAFOLT Faculty of Humanities and Social Sciences, Zagreb koryū budō gendai budō The paper presents an analysis of the interrelationkoryū bud betweenō the traditional Japanese martial arts culture ( ) and its modern correspondents ( ). The analysis is based on the idea of inscribing on UNESCO's list of intangible cultural heritage, as Japan’s oldest martialkoryū cultural asset. Initial proposals to do so were put forward in the last ten years by some Japanese martial arts organizations, budōe.g. Nippon Budokan, especially by its legacy division. The paper interprets the ritual-like and pattern-like formalism of the Japanese modern and traditional legacy, especially in the context ofbud “Japaneseō nationalist history” after the Meiji Restoration. Emphasis is therefore put on the structures of movements that pre-exist in the ritual practices of the classical culture and are still present in modern martial arts systems, because of their hereditary and pre-formalized performativity. Key words: koryū budō, gendai budō, ritual, kata, Japanese martial arts The Japanese were the most alien enemy the United States had ever fought in an all-out struggle. In no other war with a major foe had it been necessary to take into account such exceedingly different habits of acting and thinking […]. Conventions of war which Western nations had come to accept as facts of human nature obviously did not exist for the Japanese. It made the war in the Pacific more than a series of landings on island beaches, more than an unsurpassed problem of logistics. -
Stances/Dachi General Punches/Zuke Blocks/Uke Strikes
JnrB Br R R 1 P P1 B1 B G G1 O O1 Y Y1 General Punches/Zuke Blocks/Uke Strikes/Uchi Kicks/Geri Stances/Dachi Karate Empty Hand Choku Zuke Punch on the spot Gedan Barai Downwards block Kentsui Hammer fist Mae Geri Front kick Heisoku Dachi Feet together Heels together, toes Yoi Get Ready Oi Zuke Step over punch Age Uke Rising Block Musubi Dachi out Outside inside Shomen Front Sotu Ude Uke Heiko Dachi Parallel stance block Sit Straight on Seiza Hachiji Dachi Open leg stance Knees Sensei Instructor Zenkutsu Dachi Forward stance Yame Stop Hanmi 45 deg angle Rei Bow Jodan Face area Chudan Chest area Gedan Lower body area Shoman Square shoulders Japan Karate JKA Shuto Uke Knife hand block Kokutsu Dachi Back stance Association Dojo Training Studio Kiai Shout Obi Belt Gi Karate Suit Oss I acknowledge Ichi, Ni, San, Shi, Counting (1-10) Go, Roku, Shichi, Hachi, Kyu, Ju Outward middle Hajime Start Uchi Uke Uraken-Uchi Back-fist strike Yoko Geri Keage Side snap kick Kiba Dachi Straddle stance block Spear hand strike Mawatte Turn around Haiwan Uke Back Forearm block Nukite (Finger Thrust) Pulling back of fist Hikite Nagashi Uke Sweeping block Tettsui-Uchi Hammer fist fully Kamai Fighting Guard Up Osae Uke Pressing Block Koshi Ball of Foot Moroto Uke Double Block Yoko Geri Tai Sabaki Body movement Gyaku Zuki Reverse punch Side thrust kick Kekome Reverse outward Double front snap Yori Ashi Shifting Gyaku Uchi Uke Ushiro Empi Uchi Back elbow strike Nidan Geri middle block kick (Back leg first) Gyaku-hanmi Reverse 45˚ angle Empi Uke Elbow block Tsugi Ashi -
1001 Years of Missing Martial Arts
1001 Years of Missing Martial Arts IMPORTANT NOTICE: Author: Master Mohammed Khamouch Chief Editor: Prof. Mohamed El-Gomati All rights, including copyright, in the content of this document are owned or controlled for these purposes by FSTC Limited. In Deputy Editor: Prof. Mohammed Abattouy accessing these web pages, you agree that you may only download the content for your own personal non-commercial Associate Editor: Dr. Salim Ayduz use. You are not permitted to copy, broadcast, download, store (in any medium), transmit, show or play in public, adapt or Release Date: April 2007 change in any way the content of this document for any other purpose whatsoever without the prior written permission of FSTC Publication ID: 683 Limited. Material may not be copied, reproduced, republished, Copyright: © FSTC Limited, 2007 downloaded, posted, broadcast or transmitted in any way except for your own personal non-commercial home use. Any other use requires the prior written permission of FSTC Limited. You agree not to adapt, alter or create a derivative work from any of the material contained in this document or use it for any other purpose other than for your personal non-commercial use. FSTC Limited has taken all reasonable care to ensure that pages published in this document and on the MuslimHeritage.com Web Site were accurate at the time of publication or last modification. Web sites are by nature experimental or constantly changing. Hence information published may be for test purposes only, may be out of date, or may be the personal opinion of the author. Readers should always verify information with the appropriate references before relying on it. -
American Judo Fall 2007
Fall 2007 American Judo Fall 2007 FEATURED ARTICLES USJA Officers James Webb Warm-Up Drills: Where to Start by Gerald Lafon ................................................................... 4 President Judo’s Rank System by Virgil Bowles .......................................................................................... 7 Kuzushi by Richard Riehle ............................................................................................................11 AnnMaria DeMars Vice President Toshikazu Okada Remembers Master Tsunetane Oda edited by Alessio Oltremari and translated by Gary Goltz ...................................................23 George Weers Cartoon Martial Artists by Ronald Allan Charles ..................................................................25 Secretary Lowell Slaven JUDO NEWS and VIEWS Treasurer My Thoughts on Coaching by Gary Goltz .................................................................................. 6 Gary Goltz Judo Brings Out the Best in Players by Ed Carol ....................................................................10 Chief Operating Where in the World is Jim Bregman Going? ..........................................................................21 Officer Glen Nakawaki CLUB NEWS AND VIEWS Corporate Counsel John Ogden by Doug Krikorian ...................................................................................................18 Sensei John Ogden Remembered by Hayward Nishioka ...................................................19 Sharp and Okada Clinic .................................................................................................................22