American Judo Fall 2007
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BA Thesis an Overview of Stereotyped Portrayals of LGBT+ People In
BA thesis in Japanese Language and Culture An Overview of Stereotyped Portrayals of LGBT+ People in Japanese Fiction and Literature Analysis of the historical evolution and commercialization of BL and yuri genres, and social practice of its consumer culture Bára B.S. Jóhannesdóttir Supervisor Kristín Ingvarsdóttir May 2021 FACULTY OF LANGUAGES AND CULTURES Háskóli Íslands Hugvísindasvið Japanskt Mál og Menning An Overview of Stereotyped Portrayals of LGBT+ People in Japanese Fiction and Literature Analysis of the historical evolution and commercialization of BL and yuri genres, and social practice of its consumer culture Ritgerð til BA-prófs 10 ECTS Bára B.S. Jóhannesdóttir Kt.: 210496-2039 Leiðbeinandi: Kristín Ingvarsdóttir Maí 2021 1 Abstract This essay will explore the history of the portrayal of LGBT+ people in Japanese fiction, starting from The Tale of Genji, a novel from the early 11th century that is widely considered to be the first classic in history, and to the proper establishment of what is known as the BL (boys’ love) and yuri genres. BL, as the name suggests, is a genre that features the relationship between two male characters, usually in a romantic and/or sexual nature, while yuri is between two female characters. There will be a short examination of LGBT+ portrayal in historical literary works and art before moving onto a more detailed recounting of modern fiction and television. Some ancient literature will be reviewed, comparing real-life societal norms to their fictional counterparts. The focus will mainly be on the introduction of the BL genre, the historical evolution of it, the commercial start of it, the main components that make up the genre, and why it is as popular as it is, a well as an examination of the culture surrounding the fans of the genre. -
Japanese - English a Age, Rising
Japanese - English A Age, Rising. Age tsuki, Rising punch. Age uke, Rising block. Ashi, Foot/leg. Ashi guruma, Leg wheel. Ashi hishigi, Leg crush. Ashi kubi, Ankle. Ashi kubi hishigi, Ankle crush. Ashi waza, Foot techniques. Atemi, Striking. Atemi waza, Striking techniques. B Bo, Staff (long). Bojitsu, Staff techniques (long). Bunkai, Application of form. Bushi, Warrior class of Japan. Bushido, Way of the warrior. Bujutsu, Fighting arts of the warrior class of Japan. C Choku tsuki, Straight punch. Chudan, Middle (of body, i.e. torso). D Dachi, Stance. Dan, Rank of black belt; 1st dan is the lowest, 10th the highest. De ashi barai, Forward foot sweep. Denzook, No count. Do, The way. Dojo, Exercise hall, the place where one practices the martial arts. E Eku Oar, used as a weapon in Okinawan Karate. Empi 1. Elbow. 2. Name of a kata. Empi uchi, Elbow strike. F Fudo dachi, Rooted stance. Fumikomi, Stamping kick. Funakoshi, Gichin Father of Japanese Karate. G Ganmen, Face. Ganmen, shuto Face knife-hand. Gari, Reap. Gatame, Hold arm bar. Geashi, Reversal. Gedan, Lower waist or below. Gedan barai, Low block. Gedan juji uke, Lower X-block. Gedan shuto uke, Lower knife-hand block. Geri, Kick. Gi, Uniform for practicing martial arts. Go Five. Goshin Jutsu, Body defence. Gohon, Five-finger strike. Goshi, Hip throw. Guruma, Wheel-like throw. Gyaku, Reverse, reversal. Gyaku tsuki, Reverse punch (opposite hand and leg). Gyaky juji jime, Reverse cross choke. H Hachi Eight, See also numerals. Hachiji dachi, Open leg stance. Hachimachi, Towel used as a headband. Hadake, Naked. Hadake jime, Naked choke/strangle. -
Training for Sudden Violence
Contents Contents vii Foreword xi Introduction xv Evaluating Drills 1 The One- Step 9 OS1: The One- Step 10 OS2: Four- Option One- Step 16 [Redacted]: The Baby Drill 18 OS3: Slow Man Drills 19 OS4: Three- Way Coaching 20 OS5: Dance Floor Melee 21 OS6: Frisk Fighting 22 OS7: Environmental Fighting 23 OS8: The Brawl 25 Interlude #1: Biases and Assumptions 27 Blindfold Drills 31 B1: Blindfolded Defense 32 B2: Blindfolded Targeting 35 B3: Core Fighting 37 B4: Blindfolded Infightin 38 D: Dynamic Fighting 41 D1: Dynamic Fighting 42 D2: Sumo 44 D3: The Hole against the Wall 45 D4: Moving in the Clinch 49 D5: French Randori 50 Interlude #2: Sources 51 F: Fundamentals 57 F1: Maai with Weapons 58 F2: Off- Lining 61 vii Contents F3: Targeting 65 F4: Lock Flow 66 F5: Initiative 68 F6: Advanced Ukemi 70 F7: Pushing 72 F8: Core Defense 74 GM: Ground Movement Drills 77 GM1: Rollover 80 GM2: Rollover, Phase 2 81 GM3: Rollover, Phase 3 83 GM4: Rollover, Phase 4 85 GM5: The Wax On, Wax Off of Ground Fighting 88 GM6: One Up, One Down 89 GM7: Blindfolded Grappling 91 Interlude #3: Social and Asocial 93 PM: The Plastic- Mind Exercises 95 PM1: Animal Styles 97 PM2: Fighting the Ele ments 98 PM3: The Other 99 IW: Internal Work 101 IW1: Centering 102 IW2: Eating Frogs 104 IW3: The Game of the Stones 106 IW4: Lists 108 IW5: Slaughtering and Butchering 113 IW6: Ethics and Glitches 116 IW7: To Save My Children 118 IW8: The Predator Mind 120 IW9: Articulation 121 Interlude #4: Training Open- Ended Skills 125 C: Combat Drills 127 C1: Takeouts 128 C2: Multiman 130 -
Ukemi in Aikido
Edinburgh Aikido Ukemi in Aikido The word uke in Japanese translates as “to receive” which is at odds with many people’s assumption that taking ukemi primarily involves acting out the losing role of an attacker. “Receiving the technique” evokes a more active and collaborative role for uke within the kata execution, where the attack and subsequent breakfall are used as a learning experience1 for both tori and uke. Those that train in aikido will quickly realize that half of their time training is spent receiving the aikido techniques and taking ukemi. When we first start aikido training, it is while being uke that we feel stiff and clumsy. Later as we progress in aikido, it is often while working with a good uke – one who is able to adapt their movements to maintain a feeling of connection and lightness throughout the technique – that we often improve our understanding of the aikido techniques. When watching aikido, it will often be a good uke that gives the movements the dynamism and flair that characterize a good aikido demonstration. With so much of our training time on the tatami taken up carrying out the role of uke, it is important that this aspect of training is also developed as a learning tool. However, in many dojos around the world, it is still very common to see a practice where the emphasis on ukemi is very small or, in some cases, completely absent. There are several good reasons to work hard to improve our ukemi. First and foremost, ukemi abilities are developed so we are able to safely receive the locks and throws seen in aikido. -
2018Bsdcatalog Web3.Pdf
BUSHINDOTM - YOUR BUJINKAN INFORMATION SOURCE WHAT’S INSIDE FIND IT HERE FAST! What’s inside / Where to Start pages 2-4 About Soke Hatsumi page 28 Bushindo University page 5 Soke Hatsumi USA Tai Kai DVDs page 29 About Master Van Donk page 6 Soke Hatsumi Books / Translations page 30 IBDA Training Opportunities pages 7-11 Ninja Dojo Online Training page 31 Ninjutsu Masters Course pages 12-13 DeCuerdas Eskrima Course pages 32-35 Black Belt Home Study Course pages 14-17 Sword Masters Course pages 36-37 Shidoshi Training Course page 18 Empowerment Course - University Online pages 38-39 Budo Taijutsu Course page 19 Spiritual Courses RVD - Body Rejuvenation pages 40-41 2nd - 4th Degree Black Belt Courses page 20 Kuji, Mikkyo, Meditation pages 42-43 Ninjutsu Made Easy DVD Series pages 21-22 Bushindo Rejuvenation - Enlightened Warrior page 44 Van Donk Mastering Ninjutsu DVDs page 23 Training Gear Section pages 45-47 Master Van Donk Books page 24 What Others Say About Us page 48 Ninjutsu Weapons Course page 25 Your Paradigm Shift Opportunity page 49 Warrior Secrets Tai Kai Set page 26 Order Form page 50 Best Sellers / Takamatsu DVD page 27 Dear Friends and fellow martial artists, Thank you for your continued interest and support! We at Bushindo University/International Bujinkan Dojo Association are dedicated to helping you and others around the world more easily obtain quality Life Changing studies, including martial arts like Bujinkan Ninjutsu/Budo Taijutsu, DeCuerdas Eskrima, Bushindo Sword and Enlightened Warrior Teachings. We provide our students and friends direct lineage access to Soke Masaaki Hatsumi in Japan. -
Good Uke, Bad Uke
Good Uke, Bad Uke Troy Shehorn To Uke or not to Uke? That is the question. When we use the Japanese word Uke a few common thoughts come to mind. The word has several meanings, depending on the Kanji and how it is used. The most common meaning to us would be a person on whom an art is being done, and that is the subject of this article. Being in the martial arts realm for a while now, I have heard the terms “Uke arts” and “Ukeing”. We hear lines such as “Who is your Uke?” and “Are you going to Uke?” And “We need Ukes.” When we go to the dojo we like working out with our favorite Uke. When we test, we always pick the Uke who will “be just right for me”. This Uke will almost always be our size and hopefully weighs a bit or a whole lot less, than we do. I have also heard and seen Ukes than can make or break an art or an exam, for that matter. There seems to be a fine line between what an Uke should do so Tori can properly demonstrate an art and what extremes Uke may go to so Tori “looks good.” In a classroom or clinic, when instructors demonstrate an art, they often call out their favorite Uke, one that goes flying across the room and/or pats out like a wild screaming set of Taiko drums. After all, they want to look good. I have seen a few times when an instructor demonstrates an art “perfectly” and tells the students to practice, then none of the students can do the art or they just go along with the phony motions knowing it’s not working as specified. -
Budotaijutsu/Ninjutsu Terms
BudoTaijutsu/Ninjutsu Terms Here is a short list of terms and their meanings. This list will be added as time goes, so ask you instructor for updates. Aite- Opponent Ganseki Nage- throwing the big rock Anatoshi- Trapping Garami- Entangle Ashiko- Foot band with spikes Gawa-Side Ate- Strike Gedan Uke- Low block Bujutsu- Horsemanship Genin- beginning ninja Barai- Sweep Genjutsu- Art of illusion Bisento- Long battlefield halberd Geri- Kick Bojutsu- Bostaff fighting Gi- Martial arts uniform Bo Ryaku- Strategy Godai- Five elements Boshi Ken- Thumb strike Gokui- Secret Budo- Martial way Gotono- using natural elements for Budoka- Student of the martial way evasion Bugie- Martial arts Gyaku- reverse Bujin- Warrior spirit Hai- Yes Bujutsu- Martial arts techniques Haibu Yori- From behind Bushi- Warrior Hajime- Begin Bushido- Way of the warrior Hajutsu- escaping techniques Chi- Earth Han- Half Chi Mon- Geography Hanbo- 3 foot staff Cho Ho- Espionage Hanbojutsu- 3 foot staff fighting Chu- Middle Happa Ken- One handed strike Chunin- Intermediate ninja Hasso- Attack Daisho- Pair of swords Heiho- Combat strategy Daito- Large sword Henka- Variation Dakenjutsu- Striking, kicking, blocking Hensojutsu- Disguise and impersonation Do- Way arts Dojo- training hall Hicho- flying bird Doko- Angry tiger Hidari- Left Dori- To capture or seize Hiji- Elbow Empi- Elbow strike Hiki- Pull Fu- Wind Hishi- Dried water chestnut caltrops Fudo Ken- immovable fist Hodoki- escapes Fudoshin- Immovable spirit Hojo- Bind, tie up Fudoza- Immovable seat Hojutsu- Firearm arts Fukiya- -
Health and Martial Arts in Interdisciplinary Approach
ISNN 2450-2650 Archives of Budo Conference Proceedings Health and Martial Arts in Interdisciplinary Approach 1st World Congress September 17-19, 2015 Czestochowa, Poland Archives of Budo Archives od Budo together with the Jan Długosz University in Częstochowa organized the 1st World Congress on Health and Martial Arts in Interdisciplinary Approach under the patronage of Lech Wałęsa, the Nobel Peace Prize laureate. proceedings.archbudo.com Archives of Budu Conference Proceedings, 2015 Warsaw, POLAND Editor: Roman M Kalina Managing Editor: Bartłomiej J Barczyński Publisher & Editorial Office: Archives of Budo Aleje Jerozolimskie 87 02-001 Warsaw POLAND Mobile: +48 609 708 909 E-Mail: [email protected] Copyright Notice 2015 Archives of Budo and the Authors This publication contributes to the Open Access movement by offering free access to its articles distributed under the terms of the Creative Commons Attribution-Non- Commercial 4.0 International (http://creativecommons.org/licenses/by-nc/4.0), which permits use, distribution, and reproduction in any medium, provided the original work is properly cited, the use is non-commercial and is otherwise in compliance with the license. The copyright is shared by authors and Archives of Budo to control over the integrity of their work and the right to be properly acknowledged and cited. ISSN 2450-2650 Health and Martial Arts in Interdisciplinary Approach 1st World Congress • September 17-19, 2015 • Czestochowa, Poland Scientific Committee Prof. Roman Maciej KALINA Head of Scientific Committee University of Physical Education and Sports, Gdańsk, Poland Prof. Sergey ASHKINAZI, Lesgaft University of Physical Education, St. Petersburg, Russia Prof. Józef BERGIER, Pope John Paul II State School of Higher Education in Biała Podlaska, Poland Prof. -
Grandmaster Book of Ninja Training
The Grandmaster's Book of Ninja Training Dr Masaaki Hatsumi Translated by Chris, W. P. Reynolds Library of Congress Cataloging-in-Publication Data Hatsumi, Masaaki, 1931- The grandmaster's book of ninja training / Masaaki Hatsumi. p. cm. Includes index. ISBN 0-8092-4629-5 (paper) 1. Hand-to-hand fighting, Oriental. 2. Ninjutsu. 3. Hatsumi, Masaaki, 1931- I. Title. U167.5.H3H358 1987 613.7'1—dc19 87-35221 CIP TRANSLATION NOTE Although some of the Japanese of these interviews was capably translated at the time it was given by Doron Navon, the entire text has been retranslated from the original. Unnecessary repetitions, inaudible phrases, etc., have been edited out. Dr. Hatsumi's manner of speak- ing is by no means always straightforward, and little attempt has been made to reproduce it, since it was felt that this would be too confusing and barely read- able. However, efforts have been made (including consultation with Hatsumi Sensei himself) to clarify the many points that required it. Only a few of his very frequently used interjected phrases (expressions Published by Contemporary Books A division of NTC/Contemporary Publishing Group, Inc. like "you see," "right?," etc.) have been retained, just 4255 West Touhy Avenue, Lincolnwood (Chicago), Illinois 60712-1975 U.S.A. for the sake of naturalness; and for the same reason, Copyright © 1988 by Masaaki Hatsumi some of the broken sentences and changes of direc- All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, tion characteristic of informal speech have been re- photocopying, recording, or otherwise, without the prior written permission of tained, as long as the meaning is clear. -
Ritual Formalism and the Intangible Body of the Japanese Koryū Budō Culture
Original scientific paper Received: 27 January 2014 Accepted: 14 March 2014 DOI: 10.15176/vol51no109 UDK 796.8(520) Ritual Formalism and the Intangible Body of the Japanese Koryū Budō Culture LEO RAFOLT Faculty of Humanities and Social Sciences, Zagreb koryū budō gendai budō The paper presents an analysis of the interrelationkoryū bud betweenō the traditional Japanese martial arts culture ( ) and its modern correspondents ( ). The analysis is based on the idea of inscribing on UNESCO's list of intangible cultural heritage, as Japan’s oldest martialkoryū cultural asset. Initial proposals to do so were put forward in the last ten years by some Japanese martial arts organizations, budōe.g. Nippon Budokan, especially by its legacy division. The paper interprets the ritual-like and pattern-like formalism of the Japanese modern and traditional legacy, especially in the context ofbud “Japaneseō nationalist history” after the Meiji Restoration. Emphasis is therefore put on the structures of movements that pre-exist in the ritual practices of the classical culture and are still present in modern martial arts systems, because of their hereditary and pre-formalized performativity. Key words: koryū budō, gendai budō, ritual, kata, Japanese martial arts The Japanese were the most alien enemy the United States had ever fought in an all-out struggle. In no other war with a major foe had it been necessary to take into account such exceedingly different habits of acting and thinking […]. Conventions of war which Western nations had come to accept as facts of human nature obviously did not exist for the Japanese. It made the war in the Pacific more than a series of landings on island beaches, more than an unsurpassed problem of logistics. -
The Aiki Dojo
Awarded “Outstanding Cultural Organization”50th Anniversary Southern California Japanese Chamber of Commerce – Recipient of the Brody Multi-Cultural Arts Grant 1988 Aikido Center of Los Angeles, LLC, 1211 N. Main Street, Los Angeles, CA 90012 – Tel: (323) 225-1424 – www.Aikidocenterla.com The Aikido Center of Los Angeles The Aiki Dojo Direct Affiliation: Aikido World Headquarters, 17-18 Wakamatsu-cho, Shinjuku-ku, Tokyo, Japan Los Angeles Sword and Swordsmanship Society Kenshinkai The Furuya Foundation February 2016 Volume XXXV Number 2 In This Issue… Happy Chinese New Year! Message From the Teacher by David Ito…..………..........Page 1 What Good is Rank? by David Ito…..………….….Page 2 Saving Self; Saving Face Gong Hey Fat Choy! by Ken Watanabe …...............Page 3 2nd Doshu Memorial .......…Page 5 Welcome to 2016 Kagami Biraki……….......…Page 6 The Year of the Red Fire Monkey! The Meaning of Teaching by Rev. Kensho Furuya …......Page 7 Class Schedule……….......…Page 8 Dojo Map…………….…..…Page 8 Message From the Teacher For the Aikidoist, the Year of the Monkey can by David Ito, Aikido Chief Instructor lead us down one of two paths. The first path has us falling prey to the monkey’s delusions According to Chinese astrology, 2016 is the and, lacking focus, we become self-absorbed Upcoming Events Year of the Fire Monkey. The characteristics and full of our own egos. When we think we February 27th: of the year usually follow the nature of the “know,” there is no need for improvement. Intensive Seminar animal and we can anticipate the monkey’s This, coupled with a lack of proper focus and intelligence and hyperactivity to be of influ- work-ethic, precludes us from learning and March 5th: ence this year. -
Martial Arts by Erika Enigk More Content Now
KIDZ BUZZ DRAWING WITH MARK! Get a pencil and use the grid below to draw the apple pie as shown. The grids will help you to line everything up. Keep practicing and having fun! Martial arts By Erika Enigk More Content Now artial arts are a fun way to be active and learn a valuable skill. No matter where your inter- Mests are, there’s a martial art you can enjoy. More Than Fighting Most people think of martial arts as methods of fighting, but they’re really about so much more. In fact, one of the keys to many martial arts is learn- ing how to avoid a fight and defend yourself when someone tries to pick a fight with you. When you learn a martial art, you learn how to focus on a task and how to pick yourself up when you fall. You will also learn how to make quick decisions and how to over- s Karate come fear—not just of other people but of problems you might be having s Tai Chi at home or school. If you’re hav- ing a tough time and feeling angry, t Kendo practicing a martial art can help you focus on something healthy until you can work through your feelings. The Right One for You There are five main types of martial arts: Stand-up styles (like boxing or karate), grappling (wrestling), throw- ing (judo), weapons-based (kali), meditative (tai chi), and MMA, which is “mixed martial arts,” a combina- tion of the other styles. Some require a lot of contact with other people, while some require very little.