Last Will and Testament
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Economic Instruments for the Sustainable Management Of
Economic Instruments for the Sustainable Management of Natural Resources A Case Study on the Philippines’ Forestry Sector Economic Instruments for the Sustainable Management of Natural Resources A Case Study on the Philippines’ Forestry Sector National Institution leading the Study: University of the Philippines Los Baños, the Philippines National Team Contributing Authors: Herminia Francisco, Edwino Fernando, Celofe Torres, Eleno Peralta, Jose Sargento, Joselito Barile, Rex Victor Cruz, Leonida Bugayong, Priscila Dolom, Nena Espriritu, Margaret Calderon, Cerenilla Cruz, Roberto Cereno, Fe Mallion, Zenaida Sumalde, Wilfredo Carandang, Araceli Oliva, Jesus Castillo, Lolita Aquino, Lucrecio Rebugio, Josefina Dizon and Linda Peñalba UNITED NATIONS New York and Geneva, 1999 NOTE The views and interpretation reflected in this document are those of the author(s) and do not necessarily reflect an expression of opinion on the part on the United Nations Environment Programme. UNEP/99/4 ii The United Nations Environment Programme The United Nations Environment Programme (UNEP) is the overall coordinating environ- mental organisation of the United Nations system. Its mission is to provide leadership and encour- age partnerships in caring for the environment by inspiring, informing and enabling nations and people to improve their quality of life without compromising that of future generations. In accord- ance with its mandate, UNEP works to observe, monitor and assess the state of the global environ- ment, and improve our scientific understanding of how environmental change occurs, and in turn, how such changes can be managed by action-oriented national policies and international agree- ments. With today’s rapid pace of unprecedented environmental changes, UNEP works to build tools that help policy-makers better understand and respond to emerging environmental challenges. -
Nytårsrejsen Til Filippinerne – 2014
Nytårsrejsen til Filippinerne – 2014. Martins Dagbog Dorte og Michael kørte os til Kastrup, og det lykkedes os at få en opgradering til business class - et gammelt tilgodebevis fra lidt lægearbejde på et Singapore Airlines fly. Vi fik hilst på vore 16 glade gamle rejsevenner ved gaten. Karin fik lov at sidde på business class, mens jeg sad på det sidste sæde i økonomiklassen. Vi fik julemad i flyet - flæskesteg med rødkål efterfulgt af ris á la mande. Serveringen var ganske god, og underholdningen var også fin - jeg så filmen "The Hundred Foot Journey", som handlede om en indisk familie, der åbner en restaurant lige overfor en Michelin-restaurant i en mindre fransk by - meget stemningsfuld og sympatisk. Den var instrueret af Lasse Hallström. Det tog 12 timer at flyve til Singapore, og flyet var helt fuldt. Flytiden mellem Singapore og Manila var 3 timer. Vi havde kun 30 kg bagage med tilsammen (12 kg håndbagage og 18 kg i en indchecket kuffert). Jeg sad ved siden af en australsk student, der skulle hjem til Perth efter et halvt år i Bergen. Hans fly fra Lufthansa var blevet aflyst, så han havde måttet vente 16 timer i Københavns lufthavn uden kompensation. Et fly fra Air Asia på vej mod Singapore forulykkede med 162 personer pga. dårligt vejr. Miriams kuffert var ikke med til Manilla, så der måtte skrives anmeldelse - hun fik 2200 pesos til akutte fornødenheder. Vi vekslede penge som en samlet gruppe for at spare tid og gebyr - en $ var ca. 45 pesos. Vi kom i 3 minibusser ind til Manila Hotel, hvor det tog 1,5 time at checke os ind på 8 værelser. -
Philippine Folklore: Engkanto Beliefs
PHILIPPINE FOLKLORE: ENGKANTO BELIEFS HISTORICAL BACKGROUND: Philippine mythology is derived from Philippine folk literature, which is the traditional oral literature of the Filipino people. This refers to a wide range of material due to the ethnic mix of the Philippines. Each unique ethnic group has its own stories and myths to tell. While the oral and thus changeable aspect of folk literature is an important defining characteristic, much of this oral tradition had been written into a print format. University of the Philippines professor, Damiana Eugenio, classified Philippines Folk Literature into three major groups: folk narratives, folk speech, and folk songs. Folk narratives can either be in prose: the myth, the alamat (legend), and the kuwentong bayan (folktale), or in verse, as in the case of the folk epic. Folk speech includes the bugtong (riddle) and the salawikain (proverbs). Folk songs that can be sub-classified into those that tell a story (folk ballads) are a relative rarity in Philippine folk literature.1[1] Before the coming of Christianity, the people of these lands had some kind of religion. For no people however primitive is ever devoid of religion. This religion might have been animism. Like any other religion, this one was a complex of religious phenomena. It consisted of myths, legends, rituals and sacrifices, beliefs in the high gods as well as low; noble concepts and practices as well as degenerate ones; worship and adoration as well as magic and control. But these religious phenomena supplied the early peoples of this land what religion has always meant to supply: satisfaction of their existential needs. -
2015Suspension 2008Registere
LIST OF SEC REGISTERED CORPORATIONS FY 2008 WHICH FAILED TO SUBMIT FS AND GIS FOR PERIOD 2009 TO 2013 Date SEC Number Company Name Registered 1 CN200808877 "CASTLESPRING ELDERLY & SENIOR CITIZEN ASSOCIATION (CESCA)," INC. 06/11/2008 2 CS200719335 "GO" GENERICS SUPERDRUG INC. 01/30/2008 3 CS200802980 "JUST US" INDUSTRIAL & CONSTRUCTION SERVICES INC. 02/28/2008 4 CN200812088 "KABAGANG" NI DOC LOUIE CHUA INC. 08/05/2008 5 CN200803880 #1-PROBINSYANG MAUNLAD SANDIGAN NG BAYAN (#1-PRO-MASA NG 03/12/2008 6 CN200831927 (CEAG) CARCAR EMERGENCY ASSISTANCE GROUP RESCUE UNIT, INC. 12/10/2008 CN200830435 (D'EXTRA TOURS) DO EXCEL XENOS TEAM RIDERS ASSOCIATION AND TRACK 11/11/2008 7 OVER UNITED ROADS OR SEAS INC. 8 CN200804630 (MAZBDA) MARAGONDONZAPOTE BUS DRIVERS ASSN. INC. 03/28/2008 9 CN200813013 *CASTULE URBAN POOR ASSOCIATION INC. 08/28/2008 10 CS200830445 1 MORE ENTERTAINMENT INC. 11/12/2008 11 CN200811216 1 TULONG AT AGAPAY SA KABATAAN INC. 07/17/2008 12 CN200815933 1004 SHALOM METHODIST CHURCH, INC. 10/10/2008 13 CS200804199 1129 GOLDEN BRIDGE INTL INC. 03/19/2008 14 CS200809641 12-STAR REALTY DEVELOPMENT CORP. 06/24/2008 15 CS200828395 138 YE SEN FA INC. 07/07/2008 16 CN200801915 13TH CLUB OF ANTIPOLO INC. 02/11/2008 17 CS200818390 1415 GROUP, INC. 11/25/2008 18 CN200805092 15 LUCKY STARS OFW ASSOCIATION INC. 04/04/2008 19 CS200807505 153 METALS & MINING CORP. 05/19/2008 20 CS200828236 168 CREDIT CORPORATION 06/05/2008 21 CS200812630 168 MEGASAVE TRADING CORP. 08/14/2008 22 CS200819056 168 TAXI CORP. -
Chapter 4 Safety in the Philippines
Table of Contents Chapter 1 Philippine Regions ...................................................................................................................................... Chapter 2 Philippine Visa............................................................................................................................................. Chapter 3 Philippine Culture........................................................................................................................................ Chapter 4 Safety in the Philippines.............................................................................................................................. Chapter 5 Health & Wellness in the Philippines........................................................................................................... Chapter 6 Philippines Transportation........................................................................................................................... Chapter 7 Philippines Dating – Marriage..................................................................................................................... Chapter 8 Making a Living (Working & Investing) .................................................................................................... Chapter 9 Philippine Real Estate.................................................................................................................................. Chapter 10 Retiring in the Philippines........................................................................................................................... -
Philippine Mythology and Folklore Include a Collection of Tales and Superstitions About Magical Creatures and Entities
Publisher Steven K. Dowd Contributing Writers John Maurice Miller Dr. Jose P. Rizal Mabel Cook Cole Alfonso P. Santos John M. Miller Dr. F. Landa Jocano Nita Umali-Berthelsen Contents From the Publishers Desk Gods and Goddesses in Philippine Myth How the World Was Made Bathala How the Moon and the Stars Came to Be Mayari The Flood Story Kan-Laon When the Lilies Return Mythical Beings The Legend if Lake Ticob Aswang The Legend of Maria Makiling Manananggal Legend of the Firefly Mangkukulam The Legend of Marinduque Mythical Animals Legend of the Dama de Noche Bakunawa The Prowess of Aliguyon Sigbin The Story of Hinilawod Adventures of Datu Paubari and his Sons The Adventures of Humadapnon Bernardo Carpio Filipino Martial Arts Digest is published and distributed by: FMAdigest 1297 Eider Circle Fallon, Nevada 89406 Visit us on the World Wide Web: www.fmadigest.com The FMAdigest is published quarterly. Each issue features practitioners of martial arts and other internal arts of the Philippines. Other features include historical, theoretical and technical articles; reflections, Filipino martial arts, healing arts and other related subjects. The ideas and opinions expressed in this digest are those of the authors or instructors being interviewed and are not necessarily the views of the publisher or editor. We solicit comments and/or suggestions. Articles are also welcome. The authors and publisher of this digest are not responsible for any injury, which may result from following the instructions contained in the digest. Before embarking on any of the physical activates described in the digest, the reader should consult his or her physician for advice regarding their individual suitability for performing such activity. -
Map Rights Wrongs: the 1734 Murillo Velarde
OCTOBER-DECEMBER-2018 ATE Volume I-2 • Number 1 UPD DILIMAN CUTTING-EDGE IN FOCUS Closer to the Map rights stars, safer on land wrongs: The By ANNA regidor 1734 Murillo Velarde Map Acting like By MArIAMME D. JADLoC gods Mental health in UPD OfficialUPDiliman @Official_UPD officialupdiliman IN THIS ISSUE FROM THE EDITOR hrough the years, 5 ACTING LIKE GODS Humans could live for 500 years due to medical “UPDate Diliman” breakthroughs and a rise in biomechanics. Sir Anril Pineda Tiatco (UPDate), a bimonthly EDITOR publication of the UP Diliman Information Office Mariamme D. Jadloc T (UPDIO) under the Office of 9 CLOSER TO THE STARS, SAFER ON LAND The Philippines is now MANAGING EDITOR one step closer to the stars as it ventures into establishing its own space agency. the Chancellor, had various Albino C. Gamba Jr. transformations in terms of layout, COPY EDITOR design, color palette, typography 14 ANG AKLAT PAMBATA SA PANAHON NG GADGETS Bago and sizes, among others. Denes V. Dasco From its original 8.5 x 11 pa nauso ang mga iPad, iPhone, android phone, Xbox, programa sa cable, Netflix ART DIRECTOR inches in size in 1996, UPDate at Cartoon Network, namulat ang karamihan sa mga batang Pinoy sa mga kuwento transformed into a broadsheet nina Maria Makiling at Juan Tamad. Haidee C. Pineda in 1998 to accommodate the Anna Kristine E. Regidor growing demands for publishing Benito V. Sanvictores Jr. more newsworthy articles about 19 MAP RIGHTS WRONGS: THE 1734 MURILLO Kevin Brandon E. Saure UP Diliman as well as features VELARDE MAP STAFF WRITERS China never controlled the South China Sea on the trail blazing researches (West Philippine Sea) at any time in history, as proven and achievements of the by the 1734 Murillo Velarde map. -
Audio/Visual Materials
Philippine Studies Audio-Visual Resources Available at Wong Audio-Visual Room, Sinclair Library University of Hawaii at Manoa Tel: (808) 956-8308 URL: http://www.sinclair.hawaii.edu/wavc/ Alamat ni Julian Makabayan (The minor kingdoms, the series chronicles the Legend life of Amaya, a daughter of a Datu and a of Julian Makabayan) slave, prophecized to be the one who would 2 videodiscs : sd., col. ; 4 3/4 inches, defeat the fierce Rajah Mangubat. Born as a Pasig City : Viva Video, Inc., 2003 princess, she was demoted to slave status as Rajah Mangubat slayed her father. Guided A rice farmer stands up for social justice by her kambal-ahas, she embarks on a during the period when Spain ruled the journey to avenge her father's death and Philippines. (In Tagalog with English eventually to defeat the person that has been subtitles) the root cause of her misery and the downfall of her beloved land. With these, UH MANOA DVD 6130 she must climb the social ladder, from being a slave, to being an alabay, to become a tribe leader, then a warrior, and eventually Aloha Philippines: The Sakada fulfill her destiny to become the most Generation powerful woman of her time. (In Tagalog with English subtitles) Sakada Generation 60 minutes, color with b&w sequences, 1/2 UH MANOA DVD 10895 inch, VHS. Honolulu, HI: KITV, 1996. Telecast March 14, 1996. American Adobo This program looks at the Filipino community in Hawai‘i, tracing its roots 90 years ago, to 103 minutes, color, 4 ¾ inch, DVD. the first sugar plantation immigrants called U.S.: First Look Home Entertainment sakadas. -
CCP MAJOR ACCOMPLISHMENTS for FY 2019 (January-December 2019)
CCP MAJOR ACCOMPLISHMENTS FOR FY 2019 (January-December 2019) FESTIVALS (multi-venue, multi-arts) PASINAYA 2019: PALABAS (THE CCP OPEN HOUSE FESTIVAL) No. of Shows: 224 shows No. of performers: 7,691 performers (186 groups, 98 individuals) No. of Audience: 12,131 No. of Viewership:111,706 Description: For its 15th year, the Pasinaya, the biggest multi arts festival in the Philippines, is now three days - one day workshop and two days of performances featuring the participation of thousandsof artists and hundreds of artistic and cultural groups in the Philippines. It offered to the public a unique- “Pay what you can, See all you can” donation scheme the opportunity to enjoy a sneak preview of the CCP Performance Season. Other cultural sites for the events were the Metropolitan Museum of Manila, Museo Marino, National Museum: National Museum of Fine Arts, National Museum of Anthropology and National Musuem of Natural History; Bahay Tsinoy, Fort Santiago, Casa Manila, Museo Pambata, UP Manila Museum of a History of Ideas, FDCP Cinematheque Manila, Museum of Contemporary Art and Design, 1335 Mabini, Avellana Art Gallery, Gallery Duemila, 98B Collaboratory, Mono 8, DestileriaLimtuaco Museum, Calle Wright, NCCA Gallery and De La Salle College of Saint Benilde Center for Campus Art. 30 vans from the Museum Foundation of the Philippines ferried audiences to partner museums for free.More than 7,000 artists from 186 institution-based, community-based and school-based artistic groups participated in the 2019 CCP Pasinaya. PALIHAN (Workshop) No. of shows/activities/events:77 workshops(11 venues) No. of facilitators/mentors/teachers: 96 teachers and mentors, 327 artist-teacher facilitators and performers No. -
Philippine Contemporary Dance and Narratives of the Nation Ruth Jordana Luna Pison
Dancing a Nation: Philippine Contemporary Dance and Narratives of the Nation RUTH JORDANA LUNA PISON Philippine Humanities Review Volume 15 Number 1, 2013, pp. 3 - 50 ISSN-0031-7802 © 2013 University of the Philippines 4 PISON DANCING A NATION: PHILIPPINE CONTEMPORARY DANCE AND NARRATIVES OF THE NATION RUTH JORDANA LUNA PISON So much has been written about the nation vis-à-vis other fields in the humanities, literature in particular. My interest in dance lies in its peculiar location within and vis-à-vis the discourse of the nation. An ephemeral form, dance has elicited various, and even contradictory, valuations; most of the time it is considered a mere form of entertainment. It is undeniable, though, that dance has articulated and informed our ideas of the nation and nationhood. In this paper, I explore how three contemporary dance companies based in Quezon City (The University of the Philippines Dance Company, Airdance, and Dance Forum) have rendered their imaginings of the Philippine nation. I focus on Philippine contemporary dance because as a cultural practice, I believe that it has choreographed the many trajectories and issues embodied in the Philippines’s imagining of itself. A number of choreographies by the three companies mobilize motifs, forms, structures, and styles that constitute and signify the Philippine nation; they have, in effect imagined a “national identity.” It is my hypothesis that Philippine contemporary dance offers a space within which the narrative of the nation, one which is different from that deployed by the state, is created. Such space opened by contemporary dance in the country has been selflessly offered by talented choreographers who have, despite meager state support, been persistently creating works under formidable conditions. -
Myths Folktales and Legends
BaguioPhoria Community Let us tell stories, myths and legends. But let me start with intro about the meaning of the different terms. The terms legend and folktale are sometimes used interchangeably with myth. Technically, however, these are not the same. How should we distinguish them? A myth is a sacred story from the past. It may explain the origin of the universe and of life, or it may express its culture's moral values in human terms. Myths concern the powers who control the human world and the relationship between those powers and human beings. Although myths are religious in their origin and function, they may also be the earliest form of history, science, or philosophy... A folktale is a story that, in its plot, is pure fiction and that has no particular location in either time or space. However, despite its elements of fantasy, a folktale is actually a symbolic way of presenting the different means by which human beings cope with the world in which they live. Folktales concern people -- either royalty or common folk -- or animals who speak and act like people... A legend is a story from the past about a subject that was, or is believed to have been, historical. Legends concern people, places, and events. Usually, the subject is a saint, a king, a hero, a famous person, or a war. A legend is always associated with a particular place and a particular time in history. My interest in mythology intertwines with my interests in: Astronomy, Archaeology, Astrology, Psychic Stuff, Skepticism, Religion and Catastrophism. -
SOURCES and INFLUENCES As Popular Culture, Film Is a Voracious Medium That Feeds on Material from Traditional Literary Forms
SOURCES AND INFLUENCES As popular culture, film is a voracious medium that feeds on material from traditional literary forms and recent media products to create narratives with which to mesmerize its audience. In the Philippines, movies have been made from plays, novels, folk tales, legends, and even poems, capitalizing on the presumed familiarity of the public with the events, characters and themes of these traditional/popular narrative genres. In the decades following World War II, filmmakers discovered that Filipinos had been growing less and less print-oriented, gravitating instead to entertainment provided by radio and television, and more especially by illustrated popular novels called komiks. Consequently, there has been in recent years a proliferation of films based on narratives created for the mass audience, the same audience on which producers pin their hopes for mega-profits. Both for the serious student of film and the conscientious practitioner of the art, it is instructive to know how film as art and entertainment has related to literature, theater and popular culture in exerting its own brand of witchery on Filipinos it has captivated. The most significant sources of influences on the Filipino film are: significant events in Philippine history; outstanding personalities from all classes both past and present; theater forms popular at a given period, like the komedya, sinakulo, sarswela, drama, and bodabil; folk traditions in oral literature, music, dance, and the visual arts; formal literary tradition, as exemplified by the awit and korido, novels and short stories in Tagalog, English and Spanish; popular komiks, which feature fantasy stories and melodramas; radio, which popularizes soap operas and musical dramas; television, with its long-running drama anthologies, situational comedies, music competitions, and variety shows; and foreign films, which introduce trends and fads followed by local movies.