A Brief History of Ars Electronica 1979–2019 Andreas J
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Color Palette Typography Header 1 Navigation Imagery Logo
Color Palette Logo Icons Background Brand/Highlight Highlight Highlight Dates Page/ Restaurant Bar Coffee Movies The Arts Music Sports /Text Date on date (location tag) (location tag) (location tag) (location tag) (location tag) (location tag) (location tag) /Text #EDEDED #F1D7CA plan page #6A42ED #FFFFFF Outdoors Time Location (location tag) (Date plan page) (Date plan page) Text Text Text #DDDDDD #AAAAAA #000000 Buttons/Links Typography Navigation Button Button Ready to go on a date? Open drop down menu Close drop down menu Source Serif Pro, s: 36, Bold Header 1 4 1 Inactive primary CTA Secondary CTA Enable “Set Up a Date” Feature Private until you both have enabled Button Button IBM Plex Sans, s: 30, Semi-Bold Header 2 Popup with the Enable a date Bottom navigation menu feature on the match chat page Inactive toggle state Active toggle state Primary CTA Tertiary CTA and Filters (enable setup feature) (enable setup feature) IBM Plex Sans, s: 21, Semi-Bold Header 3 Activity Price Rating April Source Serif Pro, s: 24, Bold Subheader 1 Who do you want to date? Who do you want to date? Recommended Filters (expanded) S M T W T F S Select a Match Erin Matthews New Spots IBM Plex Sans, s: 18, Semi-Bold Subheader 2 1 2 3 4 Upcoming Events Setup a Date Buttons (nothing Setup a Date Buttons (selection Close button (used for popout selected made) screens) Get a Drink IBM Plex Sans, s: 15, Semi-Bold Subheader 3 5 6 7 8 9 10 11 Get some Food 12 13 14 15 16 17 18 IBM Plex Sans, s: 24, Semi-Bold Button 1 See a Movie Add Add 19 20 21 22 23 24 25 Get Outside Add button for set up a date Add button for set up a date Location selector on Location selector on IBM Plex Sans, s: 13, Semi-Bold Button 2 Back button 26 27 28 29 30 Sports options (inactive) options (active) map view (current) map view (not-current) Listen to Music IBM Plex Sans, s: 9, Medium Button 3 May Add 6:00 PM 6:00 PM S M T W T F S IBM Plex Sans, s: 14, Medium Body 1 Setup a date button (selected Setup a date button This is an example of a body text paragraph. -
December 2 & 3 2020 Online
INTERNATIONAL SYMPOSIUM December 2 & 3 2020 Masaryk University, Faculty of Arts Brno, Czech Republic online Speakers: Amy Alexander Hans Bernhard Sarah Cook & Roddy Hunter Wendy Coones & Oliver Grau Jana Horáková Michal Klodner Barbora Kundračíková Alessandro Ludovico Alex McLean Organized by: PhD study programme Digital Culture and Creative Industries Team: Svatava Doubková, Jana Horáková, Ivan Koutný Contact: [email protected] INTERNATIONAL SYMPOSIUM DIGITAL CURATOR Wednesday, December 2 10:00–10:10 Symposium opening, day 1 10:10–10:50 Wendy Coones & Oliver Grau: Digital Curation in a Living Archive - History and Future of the Archive of Digital Art 10:50–11:30 Alessandro Ludovico: Curating Media Art in Physical Spaces, Online, and on Printed Pages 11:30–13:00 Lunch break 13:00–13:40 Alex McLean: Archiving Live Code 13:50–14:30 Hans Bernhard, UBERMORGEN: The Next Biennial Should be Curated by a Machine 14:30 Symposium closing, day 1 Thursday, December 3 09:00–09:10 Symposium opening, day 2 09:10–09:50 Amy Alexander: “Always Only Once.” The Paradox of Preservation: From Expanded Cinema to Performative Algorithms 10:00–10:40 This contribution was unfortunatelly canceled. 10:50–11:30 Sarah Cook & Roddy Hunter: Networked Art Practice after Digital Preservation 11:30 - 13:20 Lunch break 13:20–14:00 CZ archives: Jana Horáková: Do neural networks dream of videoart? Media Art Live Archive for Vašulka Kitchen Brno Barbora Kundračíková: CEAD New Media Archive state funded institutions and new media storage Michal Klodner: National Film Archive Prague 14:00–15:00 Discussion 15:00 Symposium closing, day 2 Full Program Wednesday, December 2 10:00–10:10 Symposium opening, day 1 10:10–10:50 Wendy Coones & Oliver Grau: Digital Curation in a Living Archive - History and Future of the Archive of Digital Art In the past five decades, Media Art has evolved into a critical field at the intersection of art, science and technology. -
Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights. -
BEST of AUSTRIA an Art Collection
Lentos Kunstmuseum Linz Information sheet BEST OF AUSTRIA An Art Collection 2 January until 10 May 2009 0002852 DVR-Nummer Lentos Kunstmuseum Linz, A-4021 Linz, Ernst-Koref-Promenade 1 Tel: +43 (0)732.7070-3600 Fax: +43 (0)732.7070-3604 www.lentos.at Contents Exhibition Facts 3 Press Text 4 Catalogue article by Stella Rollig and Martin Heller 6 Statement OMV 10 Exhibition design 12 Press Images and Credits 13 Seite 2 Exhibition facts Exhibition title: BEST OF AUSTRIA. An Art Collection Exhibition period 2 January until 10 May 2009 Press conference 30 December 2008, 10 am Opening 1 January 2009, 7 pm (with invitation), 9 pm (open house) Exhibition locality Lentos Kunstmuseum Linz, first floor Exhibits almost 100 pieces of art Catalogue „BEST OF AUSTRIA. An Art Collection“, edited by Lentos Artmuseum Linz at publication PN° Bibliothek der Provinz, Weitra 2008. With articles by Martin Heller, Rainer Metzger, Stella Rollig and Franz Schuh. Numerous colour pictures, 189 p. The catalgue is published in german and english. Price: 29,- €. Contact Ernst-Koref-Promenade 1, 4020 Linz, Tel. +43(0)732/7070-3600; [email protected], www.lentos.at Opening hours daily 10 am-6 pm; Thur 10am-9 pm Admission € 6,50, reduced € 4,50 Guided tours Thursdays 7 pm and Sundays 4 pm Period: 1 hours, Meeting point: Lentos Cash, Costs: € 3,- Guided tour with director Stella Rollig: Thur. 5 February, 7 pm and Thur. 19 March, 7 pm Press contact Lentos: Nina Kirsch, Tel. +43(0)732/7070-3603 [email protected] Linz09: Pia Leydolt, Tel. -
Prix Ars Electronica 2021
Now open for submissions: Prix Ars Electronica 2021 (Linz, 13 January, 2021) Projects can be submitted to the Prix Ars Electronica 2021 from now until 3 March in the following categories: Computer Animation, Artificial Intelligence & Life Art, u19 – create your world, and Digital Musics & Sound Art (now featuring the “Isao Tomita Special Prize”). This year, entrants will also have the opportunity to submit their projects to the new “Ars Electronica Award for Digital Humanity,” made possible by the Austrian Federal Ministry for European and International Affairs. All projects and works submitted for the Prix Ars Electronica can also be nominated for the STARTS Prize. An overview of the Prix Ars Electronica 2021: Computer Animation … ... is open to independent art and science works, as well as commercial high-end productions from the film, advertising and entertainment industries. Artistic originality counts as much as excellent technical performance. Submissions may include experimental approaches based on expanded interpretations of computer animation that go beyond the screen in both artistic and technical terms. Digital Musics & Sound Art ... ... is looking for contemporary digital sound productions from the broad spectrum of “electronica”: from works that combine sound and media, to electro-acoustic or experimental computer compositions, to sound installations. Regardless of media or genres, the focus is on the musical and sonic qualities of the submitted works. … and the Isao Tomita Special Prize This year’s jurors will be the first to award the 5000-euro Isao Tomita Special Prize in the category Digital Musics & Sound Art. The prize is named after the Japanese pioneer of electronic music who died in 2016. -
1 VALIE EXPORT 1940 Born in Linz, Austria Lives and Works in Vienna
2525 Michigan Ave., Unit B2, Santa Monica, CA USA 90404 T/ 310 264 5988 F/ 310 828 2532 www.patrickpainter.com VALIE EXPORT 1940 1967 Born in Linz, Austria Lives and works in Vienna and Cologne Invention of name ‘VALIE EXPORT’: an artistic concept and logo to be written in Education capital letters only. 1964 S ELECTED S OLO National E X HIBITIONS Technical School, Vienna 2017 Intervention VALIE EXPORT 2016 VALIE EXPORT , Jewish Museum, Vienna, Austria 2015 VALIE EXPORT. , Galerie Metonoia Labirynt, Lublin, Poland , Tanja Grunert Gallery, New York 2014 VALIE EXPORT, VALIE EXPORT, VALIE EXPORT, Kunsthaus Zürich, Switzerland Kunsthaus, Weiz, Austria 2013 Bilder Der Charim Beruhrung Events, Vienna, Austria VALIE EXPORT: Images of Contingence VALIE EXPORT , ZAK BRANICKA, Berlin, Germany , ZAK BRANICKA, Berlin 2012 VALIE EXPORT, , B Cubico, Racife, Brazil VALIE EXPORT Charim Galerie, Vienna, Austria 2011 VALIE EXPORT , Artissima, Archiv, Internazionale d’Arte Contemporanea, Italy VALIE EXPORT VALIE EXPORT. Schwartz Kunsthaus weib ist mir Bregenz, Farbe Bregenz genug, VALIE EXPORT:BODY , Art Berlin = LANGUAGE Contemporary, Berlin/Station Berlin Charim Ungar, Berlin VALIE EXPORT. Time and , Countertime, Centro de Arte Contempranea e Fotografia, VALIE EXPORT: Belo Archiv, Horizonte Museion, Bolzano 2010 *VALIE EXPORT Kunsthaus Bregenz, Bregenz, Germany VALIE EXPORT, VALIE EXPORT, Galerie Belvedere, Vienna, Austria STADTBILDER. Lentos FOTOINSTALLATIONVALIE Kunstmuseum, Linz, EXPORT Austria * , Österreichische Galerie Belvedere, Vienna, Austria -
Scarica Qui Il Numero Del Journal in Formato
DIGICULT Digital Art, Design & Culture Fondatore e Direttore: Marco Mancuso Comitato consultivo: Marco Mancuso, Lucrezia Cippitelli, Claudia D'Alonzo Editore: Associazione Culturale Digicult Largo Murani 4, 20133 Milan (Italy) http://www.digicult.it Testata Editoriale registrata presso il Tribunale di Milano, numero N°240 of 10/04/06. ISSN Code: 2037-2256 Licenze: Creative Commons Attribuzione-NonCommerciale-NoDerivati - Creative Commons 2.5 Italy (CC BY-NC-ND 2.5) Stampato e distribuito tramite Peecho Sviluppo ePub e Pdf: Loretta Borrelli Cover design: Eva Scaini INDICE Loredana Menghi Plug’n’play Festival, Audiovisual Club Salento ........................................................ 3 Marco Mancuso Il Cinema Verita’ Di Pierre Bastien ............................................................................. 6 Bertram Niessen Atom: Floating Audiovisual Design .......................................................................... 14 Monica Ponzini Rafael Lozano-Hemmer: Relational Architecture ................................................. 19 Alessandro Massobrio Silenzio, Le Declinazioni Della Sound Art .............................................................. 29 Claudia Moriniello Ankersmit, Side By Side ............................................................................................ 32 Eleonora Oreggia Sostenibile Non-proprieta’, La Risposta Di Estudio Livre ................................... 40 Francesca Valsecchi Hackmeeting 2007: Ten Years Nerdcore .............................................................. -
JUL 2 3 2003 Archives LIBRARIES Table of Contents
Experiments in Corporate Collaboration: The Case of the Ars Electronica FutureLab by Stephanie Davenport B.A. French Studies (1994) University of Pennsylvania Submitted to the Department of Comparative Media Studies in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies at the Massachusetts Institute of Technology May 2003 © Massachusetts Institute of Technology All rights reserved Signature of A uthor................................................ .... ..... ............. Department of Compafative Media Studies May 9, 2003 Certified by..........................................................................Wang Professor, Chinese Cultural Studies Affiliated Faculty, Comparative Media Studies Thesis Supervj or Accepted -by................................................. j . .. .. .. .. .. .. .. .. .. .. .. .. William Uricchio Professor & Acting Director, Comparative Media Studies MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUL 2 3 2003 ARCHivEs LIBRARIES Table of Contents A bstract ............................. ................. ................... ........................................ ..... 3 A ckn ow ledgemnents ....................................................................................................................... 4 List of F ig u res ....................................................................................................................... 5 In tro du ction ................. ................................................................................................... -
Typographers'
TUGboat, Volume 39 (2018), No. 1 17 Typographers’ Inn Peter Flynn Fonts and faces and families I suppose we’ve all but given up the unequal strug- gle to distinguish between a family, a face, and a font. I still use the terms separately, out of force of habit, but some work we were doing recently (see ‘X LE ATEX’ below) allowed me to identify many good examples. One family I installed recently (following its announcement on comp.text.tex) was IBM Plex, which is composed of these faces: 1. Plex Serif 12. Plex Sans SemiBold Figure 1: IBM Plex in action 2. Plex Serif ExtraLight 13. Plex Sans Text 3. Plex Serif Light 14. Plex Sans Thin 4. Plex Serif Medium 15. Plex Mono 5. Plex Serif SemiBold 16. Plex Mono ExtraLight 6. Plex Serif Text 17. Plex Mono Light ports. maybe four if we include theses) it’s usually 7. Plex Serif Thin 18. Plex Mono Medium much more important that the choice of typeface 8. Plex Sans 19. Plex Mono SemiBold remains unnoticed. It’s not that the choice is unim- 9. Plex Sans ExtraLight 20. Plex Mono Text portant, but that it’s more subtle than just choosing 10. Plex Sans Light 21. Plex Mono Thin a ‘font’ that you like the look of, although that is 11. Plex Sans Medium obviously part of the decision. In the days of metal type, even the largest print- I numbered them on a slide for a training course ers would have had only a tiny fraction of the type- so that the students could see the seven serif, seven faces available to the average computer user today: sans, and seven monospace components — and with a designer specifying a face not on hand would have luck, understand the distinction — before explaining had to cost-justify the rental of the matrices needed that each one came in the four standard font variants: to cast it, or (in smaller houses) buying sorts in regular, bold, italic, and bold-italic; making 84 in all. -
For Inquiries, Contact Jenni Baier at 610.827.7040 Or [email protected]
ECHOES UNDERWRITING AUTUMN 2019 SPECIAL ENHANCE THE IMPACT OF YOUR BUSINESS Did you know you can promote your business on the airwaves of Echoes? Each week, Echoes infuses its over 150,000 listeners with a world of music and information, while providing our sponsors unrivaled access to this influential, well positioned, and highly educated public radio audience. About Echoes: Echoes is a two hour soundscape that airs on 110 stations including New York City, Philadelphia, Cincinnati, Atlanta, St. Louis, Detroit, Baltimore, Charlotte, and Hawaii. Echoes is also heard online 24/7 and through Echoes Podcasts. Echoes is an oasis of chill from ambient music to atmospheric singer-songwriters; electronic spacescapes to acoustic landscapes. We interview leading figures in modern music like Brian Eno, Moby, Sigur Ros, Laurie Anderson, and the highly-regarded ECHOES Living Room Concerts with Tori Amos, Yo-Yo Ma, Lisa Gerrard, Pat Metheny, and Loreena McKennitt. Put Echoes to Work for you: Reach an Exclusive Audience Advantages of Underwriting: Reach a nationwide audience – Echoes is a nationally syndicated radio program and airs on 110 public radio stations nationwide and is available 24/7 through Echoes Online and Echoes Podcasts. Minimum clutter – Echoes airs a limited number of announcements each hour, ensuring maximum listener attention. Longer time spent listening – public radio station listeners on average listen to the radio for longer periods of time, increasing the likelihood of your announcement reaching a wide range of listeners. Multi-Platform Impact – on-air announcements are available to online streaming listeners several months beyond air date and announcements tied to our weekly podcast are available to listeners indefinitely – nearly 1,000,000 downloads/streams in 2016 alone! Cost Effective & Tax Deductible – Echoes underwriting is reasonably priced and completely tax deductible. -
Architecture in Linz 1900–2011
~ SpringerWienNewYork Architecture in Linz 1900–2011 EDITED BY Andrea Bina and Lorenz Potocnik AUTHORS Andrea Bina (ab) Theresia Hauenfels (th) Elke Krasny (ek) Isabella Marboe (im) Lorenz Potocnik (lp) PHOTOGRAPHY Gregor Graf ESSAYS BY Peter Arlt Ulrich Aspetsberger Martin Fritz Bernhard Gilli Michael John Walter Kohl Erhard Kargel Elke Krasny Wilfried Lipp Thomas Philipp Wilfried Posch Lorenz Potocnik Gerhard Ritschel Bernd Vlay Christoph Wiesmayr SpringerWienNewYork Andrea Bina, Lorenz Potocnik, Linz, Austria This publication is a follow-up project of Linz09 and was financed by the Federal Ministry for Education, Art, and Culture, the City of Linz, and the Province of Upper Austria / Cultural Department. This work is subject to copyright. All rights are reserved, whether the whole or part of the material is concerned, specifically those of translation, reprinting, re-use of illustrations, broadcasting, reproduction by photocopying machines or similar means, and storage in databanks. Product Liability: The use of registered names, trademarks, etc. in this publication does not imply, even in the absence of specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. ©2012 Springer-Verlag/Wien SpringerWienNewYork is a part of Springer Science + Business Media springer.at Graphic design: Alexander Ach Schuh & Martina Fuchs Photography: Gregor Graf Concept & Project Management: Lorenz Potocnik Editorial office: Hannah Bruckmüller, Lorenz Potocnik Copy Editing: Andrea -
Vienna for Art's Sake!
Vienna for Art’s Sake! Archive Austria / Contemporary Art Curated by Peter Noever 2 3 Vienna for Art’s Sake! Archive Austria / Contemporary Art Curated by Peter Noever Contents 5 Inhaltsverzeichnis Introductions | Einführung | Introduzioni Sommario 7 Luciano Benetton – Felix Vienna (EN) Felix Vienna (DE) Felix Vienna (IT) 13 Peter Noever – Exceptional Art Space (EN) Ausnahme-Kunstraum (DE) Spazio espositivo d’eccezione (IT) 26 Markus Mittringer – saith luciano: (EN) sagt luciano: (DE) dice luciano: (IT) 31 Artworks and Artists / Architects / Designers Kunstwerke und Künstler / Architekten / Designer Opere e artisti / architetti / designers 375 Index | Index | Indice Vienna for Art’s Sake! Introductions Einführung Introduzioni Archive Austria / Contemporary Art 7 Luciano Benetton Felix Vienna In art all roads lead to Vienna, today as in the nineteenth century. The intellectual and artistic capital of Mitteleuropa was a melting pot of ideas and experimentation, celebrated by the philosopher Karl Popper: “Vienna really was an incredible city, characterized by unparalleled creativity. It was a fertile mixture of almost all European cultures: the regime encouraged freedom of expression and the meeting of these different traditions”.1 The Vienna of today is an aggregator of artistic experiences, a capital city that fosters culture: from the 60 thousand square metre Museum Quarter – one of the largest cultural districts in the world – to contemporary galleries, from the treasures of the Habsburgs to the riches of this architectural, musical, literary city. Contemporary artistic experience, in particular, makes new headway Englisn everyday, even in strongholds of tradition such as the Winter Palace of Prince Eugene of Savoy, now a location for contemporary art.