1 VALIE EXPORT 1940 Born in Linz, Austria Lives and Works in Vienna

Total Page:16

File Type:pdf, Size:1020Kb

1 VALIE EXPORT 1940 Born in Linz, Austria Lives and Works in Vienna 2525 Michigan Ave., Unit B2, Santa Monica, CA USA 90404 T/ 310 264 5988 F/ 310 828 2532 www.patrickpainter.com VALIE EXPORT 1940 1967 Born in Linz, Austria Lives and works in Vienna and Cologne Invention of name ‘VALIE EXPORT’: an artistic concept and logo to be written in Education capital letters only. 1964 S ELECTED S OLO National E X HIBITIONS Technical School, Vienna 2017 Intervention VALIE EXPORT 2016 VALIE EXPORT , Jewish Museum, Vienna, Austria 2015 VALIE EXPORT. , Galerie Metonoia Labirynt, Lublin, Poland , Tanja Grunert Gallery, New York 2014 VALIE EXPORT, VALIE EXPORT, VALIE EXPORT, Kunsthaus Zürich, Switzerland Kunsthaus, Weiz, Austria 2013 Bilder Der Charim Beruhrung Events, Vienna, Austria VALIE EXPORT: Images of Contingence VALIE EXPORT , ZAK BRANICKA, Berlin, Germany , ZAK BRANICKA, Berlin 2012 VALIE EXPORT, , B Cubico, Racife, Brazil VALIE EXPORT Charim Galerie, Vienna, Austria 2011 VALIE EXPORT , Artissima, Archiv, Internazionale d’Arte Contemporanea, Italy VALIE EXPORT VALIE EXPORT. Schwartz Kunsthaus weib ist mir Bregenz, Farbe Bregenz genug, VALIE EXPORT:BODY , Art Berlin = LANGUAGE Contemporary, Berlin/Station Berlin Charim Ungar, Berlin VALIE EXPORT. Time and , Countertime, Centro de Arte Contempranea e Fotografia, VALIE EXPORT: Belo Archiv, Horizonte Museion, Bolzano 2010 *VALIE EXPORT Kunsthaus Bregenz, Bregenz, Germany VALIE EXPORT, VALIE EXPORT, Galerie Belvedere, Vienna, Austria STADTBILDER. Lentos FOTOINSTALLATIONVALIE Kunstmuseum, Linz, EXPORT Austria * , Österreichische Galerie Belvedere, Vienna, Austria * , Kubus Export: Der Transparente Raum, Vienna, Austria 2009 VALIE EXPORT: JERUSALEM REMIERE Open Up Kommunikation VALIE EXPORT-­‐ Scherentanzerinnen , Ticho House, Jerusalem, Israel : , Tanzquarter, Vienna, Austria 1 2525 Michigan Ave., Unit B2, Santa Monica, CA USA 90404 T/ 310 264 5988 F/ 310 828 2532 www.patrickpainter.com 2008 VALIE EXPORT: As a part of Between the Images VALIE EXPORT, , Index: The Swedish Contemporary Art Foundation, Stockholm, Sweden VALIE EXPORT, Index -­‐The Swedish Contemporary Art Foundation, Stockehold, VALIE Sweden EXPORT, Athens School of ine arts, Greece ART BASEL, Miami & Tujunga Charim Ungar Contemporary Berlin, Fasanenstraße 26 VALIE EXPORT: Die Reklame reklamieren, , Studio Joo K48-­‐ Offensive für zeitgenössische VALIE EXPORT, Wahrnehmung, Austria 2007 VALIE EXPORT, Studio Stefania Miscetti, Rome, Italy Art Basel Miami Beach, Centre Georges Pompidou, Paris, France Klemens Gasser & Tanja Grunert, New York, US VALIE Stadtturm EXPORT Gmünd. , 2nd Moscow Wellen Biennale of Contemporary Arts Charim Galerie, Vienna Dead People Don’t Scream, , National Centre for The Contemporary Voice as Art, Performance, Ekaterina Cultural Act and Body Foundation, Moscow, Russia Klemens Gasser & Tanja Grunert, New York, NY VALIE EXPORT Filme and Video (performance), La Biennale di Venezia, VALIE Venice, EXPORT. Italy DER SCHMERZ DER UTOPIE/THE PAIN OF UTOPIA. La Biennale di Venezia 2007. 52nd International , Osterreichisches Art Exhibition Filmmuseum, think Vienna, with Austria the senses.feel with the mind. art in present tense, Wellen, Quality Street, Venice, Italy Galerie im Stadtturm, Gmünd, Austria 2006 Museum working Fine Art Fair world Steyr, Frankfurt, Frankfurt, Germany 2005 VALIE EXPORT-­‐eine werkschauMuseum Arbeitswelt, Steyr, Austria VALIE EXPORT Workshow OR? , Kunst Der Gegenwart, Vienna, Austria VALIE EXPORT. Show , Work, The Essl Collection of Contemporary Art, Klosterneuburg Essl Museum Kunst der Gegenwart, Klosterneuburg, 2004 Series, Austria Atelier Augarten, Center of Contemporary Art of the Gallery Austrian Belvedere, Vienna, Austria VALIE Galerie EXPORT Im Traklhaus, Retrospective, Salzburg, Austria UN Camden DIA Arts EN Centre 1967, and The Freud Museum, London MAMCO, Geneve, Switzerland VALIE EXPORT-­‐Un Centro día en Andaluz 1967 De Arte Contemporaneo, Sevilla, Spain Maes & Matthys Gallery, Antwerp, Belgium VALIE EXPORT. Políticas de , Centro género, Andaluz Contempor De Arte áneo, Seville, Spain The Power of Language, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain The Freud Museum, London, UK 2 2525 Michigan Ave., Unit B2, Santa Monica, CA USA 90404 T/ 310 264 5988 F/ 310 828 2532 www.patrickpainter.com 2003 Media Anagrams, VALIE EXPORT Akademie der bildenden Künste, Berlin, Germany 2002 Pol`yp*to”ton, , Centre National de la Photographie, Paris, France Charim Galerie, Vienna, Austria Patrick Painter Inc., Santa Monica, CA 2001 En Galerie el Cielo Halle, Linz, Austria Ob/De + Con(Struction) , an exhibition at Venice Biennale, 2001 Der Schrel, , Goldie Paley Gallery, Moore College of Art, Philadelphia, PA; Metanoia Santa Monica or Another Museum View of Art, of Things, Santa Monica, CA (catalogue) Galerie der Gegenwart, Hamburger Kunstahalle, Hamburg, Germany Kunstverein Oldenburg, Oldenburg; Haus der Metanoia or Another View , of Things Kunst, City of Brunn Edith-­‐Russ-­‐Haus für Medienkunst, 2000 OldenburgMetanoia , or Germany Another View , of Things VALIE EXPORT – Body Configurations 1972 ’74 ‘ 76 Galerie im Taxispalais, Innsbruck, Austria Ob / De+Con(Struction), , Klemens Gasser & Tanja Grunert, Inc., New York, NY The Galleries at Moore, Moore College of Art and Design, 1999 Konzeptuelle Philadelphia, Fotografie, US Landscaping Conceptual Photography, Galerie Wilma Tolksdorf, Frankfurt, Germany , Allentsteig Memorial, Allentsteig Wilma Tolksdorf Galerie, Frankfurt, Germany 1998 Psycho Prognose Trans: Territorien oder die Häuser der Schildkröten (Trans: Territories of the Houses of Turtles) , Aachener Kunstverein, Aachen, Germany 1997 VALIE EXPORT , Residenzgalerie, Images of Contact Salzburg, Austria Split:Reality VALIE EXPORT , Deitch Projects, New York, NY VALIE EXPORT , Retrospective, Museum moderner Kunst Stiftung Ludwig, Vienna 1996 , Galerie Fotohof, Salzburg, Austria Klemens Gasser & Tanja Grunert, Inc., New York, NY 1994 Dresdner Secession 89, galerie drei, Dresden, Germany Fragmente der Bilder einer Berührung (Fragments of Images of Body Contact) Galerie Museum, Bolzano, Italy , 1992 VALIE Magazin EXPORT, 4-­‐Vorarlberger Lebend Kunstverein, oder tot Bregenz, (Alive or Dead) Austria , Retrospective, Landesmuseum Landesgalerie, Linz, Austria 3 2525 Michigan Ave., Unit B2, Santa Monica, CA USA 90404 T/ 310 264 5988 F/ 310 828 2532 www.patrickpainter.com S ELECTED G ROUP E XHIBITIONS 2017 We love animals. Von der Annaherung der Kunst an das Tier Action!, , Kunstmuseum Ravensburg, Ravensburg, DE 2016 Skandal Kunsthaus Normal? Zürich, Zürich, CH Feminist Avant-­‐Garde of the 1970’s, Works from the Verbund Collection , OK Offenes Kulturhaus OÖ, Linz, Austria From the Collection: -­‐ 1960 1969 , Photographer’s Gallery, London, UK 2015 Which Life? A Panoramic , MoMA View of Museum the Collections, of Modern Art, New York, USA Museum der Moderne, Salzburg, Austria 2014 Lens -­‐Based Sculpture The change of the sculpture through photography Vienna Unveiled: : A City in Cinema . Academy of Biographical Arts. Berlin, forms. Germany. Construction and individual mythology. MoMA, New York Museo Nacional 2013 Masculinity Centro de Under Arte Scrutiny: Reina Sofía. The Madrid, Spain Weak Sex, How Art Pictures The New Male . Kunst Museum. Bern, Switzerland. 2012 The Shaping of New Visions: Photography, Film, and Photobook. Data Trash, MoMA PS1, New York City, NY. 2011 The Unseen I-­‐20 Gallery, New York City, NY Alice in Wonderland, re.act.feminism , Torrance #2 – a performing Museum of Art archive, Tate, Liverpool Centro Cultural Montehermoso, -­‐ Vitoria 2010 Patrick Gasteiz Painter Editions Between Here and There: Passages in Contemporary Photography , Patrick Painter Inc., West Gallery, Santa Monica, CA Pictures by Women: A History of Modern Photography, , Metropolitan Museum of Art, New York, NY Museum of Modern Art, New 2009 York, Fragility New of York Being, Works from the collection of the Museum der Moderne Salzburg aus / ichnet geze / zeichnen, Best of , Austria. National An Museum Art Collection of Contemporary Art, Bucharest Akademie der Kunste, Berlin, Germany 2008 Held Together with Water, , The Lentos Art Museum, Linz, Austria 2007 Small is Beautiful, Istanbul Modern Art Museum, Istanbul, Turkey Klemens Gasser & Tanja nert, Gru New York, NY 4 2525 Michigan Ave., Unit B2, Santa Monica, CA USA 90404 T/ 310 264 5988 F/ 310 828 2532 www.patrickpainter.com What does the jellyfish want? Photographs from Man Ray to James Coleman, WACK! Art and the Feminist Revolution, Museum Ludwig, Cologne, Germany Museum of Contemporary Art, 2006 INTO Los Angeles, ME/OUT CA OF ME Ärzte Ohne Grenzen, Transgression , P.S.1 Contemporary Art Center, New York City, NY ARTFAB. Women Galerie of Europe, Eugen Lendl, Graz, Austria The Power , Centre Of Women National D’Art de Culture Georges Pompiou, Paris Salle Jean Despas, Saint-­‐Tropez, France , Galleria Civica di Arte Contemporanea di Trento, 2005 Trento, The Power Italy of Language/ Die Macht der Sprache Take Two, Worlds and Views: Contemporary , Austrian Art Cultural From the Collection Forum, New York, NY , MoMA, New 2004 Engaging York, NY in the Speculum The Last Picture Show, Double Game / Triple , Gain Bannister Gallery, Providence, RI Museo De Arte Contemporánea De Vigo, Spain , Charim Galerie and Six Friedrich Lisa Ungar, Salzburg, 2003 Another Austria Look At Gloria, Feminist Art of the 1970’s Serious Play/Metaphorical Gestures Trance und Traum , The RISD Museum, Providence, RI , Austrian Cultural Forum, New York City, NY 2002 Die Medienkuenstlerin, Galerie Friedrich Ungar, Munich, Germany Gloria:
Recommended publications
  • BEST of AUSTRIA an Art Collection
    Lentos Kunstmuseum Linz Information sheet BEST OF AUSTRIA An Art Collection 2 January until 10 May 2009 0002852 DVR-Nummer Lentos Kunstmuseum Linz, A-4021 Linz, Ernst-Koref-Promenade 1 Tel: +43 (0)732.7070-3600 Fax: +43 (0)732.7070-3604 www.lentos.at Contents Exhibition Facts 3 Press Text 4 Catalogue article by Stella Rollig and Martin Heller 6 Statement OMV 10 Exhibition design 12 Press Images and Credits 13 Seite 2 Exhibition facts Exhibition title: BEST OF AUSTRIA. An Art Collection Exhibition period 2 January until 10 May 2009 Press conference 30 December 2008, 10 am Opening 1 January 2009, 7 pm (with invitation), 9 pm (open house) Exhibition locality Lentos Kunstmuseum Linz, first floor Exhibits almost 100 pieces of art Catalogue „BEST OF AUSTRIA. An Art Collection“, edited by Lentos Artmuseum Linz at publication PN° Bibliothek der Provinz, Weitra 2008. With articles by Martin Heller, Rainer Metzger, Stella Rollig and Franz Schuh. Numerous colour pictures, 189 p. The catalgue is published in german and english. Price: 29,- €. Contact Ernst-Koref-Promenade 1, 4020 Linz, Tel. +43(0)732/7070-3600; [email protected], www.lentos.at Opening hours daily 10 am-6 pm; Thur 10am-9 pm Admission € 6,50, reduced € 4,50 Guided tours Thursdays 7 pm and Sundays 4 pm Period: 1 hours, Meeting point: Lentos Cash, Costs: € 3,- Guided tour with director Stella Rollig: Thur. 5 February, 7 pm and Thur. 19 March, 7 pm Press contact Lentos: Nina Kirsch, Tel. +43(0)732/7070-3603 [email protected] Linz09: Pia Leydolt, Tel.
    [Show full text]
  • Architecture in Linz 1900–2011
    ~ SpringerWienNewYork Architecture in Linz 1900–2011 EDITED BY Andrea Bina and Lorenz Potocnik AUTHORS Andrea Bina (ab) Theresia Hauenfels (th) Elke Krasny (ek) Isabella Marboe (im) Lorenz Potocnik (lp) PHOTOGRAPHY Gregor Graf ESSAYS BY Peter Arlt Ulrich Aspetsberger Martin Fritz Bernhard Gilli Michael John Walter Kohl Erhard Kargel Elke Krasny Wilfried Lipp Thomas Philipp Wilfried Posch Lorenz Potocnik Gerhard Ritschel Bernd Vlay Christoph Wiesmayr SpringerWienNewYork Andrea Bina, Lorenz Potocnik, Linz, Austria This publication is a follow-up project of Linz09 and was financed by the Federal Ministry for Education, Art, and Culture, the City of Linz, and the Province of Upper Austria / Cultural Department. This work is subject to copyright. All rights are reserved, whether the whole or part of the material is concerned, specifically those of translation, reprinting, re-use of illustrations, broadcasting, reproduction by photocopying machines or similar means, and storage in databanks. Product Liability: The use of registered names, trademarks, etc. in this publication does not imply, even in the absence of specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. ©2012 Springer-Verlag/Wien SpringerWienNewYork is a part of Springer Science + Business Media springer.at Graphic design: Alexander Ach Schuh & Martina Fuchs Photography: Gregor Graf Concept & Project Management: Lorenz Potocnik Editorial office: Hannah Bruckmüller, Lorenz Potocnik Copy Editing: Andrea
    [Show full text]
  • Invigorating the Rise of Social Art
    The Social Art Award Invigorating The Rise of Social Art Edition No. 1 Institute for Art and Innovation The Social Art Award Invigorating The Rise of Social Art Edition No. 1 Institute for Art and Innovation Imprint Authors Nicole Loeser, Viktoria Trosien Images and work descriptions All artists and authors Editor and Layout Institute for Art and Innovation In cooperation with WHITECONCEPTS Gallery, Berlin/DE All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. © 2017 Publisher Institute for Art and Innovation e.V. Auguststr. 35 10119 Berlin Phone +49 30 87337057 Fax +49 321 2113 4523 [email protected] www.art-innovation.org Content Imprint The Social Art Award Prologue by Viktoria Trosien Prologue by Nicole Loeser What is Social Art? Selected Artists Paul Altmann MAIK Alles Gute Atelier SER {WILD CARD} Tatjana Macic {TOP 10} Puk Bresser Antoanetta Marinov Gerd G.M. Brockmann {TOP 10} Beatriz Morales Pietro Celesia Karine Morel Mark Cypher Natalija Otonicar Diogo da Cruz {TOP 10} Fani Pantazidou Christa Joo Hyun D’Angelo {TOP 10} Keith Plummer Simona DaPozzo Julia PopLawska Katarzyna Stefania Debska Quek Jia Qi {TOP 10} David Bert Joris Dhert {TOP 10} Rachel Reid {TOP 10} Don Quixotes Theater Group Amina Sahan Glen Farley {TOP 10} Natasha Sarkar {WILD CARD} Sibylle Grundeis Claudia Schmitz Ann Isabelle Guyomard Nina Sumarac Jablonsky {TOP 10} Gertrud Hahnkamper Moses Tan Andrea Huyoff/CargoCult Lino Tonelotto {TOP 10} Ola Ignasiak O. Yemi Tubi Radanut im Oeb aka KARIZMIN Ida van der Lee Vanja Jovic Júlia Végh Rebecca Kautz Erik Vrcon Sigrid Keunen Fiona White Lauren Klarfeld Oier Gil Zapirain Yejeong Ko Irena Zieniewicz Olga Lamm Jury Members The Social Art Award in and to shape everyday social interaction.
    [Show full text]
  • Salzburg to Prague 7N Cycling Tour
    @ustri[/ Cz_]h r_pu\li] Road Book S[lz\urg to Pr[gu_ 7 Nights/8 D[ys Austria/Czech Republic SalzburgPrague to Salzburg to Prague 7N Cycling Tour General Itinerary Day 1: Arrive Salzburg. Cycle along the Mozart cycling path to St. Gilgen Day 2: Ride from St. Gilgen to Linz Day 3: Ride to Cesky Krumlov Day 4: Ride to Hluboka nad Vltavou Day 5: Ride to Pisek Day 6: Ride to Pribram Day 7: Ride to Prague Day 8: Departure day Start your bicycle tour in Salzburg with a panorama of the Alps at your back, cycling through the spectacular Salzkammergut, to medieval Cesky Krumlov. Then on to Prague, city of a thousand spires. Between them you will bike through country that epitomizes what most people think of when they hear the word "Europe": small towns watched over by ancient castles, deep green forests and rolling hills, lile villages with church steeples dong the coun- tryside. Enjoy an original Budweiser in Ceske Budejovice, then go with the flow of the Vltava River unl you reach magnificent Prague. This trail has a superb combinaon of landscape, chateaux, and three fabulous cies . General Information Czech Republic History When it comes to world travel, the at a glance... Austria and the Czech Republic may Since me immemorial, the Czech lands not be the first desnaon that have been the crossroads of European cul- comes to mind. But with the pictur- tures. The cultural character of Czech cies, esque castles, deep routed culture, villages and spa towns has always been a scenic parks and medieval villages source of inspiraon to visitors and guests, their is actually a lot more to offer who come here from all corners of the than you might think.
    [Show full text]
  • LINZ BLICK Lentos Kunstmuseum Linz STADTBILDER in DER KUNST 1909–2009 IMAGES of the CITY in ART 1909–2009
    LINZ BLICK Lentos Kunstmuseum Linz STADTBILDER IN DER KUNST 1909–2009 IMAGES OF THE CITY IN ART 1909–2009 23. Jänner bis 19. April 2009 IDEE, KONZEPT / IDEA, CONCEPT ÖFFNUNGSZEITEN / OPENING HOURS Einblick – Ausblick – Durchblick Andrea Bina Lentos Kunstmuseum Linz täglich / daily 10–18 h, Do / Thu 10–21 h Stadtführung zu ausgewählten Motiven der LINZ BLICK Ausstellung / City tour to selected motifs of the Linz Blick AUSSTELLUNGSARCHITEKTUR / EXHIBITION DESIGN exhibition ANY:TIME architekten, Linz EINTRITTSPREISE / ADMISSION Erwachsene / adults € 6,50 Führung mit den Austria-Guides / Guided tour with the Realisiert mit der Unterstützung von Siemens VAI Metals Technologies Gmbh & Co. / Realized thanks to support from Siemens ermäßigt / reduced € 4,50 Austria Guides Christine Nowotny, Eva Hofer and Uli Hack VAI Metals Technologies Gmbh & Co. Gruppe ab 20 Pers. / groups of 20 or more € 5,– 24.01., 07.02., 21.02., 07.03., 04.04., 18.04. 2009 PUBLIKATION / PUBLICATION Samstags, 15.30 Uhr / Sat at 15:30 pm Zur Ausstellung erscheint ein Katalog mit Textbeiträgen von Freier Museumseintritt an jedem letzten Samstag im Monat / Andrea Bina, Berthold Ecker, Judith Laister, Kurt Palm und Free admission to the museum every last saturday of the month Linz-BLICK-KLANG-Linz Stella Rollig im Verlag Bibliothek der Provinz sowie ein Konzert der Musikschule der Stadt Linz, 27. März 2009, Plan für Stadterkundungen. 19.00, Lentos Kunstmuseum Linz / Preis: € 28,– (248 Seiten), ISBN 978-3-85252-982-0 FÜHRUNGEN / GUIDED TOURS Concert of the Music School of the City of Linz, 27 march 2009, 19:00 pm, Lentos art Museum Linz A catalogue will be published with essays by Andrea Bina, KuratorInnenführung mit / Guided tour with the curator Berthold Ecker, Judith Leister, Kurt Palm und Stella Rollig Andrea Bina by the publishing company Verlag Bibliothek der Provinz 02.04.09 19:00 Uhr / 19:00 pm Art after Work and also a city-map.
    [Show full text]
  • River Cruising in Europe
    TRAVEL GUIDE River Cruising in Europe Welcome on Board! Inside these pages you‘ll find insider tips, city highlights, and where to find some of the most beautiful sites along your AMADEUS jour- ney. Whether you join us on an excursion or explore on your own, these insights will help you to get the most out of your time ashore. Scattered throughout these pages is information on our eco-fri- endly stops as well as historical tidbits. The beauty and history of Europe is at your fingertips. Whether you like to plan in advance or read on site, we are excited to share Europe, the AMADEUS Way. InDEX 2 OVERVIEW MAP 42 DANUBE EUROPE 43 Bavaria (Bavarian Forest) 44 Regensburg 4 NETHERLANDS 45 Passau & BELGIUM 48 Austria 5 Netherlands 49 Linz 6 Amsterdam 50 Salzburg 9 Rotterdam 52 Wachau 11 Middelburg 52 Vienna 11 Arnhem 56 Slovakia 12 Belgium 57 Bratislava 13 Antwerp 60 Hungary 14 Ghent 61 Esztergom 62 Szentendre 16 RHINE 62 Budapest 17 Western Germany 65 Puszta 18 Cologne 65 Kalocsa 20 Koblenz 66 Serbia 21 Cochem 67 Novi Sad 22 Rüdesheim 68 Belgrade 24 Heidelberg 71 Iron Gate 25 Speyer 72 Romania 26 France 73 Bucharest 27 Strasbourg 75 Danube Delta 30 Switzerland 31 Basel 76 RHÔNE & SAÔNE 77 Southern France 34 MAIN 78 Lyon 35 Bavaria (Franconia) 79 Mâcon 36 Wertheim 80 Chalon-sur-Saône 36 Würzburg 80 Avignon 38 Bamberg 82 Arles 40 Nuremberg 83 Ardèche 84 SEINE 85 Northern France SYMBOLS 86 Paris yz Insider-Tip 89 Les Andelys 89 Rouen h Highlight 91 Honfleur a Scenic sight 92 Le Havre Nature stop: For ecological 95 Étretat g opportunities 96 I
    [Show full text]
  • Keith Haring
    KEITH HARING Born in 1958 in Reading, Pennsylvania Died in 1990 in New York, NY UPCOMING EXHIBITIONS Solo: Keith Haring, Gladstone Gallery, Brussels, BelgiuM (March 13, 2019 – April 13, 2019) Keith Haring, Tate Liverpool (June 14, 2019 – NoveMber 10, 2019) Keith Haring, BOZAR, Brussels, BelgiuM (DeceMber 5, 2019 – April 19, 2020) Keith Haring, MuseuM Folkwang, Essen, GerMany (May 22, 2020 – SepteMber 20, 2020) Group: Art After Stonewall, 1969-1989, NYU Grey Art Gallery and Leslie-Lohman Museum of Gay and Lesbian Art (April 24, 2019 – July 20, 2019) Letting Loose and Fighting Back: LGBT Nightlife Before and After Stonewall, New-York Historical Society (May 24, 2019 – SepteMber 22, 2019) Basquiat’s “DefaceMent”: The Untold Story, GuggenheiM, New York (June 21, 2019 – NoveMber 6, 2019) Keith Haring / Jean-Michel Basquiat: Crossing Lines, National Gallery of Victoria, Melbourne (DeceMber 1, 2019 – April 13, 2020) CURRENT EXHIBITIONS Solo: Keith Haring: Art is Life, Life is Art, DongdaeMun Design Plaza, Seoul, South Korea Group: Night Fever. Designing Club Culture 1960 – Today, ADAM, Brussels Design MuseuM Andy Warhol – FroM A to B and Back Again, Whitney MuseuM of AMerican Art An IncoMplete History of Protest: Selections froM the Whitney’s Collection, 1940-2017, Whitney MuseuM of AMerican Art, New York, NY New York at its Core: 400 Years of NYC History, MuseuM of the City of New York, New York, NY Inaugural Installation, The Broad, Los Angeles, CA PAST SOLO EXHIBITIONS 2018 Apocalypse -Pace Prints, New York, NY Keith Haring -Gladstone Gallery, New York, NY Drawing Social IMpact -NakaMura Keith Haring Collection, Kobuchizawa, Japan Keith Haring: the Chicago Mural -Chicago Cultural Center, Chicago, IL Keith Haring.
    [Show full text]
  • Women's:Museum Curatorial Politics in Feminism, Education, History
    INTRODUCTION As a woman I have no country. As a woman I want no country. As a woman, my country is the whole world. Wome n’s: Museum Virginia Woolf Curatorial Politics in Feminism, Feminism must itself be grasped as an interruption, a mode of transformation, questioning, challenging and opening up futures not yet imagined but to be constructed Education, History, and Art om a belief in its poetic virtuality. (…) Are feminism and the museum as we know it compatible at any level? Griselda Pollock Elke Krasny Too, whether acknowledged or not, feminism is structurally embedded in our deepest concepts of self and other; (…) Feminism is built into the ways in which we interpret and experience racial, ethnic, faith-based and other “identities” as we apprehend and relate to bodies in the world (including our own). Amelia Jones volume is a contribution to the emerging field of the contemporary This historiography and cartography of curatorial knowledge production. It initiates a dialogue between the history of women’s museums and the practices of politically conscious and activist feminist curatorial projects. Women’s museums and feminist curatorial projects alike can now look back at the historical developments that led to their inception. In the future, additional research on women’s museums and feminist curatorial projects will be necessary to trace in-depth the political agendas, aesthetic strategies, theories, ideas, ethics, and practices which shaped them in the past and continue to be part of their future direction and transformation. Women’s museums were first initiated in the 1980s. Their beginnings were strongly associated with the struggles and goals of the second-wave feminist movement.
    [Show full text]
  • LENTOS Kunstmuseum Linz the Naked
    LENTOS Kunstmuseum Linz Exposé The Naked Man (working title) 26 October 2012–17 February 2013 In the cultural public sphere, the viewer’s gaze takes the naked female body as a given. The erotically staged female nude has been taken for granted as a pictorial theme for centuries. The nude male body was assigned the role of the hero from ancient mythology or Christian salvation history. In mythological or Christian garb, the perfect male body stands for the whole of male ideality. Anton Kolig, Die neugierigen Modelle Oil on Canvas, 77 x 77 cm, Private property Courtesy Schütz Kunsthandel, Vienna With the first major crisis of male identity, formulated by Jacques le Rider, the view of the male nude changed. The artists of Viennese Modernism began to declare their own bodies a field of public action and experimentation. Starting with Egon Schiele, Richard Gerstl, Kolo Moser and Oskar Kokoschka, the naked body was divested of any role, became a means of self-questioning. As is still evident today, the demythologization of the naked body enables self-questioning situated in the field of tension between eroticism, provocation, vulnerability and critical analysis. Beginning with this caesura around 1900, the exhibition follows the disrobed male body through crises of identity and phases of confidence, traces attempts to deconstruct traditional images of masculinity and the search for alternatives, shows the confrontation with weakness and vulnerability, illustrates the gaze of desire and the erotic pose. Robert Mapplethorpe, Thomas, 1987 Silver gelatine print , 50.8 x 61 cm (20 x 24 in), Ed. AP 1/2, Courtesy Galerie Ropac, Salzburg LENTOS Kunstmuseum Linz, A-4021 Linz, Ernst-Koref-Promenade 1 Tel: +43 (0)732.7070-3600 Fax: +43 (0)732.7070-3604 www.lentos.at In seven chapters the exhibition offers access to a theme that has not as yet sought publicity beyond academic studies, which has even been virtually taboo.
    [Show full text]
  • Linz Changes Groups
    #visitlinz EXPERIENCE THE FUTURE IN THE UNESCO City of Media Arts DISCOVER UNIQUE CULTURE on the Danube LINZ CHANGES GROUPS 2019 EDITION www.linztourismus.at/groups Incredibly contemporary, Upper Austria 1 In Linz on the Danube, culture meets vitality Linz on the Danube really is for anyone who is open to new experiences and lives in the here and now. The unique character of the city is just waiting to be discovered. The strength of the river and the easy-going nature of the city’s inhabitants exist side by side. The vibrant museums and the his- torical Old Town perfectly complement each other because of their differences. Almost as surreal are the boat trips along the harbour’s metre-high graffiti artworks or the industrial tours. These experiences, in all their diversity, encapsulate Linz. Just immersing yourself in this atmosphere once will be enough to have you coming back to the city for years to come. “Linz changes” is not just an empty phrase: the city in the centre of Upper Austria is always reinven- ting itself, while at the same time remaining authentic and looking towards the future. An important milestone in the city’s development was its designation as Capital of Culture 2009 – 2019 is the tenth anniversary of this event. Linz is also proud to hold the title of UNESCO City of Media Arts, something which visitors can really experience when they’re here. The fact that the city also enga- ges with the past in a contemporary manner and translates this into the present led the European Commission to further acknowledge Linz in 2018 with the “European Smart Tourism Award” in the “Cultural Heritage & Creativity” category.
    [Show full text]
  • The Practice of Art and Science
    The Practice of The European Digital Art and Science Network Art and Science The Practice of Art and Science Gerfried Stocker Andreas J. Hirsch Contents Gerfried Stocker, Andreas J. Hirsch 07 Encounters of Great Minds and What is Needed for Them Martin Honzik, Veronika Liebl 10 Starting the European Digital Art and Science Network 16 The European Digital Art and Science Network 20 Scientific Partners and Residencies 20 CERN 24 Artist Residency at CERN 25 CERN: A Journey Through the World of Science—Semiconductor 30 ESO—The European Southern Observatory 32 Artist Residency at ESO 33 Art and Science: A Cosmic Inspiration—María Ignacia Edwards 38 Artist Residency at ESO 39 A Trip Close to Outer Space—Quadrature 44 ESA—The European Space Agency 46 Artist Residency at ESA 49 Star Storm—Aoife van Linden Tol 50 Artist Residency at Fraunhofer MEVIS 51 STEAM Imaging—An artist in residency program focusing on links between art and science 53 Whose scalpel—Yen Tzu Chang Andreas J. Hirsch 56 The Practice of Art and Science 57 I. ENTERING NEW GROUND 71 II. EXPERIENCES AND LESSONS 86 III CULTURES, PLACES, AND AGENTS Jurij Krpan 92 Art&Science. The relationship that is not existing but yet it’s functioning Victoria Vesna 94 Anticipatory Art Science: Networks to NanoSystems Horst Hörtner 106 Art, Technology, and Society as Research Practice. Ars Electronica Futurelab 110 Cultural Partners and Activities 114 Ars Electronica 117 Activities 120 Elements of Art and Science 138 The Alchemists of Art and Science 154 Radical Atoms 162 CPN – Center for the Promotion of Science 165 Activities 166 Art + Science 2016 170 Art + Science 2017 180 DIG gallery 184 Art & Science vol.
    [Show full text]
  • A Brief History of Ars Electronica 1979–2019 Andreas J
    Andreas J. Hirsch About the Author Contents PROLOGUE Andreas J. Hirsch, born 1961 in Vienna, Austria, is a writer, art curator, In 1979, long before anyone started speaking about a “digital revolution,” Creating the Future and photographic artist. His manifold involvements in Ars Electronica in the unlikely setting of the small industrial town of Linz in Upper Austria, as consultant, curator, juror, and artist began in 1996. They include the close to the Iron Curtain, three men—the director of a television station, a musician, I 1979–1986 2013 exhibition “HR Giger – The Art of Biomechanics” and the 2017 book and a scientist, who also wrote science fiction—launched a visionary festival The Founding Years of a New Festival The Practice of Art and Science, with co-editor Gerfried Stocker. for art, technology and society, giving it the Latin name “Ars Electronica.” II 1987–1995 Forty years on, Ars Electronica comprises the annual Festival with more than Hirsch J. Andreas Creating The Festival and the Prix Form a Double Star 100,000 visitors, the Prix Ars Electronica as a prestigious international award, III 1996–2OO3 the Ars Electronica Center as a Museum and School of the Future with 6,500 A Museum and a Laboratory for the Future square meters of exhibition space, and the Ars Electronica Futurelab and Solutions—independent research and development facilities working IV 2OO4–2OO8 the Ars Electronica Casts Roots in the Region and Reaches out Globally in a global network of partnerships. “Creating the Future” follows the history of Ars Electronica from the pioneering V 2OO9–2O11 days of its inception through the turbulent times at the advent of the digital The Next Level – A New Ars Electronica Center revolution up to the challenges facing an internationally active, fast growing Future VI 2O12–2O14 organization with the imperative to constantly reinvent itself.
    [Show full text]