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25 Years of Ars Electronica

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Literature: Winners in the film section – Computer Animation – Visual Effects Literature: Literature : Literature: Literature (2) : Literature: Literature (2) : Blick, Stimme und (k)ein Körper – Der Einsatz 1987: John Lasseter, Mario Canali, Rolf Herken Cyber Society – Mythos und Realität der Maschinen, Medien, Performances – Theater an Future cinema !! / Jeffrey Shaw, Peter Weibel Ed. Gary Hill / Selected Works Soundcultures – Über elektronische und digitale Kunst als Sendung – Von der Telegrafie zum der elektronischen Medien im Theater und in 1988: John Lasseter, Peter Weibel, Mario Canali and Honorary Mentions (right) Informationsgesellschaft / Achim Bühl der Schnittstelle zu digitalen Welten / Kunst und Video / Bettina Gruber, Maria Vedder Intermedialität – Das System Peter Greenaway Musik / Ed. Marcus S. Kleiner, A. Szepanski 25 years of ars electronica Internet / Dieter Daniels VideoKunst / Gerda Lampalzer interaktiven Installationen / Mona Sarkis Tausend Welten – Die Auflösung der Gesellschaft Martina Leeker (Ed.) Yvonne Spielmann Resonanzen – Aspekte der Klangkunst / 1989: Joan Staveley, Amkraut & Girard, Simon Wachsmuth, Zdzislaw Pokutycki, Flavia Alman, Mario Canali, Interferenzen IV (on radio art) Liveness / Philip Auslander im digitalen Zeitalter / Uwe Jean Heuser Perform or else – from discipline to performance Videokunst in Deutschland 1963 – 1982 Arquitecturanimación / F. Massad, A.G. Yeste Ed. Bernd Schulz John Lasseter, Peter Conn, Eihachiro Nakamae, Edward Zajec, Franc Curk, Jasdan Joerges, Xavier Nicolas, TRANSIT #2 (on radio art) Rasender Stillstand / Paul Virilio ASurvey as MemoryTheater Motohiro Hayasaka, William Latham The Society of Text – Hypertext, Hypermedia, Jon McKenzie Ulrike Rosenbach / Videkunst, Foto, Aktion / Look at me – VIDEO – 25 Jahre Videoästhetik sound : space / Bernhard Leitner Art Telecommunication / Heidi Grundmann Geschwindigkeit und Politik / Paul Virilio and the Social Construction of Information / Multimodal Discourse – The modes and media Performance, feministische Kunst (important references to timeline) Cybernetics of Cybernetics / Heinz von Foerster 1990: Mario Sasso & Nicola Sani, Robert Lurye, Philippe Andrevon, Flavia Alman & Angelica Nascimento, Radiokultur von morgen / Ed. Johanna Dorer, Fluchtgeschwindigkeit / Paul Virilio Edward Barrett of contemporary communication / Gunther Video – 20 Jahre später – Eine Zwischenbilanz Simulation und Wirklichkeit – Design . Film . Der Anfang von Himmel und Erde hat keinen Gerhard Pakesch, Paul Coudsi, William Latham, Alan Norton, Karl Sims, Christiane Geoffroy, Rebecca Allen, Alexander Baratsits Revolutionen der Geschwindigkeit / Paul Virilio Medien-Theologie – Das Werk Vilém Flussers / Kress & Theo van Leeuwen Kunstforum Bd. 77/78 Architektur . Naturwissenschaften . Ökologie . Namen / Heinz von Foerster Denis Muren, John Lasseter, Jeff Kleiser, Diana Walczak, Eihachiro Nakamae, Steve Goldberg Apparitional Aesthetics (1995/P15) / Der negative Horizont – Bewegung, Electronic Media in Art and Science Elizabeth Neswald Alles jetzt! – Die Mediatisierung / Gerhard Objekt : Video / G. Hattinger, P. Assmann Ökonomie . Psychologie / Angela Schönberger Noise Gate / Granular Synthesis 1991: Karl Sims, James Duesing, Yoichiro Kawaguchi, Rashel B de F, Jean Luc Faubert, Maurice Benayoun, Roy Ascott !! Geschwindigkeit, Beschleunigung / Paul Virilio Art in the Context of Software and Complex Machines Peter Claridge, Boris S. Dolgovesor, Herve Huitric, Monique Nahas, Nancy Kato, Mike McKenna & Bob Kultur – über alle? gegen alle? für alle? Johann Lischka Computerkulturtage Linz – ORF Videonale Videokunst / Lydia Haustein Zur Kunst formalen Denkens / R. E. Burkard, performative installation / Ed. Angelika Nollert Die Sehmaschine / Paul Virilio M. Wagner, H. Fabris, I. Mörth u.a. Cyber_Reader – Critical writings for the digital topographie II: Untergrund – Videoinstallationen Fernseh-Design / Gunther Rambow et al. Wolfgang Maass, Peter Weibel (Ed.) Sabiston, Simi Nallaseth, Eduard Oleschak, Michel Tolson, Pascal Vuong, Jason White & Richard Wright Der reine Krieg / Paul Virilio & Sylvére Lotringer ... perform _ or else - from discipline to performance (JM) cyber-moderne – medienevolution, globale era / Ed. by Neil Spiller in der Wiener U-Bahn Christian Mikunda sonic graphics – seeing sound / Matt Woolman 1992: Karl Sims, Charlie Gunn & Delle Maxwell, Cécile Babiole, Bériou, Dennis Muren & Mark A. Z. Dippé & Die Beschleunigung der Bilder in der netzwerke und die künste der kommunikation / Nam June Paik – Fluxus – Video / Wulf Die Spiele des Realen und des Virtuellen Music vs motion – FLIPS 5 Steve Williams, Matthew Brunner, Mario Martin Buendia, Jéróme Estienne & Xavier Duval, Fantome, Keith Chronokratie / Peter Weibel Original Idea and Archive - Research and Network: Gerhard Dirmoser Manfred Faßler Herzogenrath (article) / Edmond Couchot geometrie der Töne / Guerino Mazzola Hunter, Xavier Nicolas & Jerzy Kular, Alan Norton, Marc Raibert & Leg Laboratory Das Tempo-Virus / Peter Borscheid Quality Assurance and Additional Observations: Attila Kosa Deanimated / Martin Arnold Stuff it – the video essay in the digital age / Geometry of sound / Bernhard Leitner 1993: Pascal Roulin, Mark Malmberg, Darrin Butts, Bériou, George Barber, Jules Bister, Jos Claesen & Dauer-Simultaneität-Echtzeit / Kunstforum 151 Translation (English version): Aileen Derieg Anton Roebben, Philippe Gassie & Bruno Simon, Industrial light & Magic, Eku Wand catalogue: Walter Pamminger Ed. By Ursula Biemann music theory / semiotics Crossings – Musik zum Hören u. Sehen / 1994: Dennis Muren & Mark Dippé, Marc Caro, Maurice Benayoun, Eric Coignoux, Bériou, Peter Callas, electroacoustics Cathrin Pichler Klangkunst / Akademie der Künste – Berlin The project was financed without funds from the Administration of Culture Cassidy J. Curtis, Eric Darnell & Collery, Yoichiro Kawaguchi, Sabine Mai & Frank Pröscholdt, John Tonkin, perception theory of der larsen effekt / OK Linz last update 05/2004 Hideo Yamashita & Eihachiro Nakamae, Thomas Zancker, Tamás Waliczky architecture Norbert Wiener first presentation 05/2004 TransPublic Linz 1995: Bob Sabiston & David Atherton, Thomas Bayrle, Steve Williams, Gayle Ayers & Dough Sutton, Dough techno-culture discourse Version 1.1 E Kingsbury & Jeff Thingvold, Chuck Gamble, George Murphy, Violet Suk & Martin Koch, Francois Launet, structuralism (discourse) Silvio Levy & Tamara Munzner, Franck Magnant, Jon McCormack, Medialab, Ben Stassen, Demetri dance theory music theater view system theory / system discourse Comments/notes and requests for the file: Terzopoulos, Alexei Tylevich body research self-organization theory symbol theories of knowledge 25 acoustic "view" [email protected] / G. Dirmoser Waltherstr. 2 – 4020 Linz 1996: John Lasseter, Marc Caro & Jean-Pierre Jeunet, Michel Gondry & Pierre Buffin, Philippe Billion, dromology Christian Boustani, John Clyne, James Duesing, ILM, Pierre Lachapelle, Arnauld Lamorlette, Denise Minter & time theories performance view (II) formal sciences Tim Johnson theater studies complexity theory The original PowerPoint file is available for study purposes (revisions). 1997: Scott Squires, Chris Wedge, Jim Mitchell, Stefen Fangmeier, Larry Lamb, Anna Henckel-Donnersmarck, view of music choreography view Placement on the Internet, print-outs and distribution in paper form (4x A0 oder A1) are desired. Michèle Cournoyer, Taku Kimura, Raquel Coelho, Carlos Saldanha, Michel Gondry, Stephen Weston, 26 dance view Francois Vogel, Marine Poirson & Lionel Richerand Moviephon – opto-acoustic stereophony (PV) auditive view various music projects 1986 (Richard Teitelbaum) Thanks to: H.W. Franke, Boris Nieslony, Astrit Schmidt-Burkhardt, TransPublic, Stadtwerkstatt, Servus, MEXX, 1998: Robert Legato, Liang-Yuan Wang, Christophe Hery & Habib Zargarpour, Rob Coleman, Tamás Waliczky, transformer (influencing sound) musical Bruckner G. Lischka, Udo Wid, Ruth Schnell, Georg Ritter, Rainer Zendron, Christa Schneebauer, Gitti Vasicek, Kazuma Morino, Joey Lessard, Thierry Prieur & Pascal Roulin, Nobuo Takahashi, Yan Breuleux & Alain speed view (K&K Experimentalstudio) (1980/K124) electronic aids (2000/P58) Set of experiment (1979/K25) Martin Sturm, Walter Pamminger, Sabine Zimmermann, Walter Ebenhofer, Lioba Reddeker, Kurt Kladler, installation for ballet. microphones and loudspeakers techno-instruments Thibault, Laurence Leydier, Steven Stahlberg, Nobuto Ochiai, Constantin Chamski, Julien Dajez, Stefan symphonic Bruckner interaction with light (1979/K09) (P. Mühlfriedel, G. Lydia Haustein, Bernhard Cella, Gerhard Fröhlich, Josef Lehner, Franz Reitbauer, Magarete Jahrmann, MP3, RealAudio sound environment Smith, Violet Suk & Martin Koch, Yves le Peillet, Nelson Max, Diana Walczak & Jeff Kleiser, Sebastien Larrue, (1997/K305) see also: view of handicaps link between code and (C. Möller) (1995/P132) Markeffsky, L. Schaumann) Margit Knipp, F.E. Rakuschan, G. Harringer, Manuel Schilcher, Willi Mayrwöger, Eva & Attila Kosa, Florian Brody, Mark Stetson, Jan Pinkava, Kaori Saito, Tom Bertino, Charles Gibson, Denis Muren, Phil Tippett & Craig computer-generated see also: transport view choreographical processes (1979/K25) The virtual cage (1994/P131) (PRIX) G. Hattinger, Dieter Mersch, Oliver Schürer, Isabell Muhr, Helmut Stadlmann, Tim Otto Roth, Josef Nemeth, Energie AG dancers (2003/K303) (Scott deLahunta) digital musics environment concert Hayes, Ben Stassen & Anthony Huerta, Wayne Gilbert (1982) (Nam June Paik, see also: view
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  • Immersion Into Noise

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    Immersion Into Noise Critical Climate Change Series Editors: Tom Cohen and Claire Colebrook The era of climate change involves the mutation of systems beyond 20th century anthropomorphic models and has stood, until recent- ly, outside representation or address. Understood in a broad and critical sense, climate change concerns material agencies that im- pact on biomass and energy, erased borders and microbial inven- tion, geological and nanographic time, and extinction events. The possibility of extinction has always been a latent figure in textual production and archives; but the current sense of depletion, decay, mutation and exhaustion calls for new modes of address, new styles of publishing and authoring, and new formats and speeds of distri- bution. As the pressures and re-alignments of this re-arrangement occur, so must the critical languages and conceptual templates, po- litical premises and definitions of ‘life.’ There is a particular need to publish in timely fashion experimental monographs that redefine the boundaries of disciplinary fields, rhetorical invasions, the in- terface of conceptual and scientific languages, and geomorphic and geopolitical interventions. Critical Climate Change is oriented, in this general manner, toward the epistemo-political mutations that correspond to the temporalities of terrestrial mutation. Immersion Into Noise Joseph Nechvatal OPEN HUMANITIES PRESS An imprint of MPublishing – University of Michigan Library, Ann Arbor, 2011 First edition published by Open Humanities Press 2011 Freely available online at http://hdl.handle.net/2027/spo.9618970.0001.001 Copyright © 2011 Joseph Nechvatal This is an open access book, licensed under the Creative Commons By Attribution Share Alike license. Under this license, authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy this book so long as the authors and source are cited and resulting derivative works are licensed under the same or similar license.
  • Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media

    Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media

    Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights.