George Eastman Museum Annual Report 2017
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Roll No Name Father's Name Date of Birth
LIST OF APPLICANTS OF COMBINED HIGHER SECONDARY LEVEL EXAMINATION 2012 WHOSE CANDIDATURE HAS BEEN CANCELLED DUE TO VARIOUS REASONS. -
JSWM Vol.5 No.1 Jan-Mar 2013.Pmd
Journal of Social Welfare and Management49 Volume 5 Number 1, Jan - Mar 2013 Violence in Hindi Movies: A Comparative Study of Two Movies Sonalee Nargunde*, Iliyas Ahmad** Abstract Cinema in India has developed to a large extent and movies are its significant tool. Movies not only provide entertainment to the large audiences but also play some additional roles. The message provided by this medium is more impactful than any other medium because of its reach and easy accessibility. The content provided by the Indian films plays an important role in shaping up its audience. After, reviewing some of the movies, the researcher found a consistent theme of violence in almost all the films and found it important to share it with larger audience. Indian film industry produces more than 800 films annually and almost story line of all the movies is weaved around love, revenge, mafia wars and all this is supported by heavy dose of violence. Critics say that the Indian cinema nowadays is churning out films with persistent theme of violence because of the transplantation of the western ideas resulting in the portrayal of extreme vulgarity on big screen. Film makers follow the steps of Hollywood where most of the movies are much more violent than the bollywood. Movies released in the last few years have seen a continuous increase in the portrayal of violence both in content and subject wise. Keywords: Film violence; Bollywood; Movies. Introduction the story demands. The unapologetic use of blood and gore presented in the form of entertainment seems to have become the A film is a form of entertainment based on mainstay of bollywood releases especially since a story where different artists perform different last decade. -
Seeking Offense: Censorship and the Constitution of Democratic Politics in India
SEEKING OFFENSE: CENSORSHIP AND THE CONSTITUTION OF DEMOCRATIC POLITICS IN INDIA A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Ameya Shivdas Balsekar August 2009 © 2009 Ameya Shivdas Balsekar SEEKING OFFENSE: CENSORSHIP AND THE CONSTITUTION OF DEMOCRATIC POLITICS IN INDIA Ameya Shivdas Balsekar, Ph. D. Cornell University 2009 Commentators have frequently suggested that India is going through an “age of intolerance” as writers, artists, filmmakers, scholars and journalists among others have been targeted by institutions of the state as well as political parties and interest groups for hurting the sentiments of some section of Indian society. However, this age of intolerance has coincided with a period that has also been characterized by the “deepening” of Indian democracy, as previously subordinated groups have begun to participate more actively and substantively in democratic politics. This project is an attempt to understand the reasons for the persistence of illiberalism in Indian politics, particularly as manifest in censorship practices. It argues that one of the reasons why censorship has persisted in India is that having the “right to censor” has come be established in the Indian constitutional order’s negotiation of multiculturalism as a symbol of a cultural group’s substantive political empowerment. This feature of the Indian constitutional order has made the strategy of “seeking offense” readily available to India’s politicians, who understand it to be an efficacious way to discredit their competitors’ claims of group representativeness within the context of democratic identity politics. -
2: Provincial Matters
2: Provincial matters Thirty years before Richard Hoggart lived in Rochester, Kathleen McEnery [ 19 ] Cunningham presided at the centre of a lively cultural scene there. In 1914, she had married Francis Cunningham, then secretary and general manager of James Cunningham, Son and Company, a luxury coach- and car-making company. She was probably introduced to Cunningham by his cousin, Rufus Dryer, a good friend of hers in New York and, like her, an artist and a student of Robert Henri at the Art Students League a few years earlier. Before her marriage, she lived in New York, where she was already achieving success as a young artist. Her paintings were exhibited in gallery shows in the city with the work of Stuart Davis, Edward Hopper, George Bellows and other now well-known artists, and two were included in the landmark 1913 Armory Show, known as the major exhibition which introduced European modernism to the United States. In Rochester, she continued to paint – mainly still life works and portraits of her friends and acquaintances. The city was transformed in the years immediately after McEnery’s arrival. I wrote about this a few years ago, in a book about English and American artists outside the mainstream of institutionally accredited ‘modern art’. Economically, the first three decades of the twentieth century had been described as Rochester’s golden age, and the centrality of Eastman-Kodak to the city’s prosperity had important cultural consequences. The establishment by George Eastman of the Eastman School of Music and the Eastman Theatre in 1922 was the single most important event marking the ‘end of provincialism’. -
Volume-13-Skipper-1568-Songs.Pdf
HINDI 1568 Song No. Song Name Singer Album Song In 14131 Aa Aa Bhi Ja Lata Mangeshkar Tesri Kasam Volume-6 14039 Aa Dance Karen Thora Romance AshaKare Bhonsle Mohammed Rafi Khandan Volume-5 14208 Aa Ha Haa Naino Ke Kishore Kumar Hamaare Tumhare Volume-3 14040 Aa Hosh Mein Sun Suresh Wadkar Vidhaata Volume-9 14041 Aa Ja Meri Jaan Kishore Kumar Asha Bhonsle Jawab Volume-3 14042 Aa Ja Re Aa Ja Kishore Kumar Asha Bhonsle Ankh Micholi Volume-3 13615 Aa Mere Humjoli Aa Lata Mangeshkar Mohammed RafJeene Ki Raah Volume-6 13616 Aa Meri Jaan Lata Mangeshkar Chandni Volume-6 12605 Aa Mohabbat Ki Basti BasayengeKishore Kumar Lata MangeshkarFareb Volume-3 13617 Aadmi Zindagi Mohd Aziz Vishwatma Volume-9 14209 Aage Se Dekho Peechhe Se Kishore Kumar Amit Kumar Ghazab Volume-3 14344 Aah Ko Chahiye Ghulam Ali Rooh E Ghazal Ghulam AliVolume-12 14132 Aah Ko Chajiye Jagjit Singh Mirza Ghalib Volume-9 13618 Aai Baharon Ki Sham Mohammed Rafi Wapas Volume-4 14133 Aai Karke Singaar Lata Mangeshkar Do Anjaane Volume-6 13619 Aaina Hai Mera Chehra Lata Mangeshkar Asha Bhonsle SuAaina Volume-6 13620 Aaina Mujhse Meri Talat Aziz Suraj Sanim Daddy Volume-9 14506 Aaiye Barishon Ka Mausam Pankaj Udhas Chandi Jaisa Rang Hai TeraVolume-12 14043 Aaiye Huzoor Aaiye Na Asha Bhonsle Karmayogi Volume-5 14345 Aaj Ek Ajnabi Se Ashok Khosla Mulaqat Ashok Khosla Volume-12 14346 Aaj Hum Bichade Hai Jagjit Singh Love Is Blind Volume-12 12404 Aaj Is Darja Pila Do Ki Mohammed Rafi Vaasana Volume-4 14436 Aaj Kal Shauqe Deedar Hai Asha Bhosle Mohammed Rafi Leader Volume-5 14044 Aaj -
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2/1/2017 Official Document Tentative List: Recruitment of Educators 201617, District KHANEWAL GMES CHUGHATA PUNJUANA, School's Name TULAMBA Post MIAN CHAUGHATA CHAUGHATA Authority DEO (Female) Name ESE Gender FEMALE Adv Sr # 125 Tehsil CHANNU School UC PUNJUANA Village PUNJUANA Prof. Total Diary # 17A UC Name Village Matric Intermediate Graduation Honors Master Diploma Qualification NTS Interview Marks Obtained Merit Candidate Name with Father Date of Out of # Priority # CNIC # / Husband Name Gender Birth Tehsil (Marks=10) (Marks=08) (Marks=04) (Marks=13) (Marks=15) (Marks=15) (Marks=30) (Marks=15) (Marks=10) (Marks=05) (Marks=20) (Marks=05) 100 1 2027 3610420572444 SUNDUS ANWAR Female 3004 MIAN 0 CHAUGHATA 786/1050 791/1100 548/800 754/1200 B.Ed 70 1991 CHANNU PUNJUANA (754/1250) 0 MUHAMMAD ANWAR 8 0 9.731 10.786 10.275 9.424 3.016 14 65.232 2 1405 3610474916150 SUMERA BASHIR Female 1103 MIAN 0 CHAUGHATA 650/850 683/1100 972/1500 853/1400 B.Ed 78 1988 CHANNU PUNJUANA (631/900) 0 BASHIR AHMED 8 0 9.941 9.313 9.72 9.139 3.505 15.6 65.218 3 1359 3610466992386 RASHIDA PARVEEN Female 0706 MIAN 0 CHAUGHATA 874/1050 768/1100 531/800 646/1200 B.Ed 66 1991 CHANNU PUNJUANA (747/1250) 0 NIAMAT ULLAH 8 0 10.82 10.472 9.956 8.074 2.988 13.2 63.51 4 474 3610497180298 ANAM SHAHZADI Female 0510 MIAN 0 625/850 869/1050 982/1500 1520/2000 B.Ed 73 1993 CHANNU (650/900) 0 MUHAMMAD IQBAL 0 0 9.558 12.414 9.82 11.4 3.611 14.6 61.403 5 2044 3650147545200 ROUBINA KOUSER Female 0104 MIAN 0 CHAUGHATA 19/8R 586/850 658/1100 493/800 547/1000 -
Letting the Other In, Queering the Nation
Letting the Other in, Queering the Nation: Bollywood and the Mimicking Body Ronie Parciack Tel Aviv University Bombay’s film industry, Bollywood, is an arena that is represented and generated by the medium as a male intensively transmits cultural products from one na - homosexual body. tionality to another; it is a mimicking arena that in - cessantly appropriates narratives of Western Culture, particularly from Hollywood. Hence its nick-name Bollywood and the work of mimicry that contains the transcultural move back and forth Bollywood, Mumbai’s cinematic industry, is an inten - between and Bombay/Mumbai, all the while retain - sive arena absorbing foreign cultural products, mainly ing the ambivalent space positioned betwixt and be - Western. Characters, cultural icons, genres, lifestyle tween, and the unsteady cultural boundaries derived accoutrements such as clothing, furnishing, recreation from the postcolonial situation. styles, western pop songs and entire cinematic texts This paper examines the manner in which this have constantly been appropriated and adapted dur - transcultural move takes place within the discourse of ing decades of film-making. gender; namely, how the mimicking strategy forms a The mimicry phenomenon, with its central locus body and provides it with an ambiguous sexual iden - in the colonial situation and the meanings it contin - tity. My discussion focuses on the film Yaraana ues to incorporate in the postcolonial context, is a (David Dhawan, 1995) – a Bollywood adaptation of loaded focus in current discourse on globalization and Sleeping with the Enemy (Joseph Ruben, 1989). The localization, homogenization and heterogenization. Hollywood story of a woman who flees a violent hus - This paper examines the way in which the mimicking band exists in the Bollywood version, but takes on a deed can highlight the gendered layout of the mim - minor role compared to its narrative focus: an (insin - icking arena. -
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George Eastman Museum Annual Report 2016
George Eastman Museum Annual Report 2016 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 9 Photography Workshops 10 Loans 11 Objects Loaned for Exhibitions 11 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 22 Technology 23 George Eastman Legacy 24 Purchases for the Collections 29 Photography 29 Technology 30 Conservation & Preservation 31 Conservation 31 Photography 31 Moving Image 36 Technology 36 George Eastman Legacy 36 Richard & Ronay Menschel Library 36 Preservation 37 Moving Image 37 Financial 38 Treasurer’s Report 38 Fundraising 40 Members 40 Corporate Members 43 Matching Gift Companies 43 Annual Campaign 43 Designated Giving 45 Honor & Memorial Gifts 46 Planned Giving 46 Trustees, Advisors & Staff 47 Board of Trustees 47 George Eastman Museum Staff 48 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2016. Alvin Langdon Coburn Sight Reading: ONGOING Curated by Pamela G. Roberts and organized for Photography and the Legible World From the Camera Obscura to the the George Eastman Museum by Lisa Hostetler, Curated by Lisa Hostetler, Curator in Charge, Revolutionary Kodak Curator in Charge, Department of Photography Department of Photography, and Joel Smith, Curated by Todd Gustavson, Curator, Technology Main Galleries Richard L. Menschel -
Indian Police Journal for the Year 2016
The Indian Police Journal January-March, 2016 Vol. LXIII No. 1 EDITORIAL BOARD CONTENTS 1. Transforming Police into Smart Police 4 Shri N.R. Wasan, IPS Rajeev Tandon 2. “Ama Police”- The Community Policing 12 DG, BPR&D, MHA Scheme of Odisha Adviser Satyajit Mohanty 3. Human Rights, Police and Ethics: Towards 22 an Understanding of transforming the Shri Radhakrishnan Kini, IPS Police from a ‘Force’ to ‘Social Service’ SDG, BPR&D, MHA Dr. Harjeet S. Sohal 4. The Armed Forces (Special Powers) Act, 41 Editor-in-Chief 1958 – Urgency of Review Caesar Roy 5. A Requiem for Free Speech 68 Dr. Nirmal Kumar Azad, IPS Umesh Sharraf IG/Director (S&P) 6. Pragmatic Approach Towards Youths In 93 Editor 21st Century Amit Gopal Thakre 7. Right To Life Vis-À-Vis Death Penalty: 110 Shri B.S. Jaiswal, IPS Analyzing The Indian Position DIG/DD (S&P) Shakeel Ahmad and Tariq Ashfaq 8. The Women Victims of Alcohol Induced 124 Editor Domestic Violence and the Role of Community Police in Kerala: An Empirical Study Kannan. B, Dr. S. Ramdoss 9. Personality of Female Prisoners: An 145 Analytical Study Nouzia Noordeen, Dr. C. Jayan 10. A Correlational Study of PsyCap, EQ, 160 Hardiness and Job Stress in Rajasthan Police Officers Prof. (Dr). S.S Nathawat 11. Police Job’s Stressors: Does It Effect on the 170 Editor Job Performance, Quality of Life and Work of Police Personnel? Gopal K.N. Chowdhary Dr. Manoj Kumar Pandey 12. The People’s Friendly Police & 206 Community Policing K.N. Gupta 13. Police Response to Violence Against 229 Women in Punjab: Law, Policy & Practice Upneet Kaur Mangat 14. -
Douglass Crockwell Collection, 1897-1976, Bulk 1934-1968
Douglass Crockwell collection, 1897-1976, bulk 1934-1968 Finding aid prepared by Ken Fox, Project Archivist, George Eastman Museum, Moving Image Department, April 2015 Descriptive Summary Creator: Crockwell, Spencer Douglass, 1904-1968 Title: Douglass Crockwell collection Dates: 1897-1976, bulk 1934-1968 Physical Extent: 30.1 cubic feet Repository: Moving Image Department George Eastman Museum 900 East Avenue Rochester, NY 14607 Phone: 585-271-3361 Email: [email protected] Content Abstract: Spencer Douglass Crockwell was a commercial illustrator, experimental filmmaker, inventor, Mutoscope collector, amateur scientist, and Glens Falls, New York, resident. The Douglass Crockwell Collection contains Mr. Crockwell's personal papers, professional documents, films, Mutoscope reels, flip books, drawings, and photographs documenting his professional, civic, and personal life. Language: Collection materials are in English Location: Collection materials are located onsite. Access Restrictions: Collection is open to research upon request. Copyright: George Eastman Museum holds the rights to the physical materials but not intellectual property rights. Acquisition Information: The earliest acquisition of collection materials occurred on August 20, 1973, when one table Mutoscope and three Mutoscope reels were received by the George Eastman Museum as an unrestricted gift from Mr. Crockwell's widow. On March 22, 1974, Mrs. Crockwell transferred most of the Douglass Crockwell Collection to the Museum with the 1 understanding that one third of the collection would be received as an immediate gift. The remaining balance of the collection -- which included the films -- would be received as a loan for study purposes with the understanding it would be accessioned into the permanent collection as a gift within the next two years.