Introduction

Total Page:16

File Type:pdf, Size:1020Kb

Introduction Introduction The Ohio Japan Project began in the mid-1980’s when Ohio agreed to join with Michigan, Minnesota, and Wisconsin to form The Great Lakes in the Schools Project, funded by the U.S.-Japan Foundation. The members of the project from Ohio developed a series of lessons on Japan. During a trip to Japan in 1988, the Ohio team discussed these lessons with educators in Japan and had them formally critiqued by the International Society for Educational Information, Inc. in Tokyo. The society published a version of the lessons in Japan, while in Ohio they were published as Learning About Our World: Japan. Again with funding form the U.S.-Japan Foundation, the Ohio Japan Project sent a delegation of teachers in Ohio to Japan for two weeks in June-July, 2001. While there, the teachers gathered information to update the lessons previously published and to develop new ones, which reflect more current developments in Japan. Before and during the trip to Japan, the participants spent a great deal of time studying how the Japanese develop lessons that enhance deeper understanding by the students of the concepts to be taught. These lessons reflect the way Japanese teachers construct their lessons to accomplish that deeper level of knowledge and skill development. In this way, students retain the information for a longer period of time, which will help them be more successful on the future state achievement tests and the Ohio Graduation Test. The original publication of lessons identified the connections to the social studies and foreign languages curriculum models. The lessons in this publication will be correlated to the new state social studies standards, thereby providing another basis for improving student performance on the new state achievement tests and the Ohio Graduation Test. However, it should also be recognized that it is extremely important for citizens in the United States to be knowledgeable about events in other parts of the world. Our country’s history has always been intertwined with that of other people and places around the world. The events on and since September 11, 2001 certainly demonstrate this. Lessons about Japan - 1 Introduction One country worth knowing about is Japan. For more than a half century Japan and the United States have come together as international allies and economic trading partners. Japanese companies have a significant presence in the United States, and certainly in Ohio, and American companies are recognizable in Japan. During this period of time, the people of the two countries have come increasingly in contact. It is important to note that while these lessons focus on Japan, they can be used as examples of how to teach other countries and cultures around the world. Therefore, the lessons can be helpful on a broader scale and can assist teachers in preparing students to be knowledgeable citizens about issues and cultures in various parts of the world. Lessons about Japan - 2 Implementation The lessons in the original Learning About Our World: Japan were coordinated with Foreign Languages: Ohio's Model Competency-Based Program and Social Studies: Ohio's Model Competency-Based Program. Both of these state models contained the study of cultures in other parts of the world throughout the pre- kindergarten through twelfth grade program. In December, 2002, the State Board of Education in Ohio adopted social stud- ies standards. References are made in each lesson to appropriate grade-level indicators in the social studies standards to provide examples of the connec- tions between these lessons and the new standards. It should also be noted that these references are not intended to be comprehensive but are illustra- tive of the connections between these lessons and the standards. The standards, the social studies Ohio Graduation Test, and the social studies state achievement tests will address the study of historical and current events in various parts of the world. These lessons are helpful in addressing the stan- dards and tests. The Ohio Department of Education is also developing state content standards in foreign languages. These standards are not expected to be adopted until De- cember, 2003, after the publication of these lessons. While specific refer- ences to the foreign language grade-level indicators cannot be provided at this time, teachers of foreign languages will find many of these lessons to be useful – particularly as their students study the culture of the target language. This package of lessons is intended to provide an interdisciplinary approach to instruction. Contained within the lessons are activities that utilize a wide vari- ety of disciplines. Appropriate implementation should involve more than the foreign language and social studies teachers. Accordingly, the lessons may also relate to objectives in other strands and grade levels. Classroom teachers in the Ohio Japan Project developed all of the lessons pro- vided. You are welcome to use them exactly as they are presented or make any modifications to meet the instructional needs of your students. They may even be used to spark ideas about teaching other cultures. Lessons about Japan - 3 Pronunciation JAPANESE NAMES: PRONUNCIATION RULES There are five phonetic vowel sounds you need to know to pronounce Japanese names. These vowels are always pronounced the same: a as in father i as in police, machine u as in pull, full e as in enemy, elf o as in original, oh Here are most of the Japanese letters written in romanized alphabet for easy pronun- ciation. Modifying the common letters can create the sounds in parentheses. a i u e o ka ki ku ke ko (ga gi gu ge go) sa shi su se so (ja zi ju je jo) ta chi tsu te to (da zi zu de do) na ni nu ne no ha hi fu he ho (pa pi pu pe po)* ma mi mu me mo ya yu yo ra ri ru re ro wa wo n *(ba bi bu be bo) Note: “L” and “R” do not exist in Japanese. “R” when used in London sounds very close to “Rondon”. “N” is the only consonant that can be pronounced alone or with a vowel. If “N” doesn't have a vowel after it, it will be just an “n” sound alone. There are several other rules that involve the lengthening of a vowel sound, the doubling of a consonant, etc. but the basic sounds above will help you with most of the Japanese names that you will encounter. Names are usually written in this lesson plan book with the first name and then the family name. In the “Famous People” lessons, we have capitalized the family name to make it even clearer which is which. Please note that some websites referenced do not follow this order and list the family name first. Please check the format of the web- site to know which is listed first. Lessons about Japan - 4 National Symbols of Japan: The National Flag and Anthem Purpose: Increase knowledge of Japanese traditions and compare to American traditions. Target Grade Levels: K-3 Essential Questions: *What does the flag design represent? *When is the flag displayed? *What are the words to the national anthem, Kimigayo ? *When do Japanese sing Kimigayo? Rationale: Students will become aware of Japanese traditions and compare them to their own traditions. Being aware of the traditions of other cultures establishes positive perspectives that will enable students to see how many similarities there are among people of all nations rather than how many differences. Teacher notes: The national flag of Japan is called hinomaru. It is a solid red circle on a white field. The ratio of length to width is 2 to 3. The circle in the center has a diameter which is three-fifths the width of the flag. The circle represents the sun. Japan is known as the Land of the Rising Sun. The hinomaru is displayed during ceremonies on national holidays, during other public observances and special occasions, and in ceremonies to welcome guests from other countries. People often display the hinomaru by their homes on national holidays. Kimigayo, the national anthem is usually sung twice because it is quite short. It is sung on days the flag is displayed, at non-official events such as sports events, sumo tournaments and before award ceremonies. Kimigayo is not sung in all schools daily as some see it as a reminder of prewar militaristic state. Kimi- gayo is pronounced: kee-mee-guy-oh. Hinomaru is pronounced: he-no-mah-roo. Learning AboutLessons Our Worldabout Japan - 5 National Symbols of Japan: The National Flag and Anthem Materials: 1. Picture of Japanese flag (can be obtained at: http://flagspot.net/flags/jp.html ) 2. Lyrics of Kimigayo (Handout A) 3. Recording of Kimigayo (can be obtained at: http://www.japanorama.com/kimigayo.html) 4. Chart Paper 5. Rubric (Handout B) Activities: Day One 1. Introduce the lesson by asking the students to identify national symbols in the United States. Then ask them, “Do you think other countries, such as Japan, also have national symbols?” 2. Teacher presents: Teacher will show picture of Japanese flag and explain symbolism, and times when it is displayed. 3. Teacher will help students trace circle on red paper and apply to white paper. 4. Teacher will help students hang flags in the classroom. 5. Teacher will play recording of Kimigayo for class. 6. Teacher will teach lyrics of Kimigayo (Handout A) to the class and explain when this song is sung (Teacher Background A & B). 7. Students will sing Kimigayo with recording. Lessons about Japan - 6 National Symbols of Japan: The National Flag and Anthem Activities: Day Two 1. Teacher presents: Teacher will review symbolism and times when Japanese flag is displayed (Teacher Background A & B).
Recommended publications
  • Japanese Immigration History
    CULTURAL ANALYSIS OF THE EARLY JAPANESE IMMIGRATION TO THE UNITED STATES DURING MEIJI TO TAISHO ERA (1868–1926) By HOSOK O Bachelor of Arts in History Colorado State University Fort Collins, Colorado 2000 Master of Arts in History University of Central Oklahoma Edmond, Oklahoma 2002 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2010 © 2010, Hosok O ii CULTURAL ANALYSIS OF THE EARLY JAPANESE IMMIGRATION TO THE UNITED STATES DURING MEIJI TO TAISHO ERA (1868–1926) Dissertation Approved: Dr. Ronald A. Petrin Dissertation Adviser Dr. Michael F. Logan Dr. Yonglin Jiang Dr. R. Michael Bracy Dr. Jean Van Delinder Dr. Mark E. Payton Dean of the Graduate College iii ACKNOWLEDGMENTS For the completion of my dissertation, I would like to express my earnest appreciation to my advisor and mentor, Dr. Ronald A. Petrin for his dedicated supervision, encouragement, and great friendship. I would have been next to impossible to write this dissertation without Dr. Petrin’s continuous support and intellectual guidance. My sincere appreciation extends to my other committee members Dr. Michael Bracy, Dr. Michael F. Logan, and Dr. Yonglin Jiang, whose intelligent guidance, wholehearted encouragement, and friendship are invaluable. I also would like to make a special reference to Dr. Jean Van Delinder from the Department of Sociology who gave me inspiration for the immigration study. Furthermore, I would like to give my sincere appreciation to Dr. Xiaobing Li for his thorough assistance, encouragement, and friendship since the day I started working on my MA degree to the completion of my doctoral dissertation.
    [Show full text]
  • The Anime Galaxy Japanese Animation As New Media
    i i i i i i i i i i i i i i i i i i i i Herlander Elias The Anime Galaxy Japanese Animation As New Media LabCom Books 2012 i i i i i i i i Livros LabCom www.livroslabcom.ubi.pt Série: Estudos em Comunicação Direcção: António Fidalgo Design da Capa: Herlander Elias Paginação: Filomena Matos Covilhã, UBI, LabCom, Livros LabCom 2012 ISBN: 978-989-654-090-6 Título: The Anime Galaxy Autor: Herlander Elias Ano: 2012 i i i i i i i i Índice ABSTRACT & KEYWORDS3 INTRODUCTION5 Objectives............................... 15 Research Methodologies....................... 17 Materials............................... 18 Most Relevant Artworks....................... 19 Research Hypothesis......................... 26 Expected Results........................... 26 Theoretical Background........................ 27 Authors and Concepts...................... 27 Topics.............................. 39 Common Approaches...................... 41 1 FROM LITERARY TO CINEMATIC 45 1.1 MANGA COMICS....................... 52 1.1.1 Origin.......................... 52 1.1.2 Visual Style....................... 57 1.1.3 The Manga Reader................... 61 1.2 ANIME FILM.......................... 65 1.2.1 The History of Anime................. 65 1.2.2 Technique and Aesthetic................ 69 1.2.3 Anime Viewers..................... 75 1.3 DIGITAL MANGA....................... 82 1.3.1 Participation, Subjectivity And Transport....... 82 i i i i i i i i i 1.3.2 Digital Graphic Novel: The Manga And Anime Con- vergence........................ 86 1.4 ANIME VIDEOGAMES.................... 90 1.4.1 Prolongament...................... 90 1.4.2 An Audience of Control................ 104 1.4.3 The Videogame-Film Symbiosis............ 106 1.5 COMMERCIALS AND VIDEOCLIPS............ 111 1.5.1 Advertisements Reconfigured............. 111 1.5.2 Anime Music Video And MTV Asia.........
    [Show full text]
  • Geography's Importance to Japan's History
    RESOURCES ESSAYS of the present and become better prepared — Japan has many earth- geography’s for challenges of the future. Space in one quakesgeology because of its position on the Pacific article does not permit a comprehensive plan “Ring of Fire.” The Pacific Plate moves a importance to with all the possible ways to incorporate few inches a year westward into the Philip- Japan’s historical geography into the class- pine and Eurasian Plates. In addition, there Japan’s Historyby Patrick Grant room. This article, instead, offers a few is a complex system of faults on the Japan- ideas for applying these two standards by ese islands. The 1923 earthquake, with the addressing some important geographical resultant fire, destroyed much of Tokyo and apan’s geography has been and is a concepts. most of Yokohama. Some 100,000 people crucial factor in its history. Geology, The article touches upon many specific perished in this disaster. Only twenty sec- location, patterns of settlement, trans- issues that teachers will find interesting for onds of shaking killed 5,480 people in the J port, and economic development are discussions in the classroom. The brief 1995 Hanshin-Awaji quake around K¬be.3 strongly influenced by spatial considera- introduction to geology gives background to The rebuilding of this area is rapidly pro- tions. Our appreciation of any historical the earthquake hazard. Scarcity of space, gressing, but there are still thousands of dis- issue is greatly enhanced by learning how covered in the next section, has helped to located people two years after the quake.
    [Show full text]
  • DAIDO MORIYAMA Born 1938 Ikeda City, Osaka, Japan Lives and Works in Tokyo, Japan
    DAIDO MORIYAMA Born 1938 Ikeda City, Osaka, Japan Lives and works in Tokyo, Japan AWARDS 2012, Lifetime Achievement Infinity Award, International Center for Photography, New York, NY 2004, Culture Award, Deutsche Gesellschaft für Photographie, Cologne, Germany 2004, Lifetime Achievement Award, Photographic Society of Japan 2003, 44th Mainichi Art Award, Japan 1983, Photographer of the Year Award, Photographic Society of Japan 1967, New Artist Award, Japan Photo Critics Association SOLO EXHIBITIONS 2017 Artist Rooms: Daido Moriyama, Tate Modern, London, England Daido Moriyama, Miyanomori International Museum of Art, Sapporo, Japan Daido Moriyama: Tokyo Color, Luhring Augustine Bushwick, Brooklyn, NY Daido Moriyama: Pretty Woman, Akio Nagasawa, Tokyo, Japan* 2016 Color + tights, Taka Ishii Gallery Kitsando, Tokyo, Japan Color 1970-1990, Taka Ishii Gallery Paris, Paris, France Daido Moriyama: Marrakech 2015 (Record no. 30), Galerie Folia, Paris, France Daido Moriyama: Prints and Books from 1960s–1980s, Singapore International Photography Festival, DECK, Singapore Daido Moriyama: Terayama, Shuji Terayama Museum, Aomori, Japan Daido Moriyama: Tokyo Meshed World, Yoshii Gallery, New York, NY Daido Tokyo, Fondation Cartier pour l’Art Contemporain, Paris, France* Scandalous, Akio Nagasawa Gallery, Tokyo, Japan 2015–2016 Daido Moriyama in Color, Galleria Carla Sozzani, Milan, Italy 2015 Catching Eye, Catching Mind, Kwai Fung Hin Art Gallery, Hong Kong, China Fragments: Silkscreens of Daido Moriyama, Three Shadows Photography Art Centre, Xiamen, China Kiss, Taka Ishii Gallery Paris, Paris, France A Room, Aura Gallery, Taipei, Taiwan 2014 Accident, Shadai Gallery, Tokyo, Japan Daido Moriyama: Dazai, Art Space AM, Tokyo, Japan Daido Moriyama Endless Works N/S, Okinawa Prefectural Museum and Art Museum, Naha, Japan* Hokkaido, Miyanomori International Museum of Art, Sapporo, Japan Searching Journeys, Simon Lee Gallery, Hong Kong, China Tono 2014, Canon Gallery S, Tokyo, Japan * A catalogue was published with this exhibition.
    [Show full text]
  • Sake & SHOCHU TOURS of JAPAN
    Sake & SHOCHU TOURS OF JAPAN 酒 蔵ツーリズムのすすめ ENGLISH | 日本語 BREWERY BREWERY において全ての“もの づくり”に捧げられる THE SAKE EXPERIENCE 日本献身と情熱は、それは それは美しいものなのですよ。」酒蔵通 外国人レポーターによる酒蔵観光レポート りを歩く私達に、ツアーガイドは熱心に 語りかけてきた。そして酒造りに関して By 3rd generation Japanese American reporter Sami Kawahara 文 サミ カワハラ(日系三世アメリカ人レポーター) も、彼女の言うとおりであることが明ら into the tasting room filled with countless かになるのである。 sake products. Bottles of sake, of course, but also sake-inspired beauty products and 酒蔵通り―文字通り、酒の蔵元が並ぶ通 omiyage (souvenirs). Mr. Maegaki, head brewer り―には8つの異なる蔵元が立ち並んで at Kamoizumi brewery, eagerly lines up four いる。蔵元同士で競い合う代わりに、彼 sake glasses with the bottles displayed behind, らは特定のガイドラインに従って団結し ready for guests to taste. I was continuously ている。ワインの試飲ツアーと同様、酒 charmed by the brewer’s enthusiasm and ex- citement when proudly serving his own sake. 蔵通りを訪れるゲストは各地域で醸造さ れる多種多様な酒を試飲し、それぞれの As we moved to the next brewery a few 蔵元が造り出す個性的な品質を確かめる buildings down, I felt drawn in and inspired ことが出来る。蔵元の責任者がゲストに by the countryside atmosphere and the sake 挨拶する際に見せる情熱と、酒を造る職 rice fields only a stone’s throw away from the 人達の実直な働きぶりを目にすると、口 brewery. And as we continued the brewery に含んだひとすすりの酒に、より深い感 tour, it was clear that whether I wanted to 謝の念が心の底から湧き上がる。 learn more about sake in a classroom environ- ment, view traditional sake making tools, relax 酒の豊かな伝統は紀元3世紀まで遡る。 in a zen garden, or eat cake with sake sauce 酒の持つ印象はとても伝統的で、私のよ 酒造りはビールの製造と似ている。どち 広島県西条は、数々のホテルと蔵元、そ drizzled over the top, each brewery brought うな初心者の酒飲みには、時に、あまり らも原料を醸造することで、デンプンを して最寄り駅がわずか半径1km圏内に全 something new to the table. にも伝統的で威圧感すら覚えてしまう。 糖化し、更にその糖分をアルコール化す て収まっている、古風で趣のある街だ。 るからである。ツアー参加中、私はこの 一方、京都府伏見市と兵庫県灘市では日 Saijo, located in Hiroshima Prefecture, is a けれど、様々な蔵元を探索し酒産業の中 quaint town comprised of hotels, breweries, 核を経験してからというもの、私はこの 酒造りの最初(洗米)から最後(瓶詰 本酒の50%以上を醸造している。また and a convenient train station, all in a 1,000 アルコール飲料に対し、新たな賞賛の念 め)までの過程を見ることが出来た。 試飲の機会を設けている蔵元の多くも、 square meter radius.
    [Show full text]
  • Japanese Native Speakers' Attitudes Towards
    JAPANESE NATIVE SPEAKERS’ ATTITUDES TOWARDS ATTENTION-GETTING NE OF INTIMACY IN RELATION TO JAPANESE FEMININITIES THESIS Presented in Partial Fulfillment of the Requirements for The Degree Master of Arts in the Graduate School of The Ohio State University By Atsuko Oyama, M.E. * * * * * The Ohio State University 2008 Master’s Examination Committee: Approved by Professor Mari Noda, Advisor Professor Mineharu Nakayama Advisor Professor Kathryn Campbell-Kibler Graduate Program in East Asian Languages and Literatures ABSTRACT This thesis investigates Japanese people’s perceptions of the speakers who use “attention-getting ne of intimacy” in discourse in relation to femininity. The attention- getting ne of intimacy is the particle ne that is used within utterances with a flat or a rising intonation. It is commonly assumed that this attention-getting ne is frequently used by children as well as women. Feminine connotations attached to this attention-getting ne when used by men are also noted. The attention-getting ne of intimacy is also said to connote both intimate and over-friendly impressions. On the other hand, recent studies on Japanese femininity have proposed new images that portrays figures of immature and feminine women. Assuming the similarity between the attention-getting ne and new images of Japanese femininity, this thesis aims to reveal the relationship between them. In order to investigate listeners’ perceptions of women who use the attention- getting ne of intimacy with respect to femininity, this thesis employs the matched-guise technique as its primary methodological choice using the presence of attention-getting ne of intimacy as its variable. In addition to the implicit reactions obtained in the matched- guise technique, people’s explicit thoughts regarding being onnarashii ‘womanly’ and kawairashii ‘endearing’ were also collected in the experiment.
    [Show full text]
  • Natural History of Japanese Birds
    Natural History of Japanese Birds Hiroyoshi Higuchi English text translated by Reiko Kurosawa HEIBONSHA 1 Copyright © 2014 by Hiroyoshi Higuchi, Reiko Kurosawa Typeset and designed by: Washisu Design Office Printed in Japan Heibonsha Limited, Publishers 3-29 Kanda Jimbocho, Chiyoda-ku Tokyo 101-0051 Japan All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means without permission in writing from the publisher. The English text can be downloaded from the following website for free. http://www.heibonsha.co.jp/ 2 CONTENTS Chapter 1 The natural environment and birds of Japan 6 Chapter 2 Representative birds of Japan 11 Chapter 3 Abundant varieties of forest birds and water birds 13 Chapter 4 Four seasons of the satoyama 17 Chapter 5 Active life of urban birds 20 Chapter 6 Interesting ecological behavior of birds 24 Chapter 7 Bird migration — from where to where 28 Chapter 8 The present state of Japanese birds and their future 34 3 Natural History of Japanese Birds Preface [BOOK p.3] Japan is a beautiful country. The hills and dales are covered “satoyama”. When horsetail shoots come out and violets and with rich forest green, the river waters run clear and the moun- cherry blossoms bloom in spring, birds begin to sing and get tain ranges in the distance look hazy purple, which perfectly ready for reproduction. Summer visitors also start arriving in fits a Japanese expression of “Sanshi-suimei (purple mountains Japan one after another from the tropical regions to brighten and clear waters)”, describing great natural beauty.
    [Show full text]
  • Geography in Japan
    GeographyReligion in in Japan Japan Purpose: This lesson will enable students to develop basic knowledge of Japan’s physical geography including absolute and relative location, factors contributing to climate, and temperature comparisons with the United States. Target Grade Level: 6-7 Essential questions: · What are the physical features of Japan? · Where is Japan located? · What effects do location, elevation, and ocean currents have on the climate of Japan? · How do temperatures in Japan compare to temperatures in the United States? Rationale: Location and physical features of a country affect climate. Key Ideas: · Japan is an island nation. · Japan is an archipelago similar to other archipelagoes in the Pacific (Hawaii, Philippines, Micronesia). · Japan is an archipelago similar to other archipelagoes in the Pacific (Hawaii, Philippines, Micronesia). · Japan stretches from 25 to 45 degrees N latitudes and from 128 to 145 degrees E longitudes. · Japan is an island nation consisting of four main islands (Honshu, Hokkaido, Shikoku, and Kyushu) and many small islands. · The Pacific Ocean is on the south and east of Japan and the Sea of Japan is on the north and west of Japan. · Japan is east of Korea and China, north of the equator, and east of the Prime Meridian. · If super imposed on the U. S., Japan would stretch from Tampa Florida to Montreal. · Japan has many of the same climates, as we would find in the United States. Learning AboutLessons Our Worldabout Japan - 143 GeographyReligion in of Japan Japan Materials: · Wall maps, globes,
    [Show full text]
  • Japan Studies Review
    JAPAN STUDIES REVIEW Volume Nineteen 2015 Interdisciplinary Studies of Modern Japan Steven Heine Editor Editorial Board John A. Tucker, East Carolina University Yumiko Hulvey, University of Florida Matthew Marr, Florida International University Ann Wehmeyer, University of Florida Hitomi Yoshio, Florida International University Copy and Production María Sol Echarren Rebecca Richko Ian Verhine Kimberly Zwez JAPAN STUDIES REVIEW VOLUME NINETEEN 2015 A publication of Florida International University and the Southern Japan Seminar CONTENTS Editor’s Introduction i Re: Subscriptions, Submissions, and Comments ii ARTICLES Going Postal: Empire Building through Miniature Messages on German and Japanese Stamps Fabian Bauwens 3 Old, New, Borrowed, and Blue: Hiroshi Senju’s Waterfall Paintings as Intersections of Innovation Peter L. Doebler 37 Delightfully Sauced: Wine Manga and the Japanese Sommelier’s Rise to the Top of the French Wine World Jason Christopher Jones 55 “Fairness” and Japanese Government Subsidies for Sickness Insurances Yoneyuki Sugita 85 ESSAYS A “Brief Era of Experimentation”: How the Early Meiji Political Debates Shaped Japanese Political Terminology Bradly Hammond 117 The Night Crane: Nun Abutsu’s Yoru No Tsuru Introduced, Translated, and Annotated Eric Esteban 135 BOOK REVIEWS Scream from the Shadows: The Women’s Liberation Movement in Japan By Setsu Shigematsu Reviewed by Julia C. Bullock 169 Critical Buddhism: Engaging with Modern Japanese Buddhist Thought By James Mark Shields Reviewed by Steven Heine 172 Banzai Babe Ruth: Baseball, Espionage, & Assassination During the 1934 Tour of Japan By Robert K. Fitts Reviewed by Daniel A. Métraux 175 Supreme Commander: MacArther’s Triumph in Japan By Seymour Morris Reviewed by Daniel A. Métraux 177 CONTRIBUTORS/EDITORS i EDITOR’S INTRODUCTION Welcome to the nineteenth volume of the Japan Studies Review (JSR), an annual peer-reviewed journal sponsored by the Asian Studies Program at Florida International University Seminar.
    [Show full text]
  • Audition How Does the 1999 Film Relate to the Issues That Japanese Men and Women Face in Relation to Romantic Pairing?
    University of Roskilde Audition How does the 1999 film relate to the issues that Japanese men and women face in relation to romantic pairing? Supervisor: Björn Hakon Lingner Group members: Student number: Anna Klis 62507 Avin Mesbah 61779 Dejan Omerbasic 55201 Mads F. B. Hansen 64518 In-depth project Characters: 148,702 Fall 2018 University of Roskilde Table of content Problem Area ........................................................................................................................................... 7 Problem Formulation .............................................................................................................................. 9 Motivation ............................................................................................................................................... 9 Delimitation ........................................................................................................................................... 10 Method .................................................................................................................................................. 11 Theory .................................................................................................................................................... 12 Literature review ............................................................................................................................... 12 Social Exchange Theory ....................................................................................................................
    [Show full text]
  • Japan's Turn to the West
    CHAPTER 7 JAPAN'S TURN TO THE WEST Although Japan was never a "closed country" in the sense that sakoku literally implies, it did awaken from two hundred years of substantial "national isolation" in the last half of the nineteenth cen- tury to devote its full energy toward the realization of one goal - the establishment of a modern nation-state. This effort itself is better evidence of Japan's "turn to the West" than anything else, for the concept of a modern nation-state had yet to manifest itself in any non-Western country. In economic terms, a modern nation-state is a state that has experienced an industrial revolution; in social terms, it is a state with a centralized political system under which popular participation is structured through the parliamentary institutions of a constitutional order. By any measure, such characteristics of a state are thoroughly Western in nature and origin. These distinguishing characteristics were not to be found in the To- kugawa bakuhan state. Nineteenth-century Japanese society was pre- industrial, and its economy was based on forms of production that depended on animate rather than mechanical sources of power. A large bourgeoisie did exist to carry on commercial and financial enterprise, but it was excluded from participating in political decisions. The Toku- gawa political structure was composed of a bureaucracy, representing feudally privileged classes that operated within a system that reconciled theoretically incompatible elements of feudalism and absolute shogunal "monarchy." Despite Japan's high level of cultural homogenity - or perhaps because of it - the concept of a people as a "nation" that partici- pated actively in the affairs of a "state" was unknown.
    [Show full text]
  • “Totto-Chan: the Little Girl at the Window” by Tetsuko Kuroyanagi Based on Paulo Freire’S Perspective
    PANYONARA: Journal of English Education Vol. 2, No. 1, March 2020 DOI: 10.19105/panyonara.v2i1.3127 AN ANALYSIS OF EDUCATIONAL VALUES IN “TOTTO-CHAN: THE LITTLE GIRL AT THE WINDOW” BY TETSUKO KUROYANAGI BASED ON PAULO FREIRE’S PERSPECTIVE Jamaluddin1 1English Teaching Learning Program, Tarbiyah Faculty, Institut Agama Islam Negeri Madura ([email protected]) Abd. Ghofur2 2English Teaching Learning Program, Tarbiyah Faculty, Institut Agama Islam Negeri Madura ([email protected]) Abstract: The novel "Totto Chan: The Little Girl at the Window" is a novel in which some parts of its story reflect the concept of education that is unique and different. The concept of education in this novel related to an educational value according to Paulo Freire’s perspective. Therefore, this research is mainly purposed to search about what are the educational values found in "Totto Chan: The Little Girl at the Window"? and how educational values appear in "Totto Chan: The Little Girl at the Window" based on Paulo Freire’s perspective? This research is a qualitative one by using the content analysis method. Two data sources were chosen, the primary data source is the novel its- self and the secondary data are books, literature, official websites, and other relevant materials. In general, the result found 52 educational values contained in the novel, and 28 educational values based on Paulo Freire’s perspective. Those are divided into 6 points: liberating education, pedagogy of the oppressed, dialogic education, the concept of conscientization, contextual education and critical education. Through this research, it is expected that teachers can implement the positive things that exist in this study and in the novels at school and also encourage students’ interest in literature.
    [Show full text]