Editor-In-Chief: Economic Geology (Additional Focal Disciplines: Applied Associate Professor, Ph.D., Manyuk Volodymyr, Assoc
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Learning Information Literacy and Teaching: an Action Research Project
The Fifth European Conference on Information Literacy (ECIL) September 18th-21st, 2017, Saint-Malo, France Abstracts Saint-Malo, 2017 The Fifth European Conference on Information Literacy (ECIL) September 18th-21st, 2017, Saint-Malo, France Abstracts Editors: Sonja Špiranec, Serap Kurbanoğlu, Joumana Boustany, Esther Grassian, Diane Mizrachi, Loriene Roy, Denis Kos Information Literacy Association (InLitAs) Saint-Malo, 2017 The Fifth European Conference on Information Literacy, September 18th-21st, 2017, Saint-Malo, France: Abstracts http://ecil2017.ilconf.org Publisher: Information Literacy Association (InLitAs) http://inlitas.org ISBN 978-2-9561952-0-7 Copyright © 2017 by Information Literacy Association (InLitAs) and authors All rights reserved Organization The Fifth European Conference on Information Literacy (ECIL) was co-organized by the Department of Information Management of Hacettepe University, the Department of Information and Communication Sciences of the University of Zagreb and Information Literacy Association (InLitAs), France. Standing Committee 1. Paul G. Zurkowski, USA (Honorary Chair) 2. Serap Kurbanoğlu, Hacettepe University, Turkey (General Co-chair for ECIL & ECIL 2016) 3. Sonja Špiranec, University of Zagreb, Croatia (General Co-chair for ECIL & ECIL 2016) 4. Joumana Boustany, Information Literacy Association (InLitAs), France (Co-chair for ECIL 2017) 5. Szarina Abdullah, MARA Technology University, Malaysia 6. Buket Akkoyunlu, Hacettepe University, Turkey 7. Aharon Aviram, Ben-Gurion University, Israel 8. George Awad, UNESCO Regional Office, Lebanon 9. Tomaz Bartol, University of Ljubljana, Slovenia 10. Athina Basha, Albanian Library Association, Albania 11. David Bawden, City University, UK 12. Dilara Begum, East West University, Bangladesh 13. Albert K. Boekhorst, University of Pretoria, South Africa 14. Alexander Botte, German Inst. for International Educational Research, Germany 15. -
Vision Art Festival
vision Art festivAl OPTICHROMIE (1500-2927) FLYBOY THE SECRET MOUNTAINS LE DAHU REFORM SWISS SHELTER Le Haut-Lieu de l’Art Contemporain des Alpes Felipe PANTONE Hebru BRANTLEY OKUDA Joshua KEEN VALENCIA REKA ONE 2ALAS Espagne USA Espagne USA Australie Costa Rica / Cuba 2015 2014 2015 2015 2015 2015 www.felipepantone.com 1 www.hebrubrantley.com 2 www.hebrubrantley.com 3 www.facebook.com/joshuakeenvalencia 4 www.instagram.com/rekaone 5 www.facebook.com/2alas 6 Le spectre de ses œuvres s’étend du graffiti à l’art kiné- Hebru Brantley est né en 1982 à Bronzeville, Chicago, Okuda San Miguel de Santander, est connu pour son Joshua Keen Valencia est basé à Los Angeles. Il a obtenu Son oeuvre est largement influencée par la culture pop, 2Alas, duo d’artistes portoricain et cubain, basé à Miami tique; elles sont marquées par de forts contrastes, des Hebru Brantley vit et travaille à Chicago, plus précisé- style distinct, impressions géométriques et bâtiments un B.A. en Art et son travail marie avec succès la jux- les bandes dessinées et les illustrations de son pays travaille aussi bien en galerie que dans la rue. 2Alas uti- couleurs vives et l’usage de techniques mixtes dont le ment dans le quartier où il est né, quartier afro-améri- multicolores qui se mêlent à des corps gris et des formes taposition de sujets totalement différents en utilisant des natal; ses muraux dont le style particulier est un mélange lise pinceaux et rouleaux et leur style est très particulier. savant mélange cherche à accrocher l’oeil du specta- cain situé au sud de la ville. -
Contemporary American Painting and Sculpture
AT UR8ANA-GHAMPAIGN ARCHITECTURE The person charging this material is responsible for .ts return to the library from which it was withdrawn on or before the Latest Date stamped below '"" """"""'"9 "< "ooks are reason, ™racTo?,'l,°;'nary action and tor di,elpl(- may result in dismissal from To renew the ""'*'e™«y-University call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN I emp^rary American Painting and Sculpture University of Illinois Press, Urbana, 1959 Contemporary American Painting and Scuipttfre ^ University of Illinois, Urbana March 1, through April 5, 195 9 Galleries, Architecture Building College of Fine and Applied Arts (c) 1959 by the Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A4 8-34 i 75?. A^'-^ PDCEIMtBieiiRr C_>o/"T ^ APCMi.'rri'Ht CONTEMPORARY AMERICAN PAINTING AND SCULPTURE DAVID D. HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rae W. F. Doolittlc H. A. Schultz EXHIBITION COMMITTEE D. E. Frith J. R. Shipley \'. Donovan, Chairman J. D. Hogan C. E. H. Bctts M. B. Martin P. W. Bornarth N. McFarland G. R. Bradshaw D. C. Miller C. W. Briggs R. Perlman L. R. Chesney L. H. Price STAFF COMMITTEE MEMBERS E. F. DeSoto J. W. Raushenbergcr C. A. Dietemann D. C. Robertson G. \. Foster F. J. Roos C. R. Heldt C. W. Sanders R. Huggins M. A. Sprague R. E. Huh R. A. von Neumann B. M. Jarkson L. M. Woodroofe R. Youngman J. -
Truth Is Concrete #16 B Y T He P Ink Y Sho W
Truth is concrete #16 by The Pinky Show 14.00 Black Cube Some kind of beginning Truth is An opening proposal by Tim Etchells / Forced Entertainment (GB) Performed by Jerry Killick (GB) Questions, hellos, dedications, fragments, answers concrete and yet more questions. In characteristic seriously unserious and unseriously serious style “Some kind of beginning“ is a tentative and extremely partial “Art is a left-wing hobby.” introduction to things otherwise not spoken about Geert Wilders or yet unspoken. A proposal of a structure of brief Fri exchange, call and response to kick off the Marathon. These have been months, years of unbelievably fast change all over the world. Uprisings in the Arabic world. Revolutions and counter-revolutionary attempts. Tim Etchells is an artist and a writer. His work shifts between performance, visual art and fiction. He has Islamistic threats and the fetishisation of Islamistic threats. Demonstrations worked in a wide variety of contexts, notably as the and repercussions in Russia, Ukraine, Belorussia … Persecution of artists – leader of the performance group Forced Entertainment. sometimes under a bright spotlight as in the cases of Pussy Riot or Ai Wei Wei, Jerry Killick is a performer and actor who has been but more often unnoticed by a broader public. The nuclear disaster in Japan. The devising and performing in about a dozen of Forced Entertainment's plays and many other productions. appearance (and disappearance?) of Occupy all over the world. The rise of the right wing in many countries – often as a side-effect of the financial devastations day that threaten the whole European project. -
Bibliographical Index
Bibliographical Index BIBLIOGRAPHICAL ACCESS TO THIS VOLUME Bacon, Roger. Opus Majus. 305, 322, 345 Basil, Saint. Homilies. 328 Three modes of access to bibliographical information are used Bede, the Venerable. De natura rerum. 137 in this volume: the footnotes; the bibliographies; and the Bib ---. De temporum ratione. 321 liographical Index. The footnotes provide the full form of a reference the first Cassiodorus. Institutiones divinarum et saecularium time it is cited in each chapter with short-title versions in litterarum. 172, 255, 259, 261 subsequent citations. In each of the short-title references, the Cato the Elder. Origines. 205 note number of the fully cited work is given in parentheses. Censorinus. De die natalie 255 The bibliographies following each chapter provide a selec Chaucer, Geoffrey. Prologue to the Canterbury Tales. 387 tive list of major books and articles relevant to its subject Cicero. Arataea (translation of Aratus's versification of matter. Eudoxus's Phaenomena). 143 The Bibliographical Index comprises a complete list, ar ---. Letters to Atticus. 255 ranged alphabetically by author's name, of all works cited in ---. De natura deorum. 160,168 the footnotes. Numbers in bold type indicate the pages on --. The Republic. 159, 160, 255 which references to these works can be found. This index is ---. Tusculan Disputations. 160 divided into two parts. The first part identifies the texts of Cleomedes. De motu circulari. 152, 154, 169 classical and medieval authors. The second part lists the mod Cosmas Indicopleustes. Christian Topography. 143, 144, ern literature. 261 Ctesias of Cnidus. Indica. 149 TEXTS OF CLASSICAL AND MEDIEVAL ---. Persica. 149 AUTHORS Dicuil. -
Street Art & Graffiti in Belgrade: Ecological Potentials?
SAUC - Journal V6 - N2 Emergence of Studies Street Art & Graffiti in Belgrade: Ecological Potentials? Srđan Tunić STAW BLGRD - Street Art Walks Belgrade, Serbia [email protected], srdjantunic.wordpress.com Abstract Since the emergence of the global contemporary graffiti and street art, urban spaces have become filled with a variety of techniques and art pieces, whether as a beautification method, commemorative and community art, or even activism. Ecology has also been a small part of this, with growing concern over our environment’s health (as well as our own), disappearing living species and habitats, and trying to imagine a better, less destructive humankind (see: Arrieta, 2014). But, how can this art - based mostly on aerosol spray cans and thus not very eco-friendly - in urban spaces contribute to ecological awareness? Do nature, animal and plant motifs pave a way towards understanding the environment, or simply serve as aesthetic statements? This paper will examine these questions with the example of Belgrade, Serbia, and several local (but also global) practices. This text is based on ongoing research as part of Street Art Walks Belgrade project (STAW BLGRD) and interviews with a group of artists. Keywords: street art, graffiti, ecology, environmental art, belgrade 1. Introduction: Environmental art Art has always been connected to the natural world - with its Of course, sometimes clear distinctions are hard to make, origins using natural materials and representing the living but for the sake of explaining the basic principles, a good world. But somewhere in the 1960s in the USA and the UK, example between the terms and practices could be seen a new set of practices emerged, redefining environmental in the two illustrations below. -
İncəsənət Və Mədəniyyət Problemləri Jurnalı
AZƏRBAYCAN MİLLİ ELMLƏR AKADEMİYASI AZERBAIJAN NATIONAL ACADEMY OF SCIENCES НАЦИОНАЛЬНАЯ АКАДЕМИЯ НАУК АЗЕРБАЙДЖАНА MEMARLIQ VƏ İNCƏSƏNƏT İNSTİTUTU INSTITUTE OF ARCHITECTURE AND ART ИНСТИТУТ АРХИТЕКТУРЫ И ИСКУССТВА İncəsənət və mədəniyyət problemləri Beynəlxalq Elmi Jurnal N 4 (74) Problems of Arts and Culture International scientific journal Проблемы искусства и культуры Международный научный журнал Bakı - 2020 Baş redaktor: ƏRTEGİN SALAMZADƏ, AMEA-nın müxbir üzvü (Azərbaycan) Baş redaktorun müavini: GULNARA ABDRASİLOVA, memarlıq doktoru, professor (Qazaxıstan) Məsul katib : FƏRİDƏ QULİYEVA, sənətşünaslıq üzrə fəlsəfə doktoru (Azərbaycan) Redaksiya heyətinin üzvləri: ZEMFİRA SƏFƏROVA – AMEA-nın həqiqi üzvü (Azərbaycan) RƏNA MƏMMƏDOVA – AMEA-nın müxbir üzvü (Azərbaycan) RƏNA ABDULLAYEVA – sənətşünaslıq doktoru, professor (Azərbaycan) SEVİL FƏRHADOVA – sənətşünaslıq doktoru (Azərbaycan) RAYİHƏ ƏMƏNZADƏ - memarlıq doktoru, professor (Azərbaycan) VLADİMİR PETROV – fəlsəfə elmləri doktoru, professor (Rusiya) KAMOLA AKİLOVA – sənətşünaslıq doktoru, professor (Özbəkistan) MEYSER KAYA – fəlsəfə doktoru (Türkiyə) VİDADİ QAFAROV – sənətşünaslıq üzrə fəlsəfə doktoru, dosent (Azərbaycan) Editor-in-chief: ERTEGIN SALAMZADE, corresponding member of ANAS (Azerbaijan) Deputy editor: GULNARA ABDRASSILOVA, Prof., Dr. (Kazakhstan) Executive secretary: FERİDE GULİYEVA Ph.D. (Azerbaijan) Members to editorial board: ZEMFIRA SAFAROVA – academician of ANAS (Azerbaijan) RANA MAMMADOVA – corresponding-member of ANAS (Azerbaijan) RANA ABDULLAYEVA – Prof., Dr. (Azerbaijan) -
St+Art-India-Brief-Combined-Festivals
ST+ART INDIA FOUNDATION is a not-for-profit organisation that works on art projects in public spaces. The aim of the foundation is to make art accessible to a wider audience by taking it out of the conventional gallery space and embedding it within the cities we live in - making art truly democratic for everyone. In the past 3 years, the foundation has hosted 6 St+art festivals across 4 cities, creating iconic landmarks across India. years cities festivals artists walls HENDRIK ECB (GERMANY) & ANPU (INDIA) • ITO BUILDING In a first of a kind engagement between a government body and street art, German artist Hendrik ECB Beikirch and Indian artist Anpu painted the tallest mural of India - 158 feet. This mural is located at the Police Headquarters in ITO, connecting thousands of citizens who get to view this iconic artwork on a daily basis. HAND PAINTED TYPE MURAL BY INDIAN SIGN PAINTERS • TIHAR JAIL Tihar Jail is the largest prison complex in Asia, with over 11,000 prisoners. India’s longest mural - 968 metres - was painted on the boundary wall of Tihar Jail with the help of several sign painters from India, who spent a fortnight painting verses of a poem: Chardiwari - written by one of the women inmates. STREET ART FESTIVAL • MUMBAI • NOV 2014 - DEC 2014 On 7th of November 2014 ,Anpu (Ind) and Tika (Swi) began work on the first wall of the festival at Pali Village in Bandra. BOND (GERMANY) • PALI VILLAGE, BANDRA TIKA (SWITZERLAND)• NEW FRIENDS COLONY, BANDRA MTNL BUILDING (BEFORE) • BANDRA RANJIT DAHIYA (INDIA) • MTNL, BANDRA A tribute to the forgotten legend of Bollywood, Dadasaheb Phalke, considered as the father of Indian Cinema. -
2006 Annual Conference Program Sessions
24 CAA Conference Information 2006 ARTspace is a conference within the Conference, tailored to the interests and needs of practicing artists, but open to all. It includes a large audience session space and a section devoted to the video lounge. UNLESS OTHERWISE NOTED. ALL ARTSPACE EVENTS ARE IN THE HYNES CONVENTION GENTER, THIRD LEVEl, ROOM 312. WEDNESDAY, FEBRUARY 22 ------------------- 7:30 AM-9:00 AM MORNING COFFEE, TEA, AND JUICE 9:30 AM-NOON SlOPART.COM BRIAN REEVES AND ADRIANE HERMAN Slop Art corporate representatives will share popular new product distribution and expression-formatting strategies they've developed to address mounting consumer expectation for increasing affordability, portability, familiar formatting, and validating brand recognition. New franchise opportunities, including the Slop Brand Shippable Showroom™, will be outlined. Certified Masterworks™ and product submission guidelines FREE to all attendees. 12:30 PM-2:00 PM RECENT WORK FROM THE MIT MEDIA LAB Christopher Csikszelltlnihalyi, a visual artist on the faculty at the MIT Media Lab, coordinates a presentation featuring recent faculty work from the MIT Media Lab; see http;llwww.media.mit.edu/about! academics.htm!. 2:30 PM-5:00 PM STUDIO ART OPEN SESSIOII PAINTING Chairs; Alfredo Gisholl, Brandeis University; John G. Walker, Boston University Panelists to be announced. BOSTON 25 THURSDAY, FEBRUARY 23 2:30 PM-5:00 PM STUDIO ART OPEN SESSIOII 7:30 AM-9:00 AM PRINTERLY PAINTERLY: THE INTERRELATIONSHIP OF PAINTING AND PRINTMAKING MORNING COFFEE, TEA, AND JUICE Chair: Nona Hershey, Massachusetts College of Art Clillord Ackley, Museum of Fine Arts, Boston 9:00 AM-5:30 PM Michael Mazur, independent artist James Stroud, independent artist, Center Street Studio, Milton Village, VIDEO lOUNGE: EXPANDED CINEMA FOR THE DIGITAL AGE Massachusetts A video screening curated by leslie Raymond and Antony Flackett Expanded Cinema emerged in the 19605 with aspirations to explore expanded consciousness through the technology of the moving image. -
Genocide-Holodomor 1932–1933: the Losses of the Ukrainian Nation”
TARAS SHEVCHENKO NATIONAL UNIVERSITY OF KYIV NATIONAL MUSEUM “HOLODOMOR VICTIMS MEMORIAL” UKRAINIAN GENOCIDE FAMINE FOUNDATION – USA, INC. MAKSYM RYLSKY INSTITUTE OF ART, FOLKLORE STUDIES, AND ETHNOLOGY MYKHAILO HRUSHEVSKY INSTITUTE OF UKRAINIAN ARCHAEOGRAPHY AND SOURCE STUDIES PUBLIC COMMITTEE FOR THE COMMEMORATION OF THE VICTIMS OF HOLODOMOR-GENOCIDE 1932–1933 IN UKRAINE ASSOCIATION OF FAMINE RESEARCHERS IN UKRAINE VASYL STUS ALL-UKRAINIAN SOCIETY “MEMORIAL” PROCEEDINGS OF THE INTERNATIONAL SCIENTIFIC- EDUCATIONAL WORKING CONFERENCE “GENOCIDE-HOLODOMOR 1932–1933: THE LOSSES OF THE UKRAINIAN NATION” (October 4, 2016, Kyiv) Kyiv 2018 УДК 94:323.25 (477) “1932/1933” (063) Proceedings of the International Scientific-Educational Working Conference “Genocide-Holodomor 1932–1933: The Losses of the Ukrainian Nation” (October 4, 2016, Kyiv). – Kyiv – Drohobych: National Museum “Holodomor Victims Memorial”, 2018. x + 119. This collection of articles of the International Scientific-Educational Working Conference “Genocide-Holodomor 1932–1933: The Losses of the Ukrainian Nation” reveals the preconditions and causes of the Genocide- Holodomor of 1932–1933, and the mechanism of its creation and its consequences leading to significant cultural, social, moral, and psychological losses. The key issue of this collection of articles is the problem of the Ukrainian national demographic losses. This publication is intended for historians, researchers, ethnologists, teachers, and all those interested in the catastrophe of the Genocide-Holodomor of 1932–1933. Approved for publication by the Scientific and Methodological Council of the National Museum “Holodomor Victims Memorial” (Protocol No. 9 of 25 September 2018). Editorial Board: Cand. Sc. (Hist.) Olesia Stasiuk, Dr. Sc. (Hist.) Vasyl Marochko, Dr. Sc. (Hist.), Prof. Volodymyr Serhijchuk, Dr. Sc. -
Ikea Art Event 2015 Limited Collection April 2015 Ikea Press Kit / April 2015 / 2
PH124392 IKEA ART EVENT 2015 LIMITED COLLECTION APRIL 2015 IKEA PRESS KIT / APRIL 2015 / 2 PH124364 Bring the street art home We have long provided people all over the world with democratic design – affordable and functional design for all. Now, we’re launching an art initiative with no practical function, instead it’s all about evoking emotions. Creative Leader Henrik Most explains the idea behind IKEA Art Events: - Normally you could say that art has a limitation. That it’s for the few, with a lot of money, or something you see in museums and galleries. But we think that art belongs in people’s homes. And with these collections, art becomes accessible for a lot of people - you don’t need to be wealthy to buy something unique. For this years’ collection, we invited 12 street artists from around the world to create 12 unique street art posters for IKEA. The global launch is 1 April 2015, and since it’s a limited collection the posters might sell out very quickly. Our aim is that the different styles and expressions will create a better everyday life - for everyone who loves great art. IKEA ART EVENT 2015 IKEA PRESS KIT / APRIL 2015 / 3 “Street art is free for anyone to enjoy, you can just grab a bike and discover art in your own hometown. It’s the most democratic art form that exists.” HENRIK MOST Creative Leader, IKEA of Sweden IKEA ART EVENT 2015 IKEA PRESS KIT / APRIL 2015 / 4 From the streets of the world... Street art lives in the urban environment. -
Kyiv, Ukraine: the City of Domes and Demons from the Collapse Of
Roman Adrian Roman Cybriwsky Kyiv, Ukraine is a pioneering case study of urban change from socialism to the hard edge of a market economy after the Soviet collapse. It looks in detail at the changing social geography of the city, and on critical problems such as corruption, social inequality, sex tourism, and destruction of historical ambience by greedy developers. The book is based on fieldwork and an insider’s knowledge of the city, and is engagingly written. Roman Adrian Cybriwsky is Professor of Geography and Urban Studies at Temple University in Philadelphia, USA, and former Ukraine Kyiv, Fulbright Scholar at the National University of Kyiv Mohyla Academy. He divides his time between Philadelphia, Kyiv, and Tokyo, about which he has also written books. “Roman Cybriwsky knows this city and its people, speaks their language, feels their frustrations with its opportunist and corrupt post-Soviet public figures Roman Adrian Cybriwsky who have bankrupted this land morally and economically. He has produced a rich urban ethnography stoked by embers of authorial rage.” — John Charles Western, Professor of Geography, Syracuse University, USA “Kyiv, Ukraine is an interdisciplinary tour de force: a scholarly book that is Kyiv, Ukraine also an anthropological and sociological study of Kyivites, a guide to Kyiv and its society, politics, and culture, and a journalistic investigation of the city’s darkest secrets. At this time of crisis in Ukraine, the book is indispensable.” — Alexander Motyl, Professor of Political Science, Rutgers University, USA The City of Domes and Demons “Filled with personal observations by a highly trained and intelligent urbanist, Kyiv, Ukraine is a beautiful and powerful work that reveals from the Collapse of Socialism profound truths about a city we all need to know better.” — Blair A.