DOCSLIB.ORG

SCALA : VICTORIA Honey Bee Nest, Denby, Late of RAIL \ Wednesday, 8Th February: Wool Thrums, 3/6 Lb

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SCALA : VICTORIA Honey Bee Nest, Denby, Late of RAIL \ Wednesday, 8Th February: Wool Thrums, 3/6 Lb , l.cbrualy 1950. THE TEESDALE MERCURY. t.4 ./.. ANA/A..../.../../ ..... ANA/A.A/ SALES BY AUCTION. GENERAL NOTICES. .../..../ Ate-Ao• .ase•Amen...," A01/%0A/ Ame-Aw/A.. SALES AND WANTS OIRTHS, MARRIAGES & DEATHd. \ BARNARD CAS1 LE & 1 EESDALE \ / \ FARMERS' AUCTION MAli I CO.. o DZ•11111. A BSOLUTELY Finest Cloth Clip- LTG. ALDMISON.—On January 30th, at XI. pings. Prodders 18/- st.; ‘ Hookeys, 25/-, carr. paid. Long OVERCOATS ,I SCALA : VICTORIA Honey Bee Nest, Denby, late of RAIL \ Wednesday, 8th February: Wool Thrums, 3/6 lb. Rug Wool, 1 CINEMA HALL East Hope, Barningham, Richard. 8/9. S.A.E. colour 'mt.—Yorkshire for \ WEEKLY SHOW AND SALE OF beloved husband of Alice Aide, sea Clipping Co., 11, St. Vincent Street, EXCURSIONS \ 1 ATTESTED AND NON- HONE 50 BARNARD CASTLE PHONE 50 To be interred Denby Church Fri- Sunderland. 1 ATTESTED DAIRY COWS AND \ Twice Nightly at 6 p.m. and 8-15 p.m. day, February 3rd, at 2-30 pan. 1 \, HEIFERS. Judging, 10-30 a.m. D UNI.OP T1 BES. Local Stock Sale 11 a.m., . commencing with All relatives and friends please TO MIDDLESBROUGH \ 1 for Cars, 'flocks or Tractors. 1 , MEN and Attested. Store Cattle 12 noon. Thurs., Fri., Sat , Feb. 2, 3 4 : Thurs., Fri., Sat Feb. 2, 3, 4 : Every Saturday to 6th MaY If i‘ accept this (the only) intimation. —LOUIS SMITH, Motor Engineer, Tuesday, 7th March: • Anna Neagle. :Michael Wilding Please Note. — First House 5-45,p.m II HillORIAM. Barnard Castle. Phone 25 Barnard Barnard Castle 12-15 pm 4/6 ss,____ PRIZE SHOW AND SALE OF Middleton-in-T. 11-35 am 5/6 1/"7 Laurence Olivier, Joan Fontein HOWSON.—In loving memory ot Castle. BOYS 1 BULLS. Maytime in Mayfair U Mickleton 11-39 am 5/ \ ' Greta, who died 31st Jan-, 19413. f`_1_ENT'S Flying Suit, Brand New. 11-44 am 5) 1 ./. \ HARDY, Secretary. in Technicolor REBECCA A Romaldkirk \ 1 There's a face Hist is always with XX 70/-.—Can be seen any time Cotherstone s. 11-49 am 4/ 1 \ Auction MartG, . Those who have seen it will want to; 447 A good selection in stock Barnard Castle. Tel. 112. With Peter Graves, Middies Phipps US, at 27, Dawson Road. \ 1 see it again. Those who have not, Return from Middlesbrough 1,1 ,„,,, ,, C0 ,.1.,A , , f .% \ See " Maytime for a Gaytime. There's a voice that we long to hear e'l REAT NEWS' Floors lovelier 6-15 pm to all stations; or including Navy Blue, Grey and CENTRAL SALE ROOMS, now is YOU R Chance. eta 8 There's a smile we will always ksT than ever with DARKALINE i thabrytell 9-15 pm Barnard Castle only Brown Tweeds at prices BARNARD CASTLE. Sunday, February 5th, at 7 - 45 : remember, High Gloss Stain. BeautifY your .'" 13.7Antif ,-'d 1 .‘ Alan Curtis, Kent Taylor ALWAYS surround to-day. Only costs 2/3. 'g 77:••7' " ranging from I Of the one we loved so dear. 6/ - TO NEWCASTLE 1 f?.a 0. 1 JOHN PARKINSON &SONS, —Arways remembered by Mother. ANOT011 CYCLE and Cycle \ F.;)1 I £4-19-6 to £6-5-0, £8-10-0 1 The Daltons Ride Again A GAUMONT BRITISH NEWS Every Saturday to 6th May 1 .1 \ Instructed, by various vendors, &aye Badwe Father and Jack. 1.1'.1 Repairs and Overhauls. Mod- 1 Alio THE DARK HORSE I 12-20 \ - - removed to the above Rooms and et ti W orkshop. Cylinder Boring Barnard Castle dep. £12 - 7 - 6 and £14 9 5 \ HOWSON.—Treasured memories el 1 t will Sell by Public Auction on and Sleeving, Rebushing and Turn- nm. Return from Newcastle \ 6, 7, 8 : Mon., Tues., Wed., Feb. 6, 7, 8 : who %?s a dear Sister and Aunt (Greta), ing, or 8-12 pm. 1 \ Mon., Tues., Wed., Feb. Acetylene Welding. All makes 5-30 pm 7-35 THURSDAY, February 2nd, 1950, fief, , who died 31st January, 19-18. \ milln Abbott and Costello Kieron Moore, Christine Norden of 3-Speeds fitted, also the new 1 ,,, A QUANTITY OF HOUSEHOLD ton al0 Her pains were many, her pleas- Dyno Hub.—R. G. and D. Jackson, Organisers of Club, Works, FURNnuRE and .Effeets, Saints and Sinners A sae tars. urea few, 17, Bank, Barnard Castle. Tel. 222, 4 Boys' Blue or Tweed Coals Mexican Hayride Social, etc., Outings will \ 1 1 and CARIPE'TS; as advertised, except First Genuine Irish Story to Reach vii ud She never deserved what she went MOODS, RIFLES & SHOTGUNS 1 With Virginia Grey. receive every assistance in from .3.3/ - to 841 - \ for Tiled Fireplace, which. has been the Screen for Many Years. uted \ s/ 1 ICS their 21st and Funniest Filrn. Pre • through. IL Overhauled, Repai:ed, Tele- their arrangements if appli- 1 \, withdrawn. oe he • made to The Rail- -Always remembered by Rhoda, scopic Sights fi•tted. Rods Over- cation is \ , mini Additions: 3 - PIECE HIDE whi,, we Jack and family. hauled by expert (late Hardy's). way Executive, District 1 t CHESTERFIELD SUITE.; "DEAN" \ All work guaranteed.—At Long- Passenger Manager, New- 1 GAS WASHER, WRINGER and lo _ HOWSON.—Treasured memories of A._re? ; Stau 9 nr. Alhambra Cinema, Dar- castle-upon-Tyne. \ Men's Suits in Tweeds and TABLE COMPLETE. Reeth Pantomime the ens a dear Sister and Auntie (Greta), lington'. 1 e. 1, Sale at 10 a.m. and 1 p.m. 1 Worsteds from 2'54 7- / 0 Scarth Cinema Kit .11g- w.ho died 31st January, 1948. • i Now on View, STA I N DRO P QHABBY LINO and Cold stone Full details from the stations • Just a token, true and tender, \ t.,.1.1 1 1.7 Floors are so depressing. Make 1 \ 32. Horse Market, The preseutation of the pantomime oFf°s..-.lriolanin''. Phone 162. To-Day (Wed.) 6-15 and S - 25 : Just to dhow we still remember. them warm and invitig. Paint on \ Barnard Castle. Mother Hubbard " by inembere et but PostI —Always remembered by Violet, " LIQUID LINO" FLOOR PAINT 1 Barba..a Stanwyck ( BRITISH RAILWAYS ) \ 1 COT H ERSTONE, Errol Flynn & Reeth Nesley Guild, ea eac-u eveu- Jimmy and family. in a lovely colour. Dries quickly. '1/4. 1 \ Near BARNARD CASTLE. \ 1 ing from N'ednesday to Saturday JACKSON (Kinninvie).—In loving Costs little—it's a winner. \ CRY WOLF equalied the high standard attain. ci • k THOMAS'S, JOSEPH ADDISON, memory of a dear Husband and MALKING of Cycles, COVENTRY- i Also Perils of Nyoka. 7. in their two previous pertormances, reiT • um EAGLE'S the na•ne. Write F.A.L.P.A., Dad, who died Feb. 3rd, 1948.— -I- Date. and congratulations go to Mr H. Claiming OUTFITTERS TeI:162 * 'k favoured with instrin.tions. Ever remembeied by his loving for catalogue and name of 'local I Jointly Saturday. 2-15 and 6-15: Plant, the producer, and to Miss dealer to COVENTRY - EAGLE MIDDLETON-IN-TEKSDALE \ will offer for Sale by Auction at Wife and family. Dennis Morgan & Jane Wyman White OIL her training of the fluid- CYCLES LTD., Coventiy. AGRICULTURAL SOCIETY. 30-32 HORSEMARKET, BARNARD CASTLE 1 THE WITHAM liALL, \ BAD MEN OF MISSOURI U ren. BARNARD CASTLE, . 'Phis pantomime, in three acts,' was 11Pfkrt°°s1 LITERARY. GENERAL NOTICES. Annual Also Always a Bride 15th February, trout beginning to WHIST DRIVE AND BALL, on WEDNESDAY full of interest AUTHORS are invited t,o submit 1950, at 2:30 p.m., encl. There were no dun moments, ban s. 11111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111IIIIIIIII For Two Days: MSS. of all types for book Twyford's Pedigree Seeds FRIDAY, MARCH 3rd. = LoT2.10.721,eaCsitaiGmLiinEgNRelsridiEetwtee, but I ahem(' have liked to see mitt publication, especially poems.— Have you seen our new "PROGRESS" Particulars Later. .1.. Mon. 6-15 & 8-25. Tues. 7-15: hear more of t.he chorus. Costumes, Stockwell Ltd., Book Publishet s, SPRING WHEAT ? Sample and full 1 Cobherstone. Built in 1887, of stone particulars may be seen at local office of .==.] Ralph. Richardson & Bobby Nonery lighting, seeuery and decoiations Elms Court, Ilfracombe. (Est& 50 ;— with block front and containing this exceptionally high )ielding variety. Claiming Dates. in a-ere delightful, but one woudere atTt. e years.) REMINDER. Have you ordered your A) Spring Grasses and Clovers? 1 Last Week of ally tickets and seats were not num- by t I FEBRUARY 28th and MARCH 1st. : rionautniig.tganie, eoaryhein pDawniiiitti.rhy, , THE FALLEN IDOL A g Local Agent: Kelvin Thompson = 31r inP1 la eim ix: bered as on previous occasions; to txults.eiui rg PERSONAL. NEWGATE METHODISTS 11, Market Place, Barnard Castle . E i Roote.d.nr.06,:TnisifsuBatil- aAnt,ticaed..; get a good seat meant being at the ptre6 int .0 Tel 3Il8 WOMEN'S OWN C fiat! heti an hour before the start of that 1.12.2 ARE YOU STILL SINGLE? Suit- SALE Cosy Cinema ...=. rethx•114R):room°n11;lai'l Lavatory. middiet..4,1 ,,,,,d,de "One : MI the pertormance. able introductions' confident- \ CONCERT. a.' kaly erranged.—Write for details: — E,... To the rear stands Conservatory, Mon., Wed., Fri., Sat., Twice at 6 & ssantey nacre, as Mother Ilub- E Coal House, Tool House, Stick tileukiron 116 "Jack Marjorie Moore, 392, Stand, Consult Claiming Date. 8-15 p.m. barcL' and June B.: r-i. House, Wash House. Vacant Posses- Hubbard, • gave outstanding per-, vtA:eite' :di London, W.C.2. ROYAL NAVAL OLD i Final Reductions Tues., Thurs., One perform:Lute at sion on completion. Main Water. 7 p.lit. fo.nianees. Aorman Wrier). all " ) AlrEN, WOMEN—"OLD"? FEEL COMRADES' ASSOCIATION.
Load more

Recommended publications
  • Program Guide Report
    Schedule Program Guide For TCN/GEM Sun Oct 17, 2010 06:00 LITTLE WOMEN 1949 Captioned Repeat WS G Little Women Film adaptation of Louisa May Alcott's beloved novel about four daughters of a New England family who fight for happiness during the Civil War. Starring: June Allyson, Elizabeth Taylor, Janet Leigh, Margaret O'brien, Peter Lawford, Rossano Brazzi, Mary Astor 08:30 MAYTIME IN MAYFAIR 1949 G Maytime In Mayfair Penniless man-about-town Michael Gore-Brown is delighted to hear he has been left a high-class Mayfair fashion salon. Starring: Anna Neagle, Michael Wilding, Peter Graves, Thora Hird, Mona Washbourne 10:35 THE MAN WHO LOVED REDHEADS 1955 WS G The Man Who Loved Redheads The honourable Mark St. Neots is playing with some chums when he meets and is bowled over by Sylvia. As he grows older he retains his image of this beautiful young girl with the red hair. Through a chance meeting, he can pursue his career in the diplomatic corps as well as the young ladies he meets. Starring: Moira Shearer, John Justin, Denholm Elliott, Harry Andrews, Gladys Cooper 12:40 BETRAYED 1954 PG Betrayed Academy Award winner Clark Gable stars with Lana Turner in this espionage thriller about a World War II Dutch resistance leader who must uncover a double agent among his trusted operatives... before the Nazis receive information that will cost the lives of hundreds of Dutch underground fighters. Also stars Lana Turner and Victor Mature. Starring: Clark Gable, Lana Turner, Victor Mature, Louis Calhern Cons.Advice: Some Violence 15:00 ANCHORS AWEIGH 1945 G Anchors Aweigh Two sailors, one naive, the other experienced in the ways of the world, on liberty in Los Angeles, is the setting for this movie musical.
    [Show full text]
  • Magnum P.I.” Carry out Weekdaymanager’S Spespecialcial $ 2 Medium 2-Topping Magnum Pizzas5 2.0 8” Individual $1-Topping99 Pizza 5And 16Each Oz
    NEED A TRIM? AJW Landscaping 910-271-3777 September 22 - 28, 2018 Mowing – Edging – Pruning – Mulching Licensed – Insured – FREE Estimates 00941084 Jay Hernandez stars in “Magnum P.I.” Carry Out WEEKDAYMANAGEr’s SPESPECIALCIAL $ 2 MEDIUM 2-TOPPING Magnum Pizzas5 2.0 8” Individual $1-Topping99 Pizza 5and 16EACH oz. Beverage (AdditionalMonday toppings $1.40Thru each) Friday from 11am - 4pm 1352 E Broad Ave. 1227 S Main St. Rockingham, NC 28379 Laurinburg, NC 28352 (910) 997-5696 (910) 276-6565 *Not valid with any other offers Joy Jacobs, Store Manager 234 E. Church Street Laurinburg, NC 910-277-8588 www.kimbrells.com Page 2 — Saturday, September 22, 2018 — Laurinburg Exchange Back to the well: ‘Magnum P.I.’ returns to television with CBS reboot By Kenneth Andeel er One,” 2018) in the role of Higgins, dependence on sexual tension in TV Media the straight woman to Magnum’s the new formula. That will ultimate- wild card, and fellow Americans ly come down to the skill and re- ame the most famous mustache Zachary Knighton (“Happy End- straint of the writing staff, however, Nto ever grace a TV screen. You ings”) and Stephen Hill (“Board- and there’s no inherent reason the have 10 seconds to deduce the an- walk Empire”) as Rick and TC, close new dynamic can’t be as engrossing swer, and should you fail, a shadowy friends of Magnum’s from his mili- as its prototype was. cabal of drug-dealing, bank-rob- tary past. There will be other notable cam- bing, helicopter-hijacking racketeers The pilot for the new series was eos, though.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • ANNOUNCEMENT from the Copyright Office, Library of Congress, Washington, D.C
    ANNOUNCEMENT from the Copyright Office, Library of Congress, Washington, D.C. 20559-6000 PUBLICATION OF FIFTH LIST OF NOTICES OF INTENT TO ENFORCE COPYRIGHTS RESTORED UNDER THE URUGUAY ROUND AGREEMENTS ACT. COPYRIGHT RESTORATION OF WORKS IN ACCORDANCE WITH THE URUGUAY ROUND AGREEMENTS ACT; LIST IDENTIFYING COPYRIGHTS RESTORED UNDER THE URUGUAY ROUND AGREEMENTS ACT FOR WHICH NOTICES OF INTENT TO ENFORCE RESTORED COPYRIGHTS WERE FILED IN THE COPYRIGHT OFFICE. The following excerpt is taken from Volume 62, Number 163 of the Federal Register for Friday, August 22,1997 (p. 443424854) SUPPLEMENTARY INFORMATION: the work is from a country with which LIBRARY OF CONGRESS the United States did not have copyright I. Background relations at the time of the work's Copyright Off ice publication); and The Uruguay Round General (3) Has at least one author (or in the 37 CFR Chapter II Agreement on Tariffs and Trade and the case of sound recordings, rightholder) Uruguay Round Agreements Act who was, at the time the work was [Docket No. RM 97-3A] (URAA) (Pub. L. 103-465; 108 Stat. 4809 created, a national or domiciliary of an Copyright Restoration of Works in (1994)) provide for the restoration of eligible country. If the work was Accordance With the Uruguay Round copyright in certain works that were in published, it must have been first Agreements Act; List Identifying the public domain in the United States. published in an eligible country and not Copyrights Restored Under the Under section 104.4 of title 17 of the published in the United States within 30 Uruguay Round Agreements Act for United States Code as provided by the days of first publication.
    [Show full text]
  • Title: Get the London Look: Anna Neagle As the Emblem of British Fashion and Femininity in Maytime in Mayfair (1949). Between 19
    Title: Get the London Look: Anna Neagle as the Emblem of British Fashion and Femininity in Maytime in Mayfair (1949). Between 1947 and 1952, the top British female star at the domestic box office was Anna Neagle. She had displaced Margaret Lockwood, who had achieved the top position during the war years with her turns as dangerous and subversive women in Gainsborough pictures such as The Man in Grey (Arliss, 1943) and, most famously, The Wicked Lady (Arliss, 1945). In both films Lockwood co-starred with James Mason, the brooding, somewhat sadistic idol to a legion of female fans. Mason, mirroring Lockwood’s popularity, was the top male star of 1945 and his appeal was a ‘combination of romantic allure and Sadean fascination’ (Evans 2001: 108) – an appeal that meshed with Lockwood’s ‘unity of transgression and sexual appetite’ (Babington 2001: 94). Aimed at a largely female audience, the Gainsborough melodramas provided escapism and the danger and sexual allure of the characters and stars resulted in a skewing of ‘moral logic’ (Leach 2004: 67), which Jeffrey Richards reads as revelatory of the wartime dislocation of moral values (Richards 1985: 292). With the end of the war, however, there came a reclamation of traditional values, not least in British cinema. In the years immediately following the war, there was a distinct pattern in British films that foregrounded ‘the British people’ as hero, a pattern following the wartime work of Humphrey Jennings in providing images of a united Britain; and the idea image of a Briton was a figure of restraint, good-humour and self-deprecation.
    [Show full text]
  • Eight Students Disciplined After Forcing Way Into Campus Offices
    Bates College SCARAB The aB tes Student Archives and Special Collections 2-17-1954 The aB tes Student - volume 80 number 14 - February 17, 1954 Bates College Follow this and additional works at: http://scarab.bates.edu/bates_student Recommended Citation Bates College, "The aB tes Student - volume 80 number 14 - February 17, 1954" (1954). The Bates Student. 1165. http://scarab.bates.edu/bates_student/1165 This Newspaper is brought to you for free and open access by the Archives and Special Collections at SCARAB. It has been accepted for inclusion in The aB tes Student by an authorized administrator of SCARAB. For more information, please contact [email protected]. 103 Religious Witness Is Religious In The College Emphasis Week Community Ct* Lx\A^ Theme Vol. LXXX. No. 14 BATES COLLEGE, LEWISTON, MAINE. I-EBRI'AKY 105-4 By Subscription Indian Debaters CA Sponsoring Face Bates Duo Eight Students Disciplined After Discussions On On Ghandi Topic Forcing Way Into Campus Offices Role Of Religion Bates College will debate the By Carol Anderson question. "Is Ghandiism an Alter- Tried To Obtain Four outstanding -peakers will native to War?" in the first inter- be featured in the Religious Em- national debate in two years at 8 Final Exams, phasis Week program which be- p. in. Monday in the Chapel again-t gan this morning in the Chapel. two representatives of India. Restricted Info This year's theme is the "Religious Witness in the College Communi- Discuss World Conflict Eight Bates men have been dis- ty ". Speakers include the Rev. Mary Ellen Bailey and Margaret ciplined, six of them expelled from James Gordan Gilkey; the Rev.
    [Show full text]
  • The Copyright of This Recording Is Vested in the BECTU History Project
    Elaine Schreyeck Tape 1 Side A BECTU History Project Interview no: 38 Interviewee: Elaine Schreyeck Interviewer: No of tapes 1 Duration: 1:20:40 COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the right to publish some excerpts may not be allowed. CITATION: Women’s Work in British Film and Television, Elaine Schreyeck, http://bufvc.ac.uk/bectu/oral-histories/bectu-oh [date accessed] By accessing this transcript, I confirm that I am a student or staff member at a UK Higher Education Institution or member of the BUFVC and agree that this material will be used solely for educational, research, scholarly and non-commercial purposes only. I understand that the transcript may be reproduced in part for these purposes under the Fair Dealing provisions of the 1988 Copyright, Designs and Patents Act. For the purposes of the Act, the use is subject to the following: The work must be used solely to illustrate a point The use must not be for commercial purposes The use must be fair dealing (meaning that only a limited part of work that is necessary for the research project can be used) The use must be accompanied by a sufficient acknowledgement. Guidelines for citation and proper acknowledgement must be followed (see above). It is prohibited to use the material for commercial purposes and access is limited exclusively to UK Higher Education staff and students and members of BUFVC.
    [Show full text]
  • Guild Gmbh Switzerland GUILD MUSIC GLCD 5217 by Special Request: Faith & Farnon
    GUILD MUSIC GLCD 5217 By Special Request: Faith & Farnon 2014 Guild GmbH GLCD 5217 © 2014 Guild GmbH Guild GmbH Switzerland GUILD MUSIC GLCD 5217 By Special Request: Faith & Farnon BY SPECIAL REQUEST: PERCY FAITH AND ROBERT FARNON GLCD 5179 Portrait of My Love GLCD 5199 Three Great American Light Orchestras GLCD 5180 Bright and Breezy GLCD 5200 A Glorious Century of Light Music GLCD 5181 The Lost Transcriptions – Vol. 2 GLCD 5201 Fiddles and Bows Percy Faith and his Orchestra GLCD 5182 A Second A-Z of Light Music GLCD 5202 Cinema Classics All arrangements by Percy Faith GLCD 5183 A Return Trip to the Library GLCD 5203 Great British Composers – Vol. 2 GLCD 5184 The Lost Transcriptions – Vol. 3 GLCD 5204 Salon, Light & Novelty Orchestras 1 Ride Through The Night (from “Subways Are For Sleeping”) (Jule Styne) 2:50 GLCD 5185 Christmas Celebration GLCD 5205 Here’s To Holidays GLCD 5186 Light Music While You Work – Vol. 3 GLCD 5206 Non-Stop To Nowhere – Columbia CS 8533 1961 GLCD 5187 Light and Easy GLCD 5207 Ça C’est Paris GLCD 5188 The Art of the Arranger – Vol. 1 GLCD 5208 The Lost Transcriptions – Vol. 4 2 Carefree (Percy Faith) – Columbia CS 8360 1961 2:24 GLCD 5189 Holidays for Strings GLCD 5209 My Dream is Yours GLCD 5190 Continental Flavour – Vol. 2 GLCD 5210 Invitation to the Dance GLCD 5191 Strings Afire GLCD 5211 Light Music While You Work – Vol. 5 3 La Golondrina (The Swallow) (Traditional) – Columbia CS 8038 1957 3:46 GLCD 5192 Stereo into the Sixties GLCD 5212 Bright Lights GLCD 5193 The Art of the Arranger – Vol.
    [Show full text]
  • Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities
    Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities Matthew Robinson A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education, University of the West of England, Bristol June 2016 90,792 words Contents Abstract 2 Chapter One: Introduction 3 Chapter Two: Critical Review 24 Chapter Three: Producing the British Biopic 1900-2014 63 Chapter Four: The Reception of the British Biopic 121 Chapter Five: Conventions and Themes of the British 154 Biopic Chapter Six: This is His Story: ‘Wounded’ Men and 200 Homosocial Bonds Chapter Seven: The Contemporary British Biopic 1: 219 Wounded Men Chapter Eight: The Contemporary British Biopic 2: 263 Homosocial Recoveries Chapter Nine: Conclusion 310 Bibliography 323 General Filmography 355 Appendix One: Timeline of the British Biopic 1900-2014 360 Appendix Two: Distribution of Gender and Professional 390 Field in the British Biopic 1900-2014 Appendix Three: Column and Pie Charts of Gender and 391 Profession Distribution in British Biopics Appendix Four: Biopic Production as Proportion of Total 394 UK Film Production Previously Published Material 395 1 Abstract This thesis offers a revaluation of the British biopic, which has often been subsumed into the broader ‘historical film’ category, identifying a critical neglect despite its successful presence throughout the history of the British film industry. It argues that the biopic is a necessary category because producers, reviewers and cinemagoers have significant investments in biographical subjects, and because biopics construct a ‘public history’ for a broad audience.
    [Show full text]
  • Odette (1950) Brand New Restoration
    ODETTE (1950) BRAND NEW RESTORATION ON DVD, BLU-RAY & DOWNLOAD ON JUNE 10 COMPLETE WITH BRAND NEW EXTRAS! STUDIOCANAL is delighted to announce the release of a newly restored version of the classic British war film, ODETTE, on June 10. Released to coincide with the 75th Anniversary of D- Day on June 6, director Herbert Wilcox’s (Sixty Glorious Years, Spring in Park Lane) moving story based on true events was originally released in 1950 and will be available to own on DVD, Digital Download and, for the very first time, on Blu-Ray looking better than ever as part of the Vintage Classics collection. Starring Anna Neagle (Lady and the Lamp, Maytime in Mayfair), Trevor Howard (The Third Man Brief Encounter), Peter Ustinov (Spartacus, Billy Budd) and Marius Goring (The Red Shoes, A Matter of Life and Death), the new release comes complete with brand new extras material including an exclusive interview with author Sebastian Faulks. The new digital restoration has been completed from a new 4k 16bit scan of the original 35mm negative. ODETTE is the inspiring true story of a French-born heroine, Odette Sansom (Anna Neagle) who leaves behind her three young daughters and life in Britain to return to her occupied homeland to spy for the Special Operations Executive (SOE) during the Second World War. Smuggled into France to work with Radio Operator Alex Rabinovich (Peter Ustinov) and Captain Peter Churchill (Trevor Howard), Odette skillfully works with the SOE until her capture by the Gestapo. Taken to Ravensbruck concentration camp, Odette must survive interrogation and torture as the Nazi Commandant attempts to extract her secrets and the names of her fellow Resistance fighters.
    [Show full text]
  • Past and Present 19/7/05 3:53 Pm Page I
    2725 M&M Past and Present 19/7/05 3:53 pm Page i Turner Classic Movies British Film Guides General Editor: Jeffrey Richards Brighton Rock Dracula The 39 Steps Steve Chibnall Peter Hutchings Mark Glancy A Hard Day’s Night Get Carter The Dam Busters Stephen Glynn Steve Chibnall John Ramsden My Beautiful The Charge of the Light A Night to Remember Launderette Brigade Jeffrey Richards Christine Geraghty Mark Connelly The Private Life of Whiskey Galore! & The Henry VIII Maggie Greg Walker Colin McArthur Cinema and Society Series General Editor: Jeffrey Richards ‘Banned in the USA’: British Films in the United States and Their Censorship, 1933–1960 Anthony Slide Best of British: Cinema and Society from 1930 to the Present Anthony Aldgate & Jeffrey Richards Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema Colin McArthur British Cinema and the Cold War Tony Shaw The British at War: Cinema, State and Propaganda, 1939–1945 James Chapman Christmas at the Movies: Images of Christmas in American, British and European Cinema Edited by Mark Connelly The Crowded Prairie: American National Identity in the Hollywood Western Michael Coyne Distorted Images: British National Identity and Film in the 1920s Kenton Bamford An Everyday Magic: Cinema and Cultural Memory Annette Kuhn Film and Community in Britain and France: From La Règle du Jeu to Room at the Top Margaret Butler 2725 M&M Past and Present 19/7/05 3:53 pm Page ii Film Propaganda: Soviet Russia and Nazi Germany Richard Taylor Hollywood Genres and Post-War America: Masculinity,
    [Show full text]
  • 21-26. Hollywood UK
    Journal of American Studies of Turkey 2 (1995): 21-26. Hollywood UK: UK's Hollywood Laurence Raw [email protected] This paper examines first what 'Hollywood UK' meant--particularly during the first four decades of this century. It looks at the British community of actors, the kinds of roles they played in Hollywood, both on and off screen, and how they conformed to traditional stereotypes of the British, to satisfy the demands of both the studios and the film publicity magazines. The paper subsequently examines how America (and the Americans) have been represented in British films. It is worthwhile saying at the outset that more attention is paid to the image of Britain in American films than vice versa--chiefly because there are far more films to choose from, but also because many films which are described as 'British' in reference- books have been made by major American studios in Britain with American money. Thus it is often very difficult to identify an authentically 'British' film. In the 1920s, 30s and 40s, during the "Golden Age" of Hollywood (i.e., the pre- television period), the four major studios--Metro-Goldwyn Mayer, Twentieth- Century Fox, Universal, Paramount and Columbia--churned out film after film, using actors and directors who were for the most part under contract to each individual studio. This was a time when Hollywood was perceived as the ultimate dream factory, providing entertainment which would enable audiences to forget their troubles in the cinema for a few hours. (The 1930s constituted the period of the Great Depression in America and Europe.) Studio publicity departments reinforced this notion of escapism by feeding a stream of 'happy family' stories to newspapers and magazines, while doing their best to suppress any possibilities of scandal.
    [Show full text]