Why Is Peter Pan Always Flying?

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The Mighty Mammoth Message May 6, 2020 Welcome BASE Staff sure misses our kiddos and their families!! In an effort to stay The Great BASE Challenge Sick of Disney+ - Now What?? connected, and hopefully provide a little help as well, Of course we can’t have a Disney we have created a weekly edition of The Mighty Mammoth Start off with a quick trip to Disneyland newsletter for you and your Message without Disney+! For this week, & Disney World to ride some of the kiddos! Each edition will be coolest rides! we want to know what you have been emailed Wednesday - watching on Disney+! Please email or instead of our usual boring text us with your favorites, or what you Weekly Reminder email! We will have articles that will would consider the hidden gems! hopefully help with [email protected] or 303.501.4928 Frozen Ever After everything from bored kiddos, to dinner plans, to just a little laugh! There will What am I Making for Dessert?! also be opportunities to connect back with us – How about the iconic Disneyland snack which we would – Disney Dole Whip?! The recipe was Pirates of the Caribbean LOVE! just released! Whip up a batch today! Best of the Best Disney Dole Whip Check out this list to see if 1 scoop vanilla ice cream 4 ounces of pineapple juice your family has seen the ten 2 cups of frozen pineapple Splash Mountain highest grossing animated Disney movies . Add all 3 ingredients into a blender. #10 Monsters University Blend until smooth. Serve as is, or the Then get a little crafty with these easy #9 Coco Disney way . put the mixture in a and fun Disney-inspired crafts! #8 Inside Out piping bag and swirl it in a cup for a #7 Finding Nemo soft-serve look! Enjoy! #6 The Lion King #5 Zootopia #4 Finding Dory #3 Toy Story 3 Paper Plate Nemo #2 The Incredibles Why is Peter Pan #1 Frozen In case you were wondering . Frozen grossed 1.276 billion! always flying? Elsa Bracelet Did You Know? If connected end to end, He NEVERLANDS! Mickey Mouse ear hats would span over 175 miles! Toilet Paper Tube Minions That is a lot of mouse ears! 3 .

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Animated Stereotypes –
Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes.
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Zootopia Facebook: @GSHPA Twitter: @GSHPA Instagram: @Gsheartpa
GSHPA GIRL & FAMILY GUIDE TO D I S N E Y P I X A R Zootopia Facebook: @GSHPA Twitter: @GSHPA Instagram: @gsheartpa How to Watch the Movie: - Zootopia is available on Disney+, Amazon Prime, Google Play (to rent), iTunes (to rent), Vudu (to rent) and YouTube (to rent). You are also welcome to watch it in DVD format! - Tune into GSHPA's Zoom event before and after the movie, starting at 6pm, to join Girl Scouts all over council in getting excited for the movie and talking about it afterwards. - Jazz up your movie watching space! Create a blanket fort, or a pillow bed, wear crazy socks and fun PJ's, invite your favorite stuffed animals to join you, and get some tasty snacks ready! - Share your snacks, opinions, movie watching buddies, blanket forts, PJ selfies, and more! Girls can use #GSHPAmovienight on Instagram, Twitter and Facebook. - Some troops may choose to have a discussion together after the movie. Your Troop Leader will let you know how you will be doing a virtual discussion together! If you are watching the movie on your own, GSHPA will have a Zoom event before the movie (6-6:20pm), and after the movie (8:30- 9:00pm), and we would love to have you join us! Snack Ideas: Movie Night Snack Tray - Gather your favorite movie snacks or candy. Using a cookie sheet or other tray, arrange your snacks in bowls or on plates to create a colorful medley to snack on! Chief Bogo's Buffalo Dip - This recipe will require the help of an adult.
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Disney•Pixar's “Finding Dory”
Educator’s Guide GRADES 2-6 Created in partnership with the Educational Team isney•Pixar’s “Finding Dory” welcomes back to the big convinced his biological sonar skills are on the fritz; and Dscreen everyone’s favorite forgetful blue tang Dory Destiny (voice of Kaitlin Olson), a nearsighted whale shark. (voice of Ellen DeGeneres), who’s living happily in the reef Deftly navigating the complex inner workings of the MLI, with Marlin (voice of Albert Brooks) and Nemo (voice Dory and her friends discover the magic within their flaws, of Hayden Rolence). When Dory suddenly remembers friendships and family. that she has a family out there who may be looking for Directed by Andrew Stanton (“Finding Nemo,” “WALL•E”), her, the trio takes off on a life-changing adventure across co-directed by Angus MacLane (“Toy Story OF TERROR!”), the ocean to California’s prestigious Marine Life Institute and produced by Lindsey Collins (co-producer “WALL•E”), (MLI), a rehabilitation center and aquarium. In an effort to Disney•Pixar’s “Finding Dory” swims home on Digital find her mom (voice of Diane Keaton) and dad (voice of HD October 25 and on Blu-ray™ November 15. For Eugene Levy), Dory enlists the help of three of the MLI’s more information, like us on Facebook, https://www. most intriguing residents: Hank (voice of Ed O’Neill), a facebook.com/PixarFindingDory, and follow us on Twitter, cantankerous octopus who frequently gives employees https://twitter.com/findingdory and Instagram, https:// the slip; Bailey (voice of Ty Burrell), a beluga whale who is instagram.com/DisneyPixar.
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Cars Tangled Finding Nemo Wreck It Ralph Peter Pan Frozen Toy Story Monsters Inc. Snow White Alice in Wonderland the Little Merm
FRIDAY, APRIL 3RD – DISNEY DAY… AT HOME! Activity 1: • Disney Pictionary: o Put Disney movies and character names onto little pieces of paper and fold them in half o Put all of the pieces of paper into a bowl o Then draw it for their team to guess Can add a charade element to it rather than drawing if that is preferred o If there are enough people playing, you can make teams • Here are some ideas, you can print these off and cut them out or create your own list! Cars Tangled Finding Nemo Wreck It Ralph Peter Pan Frozen Toy Story Monsters Inc. Snow White Alice in Wonderland The Little Mermaid Up Brave Robin Hood Aladdin Cinderella Sleeping Beauty The Emperor’s New Groove The Jungle Book The Lion King Beauty and the Beast The Princess and the Frog 101 Dalmatians Lady and the Tramp A Bug’s Life The Fox and the Hound Mulan Tarzan The Sword and the Stone The Incredibles The Rescuers Bambi Fantasia Dumbo Pinocchio Lilo and Stitch Chicken Little Bolt Pocahontas The Hunchback of Notre Wall-E Hercules Dame Mickey Mouse Minnie Mouse Goofy Donald Duck Sully Captain Hook Ariel Ursula Maleficent FRIDAY, APRIL 3RD – DISNEY DAY… AT HOME! The Genie Simba Belle Buzz Lightyear Woody Mike Wasowski Cruella De Ville Olaf Anna Princess Jasmine Lightning McQueen Elsa Activity 2: • Disney Who Am I: o Have each family member write the name of a Disney character on a sticky note. Don’t let others see what you have written down. o Take your sticky note and put it on another family members back.
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The Relationship Between Symbol and Meaning in The
THE most effective media in delivering a message RELATIONSHIP because it is easily accepted by the community. BETWEEN SYMBOL The contents of the film will develop if it is full AND MEANING of meanings, or symbols, and has context. Films that use a lot of symbols, signs, and icons will IN THE FILM challenge the recipient to increasingly try to ZOOTOPIA digest the meaning and nature of the film. These symbols do not rule out the possibility of Dwi Lestari Septiani an audience to experience difficulties in Sari Rejeki understanding the storyline and characters Ni Made Widisanti S. presented in a film. As a result, it makes the audience fail to enjoy the sequence or important ABSTRACT parts of the film that lead to other parts. Therefore, it is important for the audience to This research discusses the relationship between understand the meaning reflected in each the symbol and meaning in Zootopia, a film by symbol. Jared Bush and Phil Johnston. The objectives of this research is to show the types of symbol in Sobur (2017: 128) states that films are generally Zootopia and its meaning by identifying the constructed with many signs, which are more types of symbol and its meaning based on the important in films used by iconic signs, namely speaker’s utterance and the context of the signs that describe something. Dynamic images utterance itself. The method used in this research is descriptive analysis with library research in films are iconic for the reality they denote. technique. The results of this research shows that The signs include a variety of sign systems that there are 15 symbols in this movie.
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An Analysis of Moral Values in Zootopia Movie
AN ANALYSIS OF MORAL VALUES IN ZOOTOPIA MOVIE THESIS Submitted by: MAULIDIA HUMAIRA Student of Department of English Language Education Faculty of Education and Teacher Training Reg. No: 231324225 FACULTY OF EDUCATION AND TEACHER TRAINING AR-RANIRY STATE ISLAMIC UNIVERSITY DARUSSALAM-BANDA ACEH 2018/1439 H ACKNOWLEDGEMENT Alhamdulillah, All praises be to Allah ‘azzawajalla, the most gracious, the most merciful, andthe most beneficent who has given me love and blessing that made me able to finish this research and writing this thesis. Peace and salutation be upon our beloved prophet Muhammad SAW, his family and companions has struggled whole heartedly to guide ummah to the right path. On this occasion with great humility, I would like to thank to all of those who help me and guidance, so that this thesis can be finished in time. Completion of writing this thesis, I would like to thanks Dr. Muhammad Nasir, M.Hum and Mr. T. Murdani, S.Ag, M.IntlDev as my supervisor forgiving the useful supervision, guidance and constructive ideas during the process of completing this thesis. Also I would like to express my gratitude and high appreciation to my beloved father Burhanuddin, and my lovely mother Rasunah for their wisdom, patience, love, attention, support and care. I also bestow my thankfulness to my beloved sisters Puspitasari and Safrida , my brothers Hafidh Kurniawan and Muhammad Irfan, and my cousins Putri Nabila Ulfa and Maulizahra, for their endless love who inspired and motivated me all along accomplishing this thesis. My special thanks to my academic advisor Mr. Dr.Syarwan, M.LIS, who has supervised me since I was first semester until now.
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Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop.
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Telling Our Story with Finding Dory
Telling Our Story with Finding Dory With the release of the new movie Finding Dory, the pet industry has an opportunity to educate the public on fish keeping, environmental stewardship and the need to protect the aquarium hobby. BY MIKE BOBER Later this month, Finding Dory, a highly anticipated sequel to the movie Finding Nemo, will swim into theaters across the country. While some media have chosen to portray this as a crisis-in-waiting for marine life, the reality is that it is a chance for those of us in the pet industry to engage large numbers of people across multiple generations. It’s up to us to inform them about the many ways the aquatics trade works to protect aquatic life, advance environmental responsibility and partner with hobbyists and newcomers alike to promote responsible fish keeping. Finding Dory follows a sweet and amnesic Paracanthurus hepatus, also known as a palette surgeonfish, royal blue tang or hippo tang, as she seeks to reunite with her family. The concept, colors and characters are sure to be a hit with children of all ages. That’s what has some people worried. In the years since the release of Finding Nemo, there have been several attempts to demonstrate a so-called “Nemo effect” on wild populations of clownfish. Despite the frequency with which it is cited, however, there is no real evidence to support such an effect. While the movie did encourage many families to consider bringing freshwater and marine aquariums into their homes, breeders and sellers of clownfish saw no appreciable rise in demand.
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A Critical Reading of Gender Roles in Frozen, Zootopia, Despicable Me and Minions
Quest Journals Journal of Research in Humanities and Social Science Volume 6 ~ Issue 12 (2018)pp.:11-15 ISSN(Online):2321-9467 www.questjournals.org Research Paper Pixelating Gender: A Critical Reading of Gender Roles in Frozen, Zootopia, Despicable Me and Minions. Lakshmi P.Gopal 1(Assistant Professor on contract) 2(Department of English, St. Aloysius College, Edathua) ABSTRACT: Animation films are cultural products that exist in the cultural domain for a significant period in the form of prequels, sequels, series and adaptations into different languages. The tremendous impact it has on coming generation calls for a critical reading of the gendered notions presented in this novel media form. A critical reading of the gender roles presented by Disney Studios and Illumination Entertainment Studios shows howthe objective of positive representation is a distant dream. Received 02 December, 2018; Accepted 08 December, 2018 © The Author(S) 2018. Published With Open Access At www.Questjournals.Org. I. INTRODUCTION Movies are the popularliterature of our time. Film studies with respect to gender studies have already gained momentum with the publication of seminal texts such as Popcorn Venusby Marjorie Rosen, From Reverence to Rape by Molly Haskell, “Visual Pleasure and Narrative Cinema” by Laura Mulvey and through insightful studies by Mary Ann Doane. Gender Studies as it is now is a field of interdisciplinary study devoted to the studyof gender identity and gendered representation as categories of analysis. It also engages in studying the intersection of gender with other categories of analysis of identity including race, sexuality, class, disability and nationality.Though theories regarding post-feminist approaches are in vogue, the very need of a feminist reading of films with a focus on gender still has atremendous scope,as the critical research in thearea associated still hasn‟t achieved its objectives in representing awoman in a non-stereotypical, non-objectified role.
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An Analysis of Torture Scenes in Three Pixar Films Heidi Tilney Kramer University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2013 Monsters Under the Bed: An Analysis of Torture Scenes in Three Pixar Films Heidi Tilney Kramer University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons Scholar Commons Citation Kramer, Heidi Tilney, "Monsters Under the Bed: An Analysis of Torture Scenes in Three Pixar Films" (2013). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4525 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Monsters Under the Bed: An Analysis of Torture Scenes in Three Pixar Films by Heidi Tilney Kramer A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Women’s and Gender Studies College of Arts and Sciences University of South Florida Major Professor: Elizabeth Bell, Ph.D. David Payne, Ph. D. Kim Golombisky, Ph.D. Date of Approval: March 26, 2013 Keywords: children, animation, violence, nationalism, militarism Copyright © 2013, Heidi Tilney Kramer TABLE OF CONTENTS Abstract ................................................................................................................................ii Chapter One: Monsters Under
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Dory's Paradoxical Characterizations in Disney's Animated Feature Film
Volume 11, Number 1, April 2020, 27-37 available at http://jurnalfahum.uinsby.ac.id/index.php/nobel/article/view/208 DOI: 10.15642/NOBEL.2020.11.1.27-37 DORY’S PARADOXICAL CHARACTERIZATIONS IN DISNEY’S ANIMATED FEATURE FILM FINDING DORY (2016) Ni Komang Arie Suwastini1, I.G.A Lokita Purnamika Utami2, Ni Nyoman Artini3 Ganesha University of Education, Jalan Udayana No. 11, Singaraja, Buleleng, Bali1 Ganesha University of Education, Jalan Udayana No. 11, Singaraja, Buleleng, Bali2 Ganesha University of Education, Jalan Udayana No. 11, Singaraja, Buleleng, Bali3 Article Info Abstract Article History: Received July 2019 The appearance of Dory, the forgetful blue tang fish, as the main Accepted September 2019 Published April 2020 character in Finding Dory (2016), one of Disney’s animated feature Keywords: Disney, animation, feature, film films, makes the film popular and has been nominated to 46 awards and won 16 awards. Previously, Dory was a helping character in the original film, Finding Nemo (2003). This study aimed to identify Dory’s characterizations by using textual analysis to find the uniqueness of Dory in the film. The analysis resulted in Dory’s paradoxical characterization where she was forgetful yet creative, reliant yet independent, and anxious yet confident. These paradoxes implied that this film portrays that negative characters can be developed into good characters. Therefore, this film can be used as media to develop characters in informal education. © 2020 UIN Sunan Ampel Surabaya Correspondence: p-ISSN 2087-0698 Email: [email protected] e-ISSN 2549-2470 Dory’s Paradoxical Characterizations INTRODUCTION Based on the popularity of animated film among children, the characters in a film can be a resource of character education (Rochmawati, 2016).
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