Zootopia Facebook: @GSHPA Twitter: @GSHPA Instagram: @Gsheartpa
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Relationship Between Symbol and Meaning in The
THE most effective media in delivering a message RELATIONSHIP because it is easily accepted by the community. BETWEEN SYMBOL The contents of the film will develop if it is full AND MEANING of meanings, or symbols, and has context. Films that use a lot of symbols, signs, and icons will IN THE FILM challenge the recipient to increasingly try to ZOOTOPIA digest the meaning and nature of the film. These symbols do not rule out the possibility of Dwi Lestari Septiani an audience to experience difficulties in Sari Rejeki understanding the storyline and characters Ni Made Widisanti S. presented in a film. As a result, it makes the audience fail to enjoy the sequence or important ABSTRACT parts of the film that lead to other parts. Therefore, it is important for the audience to This research discusses the relationship between understand the meaning reflected in each the symbol and meaning in Zootopia, a film by symbol. Jared Bush and Phil Johnston. The objectives of this research is to show the types of symbol in Sobur (2017: 128) states that films are generally Zootopia and its meaning by identifying the constructed with many signs, which are more types of symbol and its meaning based on the important in films used by iconic signs, namely speaker’s utterance and the context of the signs that describe something. Dynamic images utterance itself. The method used in this research is descriptive analysis with library research in films are iconic for the reality they denote. technique. The results of this research shows that The signs include a variety of sign systems that there are 15 symbols in this movie. -
An Analysis of Moral Values in Zootopia Movie
AN ANALYSIS OF MORAL VALUES IN ZOOTOPIA MOVIE THESIS Submitted by: MAULIDIA HUMAIRA Student of Department of English Language Education Faculty of Education and Teacher Training Reg. No: 231324225 FACULTY OF EDUCATION AND TEACHER TRAINING AR-RANIRY STATE ISLAMIC UNIVERSITY DARUSSALAM-BANDA ACEH 2018/1439 H ACKNOWLEDGEMENT Alhamdulillah, All praises be to Allah ‘azzawajalla, the most gracious, the most merciful, andthe most beneficent who has given me love and blessing that made me able to finish this research and writing this thesis. Peace and salutation be upon our beloved prophet Muhammad SAW, his family and companions has struggled whole heartedly to guide ummah to the right path. On this occasion with great humility, I would like to thank to all of those who help me and guidance, so that this thesis can be finished in time. Completion of writing this thesis, I would like to thanks Dr. Muhammad Nasir, M.Hum and Mr. T. Murdani, S.Ag, M.IntlDev as my supervisor forgiving the useful supervision, guidance and constructive ideas during the process of completing this thesis. Also I would like to express my gratitude and high appreciation to my beloved father Burhanuddin, and my lovely mother Rasunah for their wisdom, patience, love, attention, support and care. I also bestow my thankfulness to my beloved sisters Puspitasari and Safrida , my brothers Hafidh Kurniawan and Muhammad Irfan, and my cousins Putri Nabila Ulfa and Maulizahra, for their endless love who inspired and motivated me all along accomplishing this thesis. My special thanks to my academic advisor Mr. Dr.Syarwan, M.LIS, who has supervised me since I was first semester until now. -
A Critical Reading of Gender Roles in Frozen, Zootopia, Despicable Me and Minions
Quest Journals Journal of Research in Humanities and Social Science Volume 6 ~ Issue 12 (2018)pp.:11-15 ISSN(Online):2321-9467 www.questjournals.org Research Paper Pixelating Gender: A Critical Reading of Gender Roles in Frozen, Zootopia, Despicable Me and Minions. Lakshmi P.Gopal 1(Assistant Professor on contract) 2(Department of English, St. Aloysius College, Edathua) ABSTRACT: Animation films are cultural products that exist in the cultural domain for a significant period in the form of prequels, sequels, series and adaptations into different languages. The tremendous impact it has on coming generation calls for a critical reading of the gendered notions presented in this novel media form. A critical reading of the gender roles presented by Disney Studios and Illumination Entertainment Studios shows howthe objective of positive representation is a distant dream. Received 02 December, 2018; Accepted 08 December, 2018 © The Author(S) 2018. Published With Open Access At www.Questjournals.Org. I. INTRODUCTION Movies are the popularliterature of our time. Film studies with respect to gender studies have already gained momentum with the publication of seminal texts such as Popcorn Venusby Marjorie Rosen, From Reverence to Rape by Molly Haskell, “Visual Pleasure and Narrative Cinema” by Laura Mulvey and through insightful studies by Mary Ann Doane. Gender Studies as it is now is a field of interdisciplinary study devoted to the studyof gender identity and gendered representation as categories of analysis. It also engages in studying the intersection of gender with other categories of analysis of identity including race, sexuality, class, disability and nationality.Though theories regarding post-feminist approaches are in vogue, the very need of a feminist reading of films with a focus on gender still has atremendous scope,as the critical research in thearea associated still hasn‟t achieved its objectives in representing awoman in a non-stereotypical, non-objectified role. -
Alan Horn Chairman, the Walt Disney Studios the Walt Disney Company
Alan Horn Chairman, The Walt Disney Studios The Walt Disney Company As Chairman of The Walt Disney Studios, Alan Horn oversees worldwide operations for The Walt Disney Studios including production, distribution, and marketing for Disney, Walt Disney Animation Studios, Pixar Animation Studios, Disneynature, Marvel Studios, and Lucasfilm, as well as Twentieth Century Fox Film, Fox Family, Fox Searchlight, Fox 2000, and Blue Sky Studios following The Walt Disney Company’s 2019 acquisition of 21st Century Fox. He also oversees Disney’s music and theatrical groups. Under Horn’s leadership, The Walt Disney Studios has set numerous records at the box office with global smash hits including Disney’s live-action “Beauty and the Beast” and “The Jungle Book”; Walt Disney Animation Studios’ “Frozen” and “Zootopia”; Pixar’s “Finding Dory,” “Coco,” and “Incredibles 2”; Marvel Studios’ “Avengers: Infinity War,” “Black Panther,” and “Captain Marvel”; and Lucasfilm’s “Star Wars: The Force Awakens,” “Rogue One: A Star Wars Story,” and “Star Wars: The Last Jedi,” among others. Prior to joining The Walt Disney Studios in 2012, Horn served as President and COO of Warner Bros., leading the studio’s theatrical and home entertainment operations, including the Warner Bros. Pictures Group, Warner Bros. Theatrical Ventures, and Warner Home Video. During Horn’s tenure from 1999 to 2011, Warner Bros. was the top-performing studio at the global box office seven times and released numerous critically acclaimed films and box office hits including the eight-film Harry Potter series, “Batman Begins,” “The Dark Knight,” “Charlie and the Chocolate Factory,” “Happy Feet,” “Sherlock Holmes,” “The Departed,” “Million Dollar Baby,” the second and third Matrix films and the Ocean’s Eleven trilogy. -
Masculinity in Children's Film
Masculinity in Children’s Film The Academy Award Winners Author: Natalie Kauklija Supervisor: Mariah Larsson Examiner: Tommy Gustafsson Spring 2018 Film Studies Bachelor Thesis Course Code 2FV30E Abstract This study analyzes the evolution of how the male gender is portrayed in five Academy Award winning animated films, starting in the year 2002 when the category was created. Because there have been seventeen award winning films in the animated film category, and there is a limitation regarding the scope for this paper, the winner from every fourth year have been analyzed; resulting in five films. These films are: Shrek (2001), Wallace and Gromit (2005), Up (2009), Frozen (2013) and Coco (2017). The films selected by the Academy of Motion Picture Arts and Sciences in the Animated Feature film category tend to be both critically and financially successful, and watched by children, young adults, and adults worldwide. How male heroes are portrayed are generally believed to affect not only young boys who are forming their identities (especially ages 6-14), but also views on gender behavioral expectations in girls. Key words Children’s Film, Masculinity Portrayals, Hegemonic Masculinity, Masculinity, Film Analysis, Gender, Men, Boys, Animated Film, Kids Film, Kids Movies, Cinema, Movies, Films, Oscars, Ceremony, Film Award, Awards. Table of Contents Introduction __________________________________________________________ 1 Problem Statements ____________________________________________________ 2 Method and Material ____________________________________________________ -
White Savior, Savagery, & Criminality in Zootopia
White Savior, Savagery, & Criminality in Zootopia Nagata 1 A White Savior, Savagery, and Criminality in the City of “Multitudinous Opportunity” in Zootopia Matthew Nagata California Polytechnic State University, San Luis Obispo White Savior, Savagery, & Criminality in Zootopia Nagata 2 Everyone comes to Zootopia thinking they can be anything they want, well you can’t. You can only be what you are. (Nick Wilde, 2016, Zootopia) The Disney company is distinguished for being the frontrunner in profit and popularity for animated movies worldwide. In 2016, Walt Disney Animation Studios released a film called Zootopia (Spencer, 2016). Not only did Zootopia win an Academy Award for best animated feature film, but the film also received a high score of 98% from the popular online movie review website RottenTomatoes, and made more than three hundred million dollars at the box- office (RottenTomatoes, 2016). The animated film is such a success that the Shanghai Disneyland theme park is getting its own Zootopia-land, which will be a replica of the city from the film that people will be able to walk-through and experience (Frater 2019). The Case of the Missing Animals Zootopia follows a small bunny named Judy Hopps who becomes the first bunny cop in Zootopia. Zootopia is a city in which animals of prey and those who are predators are able to put aside their hunting differences, and live together in harmony, until various predators start to go missing and become in touch with their more savage, “primal,” and violent instincts. Judy Hopps, along with a shady fox named Nick Wilde, take on the case of the missing animals. -
ACCENTS and STEREOTYPES in ANIMATED FILMS the Case of Zootopia (2016)
Lingue e Linguaggi Lingue Linguaggi 40 (2020), 361-378 ISSN 2239-0367, e-ISSN 2239-0359 DOI 10.1285/i22390359v40p361 http://siba-ese.unisalento.it, © 2020 Università del Salento This work is licensed under a Creative Commons Attribution 3.0 ACCENTS AND STEREOTYPES IN ANIMATED FILMS The case of Zootopia (2016) LUCA VALLERIANI UNIVERSITÀ DI ROMA “LA SAPIENZA” Abstract – Language variation is an extremely useful tool to convey information about a character, even when this means playing with stereotypes, which are often associated to some dialects and sociolects (Lippi-Green 1997). Accents generally bear a specific social meaning within the cultural environment of the source text, this being the main reason why they are often particularly difficult to translate with varieties of the target language, even though there are several cases where this strategy proved to be a valid choice, especially in animation (Ranzato 2010). Building on previous research on the language of cartoons (Lippi-Green 1997, but also more recently Bruti 2009, Minutella 2016, Parini 2019), this study is aimed at exploring language variation and how this is deeply connected to cultural stereotypes in the animated Disney film Zootopia (Howard et al. 2016). After giving an outline of the social and regional varieties of American English found in the original version (Beaudine et al. 2017; Crewe 2017; Soares 2017) a special focus will be given to the Italian adaptation of the film through the analysis of the strategies chosen by adapters to render a similar varied sociolinguistic situation in Italian, with particular interest in the correspondence between language and stereotype. -
Disney's Zootopia to Be Released in Imax 3D
IMAX CORPORATION 2525 Speakman Drive Mississauga, Ontario, Canada L5K 1B1 Tel: (905) 403-6500 Fax: (905) 403-6450 www.imax.com DISNEY’S ZOOTOPIA TO BE RELEASED IN IMAX® 3D THEATRES DOMESTICALLY AND IN SELECT INTERNATIONAL MARKETS INCLUDING CHINA LOS ANGELES – Feb. 3, 2016 – IMAX Corporation (NYSE:IMAX) and The Walt Disney Studios, a division of The Walt Disney Company (NYSE: DIS), today announced that Zootopia, Walt Disney Animation Studios’ 55th feature-length animated film, will receive a special one-week domestic engagement in IMAX® 3D theatres beginning March 4. The film will also have an IMAX release in select international markets starting Feb. 12, including China on March 4. Zootopia, about an optimistic bunny, Officer Judy Hopps (voiced by Ginnifer Goodwin), who teams up with the fast-talking, scam-artist fox, Nick Wilde (Jason Bateman), to solve a mystery, is directed by Byron Howard (Tangled, Bolt) and Rich Moore (Wreck-It Ralph, The Simpsons) and co-directed and co- written (along with Phil Johnston, Wreck-It Ralph) by Jared Bush (Penn Zero: Part-Time Hero). Commenting on the announcement, Dave Hollis, Executive Vice President, Theatrical Distribution, The Walt Disney Studios, said, “Zootopia features some of the richest and most inventive environments ever created for an animated film, and we are thrilled that moviegoers around the world will have a chance to experience it in IMAX® 3D.” “We are excited to team with Disney and the talented filmmakers at Walt Disney Animation Studios on what is sure to be another animated Disney classic,” said Greg Foster, Senior Executive Vice President, IMAX Corp. -
Why Is Peter Pan Always Flying?
The Mighty Mammoth Message May 6, 2020 Welcome BASE Staff sure misses our kiddos and their families!! In an effort to stay The Great BASE Challenge Sick of Disney+ - Now What?? connected, and hopefully provide a little help as well, Of course we can’t have a Disney we have created a weekly edition of The Mighty Mammoth Start off with a quick trip to Disneyland newsletter for you and your Message without Disney+! For this week, & Disney World to ride some of the kiddos! Each edition will be coolest rides! we want to know what you have been emailed Wednesday - watching on Disney+! Please email or instead of our usual boring text us with your favorites, or what you Weekly Reminder email! We will have articles that will would consider the hidden gems! hopefully help with [email protected] or 303.501.4928 Frozen Ever After everything from bored kiddos, to dinner plans, to just a little laugh! There will What am I Making for Dessert?! also be opportunities to connect back with us – How about the iconic Disneyland snack which we would – Disney Dole Whip?! The recipe was Pirates of the Caribbean LOVE! just released! Whip up a batch today! Best of the Best Disney Dole Whip Check out this list to see if 1 scoop vanilla ice cream 4 ounces of pineapple juice your family has seen the ten 2 cups of frozen pineapple Splash Mountain highest grossing animated Disney movies . Add all 3 ingredients into a blender. #10 Monsters University Blend until smooth. Serve as is, or the Then get a little crafty with these easy #9 Coco Disney way . -
An Analysis of Stereotype in Zootopia Movie
e-ISSN 2549-7715 | Volume 4 | Nomor 1 | Januari 2020 | Hal: 49-62 Terakreditasi Sinta 4 AN ANALYSIS OF STEREOTYPE IN ZOOTOPIA MOVIE Widya Atillah1,*, M. Bahri Arifin2, Nita Maya Valiantien3 1,2,3English Literature Department, Faculty of Cultural Sciences Mulawarman University *Email: [email protected] ABSTRACT Stereotypes are preconceptions about individuals of group. Stereotypes are the common phenomena that happen in the daily activities of language use where sometimes people do not realize that they are stereotyping others. It is caused by a diversity of issues among the society. People tend to build some general perspectives that include the positive and negative things about a group of people. As a reflection of the real life, movies can also contain the phenomenon of stereotype such as in Zootopia movie. This research is aimed to describe the categories of stereotype and also to analyze the function of stereotype that were performed by several characters in Zootopia movie. This research was conducted by using descriptive method and qualitative approach. Data were taken from movie script in the form of utterances. The results of this research show that there are forty three data which are indicated as stereotyping utterances from eleven characters in Zootopia movie. In addition, the researchers identified six out of eight stereotype categories that have been used in this movie, namely Gender, Race, Physical Features, Occupation and Socioeconomic Status, National Groups and Other Category. Moreover, the researchers identified two stereotype functions in the movie, they are individual function and social or collective function. Key words: Sociolinguistic, Stereotype, Zootopia. ABSTRAK Stereotip adalah prasangka tentang individu pada kelompok. -
Amazing Animated ANIMALS Celebrate Disney’S Legacy of Memorable Animated Animal Characters, Including the King of Them All, the LION KING
Amazing Animated ANIMALS Celebrate Disney’s legacy of memorable animated animal characters, including the King of them all, THE LION KING. 1937 1950 1967 SNOW WHITE CINDERELLA THE JUNGLE BOOK AND THE SEVEN DWARFS Gus, Jaq and Lucifer Bagheera, King Louie, Snow White’s Forest Friends Kaa and Baloo and the Queen’s Raven 1951 ALICE IN WONDERLAND 1970 1940 Cheshire Cat, THE ARISTOCATS PINOCCHIO The White Rabbit Thomas O’Malley, Jiminy Cricket, and many more Duchess, Berlioz, Cleo and Figaro Toulouse and Marie. 1953 1940 PETER PAN 1973 FANTASIA Nana ROBIN HOOD Hyacinth Hippo, Ben Ali Gator, Robin, Maid Marian and friends Madame Upanova and many more 1955 LADY AND THE TRAMP 1977 1941 Lady, Tramp, all their dog friends THE RESCUERS DUMBO and Si & Am Bianca and Bernard Dumbo and Timothy Mouse 1959 1981 SLEEPING BEAUTY THE FOX AND 1942 Samson and Diablo THE HOUND BAMBI Tod and Copper Bambi, Thumper and 1961 the forest animals 101 DALMATIANS 1986 Pongo, Perdita THE GREAT MOUSE DETECTIVE 1949 and the pups Basil, Dr. Dawson and friends THE ADVENTURES OF ICHABOD AND MR. TOAD 1963 1988 J. Thaddeus Toad, Rat, Mole and THE SWORD IN THE STONE OLIVER & COMPANY Angus MacBadger Archimedes Oliver and the gang 1989 2003 2013 THE LITTLE BROTHER BEAR FROZEN MERMAID Kenai, Koda, Swen Flounder, Sebastian Rutt and Tuke and friends 2015 2004 THE GOOD DINOSAUR 1991 HOME ON THE RANGE Arlo and his dinosaur BEAUTY AND Maggie, Mrs. Caloway, Grace family and friends THE BEAST and their barnyard friends Philippe 2016 2005 ZOOTOPIA 1992 CHICKEN LITTLE Judy Hopps, ALADDIN -
Michael Giacchino
MICHAEL GIACCHINO AWARDS & NOMINATIONS FILM: ASCAP COMPOSERS CHOICE JOJO RABBIT AWARDS NOMINATION (2020) ASCAP Film Score of the Year 73RD BRITISH ACADEMY FILM JOJO RABBIT AWARDS NOMINATION (2020) Best Original Score THE SOCIETY OF COMPOSERS AND JOJO RABBIT LYRICISTS NOMINATION (2019) Outstanding Original Score for a Studio Film HOLLYWOOD MUSIC IN MEDIA SPIDER-MAN: FAR FROM HOME AWARD (2019) Original Score – Sci-Fi Fantasy HOLLYWOOD MUSIC IN MEDIA JOJO RABBIT AWARD NOMINATION (2019) Original Score – Feature Film ANNIE AWARD (2019) THE INCREDIBLES 2 Outstanding Achievement in Music INTERNATIONAL FILM MUSIC THE INCREDIBLES 2 CRITICS AWARD NOMINATION (2019) Best Original Score for an Animated Film INTERNATIONAL FILM MUSIC JURASSIC WORLD: FALLEN CRITICS AWARD NOMINATION KINGDOM (2019) Best Original Score for a Fantasy/Science Fiction/Horror Film HOLLYWOOD MUSIC IN MEDIA THE INCREDIBLES 2 NOMINATION (2018) Best Original Score - Animated Film ASCAP FILM AND TELEVISION ZOOTOPIA AWARD (2017) Film Score of the Year ASCAP Composers’ Choice Award The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 MICHAEL GIACCHINO HOLLYWOOD MUSIC IN MEDIA COCO NOMINATION (2017) Original Score - Animated Film INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION NOMINATION (2017) Composer of the Year INTERNATIONAL FILM MUSIC DOCTOR STRANGE CRITICS ASSOCIATION NOMINATION (2017) Best Original Score for a Fantasy/Science Fiction/Horror Film INTERNATIONAL FILM MUSIC ZOOTOPIA CRITICS ASSOCIATION NOMINATION (2017) Best Original Score for an Animated Film INTERNATIONAL FILM MUSIC