ANTIQUE ALGERIA October 17 to November 01, 2021
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Cultura E Scienza Del Colore - Color Culture and Science Journal, 10, Pp
7 1Meriem Benkhedda [email protected] Color on Ceramics in the Medieval 2Kheira Tabet Aoul [email protected] Architecture of Tlemcen, Algeria: [corresponding author] 1Département d’Architecture, Light, Ambiance and Symbolism Université des Sciences et de la Technologie d’Oran Mohamed Boudiaf, USTO-MB, Oran, Algeria ABSTRACT 2 Department of Architectural Engineering, College of Engineering, United Arab The architectural heritage of the Marinid and Ziyanid dynasties in the region of Emirates University, POBox Tlemcen (Algeria) is characterized by geometric and floral shapes of the ornamental 15551, Al Ain, United Arab ceramic of particularly rich polychromic expressions. This ornamentation defines Emirates the minarets, porches, interior courtyards and patios. The ceramic colors in different tones and arrangements provide spaces with an exceptional quality that highly characterizes this medieval Arab architecture. The polychromic compositions of the ceramic with their intrinsic spatial and aesthetical value remain largely unexplored. This research attempts to explore first, an untapped ancestral know-how or “savoir- faire” and second, to demonstrate that this architectural heritage has a colorful atmosphere, whose evolution is linked to the relationship between shapes, lights, materials and colors as well as its socio-cultural context. The investigation method consists of a survey of colors on ceramics and an analysis of arrangement patterns between colors and geometry (relationship and mixtures of colors) to determine the rhythms, harmonies of figures and background, optical compositions, and finally determine the color language and agreements that result. Color properties, the subtle combination of colors and materials interacting with an exquisite geometry display a decisive influence on the appearance and the ambiance that emerge, providing brightness and light, creating rhythm, motley and fusion in a web of optical effects, filled with symbolism, suitable for the cultural and religious circumstances of the place. -
Algeria Romana
Algeria romana Dal 24 aprile al 1 maggio 2021 | 8 giorni - 7 pernottamenti in hotel UN VIAGGIO A RITROSO NEL TEMPO NELLE ANTICHE MAURETANIA E NUMIDIA, ALLA SCOPERTA DI DUE DELLE PROVINCE ROMANE D’AFRICA PIÙ BELLE DEL MEDITERRANEO, DOVE SI NASCONDONO CITTÀ ANTICHE DI STRAORDINARIA BELLEZZA IMMERSE IN MERAVIGLIOSI PANORAMI, TRA VERDI MONTAGNE E SUGGESTIVI CANYON. Itinerario di viaggio ALGERI | CHERCHELL | TIPASA | CONSTANTINE | TIDDIS | LAMBESE | TIMGAD | DJEMILA 1° GIORNO - 24 APRILE 2021 - ROMA/ALGERI delle mura romane con torri e sei porte, il grande decumano, tre grandi Partenza da Roma-Fiumicino con volo di linea Air Algerie. Arrivo ad Algeri basiliche, i quartieri di abitazione che si estendevano lungo il porto, con il nel pomeriggio e sistemazione all’hotel New Day 4****. Cena. Foro al centro. Si visitano il teatro, l’anfiteatro, il circo, due impianti termali ed un settore dell’abitato con case lussuose, ricche di mosaici e sculture. 2° GIORNO - 25 APRILE 2021 - ALGERI (LA CASBAH) Durante la visita, alla maestà delle vestigia, si aggiunge l’incantevole Giornata dedicata alla visita di Algeri. Al mattino si inizia con il museo paesaggio mediterraneo che sembra sposarsi con il mare e l’azzurro del nazionale del Bardo che custodisce collezioni archeologiche ed cielo. In serata rientro ad Algeri. Hotel New Day 4****. Pensione completa. etnografiche. Nel pomeriggio, passeggiata nella città vecchia. La casbah, costruita sulle rovine della vecchia Icosium, ne costituisce il cuore storico, 4° GIORNO - 27 APRILE 2021 - ALGERI/CONSTANTINE con i suoi gioielli architettonici e d’arte moresca. La cittadella si presenta Continuazione della visita di Algeri. -
Teaching Interfaith Relations at Universities in the Arab Middle East: Challenges and Strategies
religions Article Teaching Interfaith Relations at Universities in the Arab Middle East: Challenges and Strategies Josef Meri College of Islamic Studies, Hamad bin Khalifa University, Education City, 34110 Doha, Qatar; [email protected] Abstract: This study explores the present state of teaching Interfaith/Interreligious Relations at universities in the Arab Middle East. First, it considers the definition and various approaches to teaching Interfaith Relations by leading proponents of Interreligious Studies in the West such as Oddbjørn Leirvik and Marianne Moyaert within a theoretical framework that is sensitive to the Arab Middle Eastern context. It explores several key factors in Arab society that have prevented the teaching of Interfaith Relations in universities. The discussion then turns to the unique Dar Al-Kalima University (Palestine) Interreligious Dialogue Inter-Regional Curriculum initiative and its significance for teaching Interfaith Relations in the university. Finally, the study examines the case study method of teaching developed by Diana Eck at Harvard University, which can be adapted to a Middle Eastern context and offers two unique case studies for university teachers. Keywords: interfaith studies; interreligious studies; interfaith dialogue; disruptive education; teach- ing interfaith studies; interfaith relations 1. Introduction Citation: Meri, Josef. 2021. Teaching This study explores a number of fundamental issues in teaching Interfaith Relations Interfaith Relations at Universities in (IR) at universities in the -
Casablanca ENG.Indd
2 3 Casablanca SPAIN MEDITERRANEAN SEA Saïdia Rabat ATLANTIC OCEAN 5 Editorial Zagora 6 A city with the ocean on its doorstep 8 A city of the future ALGERIA CANARY ISLANDS 10 The Hassan II Mosque 12 Casablanca, a happening city 16 Experiencing the city 18 Activities in the city 20 Casablanca, seaside resort 22 The Casablanca region 26 Information and useful addresses MAURITANIA 4 5 Editorial Casablanca, an exhilarating megalopolis The sun is scarcely above the horizon and Casablanca is already waking up. Little red taxis play dodgems at the feet of the white city’s ultra-modern buildings. There is no escaping the allure of its grandeur, its pure energy, and all of a sudden we ourselves are imbued with the same heady dynamism. Casablanca, economic heart of the Kingdom, lives at a frenetic pace. Business and art go side by side here, often intermingling. It is here, above all, that tones and trends are set. Why is it that so many artists have found their inspiration in Casablanca? Perhaps the contrasting curves of its Art Deco buildings are enough to cast a spell over them. The richness of the city’s architectural heritage is sufficient in itself to call forth the image of a city where time has no hold. Charged with In Casablanca, modern history yet resolutely turned towards the future, this most cosmopolitan of cities, buildings stand side where every nationality is represented, parades its modernity for all to see. by side with Arab-An- dalusian architecture and Art Deco creations Morocco’s economic nerve centre and keeper of a unique historical heritage, from the 1920s Casablanca reveals all of its many faces to us. -
Timgad) , Founded at the Sunrise of Trajan’S Birthday Amelia Carolina Sparavigna
Archaeoastronomical analysis of the Roman Colonia Marciana Ulpia Traiana Thamugadi (Timgad) , founded at the sunrise of Trajan’s Birthday Amelia Carolina Sparavigna To cite this version: Amelia Carolina Sparavigna. Archaeoastronomical analysis of the Roman Colonia Marciana Ulpia Traiana Thamugadi (Timgad) , founded at the sunrise of Trajan’s Birthday. 2019. hal-02004922v2 HAL Id: hal-02004922 https://hal.archives-ouvertes.fr/hal-02004922v2 Preprint submitted on 2 May 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Archaeoastronomical analysis of the Roman Colonia Marciana Ulpia Traiana Thamugadi (Timgad) , founded at the sunrise of Trajan’s Birthday Amelia Carolina Sparavigna Politecnico di Torino Written 2 February 2019. DOI: 10.5281/zenodo.2555783 Revised 1 May 2019. DOI: 10.5281/zenodo.2656658 It was told that the Roman Colonia Marciana Ulpia Traiana Thamugadi (Timgad in Algeria), founded in 100 AD, had been oriented to the sunrise on the day of Trajan’s birthday, given as September 18. This Gregorian date corresponds to September 17 of the Julian Calendar. Here we use software such as CalSKY and Stellarium to investigate the sunrise azimuth and compare it to the direction of the decumanus of the Roman town. -
Hydraulics of Roman Aqueducts : Steep Chutes, Cascades and Dropshafts." American Jl of Archaeology, Vol
CHANSON, H. (2000). "Hydraulics of Roman Aqueducts : Steep Chutes, Cascades and Dropshafts." American Jl of Archaeology, Vol. 104, No. 1, Jan., pp. 47-72 (ISSN 0002-9114). Hydraulics of Roman Aqueducts : Steep Chutes, Cascades and Dropshafts H. CHANSON Abstract This paper examines the archaeological evidence for steep chutes, cascades and drop shafts in Roman aqueducts. It also presents comparative data on steep descent water flow in aqueducts based on physical model tests. It is suggested that the Romans were aware of the hydraulic problems posed by supercritical water flows, and that the technological solutions they imposed were rudimentary but sound. For example, they understood the need for energy dissipation devices such as stilling basin and dropshaft.* The Roman aqueduct remains one of the best examples of hydraulic expertise in antiquity. Many aqueducts were used, repaired and maintained for centuries and some, such as the aqueduct of Carthage (Tunisia), are still partly in use today.1 Most aqueducts consisted of long, flat sections interspersed by shorter steep drops. Despite arguments suggesting that Roman aqueducts maintained a fluvial flow regime 2, the present study suggests that these steep drops produced supercritical flows requiring a technical response to ensure normal water flow. It is argued that the Romans employed three methods to address this problem: chutes followed by stilling basins, stepped channels, and dropshafts. STEEP CHUTES AND STEPPED CASCADES : HYDRAULIC CONSIDERATIONS A chute is characterized by a steep bed slope associated with torrential flow (fig. 1 and 2). This chute flow may be either smooth (fig. 2A) or stepped (fig. 2B). Roman designers used both designs as well as single drops along aqueducts (Tables 1 and 2). -
Artabus.Com/Labidi
Your virtual gallery Mohamed Labidi https://www.artabus.com/labidi/ "La Mitidja (Algerie)." Size (HxW) : 50x60 cm Style : realism / Tech. : Watercolour on paper Theme : Landscape / Category : Painting Year : 2005 "Les hauteures d' Alger 01" Size (HxW) : 63x40 cm Framed Style : realism / Tech. : Watercolour on paper Theme : Landscape / Category : Painting Price : Euros 450 Year : 2007 Desc. : It is a district that is located at heights of Algiers, said: Aine-e-Zeboudja "Maisonnettes sur falaise" Size (HxW) : 58x40 cm Framed Style : realism / Tech. : Ink on paper Theme : Landscape / Category : Painting Price : Euros 300 Year : 2006 "Mosqée en petite Kabylie" Size (HxW) : 16x25 cm Framed Style : realism / Tech. : Watercolour on paper Theme : Landscape / Category : Painting Sold Year : 2008 Desc. : Works commissioned for calendar 2009.for society (Farmalliance) "Palmeraie à l'horizon" Size (HxW) : 36x48 cm Style : realism / Tech. : Watercolour on paper Theme : Landscape / Category : Painting Year : 2006 Page 1/95 Your virtual gallery Mohamed Labidi https://www.artabus.com/labidi/ "Structure" Size (HxW) : 33x43 cm Style : realism / Tech. : Watercolour on paper Theme : Still life / Category : Painting Price : Euros 250 Year : 2007 Desc. : When I am in front of the nature I'm still surprised at the realization of God. "Ain Zeboudja." Size (HxW) : 67x45 cm Style : realism / Tech. : Watercolour on paper Theme : Building / Category : Painting Price : Euros 400 Year : 2006 Desc. : Houses located on steep slope.Ain Zeboudja,Alger. "Cyprès sur la baie" Size (HxW) : 30x22 cm Style : realism / Tech. : Watercolour on paper Theme : Building / Category : Painting Year : 2010 Desc. : Watercolor painted from nature, overlooking the port of Algiers. "Vue sur la baie d'Alger" Size (HxW) : 21x32 cm Style : realism / Tech. -
Bibliography
Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P. -
GENETIC DIVERSITY in ALGERIAN DURUM WHEAT VARIETIES (Triticum Turgidum L Var
1575 Original Article GENETIC DIVERSITY IN ALGERIAN DURUM WHEAT VARIETIES (Triticum turgidum L var. durum ) USING MICROSATELLITE MARKERS DIVERSIDADE GENÉTICA EM VARIEDADES DE TRIGO DURO ARGELINO (Triticum turgidum L var. durum ) USANDO MARCADORES MICROSSATÉLITES Abderrezzak KIROUANI 1; Fatima HENKRAR 2; Sripada M UDUPA 3; Leila BOUKHALFOUN 4; Hamenna BOUZERZOUR 5 1. Scholar Phd at Saad Dahleb University of Blida, Algeria. 2. Phd at ICARDA-Rabat, Morocco ; 3. Phd, Biotechnologist/Geneticist at ICARDA-Rabat, Morocco; 4. Scholar Phd at M’Hamed Bougara of Boumerdes, Algeria. 5. PES at Farhat Abbas University of Setif, Algeria. ABSTRACT: Characterization of germplasm by DNA-markers provides powerful tool to precise germplasm identification. This study aimed to quantify the genetic diversity and to estimate the phylogenetic relationship among genotypes in many crop species. The results of the present study realized between Nov and Dec 2016 in biotechnologie unit (ICARDA, Morocco) which aimed to characterize a subset of 14 Algerian selected durum wheat cultivars ( Triticum turgidum L. var. durum ), using 13 SSR (Single Sequence Repeat) indicated the presence of a total of 39 alleles. The genetic diversity at the 13 microsatellites loci varied from 0,142 for Xgwm337 to 0.735 for Xgwm213 with a mean of 0.444. Polymorphic information content (PIC) values ranged from 0.13 to 0.70 and the genetic distance among the cultivars from 0.15 to 0.77. Clustering analysis showed that the studied varieties were grouped according to their population of origin, suggesting a provenance effect in their ordination. In fact the most similar varieties were those introduced from CIMMYT-ICARDA breeding program, which may have common parents in their pedigree. -
Representing the Algerian Civil War: Literature, History, and the State
Representing the Algerian Civil War: Literature, History, and the State By Neil Grant Landers A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in French in the GRADUATE DIVISION of the UNIVERSITY OF CALIFORNIA, BERKELEY Committee in charge: Professor Debarati Sanyal, Co-Chair Professor Soraya Tlatli, Co-Chair Professor Karl Britto Professor Stefania Pandolfo Fall 2013 1 Abstract of the Dissertation Representing the Algerian Civil War: Literature, History, and the State by Neil Grant Landers Doctor of Philosophy in French Literature University of California, Berkeley Professor Debarati Sanyal, Co-Chair Professor Soraya Tlatli, Co-Chair Representing the Algerian Civil War: Literature, History, and the State addresses the way the Algerian civil war has been portrayed in 1990s novelistic literature. In the words of one literary critic, "The Algerian war has been, in a sense, one big murder mystery."1 This may be true, but literary accounts portray the "mystery" of the civil war—and propose to solve it—in sharply divergent ways. The primary aim of this study is to examine how three of the most celebrated 1990s novels depict—organize, analyze, interpret, and "solve"—the civil war. I analyze and interpret these novels—by Assia Djebar, Yasmina Khadra, and Boualem Sansal—through a deep contextualization, both in terms of Algerian history and in the novels' contemporary setting. This is particularly important in this case, since the civil war is so contested, and is poorly understood. Using the novels' thematic content as a cue for deeper understanding, I engage through them and with them a number of elements crucial to understanding the civil war: Algeria's troubled nationalist legacy; its stagnant one-party regime; a fear, distrust, and poor understanding of the Islamist movement and the insurgency that erupted in 1992; and the unending, horrifically bloody violence that piled on throughout the 1990s. -
Downloaded from Brill.Com09/29/2021 07:36:54AM This Is an Open Access Article Distributed Under the Terms of the Prevailing CC-BY-NC License
_full_journalsubtitle: Journal of Patrology and Critical Hagiography _full_abbrevjournaltitle: SCRI _full_ppubnumber: ISSN 1817-7530 (print version) _full_epubnumber: ISSN 1817-7565 (online version) _full_issue: 1 _full_issuetitle: 0 _full_alt_author_running_head (change var. to _alt_author_rh): Dunn _full_alt_articletitle_running_head (change var. to _alt_arttitle_rh): Romani principes aduersum nos prouocantur _full_alt_articletitle_toc: 0 _full_is_advance_article: 0 Romani Principes AduersumScrinium Nos Prouocantur 14 (2018) 7-24 7 www.brill.com/scri Responses to Conflict in Early Christianity ∵ Romani Principes Adversum Nos Provocantur: Augustine of Hippo’s Epistula 87 to Emeritus of Caesarea Geoffrey D. Dunn University of Pretoria [email protected] Abstract Prior to the 411 colloquy at Carthage, Augustine had written to Emeritus, the Donatist bishop of Cherchell, urging him to abandon his adherence to Donatism. A complaint of the Donatists against the Caecilianists was that they urged the state to persecute Donatists. Augustine put words into Emeritus’ mouth: “… you stir up the Roman emper- ors against us.” (Ep. 87.8) Augustine told Emeritus that one can only be persecuted if one’s cause is right; if evil then it is legitimate punishment. In Augustine’s view the Donatists have brought imperial punishment (not persecution) upon themselves because of their schism. This paper will show how Augustine sidesteps a dilemma using Paul’s letter to the Romans: while it is true that Christians should not judge each other (Rom 14:4), it is the responsibility of the state to punish wrongdoers (Rom 13:2-4), while it is the responsibility of Christians to rehabilitate them (Rom 11:23). Keywords Augustine of Hippo – Donatism – religious coercion – religious violence ©Scrinium Geoffrey 14 D. -
Roman Algeria, the Sahara & the M'zab Valley 2022
Roman Algeria, the Sahara & the M’Zab Valley 2022 13 MAR – 2 APR 2022 Code: 22203 Tour Leaders Tony O’Connor Physical Ratings Explore Ottoman kasbahs, Roman Constantine, Timgad & Djemila, mud-brick trading towns of the Sahara, Moorish Tlemcen, & the secret world of the Berber M'Zab valley. Overview Join archaeologist Tony O'Connor on this fascinating tour which explores Roman Algeria, the Sahara & the M'Zab Valley. Explore the twisting streets, stairs, and alleys of the Ottoman Kasbah of Algiers and enjoy magnificent views across the city from the French colonial Cathedral of Notre-Dame d'Afrique. Wander perfectly preserved streets at the UNESCO World Heritage sites of Roman Djémila and Timgad, empty of visitors and complete with stunning mosaics, full-size temples, triumphal arches, market places, and theatres. At Sétif gaze upon one of the most exquisite mosaics in all of the Roman world – The Triumph of Dionysus. Engage with Numidian Kings at the extraordinary tombs of Medracen and the 'Tomb of the Christian' along with the ambitions of Cleopatra and Mark Antony at their daughter’s former capital of Caesarea/Cherchell. Explore the Roman 'City of Bridges', Constantine, encircled by the dramatic gorge of Wadi Rummel. Wander the atmospheric ruins of the Roman towns of Tipaza and Tiddis: Tipaza overlooks the Mediteranean, while Tiddis perches on a hillside, overlooking the fertile lands of Constantine. Walk the Algerian 'Grand Canyon' at El Ghoufi: a centre of Aures Berber culture, Algerian resistance to French colonial rule, inscriptions left behind by the engineers of Emperor Hadrian himself, and photogenic mud-brick villages clustering along vertiginous rocky ledges.