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Song and Fingerplay Book
Yankee Doodle, keep it up Yankee Doodle dandy Mind the music and the step and with the girls be handy! Father and I went down to camp Along with Captain Gooding And there we saw the men and boys As thick as hasty pudding. Chorus And there was Captain Washington And gentle folks about him They say he’s grown so tarnal proud He will not ride without them. Chorus Z is for Zoo (sung to “Wheels on the Bus”) Oh, the bear at the zoo goes Grr, grr, grr, Grr, grr, grr. Oh, the bear at the zoo goes Grr, grr, grr, All day long. Repeat additional verses: Monkey at the zoo… ooo, ooo, ooo Snake at the zoo…. hiss, hiss, hiss Lion at the zoo….raar, raar, raar …etc. Z is for Zoom Zoom, zoom zoom, We’re going to the moon. Zoom, zoom, zoom, We’ll be there very soon. So if you’d like to take a trip Just step inside my rocket ship. Zoom, zoom, zoom, We’re going to the moon. Zoom, zoom, zoom, We’ll be there very soon. 10 – 9 – 8 -7 – 6 – 5 – 4 – 3 – 2 – 1 – BLAST OFF! 40 A Counting We Will Go A counting we will go A counting we will go 1, 2, 3, 4 and 5 A counting we will go. We’re counting as we clap (clap) We’re counting as we jump (jump) We’re counting as we march (march) We’re counting as we spin (turn around) Acka Backa Acka backa soda cracker, Acka backa boo. -
Revenge and Punishment: Legal Prototype and Fairy Tale Theme
Circles: Buffalo Women's Journal of Law and Social Policy Volume 6 Article 4 1-1-1998 Revenge and Punishment: Legal Prototype and Fairy Tale Theme Kimberly J. Pierson Follow this and additional works at: https://digitalcommons.law.buffalo.edu/circles Part of the Law Commons, and the Legal Studies Commons Recommended Citation Pierson, Kimberly J. (1998) "Revenge and Punishment: Legal Prototype and Fairy Tale Theme," Circles: Buffalo Women's Journal of Law and Social Policy: Vol. 6 , Article 4. Available at: https://digitalcommons.law.buffalo.edu/circles/vol6/iss1/4 This Article is brought to you for free and open access by the Law Journals at Digital Commons @ University at Buffalo School of Law. It has been accepted for inclusion in Circles: Buffalo Women's Journal of Law and Social Policy by an authorized editor of Digital Commons @ University at Buffalo School of Law. For more information, please contact [email protected]. CIRCLES 1998 Vol. VI REVENGE AND PUNISHMENT: LEGAL PROTOTYPE AND FAIRY TALE THEME By Kimberly J. Pierson' The study of the interrelationship between law and literature is currently very much in vogue, yet many aspects of it are still relatively unexamined. While a few select works are discussed time and time again, general children's literature, a formative part of a child's emerging notion of justice, has been only rarely considered, and the traditional fairy tale2 sadly ignored. This lack of attention to the first examples of literature to which most people are exposed has had a limiting effect on the development of a cohesive study of law and literature, for, as Ian Ward states: It is its inter-disciplinary nature which makes children's literature a particularly appropriate subject for law and literature study, and it is the affective importance of children's literature which surely elevates the subject fiom the desirable to the necessary. -
Into the Woods Character Descriptions
Into The Woods Character Descriptions Narrator/Mysterious Man: This role has been cast. Cinderella: Female, age 20 to 30. Vocal range top: G5. Vocal range bottom: G3. A young, earnest maiden who is constantly mistreated by her stepmother and stepsisters. Jack: Male, age 20 to 30. Vocal range top: G4. Vocal range bottom: B2. The feckless giant killer who is ‘almost a man.’ He is adventurous, naive, energetic, and bright-eyed. Jack’s Mother: Female, age 50 to 65. Vocal range top: Gb5. Vocal range bottom: Bb3. Browbeating and weary, Jack’s protective mother who is independent, bold, and strong-willed. The Baker: Male, age 35 to 45. Vocal range top: G4. Vocal range bottom: Ab2. A harried and insecure baker who is simple and loving, yet protective of his family. He wants his wife to be happy and is willing to do anything to ensure her happiness but refuses to let others fight his battles. The Baker’s Wife: Female, age: 35 to 45. Vocal range top: G5. Vocal range bottom: F3. Determined and bright woman who wishes to be a mother. She leads a simple yet satisfying life and is very low-maintenance yet proactive in her endeavors. Cinderella’s Stepmother: Female, age 40 to 50. Vocal range top: F#5. Vocal range bottom: A3. The mean-spirited, demanding stepmother of Cinderella. Florinda And Lucinda: Female, 25 to 35. Vocal range top: Ab5. Vocal range bottom: C4. Cinderella’s stepsisters who are black of heart. They follow in their mother’s footsteps of abusing Cinderella. Little Red Riding Hood: Female, age 18 to 20. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
Acting Resume
Chip Chinery COMMERCIALS: AKA TALENT AGENCY: 323-965-5600 THEATRICAL & VOICE OVER: IMPERIUM 7 AGENCY: 323-931-9099 Auburn Hair Brown Eyes SAG-AFTRA www.chipchinery.com Chip’s Cell/Text Machine: 818-793-4329 FILM BATTLE OF THE SEXES Roone Arledge Dir: Jonathan Dayton & Valerie Faris THE OLD MAN & THE STUDIO Co-Star Dir: Eric Champnella PH2: PEARLMAGEDDON Co-Star Dir: Rob Moniot THE COUNTRY BEARS Featured Dir: Peter Hastings COYOTE UGLY Featured Dir: David McNally SPACE COWBOYS Featured Dir: Clint Eastwood ROCKY & BULLWINKLE Featured Dir: Des McAnuff DILL SCALLION Featured Dir: Jordan Brady TELEVISION THE UPSHAWS Malcolm Netflix / Dir. Sheldon Epps THE CONNERS Tony ABC / Dir. Gail Mancuso SHAMELESS Larry Seaver SHOWTIME / Dir. Loren Yaconelli HOMECOMING Sawyer (recurring) AMAZON / Dir. Kyle Patrick Alvarez LIKE MAGIC Club Announcer NBC / Dir. Julie Anne Robinson GOOD GIRLS The Mattress King NBC / Dir. Michael Weaver THE GOLDBERGS Dancing Bruce ABC / Dir. Lew Schneider THE BIG BANG THEORY Bob The Boat Neighbor CBS / Dir. Mark Cendrowski THE KIDS ARE ALRIGHT Bob Parson ABC / Dir. Matt Sohn I FEEL BAD Officer Young NBC / Dir. Tristram Shapeero FAM Race Track Announcer CBS / Dir. Victor Gonzalez NEW GIRL Ben FOX / Dir. Josh Greenbaum LIFE IN PIECES Dustin CBS / Dir. John Riggi BROOKLYN NINE-NINE Don ABC / Dir. Kat Coiro SPEECHLESS Mr. McHugh ABC / Dir. Christine Gernon AMERICAN HORROR STORY Leland Candoli FX / Dir. Brad Buecker NCIS NCIS Agent Rodney Spence CBS / Dir.Tony Wharmby CHELSEA White Collar Comedy Tour Netflix / Dir.Rik Reinholdtsen MOM Dave CBS / Dir. James Widdoes THE MIDDLE Guest Starring ABC / Dir. Blake Evans ANGER MANAGEMENT Guest Starring FX / Dir. -
Creating Little Red Riding Hood : Morality, Sexuality, and The
Creating Little Red Riding Hood : Morality, Sexuality, and the Evolution of a Classic Tale Julia Gralczyk HON 395 Spring Quarter 2017 Thesis submitted in completion of Honors Senior Capstone requirements for the DePaul University Honors Program Thesis Director James Choi, Digital Cinema Faculty Reader Nancy Grossman, Honors 1 THESIS ABSTRACT Little Red Riding Hood is a classic tale commonly known about a young girl in a red cape and a big, bad wolf. The story’s simple plot however, has given it way to considerable changes and adaptations depending on cultural beliefs, regional dialects, and personal interpretations. For my final Honors Program assignment, I would like to create a creative thesis in the form of a short film that incorporates my personal interpretations surrounding the tale. I will be researching themes and motifs that explore Little Red as an older character struggling with the thresholds of innocence and womanhood, lust and seduction, and the relationship between the sexes. 2 TABLE OF CONTENTS 1. INTRODUCTION………………………………………………………………….3 2. PERRAULT & THE GRIMM BROTHERS……………………………………..4 3. FREEWAY & RED RIDING HOOD (2011)...........................................................5 4. MEANINGS AND SYMBOLS ……………………………………………………7 5. PERSONAL INTERPRETATIONS & CREATING MY STORY……………....8 6. CONCLUSION ……………………………………………………………………..9 7. REFERENCES……………………………………………………………………..11 3 1. Introduction In 1697 French writer, Charles Perrault, published the earliest known printed version of Red Riding Hood. The invention of the tale cannot be credited to Perrault however, for many scholars have insisted Little Red Riding Hood has ancient origins as a spoken folklore shared by local peasants in Europe as early as the 10th century. Nonetheless, Perrault set the president for a story that will later be told, retold, and remade for centuries to come, with her perennial popularity accredited to her ability to adapt to the times. -
Little Red Riding Hood Story/ ENGLISH
Little Red Riding Hood story/ ENGLISH Once upon a time, there lived a little girl called Little Red Riding Hood. She wore a beautiful red cape that her grandma had made for her. One day, her mother said, “Come here Little Red Riding Hood. Your grandma is not very well. I would like you to take this bread and cheese to her but remember to stay on the path.” Little Red Riding Hood set off to her grandma’s house. She lived on the other side of a forest. As Little Red Riding Hood was going through the wood, she met a wolf. He was waiting for her to get closer and closer and closer and then…. he jumped out from behind a tree! The wolf asked. “Where are you going to?” Little Red Riding Hood said, “I am going to see my grandma because she is not very well.” The wolf gazed at her and said, “See these pretty flowers? Why not pick some, I am sure your grandma would love them.” “What a good idea,” said Little Red Riding Hood, and she skipped from the path to look for flowers for her grandma. Then the wolf ran to grandma’s house and knocked on the door. ‘Knock, knock, knock!’ “Who is there?” asked grandma. “Little Red Riding Hood”, replied the wolf. Grandma whispered, “Come in, I am too ill to come to the door.” The wolf let himself in. Poor granny did not have time to say another word, before the greedy wolf gobbled her up! He put on her nightgown and nightcap. -
Once Upon a Revision... Anthony Stefani Iowa State University
Volume 40 Issue 5 Article 12 May 1994 Once Upon A Revision... Anthony Stefani Iowa State University Follow this and additional works at: http://lib.dr.iastate.edu/ethos Part of the Higher Education Commons, and the Journalism Studies Commons Recommended Citation Stefani, Anthony (1994) "Once Upon A Revision...," Ethos: Vol. 1994 , Article 12. Available at: http://lib.dr.iastate.edu/ethos/vol1994/iss1/12 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in Ethos by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. • • eVISIOn • • • It's a downcast day in the enchanted forest The Big Bad Wolf is working his hide off doing commanity service. At the tender age of 13. Goldilocks is being charged with breaking and entering and the Fairy Godmother from Cinderella has been accased of craelty to animals. a commentary by Anthony Stefani ranted, these scenarios are a little far fetched,but thanks to today's parents they could quite possibly appear at your local bookstore in the near future. Why the changes? Adults have become amnesiac to the fact that these characters were originally designed to educate people and convey a message for leading a healthy life free of gin, sin and blowpops. Reacting to parental charges of heinous nursery crimes, publishers have begun sanitiz ing these children's classics-a move sure to make the Brothers Grimm cringe. American and foreign publishers have turned McCue added that Little Golden Books would be children's fairy tale books into a potential pot of gold at sticking with the Walt Disney versions of Snow White the end of the reading rainbow. -
1 Joseph Conrad (1857-1924) Youth (1902) This Could Have Occurred
1 Joseph Conrad (1857-1924) Youth (1902) This could have occurred nowhere but in England, where men and sea interpenetrate, so to speak—the sea entering into the life of most men, and the men knowing something or everything about the sea, in the way of amusement, of travel, or of bread-winning. We were sitting round a mahogany table that reflected the bottle, the claret-glasses, and our faces as we leaned on our elbows. There was a director of companies, an accountant, a lawyer, Marlow, and myself. The director had been a Conway boy, the accountant had served four years at sea, the lawyer—a fine crusted Tory, High Churchman, the best of old fellows, the soul of honor— had been chief officer in the P. & O. service in the good old days when mail- boats were square-rigged at least on two masts, and used to come down the China Sea before a fair monsoon with stun'-sails set alow and aloft. We all began life in the merchant service. Between the five of us there was the strong bond of the sea, and also the fellowship of the craft, which no amount of enthusiasm for yachting, cruising, and so on can give, since one is only the amusement of life and the other is life itself. Marlow (at least I think that is how he spelt his name) told the story, or rather the chronicle, of a voyage: “Yes, I have seen a little of the Eastern seas; but what I remember best is my first voyage there. -
Little Red Riding Hood Brothers Grimm Dear Reader, the Grimm Brothers Published Their First Book of Fairy Tales Two Hundred Years Ago
Little Red Riding Hood Brothers Grimm Dear reader, The Grimm Brothers published their first book of fairy tales two hundred years ago. They proved so popular they were soon being avidly read not only all over Germany but also well beyond. More recently, the outstan- ding importance of the tales was highlighted by the inscrip-tion in 2005 on UNESCO’s Memory of the World Register of one of the star exhibits of the Brothers Grimm Museum in Kassel, an early edition of the “Children’s and Household Tales” owned and annotated by Jacob and Wilhelm Grimm. This Register is the collective memory of humankind, so to speak, and holds valuable book collections, ma- nuscripts,Dear reader, musical scores, one-of-a-kind documents, visual images, sound recordings and films from around the world. The Grimm Brothers published their first book of fairy tales two hundred years ago. They Andproved certainlyso popular they were Rapunzel, soon being avidly readthe not Frogonly all over King Germany and but also Little well Snow White have becomebeyond. More recently,familiar the outstanding figures importance to of thechildren tales was highlighted all overby the inscrip the- world, not just in tion in 2005 on UNESCO’s Memory of the World Register of one of the star exhibits of the Germany.Brothers Grimm Museum Grimms’ in Kassel, anfairy early edition tales of the is “Children’s in fact and Household the most Tales” widely read, sold andowned translated and annotated by Jacob book and Wilhelm ever Grim m.written This Register in is the German. -
Little Red Riding Hood
LITTLE RED RIDING HOOD Ladies and Gentlemen, welcome to the Puppet Show, sponsored by NARRATOR: The Big Bad Wolf went running off to go to the house before Little Red Riding Hood could get there. The Wolf knocked on Grandmother’s door, ArtSkills, where we bring to you our production of Little Red Riding Hood. pushed his way in, and locked Grandmother in a closet. A few minutes later, Little We have prepared a wonderful show for you, and we’re just about ready to start. At this time, Red Riding Hood arrived at her grandmother´s house. She knocked at the door. we ask that you please turn off your cell phones, pagers, and all other electronic devices, and please refrain from booing, hissing, heckling the actors, food fights, and any flash photography. WOLF: Who's there? In the unlikely event of a water landing, slides will deploy from the side of the plane. Please stay in the middle of the slide path and avoid making your own path. That would be unsafe! LITTLE RED RIDING HOOD: Grandmother, it's me, your granddaughter, Little Red Riding Hood. I came to bring you a basket with some bread and honey. And now, sit back, relax, and enjoy the show! WOLF: Come in, my little granddaughter, push the door. NARRATOR: Once upon a time, there was a very beautiful girl who lived in a village near the forest with her mother. One day, her grandmother gave her a NARRATOR: Little Red Riding Hood entered the little house. She went straight very nice red riding cloak, which is why everyone in the village called her "Little to her grandmother's room, and in the bed, there was the Wolf dressed in her Red Riding Hood." One day, Little Red Riding Hood’s mother asked her to take grandmother's clothes! a basket of goodies to her grandmother’s house. -
The Tale of Charles Perrault and Puss in Boots Morna Daniels
The Tale of Charles Perrault and Puss in Boots Morna Daniels In 1697 Charles Perrault published a small volume Histoires ou contes du temps passé, which became the source for a huge progeny of children’s books,pantomimes, ballets and folklore.1 The frontispiece of the first French edition shows an old lady telling stories by the fire-side, and a plaque above her reads Contes de ma mere LOye.2 In the first English edition, there is a similar picture, and the plaque is translated as Mother Goose’s Tales.This was the first time the French term appeared in an English book. In France it indicated that the story was a traditional one, told by old women who minded geese, or who cackled like geese; but in England it became applied to Perrault’s tales, which were often published without mentioning his name. Mother Goose entered the world of pantomime, often in association with Perrault’s characters. The stories were widely diffused, then re-collected by later folklore researchers, so that the Brothers Grimm collected German versions, believing them to be folk traditions. Not all of Perrault’s stories became equally popular.The eight stories in his collection were La belle au bois dormant, Le petit chaperon rouge, La barbe bleue, Le maître chat, ou le chat botté; Les fées,Cendrillon, ou la petite pantoufle de verre; Riquet à la houppe and Le petit Poucet.These are usually translated as ‘Sleeping Beauty’, ‘Little Red Riding Hood’, ‘Bluebeard’, ‘Puss in Boots’, ‘The fairies’ (or ‘The fairy’),‘Cinderella’,‘Riquet with the tuft’, and ‘Hop o’ my thumb’.