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Illustrations
Illustrations BOOK ONE FOLLOWING PAGE 338 I. Mid-seventeenth-century map of Asia 2. Willem Blaeu's map of Asia 3. Map of the Mughul Empire, from Dapper's Asia, 1681 4. South and Southeast Asia, fromJohan Blaeu's Atlas major, 1662 5. Ceylon and the Maldives, from Sanson d'Abbeville's L'Asie, 1652 6. Continental Southeast Asia, from Morden's Geography Rectified, 1688 7. Course of the Menam, from La Loubere's Du royaume de Siam, 1691 8. Malacca and its environs, from Dampier's Voyages, 1700 9. The Moluccas, from Blaeu's Atlas major 10. Asia from Bay of Bengal to the Marianas, from Thevenot's Relations, 1666 II. Japan and Korea, from Blaeu's Atlas major 12. Harbor of Surat 13· Dutch factory at Surat 14· Market at Goa 15· English fort at Bombay 16. Harbor and wharf of Arakan 17· Batavia, ca. 1655 18. Amboina and its inhabitants 19· Dutch factory at Banda 20. Tidore and its fort 21. Dutch envoys in Cambodia 22. Fort Zeelandia in Taiwan 23· Dutch ambassadors in Peking, 1656 [xvii] Illustrations 24. Macao 25. Canton 26. Dutch factory at Hirado 27. Dutch factory on Deshima 28. Palanquins 29. Merchants of Bantam 30. Man and woman of Goa 3 I. Chinese merchant couple ]2. Dutch fleet before Bantam in 1596 33. Thee (tea), or cha, bush 34. King of Ternate's banquet for the Dutch, 1601 35. Coins of Siam 36. 1601 Malay-Latin vocabulary 37. 1672 Oriental-Italian vocabulary 38. Warehouse and shipyard of Dutch East India Company in Amsterdam 39. -
The Martensz Collection on Sri Lanka at the National Library of Australia
ALRA Newsletter No. 74 (July 2019) A Diplomat’s Gift: the Martensz Collection on Sri Lanka at the National Library of Australia Introduction Today the Martensz Collection is little remembered, though it is described briefly in that invaluable source on the National Library of Australia’s holdings, the Burmester guide (1). Its donation in 1955 was also covered in some detail in the Canberra Times (2). Presentation of the Collection On 2 June 1955 the High Commissioner for Ceylon (now Sri Lanka), Mr J. Aubrey Martensz, CBE, presented his personal collection of books about his homeland to the National Library (2). The island nation then called Ceylon is now known as Sri Lanka. For convenience the current name Sri Lanka has been used in this article, except for proper names and in book titles. The gift was formally accepted by the Speaker of the House of Representatives, Mr Archie Cameron, in his role as Chairman of the Library Committee. Those attending the ceremony in the Speaker’s Chambers of Parliament included the Prime Minister, Robert Menzies, the Minister for External Affairs, Richard Casey, and the National Librarian, Harold White. It is hard to imagine a book donation attracting a prime minister and other senior politicians nowadays. Life and career of J. Aubrey Martensz (2)(3) James Aubrey Martensz (1885-1963), was born into a Burgher family in Colombo, the island’s capital. The Burghers, a minority community of mixed Sri Lankan and Western heritage, generally have Portuguese, Dutch, British or other European surnames, the name Martensz being of Dutch origin. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel Permalink https://escholarship.org/uc/item/90b9h1rs Author Sriram, Pallavi Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Pallavi Sriram 2017 Copyright by Pallavi Sriram 2017 ABSTRACT OF DISSERTATION Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel by Pallavi Sriram Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor Janet M. O’Shea, Chair This dissertation presents a critical examination of dance and multiple movements across the Coromandel in a pivotal period: the long eighteenth century. On the eve of British colonialism, this period was one of profound political and economic shifts; new princely states and ruling elite defined themselves in the wake of Mughal expansion and decline, weakening Nayak states in the south, the emergence of several European trading companies as political stakeholders and a series of fiscal crises. In the midst of this rapidly changing landscape, new performance paradigms emerged defined by hybrid repertoires, focus on structure and contingent relationships to space and place – giving rise to what we understand today as classical south Indian dance. Far from stable or isolated tradition fixed in space and place, I argue that dance as choreographic ii practice, theorization and representation were central to the negotiation of changing geopolitics, urban milieus and individual mobility. -
Page 1 D E R I N D I S C H E K U L T U R K R E I S IN
DER INDISCHE KULTURKREIS IN EINZELDARSTELLUNGEN unter Mitwirkung von Helmuth von Glasenapp, Heinrich Stönner, Otto Hoever, Noto Soeroto, Willem Stutterheim und Fritz Trautz HERAUSGEGEBEN VON KARLDÖHRING * DER INDISCHE KULTURKREIS IN EINZELDARSTELLUNGEN HERAUSGEGEBEN VON KARL DÖHRING I 9 2 5 GEORG MÜLLER VERLAG MÜNCHEN RÄMA-LE GENDEN UND RÄMA-RELIEFS IN INDONESIEN FVtfdenN VON WILLEM STUTTERHEIM TEXTBAND GEORG MÜLLER VERLAG MÜNCHEN PEINTED IN GERMANY COPYRIGHT BY GEORG MÜLLER VERLAG MÜNCHEN INS DEUTSCHE ÜBERSETZT VON KARL UND HEDWIG DÖHRING MEINEN LIEBEN ELTERN VORWORT »Da jetzt eine würdige Monographie über das große buddhistische Heiligtum Javas, den Barabudur, erschienen ist, wird den Bewunderern hindu-javanischer Bildhauerkunst sicher nichts willkommener sein als ein Werk über die Räma-Reliefs von Prambanan mit sämtlichen Abbildungen und Erklärungen.« So schreibt Prof. Dr. J. Ph. Vogel in seiner Erklärung des ersten Reliefs der Räma-Serie von Tjandi Lara Djonggrang1. Kein besseres Argument kann es für die Herausgabe dieses Buches geben als diesen Aus spruch des bekannten Archäologen. Als ich meine Arbeit schrieb, hatte ich ständig oben stehende Worte vor Augen und als ich von meinen Plänen Mitteilung machte, erfuhr ich, daß auch andere so dachten. Die Herausgabe der alten Fotos über die Reliefs von Tjandi Parambanan - wie Lara Djonggrang genannt ward - durch den Arzt Dr. J. Groneman, begleitet von einem kurzen, jedoch meist nichtssagenden, oft sogar falschen Text, ist in der Tat äußerst mangelhaft. Seitdem ergaben die Untersuchungen von Brandes überdies, daß der Tjandi Lara Djonggrang von größerer Bedeutung ist, als man im allgemeinen an nehmen möchte. Selbstverständlich mußte eine erneute Ausgabe der Reliefs mehr bieten als ein Foto- Album mit erklärenden Anmerkungen. -
Gert Jan Bestebreurtje Rare Books Catalogue
GERT JAN BESTEBREURTJE RARE BOOKS CATALOGUE 215 - TRAVEL GERT JAN BESTEBREURTJE Rare Books Langendijk 8, 4132 AK Vianen The Netherlands Telephone +31-(0)347 - 322548 E-mail: [email protected] Visit our Web-page at http://www.gertjanbestebreurtje.com CATALOGUE 215 – TRAVEL Prices are quoted in euro, for clients within the European Community VAT will be added to the prices. Illustration on cover no 64 HAAFNER, Jacob. Reize naar Bengalen en terugreize naar Europa. Amsterdam, Johannes van der Hey, 1822. Wiert Adels, the master and boatswain of the Dutch ship De Bloeyende Blom 1 ADELS, Wiert. Wiert Adels. Stuurman op het Hollandsch kofschip De Bloeijende Blom, die zig van dezen bodem, na dat dezelve door de Franschen genomen, met veel bravoure meester gemaakt en den 5 Augustus te Hellevoet opgebracht heeft. (Middelburg), W.A. Keel, (1796). Half-length mezzotint portrait by Charles Howard Hodges after Jacobus Perkois. Ca. 26,5 x 21,5 cm. (Margins trimmed). € 275,00 Wiert Adels was steersman for the ship De Bloeyende Blom which was bringing grain from the Baltic port of Libau. A Duinkerk privateer seized his ship but after a few days he managed to recapture his ship and to seize the chief of the privateers and to throw him overboard. Thus he succeeded to bring his ship into Hellevoetsluis in 1794. This fine engraved portrait of a brave sailor was done by the mezzotint master Hodges (1764-1837) after a drawing by Perkois (1756-1804). Cf. Van Someren 227; Muller, Portetten, 17; Van der Feltz 626. Attack on the Jesuits’ attitude towards the Chinese rites 2 (ALEXANDRE, NOëL). -
Globalization and the Colonial Origins of the Great Divergence
Globalization and the Colonial Origins of the Great Divergence Pim de Zwart Cover image: Abraham Storck, The Island ‘Onrust’ near Batavia (1699). Cover design: Rick de Zwart, meneerdezwart.nl Printing: Ridderprint BV, www.ridderprint.nl 2 Globalization and the Colonial Origins of the Great Divergence Intercontinental Trade and Living Standards in the Dutch East India Company’s Commercial Empire, c. 1600-1800 Globalisering en de Koloniale Oorsprong van de Great Divergence : Intercontinentale Handel en Levensstandaarden in het Handelsimperium van de Verenigde Oost- Indische Compagnie, ca. 1600-1800 (met een samenvatting in het Nederlands) Proefschrift ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof. dr. G.J. van der Zwaan, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op vrijdag 17 april 2015 des middags te 2.30 uur door Pim de Zwart geboren op 30 augustus 1986 te Amstelveen 3 Promotoren: Prof. dr. J.L. van Zanden Prof. dr. A.F. Heerma van Voss Copromotor: Dr. E.J.V. van Nederveen Meerkerk Dit proefschrift werd mede mogelijk gemaakt door financiële steun van Fonds 21. 4 Acknowledgements ‘It is astonishing what foolish things one can temporarily believe if one thinks too long alone’ - John Maynard Keynes I could not have written this thesis without the advice, criticism and support of my colleagues, friends and family. Obviously, I am solely responsible if any foolish things have still found their way into this thesis. First and foremost, I am indebted to Jan Luiten van Zanden. Despite his busy schedule, his door was always open and he patiently answered all my questions (some were undoubtedly very foolish). -
The Absent Vedas
The Absent Vedas Will SWEETMAN University of Otago The Vedas were first described by a European author in a text dating from the 1580s, which was subsequently copied by other authors and appeared in transla- tion in most of the major European languages in the course of the seventeenth century. It was not, however, until the 1730s that copies of the Vedas were first obtained by Europeans, even though Jesuit missionaries had been collecting Indi- an religious texts since the 1540s. I argue that the delay owes as much to the rela- tive absence of the Vedas in India—and hence to the greater practical significance for missionaries of other genres of religious literature—as to reluctance on the part of Brahmin scholars to transmit their texts to Europeans. By the early eighteenth century, a strange dichotomy was apparent in European views of the Vedas. In Europe, on the one hand, the best-informed scholars believed the Vedas to be the most ancient and authoritative of Indian religious texts and to preserve a monotheistic but secret doctrine, quite at odds with the popular worship of multiple deities. The Brahmins kept the Vedas, and kept them from those outside their caste, especially foreigners. One or more of the Vedas was said to be lost—perhaps precisely the one that contained the most sublime ideas of divinity. By the 1720s scholars in Europe had begun calling for the Vedas to be translated so that this secret doctrine could be revealed, and from the royal library in Paris a search for the texts of the Vedas was launched. -
Indian Council for Cultural Relations (ICD Section) Indian Cultural Programmes 2012 April-March 2013 S.No. Name of the Programme
Indian Council for Cultural Relations (ICD Section) Indian Cultural Programmes 2012 April-March 2013 S.No. Name of the Programmes Style Date of Performance 1. Ms. Sonam Kalra Sufi Singer 12th April, 2012 2. Ms. Swaswati Sen Kathak 12th April, 2012 3. Dr. Ileana Citaristi Odissi (H) 13th April, 2012 4. Ms. Nibedita Mohapatra Odissi (Lec-dem) 17th April, 2012 5. Mr. Manish Sharma Jal Tarang (H) 20th April, 2012 6. Mr. Ustad Mazhar Ali Vocal 21st April, 2012 Khan,Ustad Jawaad Ali Khan & Hans Raj Hans 7. Matrix Creative group Bollywood Dhamaka 23rd April, 2012 8. Mr. Rajat Kapoor Theater 26th April, 2012 9. Ms. Aruna Vasude Buddist (H) 27th April, 2012 10. Ms. Pragati Sood Kathak Lec-dem 2nd May, 2012 11. Mr. Sudip Kr. Flute recital (H) 4th May, 2012 Chattopadayay, Kolkata 12. Ms. Sangeeta Sharma Theatre (H) 11th May, 2012 13. Ms. Kavita Divedi Lec dem 13th May, 2012 14. Ms. Sohaila Kapur Dance Theatre (H) 18th May, 2012 15. Ms. Anjana Jha Kathak (H) 25th May, 2012 16. Ms. Ashvari Majumdar Kathak (Lec. Dem) 30th May, 2012 17. Prof. Lovely Sharma Sitar Recital (H) Agra 1st June, 2012 18. Mr. Anil Bhatt Puppet Show (H) 8th June, 2012 19. Mrs. Rina Jana Odissi Dance (H) 15th June, 2012 Kolkata 20. Mr. Neel Ranjan Mukherjee Hawaiian Guitar (H) 22nd June, 2012 21. Dr. Janaki Rangarajan Bharatanatyam (H) 29th June, 2012 Chennai 22. Mr. Shekhar Sen from “Kabeer” Play 2nd July, 2012 Mumbai 23. Malhaar Festival-2012 1. Meeta Pandit Hindustani Vocal 8th July, 2012 2. Rama Vaidyanathan Bharatanatyam 8th July, 2012 3. -
Plants, Power and Knowledge: an Exploration of the Imperial
Plants, Power and Knowledge: An Exploration of the Imperial Networks and the Circuits of Botanical Knowledge and Medical Systems on the Western Coast of India Against the Backdrop of European Expansionism Author: Malavika Binny Stable URL: http://www.globalhistories.com/index.php/GHSJ/article/view/33 DOI: http://dx.doi.org/10.17169/GHSJ.2015.33 Source: Global Histories, Vol. 1, No. 1 (Dec. 2015), pp. 3–20 ISSN: 2366-780X Copyright © 2015 Malavika Binny License URL: https://creativecommons.org/licenses/by/4.0/ Publisher information: ‘Global Histories: A Student Journal’ is an open-access bi-annual journal founded in 2015 by students of the M.A. program Global History at Freie Universität Berlin and Humboldt-Universität zu Berlin. ‘Global Histories’ is published by an editorial board of Global History students in association with the Freie Universität Berlin. Freie Universität Berlin Global Histories: A Student Journal Friedrich-Meinecke-Institut Koserstraße 20 14195 Berlin Contact information: For more information, please consult our website www.globalhistories.com or contact the editor at: [email protected]. Plants, Power and Knowledge: An Exploration of the Imperial Networks and the Circuits of Botanical Knowledge and Medical Systems on the Western Coast of India Against the backdrop of European Expansionism MALAVIKA BINNY Malavika Binny was an Erasmus Mundus Fellow at the Leiden University when she attended the Global Histories Conference and submitted her article, but has since returned to India. Now at the Centre for Historical Studies, Jawaharlal Nehru University, New Delhi, she is conducting a PhD on the topic of Bodies, Power and Space in Premodern Kerala. -
Opening the Curiosity Box
Opening the curiosity box: Botanical images as sites of transformation for the scientific practices of annotation and display in the seventeenth and eighteenth centuries Karen Stewart Thesis presented in partial fulfilment of the requirement for the degree of Masters of Philosophy, Visual Arts (Illustration) at Stellenbosch University Supervisor: Professor Keith Dietrich MARCH 2007 Stellenbosch University https://scholar.sun.ac.za Declaration: I, the undersigned declare that the work contained in this thesis is my own original work and that I have not previously in its entirety or in part submitted it at any university for a degree. Stellenbosch University https://scholar.sun.ac.za Summary This thesis investigates the hidden narratives of South African botanical images made in the late seventeenth to eighteenth century. Plant collecting and image making was part of early modernist scientific practice of collection and display. These images are examined from postmodern perspectives that treat them as "texts" that validated colonial botanical agendas. Botanical art objectified "nature" enforcing it into a textual code that sanitised it and made it suitable for study by Eurocentric natural philosophers. The impact of particular scientific agendas about "nature" can be linked to the stereotyping and subjugation of both indigenous knowledge systems and women. This thesis considers the impact that the complex historical and socio-political situations of the seventeenth and eighteenth centuries had to bear on the discursive formations associated with the botanical sciences, of which botanical art forms an integral part. The process whereby indigenous knowledge was effectively written out of acceptable botanical practice (a trend that persists today) is evaluated. -
The Newsletter's First Editor
The Newsletter | No.50 | Spring 2009 4 The Fiftieth Issue The Newsletter’s fi rst editor Paul van der Velde is the founding father of The Newsletter. As editor-in-chief from 1993 to 1998 he produced 17 issues. He left IIAS at the end of 1998 to work at the University of Amsterdam until, at the beginning of 2006, he returned to IIAS as senior consultant. For this special 50th issue, we profi le the man and reveal what his plans in Asian studies are. MY BACKGROUND IS IN HISTORY AND SINOLOGY. After two years of studying sinology its inception (even though many scholars at the time my father died and I had to take over the running of his textile company. During that asked what the use of such an (electronic) newsletter was!) time I was still enrolled at the history department of Leiden University, and in those I still remember a trip Wim Stokhof and I made to the days it was relatively easy to combine studying with my business obligations. After Annual Meeting of the Association for Asian Studies (AAS) my BA in history, I went to Middleburg College in 1982 for an intensive Chinese in Washington in 1995. The only thing we took with us course, which was supervised by the sinologist Perry Link. I spent the latter part was 1500 newsletters and a huge pile of bags with the of 1984 and 1985 in Taipei at Taida University, studying Chinese and Art history, IIAS logo on them. By the end of the meeting all the bags and specifi cally temple sculpture. -
Sept17 Cal Box.Cdr
Dear Member, September arrives with tremendous promise marked by standalone Quality Street Sat Bhashe Raidas initiatives designed to transform your urban experience! (English/60mins) (Hindi/95mins) Habitat Film Club Notably, IHC, in collaboration with the Ministry of Youth Affairs & Dir. Rasika Agashe Presents A solo directed & performed Sports, begins the Khelo India Series, a quarterly lecture series Writ. Rajesh Kumar A Festival of Iranian Cinema featuring sports icons who will discuss their vision and share life by Maya Krishna Rao Prod. Being Association Collab. Iran Culture House, New Delhi based on a short story by experiences. A platform that aims to nurture sports culture in the 3 Sept 7:00pm|Bodyguard (Persian/2016/95mins) Dir. Ebrahim country and generate valuable insights on sports policy, infrastructure Chimamanda Adichie Hatamikia and opportunities, the maiden lecture on 4 Sept will be delivered by 4 Sept 7:00pm | Sweet Taste of Imagination (Persian/2014/90mins) 22 Sept | 7:00pm Pullela Gopichand, Chief National Coach of the Indian Badminton 9 Sept | 7:30pm Dir. Kamal Tabrezi The Amphitheatre, IHC Team. It is only apt that his lecture falls on the eve of Teacher's Day The Stein Auditorium 5 Sept 7:00pm | Crazy Castle (Persian/2015/115mins) Dir. Abdolhasan Davoodi celebrated across the country in honour of the enduring interventions of For 10 years & above the teaching community. Tickets at Rs.500, Rs.350 & Rs.200 11 Sept 7:00pm | Where are My Shoes (Persian/2016/90mins) Tickets at Rs.300 from 1 Sept. for IHC members Dir. Kioumars Pourahmad available at the Programmes Desk IHC will collaborate with Research and Information System for & open to all from 4 Sept.