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Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
Friday, July 30, 2010 9:57:00 AM Update
July 30 - August 1, 2010 Baltimore Convention Center Baltimore, Maryland, USA Close This Window Back to main site SHOW ALL DAYS Friday, July 30, 2010 Saturday, July 31, 2010 Sunday, August 1, 2010 Filter by Track/Location: Show ALL Tracks/Locations | Clear All Filters Friday, July 30, 2010 9:57:00 AM 8:00 AM 9:00 AM 10:00 AM 11:00 AM 12:00 PM 1:00 PM 2:00 PM 3:00 PM 4:00 PM 5:00 PM 6:00 PM 7:00 PM 8:00 PM 9:00 PM 10:00 PM 11:00 PM 12:00 AM 1:00 AM 2:00 AM Main Events Concert - Yoshid... Arena Masquerade Registration Video 1 Ah My Buddha La Corda D'Oro P... AMV Overflow Eureka 7: Good Night, Sleep Tigh... AMV Contest Skullman 1-6 Vampire Girl vs. Frankenstein Gi... Urotsukidoji: Legend of the Over... Video 2 Sands of Destruction Gakuen Alice Ikkitousen: Dragon Destiny 1-2 Bamboo Blade 1-4 [S] Utawarerumono 1-... Murder Princess 1-6 [S] Master of Martial Hearts 1-5 [18+] Junjo Romantica Season 1 DVD Col... Cleavage [18+] Video 3 Otaku no Video [S] Yawara! 15-21 [S] Galaxy Express 999 TV 5-8 Masked Rider: The First [S] Dairugger XV 1-6 [S] Cyborg 009: Monster Wars Dragon Ball 53-58 [S] Video 4 Afghan Star [L] Taxi Hunter [L] V3 Samseng Jalanan [L] Paku Kuntilanak... The Kid With the Golden... Power Kids [L] Seven Days [L] Hard Revenge Milly: Bloody Battle Ac... Art of the Devil 3 [L][1.. -
Db:Scanner (Band)"Stephan O'mallie"@En"Maurycy "Mauser" Stefanowicz"@En "Wildeþrýð"@En Db:Nihilist (Band) "Dave Edwards"@En "Ashish Kumar"@Endb:Krieg (Band) "W.D
db:Amalie_Bruun "Dominik Immler"@en "Frater D."@en * Gunnar* Egill Þór* Birkir* Hafþór* Næturfrost "Simon O'Laoghaire"@en db:Kimmo_Heikkinen "Uri Zelcha"@en db:1349_(band) db:Dan-Ola_Persson "Itzik Levy"@en db:The_Kovenant "Zorugelion"@en "Derek MacAmhlaigh"@en db:Lord_Morbivod db:Zonata "Goran Paleka"@en "Johan Elving"@en "Damir Adžić"@en "Ines Tančeva"@en db:Alan_Averill "Elvorn"@en "Enrique Zúñiga Gomez"@en "Nick Oakes"@en db:Marcela_Bovio "Frank Calleja"@en "Miroslav Branković"@en "Maxime Aneca - Guitar"@en "*Lex Icon*Pzy-Clone*Hellhammer*Angel*Sverd"@en db:Alejandro_Mill%C3%A1n Ines Tan?eva "Cremator , Fermentor"@en Alejandro Díaz "MasterMike"@en "Maria "Tristessa" Kolokouri"@en "Martijn Peters"@en "Ivan Vasić"@en "Filip Letinić"@en "Eduardo Falaschi"@en A. db:Viathyn Bart Teetaert - Vocals "Lior Mizrachi"@en "Nikola Mijić"@en "Loke Svarteld"@en "Koen De Croo - Bass"@en "Chris Brincat"@en "Duke"@en db:The_Kovenant "Demian Tiguez"@en "*Tomislav Crnkovic*Dave Crnkovic*Jacob Wright*Alex Kot"@en "Fermentor Cremator , Fermentor"@en db:Lori_Linstruth Ivan Kutija "César Talarico"@en "Eden Rabin"@en db:Alex_Losbäck "Artyom"@en "Sami Bachar"@en "Marchozelos"@en "Morten"@en "* Wagner Lamounier* Roberto Raffan* Jairo Guedz* Max Cavalera* Igor Cavalera* Jean Dolabella"@en Lazar Zec - Guitar "Dave Hampton"@en "Wellu Koskinen"@en "VnoM"@en db:Sabbat_(Japanese_band) "* Christofer Johnsson* Thomas Vikström* Johan Koleberg* Nalle "Grizzly" Påhlsson* Christian Vidal* Lori Lewis"@en db:Arjen_Anthony_Lucassen "Mića Kovačević"@en "Roberto Raffan"@en db:Memnock db:Henrik_Carlsson db:Throllmas "Lazar Zec - Guitar"@en "Chris Calavrias"@enEric Hazebroek "Mathias"* PauloSchlegl"@en Jr.* Andreas Kisser* Derrick Green* Eloy Casagrande"@en"Yatziv Caspi"@en "Erkki Silvennoinen"@en "Gaahnt, Nattulv, Bahznar, Dermorh"@en "Marco Cecconi"@en Antti Kilpi "Gezol"@en Koen De Croo - Bass Elizabeth Toriser "Ze'ev Tananboim"@en db:Jukka_Kolehmainen J. -
Data Collection Report
Edmonton Japanese Community Association History Project – Data Collection Report Edmonton Picnic 1949 June 30, 2014 1 Publisher: Edmonton Japanese Community Association (EJCA) - History Project Phase 1 and Phase 2 Committees Date: June 30, 2014 Contact Address: EJCA, c/o EJCA/Argyll Community Centre, 6750 - 88 Street, Edmonton, Alberta, Canada T6E 5H6, E-mail: [email protected] Committee members: Phase 1 - Rick Hirata (Chair), Cathy Tennant, David Sulz, Jim Hoyano, Sanae Ohki Phase 2 – Cathy Tennant (Chair), Daiyo Sawada, David Sulz, Jim Hoyano, Sanae Ohki Editor: Sanae Ohki Copyright: Edmonton Japanese Community Association and/or individual creators of various sections. All rights reserved. No part of this book may be reproduced in any form whatsoever without prior written permission from the EJCA or individual section creators except in the case of brief quotations or insubstantial portions which must be properly credited. Important note: Due to the nature of historical data collection, there are undoubtedly many gaps, missing information, and the accuracy of some facts may be disputed. The committee members and interviewees disclaim any responsibility for errors, omissions and incomplete information but are pleased to receive corrections, suggestions, additions, etc. that may be used (or not) at the committee's discretion. Any additional information or historical sources received after June 2014 will be added to a separate document called Edmonton Japanese Community Association History Project Data Collection Report Addendum. Each time -
TRANSCULTURAL SPACES in SUBCULTURE: an Examination of Multicultural Dynamics in the Japanese Visual Kei Movement
TRANSCULTURAL SPACES IN SUBCULTURE: An examination of multicultural dynamics in the Japanese visual kei movement Hayley Maxime Bhola 5615A031-9 January 10, 2017 A master’s thesis submitted to the Graduate School of International Culture and Communication Studies Waseda University in partial fulfillment of the requirements for the degree of Master of Arts TRANSCULTURAL SPACES IN SUBCULTURE 2 Abstract of the Dissertation The purpose of this dissertation was to examine Japanese visual kei subculture through the theoretical lens of transculturation. Visual kei (ヴィジュアル系) is a music based subculture that formed in the late 1980’s in Japan with bands like X Japan, COLOR and Glay. Bands are recognized by their flamboyant (often androgynous appearances) as well as their theatrical per- formances. Transculturation is a term originally coined by ethnographer Fernando Ortiz in re- sponse to the cultural exchange that took place during the era of colonization in Cuba. It de- scribes the process of cultural exchange in a way that implies mutual action and a more even dis- tribution of power and control over the process itself. This thesis looked at transculturation as it relates to visual kei in two main parts. The first was expositional: looking at visual kei and the musicians that fall under the genre as a product of transculturation between Japanese and non- Japanese culture. The second part was an effort to label visual kei as a transcultural space that is able to continue the process of transculturation by fostering cultural exchange and development among members within the subculture in Japan. Chapter 1 gave a brief overview of the thesis and explains the motivation behind conduct- ing the research. -
The Rise of J-Pop in Asia and Its Impact
COVER STORY • 7 The Rise of J-Pop in Asia and Its Impact By Ng Wai-ming APANESE pop music is commonly music, but also their images. They are bases to make Asian editions of J-pop Jreferred to as “J-pop,” a term coined mostly handsome young boys and cute albums for the Asian market. by Komuro Tetsuya, the “father of J- and pretty young girls who know how to Compared to Japanese editions, Asian pop,” in the early 1990s. The meaning sing, dance, talk, act and dress. Many J- editions are more user-friendly and of J-pop has never been clear. It was pop fans in Asia enjoy music videos affordable. They usually come with the first limited to Euro-beat, the kind of (MVs) as much as CDs. Due to physical Chinese translation of the lyrics. These dance music that Komuro produced. and cultural proximities, Asian youths Asian editions are much cheaper (about However, it was later also applied to feel close to Japanese idols. Unlike 50% less) than the Japanese originals many other kinds of popular music in Western idols who are too out of this and are only permitted to circulate in the Japanese music chart, Oricon, world to Asians, J-pop idols adopt a Asia outside of Japan. They have a wide including idol-pop, rhythm and blues down-to-earth approach and present circulation in Asia. For example, in (R&B), folk, soft rock, easy listening and themselves like the people next door. 2000, the Asian edition of Kiroro’s sometimes even hip hop. -
Karaoken Presenteras Av Sveriges J-Rock-Förening
Karaoken presenteras av Sveriges J-rock-förening Karaokelista – Innehåll s. 3 Animé & Live Action s. 20 J-rock s. 26 J-pop s. 31 Spel & VN s. 33 Parodier & Fanlåtar s. 37 Vocaloid s. 39 Koreanskt & Kinesiskt s. 44 Västerländskt s. 51 Film & TV s. 54 Musikal & Opera Scanna QR-koden – få karaokelistan digitalt! Listan senast uppdaterad 2021-06-10 Karaoken presenteras av I samarbete med Hikari-kai, Sveriges J-rock-förening Raison d’être Pecena Piperka och Feed Me Kpop Den här är rejäl Jag minns inte exakt när det var jag tog över karaokelistan och databasen. När det var jag som började vara ansvarig för uppdateringarna. Det allra tidigaste beviset jag kan finna på en lista som det med hundraprocentig säkerhet var jag som stod för är från december 2014. Så jag har inte riktigt gjort det i ett decennium än. Men jag är rätt säker på att det här är den absolut största uppdateringen jag har gjort. I alla fall är det, utan minsta tvivel, den största uppdateringen på så här kort tid, eftersom det inte ens var två månader sedan den förra listan. Vi hade nämligen förra månaden ett litet event. En karaokemakartävling som löpte över fyra veckor. Summa summarum: Över hundra nya låtar i listan. Plus ett gäng uppdaterade versioner av sånt vi redan hade. Själv har jag se’n sist i princip bara gjort One Piece och Nichijou-låtar, så där finns det diverse nytt att hämta. Högst takt höll Nea, som dessutom fokuserade mycket på nyare populära serier. Så häri kan ni numera hitta musik från Tensei Shitara Slime Datta Ken, Re:Zero kara Hajimeru Isekai Seikatsu, Dr. -
Music Career Starts Here
PROSPECTUS 2019/20 YOUR MUSIC CAREER STARTS HERE BIMM-INSTITUTE.DE/BERLIN LONDON BERLIN HAMBURG DUBLIN BIRMINGHAM MANCHESTER BRISTOL BRIGHTON DEAR APPLICANT, As the College Principal for BIMM Berlin, and if you’re passionate about a life in I know how important it is to choose the music, I can think of nowhere more suitable right place to study, and to start your for you than BIMM – Europe’s leading education and career off on the right path. provider of contemporary music education. Like many of you, I knew I wanted my Berlin is an incredible, multifaceted city with life to be in music, but it was only when many subtleties and scenes, and our college my Mum suggested I think about doing reflects this in the multinational student THE SECRET TO SUCCESS a degree in it that this dream started to cohort and the great range of talent and become a reality. As I look back on this experience represented in our tutor team. time, all of my friends were going to The music scene here is one of the most university and I had my mind set on doing renowned in the world, and for many of our IS NO SECRET English – because I was good at it… and staff – those of us who moved here from I’d never formally studied music. What the UK or those that have been settled here I realised was that when choosing what for years – the city continues to enthral and you want to do for the rest of your life, captivate us. -
Visual Kei Tra Estetica, Gender, Fandom E Società
Corso di Laurea magistrale ( ordinamento ex D.M. 270/2004 ) in Lingue e civiltà dell'Asia e dell'Africa Mediterranea Tesi di Laurea Il visual kei tra estetica, gender, fandom e società. Relatore Prof.ssa Paola Scrolavezza Correlatore Prof. Pierantonio Zanotti Laureando Stefania Viol Matricola 818838 Anno Accademico 2012 / 2013 INDICE ヴィジュアル系 ― 美学、ジェンダー、ファン層と社会……… 5 INTRODUZIONE ………………………………………………………… 8 1. COS 'È IL VISUAL KEI ?.......................................................................... 13 1.1 IL TERMINE ………………………………………………………………… 13 1.2 LE CARATTERISTICHE ……………………………………………………… 16 2. NASCITA E SVILUPPO DEL VISUAL KEI ………………………………. 26 2.1 LE ORIGINI …………………………………………………………………. 26 2.1.1 Il sound………………………………………………………………. 27 2.1.2 L’estetica……………………………………………………………... 29 2.1.2.1 Correnti occidentali……………………………………… 30 2.1.2.1.1 Glam rock…………………………………. 30 2.1.2.1.2 Heavy metal……………………………….. 34 2.1.2.1.3 Punk……………………………………….. 38 2.1.2.2 l’influenza estetica della cultura giapponese……………. 39 2.1.2.2.1 Il teatro kabuki e Takarazuka……………… 40 2.1.2.2.2 Lo sh ōjo manga …………………………… 44 2.1.2.2.3 Lo heavy metal giapponese………………... 47 2.1.3 Lo spirito che anima il visual kei ……………………………………... 49 2.2 DA FENOMENO UNDERGROUND A BOOM : LO SVILUPPO DEL VISUAL KEI …. 51 2.2.1 Il boom degli anni Novanta…………………………………………… 52 2 2.2.2 Una fase di transizione: il ritorno all'underground................................ 61 2.2.3 La ribalta del visual kei : il neo visual kei .............................................. 63 2.2.3.1 Le caratteristiche delle band neo visual kei ........................ 66 2.2.3.2 L'espansione verso l'estero.................................................. 76 2.2.3.2.1 Il visual kei in America................................. -
Indie Visual Kei“
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master‘s Thesis „Metal, Make-Up und High-Heels – Japanische Hardcore Fans und indie visual kei“ verfasst von / submitted by Lisa-Maria Maierhofer BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2016 / Vienna 2016 Studienkennzahl lt. Studienblatt / A 066 843 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Masterstudium Japanologie degree programme as it appears on the student record sheet: Betreut von / Supervisor: ao. Univ.-Prof. Dr. Ingrid Getreuer-Kargl Vorwort An dieser Stelle möchte ich all jenen Dank aussprechen, ohne die diese Arbeit nie zustande gekommen wäre. Allen voran danke ich meinen Eltern, die mich, seit ich 15 Jahre alt war, mit Freunden nach Deutschland auf Konzerte fahren ließen und mich immer unterstützt haben. Selbst als ich nicht wie geplant nach der Matura Humanmedizin gemacht, sondern mich für ein Stuidum der Japanologie entschieden habe. Ich danke auch all den Freunden und Bekanntschaften, die ich im Laufe all dieser Jahre in Österreich, Deutschland und Japan auf Konzerten und während meines Studiums kennenlernen durfte. Besonderer Dank gilt auch Murai Chieko, der Managerin der Konzerthalle OSAKA MUSE, und ihren MitarbeiterInnen, die mir später im Zuge meiner Forschung meine Interviewpartner vermittelt haben. Natürlich bedanke ich mich auch bei meinen Interviewpartnern, die mir einen sehr tiefen Einblick in die japanische Szene verschafften. Ich danke meinem Betreuer Katō Hitoshi, der mir während meines zweiten Japanaufenthaltes an der Universität Ōsaka zur Seite stand, meine Forschung vorangetrieben hat und mir bei der Transkription meiner Interviews geholfen hat. -
Japan Expo in Paris
COVER STORY JAPAN EXPO in PARIS The 12th Japan Expo was held in Paris between June 30 and TJuly 3. This expo introducing Japanese popular culture drew a record crowd of 200,000 people, attracted by various events such as cosplay, karaoke concerts, video game tourna- ments, and more than 150 dojinshi (self-published maga- zine) stands. One event that drew a particu- larly big response was a fashion show featuring Naoto Hirooka, the charismatic designer of the h.NAOTO fashion label, who was invited from Japan as a guest of honor. The venue was packed with about 2,000 Parisians, mostly in their teens, who were thrilled by the “permanent item” collection, which featured twenty- three pieces, including several new works, in the three themes of Punk, Gothic and Lolita. “I’ve done shows in LA and Baltimore in the United States, Naoto Hirooka alongside a mannequin wearing clothes in the punk-style line but this is my first show in Eu- he made for his fashion show at the Japan Expo in Paris. rope. It has been a real honor. YOSHIFUSA HASHIZUME Unlike Japan, where people can Highlighting Japan AUGUST 2011 Highlighting Japan AUGUST 2011 6 7 French youths in cosplay outfits attend the Japan Expo in Paris, June 30. AP/AFLO buy my clothes like it’s no big deal, the energy from asked Hirooka to make her outfit for the 2004 people wanting to get hold of my clothes was really Grammy Awards. something else. It was an electrifying experience.” Yoshiki and Sugizo of the popular Japanese rock The h.NAOTO label started out with Punk fashion band X Japan, who attended a chat show at the designs in 2000, but soon fused the Gothic and Lolita Japan Expo a day before their concert in Paris, wore fashion styles to produce the GothLoli style, which h.NAOTO clothes at their concert. -
Japanese Americans in New Mexico
Last Name First Name Middle Name meansDate money of Birth held atPlace Lordsburg. of Birth I.S.N. Location Date Arrested Occupation Alien Family Location Name of Next of Kin Relationship Address of next of Interned at Santa Dorm # Date File # Transferred from Comments Interned at Lordsburg Barrack Interned at Fort File # Type of Transfer Arrested/INS District Registration # kin, Fe Stanton (Born outside US) Abe Arakichi 4/17/1896 Ono, Fukuoka, Japan 24-4-J-47 CA/ Fort Missoula, MT Florist 2186502 Shikakichi Abe Father Ono, Fukuoka, Japan 6/30/1943 2/29/1944 PRISONER ROSTERS FOR CONFINEMENT SITES IN THE LAND OF ENCHANTMENT: Easy Abe Ezumi 2/21/1923 San Fernando, CA WRA Tule Lake, Giichi Abe Father 3/6/1946, JAPANESE AMERICANS IN NEW MEXICO CA renounced DURING WORLD WAR II citizenship Abe Frank Tomoo 2/17/1923 Portland, OR Asataro Abe Father Okayama-shi, yes, renounced Funded in part by National Japanese Okayama-ken, Japan citizenship American Citizens League – Legacy Fund Grant Abe Keiju 11/24/1891 Highashi-Koza, 5967218 Yone Abe Highashi-Koza, Fukushima, Japan Fukushima, Japan Information Resources provided Abe Kingo 5/28/1895 Okayama, Okayama, 20 W. 56th ST., New Cook 5344037 Juratsu Abe Okayama, Okayama, Ft. Meade, MD 12/11/1942 by National Archives & Records Japan York, NY Japan Administration thru Nicklason Research Abe Kogeo 3/10/1878 Japan CA Teacher Toho Ase Hiland, CA Lordsburg, NM Associates Mollie Pressler, Lordsburg Abe Kokichi 47 yrs old Onomura, Kasuga, Santa Barbara, CA Florist 7 Hidalgo County Museum, Gail Okawa, Fukuoka, Japan University of Hawaii Abe Manki 7/23/1884 Nakayama-mura, 25-4-J-1 Rt.