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$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) 88XNCCVR ******* 3 -DIGIT 908 190807GEE374EM0021 BLBD 591 001 032198 2 126 1194 33740Y ELM EAVEYAPT A LONG BEACH CA 90807 Bottle Rockets Are Primed To Ignite With New Atlantic Set 1\10/ \MI II PAGE 9 AUGUST 2, 1997 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT ADVERTISEMENTS BMG Rings Up Strong Results 171ir1c. I Ilfl'l' 1uU'l'. I.)111' IIIICPUIIhUI7P. Mechanicals Pact Set On A Wide Variety Of Fronts U.S. Deal Looks To Digital Future Bulletin, July 22). BY DON JEFFREY $2.4 billion for the fiscal year ending BY IRV LICHTMAN ations (Billboard Music Publishers' Wednriuc June 30, while profit increased 24 %. At the National revenue was NEW YORK-While the new 10- Assn. (NMPA) annual gathering, 11uU1' I Could Niu Luec lml Moir NEW YORK -At a time when some BMG North America's music manufactur- $1.7 billion, and its year mechanical royalty agreement held July 21 in New York, presi- ers are reporting profit doubled. Pri- recently reached between U.S. mu- dent/CEO Ed Murphy said that a sluggish results, vately held parent sic publishers written agreement "reflecting the l all ISINI-R(N,;li jnple U3141 !i,l Bertelsmann does and record labels parties' understanding is now being y ltllp:'uxx.ladFdnerunvjn,ldnr BMG Entertain- ment turned in not disclose profits. addresses many prepared and will be submitted to the for review." an impressive per- Total music rev- of the same is- U.S. Copyright Office enue was about $4.2 sues included in nm More good news came at the formance in the billion last year. the current pact, pa NMPA meeting, where a relatively past year, with DORNEMANN music revenue ris- In a prepared it also promises upbeat global music publishing revealed (see ing nearly 5% to a statement released to tackle new is- financial picture was record $4.4 billion. July 21, BMG sues such as digital distribution as story, page 94). And the compa- Entertainment the industry moves into the next mil- The current mechanical rate ny's domestic and chairman /CEO lennium. expires Dec. 31, ending a decade -old international units, Michael Dorne- U.S. music publishers and record rate structure, keyed at two -year as well as many of mann said, "BMG's companies settled on the new intervals to the Consumer Price endorsed by the its labels and oper- ZELNICK GASSNER performance over mechanical royalty agreement for Index (CPI) and ating companies, the past 10 years the 10 -year period beginning Jan. 1, now -defunct U.S. Copyright Royal - (Continued on page 94) 01997 hit. Ldl. WM. posted significantly higher profits than speaks for itself, and I'm confident that 1998, after several months of negoti- m6ulu rd and Markub hr:1\M .lssorialyd Lid, . on page 93) diisüin or:1AM RrWrrd Inr.. a PolvGram runtya, in the previous year. (Continued 111 Itirhl Ilr.rr. BMG International had revenue of Dance Industry Mulls PolyGram Music Sales Up 9(4 In First Half ... See Page 6 RCA Expects Jai To Fill Mkt. Progress, Challenges ...fea oing BY CHUCK TAYLOR Disney Plans To Raise Niche With His Soulful Sound CHICAGO -The dance music indus- Biz Its Profile In Music BY PAUL SEXTON of its output with BMG. Jai was try has found its rhythm. BY CRAIG ROSEN signed to M &G, which has a roster of head LONDON -As the search for the about half a dozen U.K. acts, by Billboard Fourth finoual LOS ANGELES -Despite its lack of next heavy- hitting pop singer /song- of A&R Jack Steven. Records, the writer continues, RCA is looking In the U.S., Jai is slated to have his success with Hollywood .,,.........., west. debut album, "Heaven," To the west of England, at released Oct. 14, to be pre- Gi.ftCRYL2Ui5 rate, and Yeovil, to be ceded by the single "I The Company. any ()ALTirfo precise. It's a town best Believe," which has a known in rock circles as the planned multi- format At the fourth annual Billboard Dance home of Polly Jean Harvey impact date of Aug. 18. The Music Summit, held July 16 -18 here, Walt Disney Co. is committed to and also the birthplace of evocative single glides into 500 clubland heavyweights heralded becoming a major player in the music Jai, a 23- year -old vocalist action with a wash of guitar the unity of the community with (Continued on page 93) and writer on whom the that briefly recalls vintage (Continued on page 90) label is pinning big hopes. Peter Green before Jai's Jai is already two singles JAI breathy vocal takes over. usic for_!Ie.sure into his career in the U.K., Here and on other tracks, NATIV te where he is signed to Wired Record- like "I Need Love," his gossamer lead includes th ings, owned by the independent M &G recalls the style of another respect- AMERICEAN "What Do Want From Me M &G ed, emerging British vocalist, Virgin http://www.polydor.com/polydor Records, and published by MUSIC Music. Outside the U.K., M &G has a signing David McAlmont. t Manufactured GE%PEL 997 Palydar Ltd (UK). A BILLBOARD SPOTLIGHT 07Jdur rd Marketed by A&M Associated Laheis. ItII.I,RIIAICII tiI'11'i'I,I6II'l' on page 91) 4LAW Rec rds. Inc.. a worldwide distribution deal for most (Continued rights reserved. ßtÌ SEE PAGE 45 SEE PAGE 17 IN THE NEWS Germany's PopKomm To Draw Top Gov't Execs PAGE 6 $5.95 US $6.95 CANADA 31 > i i or email: jsomersteinä billboard.com CALL NOW ! NY: 212-536-5261 London: 44-171-323 -6686 0 4808 02 52 7 ADVERTISEMENT www.americanradiohistory.com A a L L y a h- doubly platinum album ALL- 4-one - platinum album, double platinum album, platinum single, 2 gold singles Brandy - quadruple " urr 'bum, platinum single, 2 gold singles Chang Lng Face - cld album, platinum single H L g h school. H L g h- Soundtrack, gold album u n L o r M . A. F. I. A.- gcld album, platinum single L L L' K L m- platinum album, gold single Mark Morr,.Son - platinum single Quad c L t y D A S- plathum slbum, platinum single Space dam - Soundtrack 6X platinum worldwide watch for new albums from: AnLta oaker / Grandy / oJ Pooh , Fat doe / CLL.' cease Magoo & TLmbaland / RBL Posse / TwLsta /body watLey / Gebe wLnans Q©U^A!DIFRwA UNDEAS 1®, RECORDING B¡ ri' Tái v ENtersiAIneN,N()(T(IVw1i Ttül' THE ATLANTIC GROUP 01997 A-/antic Re-orc.na Ccro. A Time Warner Company. www.americanradiohistory.com No. I IN BILLBOARD N. VOLUME 109 NO. 31 M2 REINVENTS THE ART OF MUSIC TV content, and seen how rejuvenating M2 can be for new projects, I'd be willing to bet THE BILLBOARD 200 98 In a finite world of familiar vehicles, conventional by invent- it'll have a similar effect on various acts' catalog sales." * MEN IN BLACK - THE ALBUM SOUNDTRACK COWMBIA exhausted capacity, the provident mind creates a new future ing an empty vessel. M2: Music Television, the 24 -hour free -form musi- "We certainly hope to," confirms Fulmer, who cites the Pretenders' on seldom -seen 1986 "Don't Get Me Wrong" clip as a vintage video recent- BLUES 39 cal channel launched by MTV will celebrate its first anniversary * UE TO LIE JONNY LANG 6 Friday (1), and even before it has secured a major cable agreement, ly added simply for its "great beat" and "narrative quality." the largely satellite -distributed enterprise is arguably the best thing Indeed, the "art-form aspects" of video are not shrugged off at M2, CONTEMPORARY CHRISTIAN 43 to happen to popular music since the advent of the music video. Why? where whole blocs of programming are devoted to directors who've * SHADES OF GRACE BOB CARLISLE DIADEM Because its central premise is that there shouldn't be one. earned the staff's admiration. M2 recently scheduled and then repeat- "The format is no format," says M2 director of music programming ed a one -hour homage to the surreal beauty of music clips by French COUNTRY 38 Darcy Sanders Fulmer with a gleeful laugh. "Today's playlist may director Michel Gondry, including those he devised for Bjork's "Human * EVERYWHERE TIM MCGRAW CURL make complete sense, and tomorrow's programming day could seem to Behavior," Daft Punk's "Around The World," Sheryl Crow's "A Change way, it's deliberate." Would Do You Good," Foo Fighters' "Everlong," Cibo Matto's "Sugar GOSPEL 44 make no sense at all-but either * GOD'S PROPERTY Fulmer, a former music director (1992 -94) at KROQ Los Angeles Water," Lucas' "Lucas With The Lid Off," Massive Attack's "Protec- FROM FRANKLIN'S NU NATION IA IL GOD'S PROPERTY KIRK and programming director (1994 -96) at VH1, explains that M2 was tion," Lenny Kravitz's "Believe," Terence Trent D'Arby's "She Kissed music -based radio or TV Me," and the 1995 "Stripped" rendition of the Rolling Stones' "Like A HEATSEEKERS 16 designed from the onset to be "unlike any * ROBYN IS HERE ROBYN <r station you've ever heard or seen. When we started last summer, we Rolling Stone." went through the MTV library and picked over 100 videos that were "We also think up these crazy themes," notes Fulmer, "like a Blur vs. KID AUDIO 72 underexposed, extremely cool either visually or musically, or had never Oasis hour, or this upcoming sequence of videos with scenes about danc- * HERCULES READ -ALONG WALT DISNEY seemed to fit elsewhere.
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    1 NINE 7 DAYS OF LONELY 10,000 MANIACS MORE THAN THIS 10,000 MANIACS BECAUSE THE NIGHT 10,000 MANIACS TROUBLE ME 10,000 MANIACS THESE ARE THE DAYS 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 10CC 10CC 10CC I'M NOT IN LOVE 10CC THE THINGS WE DO FOR LOVE 112 IT'S OVER NOW 112 YOU ALREADY KNOW 112 ONLY YOU 112 DANCE WITH ME 112 CUPID 112 COME SEE ME 112 PEACHES AND CREAM 112 AND LUDACRIS HOT AND WET 112 AND SUPER CAT NA NA NA 12 GAUGE DUNKIE BUTT 1910 FRUIT GUM CO. 1, 2, 3, REDLIGHT 2 CHAINZ AND DRAKE NO LIE 2 CHAINZ AND KENDRICK LAMAR ASAP ROCKY DRAKEFUCKING PROBLEMS 2 LIVE CREW DO WAH DIDDY 2 LIVE CREW ME SO HORNY 2 LIVE CREW WE WANT SOME PUSSY! 2 PAC DEAR MAMA 2 PAC CHANGES 2 PAC THUGZ MANSION 2 PAC HOW DO YOU WANT IT 2 PAC CALIFORNIA LOVE 20 FINGERS SHORT DICK MAN 3 OH 3 AND KATY PERRY STARSTRUKK 30 SECONDS TO MARS THE KILL 311 CREATURES (FOR A WHILE) 311 AMBER 311 YOU WOULDN'T BELIEVE 311 ALL MIXED UP 311 DON'T TREAD ON ME 311 DOWN 311 LOVE SONG 38 SPECIAL CAUGHT UP IN YOU 38 SPECIAL WILD EYED SOUTHERN BOYS 38 SPECIAL ROCKIN' ONTO THE NIGHT 38 SPECIAL HOLD ON LOOSELY 38 SPECIAL IF I'D BEEN THE ONE 3OH3 DON'T TRUST ME 3RD STRIKE NO LIGHT 3T ANYTHING 3T TEASE ME 4 P.M. SUKIYAKI 4 P.M. LAY DOWN YOUR LOVE 4 RUNNER CAIN'S BLOOD 4 RUNNER THAT WAS HIM 5 STAIRSTEPS OOH CHILD 50 CENT HUSTLER'S AMBITION 50 CENT CANDY SHOP 50 CENT PIGGY BANK 50 CENT WHAT UP GANGSTA 50 CENT BEST FRIEND 50 CENT PIMP 50 CENT WANKSTA 50 CENT DISCO INFERNO 50 CENT IN DA CLUB 50 CENT AND EMINEM PATIENTLY WAITING 50 CENT AND MOBB DEEP OUTTA CONTROL 50 CENT AND NATE
  • Engineer Jim Scott

    Engineer Jim Scott

    Engineer Jim Scott BUILDING SUCCESS THE OLD-FASHIONED WAY By Mr. Bonzai Engineer Jim Scott may be one of the best examples of a what I wanted to do.” disappearing breed. He started his career in the analog At that point, Scott began pursuing his dream. days as a gofer at Los Angeles’ Record Plant and worked “I had a friend who worked at the Record Plant re- his way up through the traditional tiers from janitor to cording studio as a temporary bookkeeper and she assistant engineer, and eventually “super-assistant.” His said that kids come in and intern, and they learn first gig as a fledgling solo engineer was for Sting’s The how to engineer, record, and make records. I was Dream of the Blue Turtles, an album that earned him a 28 years old, and was hired to be a gofer—with a Grammy nomination for Best Engineered Album. Over college degree and six years as a professional ge- the past 25 years, Scott has distinguished himself with ologist. Then I became the nighttime guy who stunning work for the likes of the Red Hot Chili Peppers, answered the phone. Then I moved up to being a Wilco, Johnny Cash, Lucinda Williams, Tom Petty, and janitor, and along the way I was actually trained to the Rolling Stones. Along the way he has continued to do what you need to do in a recording studio.” work with debut artists and has earned a worldwide fan Scott’s training at the Record Plant paved the club for his direct approach to making records.