DOCSLIB.ORG

27 June 07 July

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
27 June 07 July 27 JUNE TO 07 JULY TWENTY NINETEEN Recommended Retail Price: R75 4 Festival Messages 6 Acknowledgements 9 Standard Bank Young Artist Award Winners 16 2018 Featured Artist 20 Curatorial Statement & Curatorial Team 22 Curated Programme 27 Main Programme 155 Fringe Programme 235 Travel and Accommodation 236 Booking Procedures 238 Index 241 Map We will be publishing an update to our Programme which will be available in Grahamstown throughout the Festival, at all of our Box Offices and Information Kiosks. This update will contain the latest possible information on performances and events, changes, cancellations and additional shows, a daily diary, map, local emergency services number, etc and is a must-have for all Festival-goers. Latest Programme changes and updates available at www.nationalartsfestival.co.za Images from left to right: Gas Lands (58), Moonless (31) and Wanderer (63) MAIN MAIN PROGRAMME FRINGE PROGRAMME Cover image: 27 155 Birthing Nureyev by Theatre Theatre leftfoot productions Director: Andre Odendaal Performer: Ignatius van Heerden 39 181 Designer: Gustav Steenkamp (Gustav-Henri Designstudio) Student Theatre Comedy Disclaimer: The Festival organisers have made 43 199 every effort to ensure that Comedy Illusion everything printed in this publication is accurate. However, mistakes and 46 203 changes do occur, and Public Art Family Theatre we do not accept any responsibility for them or for any inaccuracies 48 208 or misinformation within advertisements. Artists Family Theatre Dance provide images, logos and advertisements and we accept no responsibility for 57 214 the quality of reproduction Dance Music Theatre & Cabaret in this publication. 64 218 Visual & Performance Art Music Recital 82 220 Music Contemporary Music 105 224 Jazz Poetry 121 225 Film Festival Film 130 227 Critical Consciousness Visual Art 145 233 Creativate Spiritfest 4 Welcome to the Eastern Cape – the “Home of Legends”! 2019 sees the 45th edition of the National inspired. And that you’ll be a stranger no more. Arts Festival on Eastern Cape soil, and we’re Thank you for your support of this beautiful humbled and excited to welcome you once and important celebration of our country’s arts more to our Province. and culture. It is a gem in South Africa’s crown, From our rugged and unspoiled coastlines, a vital part of the Province’s creative economy, to our mountains, farmlands, natural wonders, and the lifeblood of Makhanda, its home city. and cosmopolitan cities… all that we have is We’re proud to call it our own! open to you to explore during your visit and, whether you are chasing the Big 5 or getting From the Eastern Cape Government – Office your Festival fix on the streets of Makhanda, of the Premier, Treasury and Eastern Cape we know you will leave exhilarated and Parks and Tourism Agency NATIONAL ARTS FESTIVAL 2019 Taking the pulse of modern times and provoking new thought We love the arts and with each edition of the National Arts Festival, we experience an incredible bouquet of observations, thoughts, emotions, stirrings and more. We are challenged, motivated, provoked, inspired, emboldened, and educated, and, most significantly, we grow. The Festival is maturing and is bearing rich fruit. On this 35th anniversary of our partnership and involvement, we cannot wait to delve into and savour the delights of the 2019 offering. The Festival’s heritage and pedigree continue to deliver a solid and powerful programme while each production will ensure that visitors are delighted and moved. Taking the pulse of modern times, pushing artistic boundaries and provoking new thought. We look forward to the Standard Bank Jazz Festival, now in its 32nd year. South African jazz is exciting – bursting with youthful and aspirant musicians – and the festival showcases a thrilling line-up from here, the rest of the continent and abroad. Ranging from various big bands, unconventional jazz ensembles, and performances by the youth, you will have to plan carefully to take in as much as possible. We encourage you to catch Mandla Mlangeni, the 2019 Standard Bank Young Artist for Jazz. His, is a coming of age story of sorts and an illustration of an achievement by our youth jazz development programme – Africa’s largest development programme produced and administered by artists themselves. The 2019 edition of the National Arts Festival will once again take us to a higher level: from the Children’s Festival to the Creativate Digital Arts Festival, the 2019 Standard Bank Young Artists’ productions, world-class jazz, theatre, visual arts, dance and contemporary music productions. On behalf of Standard Bank, I encourage you to experience and take in as much as you can. In Africa, the audience is as much a part of the production as the practitioners – so you too should reflect, engage and show your #AfricanheArt. Desiree Pooe – Head of Sponsorship at Standard Bank 5 A Festival to lift your spirits and feed your soul The Eastern Cape is one of the world’s most exciting, diverse, vibrant and culturally rich regions, and it gives me great pleasure to welcome you once again to our wonderful flagship event – the National Arts Festival. Our Province is vast: it spans over 168 000km2 and is the second biggest in the country. Its sheer size makes it home to a rich diversity of people, cultures, practices and languages. As 2019 has been declared the International Year of Indigenous Languages by the United Nations, I urge you to spend some of your time with us exploring some of this richness. During the Festival it will be showcased through our literature, craft, theatre, dance, music and film, in a spectacular series of events that gives you many opportunities to discover and sample some of what our Province has to offer. Our welcome is extended to all who are visiting, and all who call this Province home. We know that the Festival will lift your spirits and feed your soul, and NATIONAL ARTS FESTIVAL 2019 we thank you for being here with us. We ask only that you leave with a promise to return, and look forward to welcoming you as a friend again in years to come. Ms Bulelwa Tunyiswa – MEC: Sports, Recreation, Arts and Culture, Eastern Cape A rich feast for us all to enjoy 25 years ago our nation entered a new age of democracy – with a Bill of Rights and Constitution that enshrined so many principles that, before, our people had been denied. Foremost among those is the principle of ‘Freedom of Expression’. Today our artists, writers, performers, dancers, and musicians give life to that hard-fought right by taking to our stages to give expression to a diversity of views and perspectives that are as plentiful as there are people in our country. It is in celebration of that spirit that I welcome you to our crown jewel – the National Arts Festival. These eleven days are an opportunity to reflect, celebrate, commiserate, hope and dream. We have come a long way as a nation. And we have so much more ahead to embrace and conquer. It is my hope that you will find, on our stages, something new; something familiar; something challenging. And I hope that, throughout it all and whatever you find, you will be entertained and will leave Makhanda richer than when you arrived. On behalf of our Board I would like to thank all of our supporters and funders. Those who engage with us, those who offer advice, who contest the things we take for granted and, mostly, those who choose to spend their time and resources in search of AMAZ!NG. Our team has prepared a rich feast for us all to enjoy, and I’m as excited at the prospect of sitting down to share it as you are. Enjoy every moment! Ayanda Mjekula– Chairman: National Arts Festival Board 6 THE NATIONAL ARTS FESTIVAL WOULD LIKE TO THANK THE FOLLOWING SPONSORS AND SUPPORTERS PRESENTING SPONSORS NATIONAL ARTS FESTIVAL 2019 STRATEGIC PARTNERS SUPPLIER SPONSORS 7 With thanks to: The managements, presenting Albany & Bathurst Engineering companies, galleries, artists BOARD OF DIRECTORS and technical staff whose talent, Albany Museum Group Ayanda Mjekula professionalism and creativity make the Alliance Français Southern Africa (Chairperson) Arts Council Norway Festival a pleasure to produce, and an Cadar Printers amazing 11 days for our audiences to Elinor Sisulu Child Welfare, Grahamstown experience. Paul Bannister Churches of Grahamstown Grahame Lindop CoCreate – The Netherlands The Schools and Colleges of Albie Sachs Concerts South Africa Grahamstown: Sikkie Kajee Carinus Arts Centre, Diocesan School DALRO Jay Pather for Girls, Graeme College, Kingswood Department of Culture of Emilia- College, Nombulelo Secondary Hleze Kunju Romagna Region School,Ntsika Secondary School, Khutliso Harry Dugmore Electrosonic South Africa Daniels Secondary School, P J Olivier Sizwe Mabizela Embassy of France Hoërskool, St Andrew’s College, St Michelle Constant Embassy of the Republic of Korea Andrew’s Preparatory, Victoria Girls’ High Annabell Lebethe School, and Victoria Preparatory School. Embassy of Spain Tony Lankester (CEO) Embassy of Switzerland The Citizens of Grahamstown for their Embassy of the United States hospitality, support and encouragement. East Norway Jazz Centre NATIONAL ARTS European Union Commission National Arts Festival Team: FESTIVAL ARTISTIC E.T.C Europe Tony Lankester (CEO) COMMITTEE 2019 Everard Read Gallery Ashraf Johaardien (Exectuve Producer to French Institute in South Africa (IFAS) 28/02/2019) Chairperson: Brett Bailey Nobesuthu Rayi (Acting Executive Goethe Institute Vice Chairperson: Producer) Grahamstown Hospitality Guild Ernestine White
Load more

Recommended publications
  • The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
    Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media.
    [Show full text]
  • UNSUNG: South African Jazz Musicians Under Apartheidunsung
    UNSUNG: South African Jazz Musicians under Apartheid outh African jazz under apartheid has in recent years been the subject of numerous studies. The main focus, however, has hitherto been on the musicians who went into exile. Here, for the first time, those who stayed behind are allowed to tell their stories: the stories of musicians from across the colour spectrum who helped to keep their art alive in South Africa during the years of state oppression. CHATRADARI DEVROOP &CHRIS WALTON CHATRADARI Unsung South African Jazz Musicians under Apartheid EDITORS Chatradari Devroop & Chris Walton UNSUNG: South African Jazz Musicians under Apartheid Published by SUN PReSS, an imprint of AFRICAN SUN MeDIA (Pty) Ltd., Stellenbosch 7600 www.africansunmedia.co.za www.sun-e-shop.co.za All rights reserved. Copyright © 2007 Chatradari Devroop & Chris Walton No part of this book may be reproduced or transmitted in any form or by any electronic, photographic or mechanical means, including photocopying and recording on record, tape or laser disk, on microfilm, via the Internet, by e-mail, or by any other information storage and retrieval system, without prior written permission by the publisher. First edition 2007 ISBN: 978-1-920109-66-9 e-ISBN: 978-1-920109-67-7 DOI: 10.18820/9781920109677 Set in 11/13 Sylfaen Cover design by Ilse Roelofse Typesetting by SUN MeDIA Stellenbosch SUN PReSS is an imprint of AFRICAN SUN MeDIA (Pty) Ltd. Academic, professional and reference works are published under this imprint in print and electronic format. This publication may be ordered directly from www.sun-e-shop.co.za Printed and bound by ASM/USD, Ryneveld Street, Stellenbosch, 7600.
    [Show full text]
  • Hannah Berry
    WELCOME I am delighted to invite you Since starting the BA Performing all to our showcase by BA Musical Arts courses at New College Theatre. Lanarkshire the standard and talent of the emerging BA Musical Your support here today will Theatre students has grown every encourage and strengthen the year. This year we are delighted confidence in each one of our that our courses have been students to ensure that they leave validated by Queen Margaret College with a skillset for life. University and are looking forward to building our partnership with On behalf of the students and staff, them over the coming years. I wish to thank you all for your attendance and support. The dedication of the staff and the commitment of the students Martin McGuire is evident from the quality of work Principal & Chief Executive being shown here today. I hope you enjoy the showcase and on behalf of the performing arts students and staff I’d like to thank you for your continuing support. Gregor Duncan Curriculum Quality Leader, Performing Arts Queen Margaret University are proud to be collaborating with New College Lanarkshire in order to validate the BA Musical Theatre. We have a long and proud history of delivering degree level education in the performing arts and are committed to ensuring that Scotland’s cultural sector is as diverse and as vibrant as its population. In developing this partnership, I have been impressed with the talent, passion, and enthusiasm of both the staff and students of New College Lanarkshire. I am sure that the work you will enjoy at this showcase will be no exception.
    [Show full text]
  • Experience 5)&7*#3"/$:0'4065)"'3*$"Μ4$6-563"-%*7&34*5: Africa
    EXPERIENCE 5)&7*#3"/$:0'4065)"'3*$"µ4$6-563"-%*7&34*5: AFRICA $&-&#3"5*/(5)& 7*#3"/$:0' GUIDE 2010 AND CULTURE ARTS 4065)"'3*$"4 $6-563"-%*7&34*5: ARTSANDCULTURE $EPARTMENT ARTSANDCULTURE !RTSAND#ULTURE $EPARTMENT 2%05",)#/&3/54(!&2)#! !RTSAND#ULTURE 5FM ARTS AND CULTURE GUIDE 2010 2%05",)#/&3/54(!&2)#! XXXEBDHPW[B Ditsong: Kruger Museum AFRICA In compiling this guide to the institutions and events that represent the incredibly broad and varied spectrum of the South African cultural scene, the Department of Arts and Culture has received the generous assistance of a number of organisations and individuals. The Department would like to thank each of these for their time, effort and valuable input, all of which were absolutely essential in making this publication as complete, accurate and appealing as possible. Angelique Kidjo (Benin) Freshlyground’s lead singer, Zolani Mahola National Department of Arts and Culture: 2010 Project Management Office Duduzile Mazibuko - Content Advisor and 2010 Project Manager Communications Department: Lisa Combrinck - Editor and Head of Communications Premi Appalraju - Content Development Corney Wright - Product Development James Mathibeng - Photography and DAC Administration Editorial services: ACKNOWLEDGEMENTS: DeskLink Media Team Design and Layout: Amadou & Mariam (Mali) Mariam & Amadou DeskLink Media Luthuli Nyathi, Sizakele Shingange Project Management: Chris Watterson Printed by: Colorpress (PTY) Ltd FOREWORD .*/*45&30'"354"/%$6-563& .4-6-69*/(8"/" At last, the FIFA 2010 World Cup™ is here. South Africa’s six long and busy years of preparation are finally coming to fruition. We have no doubt that South Africa and Africa are ready to offer the world an unforgettable occasion, creating festive hubs to which fans can flock to share their appreciation of the beautiful game and to experience African arts and culture.
    [Show full text]
  • 2015/16 Season
    AUGUST 2015 2015/16 SEASON MATILDA AUG 18 - SEPT 6, 2015 WATERFALL OCT 1 - 25, 2015 RODGERS & HAMMERSTEIN’S THE SOUND OF MUSIC NOV 24, 2015 - JAN 3, 2016 HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING JAN 28 - FEB 21, 2016 ASSASSINS FEB 27 - MAY 8, 2016 CO-PRESENTED AT ACT - A CONTEMPORARY THEATRE SLEEPING BEAUTY WAKES MARCH 25 - APRIL 17, 2016 LERNER & LOEWE’S PAINT YOUR WAGON JUNE 2 - 25, 2016 A GENTLEMAN’S GUIDE TO LOVE & MURDER JULY 12 - 31, 2016 LIFE IS ABOUT MOMENTS CELEBRATING ELEGANCE SINCE 1830 CLIFTON STEEL, 43 MM SELF-WINDING www.baume-et-mercier.com Reflections_BAM14222_DriverClifton10055.indd 1 5/14/15 10:52 AM Untitled-9 1 6/2/15 12:45 PM August 2015 Volume 13, No. 1 Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Kim Love Design and Production Artists Marty Griswold Seattle Sales Director Brieanna Bright, Joey Chapman, Gwendolyn Fairbanks, Ann Manning Seattle Area Account Executives Mike Hathaway Bay Area Sales Director Marilyn Kallins, Terri Reed, Tim Schuyler Hayman San Francisco/Bay Area Account Executives Brett Hamil Online Editor Jonathan Shipley Associate Online Editor Carol Yip Sales Coordinator Jonathan Shipley Magnificent 12.72 Carat Ad Services Coordinator www.encoreartsseattle.com Radiant Cut Fancy Yellow Diamond 425-777-4451 www.GordonJamesDiamonds.com GJ 062215 yellow 1_3sq.pdf 10133 Main Street in Bellevue Leah Baltus Editor-in-Chief Paul Heppner Publisher Marty Griswold Associate Publisher Celebrate the rhythm Dan Paulus Untitled-1 1 6/22/15 10:41 AM Art Director Jonathan Zwickel of your life.
    [Show full text]
  • Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
    SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public).
    [Show full text]
  • Jane Hutt: Businesses That Have Received Welsh Government Grants During 2011/12
    Jane Hutt: Businesses that have received Welsh Government grants during 2011/12 1 STOP FINANCIAL SERVICES 100 PERCENT EFFECTIVE TRAINING 1MTB1 1ST CHOICE TRANSPORT LTD 2 WOODS 30 MINUTE WORKOUT LTD 3D HAIR AND BEAUTY LTD 4A GREENHOUSE COM LTD 4MAT TRAINING 4WARD DEVELOPMENT LTD 5 STAR AUTOS 5C SERVICES LTD 75 POINT 3 LTD A AND R ELECTRICAL WALES LTD A JEFFERY BUILDING CONTRACTOR A & B AIR SYSTEMS LTD A & N MEDIA FINANCE SERVICES LTD A A ELECTRICAL A A INTERNATIONAL LTD A AND E G JONES A AND E THERAPY A AND G SERVICES A AND P VEHICLE SERVICES A AND S MOTOR REPAIRS A AND T JONES A B CARDINAL PACKAGING LTD A BRADLEY & SONS A CUSHLEY HEATING SERVICES A CUT ABOVE A FOULKES & PARTNERS A GIDDINGS A H PLANT HIRE LTD A HARRIES BUILDING SERVICES LTD A HIER PLUMBING AND HEATING A I SUMNER A J ACCESS PLATFORMS LTD A J RENTALS LIMITED A J WALTERS AVIATION LTD A M EVANS A M GWYNNE A MCLAY AND COMPANY LIMITED A P HUGHES LANDSCAPING A P PATEL A PARRY CONSTRUCTION CO LTD A PLUS TRAINING & BUSINES SERVICES A R ELECTRICAL TRAINING CENTRE A R GIBSON PAINTING AND DEC SERVS A R T RHYMNEY LTD A S DISTRIBUTION SERVICES LTD A THOMAS A W JONES BUILDING CONTRACTORS A W RENEWABLES LTD A WILLIAMS A1 CARE SERVICES A1 CEILINGS A1 SAFE & SECURE A19 SKILLS A40 GARAGE A4E LTD AA & MG WOZENCRAFT AAA TRAINING CO LTD AABSOLUTELY LUSH HAIR STUDIO AB INTERNET LTD ABB LTD ABER GLAZIERS LTD ABERAVON ICC ABERDARE FORD ABERGAVENNY FINE FOODS LTD ABINGDON FLOORING LTD ABLE LIFTING GEAR SWANSEA LTD ABLE OFFICE FURNITURE LTD ABLEWORLD UK LTD ABM CATERING FOR LEISURE LTD ABOUT TRAINING
    [Show full text]
  • An Anthropological Study of Itinerancy and Domestic Fluidity Amongst the Karretjie People of the South African Karoo
    CHILDHOOD: AN ANTHROPOLOGICAL STUDY OF ITINERANCY AND DOMESTIC FLUIDITY AMONGST THE KARRETJIE PEOPLE OF THE SOUTH AFRICAN KAROO by SARAH ADRIANA STEYN submitted in fulfilment of the requirements for the degree of MASTER OF ARTS in the subject ANTHROPOLOGY at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR M. DE JONGH MARCH 2009 Dedicated to my children, Luke and Sarah-Anne In memory of my siblings, Doria and Francois I declare that Childhood: An Anthropological Study of Itinerancy and Domestic Fluidity Amongst the Karretjie People of the South African Karoo is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. S A Steyn 2009.03.05 “The only difference between them and us is that we are ready to learn from them but they are not ready to learn from us ... in everyday life they must come to recognise us, respect us, value us ... for what we are. Only then will each one of us be able to discover the other”. (Words of a Roma delegate at a Conference organised by the Centre for Gypsy Research at the Université René Descartes, Paris, 1993) ABSTRACT The Karretjie People, or Cart People are a peripatetic community and are descendants of the KhoeKhoen and San, the earliest inhabitants of the Karoo region in South Africa. As a landless and disempowered community they are dependent upon others for food and other basic necessities specifically, and other resources generally. Compared to children in South Africa generally, the Karretjie children are in every sense of the most severely deprived.
    [Show full text]
  • Goema's Refrain
    Goema’s Refrain: Sonic Anticipation and the Musicking Cape by Valmont Layne Submitted for the Degree of Doctor of Philosophy in History, Faculty of Arts, University of the Western Cape Supervisor: Professor Premesh Lalu http://etd.uwc.ac.za/ http://etd.uwc.ac.za/ 3 Declaration I, Valmont Layne, declare that Goema’s Refrain: Sonic Anticipation and the Musicking Cape is my own work, that it has not been submitted for any degree or examination in any other university, and that all the sources I have used or quoted have been indicated and acknowledged by complete references. Valmont Layne August 2019 http://etd.uwc.ac.za/ 4 Acknowledgements I hereby acknowledge the support of the National Research Foundation (NRF) with an Early Career Fellowship and the Oppenheimer Memorial Trust. I also acknowledge the support of the following individuals (all remaining faults are my own): My supervisor, Premesh Lalu for his support, guidance and wisdom. Tanya Layne, for her love, support and companionship, and Ella Layne, because fatherhood inspires an examined life. Musicians Mike Perry for the lessons and conversations. Luis Giminez, Reza Khota, Dathini Mzayiya, Colin Miller, Rafiq Asmal, Alan Wilcox, Gerald Mac Mckenzie, Hilton Schilder, Alex van Heerden, Robbie Jansen and my fellow travellers with the Raakwys experience namely Andre Sampie, Bruce Kadalie, Ralton Praah, Wayne Dirk, Aki Khan, Wayne Dixon, Wayne Barthies. Also, carnival insiders Melvin Mathews, and Katje Davids, and musical activists Mansoor Jaffer, Adam Haupt, Thulani Nxumalo. Scholars and colleagues The History Department at the University of the Western Cape. The staff and fellows at the CHR – including Lamees Lalken, Micaela Felix, Leslie Witz, Ciraj Rassool, Suren Pillay, Paolo Israel, Nicky Rosseau, Jane Taylor, Aidan Erasmus, Lauren van der Rede, Kim Gurney, Thozama April, Kate Highman, Michelle Smith, Sam Longford, Luis Gimenez, Janne Juhana, Lee Walters, Ross Truscott, Emma Minckley, Reza Kota, and Kristy Stone.
    [Show full text]
  • Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
    Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant
    [Show full text]
  • Xango Music Distribution Release #1 – 2016 Pagina | 1
    Xango Music local music from all over the world Office: Singelstraat 1, 3513 BL Utrecht, NL www.xmd.nl - [email protected] - +31 6 50 999 123 Warehouse: Berenkoog 53 C, 1822 BN, Alkmaar (NL) e: [email protected] t: +31 (0)72 - 567 3030 NEW RELEASES NR. 1 – 2016 Ayub Ogada: Kodhi LTR 1501 / 0859714187473 / label: Long Tale Rec. / format: CD / Kenya - Popular Ayub Ogada is a descendant of the Luo people of western Kenya and was influenced by their musical heritage by his parents who were musicians. After leaving school he formed the African Heritage Band and started to perform in the UK. Ayub was invited to take part in one of the ‘recording weeks’ at Peter Gabriel’s Real World Studios, where he recorded his first album En Mana Kuoyo (Just Sand) in 1993 and he toured extensively with Peter Gabriel and WOMAD. Ayub’s music is on the soundtracks of films such as ‘I Dreamed of Africa’ (2000), ‘The Constant Gardener’ (2005) and ‘Samsara’ (2011). Trevor Warren visited Ayub Ogada in Kenya in the Spring of 2012 with the ambitious goal to record an album together in just two weeks. Trevor touched down in Nairobi and met up with his old friend Ayub and the Kenyan musician, Isaac Gem. The three set to work on songs for Kodhi, meaning ‘seed’ in Luo, and this grew rapidly into a fully fledged album. Listen to the title song. Amadou Diagne: Ligéey LTR 1502 / 0643157435925 / label : Long Tale Recordings / format: CD / Senegal – Popular Amadou sings from the heart in this beautiful, soulful record.
    [Show full text]
  • The Development and Improvement of Instructions
    CLASS, AUTHORITY, AND THE QUERELLE DES FEMMES: A WOMEN‟S COMMUNITY OF RESISTANCE IN EARLY MODERN EUROPE A Dissertation by DANA EATMAN LAWRENCE Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2009 Major Subject: English CLASS, AUTHORITY, AND THE QUERELLE DES FEMMES: A WOMEN‟S COMMUNITY OF RESISTANCE IN EARLY MODERN EUROPE A Dissertation by DANA EATMAN LAWRENCE Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Patricia Phillippy Committee Members, Federica Ciccolella Margaret Ezell-Mainzer Nandra Perry Head of Department, M. Jimmie Killingsworth August 2009 Major Subject: English iii ABSTRACT Class, Authority, and the Querelle des Femmes: A Women‟s Community of Resistance in Early Modern Europe. (August 2009) Dana Eatman Lawrence, B.S., University of South Florida; M.A., Western Carolina University Chair of Advisory Committee: Dr. Patricia Phillippy This dissertation examines the poetry of Isabella Whitney, a maidservant in London, Veronica Franco, a Venetian courtesan, Marie de Romieu, a baker‟s daughter in rural France, and Aemilia Lanyer, the daughter and wife of Italian immigrant musicians in London, all of whom attempted to create communities of learned and literary women within their texts. In their works, all four women boldly reject the misogyny prevalent in early modern culture; however, they do so without being able to withdraw from the culture that contributed to such rhetoric, thereby writing from the periphery.
    [Show full text]