Western Cape Jazz Legends
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Dancing to the Beat of the Diaspora: Musical Exchanges Between Africa and Its Diasporas
African and Black Diaspora: An International Journal ISSN: 1752-8631 (Print) 1752-864X (Online) Journal homepage: http://www.tandfonline.com/loi/rabd20 Dancing to the beat of the diaspora: musical exchanges between Africa and its diasporas Paul Tiyambe Zeleza To cite this article: Paul Tiyambe Zeleza (2010) Dancing to the beat of the diaspora: musical exchanges between Africa and its diasporas, African and Black Diaspora: An International Journal, 3:2, 211-236, DOI: 10.1080/17528631.2010.481976 To link to this article: http://dx.doi.org/10.1080/17528631.2010.481976 Published online: 23 Jun 2010. Submit your article to this journal Article views: 398 View related articles Citing articles: 1 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rabd20 Download by: [US International University - Africa] Date: 01 November 2016, At: 01:09 African and Black Diaspora: An International Journal Vol. 3, No. 2, July 2010, 211Á236 Dancing to the beat of the diaspora: musical exchanges between Africa and its diasporas Paul Tiyambe Zeleza* Loyola Marymount University of Los Angeles, Los Angeles, California, USA This essay examines the complex ebbs and flows of musical exchanges between Africa and its diasporas. Specifically, it focuses on musical engagements between, on the one hand, the Caribbean and West Africa and, on the other, the United States and Southern Africa. It argues that the influence of diasporan music on modern African music, especially popular music, has been immense. These influences and exchanges have created a complex tapestry of musical Afro- internationalism and Afro-modernism and music has been a critical site, a soundscape, in the construction of new diasporan and African identities. -
Approved Belcom Decisions 27 August 2019 1
APPROVED DECISIONS OF THE MEETING OF HERITAGE WESTERN CAPE, BUILT ENVIRONMENT AND LANDSCAPE PERMIT COMMITTEE (BELCom) Held on Tuesday, 27 August 2019 in the 1st Floor Boardroom at the Offices of the Department of Cultural Affairs and Sport, Protea Assurance Building, Greenmarket Square, Cape Town scheduled for 09:00 MATTERS DISCUSSED 11 PROVINCIAL HERITAGE SITES: SECTION 27 PERMIT APPLICATIONS 11.1 Proposed Additions and Alterations at Erf 65106, 5 Ascot Road, Kenilworth: MA HM/ CAPE TOWN METROPOLITAN/KENILWORTH/ERF 65106 Case No: 19040407HB0507E DISCUSSION: Amongst other things, the following was discussed: • The Committee and the Applicant discussed the previous meeting’s decision of BELCom on 26 June 2019 and site report, in order to clarify the issues raised. The site report is to be forwarded to the Applicant immediately to assist with clarifying the Committee’s previous minuted response. WD 11.2 Proposed Rezoning from Residential 1 to General Residential in order to Develop a Guest House on Erf 4784, Paarl: MA HM / PAARL / ERF 4784 Case No: 18080107SB0831E RECORD OF DECISION: The Committee resolved to approve the application as a substantial improvement on previous proposals on condition that: 1. A veranda roof is to be added above the proposed first floor walkway. 2. The upstand gable in Section 2 is to be amended to depict a full gable. With the above conditions, heritage resources will no longer be negatively impacted. Revised drawings, including all the elevations are to be submitted to HOMs for approval. SB Approved BELCom Decisions_27 August 2019 1 11.3 Proposed Additions and Alterations, Erf 28173, 2 Dixon Road, Observatory: NM HM/ OBSERVATORY/ ERF 28173 Case No: 19043001HB0522E RECORD OF DECISION: 1. -
UNSUNG: South African Jazz Musicians Under Apartheidunsung
UNSUNG: South African Jazz Musicians under Apartheid outh African jazz under apartheid has in recent years been the subject of numerous studies. The main focus, however, has hitherto been on the musicians who went into exile. Here, for the first time, those who stayed behind are allowed to tell their stories: the stories of musicians from across the colour spectrum who helped to keep their art alive in South Africa during the years of state oppression. CHATRADARI DEVROOP &CHRIS WALTON CHATRADARI Unsung South African Jazz Musicians under Apartheid EDITORS Chatradari Devroop & Chris Walton UNSUNG: South African Jazz Musicians under Apartheid Published by SUN PReSS, an imprint of AFRICAN SUN MeDIA (Pty) Ltd., Stellenbosch 7600 www.africansunmedia.co.za www.sun-e-shop.co.za All rights reserved. Copyright © 2007 Chatradari Devroop & Chris Walton No part of this book may be reproduced or transmitted in any form or by any electronic, photographic or mechanical means, including photocopying and recording on record, tape or laser disk, on microfilm, via the Internet, by e-mail, or by any other information storage and retrieval system, without prior written permission by the publisher. First edition 2007 ISBN: 978-1-920109-66-9 e-ISBN: 978-1-920109-67-7 DOI: 10.18820/9781920109677 Set in 11/13 Sylfaen Cover design by Ilse Roelofse Typesetting by SUN MeDIA Stellenbosch SUN PReSS is an imprint of AFRICAN SUN MeDIA (Pty) Ltd. Academic, professional and reference works are published under this imprint in print and electronic format. This publication may be ordered directly from www.sun-e-shop.co.za Printed and bound by ASM/USD, Ryneveld Street, Stellenbosch, 7600. -
Coloured’ Schools in Cape Town, South Africa
Constructing Ambiguous Identities: Negotiating Race, Respect, and Social Change in ‘Coloured’ Schools in Cape Town, South Africa Daniel Patrick Hammett Ph.D. The University of Edinburgh 2007 1 Declaration This thesis has been composed by myself from the results of my own work, except where otherwise acknowledged. It has not been submitted in any previous application for a degree. i Abstract South African social relations in the second decade of democracy remain framed by race. Spatial and social lived realities, the continued importance of belonging – to feel part of a community, mean that identifying as ‘coloured’ in South Africa continues to be contested, fluid and often ambiguous. This thesis considers the changing social location of ‘coloured’ teachers through the narratives of former and current teachers and students. Education is used as a site through which to explore the wider social impacts of social and spatial engineering during and subsequent to apartheid. Two key themes are examined in the space of education, those of racial identity and of respect. These are brought together in an interwoven narrative to consider whether or not ‘coloured’ teachers in the post-apartheid period are respected and the historical trajectories leading to the contemporary situation. Two main concerns are addressed. The first considers the question of racial identification to constructions of self-identity. Working with post-colonial theory and notions of mimicry and ambivalence, the relationship between teachers and the identifier ‘coloured’ is shown to be problematic and contested. Second, and connected to teachers’ engagement with racialised identities, is the notion of respect. As with claims to identity and racial categorisation, the concept of respect is considered as mutable and dynamic and rendered with contextually subjective meanings that are often contested and ambivalent. -
Gustavus Symphony Orchestra Performance Tour to South Africa
Gustavus Symphony Orchestra Performance Tour to South Africa January 21 - February 2, 2012 Day 1 Saturday, January 21 3:10pm Depart from Minneapolis via Delta Air Lines flight 258 service to Cape Town via Amsterdam Day 2 Sunday, January 22 Cape Town 10:30pm Arrive in Cape Town. Meet your MCI Tour Manager who will assist the group to awaiting chartered motorcoach for a transfer to Protea Sea Point Hotel Day 3 Monday, January 23 Cape Town Breakfast at the hotel Morning sightseeing tour of Cape Town, including a drive through the historic Malay Quarter, and a visit to the South African Museum with its world famous Bushman exhibits. Just a few blocks away we visit the District Six Museum. In 1966, it was declared a white area under the Group areas Act of 1950, and by 1982, the life of the community was over. 60,000 were forcibly removed to barren outlying areas aptly known as Cape Flats, and their houses in District Six were flattened by bulldozers. In District Six, there is the opportunity to visit a Visit a homeless shelter for boys ages 6-16 We end the morning with a visit to the Cape Town Stadium built for the 2010 Soccer World Cup. Enjoy an afternoon cable car ride up Table Mountain, home to 1470 different species of plants. The Cape Floral Region, a UNESCO World Heritage Site, is one of the richest areas for plants in the world. Lunch, on own Continue to visit Monkeybiz on Rose Street in the Bo-Kaap. The majority of Monkeybiz artists have known poverty, neglect and deprivation for most of their lives. -
Cape Town's Failure to Redistribute Land
CITY LEASES CAPE TOWN’S FAILURE TO REDISTRIBUTE LAND This report focuses on one particular problem - leased land It is clear that in order to meet these obligations and transform and narrow interpretations of legislation are used to block the owned by the City of Cape Town which should be prioritised for our cities and our society, dense affordable housing must be built disposal of land below market rate. Capacity in the City is limited redistribution but instead is used in an inefficient, exclusive and on well-located public land close to infrastructure, services, and or non-existent and planned projects take many years to move unsustainable manner. How is this possible? Who is managing our opportunities. from feasibility to bricks in the ground. land and what is blocking its release? How can we change this and what is possible if we do? Despite this, most of the remaining well-located public land No wonder, in Cape Town, so little affordable housing has been owned by the City, Province, and National Government in Cape built in well-located areas like the inner city and surrounds since Hundreds of thousands of families in Cape Town are struggling Town continues to be captured by a wealthy minority, lies empty, the end of apartheid. It is time to review how the City of Cape to access land and decent affordable housing. The Constitution is or is underused given its potential. Town manages our public land and stop the renewal of bad leases. clear that the right to housing must be realised and that land must be redistributed on an equitable basis. -
Abdullah Ibrahim and the Politics of Jazz in South Africa Nusra Khan Jazz Has Had an Especial Role in the Social and Cultural Politics of South Africa
Abdullah Ibrahim and the Politics of Jazz in South Africa Nusra Khan Jazz has had an especial role in the social and cultural politics of South Africa. This paper will trace its function in the political struggle waged by Black and Colored musicians against the apartheid regime, from the early 1950s until the 1990s, focusing on the work of one artist particularly. While Abdullah Ibrahim is by no means the only South African musician to use jazz for political goals, the development of his career provides an incredible example of the convergence of race, protest, and memory in the performance as well as study of jazz. Ibrahim’s musical career is entrenched in South Africa’s struggle against apartheid, and it is through this lens that I will examine his life and the role of jazz music in general. As early as the 1940s, jazz had emerged as the favored genre of the elite in South Africa. Professional musicians preferred American ‘international’ performance styles, and only a few African jazz musicians brought anything identifiably South African to their performances of American swing. The negative association between traditional African music and the ‘tribal’ past or rural present was begun by missionaries and had become entrenched in African society, most obviously under the Afrikaner’s government’s policy of “forcing Africans to develop along their own lines1”. Like the leaders of the American Harlem Renaissance, the African elite hoped that achievements in the artistic and intellectual fields would help break down the color bar2. Indeed the similar experience of Black Americans and Africans, of “two peoples under white domination,”3 may have increased the appeal of Black American style in amongst South African performers. -
Lies Hidden in the Rocks
Sivhili Injhiniyeringi June 2008 Vol 16 No 6 ONE SOLUTION TO WATER SUPPLY PROBLEMS LIES HIDDEN IN THE ROCKS P CA THE LIKELIHooD OF A GLOBAL DROUGHT IN 2009–2016 A W A R D S W I N N E R 2 0 0 7 FOR EXCELLENCE IN MAGAZINE PUBLISHING AND JOURNALISM VRESAP to be operational by November Implementation of the reserve at the Berg River Dam and Supplement Scheme Outeniqua Coast Water Situation Study 24 MONTHS TO FIFA 2010 P CA A W A R D S W I N N E R 2 0 0 7 FOR EXCELLENCE IN MAGAZINE PUBLISHING AND JOURNALISM Tshivenda ON THE COVER One of GEL’s new Beretta T46 drilling rigs installing lateral support to the Western access tunnel at the Soccer City Stadium ON THE CovER where the 2010 FIFA World Cup final will be played. This tunnel was constructed under the existing West grandstand, with Ensuring solid foundations for the FIFA supported faces of up to 9 m high; in total, World Cup’s flagship stadium 46 approximately 500 m2 lateral support was installed to three tunnels and the multi- WATER ENGINEERING OTHER PROJECTS storey parkade Potable water reservoir under construction 49 One solution to water supply problems Cape Town Terminal expansion on track 50 lies hidden in the rocks 2 Anglian Water’s biggest ever project 53 Dynamic planning process for water Recycling our roads 57 and sewer infrastructure 5 Boost for safer crane operations 55 Berg Water Project reserve releases: Traffic control centres for Limpopo 59 Implementation of the reserve at the Berg PUBLISHED BY SAICE/SAISI Block 19, Thornhill Office Park, River Dam and Supplement Scheme -
Fact Sheet – Cape Town, South Africa Information Sourced at Population About 3.5-Million People Li
Fact Sheet – Cape Town, South Africa Information sourced at http://www.capetown.travel/ Population About 3.5-million people live in Cape Town, South Africa's second most-populated city. Time Cape Town lies in the GMT +2 time zone and does not have daylight saving time. Area South Africa is a large country, of 2 455km2(948mi2). Government Mayor of Cape Town: Patricia de Lille (Democratic Alliance) Premier of the Western Cape: Helen Zille (Democratic Alliance) Cape Town is the legislative capital of South Africa South Africa's Parliament sits in Cape Town History Cape Town was officially founded in 1652 when Jan van Riebeeck of the Dutch East India Company based in The Netherlands arrived to set up a halfway point for ships travelling to the East. Portuguese explorers arrived in the Cape in the 15th Century and Khoisan people inhabited the area prior to European arrival. Electricity South Africa operates on a 220/230V AC system and plugs have three round prongs. Telephone Country code: 0027 City code: 021 Entrance Visa requirements depend on nationality, but all foreign visitors are required to hold a valid passport. South Africa requires a valid yellow fever certificate from all foreign visitors and citizens over 1 year of age travelling from an infected area or having been in transit through infected areas. For visa requirements, please contact your nearest South African diplomatic mission. Fast facts Cape Town is the capital of the Western Cape. The city‟s motto is “Spes Bona”, which is Latin for “good hope”. Cape Town is twinned with London, Buenos Aires, Nice, San Francisco and several other international cities. -
Approved HOM Minutes 30 November 2020
APPROVED MINUTES OF THE MEETING OF HERITAGE WESTERN CAPE, HERITAGE OFFICERS MEETING Held on Monday, 30 November 2020, HOMS MEETING VIA MICROSOFT TEAMS, scheduled for 09:00 1. OPENING AND WELCOME The Chairperson, Ms Waseefa Dhansay officially opened the meeting at 09:00 and welcomed everyone present. 2. ATTENDANCE Members Members of Staff Ms Laura Milandri(LM) Ms Nosiphiwo Tafeni (NT) (secretary) Mr Peter Buttgens(PB) Ms Waseefa Dhansay (WD)(Assitant Director) Ms Stephanie Barnardt (SB)(Case Officer) Ms Khanyisile Bonile (KB)( Case Officer) Ms Sandisiwe Matole (SM)(Case Officer) Mr Thando Zingange (TZ)(Case Officer) Ms Nokubonga Dlamini (ND)(Case Officer) Ms Anita Shologu (AS)(Intern Admin support) Ms Xola Mlwandle (XM)(Intern Admin support) Legal Advisor Ms Penelope Meyer (PM) Visitors Observers None 3 APOLOGIES Ms Colette Scheermeyer Absent None 4. APPROVAL OF AGENDA 4.1 Dated 9 November 2020. The items relevant to the meeting were noted as those assigned in the case allocation for the meeting of 30th November 2020. TZ moved to adopt the agenda and SM supported. 5. Approval of Minutes of the Previous Meetings 5.1 Minutes from 2nd, 23, and 26 November 2020 will be approved in the next HOMs meeting. 6. Disclosure of conflict of interest 6.1 None HOMS Minutes 30 November 2020 Page 1 of 24 7. Confidential matters 8. Standing Items 8.1 Site inspections undertaken 8.2 Proposed Site Inspection 8.3 Site Inspection Reports 8.4 Preparation for the upcoming coming committee meetings 8.4.1 APM Committee meeting 2 December 2020 8.4.2 Appeals committee 4 December 2020 8.5 Interim and Close Out Reports 8.5.1 None 8.6 Incomplete Applications 8.6.1 Proposed Alterations and Additions, Erf 6948, 1 Mikes Street, Gordons Bay, CT S38(4)-NID HM/ CAPE TOWN METROPOLITAN/ GORDONS BAY/ ERF 6948 Case No:20092108ND0930E 8.6.2 Proposed Alterations and Additions, Erf 725, 10 and 12 Prince Edward Mansions, 317 Beach Road, Bantry Bay. -
Cape Town Townships Cultural Experience
FULL DAY TOURS The below tours are not part of the conference package. Bookings should be made directly to Scatterlings Conference & Events and not via the FSB/OECD office. Cape Town Townships Cultural Experience Enjoy the multi - cultural life of the Cape by meeting and speaking to the local communities on our full day Cape Town Township Tour. Interact with locals in their own living environments and experience the multi- diversity of our sought after city. Highlights: Bo-Kaap and exciting Malay Quarter; District Six Museum; Cape Flats; Visit a traditional shop (spaza) or tavern (shebeen) in a township; Take a ferry trip to Robben Island and walk through the former political prison (weather permitting). Click here to send your enquiry: [email protected] Aquila Game Reserve Travel through Huguenot Tunnel past beautiful De Doorns in the Hex River valley to Aquila. Welcoming refreshments, game drive, bushman paintings and lunch in an outdoor lapa. Stroll through curio and wine shop, or relax at pool before returning to Cape Town. Click here to send your enquiry: [email protected] Cape Peninsula Travel along the beautiful coastline of the Peninsula on our Cape Peninsula day tour, through historic and picturesque villages to the mythical meeting place of the two great oceans. Highlights: Travel through Sea Point, Clifton and Camps Bay; Hout Bay Harbour (optional Seal Island boat trip, not included in cost); On to Cape Point and Nature Reserve. Unforgettable plant, bird and animal life; Lunch at Cape Point; Penguin Colony; Historic Simonstown; Groot Constantia wine estate or Kirstenbosch Botanical Gardens. Click here to send your enquiry: [email protected] Cape Winelands On our Cape Winelands day tour we take you on a trip into the heart of the Cape Winelands, through breathtaking mountain ranges and fertile valleys. -
Yesterday • Today • Tomorrow
YESTERDAY • TODAY • TOMORROW ARTSCAPE THEATRE CENTRE | 1 OUR THEME: YESTERDAY, TODAY & TOMORROW “… in order to celebrate the achievements over the past 50 years, we need to be mindful of how it came about, build on the work of those that came before us, and lead the way to a future that is even more inclusive, more equitable and more just – a constant strife.” – Marlene le Roux Yesterday, Today and Tomorrow Rajesh Jock CHAIRPERSON Artscape Theatre Centre Artscape Theatre Centre (formally the Nico Malan Theatre) has made major advances since its inception in 1971. Relying on a strong commitment from the National Department of Sport, Arts and Culture, the theatre now celebrates its Golden Anniversary! Entertainment, arts and culture contributes to the vibrancy, heritage and activation of the Cape Town Metropolitan City as well as the Western Cape Province, and plays an important role in tourism and economic growth. Since being renamed circa 1999, Artscape has provided a modern, contemporary and world-class regional venue supporting arts and culture, and especially local talent. Artscape represents a very special organisation, comprising committed professionals, who are dedicated to the advancement of many different local and international productions in the City of Cape Town and many other parts of the Western Cape Province. Combined with the passion and commitment of major stakeholders both nationally and provincially, Artscape has become a home for all in the arts and will continue to embrace the diverse communities of the Western Cape through performers and patrons. I thank and congratulate everyone who has, over many years, dedicated their expertise, time, effort and passion to continually building this wonderful organisation and making it what it is today.