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(Special Trip) XXXX WER Yes AANDRUS, Bloemfontein 9300
Place Name Code Hub Surch Regional A KRIEK (special trip) XXXX WER Yes AANDRUS, Bloemfontein 9300 BFN No AANHOU WEN, Stellenbosch 7600 SSS No ABBOTSDALE 7600 SSS No ABBOTSFORD, East London 5241 ELS No ABBOTSFORD, Johannesburg 2192 JNB No ABBOTSPOORT 0608 PTR Yes ABERDEEN (48 hrs) 6270 PLR Yes ABORETUM 3900 RCB Town Ships No ACACIA PARK 7405 CPT No ACACIAVILLE 3370 LDY Town Ships No ACKERVILLE, Witbank 1035 WIR Town Ships Yes ACORNHOEK 1 3 5 1360 NLR Town Ships Yes ACTIVIA PARK, Elandsfontein 1406 JNB No ACTONVILLE & Ext 2 - Benoni 1501 JNB No ADAMAYVIEW, Klerksdorp 2571 RAN No ADAMS MISSION 4100 DUR No ADCOCK VALE Ext/Uit, Port Elizabeth 6045 PLZ No ADCOCK VALE, Port Elizabeth 6001 PLZ No ADDINGTON, Durban 4001 DUR No ADDNEY 0712 PTR Yes ADDO 2 5 6105 PLR Yes ADELAIDE ( Daily 48 Hrs ) 5760 PLR Yes ADENDORP 6282 PLR Yes AERORAND, Middelburg (Tvl) 1050 WIR Yes AEROTON, Johannesburg 2013 JNB No AFGHANI 2 4 XXXX BTL Town Ships Yes AFGUNS ( Special Trip ) 0534 NYL Town Ships Yes AFRIKASKOP 3 9860 HAR Yes AGAVIA, Krugersdorp 1739 JNB No AGGENEYS (Special trip) 8893 UPI Town Ships Yes AGINCOURT, Nelspruit (Special Trip) 1368 NLR Yes AGISANANG 3 2760 VRR Town Ships Yes AGULHAS (2 4) 7287 OVB Town Ships Yes AHRENS 3507 DBR No AIRDLIN, Sunninghill 2157 JNB No AIRFIELD, Benoni 1501 JNB No AIRFORCE BASE MAKHADO (special trip) 0955 PTR Yes AIRLIE, Constantia Cape Town 7945 CPT No AIRPORT INDUSTRIA, Cape Town 7525 CPT No AKASIA, Potgietersrus 0600 PTR Yes AKASIA, Pretoria 0182 JNB No AKASIAPARK Boxes 7415 CPT No AKASIAPARK, Goodwood 7460 CPT No AKASIAPARKKAMP, -
The Image of Water in the Poetry of Euphrase Kezilahabi the Image of Water in the Poetry of Euphrase Kezilahabi
THE IMAGE OF WATER IN THE POETRY OF EUPHRASE KEZILAHABI THE IMAGE OF WATER IN THE POETRY OF EUPHRASE KEZILAHABI KATRIINA RANNE Studia Orientalia 118 THE IMAGE OF WATER IN THE POETRY OF EUPHRASE KEZILAHABI KATRIINA RANNE Helsinki 2016 The Image of Water in the Poetry of Euphrase Kezilahabi Katriina Ranne Studia Orientalia, vol. 118 Copyright © 2016 by the Finnish Oriental Society Editor Lotta Aunio Co-Editor Sari Nieminen Advisory Editorial Board Axel Fleisch (African Studies) Jaakko Hämeen-Anttila (Arabic and Islamic Studies) Tapani Harviainen (Semitic Studies) Arvi Hurskainen (African Studies) Juha Janhunen (Altaic and East Asian Studies) Hannu Juusola (Middle Eastern and Semitic Studies) Klaus Karttunen (South Asian Studies) Kaj Öhrnberg (Arabic and Islamic Studies) Heikki Palva (Arabic Linguistics) Asko Parpola (South Asian Studies) Simo Parpola (Assyriology) Rein Raud (Japanese Studies) Saana Svärd (Assyriology) Jaana Toivari-Viitala (Egyptology) Typesetting Lotta Aunio Sari Nieminen ISSN 0039-3282 ISBN 978-951-9380-90-2 Picaset Oy Helsinki 2016 CONTENTS PREFACE ...........................................................................................................ix ACKNOWLEDGEMENTS .....................................................................................xi 1. INTRODUCTION ............................................................................................. 1 1.1 Untouched water ...............................................................................................1 1.2 Kezilahabi and his splash in poetry -
AWHAF A5 Brochure Jul 2018.Cdr
A R T S C A P E T H E A T R E C E N T R E PRESENTS Women / Humanity Women / HumanityArts Festival A R T S C A P E an agency of the 20 Jul - 18 Aug 2018 Department of Arts and Culture CONTENTS Messages 2 Stage Productions 6 • Fostering Fever • Divalicious Dames 2018 – Here’s To Life • Ruth First: 117 Days • Bollywood Enchanted • Around the Fire • ABFAB Drag • Liefde is Rooi • Piazza Production • CCFM Concert Festival Icons 10 Woman Zone Story Café & Panel Discussions 12 SAFFI Exhibition & Story Telling 13 Humanity Walk 14 Humanity Lunch 15 Street Talk Film Screenings 16 Department of Home Affairs – Smart ID Campaign 17 Women Unite 17 Workshops 18 • WAND Celebration & Empowerment Workshop with teenage disabled girls • Southern Suburbs Legal Advice Centre Law & Consumer Workshops • Forward Fund Workshop CANSA, TBHIV Care & OTSM Health Screenings 21 Stakeholders & Exhibitors 22 Daily Programme 26 Sponsors 29 1 MESSAGES Alderman Patricia De Lille Executive Mayor of the City of Cape Town Cape Town is a caring and inclusive city and a city of opportunity. All these values are espoused by the Women’s Humanity Arts Festival whose organisers believe in equality and that the world belongs to all those who live in it. The City of Cape Town is proud to be associated with an event which seeks to promote inclusion and educate the public on the importance of telling the stories of marginalised groups in South Africa. We are indeed proud that Cape Town’s hub of arts and culture, the Artscape will again host the Women’s Humanity Arts Festival where audiences will not only be entertained with the fine arts, but also engage in thought-provoking commentary on human rights issues. -
Grade 12 Visual Culture Studies Summaries
GRADE 12 VISUAL CULTURE STUDIES SUMMARIES 1 Artists discussed QUESTION 1 Emerging artists of South Gerard Sekoto, The song of the Pick Africa Gerard Sekoto, Prison Yard George Pemba, Portrait of a young Xhosa woman George Pemba, Eviction – Woman and Child QUESTION 2 South African artists Irma Stern, Pondo Woman influenced by African and/or Irma Stern, The Hunt indigenous art forms Walter Battiss, Fishermen Drawing Nets Walter Battiss, Symbols of Life QUESTION 3 Socio-political – including Jane Alexander, Butcher Boys Resistance art of the ’70s and Jane Alexander, Bom Boys ’80s Manfred Zylla, Bullets and Sweets Manfred Zylla, Death Trap QUESTION 4 Art, craft and spiritual works John Muafangejo. Judas Iscariot betrayed our Lord Jesus for R3.00 mainly from rural South Africa John Muafangejo. New archbishop Desmond Tutu Enthroned Jackson Hlungwani. Large Crucifix and star Jackson Hlungwani, Leaping Fish QUESTION 5 Multimedia and New media – William Kentridge, Johannesburg, 2nd Greatest City after Paris alternative contemporary and William Kentridge. Shadow Procession popular art forms in South Van der Merwe, Biegbak/Confessional Africa Jan van der Merwe, Waiting QUESTION 6 Post-1994 democratic identity Churchill Madikida, Struggles of the heart in South Africa Churchill Madikida,Status Hasan and Husain Essop, Thornton Road Hasan and Husain Essop, Pit Bull Training QUESTION 7 Gender issues Penelope Siopis, Patience on a monument (Choose two artists) Penelope Siopis, Shame Mary Sibande, ‘They don’t make them like they used to do’ Mary Sibande, Conversation with Madame C.J. Walker Lisa Brice, Sex Show Works Lisa Brice, Plastic makes perfect Jane Alexander, Stripped (“Oh Yes” Girl) QUESTION 8 Architecture in South Africa Not included in these summaries. -
The South African Sale London Wednesday 19 March 2014 W1S 1SR
Bonhams 101 New Bond Street the south african sale London Wednesday 19 March 2014 W1S 1SR +44 (0) 20 7447 7447 +44 (0) 20 7447 7400 fax the south african sale Ӏ New Bond Street, London Ӏ Wednesday March 19 2014 21431 International Auctioneers and Valuers – bonhams.com lot 15 Irma Stern Zanzibar Woman the South afrIcan Sale Wednesday 19 March at 2pm New Bond Street, London PhyI S cal condItIon of Vw Ie Ing enquIrIeS lotS In thIS auctIon Sunday 16 March Giles Peppiatt MRICS 11.00 to 15.00 +44 (0) 20 7468 8355 PLEASE NOTE THAT THERE IS Monday 17 March NO REFERENCE IN THIS 9.00 to 16.30 Hannah O’Leary CATALOGUE TO THE PHYSICAL Tuesday 18 March +44 (0) 20 7468 8213 CONDITION OF ANY LOT. 9.00 to 16.30 INTENDING BIDDERS MUST Wednesday 19 March Elizabeth Callinicos SATISFY THEMSELVES AS TO 9.00 to 12 noon +44 (0) 20 7468 8216 THE CONDITION OF ANY LOT AS SPECIFIED IN CLAUSE 14 PreVIew of hIghlIghtS [email protected] OF THE NOTICE TO BIDDERS 580 Madison Avenue, New York CONTAINED AT THE END OF 19 - 21 February Jonathan Horwich THIS CATALOGUE. 10.00 to 17.00 Global Director, Picture Sales +44 (0) 20 7468 8280 As a courtesy to intending Sale number [email protected] bidders, Bonhams will provide a 21431 written Indication of the physical South Africa condition of lots in this sale if a catalogue Penny Culverwell request is received up to 24 £25.00 +27 71 342 2670 hours before the auction starts. -
The George Pemba Art Museum
....... COURSE CODE ............................./>rPt,P£,.. 5 .. ."1l .. q WWI COVER SHEET STUDENT NAME ................ ....N'QAB-4N'QAB~.... ....... ......... ......V\lW\N4VVW\N4... .................. ~ .. ..... ..... STUDENT NUMBER: .. ~~~A.NQ~.. ~Q~.o.. O. 9~ L ............ .. • SUP E RVIRV ISO SO R: .".' . ::J~ 0O .. N. ~(l;:; .(.tt~:~~\~.Q:\ .... ~~ .C..~. t:~ ,,(...(. .0.0 E 1l-z.:eC1...eC e Town ap • PLAGIARISM DECLARATION 1. I know that plagiarismUniversity is wrong. Plagiarism of C is to use another's work and pretend that it is one's ownown.. 2. I have used the Harvard convention for citation and referencing. Each contribution to and quotation inin, , this essay/report/projectlp€Q.hessay/report/projectlp€Q} r ................................... .. ..... from the work(work(s) s) of other people has been attributed, and has been cited and referenced. 3 This essay/report/projectl~r ..... ... ..................." ... ...... ..... ... iiss my own work. 4. I have n IIowed"owed, and wwdli" not allow, anyone to copy my wworkork . I Date ............ ... .. ..·' 7/, 0/·10 ~ ScSchoolhool ooff AArchiteclurerchitecture & PlannPl anning UUCTCT The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town UNIVERSITY OF CAPE TOWN.TOWN • FACULTY OF EBE • SCHOOL OF ARCHITECTURE PLANNING + GEOMATICS ESSAY WRITING REQUIREMENTS This sheet is an overview of the minimum requirements for any essay or written work you submit for all courses in the School. -
Critical Commentary on Gabriel Okara╎s Postwar Ode, •Ÿthe
University of Massachusetts Boston ScholarWorks at UMass Boston Africana Studies Faculty Publication Series Africana Studies 1-1-2011 'Clearing the Forest': Critical Commentary on Gabriel Okara’s Postwar Ode, ‘The Dreamer’ Chukwuma Azuonye University of Massachusetts Boston, [email protected] Follow this and additional works at: http://scholarworks.umb.edu/africana_faculty_pubs Part of the African Languages and Societies Commons, Comparative Literature Commons, and the English Language and Literature Commons Recommended Citation Azuonye, Chukwuma, "'Clearing the Forest': Critical Commentary on Gabriel Okara’s Postwar Ode, ‘The Dreamer’" (2011). Africana Studies Faculty Publication Series. Paper 1. http://scholarworks.umb.edu/africana_faculty_pubs/1 This Article is brought to you for free and open access by the Africana Studies at ScholarWorks at UMass Boston. It has been accepted for inclusion in Africana Studies Faculty Publication Series by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. ‘Clearing the Forest’: Critical Commentary on Gabriel Okara’s Postwar Ode, ‘The Dreamer’ Chukwuma Azuonye Professor of African & African Diaspora Literatures University of Massachusetts Boston And now the dreamer, with machete, Word-sharpened, is clearing the forest Of its macro-stench and venality To sow the seed that would send its roots, Unshaken by wind or storm, to its expected greatness. [Gabriel Okara, “The Dreamer,” 2006) Introduction A large body of the poetry of Gabriel Okara (b. April 24, 1921) was lost in the confusion that came with the sudden end of the Biafran war of independence from Nigeria (July 6, 1967-January 12, 1970). But a slim gathering of his verse, The Fisherman’s Invocation and Other Poems (ed. -
Your Guide to Myciti
Denne West MyCiTi ROUTES Valid from 29 November 2019 - 12 january 2020 Dassenberg Dr Klinker St Denne East Afrikaner St Frans Rd Lord Caledon Trunk routes Main Rd 234 Goedverwacht T01 Dunoon – Table View – Civic Centre – Waterfront Sand St Gousblom Ave T02 Atlantis – Table View – Civic Centre Enon St Enon St Enon Paradise Goedverwacht 246 Crown Main Rd T03 Atlantis – Melkbosstrand – Table View – Century City Palm Ln Paradise Ln Johannes Frans WEEKEND/PUBLIC HOLIDAY SERVICE PM Louw T04 Dunoon – Omuramba – Century City 7 DECEMBER 2019 – 5 JANUARY 2020 MAMRE Poeit Rd (EXCEPT CHRISTMAS DAY) 234 246 Silverstream A01 Airport – Civic Centre Silwerstroomstrand Silverstream Rd 247 PELLA N Silwerstroom Gate Mamre Rd Direct routes YOUR GUIDE TO MYCITI Pella North Dassenberg Dr 235 235 Pella Central * D01 Khayelitsha East – Civic Centre Pella Rd Pella South West Coast Rd * D02 Khayelitsha West – Civic Centre R307 Mauritius Atlantis Cemetery R27 Lisboa * D03 Mitchells Plain East – Civic Centre MyCiTi is Cape Town’s safe, reliable, convenient bus system. Tsitsikamma Brenton Knysna 233 Magnet 236 Kehrweider * D04 Kapteinsklip – Mitchells Plain Town Centre – Civic Centre 245 Insiswa Hermes Sparrebos Newlands D05 Dunoon – Parklands – Table View – Civic Centre – Waterfront SAXONSEAGoede Hoop Saxonsea Deerlodge Montezuma Buses operate up to 18 hours a day. You need a myconnect card, Clinic Montreal Dr Kolgha 245 246 D08 Dunoon – Montague Gardens – Century City Montreal Lagan SHERWOOD Grosvenor Clearwater Malvern Castlehill Valleyfield Fernande North Brutus -
Heritage Impact Assessment for the Proposed Sammy Marks Mixed
AFRICAN HERITAGE CONSULTANTS CC 2001/077745/23 DR UDO S KÜSEL P.O. Box 652 Tel/Fax: (012) 567 6046 MAGALIESKRUIN Cell: 082 498 0673 0150 E-mail: [email protected] Heritage Impact Assessment for the proposed Sammy Marks mixed-used development Remainder of Portion 2 of the Farm Zwartkoppies 364 JR, City of Tshwane Metropolitan Municipality, Gauteng Province Client: LEAP Enviro Report: Client Info: Dr Gwen Theron Dr Udo S. Küsel Tel: 012 3443582 [email protected] [email protected] African Heritage Consultants CC September 2019 Siegwalt U Küsel: Heritage Consultant, archaeologist and landscape specialist, director of Habitat Landscape Architects Pty (Ltd) Cell: 082 775 4803 E-mail: [email protected] Pr (LArch) SACLAP Reg. 20182 BL Landscape Architecture BA (Hons) Archaeology (Cum laude) MA (Archaeology) Candidate UNISA Accredited Professional Archaeologist for the SADC Region Member No. 367 Dr Udo S. Küsel African Heritage Consultants CC P.O. Box 652 Magalieskruin 0150 Tel: (012) 567 6046; Fax: 086 594 9721; Cell: 082 498 0673 E-mail: [email protected] Accredited Professional Archaeologist for the SADC Region Member No. 068 Principal Investigator Iron Age Principal Investigator Colonial Period Principal Investigator Industrial Archaeology Field Director Stone Age BA Archaeology, Anthropology and Indigenous Law, University of Pretoria 1966 MA Archaeology, University of Pretoria 1975 D. Phil, University of Pretoria 1988 Post-Graduate Diploma in Museum and Heritage Studies Dr Maria van der Ryst E-mail: [email protected] PhD (Archaeology) Wits Accredited professional archaeologist for the SADC Region Member No. 158 Principal Investigator Stone Age Principal Investigator Iron Age Field Director Colonial Period Accredited with Heritage Eastern Cape © 2019 African Heritage Consultants & Habitat Landscape Architects (Pty) Ltd RE PTN 2 Zwartkoppies 364 JR 2 Contents 1 Background information on the project ........................................................................ -
MAP of SOUTH AFRICA Nelson Mandela: the Official Exhibition Learning Resources MAP of SOUTH AFRICA
In partnership with Continue the journey. Nelson Mandela: The Official Exhibition Learning Resources MAP OF SOUTH AFRICA Nelson Mandela: The Official Exhibition Learning Resources MAP OF SOUTH AFRICA Map of South Africa They could use a visit to the exhibition, the They could: Timeline, the Introduction to Nelson Mandela • Find examples on YouTube of people Students could use the map to prepare them presentation and do their own online speaking in some of the different South for their visit to Nelson Mandela: The Official research to explore and plot: African languages Exhibition or to support follow-up work back • South Africa’s total land area in the classroom. • Listen to the South African national anthem • The number of times the UK or England which is sung in five languages. Which could fit inside it (it’s about 9 times the size are they? Why were they chosen? What of England, 5 times the size of the UK) differences can students hear in the musical styles? • Which areas are urban and rural • Try pronouncing Xhosa words such as • Its total population, and how this compares Nelson Mandela’s birth name ‘Rolihlahla’; the to other countries place where he grew up ‘Qunu’; or ‘Xhosa’ • The names of the different peoples who his birth language, using its distinctive clicks. live in South Africa and the languages If there are students or teachers with South they speak African families in the school they may be able to help with this. Or try this BBC clip: • How these peoples are distributed across https://www.bbc.co.uk/news/blogs- the different regions magazine-monitor-25356745 • Mandela’s life journey • The names of the different regions during the apartheid era and how these changed when Nelson Mandela became president • Where South Africa’s valuable natural resources such as gold and diamonds were found • South Africa’s climate. -
Yesterday • Today • Tomorrow
YESTERDAY • TODAY • TOMORROW ARTSCAPE THEATRE CENTRE | 1 OUR THEME: YESTERDAY, TODAY & TOMORROW “… in order to celebrate the achievements over the past 50 years, we need to be mindful of how it came about, build on the work of those that came before us, and lead the way to a future that is even more inclusive, more equitable and more just – a constant strife.” – Marlene le Roux Yesterday, Today and Tomorrow Rajesh Jock CHAIRPERSON Artscape Theatre Centre Artscape Theatre Centre (formally the Nico Malan Theatre) has made major advances since its inception in 1971. Relying on a strong commitment from the National Department of Sport, Arts and Culture, the theatre now celebrates its Golden Anniversary! Entertainment, arts and culture contributes to the vibrancy, heritage and activation of the Cape Town Metropolitan City as well as the Western Cape Province, and plays an important role in tourism and economic growth. Since being renamed circa 1999, Artscape has provided a modern, contemporary and world-class regional venue supporting arts and culture, and especially local talent. Artscape represents a very special organisation, comprising committed professionals, who are dedicated to the advancement of many different local and international productions in the City of Cape Town and many other parts of the Western Cape Province. Combined with the passion and commitment of major stakeholders both nationally and provincially, Artscape has become a home for all in the arts and will continue to embrace the diverse communities of the Western Cape through performers and patrons. I thank and congratulate everyone who has, over many years, dedicated their expertise, time, effort and passion to continually building this wonderful organisation and making it what it is today. -
Music Through the Lens: the Changing Position of Photographers in the South African Music Scene
Music through the Lens: The changing position of photographers in the South African music scene Fig i.1: Fokofpolisiekar with music photographers in the first few rows. Oppikoppi [Northam], 2016 © Lourens Smit Photography. by: Lionel Potgieter u12006816 Supervisor: Dr. Jimmy Pieterse October 2019 A dissertation submitted in fulfilment of the requirements for the degree MSocSci Anthropology in the Department of Anthropology and Archaeology University of Pretoria Faculty of Humanities Declaration of originality University of Pretoria The Department of Anthropology and Archaeology places great emphasis upon integrity and ethical conduct in the preparation of all written work submitted for academic evaluation. While academic staff teach you about referencing techniques and how to avoid plagiarism, you too have a responsibility in this regard. If you are at any stage uncertain as to what is required, you should speak to your lecturer before any written work is submitted. You are guilty of plagiarism if you copy something from another author’s work (e.g. a book, an article or a website) without acknowledging the source and pass it off as your own. In effect you are stealing something that belongs to someone else. This is not only the case when you copy work word-for-word (verbatim), but also when you submit someone else’s work in a slightly altered form (paraphrase) or use a line of argument without acknowledging it. You are not allowed to use work previously produced by another student. You are also not allowed to let anybody copy your work with the intention of passing if off as his/her work.