Bonhams 101 New Bond Street the south african sale Wednesday 19 March 2014 W1S 1SR

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lot 15 Irma Stern Zanzibar Woman the south african sale Wednesday 19 March at 2pm New Bond Street, London

Phyi s cal Condition of Vw ie ing Enquiries Lots in this Auction Sunday 16 March Giles Peppiatt MRICS 11.00 to 15.00 +44 (0) 20 7468 8355 PLEASE NOTE THAT THERE IS Monday 17 March NO REFERENCE IN THIS 9.00 to 16.30 Hannah O’Leary CATALOGUE TO THE PHYSICAL Tuesday 18 March +44 (0) 20 7468 8213 CONDITION OF ANY LOT. 9.00 to 16.30 INTENDING BIDDERS MUST Wednesday 19 March Elizabeth Callinicos SATISFY THEMSELVES AS TO 9.00 to 12 noon +44 (0) 20 7468 8216 THE CONDITION OF ANY LOT AS SPECIFIED IN CLAUSE 14 PREVIEW OF HIGHLIGHTS [email protected] OF THE NOTICE TO BIDDERS 580 Madison Avenue, New York CONTAINED AT THE END OF 19 - 21 February Jonathan Horwich THIS CATALOGUE. 10.00 to 17.00 Global Director, Picture Sales +44 (0) 20 7468 8280 As a courtesy to intending Sale Number [email protected] bidders, Bonhams will provide a 21431 written Indication of the physical condition of lots in this sale if a Catalogue Penny Culverwell request is received up to 24 £25.00 +27 71 342 2670 hours before the auction starts. [email protected] This written Indication is issued Illustrations subject to Clause 3 of the Notice Front cover: Lot 17 Please see page 6 for bidder to Bidders. Back cover: Lot 42 information including after-sale Inside front cover: Lot 100 collection and shipment customer services Opposite page: Lot 15 Monday to Friday 8.30 to 6.00 Inside back cover: Lot 103 +44 (0) 20 7447 7448

Bids Please see page 2 for bidder +44 (0) 20 7447 7448 information including after-sale +44 (0) 20 7447 4401 fax collection and shipment. To bid via the internet please visit bonhams.com

Please note that bids should be submitted no later than 4pm on the day prior to the sale. New bidders must also provide proof of identity when submitting bids. Failure to do this may result in your bid not being processed.

Live online bidding is available for this sale Please email [email protected] with ‘live bidding’ in the subject line 48 hours before the auction to register for this service.

Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Chairman, Colin Sheaf Deputy Colin Sheaf Chairman, Jonathan Baddeley, Andrew McKenzie, Simon Mitchell, Jeff Muse, Registered Office: Montpelier Galleries Chairman, Malcolm Barber Group Managing Antony Bennett, Matthew Bradbury, Harvey Mike Neill, Charlie O’Brien, Giles Peppiatt, Montpelier Street, London SW7 1HH Director, Matthew Girling CEO UK and Cammell, Simon Cottle, Andrew Currie, David Peter Rees, Julian Roup, Iain Rushbrook, Europe, Geoffrey Davies, Jonathan Horwich, Dallas, Paul Davidson, Jean Ghika, Charles John Sandon, Tim Schofield, Veronique +44 (0) 20 7393 3900 James Knight, Patrick Meade, Caroline Graham-Campbell, Miranda Grant, Robin Scorer, James Stratton, Roger Tappin, +44 (0) 20 7393 3905 fax Oliphant, Hugh Watchorn. Hereford, Asaph Hyman, Charles Lanning, Shahin Virani, David Williams, Michael Wynell- Camilla Lombardi, Fergus Lyons, Paul Mayow. Maudsley, Gordon McFarlan, South African Art at Bonhams

We are delighted to welcome you to what promises to be a spectacular year for South African art at Bonhams, starting with what we consider one of our best selection of artworks yet – our March auction.

2013 was another record-breaking year for South African art at Bonhams with our £4.6million (ZAR 64million) auction in March and £3.4million (ZAR 55million) auction in October. The March sale established a new record for Vladimir Tretchikoff, with the sale of his iconic work ‘Chinese Girl’ £982,050 (ZAR 13.8million). The October sale was equally successful, accentuated by the outstanding £1.2million (ZAR 21.8million) achieved for Irma Stern’s heavenly ‘Malay Bride’. Additionally, a new record was set for a post–exile work by the pioneer of South African modern art, Giles Peppiatt , as well as new world records for Director Alfred Neville Lewis, Dumile Feni and Frederick Hutchison Page, among others.

We are delighted to present here another wonderful selection of artworks that span the careers of South Africa’s most significant artists, including Irma Stern, J.H Pierneef, Alexis Preller, Ruth Everard Haden and George Pemba, all of whom have achieved record prices in these rooms in recent years.

This March, two stellar works by the distinguished colourist and poetic visionary Alexis Preller and the grand dame of South African art, Irma Stern, assume centre stage. These two artists have produced works which have attracted compelling interest beyond the diaspora of South Africans in Britain and America. ‘The Fishermen of Beau Vallon’, never before offered for public sale, is based on the images that the artist collected during his visit to the Seychelles. His superior Hannah O’Leary draughtsmanship and colour-handling eloquently Head of department capture the mythical and alluring spirit of the island. Stern’s ‘Zanzibar Woman’ – a captivating portrait representing the peak of her creative out-put in the early 1940s and a highly sought- after period – exudes a powerful aura that lies in the strength and the mystery of the sitter. Complete with the artist’s original Zanzibar frame, this sumptuous image is certain to be a strong attraction for collectors.

Elizabeth Callinicos Junior cataloguer

4 | B onhams JACOB HENDRIK PIERNEEF (1886-1957) Landscape, Sold for £713,250

Alongside these masterpieces by Preller and Stern stands a highly important artwork by one of South Africa’s most important pioneer painters, George Pemba. ‘Bisho Massacre’ is a poignant rendition of a significant event pertaining to South VLADIMIR GRIEGOROVICH TRETCHIKOFF (1913-2006) Africa’s complex history. This artwork is a vivid Chinese Girl depiction of the mass funeral held for the victims Sold for £982,050 of the September 1992 tragedy in Bisho, former capital of the Ciskei. Pemba’s distinguished draughtsmanship and ability to depict his subjects and situations as ‘’he finds them’’; with candour and simplicity, renders convincing portrayals of the community groups with which he concerned himself.

A plethora of works by the people’s painter, Vladimir Tretchikoff, including his early works produced during his time in Java during World War II, are also featured in the sale. We are delighted to be offering a rich selection of sculptures, including wonderful pieces by Lucas Sithole and Stella Shawzin. Sithole’s figurative human pieces are eloquent expressions of universal humanity, simultaneously grasping inherent qualities of a traditional and cultural Africa. These sensitive sculptures are rendered with profound tenderness, warmth and empathy. Fascinated by the human form and the universal human condition, Shawzin imbues her humanist input in her sensuous and largely figurative sculptures which are distilled in movement. With three excellent pieces by each artist on offer, we are anticipating keen interest in these lots.

London remains the premier venue for sales of South African art and we are delighted to host the South African Sale in our spectacular new £30million headquarters building at 101 New Bond Street for the first time. We would like to take this opportunity to warmly thank all those individuals and organisations around the world for their support, encouragement and assistance in contributing to the success of these auctions. We look forward to your participation in the auction, whether though our online live bidding system, by ALEXIS PRELLER (1911-1975) telephone or by personally welcoming you to view Woman with a Lyre our exhibition in London. Sold for £457,250

tesuh o th african sale | 5 Central Middlesex Sale Hospital Information Park Royal

Coronation Road W Bonhams,

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Royal Western Ave A40 R o 0 Station a 0 d Acton 0 4 Cemetery North A

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For further VAT information please contact: [email protected] 6 | B onhams * 1 Pieter Willem Frederick Wenning (South African, 1873-1921) A street scene in the Malay Quarter, signed ‘Wenning’ (lower right) oil on panel 38.1 x 27.8cm (15 x 10 15/16in). £15,000 - 20,000 ZAR270,000 - 360,000

Wenning painted another version of this work, Street in the Malay Quarter Capetown, which is illustrated in Alexander (1962, p.17) and Wenning (1976, p.88) and helps us date the work to around the time of the Influenza Epidemic in 1918-1919:

“He went for his usual visits to the Malay Quarter, to sketch or to paint. The streets were absolutely deserted, and he said it was at that time that he painted what I consider to be one of his most attractive works, a street scene in the Malay Quarter. He told me there was not a soul in sight and that all he saw whilst he was was a stray dog, obviously starved, that kept him company whilst he was at work.” (Wenning, 1976, p.87)

Bibliography F.L. Alexander, Art in South Africa, (Cape Town, 1962), pp.16-17 H. Wenning, My Father, (Cape Town, 1976), p.88

tesuh o th african sale | 7 8 | B onhams * * 2 4 Frans David Oerder (South African, 1867-1944) Frans David Oerder (South African, 1867-1944) Still life of magnolias Frederick Jacobus Bezuidenhout’s Farm, Bezuidenhout Valley signed ‘Frans Oerder’ (lower left) signed ‘F.D. Oerder’ (lower right) oil on canvas oil on canvas 40 x 47cm (15 3/4 x 18 1/2in). 48.5 x 95cm (19 1/8 x 37 3/8in). £6,000 - 9,000 £20,000 - 30,000 ZAR110,000 - 160,000 ZAR360,000 - 540,000

3 Provenance Frans David Oerder (South African, 1867-1944) Gifted to Frederick Jacobus Bezuidenhout by the artist, 1890s Trees with figure in the background Thence by direct descent to the current owner signed ‘Frans Oerder’ (lower right) oil on canvas Literature 51.5 x 62cm (20 1/4 x 24 7/16in). F.L. Alexander, Art in South Africa, (Cape Town, 1962), £5,000 - 8,000 illustrated P.53, fig.3, titled The Rand in the early days, 1899 ZAR91,000 - 150,000

Voortrekker Barend Christiaan Viljoen (1807-1859) settled at Doornfontein, named for the fountain (fontein) and thorn trees (doringbome) there. The farm was then bequeathed to Frederick Jacobus Bezuidenhout (1825-1900), who had married Barend’s only child Judith (1831-1904) in 1849. The farm was extensive; a beautiful green valley with a vlei or marsh at the bottom of the farm, stretching from Judith’s Paarl (named after Judith Viljoen), up to Cyrildene, over to Gillooly’s Farm, and the Kensington ridge in the south. Doornfontein was one of twenty farms which became the future city of .

Frans Oerder stayed at Bezuidenhout’s Farm soon after his arrival in South Africa from Holland in 1890, and the present lot was gifted to Frederick Jacobus in lieu of board and lodging.

BIBLIOGRAPHY E. Berman, Painting in South Africa, (Johannesburg, 1993), p.16

tesuh o th african sale | 9 5 Provenance Jacob Hendrik Pierneef (South African, 1886-1957) Family of Charles Newberry Transvaal landscape Thence by descent to the current owner signed and dated ‘Pierneef 18.’ (lower left); bears inscription ‘Transvaal Landscape 1918’ (to frame, verso) oil on canvas This beautiful scene of the Matapos captures the vastness and 36 x 46cm (14 3/16 x 18 1/8in). grandeur of the region south of Bulawayo where Cecil John Rhodes £10,000 - 15,000 requested to be buried with “a view of the world”. Pieter Hugo Naudé ZAR180,000 - 270,000 was similarly moved by the scene, encountered during his travels to Victoria Falls in 1897, having returned from his studies abroad the previous year. With its close attention to the effects of light and the Provenance modulations of colour in the specifically southern African environment, With Onrus Gallery, Cape Town the work reflects Esmé Berman’s assertion that “it is not without A private collection significance... that Hugo Naudé is reputed to have spent time at Barbizon before he returned to Worcester in 1896. Undoubtedly the 6 pleinairist approach to capturing the appearance of the outdoor scene Pieter Hugo Naudé (South African, 1869-1941) had coincided in Naudé’s mind with his own acute awareness of the Hermanus [landscape’s] bright and spacious nature”. signed ‘Naudé’ (lower right); bears National Gallery of South Africa label (verso) Born in Brampton, England, brothers John and Charles Newberry oil on canvasboard immigrated to Natal, South Africa, in 1864. Then they went to work on 30.5 x 40cm (12 x 15 3/4in). the bustling diamond mines of Kimberley in the early 1870s. Charles £6,000 - 9,000 Newberry became a major shareholder in Cecil John Rhodes’ Central ZAR110,000 - 160,000 Mining Company and, upon the consolidation of independent claims and the creation of De Beers, Charles’ brother John became one of its first directors, while Charles used the opportunity to fulfil the long-held 7 dream of building a classical English country estate – Prynnsberg – Pieter Hugo Naudé (South African, 1869-1941) near the Maluti Mountains. Charles Newberry and his wife, Elizabeth ‘The Blue Hills of the Matappos, Rhodesia’ Daniel (daughter of the Rev. John T. Daniel who ran the Wesleyan signed ‘Hugo Naude’ (lower right); bears label with title (verso) Mission Station near Fiksburg), collected numerous items of local art oil on canvas and artefacts in the late nineteenth century. 46.5 x 77cm (18 5/16 x 30 5/16in). £6,000 - 9,000 BIBLIOGRAPHY ZAR110,000 - 160,000 E. Berman, Painting in South Africa, (Johannesburg, 1993), p.16

10 | B onhams tesuh o th african sale | 11 8 Marthinus (Tinus) Johannes de Jongh (South African, 1885-1942) Mountainous landscape signed ‘Tinus de Jongh’ (lower left) oil on canvas 71 x 102cm (27 15/16 x 40 3/16in). £4,000 - 6,000 ZAR73,000 - 110,000

* 9 (South African, 1862- 1945) ‘Bust of Cecelia’ inscribed ‘CECELIA’ (above base) bronze 47 x 38 x 24.5cm (18 1/2 x 14 15/16 x 9 5/8in) (including base). £5,000 - 8,000 ZAR91,000 - 150,000

Literature A.E. Duffey, Anton van Wouw: The Smaller Works, (, 2008), another edition illustrated on p.146

There are three recorded bronzes of Cecelia; one life-time (Vignali) casting circa 1923 and two posthumous casts by Shepard and Barker circa 1946-1949.

We are grateful to Gerard de Kamper of the for his assistance in cataloguing this lot.

12 | B onhams * 10 Anton van Wouw (South African, 1862- 1945) ‘Laughing Basuto’ signed, dated and inscribed ‘A van Wouw sculpt Joh.burg SA 1936’ (verso) bronze 26 x 40 x 30.5cm (10 1/4 x 15 3/4 x 12in) (including base) £15,000 - 20,000 ZAR270,000 - 360,000

Provenance Acquired by Mr J. Stephen from the artist circa 1936 Thence by descent to current owner

tesuh o th african sale | 13 * 11 Jacob Hendrik Pierneef (South African, 1886-1957) Highveld Storm signed ‘J H.Pierneef’ (lower right) oil on board 41 x 56cm (16 1/8 x 22 1/16in). £100,000 - 150,000 ZAR1,800,000 - 2,700,000

14 | B onhams * 12 Jacob Hendrik Pierneef (South African, 1886-1957) Landscape with river oil on board 44 x 59.5cm (17 5/16 x 23 7/16in). £120,000 - 180,000 ZAR2,200,000 - 3,300,000

tesuh o th african sale | 15 * 13 Robert Gwelo Goodman (South African, 1871-1939) Petunias signed ‘R.G.G’ (lower left) oil on canvas 78 x 113cm (30 11/16 x 44 1/2in). £12,000 - 18,000 ZAR220,000 - 330,000

16 | B onhams * 14 (Polish, 1903-1938) ‘Landscape - Cape Town’ signed ‘Wolf Kibel’ (lower right); bears William Derry Fine Art Dealer label (verso) oil on canvasboard 23 x 28cm (9 1/16 x 11in). £20,000 - 30,000 ZAR360,000 - 540,000

tesuh o th african sale | 17 * 15 Irma Stern (South African, 1894-1966) IMPORTANT NOTICE ‘Zanzibar Woman’ Please note that, at the time of going to press, this lot is in South signed and dated ‘Irma Stern 1939’ (upper left) Africa pending the result of our export permit application to the oil on canvas South African Heritage Resources Agency (SAHRA). Please 61 x 52cm (24 x 20 1/2in). contact the department for updated information. within original Zanzibar frame £1,000,000 - 1,500,000 ZAR18,000,000 - 27,000,000

PROVENANCE Acquired directly from the artist in the 1950s Thence by direct descent to the current owner

Literature “Stern’s drawings and became the vehicles of a fictional M Arnold, Irma Stern: A feast for the Eye, (Vlaeberg, 1995), illustrated self, bearing little resemblance to Stern the assertive personality and p.114 compulsive eater”.

Irma Stern’s first introductions to the Islamic faith by the Cape Malays While her energetic nature is externalised in her artworks, it is grew into a fascination that soon appeared in various forms on her interesting to note that although she was an excellent portrait painter, canvases. The enchantment of Islam was further expounded by her she never made self-portraits. It was through her portraits, as well visit to Zanzibar, which resulted in a plethora of portraits of Malay as her studies of black and white, male and female, young and old, and Arab people - amongst which are those considered to be the eminent and ordinary people, that Stern negotiated and explored her crescendo of her creative output. In these portraits Stern emphasised own identity: woman, white, German, Jewish, spinster, wife, divorcee, sensuality and perpetuated the western belief in oriental languor and artist. Acutely conscious of the discrepancy between her internalised occidental energy. Continuously searching for the exotic, accompanied self-image and the truth of appearances, she avoided the internal gaze with her astute allure to colour, pattern and rhythm, Stern responded and instead painted fantasised portraits of others. She seldom painted strongly to other cultures and their people: those who were beautiful, old or fatigued women - like the sitter in Zanzibar Women, her models graceful and exotic, and those who were unfamiliar and contrasting to were young and graceful, exuding an aura of ease with their beauty her and her own society. and sexuality.

Zanzibar Woman represents a youthful and delicate feminine sensuality, This magnificent and sensuously delightful oriental portrait is a simultaneously reinforcing social conventions concerning femininity testament to an artist and woman who responded passionately to the within the oriental context. Her image speaks of confinement, which world and used her painting as a means of self-discovery and personal is signified by the sitter’s encompassing veil and sari; her modestly revelation. The 1930s was characterised by much change for Stern. In downcast eyes and her gaze away from the viewer imply a sense of 1934 she divorced her husband Johannes Prinz, and a year later her passivity. The woman is placed within the confines of the sumptuous father died. These two elements brought about a remarkable sense of Zanzibar frame, thereby further emphasising her stationary condition. freedom and renewed sense of self-confidence for the artist. Ironically, These elements viewed in combination prescribe her place in a social it was during this transformative time that Stern painted prolifically system that is believed to conceal its women and limit their capacity to and produced her strongest works. Her romantic and passionate move freely in public spaces. temperament manifested itself in the artworks produced from this period. Demonstrating a remarkable sense of adventure, Stern visited Stern has been criticised for her poor understanding of political and East Africa, discovering Zanzibar: surroundings that overwhelmed her social realities; her reactions to the ‘other’ were largely dominated by senses and powerfully stimulated her visual perceptions. Seeking out her perceptions which were often limited by her own cultural mindset, the idyllic, Stern was allured by the orient and produced numerous ego and psychological make-up. From an early age she grappled portraits which recorded appearances, investigated cultures, theorized with the issue of her self-controlled body, and in a letter to her friend an identity and explored the human condition. Trude Bosse she had expressed that her (Stern’s) “body bothers me, I am afraid of the eyes of strangers”. To this end, Zanzibar Woman can Stern’s superb colour-handling is seen through the pictorial dialogue be interpreted as a projection of Stern’s concept of female beauty, she creates by fusing the energetic reds, greens and pinks in the demonstrating her aspiration to be graceful, beautiful and alluring sitter’s patterned clothes, which are finely contrasted with the warm - everything that she was not. Perhaps it is during this process of flesh tones permeating the sitter’s face and bold ebony flowing through unconscious transference that Stern postulates and contemplates her her hair. Usually such a woman’s social place would be in the harem; internalised construction of female beauty which finds its expression however, here the woman is presented against a street scene with in Zanzibar Woman. The art historian Marion Arnold suggests that a small person in the distance - she is, by inference, a woman of Zanzibar. The sitter does not have a direct gaze but rather passively avoids eye contact with the viewer. Imbued with a sense of modesty and elegance, her self-containment and resigned sense of self impart dignity, accentuating her oriental exoticism.

Bibliography M. Arnold, Irma Stern: A feast for the eye, (Vlaeberg, 1995), pp.97-103 M. Arnold, Women and art in South Africa, (Cape Town, 2006), pp.81- 89

18 | B onhams tesuh o th african sale | 19 16 Irma Stern (South African, 1894-1966) Swazi Youth signed and dated ‘Irma Stern / 1929’ (lower left) oil on canvas 98.5 x 97.5cm (38 3/4 x 38 3/8in). £300,000 - 500,000 ZAR5,400,000 - 9,100,000

Provenance Purchased directly from the artist A private collection

Literature M. Arnold, Irma Stern: A Feast for the Eye, (Vlaeberg 1995), illustrated p.68

The foundations for Irma Stern’s career were established in her travels Through her travels, Stern also developed a fascination for the both within South Africa and other countries on the continent (as well dress and customs of the various native people she observed, as occasional trips to Europe). Africa, and in particular African people, often faithfully including details of jewellery, hairstyles, tattoos and would become the primary features of her oeuvre, and the application dress in her sketches and portraits, abandoning the more fanciful of her German Expressionist training ensured that her treatment of imagery of German and branching into her own more her subjects would evolve into a powerful, highly individual style of representational version of Expressionism. portraiture. The light and colour of the South African landscape had made an In the 1920s, Stern began embarking on the journeys that would indelible mark on Stern’s psyche, and in the late 1920s she often shape her future artistic endeavours, expanding her personal and combined portraiture and landscape. This is evident in Swazi Youth, geographical boundaries deeper into Africa than any of her artistic the subject placed in a carefully composed Edenic landscape marked contemporaries, and providing her with the inspiration for her later by lush green hills, rich red soil, and lustrous blue sky. Stern has used travels into the Congo and Zanzibar. During this decade, she visited great swathes of colour throughout the painting, symphonising them Umgababa, the northern Transvaal, Zululand, Natal, Swaziland and into a pure nature of curvilinear forms unmarked by the harshness Pondoland. The excitement of her observations manifests itself in a of straight lines. Swazi Youth symbolises of all the light and colour of series of breathtakingly vibrant and colourful portraits, of which Swazi Stern’s Africa, representative of the vibrancy and light she found on Youth is a brilliant example. the great continent upon fleeing a that was descending into darkness. Stern had been heavily influenced by the German Expressionist painter , who, like his contemporaries in an increasingly There are many similarities, in style and subject, between the present industrialising Germany, was turning to nature as the authentic source lot and Swazi girl, sold in these rooms on 10 September 2008, lot 313. of artistic expression. In her own career, Stern was able to turn her African heritage into authority over this natural ideal and her own The original owner of this work purchased it directly from Irma Stern derivative style of Expressionism. “Africa was considered a ‘dark’ when visiting the artist’s studio under the direction of Stern’s great continent but Stern saw it as a rich mine of light and colour that could friend Roza van Gelderen. intoxicate, challenge and arouse her vision. It allowed her to escape from the constraints of the world around her and take refuge in self- Bibliography expression. A freer vision of gesture and a greater sense of spontaneity M. Arnold, Irma Stern: A Feast for the Eye (Vlaeberg, 1995) p.100 had begun to define her work”. A. Lewis, Journeys to the Interior: Unseen works by Irma Stern 1929- 1939 (Cape Town, 2006) p.28

20 | B onhams tesuh o th african sale | 21 * 17 Alexis Preller (South African, 1911-1975) ‘The Fishermen of Beau Vallon’, 1949 signed ‘Preller’ (lower left) oil on canvas 61 x 71.5cm (24 x 28 1/8in). £150,000 - 200,000 ZAR2,700,000 - 3,600,000

Provenance Acquired directly from the artist by the current owner

Exhibited Pretoria, Pretoria Art Museum, Alexis Preller Retrospective, 24 Oct - 26 Nov 1972, no.44, illustrated b&w

Literature E. Berman & K. Nel, Alexis Preller, a Visual Biography, (Johannesburg, 2009), illustrated p. 86

Alexis Preller is one of South Africa’s major and distinguished artists It’s suggested that The Fishermen of Beau Vallon was not painted of his generation. The esteemed art critic, Esme Berman succinctly on the island, but several months after his sojourn in the Seychelles, asserts that in the same manner that his art was unusual and allowing these concepts to develop into his own creative expressions. complex, so was his unusual and complex temperament. Preller’s art Captivated by the atmosphere and the unfamiliar surroundings, Preller and his world are multi-dimensional and entwined, his allusive and formed various studies of his perceptions which went on to form buoyant spirit of expression permeated the many planes of experience the core of the group of works completed on the island and later confronted throughout his life. The images which he collected in Pretoria. It’s fitting at this point to emphasise that the process of during his perceptual experiences were later conceptualised and repetition, adaptation, variation and transformation is the approach transformed, becoming the pictorial architecture in which the artist that guided Preller’s artistic development throughout his career. The conveyed emotional, autobiographical and abstract themes. Fishermen of Beau Vallon exemplifies the creative processing and treatment that transformed an objective experience into a work of Preller’s abandon of his studio at Yggdrasil was provoked by his art. Although it was not unfaithful to its visual source, the image had search for a clean break and his need for an uncomplicated space undergone a ‘metamorphosis’, emerging as something original, unique where he could meditate in silence. Jacob Pierneef’s romantic and punctiliously crafted. descriptions of the unspoilt, tropical surroundings of the Seychelles prompted the artist to begin his journey up the East Coast of Africa in Immediately, the various shades of aquamarine blue, citrus orange and October 1948. A few days after reaching Victoria, the main town on lime green lure the viewer’s eye into this stylised scene, suggestive of Mahé and the capital of the Seychelles, Alexis went on to Beau Vallon; an incident in a folktale in which the elements have been ritualised by the bay located on the north western coast of Mahé. In a letter to his repeated telling. The composition is anchored in the saturation of the sister Minnie, Alexis relayed his early impressions of Beau Vallon: gentle hues of blue and turquoise colours, enlivened by the judicious infusions of the citrus orange fishes and the emerald green trees. It is “I have been for the most heavenly walks along the beach and have Preller’s superb colour handling which captures the sparkling spirit and been making mental notes along the way. In the small bay, in front magical yet naive atmosphere of the island. The vigour of this image of the hotel, the fishermen keep five boats. Early in the morning they is invested in the rhythm, further accentuating the whimsical charm go out – about 10 in a boat – and return late evening. It is a terrific of the work. The upward curves of the palm trees and the flow of the spectacle when they come in. Dozens of natives come running along water bring movement to an otherwise distilled scene of the fishermen to greet them, having heard the conch shells blowing . . . .The water performing their daily activities. From his observations of tribal life and is very clear – so clear that the coral can be seen nearly 20 feet below ritual, Preller created a myth by exhaling his imaginative expression the surface – and its all dramatic and beautifully lit like a stage set ...’’ into his concepts. Although Preller did not yet find his sought after African shape among the native people, the spirit of the island was Fascinated by the daily activities and lifestyle of the Seychellois harmonious with his poetic vision, giving expression to the particular which included fishing, harvesting, building boats and mending nets, spirit of the various circumstances which he experienced. amongst other activities, Preller would spend time meticulously studying the objects, scenes and figures, allowing his perceptions to Bibliography percolate over time before injecting these images with his creative E. Berman & K. Nel, Alexis Preller: Collected Images, (Johannesburg, expression. 2009), pp.85-89, 123-137

22 | B onhams tesuh o th african sale | 23 * 18 Alexis Preller (South African, 1911-1975) ‘Breying the Riems’ signed and dated ‘36 / PRELLER’ (upper right) oil on canvas 72 x 62.2cm (28 3/8 x 24 1/2in). £40,000 - 60,000 ZAR730,000 - 1,100,000

Literature E. Berman & K. Nel, Alexis Preller: Africa, the Sun and Shadows, (Johannesburg, 2009), p.29

In 1935 Preller’s mother Livvy and sister Minnie visited the aspiring artist in his newly established surroundings in London. He took great delight in showing his family artworks by the titans of post impressionism, Paul Gauguin and . Preller’s instinctual responses to these artists would persist throughout his life.

At the beginning of 1936, the artist commenced the year by devoting all his time to painting. The variety of subjects which he chose to paint reflected the range of ideas which he was exploring. While still-lifes, interiors and portraiture claimed his attention, he was more focused on figure studies. Christi Truter, an acquaintance whom the artist had recently met at a New Year’s party, became the subject for the numerous figure studies with which Preller experimented. However, several of the other figure studies included African figures, which the artist had seen while travelling to the countryside. At the start of his career, the young artist created numerous paintings of African subjects handled in a similar manner to Gauguin’s Tahitian compositions. Comparable to Gauguin’s early paintings which often depicted Tahitian women busy with simple, daily tasks, Preller too portrays an elementary task of breying the riems (preparing leather strips for various applications), rendering this early artwork an interesting genre scene. Just as Gauguin placed the heavy, hieratic figures in their own space, Preller assimilated by portraying the figure in his own space with an indeterminate mask or profile.

In the same way that Van Gogh focused on learning the essentials of figure drawing and depicting landscapes in correct perspective, Preller too began his career focusing on these two concepts. In addition to his explorations of depicting the human figure in proportionate landscapes, the bold colour handling, rhythm and design in this early work demonstrates Preller’s youthful influence by the Dutch and French masters. Breying the Riems is an apparent demonstration of Preller’s striving to achieve the resonance contained in the technique and colour handling of his idols. However, it is clear that at this early stage of the artist’s career, he was still searching for his own creative voice and specific personal direction. These African studies would soon serve as the pointer to Preller’s ultimate direction.

The artist quickly recognised that it was Africa itself: its identity and spirit; that he was hoping to reflect in his own art. The paintings of Paul Gauguin, who went to Tahiti to live among the people of a so-called ‘primitive’ society, were perhaps a more suitable guide to the direction he might follow. In the second half of 1936, the artist held two solo shows at Leon Levenson’s photographic studio in Johannesburg. Breying the Riems was included in this exhibition.

Bibliography E. Berman & K. Nel, Alexis Preller: Africa, the Sun and Shadows,(Johannesburg, 2009), pp. 27-29

24 | B onhams tesuh o th african sale | 25 * 19 Alexis Preller (South African, 1911-1975) Bearers of Provender signed and dated ‘Preller / 44’ (lower left) oil on canvas 118.3 x 36cm (46 9/16 x 14 3/16in). £40,000 - 60,000 ZAR730,000 - 1,100,000

Bearers of Provender is typical of Alexis Preller’s work in the late 1930s and early 1940s. Heavily influenced by a trip to Swaziland in 1937, Preller infused his works with imagery of the women he saw there, much in the tradition of artists like Gauguin and Irma Stern. “Preller’s idioms came directly from his immediate experience of Africa and not via the primitivist conventions of Europe. They are infused with an awareness of things unseen – a spiritual content, which has nothing to do with the purely superficial qualities of line and shape that European artists had adopted from traditional African carving.”

What is highly striking about Bearers of Provender is the use of colour, particularly the varying contrast of blues, greens and earthy mahoganies as flesh tones. Many of Preller’s other works from the 1930s utilise saturated, Fauvist colour, but here one sees the artist branching into the use of homemade paint, mixing raw pigment with an oil-and-turpentine medium to generate a thoroughly unique colour palette. The contrast of reds and turquoise would later emerge as a thematic palette throughout Preller’s career.

During the war years 1939-43, Preller served in the SA Medical Corps. Interrupting his path as an artist, Preller did not complete many works during this period. Bearers of Provender is almost identical in composition to Swazi Procession/The Feast (1939/44) and suggests that the work was at least conceived and possibly started earlier and completed in 1944 upon Preller’s return to his artistic path.

“The artist tells me that in his studio he had a very tall piece of wood, half round, and he wanted for a long time - a period in which he had been carving a good deal - to decorate this piece with figures, some carved, some inlaid with metals, bronze, brass and silver. He had to abandon this scheme, but he never lost sight of it.

“The vision matured within him during five years, and finally it took the shape of a painting. As he had visualised the beam in space, or against a skyline, he now proceeded to paint this procession of figures in the same manner: a narrow strip of teeming life cut by space, and not by the edges of the frame. It is not a particular ceremonial feast really; it is the ‘procession’, in composition, of people whom he saw going about, laden with food, fruit and fowls, as if for a feast. The title is appropriate in that those human beings, with their loads of everyday produce, seem to live in a sort of paradise of abundance. The ‘space’ is blue of varying colour, with slight indications of decorative figures. The rest of the colour is a complete range, pale and light.

“This work to my mind is an outstanding example of representing Native life in its own style, which is the style of decorative sculpture, but at the same time it reveals the spirit of yet another art and culture. Does this work not show a strong affinity with the portals of Gothic cathedrals, where not natives, but Christian saints form a procession towards Heaven?”

Bibliography E. Berman, Art & Artists of South Africa, (Cape Town, 1983), p. 351 E. Berman & K. Nel, Alexis Preller, A Visual Biography, (Johannesburg, 2009) p.98 A.C. Bouman, Painters of South Africa, (Cape Town, 1951), p. 98

26 | B onhams * 20 Alexis Preller (South African, 1911-1975) A Persian vase with flowers signed and dated ‘PRELLER 45’ (lower right); bears two Gainsborough Galleries labels and an E. Schweikerdt label (verso) oil on board 51 x 40,3cm (20 1/16 x 15 3/4in). £12,000 - 18,000 ZAR220,000 - 330,000

Provenance With Gainsborough Galleries Sale, Strauss & Co, 1 November 2010, lot 173

Literature E.Berman and K.Nel, Alexis Preller: Collected Images, (Johannesburg, 2009), illustrated b&w, p.109

tesuh o th african sale | 27 28 | B onhams * * 21 23 Jacob Hendrik Pierneef (South African, 1886-1957) Jacob Hendrik Pierneef (South African, 1886-1957) ‘Wilde Vye Boom, Sweetwaters, Louis Trichardt’ ‘Springbok Flats, scene near Warm Baths’ signed and dated ‘J.H. Pierneef 30’ (lower left) signed ‘.Pierneef’ (lower left) oil on canvas oil on board 39.2 x 54.4cm (15 7/16 x 21 7/16in). 31.7 x 41cm (12 1/2 x 16 1/’8in). £20,000 - 30,000 £30,000 - 50,000 ZAR360,000 - 540,000 ZAR540,000 - 910,000

* 22 Jacob Hendrik Pierneef (South African, 1886-1957) Karoo landscape signed ‘Pierneef’ (lower left) oil on canvas 46 x 61cm (18 1/8 x 24in). £25,000 - 35,000 ZAR450,000 - 640,000

Provenance Acquired directly from the artist, Pretoria, 1940s Thence by direct descent to the current owner

tesuh o th african sale | 29 30 | B onhams * * 24 26 W alter Whall Battiss (South African, 1906-1982) Maud Frances Eyston Sumner (South African, 1902- Man with chickens 1985) signed ‘Walter Battiss’ (lower left) Still life with flowers and fruit oil on board signed ‘SUMNER’ (lower right) 41 x 43.7cm (16 1/8 x 17 3/16in). oil on canvas £8,000 - 12,000 60 x 71.8cm (23 5/8 x 28 1/4in). ZAR150,000 - 220,000 £12,000 - 18,000 ZAR220,000 - 330,000 25 Maud Frances Eyston Sumner Provenance (South African, 1902-1985) Acquired directly from the artist, Johannesburg, circa 1970 ‘Evening Sky, Johannesburg’ Thence by direct descent to the current owner signed ‘SUMNER -’ (lower right); bears inscription ‘EVENING-SKY JOHANNESBURG’ (verso) oil on canvas 80 x 160cm (31 1/2 x 63in). £8,000 - 10,000 ZAR150,000 - 180,000

Provenance Purchased directly from the artist Thence by descent to the current owner

tesuh o th african sale | 31 * 27 Maggie (Maria Magdalena) Laubser (South African, 1886-1973) ‘Landscape with huts, mountains, tree, cows and figures’ signed ‘M. Laubser’ (lower left) oil on board 40,5 x 53,5cm (15 3/4 x 20 7/8in). £20,000 - 30,000 ZAR360,000 - 540,000

Provenance Mr I. Katzen, Johannesburg Mrs S. Hassall, Johannesburg Mr & Mrs S.C. Methuen, Natal Acquired from the above by the current owner

Literature D, Marais, : her paintings, drawings and graphics, (Johannesburg, 1994), p.287, illustration no.1151

32 | B onhams * 28 Maggie (Maria Magdalena) Laubser (South African, 1886-1973) Huts, two figures carrying calabashes and a cow signed ‘M. Laubser’ (lower left) oil on board 40,5 x 45,5cm (15 3/4 x 17 11/16in). £30,000 - 50,000 ZAR540,000 - 910,000

Provenance Sale, Strauss & Co, 7 September 2009, lot 46

the south african sale | 33 * 29 Maggie (Maria Magdalena) Laubser (South African, 1886-1973) Portrait of a young girl wearing a mauve doek signed ‘M Laubser’ (lower left) oil on board 37.3 x 35cm (14 11/16 x 13 3/4in). £25,000 - 35,000 ZAR450,000 - 640,000

Provenance Acquired by Dr A. de Villiers from the artist Thence by descent to the current owner

The diverse cultural life that was synonymous with the Cape landscape Portrait of a Girl wearing a mauve doek is a fine example of Laubser’s informed Maggie Laubser’s artistic ambitions. Her devout love of unique handling – her strong use of colour and assertive forms which nature – her feeling of the land, her humanistic vision of the humble gave her canvases a powerful impact. The young girl’s mystical life of peasants, labourers and fisherfolk, were common themes in eyes dominate the image; the tracks of pain and experience and her oeuvre. Yet all of her themes were unified by a spiritual leitmotif, the lines of character that betray the sitter’s inner life are softened the harmony and mutual dependency of natural creation. Laubser by smooth aesthetic contours. Inviolate innocence and a mysterious felt free to paint as she experienced, asserting that “no-one can inner quiet pervades the portrait – a hallmark of her portraiture. As paint according to definite rules...painting is the joy of the heart and the art historian, Esmé Berman advocates, “The key to full enjoyment awakening”. of Maggie Laubser’s style lies in the acceptance of the subjective For all her intense awareness and responsiveness to nature, Laubser pictorial reality that she defines. Her poetic imagery should not be declined to paint from the model as she preferred to observe the measured against everyday appearances, for she does not attempt to subject until she felt that its essential qualities had been impressed reproduce the actual scene. She is recreating a personal idyllic vision upon her mind. This often led to her rendering a poetic portrait which of the natural world”. was infused with a careful realism and technical proficiency. Laubser’s portraits were marked by their emotional exposure and deliberate Bibliography veering from harsh realities towards a romantic realism. She painted E. Berman, Painting in South Africa, (Pretoria, 1993), p.73 the coloured people of the Cape not as exotic creatures of nature, but J. van Rooyen, Maggie Laubser. (Cape Town, 1974), pp.17, 21 as fellow beings in whom she perceived her own simple needs.

34 | Bonhams * 30 Gerard Sekoto (South African, 1913-1993) ‘The Family on the Road’ signed ‘G.SEKOTO’ (lower right); bears Pretoria Art Museum label with title (verso) oil on board 50 x 60cm (19 11/16 x 23 5/8in). £30,000 - 50,000 ZAR540,000 - 910,000

Exhibited Pretoria, Pretoria Art Museum, Collection of The Friends, March - April 1973, no.77

The present lot dates to Sekoto’s first years in exile (1947-1950):

“The reason for my stylising at the time came out of fear of the jungles The Collection of The Friends exhibition, which included the present all around! Varieties of styles in the new place made me stubborn not lot, consisted of 150 artworks by South African artists in private to lose my personality. I therefore thought to take something apart, collections. In celebration of the sixth anniversary of Friends of the hence the rounds and ovals - trying to think as far back as possible in Pretoria Art Museum, members of the association displayed various my life.” (the artist, letter to Barbara Lindop, 14 February 1987) artworks from their private collections.

.A similar composition, Women carrying dishes c.1948-50, was We are grateful to Gerda Guldemond, curator at the Pretoria Art exhibited at the Johannesburg Art Gallery retrospective of the artist Museum, for her assistance in cataloguing this lot (1989-1990) and is illustrated in the accompanying catalogue (cat. 74).

the south african sale | 35 Tretchikoff’s mentors in Shanghai in the 1930s often painted local ‘types’: coolies, beggars, workers and monks. For these Russian émigré artists, it was a way of learning the ‘soul’ of the Orient. Tretchikoff produced this canvas in , under Japanese occupation. He had just started painting full-time. One day in 1943, he and his Javanese lover and muse Leonora Moltema saw a beggar at the side of the road, staring sightlessly at the sky. Tretchikoff found the image so evocative that he invited the man to sit for him. “He was in rags, an old man thrilled by the novelty of the occasion”, recounted the artist. “He chatted as we worked. I painted him with his hand outstretched, leaning on his staff. And behind him I painted the blackness of a void, the darkness of his world.”

Tretchikoff did three studies of the blind beggar. This is by far the most famous one. In 1948, in Cape Town, the Blind Beggar, was among the works Tretchikoff submitted to the newly convened committee that had to determine whether his paintings merited exhibition at the Association of Arts gallery. This was supposed to be his first one-man show after the war. The committee rejected his submission, which marked a beginning of his confrontation with the South African art establishment. Eventually, Tretchikoff rented a private gallery and had his first exhibition in South Africa. It proved to be a phenomenal success, which turned the previously unknown artist into a celebrity almost overnight. Blind Beggar adorned the cover of the catalogue of his shows that year. After slight alterations, this painting travelled with Tretchikoff to the US, for his first tour of North America in 1953. In San Jose, California, it was purchased by Dorothy and Vaughn Hunter. Vaughn Hunter, an architect, designed the Rosicrucian Museum building where the Tretchikoff exhibition was held. Since then, the work was in a private collection in the US.

We are grateful to Boris Gorelik for his assistance in cataloguing this lot.

* 31 Bibliography Vladimir Griegorovich Tretchikoff A. Hocking, Vladimir Tretchikoff: Pigeon’s Luck, (London, 1973), pp. (South African, 1913-2006) 134-5 & 176-7 ‘Blind Beggar’ B. Gorelik, Incredible Tretchikoff: Life of an Artist and Adventurer, signed, inscribed and dated ‘V. Tretchikoff / Java / 1943’ (lower right) (London, 2013), pp. 101, 119 oil on canvas 125.7 x 97.8cm (49 1/2 x 38 1/2in). £30,000 - 50,000 ZAR540,000 - 910,000

Literature R. Buchner, Tretchikoff, (Cape Town, 1950), illustrated in b&w B. Gorelick, Incredible Tretchikoff: Life of an Artist and Adventurer, (, 2013), illustrated in b&w p.100 A. Lamprecht, Tretchikoff: The People’s Painter, (Johannesburg, 2011), illustrated in b&w p.95

This photograph from The San Jose Mercury-News June 1953 shows three works by Vladimir Tretchikoff, who the newspaper described as a “foremost South African Artist”. Blind Beggar, Indian Dancer and Dying Swan were considered the three top works on display in the Rosicrucian Museum Gallery. Located in San Jose, the Rosicrucian Order sponsored a month long Tretchikoff exhibition in the Rosicrucian Park gallery- The show then toured the Pacific Coast and Canada before working eastward across the United States.

Blind Beggar is the Master of the Exotic at his most sombre. Executed without even a hint of glamour, it demonstrates that the scope of Tretchikoff’s work was much broader than usually believed.

36 | Bonhams * 32 Vladimir Griegorovich Tretchikoff (South African, 1913-2006) ‘Wajang Dancer, Java’ oil on canvas signed and inscribed ‘V. TRETCHIKOFF/ JAVA’ (upper right), bears the inscription ‘WAJANG DANCER’ (to stretcher verso) 78.7 x 73.7cm (31 x 29in). £25,000 - 35,000 ZAR450,000 - 640,000

Shortly after arriving in Java, Tretchikoff and his companions were handed over to the Japanese authorities and transported to Serang, the biggest town in the West of Java which was under Japanese military occupation. Verifying his claim as a stateless Russian, Tretchikoff was released on parole towards June 1942, settled in Jakarta and began painting soon after his acquittal. In his new environment, Tretchikoff was confronted with a similar fusion of European and Asian cultures which he had encountered in . Although he did not usually date his Javanese work, it has been suggested that this artwork was produced in late 1942 or early 1943.

Most of his creative output in Java was produced from 1943 onwards. His Wajang Dancer paintings were exhibited during his first exhibitions in South Africa in 1948-9.

Bibliography B. Gorelik, Incredible Tretchikoff: Life of an Artist and Adventurer, (London, 2013), pp.83-90

the south african sale | 37 * 33 Irma Stern (South African, 1894-1966) Still life with white irises signed and dated ‘Irma Stern / 1941’ (lower left) oil on canvas 61 x 61cm (24 x 24in). £200,000 - 300,000 ZAR3,600,000 - 5,400,000

“Irma’s love of the flowers she cultivated in her garden found direct expression in her large still lifes, all exuberant with a vital painterly energy. In some her flowers are hardly contained by the edge of the frame...In her still lifes, Stern eloquently integrated her exterior and interior worlds.” (Smuts, 2007)

Irma Stern’s still lifes were among her most favoured work and comprise some of her most sumptuous and desirable images. Still life painting offered her an opportunity to experiment with a wealth of colour schemes, unhindered by the ordinary tones of flesh or landscape.

Irises were a favourite subject of Stern’s for her still-lifes. Other examples include Irises (in the collection of the Irma Stern Museum) and Still life with irises, 1961 (sold in these rooms, 24 March 2010).

Bibliography: M. Arnold, Irma Stern: A Feast for the Eye, (Vlaeberg, 1995) H. Smuts, At home with Irma Stern, (Cape Town, 2007)

38 | Bonhams the south african sale | 39 34 Irma Stern (South African, 1894-1966) Mangbetu woman carrying fruit signed and dated ‘Irma Stern / 1942’ (upper right) oil on canvas 69 x 69cm (27 3/16 x 27 3/16in). £200,000 - 300,000 ZAR3,600,000 - 5,400,000

Provenance Acquired directly from the artist, circa 1944-45 A deceased estate

Irma Stern’s 1942 visit to the Congo, the first of three visits to the treated with respect due to their artistic craft. They do nothing but their country, proved to be immensely satisfying in the rich array of sensory own creative work.” Indeed, Neville Dubow comments in this regard experience it provided for the artist. Mangbetu woman carrying fruit that “In the Congo [Irma Stern] found a society whose primary needs exemplifies the bright colours as well as the more sensuous figures were still met to a degree by the work of the artist/craftsman; and she that characterised her work from the period. Stern had long been responded to this first-hand encounter with creative tribal functionalism fascinated with the native people of Africa, painting them from the with a fundamental creativity of her own. She produced a body of early days of her career. Each of her major African journeys resulted painting of extraordinary vigour and decorative control.” in a large body of new work, and the fresh subjects and surroundings of the Congo inspired Stern to paint some of the greatest canvases Mangbetu woman carrying fruit reflects Stern at the height of of her career. Her expeditions to Zanzibar and the Congo were also her powers, demonstrating her mastery of vivid colour and lively complemented by illustrated texts, provided a compelling narrative brushwork. Stern has boldly contrasted the green and blue hues of framework in which to set her vibrant canvases. the bananas with red flowers and yellow costume, all set against a pale background which lushly compliments the dark skin of the sitter. A sketch in Stern’s Congo diary provides an evocative promissory note The sitter in the present work bears similarities to Mangbetu girl and for the current lot: fluid lines denote the curvature of neck, cheeks Mangbetu Chief’s daughter, painted by Stern in the same year. and a single arm which reaches up to steady the arrangement of bananas balanced effortlessly on the sitter’s head (belying the verbal Much of the sensory inspiration Stern encountered in the Congo burst description of the bananas being carried in such enormous clusters forth in two exhibitions held in the wake of her journey: one at the that they had to be secured with a band around the forehead). This Musée Ethnographique in Elizabethville, and another in December fluidity and languor of movement is translated into oils in Mangbetu 1942 at the Gainsborough Galleries in Johannesburg. In a review woman carrying fruit, an image that captures Stern’s romantic vision of of the exhibition, Herman Charles Bosman wrote: “I am personally a society in harmony with nature. Most notably, the downcast eyes of grateful to Irma Stern for having thrust before the world, in so bold the sitter in the sketch now rise, in the painting, to meet the viewer. and uncompromising a fashion, the only things in life that matter. She has created a wide and unsentimental world, brilliant with the raw As Mona Berman recalls, beyond her aesthetic delight in the ‘exotic’, colours of feeling, where the spirit is a woven mantle, and the earth is Stern also had an anthropological interest in the people of Africa. pageantry, and hope is a cereal, and things change before the eye with Strongly independent, Stern was determined not only to observe and nearness.” sketch, but also to learn more about the traditions and rituals that unfolded around her, such as those of the Watusi and Mangbetu. The Bibliography Mangbetu were particularly renowned for their creative sensibility and M. Berman, Remembering Irma, (Cape Town, 2003), p.80 - 108 musicality. In their midst, Stern found “a rare artistic taste... Here were N. Dubow, Irma Stern, (Cape Town, 1974), p. 19 the creators of magnificent pieces of sculpture, carved out of wood, of H. Smuts, At Home With Irma Stern, (Cape Town, 2007), p. 14 fetishes and masks, grotesque and beautiful... Here live men who are I. Stern, Congo, (Pretoria, 1943), p. 23

40 | Bonhams the south african sale | 41 42 | Bonhams 35 36 Irma Stern (South African, 1894-1966) Irma Stern (South African, 1894-1966) Mother and child Still life with bowl of fruit signed ‘Irma Stern / 1941’ (upper left); bears Gainsborough Galleries signed and dated ‘Irma Stern 1949’ (upper left) label (verso) gouache watercolour 50.5 x 63cm (19 7/8 x 24 13/16in). 63.5 x 48.5cm (25 x 19 1/8in). £18,000 - 22,000 £20,000 - 30,000 ZAR330,000 - 400,000 ZAR360,000 - 540,000

the south african sale | 43 * 37 Jacob Hendrik Pierneef (South African, 1886-1957) Cloud study signed and dated ‘Pierneef 45’ (lower left) oil on canvas laid to board 40.1 x 50.6cm (15 13/16 x 19 15/16in). £20,000 - 30,000 ZAR360,000 - 540,000

44 | Bonhams * 38 Jacob Hendrik Pierneef (South African, 1886-1957) Tabazimbi, Rustenburg signed and dated ‘J.H.Pierneef 1943.’ (lower left); inscribed ‘BY TABAZIMBI. 1943 / RUSTENBURG.DIST’ (verso) oil on canvas 46 x 61cm (18 1/8 x 24in). £60,000 - 90,000 ZAR1,100,000 - 1,600,000

the south african sale | 45 39 Ruth Everard Haden (South African, 1904-1992) ‘Red Landscape’ signed ‘Ruth Everard Haden’ (lower left) and inscribed with artist’s name and title (verso); bears Bothner’s Art Gallery label (verso) oil on canvas 60 x 82cm (23 5/8 x 32 5/16in). £20,000 - 30,000 ZAR360,000 - 540,000

46 | Bonhams * 40 Ruth Everard Haden (South African, 1904-1992) Provenance ‘Mrs Wilmot of Carolina’ Acquired directly from the artist by the current owner signed ‘Ruth Everard Haden’ (lower right) oil on canvas 91.5 x 73.5cm (36 x 28 15/16in). Following several years spent studying painting in England and , £40,000 - 50,000 in 1929 Ruth married Denholm Haden and the couple settled at the ZAR730,000 - 910,000 Everard family farm ‘Bonnefoi’, and later at the neighbouring property ‘Riverlands’, near Carolina in the Eastern Transvaal (now Mpumalanga). Mrs Wilmot was the wife of a local magistrate and a good friend of Ruth’s. The present lot was originally undertaken as a commission; however the sitter apparently rejected the work as she considered it unflattering. Considered to be one of her very last works, Ruth stopped painting in 1956 because of failing eyesight. It remained in the artist’s collection at her home until the current owner purchased it from her in the mid-1980s.

the south african sale | 47 * 41 Alfred Neville Lewis (South African, 1895-1972) ‘Pnina Salzman and the Cape Town Orchestra’ signed ‘Neville Lewis’ (lower right) oil on board 25 x 35.5cm (9 13/16 x 14in). £15,000 - 20,000 ZAR270,000 - 360,000

Provenance Purchased from the artist’s widow, Countess Rosa Cecilie Karoline-Mathilde Irene Sibylla Anna zu Solms-Baruth Thence by descent to the current owner

The present lot is a small study of the much larger work by the same name (illustrated in Alexander & Cohen, plate 47). The subject is the young Israeli classical pianist Pnina Salzman (1922-2008), playing in the Cape Town Symphony Orchestra in 1948.

Bibliography L. Alexander & E. Cohen, 150 South African Paintings, (Cape Town, 1990), p.71

48 | Bonhams * 42 Alfred Neville Lewis (South African, 1895-1972) The peach pickers, Franschhoek oil on canvas 102.5 x 153cm (40 3/8 x 60 1/4in). £50,000 - 80,000 ZAR910,000 - 1,500,000

Provenance Friedrich Prinz zu Solms-Baruth, brother-in-law of the artist Purchased from the above by the current owner

This lot is accompanied by a copy of a letter, dated April 2012, from artist’s son, Frederick Henry Lewis, authenticating the work.

Born in Cape Town, Neville Lewis studied at the Slade School in London 1914-16 and was heavily influenced by the work of Sir Augustus John (1878-1961). He served in the British army in France and 1916-18, after which he took a studio in London 1919-1938, where he forged his career as a portrait painter. He was appointed an Official War Artist 1940-1943, and after the war settled near Stellenbosch, where the present lot was painted in the late 1940s.

the south african sale | 49 50 | Bonhams 43 Freida Lock (South African, 1902-1962) * 44 The furniture restorer’s workshop Freida Lock (South African, 1902-1962) signed and dated ‘Lock 51’ (upper right) A deserted street oil on paper laid to board signed and dated ‘Freida Lock 50’ (lower left); bears inscription 38 x 54cm (14 15/16 x 21 1/4in). ‘Lighted alcove with ornaments’ (to stretcher verso) £5,000 - 8,000 oil on canvasboard ZAR91,000 - 150,000 52 x 61.5cm (20 1/2 x 24 3/16in). £6,000 - 9,000 Provenance ZAR110,000 - 160,000 Acquired directly from the artist Thence by descent to the current owner * 45 Freida Lock is known for her vivid interiors: most portray Freida Lock (South African, 1902-1962) domestic interiors, but the current lot provides a glimpse into ‘The Wicker Chair’ the workshop of a furniture restorer. Large items of diverse oil on board furniture in the foreground create diagonals, leading the eye 50 x 50cm (19 11/16 x 19 11/16in). towards the slightly bent figure of the furniture restorer, hard at £6,000 - 9,000 work. Swift black accents and broken ochres further frame his ZAR110,000 - 160,000 figure. The picture depicts Robert, a Malay workman, working in the restoration workshop belonging to the father of the current owner.

the south african sale | 51 * 46 Vladimir Griegorovich Tretchikoff (South African, 1913-2006) ‘Zulu Maiden’ signed and dated ‘TRETCHIKOFF SA 58’ (lower right) oil on canvas 75.5 x 65.5cm (29 3/4 x 25 13/16in). £70,000 - 100,000 ZAR1,300,000 - 1,800,000

Provenance Sale, Stephan Welz & Co Johannesburg, 17 November 2009, lot 380

Exhibited Cape Town, IZIKO South African National Gallery, Tretchikoff: The People’s Painter, 26 May – 26 September 2011

Literature A.Lamprecht (ed.), Tretchikoff: The People’s Painter, (Johannesburg, 2011), illustrated p.170 B.Gorelick Incredible Tretchikoff: Life of an Artist and Adventurer, (United Kingdom, 2013), p.222

Shortly after Vladimir Tretchikoff’s arrival in South Africa, which would soon become his home, Tretchikoff became fascinated by the diverse group aesthetics. Cultivating his own African visual language, he created numerous portraits of African figures. This stylized African image asserted a mediated and glamorised Africanness, allowing his audience to admire the beauty of his subjects from a distance. These ‘exotic’ images did not challenge nor confront the notions associated with tribalism, neither the atrocities of the apartheid system, which by this time was firmly entrenched in South Africa.

Tretchikoff chose his sitters amongst the common people in Cape Town and some were believed to be his domestic workers, which he dressed in traditional African clothes. This artificial set-up is indicative of the artist’s disregard for accuracy, rendering these ethnic portraits as pastiches. A variety of visual elements pertaining to different cultures were assembled together for effect. Zulu Maiden wears a brown isicholo (headdress worn by married Zulu women), however this traditional item clashes with her European gold earrings and necklace, as well as with her Xhosa choker. It has been suggested that the gold earrings worn by the model, were not authentic African jewels, but were rather his wife’s hoops, accentuating the stylized glamour created in this portrait. It is the rich textures and hues of blue worked into the sitters face, complemented by the bold yet embracing shades of red dispersed though out the background, with which Tretchikoff successfully renders a poised and graceful Zulu Maiden.

Bibliography B.Gorelick, Incredible Tretchikoff: Life of an Artist and Adventurer, (United Kingdom, 2013), pp.217-226

52 | Bonhams the south african sale | 53 47 Vladimir Griegorovich Tretchikoff (South African, 1913-2006) Buddha signed ‘TRETCHIKOFF’ (lower left) oil on canvas 104 x 71.5cm (40 15/16 x 28 1/8in). £8,000 - 12,000 ZAR150,000 - 220,000

54 | Bonhams 48 Vladimir Griegorovich Tretchikoff (South African, 1913-2006) ‘Buddha’ signed ‘TRETCHIKOFF’ (lower left) oil on canvas 114 x 86cm (44 7/8 x 33 7/8in). £15,000 - 20,000 ZAR270,000 - 360,000

the south african sale | 55 * 49 Pranas Domsaitis (South African, 1880-1965) ‘In The Forest’ signed ‘Domsaitis’ (lower right); inscribed with title (verso) oil on board 52.5 x 31.5cm (20 11/16 x 12 3/8in). £4,000 - 6,000 ZAR73,000 - 110,000

* 50 Pranas Domsaitis (South African, 1880-1965) Figures on a path signed ‘Domsaitis’ (lower left) oil on canvasboard 44.5 x 60.5cm (17 1/2 x 23 13/16in). £3,000 - 5,000 ZAR54,000 - 91,000

56 | Bonhams * 51 Alfred Frederic Krenz (South African, 1899-1980) Fishermen’s Cottages, Arniston signed and dated ‘A.Krenz 61’ (lower right) oil on board 55.5 x 84cm (21 7/8 x 33 1/16in). £7,000 - 10,000 ZAR130,000 - 180,000

52 Alfred Frederic Krenz (South African, 1899-1980) Basuto Abstract signed and dated ‘A Krenz 1963’ (lower left) oil on composition board 63 x 51cm (24 13/16 x 20 1/16in). £2,000 - 3,000 ZAR36,000 - 54,000

A similar work Basuto Abstract, 1962 is illustrated in Davis- Mesman’s monograph:

“Krenz used a figure wrapped in a blanket, and abstracted the figure and its surrounds in a colourful patchwork, which gives the impression of a collage. In this respect it is very different from his other abstracts. This painting is very evocative of Africa in the earthy rich colours of rusty brown and orange.”

Bibliography E. Davis-Mesman, The Colourful Palette of Alfred Krenz, (Onrus River, 1998), p.67

the south african sale | 57 53 Christo Coetzee (South African, 1929-2001) ‘The Harlequin Fish’ signed and dated ‘Christo Coetzee 1955’ (lower right); stamped ‘CHRISTO COETZEE’ (verso) oil on canvasboard 61 x 122cm (24 x 48 1/16in). £12,000 - 18,000 ZAR220,000 - 330,000

Exhibited London, Hanover Gallery, Christo Coetzee, 1955, no.9

This work was exhibited on Coetzee’s seminal exhibition at the The imagery of the still lifes of this period is lyrical and romantic yet Hanover Gallery in London in 1955. After studying at Wits University, often strange; Grecian vases, urns, fish and crustaceans, eggs, fruit, he spent a year in London in 1951 on a postgraduate scholarship, then birdcages and boxes are grouped together in unlikely combinations. returned briefly to Johannesburg. The drudgery of clerical positions The forms and textures of the objects are echoed in the passages of compelled Coetzee to return to London at the end of 1953, when he impasto as well as incisions and scrapings into the wet paint which met the famous photographer and stylist Anthony Denney who started heighten their tactile and at times surreal qualities. Coetzee continued collecting his work and introduced him to the Hanover Gallery. painting still lifes throughout his life but the taut primordial and skeletal sensibility of the early works sets them distinctly apart from the later, The exhibition, opened by Loelia, Duchess of Westminster, comprised more tranquil compositions. 51 still lifes and portraits. The critic Oswell Blakestone wrote, “If you are weary of austerity, treat yourself to Christo Coetzee. Paints are used like We are grateful to Michael Stevenson of the Michael Stevenson jewels and the still lifes have a richness that makes us forget the hour. Gallery, Cape Town for his permission to reproduce the above Here is the atmosphere of a magic palace and the girls’ heads with footnote. crowns of flowers are passport photographs for poetry.”

58 | Bonhams 54 Adolph Stephan Friedrich Jentsch (German, 1888- 1977) Acacia Trees oil on canvas 61 x 80cm (24 x 31 1/2in). £20,000 - 30,000 ZAR360,000 - 540,000

Born in Dresden into a Lutheran family, Jentsch studied art at the “Jentsch regards it as very important to choose the right time Dresden Staatsakademie fur Bildende Kunste. While there he visited to begin and the right time to stop painting. He searched for an exhibition of ancient Chinese landscape art, which remained a the spirit of the landscape, experiencing daily the serene joy of strong influence throughout his career. He also received a travel grant, apperception, of looking at and absorbing, of identifying himself which allowed him to study the great art collections of Europe. with the landscape, and sinking so deeply into it that it is almost as if he and it were one. In the lead up to World War II, Jentsch decided to leave Germany for The world inside him harmonises with the world outside. Van Gogh South West Africa, where a cousin had started a farm. He arrived on once remarked to his brother that ‘to paint the countryside, you 22 February 1938, and never returned to Europe. He revelled in the must see it not as a tourist, but as someone who has sunk into it vast, sun-bleached land, appreciating its endless horizons. He never as deep as any potato’. That is exactly what Jentsch has done.” tired of this subject matter, although over the years his work became looser and more simplified. Like the ancient Chinese art that made Oil paintings by Jentsch are rare, as a great deal of his work was such an impact so early in his career, the emptiness, and what is left destroyed in 1975 by a fire in a storage facility. out of his paintings, proves just as important as what he chose to include. Bibliography O. Levinson, Adolph Jentsch, (Cape Town, 1974), pp. 58-59

the south african sale | 59 * * 55 56 Maurice Charles Louis van Essche Maurice Charles Louis van Essche (South African, 1906-1977) (South African, 1906-1977) View of a hilltop town Clown in Red Coat signed ‘Van Essche’ (lower right) signed ‘van essche’ (lower right) oil on board oil on canvas 26 x 46.5cm (10 1/4 x 18 5/16in). 65.3 x 46.5cm (25 11/16 x 18 5/16in). £6,000 - 9,000 £7,000 - 10,000 ZAR110,000 - 160,000 ZAR130,000 - 180,000

Antwerp-born Maurice van Essche studied at the Brussels Academy of Fine Art under James Ensor in the 1920s. In 1933 he is said to have met Henri Matisse in an artist’s supply shop in Cagnes-sur-Mer in the south of France, and spent a brief period studying under the great master at his studies in Cagnes and . In 1939 he joined a government-sponsored painting expedition to the Belgian Congo, quickly followed by a move to South Africa after the occupation of Belgium by the Germans in 1940.

Most likely painted in the late 1940s, the present lot appears to be one of the earliest examples of van Essche’s clowns, which were among his most numerous and popular paintings throughout the rest of his career. The tragicomic Pierrot was a favourite subject of modern European artists and Clown in Red Coat in particular owes much to Matisse’s influence in his use of line and primary colour.

60 | Bonhams the south african sale | 61 * * 57 58 Alexis Preller (South African, 1911-1975) Alexis Preller (South African, 1911-1975) ‘The Young King’ ‘Florentine Head’ signed and dated ‘Preller ‘57’ (lower centre) signed ‘PRELLER’ (lower right) oil on panel oil on panel 26 x 31.5cm (10 1/4 x 12 3/8in). 30.5 x 25.3cm (12 x 9 15/16in). £15,000 - 20,000 £12,000 - 18,000 ZAR270,000 - 360,000 ZAR220,000 - 330,000

Exhibited Exhibited Pretoria, Pretoria Art Museum, Alexis Preller Retrospective, October - Pretoria, Pretoria Art Museum, Alexis Preller Retrospective, October - November 1972, no.90 November 1972, no.95

Literature E. Berman & K. Nel, Alexis Preller: A visual biography, (Johannesburg, 2009), p.204

62 | Bonhams the south african sale | 63 * 59 60 Gerard Sekoto (South African, 1913-1993) Gerard Sekoto (South African, 1913-1993) Township scene Township scene signed and dated ‘SEKOTO / 59’ (lower right) signed and dated ‘G SEKOTO 59’ (lower right) gouache gouache 32.2 x 49.5cm (12 11/16 x 19 1/2in). 29 x 48.5cm (11 7/16 x 19 1/8in). £5,000 - 8,000 £7,000 - 10,000 ZAR91,000 - 150,000 ZAR130,000 - 180,000

* 61 Gerard Sekoto (South African, 1913-1993) Women in the township signed and dated ‘SEKOTO / 59’ (lower right) gouache 32.2 x 49.5cm (12 11/16 x 19 1/2in). £6,000 - 9,000 ZAR110,000 - 160,000

64 | Bonhams the south african sale | 65 * 62 Irma Stern (South African, 1894-1966) Istanbul signed and dated ‘Irma Stern 1955’ (lower right); bears inscription ‘Istanbul 1955’ (to stretcher verso) oil on canvas 69 x 81.7cm (27 3/16 x 32 3/16in). within a cast-iron wirework frame £300,000 - 500,000 ZAR5,400,000 - 9,100,000

The gouache Istanbul, 1955, in the collection of the Irma Stern Museum at UCT (catalogue no. 67 ref. C17 and included in the recent Stern by the Sea exhibition at Casa Labia in Cape Town), displays a very similar composition and may be a preparatory study for the present lot.

66 | Bonhams the south african sale 67 * 63 Irma Stern (South African, 1894-1966) ‘Fishing Boats, Amalfi’ signed and dated ‘Irma Stern 1953’ (lower right); bears inscription ‘Fishing Boats Amalfi (1953)’ (verso) oil on board 79.5 x 91.5cm (31 5/16 x 36in). £120,000 - 180,000 ZAR2,200,000 - 3,300,000

68 | Bonhams * 64 Irma Stern (South African, 1894-1966) Still life with golden-rod flowers signed ‘Irma Stern’ (upper centre) and dated ‘1957’ (upper right); bears inscription ‘Yellow Flowers in a Vase (1957)’ (to stretcher, verso) oil on canvas 85.7 x 67.9cm (33 3/4 x 26 3/4in). £60,000 - 90,000 ZAR1,100,000 - 1,600,000 the south african sale 69 65 Irma Stern (South African, 1894-1966) African portrait signed and dated ‘Irma Stern / 1952’ red chalk 54.5 x 40.5cm (21 7/16 x 15 15/16in). unframed £6,000 - 9,000 ZAR110,000 - 160,000

70 | Bonhams * 66 Eleanor Esmonde-White (South African, 1914-2007) Women and child signed ‘ESMONDE-WHITE’ (lower right) oil on canvas 51 x 40.5cm (20 1/16 x 15 15/16in). £8,000 - 12,000 ZAR150,000 - 220,000

the south african sale 71 72 | Bonhams * * 67 69 Gregoire Johannes Boonzaier (South African, 1909- Gregoire Johannes Boonzaier (South African, 1909- 2005) 2005) Cottages at Mowbray District Six, Cape Town signed and dated ‘Gregoire / 1944’ (lower right) signed and dated ‘Gregoire 1960’ (lower left) oil on board oil on canvas 29 x 39cm (11 7/16 x 15 3/8in). 50 x 60.4cm (19 11/16 x 23 3/4in). £5,000 - 7,000 £20,000 - 30,000 ZAR91,000 - 130,000 ZAR360,000 - 540,000

68 PROVENANCE Gregoire Johannes Boonzaier (South African, 1909- Acquired directly from the artist by the current owner, Cape Town, 2005) 1972 Still life signed and dated ‘Gregoire / 1961’ (upper left); inscribed ‘GREGOIRE / 1961’ (verso) oil on canvasboard 37.5 x 35cm (14 3/4 x 13 3/4in). £6,000 - 8,000 ZAR110,000 - 150,000

the south african sale 73 70 71 Stanley F. Pinker (South African, 1924-2012) Stanley F. Pinker (South African, 1924-2012) Lovers Mother and child signed ‘Stanley Pinker’ (upper right); bears inscription ‘LOVERS / signed ‘S F Pinker’ (lower right) Stanley Pinker’ (verso) oil on board oil on canvas 75.5 x 35cm (29 3/4 x 13 3/4in). 46 x 61cm (18 1/8 x 24in). £15,000 - 20,000 £15,000 - 20,000 ZAR270,000 - 360,000 ZAR270,000 - 360,000 The above work can be dated to the mid 1960s. The racial origin The Lovers, painted shortly after Pinker’s return to Cape Town from of the sitters is somewhat ambiguous, but as the artist said when Europe in 1964, is a painting not only about the sensuousness of discussing his work of a similar date Nude on a Mapoggo blanket: the human form but also the sensuousness of colour. Pinker painted mainly nudes throughout his career as a vehicle for exploring the “There was no political statement in using a black model in the mid convergence of the sensuousness of paint and colour. The intimate 1960s. I never thought of that, I thought of the painting at the time lovers interlock and fuse, becoming potent metaphors of the colonial as carrying no meaning at all, being simply a delight to the eye and and post-colonial condition, delivered in a manner which evokes senses.” a Cézannesque palette and handling. Pinker commenced on an individual and creative journey which explored the ramifications and Pinker was an artist who worked by instinct and intuition and though pictorial implications of early twentieth century modernism in his he might have been content to disassociate himself with any racial African context, rendering him the most supremely eclectic of all South meaning in his work; the statement of the above painting is very clear. African artists. Race and racial awareness permeated every corner of South African life in the 1960s so an elemental subject such as a mother and child Bibliography being depicted in mixed race cannot fail to display the iniquities of M. Stevenson, Stanley Pinker, (Cape Town, 2004), p.30 such a racially divided land.

Bibliography M. Stevenson, Stanley Pinker, (Cape Town, 2004), p.30

74 | Bonhams the south african sale 75 * 72 73 Gladys Mgudlandlu (South African, 1917-1979) Maurice Charles Louis van Essche (South Oystercatchers; Yellow flowers; Birds African, 1906-1977) two signed and dated ‘Gladys Mgudlandlu /1963’ (lower Congolese water carriers right) and one signed and dated ‘Gladys mgudlandlu / 1964’ signed ‘van essche’ (upper left) (lower right) oil on canvas gouache 38.5 x 46.7cm (15 3/16 x 18 3/8in). 75.5 x 28cm (29 3/4 x 11in); 61 x 29cm (24 x 11 7/16in); £4,000 - 6,000 75.5 x 28cm (29 3/4 x 11in). (3) ZAR73,000 - 110,000 unframed

£2,500 - 3,500 * ZAR45,000 - 64,000 74 Maurice Charles Louis van Essche (South African, 1906-1977) PROVENANCE Village scene Acquired directly from the artist by the current owner signed ‘van essche’ (lower right) oil on canvas 33 x 41cm (13 x 16 1/8in). £4,000 - 6,000 ZAR73,000 - 110,000

76 | Bonhams the south african sale 77 75 Lucas Tandokwazi Sithole (South African, 1931-1994) ‘They are my best friends’ signed ‘L.T. SITHOLE’ (to base) Zulu mahogany on liquid steel base 145 x 18 x 20cm (57 1/16 x 7 1/16 x 7 7/8in). £12,000 - 18,000 ZAR220,000 - 330,000

PROVENANCE Private Collection, UK Private Collection, Johannesburg, 1983 With Gallery 21, Johannesburg

EXHIBITED Johannesburg, Gallery 21, The Nude in 21, June 1983, no.43

LITERATURE The Star, Johannesburg, Gallery 21:The Nude 17 June 1983

The above work is listed on Fernand Haenggi’s online catalogue raisonné (www.sithole.com) as LS8306.

Lucas Sithole’s sculptures, particularly his figurative human pieces are eloquent expressions of universal humanity, while at the same time they grasp the inherent qualities of a traditional Africa and a cultural Africa. Wild creatures and his fellow men are transformed and reconstructed into simplified, semi-abstract and extraordinary shapes, emanating a striking vitality. Sithole’s art is based on strong social realism and the understanding of the dilemma of modern man. His sculptures are notably sensitive, particularly his human figures, which are rendered depicting profound tenderness, warmth and sympathy.

Although Sithole’s favourite materials for sculpture included hard woods, stone and liquid steel, his human figures are mostly carved from wood and are strongly indigenous in form. The medium and technique lend themselves ideally to Sithole’s graceful representation of the human condition. A mystic aura which is infused with simplicity and strength - a symbolic expression of emotion and feeling which is characteristic of African ritual, coalesce and form the basis of Sithole’s human figures.

This photograph from The Star of 17 June 1983 shows the opening of The Nude in 21, in which Lucas Sithole’s They are my best friends was included in the exhibition hosted by Gallery 21.

We are grateful to Fernand F. Haenggi of The Haenggi Foundation Inc. for his permission to reproduce the image in the above footnote.

Bibliography E.J. De Jager, Art Scene: Lucas Sithole, article in South African Panorama , (Pretoria, August 1975), p.1

78 | Bonhams 76 Lucas Tandokwazi Sithole (South African, 1931-1994) ‘I am very very very tired (Ngikhathele)’ signed ‘L.T SITHOLE’ (to base) Rhodesian teak on liquid base steal 55 x 10 x 10cm (21 5/8 x 3 15/16 x 3 15/16in). £7,000 - 10,000 ZAR130,000 - 180,000

PROVENANCE Private Collection, UK Private Collection, Johannesburg With Gallery 21 Johannesburg, 1973

EXHIBITED Johannesburg, Gallery 21, 1973

The above work is listed on Fernand Haenggi’s online catalogue raisonné (www.sithole.com) as LS7213.

the south african sale 79 * 77 Irma Stern (South African, 1894-1966) Still life with tiger lilies signed and dated ‘Irma Stern / 1960’ (lower right) oil on canvas 85 x 69.5cm (33 7/16 x 27 3/8in). £300,000 - 500,000 ZAR5,400,000 - 9,100,000

80 | Bonhams the south african sale 81 78 Vladimir Griegorovich Tretchikoff (South African, 1913-2006) ‘Crayfish Seller’ signed and dated ‘TRETCHIKOFF / 1968’ (upper right) oil on canvas 89 x 98cm (35 1/16 x 38 9/16in). £15,000 - 20,000 ZAR270,000 - 360,000

82 | Bonhams * 79 Vladimir Griegorovich Tretchikoff (South African, 1913-2006) ‘Flower Seller’ signed ‘TRETCHIKOFF’ (lower right); bears Iziko South African National Gallery Label (verso) oil on canvas 89 x 98.2cm (35 1/16 x 38 11/16in). £40,000 - 60,000 ZAR730,000 - 1,100,000

EXHIBITED Cape Town, IZIKO South African National Gallery, Tretchikoff: The People’s Painter, 26 May - 25 September 2011

the south african sale 83 recto

verso

* 80 Gregoire Johannes Boonzaier (South African, 1909-2005) The Malay Quarter, Cape Town (recto); Mowbray (verso) signed and dated ‘Gregoire 1965’(lower left); signed and dated ‘Gregoire 1965’ (verso) oil on board 19 x 42cm (7 1/2 x 16 9/16in). £4,000 - 6,000 ZAR73,000 - 110,000

84 | Bonhams 81 Gregoire Johannes Boonzaier (South African, 1909-2005) 1. ‘Windermere’ signed ‘Gregoire / 1962’ (lower left); bears inscription with title (verso) 2. Township scene signed ‘Gregoire / 1942’ (lower left) pastel 30 x 54cm (11 13/16 x 21 1/4in); 16.5 x 32.5cm (6 1/2 x 12 13/16in). £4,000 - 6,000 ZAR73,000 - 110,000

the south african sale 85 86 | Bonhams * * 82 84 Cecil Edwin Frans Skotnes (South African, 1926-2009) Cecil Edwin Frans Skotnes (South African, 1926-2009) Three figures Three figures signed ‘C.SKOTNES’ (lower left) signed and dated ‘C.SKOTNES 62’ (lower right) oil on incised panel painting on incised panel 91 x 122cm (35 13/16 x 48 1/16in). 93 x 107cm (36 5/8 x 42 1/8in). £5,000 - 8,000 £10,000 - 15,000 ZAR91,000 - 150,000 ZAR180,000 - 270,000

* 83 Cecil Edwin Frans Skotnes (South African, 1926-2009) Two figures signed ‘C.SKOTNES’ (lower centre) oil on incised panel 91 x 122cm (35 13/16 x 48 1/16in). £5,000 - 8,000 ZAR91,000 - 150,000

the south african sale 87 85 Gerard Sekoto (South African, 1913-1993) Bridge over the river Seine signed and dated ‘G. Sekoto ‘70’ (lower right) oil on canvas 49 x 64cm (19 5/16 x 25 3/16in). £6,000 - 8,000 ZAR110,000 - 150,000

Two other views along the Seine are illustrated in B. Lindop, Gerard Sekoto, (Randburg, 1988) pp. 244 & 245.

88 | Bonhams 86A 86B Gerard Sekoto (South African, 1913-1993) Gerard Sekoto (South African, 1913-1993) Portrait of a lady Portrait of Paul Koston signed and dated ‘G. Sekoto ‘69’ (lower left) signed and dated ‘G. Sekoto 78’ (lower left) oil on canvas oil on canvas 99.5 x 79cm (39 3/16 x 31 1/8in). 99 x 71.5cm (39 x 28 1/8in). £7,000 - 9,000 £7,000 - 9,000 ZAR130,000 - 160,000 ZAR130,000 - 160,000

Paul Koston left South Africa in 1925 and joined the US Merchant Marine, returning to Cape Town around 1930, when he entered the Socialist movement. He was Secretary of the Independent Labour Party, joined the Lenin Club and then the Workers Party of South Africa. For some time he was the party Secretary. Besides his work in the party, he also owned and ran Modern Books, the main outlet for Marxist books in Cape Town.

the south african sale 89 * 87 88 Gerard Sekoto (South African, 1913- Diederick George During (South 1993) African, 1917-1999) Figures on a township street Man with spade signed and dated ‘G SEKOTO / 71’ (lower right) signed ‘DIEDERICK.’ (lower right) oil on canvasboard oil on board 33 x 40.5cm (13 x 15 15/16in). 40 x 53cm (15 3/4 x 20 7/8in). £12,000 - 18,000 unframed ZAR220,000 - 330,000 £4,000 - 6,000 ZAR73,000 - 110,000

* 89 Francois Krige (South African, 1913- 1994) Seaweed signed and dated ‘Francois Krige 63’ (lower left) oil on canvasboard 40 x 50cm (15 3/4 x 19 11/16in). £5,000 - 8,000 ZAR91,000 - 150,000

90 | Bonhams the south african sale 91 92 | Bonhams * 90 91 Walter Whall Battiss (South African, 1906-1982) Frederick Hutchison Page (South African, 1908- ‘Running Antelope and Ghostlike Figures’ 1984) signed ‘Battiss’ (lower right); inscribed with title (to stretcher, verso) ‘A Plethora of Abercrombies’ oil on canvas signed and dated ‘Page ‘72’ (lower right); bears inscription with 73.5 x 60cm (28 15/16 x 23 5/8in). title and medium (to label, verso) £15,000 - 18,000 polymer on canvasboard ZAR270,000 - 330,000 70.5 x 91.5cm (27 3/4 x 36in). £6,000 - 9,000 ZAR110,000 - 160,000

LITERATURE J. Wright & C. Kerbel, Fred Page: Ringmaster of the Imagination, (, 2011), illustrated p.81, plate 164

the south african sale 93 * 92 Alexander Rose-Innes (South African, 1915-1996) Still life with blossom signed ‘a. Rose-Innes’ (lower left) oil on canvas 61 x 36cm (24 x 14 3/16in). £4,000 - 6,000 ZAR73,000 - 110,000

94 | Bonhams 93 Lucas Tandokwazi Sithole (South African, 1931-1994) ‘I’m no longer running’ signed ‘L. T. SITHOLE’ (under the base) wild olive wood 11 x 20 x 7cm (4 5/16 x 7 7/8). £10,000 - 15,000 ZAR180,000 - 270,000

PROVENANCE With Gallery 21, Johannesburg Acquired in 1987 by Sir Alfred and Lady M.L. Robinson, High Commissioner for Rhodesia, Johannesburg A private collection

EXHIBITED Johannesburg, Gallery 21, Mid Summer 1984, no.X26

The above work is listed on Fernand Haenggi’s online catalogue raisonné (wwww.sithole.com) as LS8116.

the south african sale 95 * 94 Alex Kumalo (South African, 1935-1988) Torso inscriber ‘II/x k’ (to bronze verso) bronze 77 x 27 x 22.5cm (30 5/16 x 10 5/8 x 8 7/8in) (including base). £7,000 - 10,000 ZAR130,000 - 180,000

* 95 Sydney Alex Kumalo (South African, 1935-1988) ‘Squatting Woman’ inscribed with title and numbered ‘9/10’ (under base) bronze 31 x 14 x 14cm (12 3/16 x 5 1/2 x 5 1/2in). £5,000 - 7,000 ZAR91,000 - 130,000

96 | Bonhams W 96 Edoardo Villa (South African, 1920-2011) LITERATURE ‘Heraldic Figure V’ C. de Klerk & G. de Kamper, Villa in Bronze, (Pretoria, 2012), p.77 stamped’ E VILLA 1964 2/6’; bears foundry stamp of Irene Metal Industries Sculpture Studio ‘IMI 30 37 182’ bronze The present lot is an adaptation of the work Heraldic figure V 202 x 47 x 40cm (79 1/2 x 18 1/2 x 15 3/4in). (illustrated in de Klerk & de Kamper, 2012, p.77 and Werth et al, 1980, £30,000 - 50,000 p.69), created for the Dorona building in Hillbrow in 1963. The first ZAR540,000 - 910,000 sculpture was created in Terrazzo. After this the adapted sculpture was cast seven times in bronze; of these, three were cast at Irene Metal Industries (IMI), three were cast by Renzo Vignali Artistic Foundry (FRV) and one was cast by The Partners Bronze Age at Hartbeespoortdam. As the Partners Bronze Age cast was not found in the original research two 4/6 editions were cast, the second one by FRV.

We are grateful to Chris de Klerk for his assistance in cataloguing this lot.

BIBLIOGRAPHY C. de Klerk & G. de Kamper, Villa in Bronze, (Pretoria, 2012) E.P. Werth et al, Edoardo Villa: Sculpture, (Johannesburg, 1980)

the south african sale 97 * 97 Conrad Theys (South African, born 1940) ‘Township - Conversations’ signed and dated ‘Theys / 1989’ (lower right); bears the inscription ‘TOWNSHIP- CONVERSATIONS / C.N.D. THEYS / 1989’ (verso) oil on canvas 41 x 52cm (16 1/8 x 20 1/2in). £5,000 - 8,000 ZAR91,000 - 150,000

98 | Bonhams 98* Conrad Theys (South African, born 1940) Still life with pomegranates and coffee pot signed and dated ‘Theys / 1970’ (upper left) oil on board 25.5 x 34.5cm (10 1/16 x 13 9/16in).

£4,000 - 6,000 ZAR73,000 - 110,000

99* Conrad Theys (South African, born 1940) Landscape with trees signed and dated ‘Theys /1970’ (lower right) oil on canvas 46 x 36cm (18 1/8 x 14 3/16in).

£4,000 - 6,000 ZAR73,000 - 110,000

the south african sale | 99 100* George Milwa Mnyaluza Pemba (South African, 1912-2001) ‘Bisho Massacre Funeral’ signed and dated ‘M PEMBA 92’ (lower left) oil on board 79 x 121cm (31 1/8 x 47 5/8in).

£50,000 - 80,000 ZAR910,000 - 1,500,000

Amongst the communities in the , George Milwa upheavals caused by the apartheid legislations. Mnyaluza Pemba was synonymous with the art of painting, yet despite At a time when South Africa was mourning those killed in the his recognition in the particular area, Pemba’s art, for many years Boipatong Massacre on June 17 1992, the Bisho Massacre added existed only in the peripheries of the South African art domain. The to the bleak political situation extending throughout the country. The George Milwa Mnyaluza Pemba Retrospective Exhibition, hosted by massacre took place on the 7 September 1992 in Bisho, then the the South African National Gallery in 1996, was instrumental in altering capital of Ciskei (an independent homeland or Bantustan). Prior to a the unknown, neglected and barely mentioned pioneer painter, serving planned protest march on Bisho, the ANC requested that regime of the to bring his work into the wider arena and evaluating his far-reaching military leader, Brigadier Joshua Gqozo, was replaced by an interim contribution and role in the history of South African art. administration that would allow for democratic reforms in the Ciskei. This was rejected by president de Klerk on the grounds that the Ciskei Under the tuition of the landscape painter, Ethel Smythe, Pemba had did not fall under South Africa’s jurisdiction. Led by top ANC officials, access to Smythe’s collection of art books which introduced him to including Chris Hani, Cyril Ramaphosa, Steve Tshwete and Ronnie the work of , Velásquez and the French impressionists. Kassrils, a mass protest march was organised. When the marchers An interesting combination of late nineteenth century naturalism and tried to cross Ciskei Defence Force lines from Transkei to enter Bisho, non-narrative painterly exploration, inspired by the French modernist Gqozo’s soldiers were instructed to open fire. The ensuing bloodshed painters, found expression in Pemba’s work, which continued to resulted in the death of 28 marchers, one soldier, and over 200 manifest in his production into the 1990s. His art was thus devoted activists were injured. to naturalism, narrative and sentimentality. Pemba’s extensive oeuvre encompassed portrait painting, landscape and group compositions Bisho Massacre Funeral is a vivid depiction of the mass funeral held for as well as ‘genre works’. While his ‘township’ genre scenes are the the victims on the 18 September 1992. The painting conveys a great most celebrated for their unpretentious qualities and elaborate honesty, deal of energy through Pemba’s use of bold and vivid colours, almost Pemba’s artworks are not simply straightforward sociological records, implying a sense of hope and faith despite the shocking realities for providing an insight into a world characterised by racial discrimination, the mourners. Each character is depicted with dignity demonstrating squalor and abject poverty – a world which existed alongside white decorum and grace in the face of a painful and shocking circumstance. society but was not often experienced by white people. Pemba’s distinguished draughtsmanship and ability to depict his subjects and situations as ‘’he finds them’’; with candour and Much of Pemba’s artworks concerned itself with the urbanisation of simplicity, renders convincing portrayals of the community groups with African people however when the Nationalist Party came to power which he concerned himself. The construction of an inward narrative in 1948, firmly anchoring and reinforcing discriminatory legislation, and strategic pictorial arrangements emphasise the delicacy of human inevitably the impact of apartheid on the daily lives of the African relations which are permeated by a tender and eloquent sentiment. people began to dominate his artworks. Pemba imparts poise and respectability onto his fellow comrades who were shamefully denied of many basic freedoms - a concern to which In 1945 the artist joined the ANC, although he never positioned himself he was always drawn, the idea of an authority of just principles and as a political artist, he depicted the joys and sorrows synonymous to an art which sought these out. George Pemba’s artworks strongly with township life. Explaining his approach in an interview in 1991, the challenge viewers to recognise his existence as his own subject, rather artist asserted that he painted freely: ‘’Some times I paint to express than simply a subject to a colonial and racist imposition. pain and sorrow. For example, I painted the train massacres and the life in hostels. But I have no motif. I get inspiration from what I see Bibliography and sometimes from what I feel. It just happens by accident that I do B. Feinberg & H.Proud (eds), George Milwa Mnyaluza Pemba: something expressing political oppression.’’ During the 1970s Pemba Retrospective Exhibition, (Cape Town, 1996), pp. 9-17 & 33-67 painted prolifically and his style matured, giving form to his unique S. Hudleston, Against All Odds: George Pemba: His Life and Works, creative voice. It was also during this time that Pemba’s artwork (Johannesburg,1996), pp.63-75 progressively began to depict poignant responses to the severe

100 | Bonhams the south african sale | 101 101* 102* Robert Griffiths Hodgins (South African, 1920-2010) Robert Griffiths Hodgins (South African, 1920-2010) ‘Mack the knife in Berlin’ ‘The Orator’ or ‘An Officer of the Old School’ inscribed and dated ‘Mack the / knife in Berlin / painted in oils in 1986 signed ‘R Hodgins’ (verso); bears inscription ‘ROBERT HODGINS / / for the Red Cross by / Robert Hodgins’ (verso) AN OFFICER OF THE / OLD SCHOOL O/C 1998/9 (verso) glazed stoneware oil on canvas 33.5cm (13 3/16in) diameter 122 x 91.5cm (48 1/16 x 36in).

£2,000 - 3,000 £20,000 - 30,000 ZAR36,000 - 54,000 ZAR360,000 - 540,000

PROVENANCE EXHIBITED Sale, SHAWCO Student welfare organisation of UCT, 1986 Johannesburg, Goodman Gallery, Robert Hodgins, May-June 2000 A private collection LITERATURE: K. Smith, ‘A Sumptuous Feast: Robert Hodgins at the Goodman’ in Art Throb, May 2000, illustrated

102 | Bonhams the south african sale | 103 103* William Joseph Kentridge (South African, born 1955) ‘Drawing from Stereoscope - Man at switchboard 1999’ signed ‘KENTRIDGE’ (lower right); bears Stephen Friedman Gallery label with title (verso) charcoal and pastel on paper 80 x 120cm (31 1/2 x 47 1/4in).

£60,000 - 90,000 ZAR1,100,000 - 1,600,000

EXHIBITED London, Stephen Friedman Gallery, William Kentridge, 14 April - 20 May 2000

LITERATURE D.Cameron, C.Christov-Bakargiev & J.M.Coetzee (eds), William Kentridge, (Hong Kong, 1999), illustrated p.28

There are numerous themes that have engaged the distinguished the traumatic events and shocking memories provoked by the harsh South African artist, William Kentridge. The historically complex and apartheid regime - Kentridge’s own memories of these events and problematic political milieu of South Africa is a prominent narrative those of others. By linking memory and trauma and his representation according form and shape to his art. The internationally acclaimed of the horror of apartheid, the atrocities and their aftermath are artist has produced a searching body of work that explores themes of portrayed in a surrealistically unique manner. colonial oppression and social conflict, loss and reconciliation, and the ephemeral nature of both personal and cultural memory. Man at Switchboard - a Kentridge alter ego - kindred spirit to Rene Magritte’s bowler - hatted man - is stuck in dull office work. An antique Drawings for Projection Series (1989 - 2003), consists of nine, short, telephone, typewriter and adding machine clutter his desk, the viewer animated, charcoal, hand-drawn films - the fusion of drawing, film and catches a glimpse of his reality as well as other realities, such as the theatre is a technique distinctive to the artist. These films were made power plant populated by ghostly switchboard operators punctuate by Kentridge during a particular cultural and historical period pertinent the drawing, representing a space which is sometimes permeable and to the South African panorama. Beginning with Johannesburg, 2nd at other times completely impenetrable. The central story however Greatest City after Paris, made in 1989 at the height of apartheid, is on the city in chaos - uprisings, violence, beatings, destruction of through to Tide Table made in 2003 at the beginning of post post- shops and city centre. The city is presented as bustling and alive, apartheid South Africa, these films themselves are acknowledged as with telegraph wires and poles, power stations and a telegraph an important source of reference of South African society. switchboard. These images of a city in chaos are juxtaposed with the work scenario, where Felix/Soho (the central figure in the films) is His charcoal drawings serve as the foundation for his “stone-age isolated and firmly entrenched in the drudgery of his work, oblivious animation”, as he calls it. Using a single drawing that he repeatedly to his city. Individually and collectively, these drawings compiled for erases and revises for any given scene in a film, Kentridge’s films the films, provide a feeling of wandering around. Playing with optical encompass trauma (personal and collective) and memory as their illusion, the drawing occupies strange practices and hybridizations. main themes. His art is particularly poignant in that his narratives include many viewpoints, finding new ways to look at historical or Bibliography contemporary situations from a different angle. These films depict D. Cameron, C. Christov-Bakargiev & J.M. Coetzee (eds), William Kentridge, (Hong Kong, 1999), pp.22-28 M. Rosenthal (ed), William Kentridge: Five Themes, (San Francisco, 2007), pp.67-85

104* W William Joseph Kentridge (South African, born 1955) ‘Domesticate the World’ signed and dated ‘KENTRIDGE 89’ (lower right); bears Natalie Knight gallery label and bears inscription ‘WILLIAM KENTRIDGE / DOMESTICATE THE WORLD’ (verso) oil and mixed media on board 134 x 83.5cm (52 3/4 x 32 7/8in).

£50,000 - 70,000 ZAR910,000 - 1,300,000

William Kentridge has spent much of his career investigating numerous themes, particularly those firmly rooted in the history of political art. Kentridge’s works are consumed by these notions and the richness inherent in his subject matter is a testament to his deep cogitation of historic events and lineage of political art in South Africa.

Domesticate the World is an overt visual investigation of politics, exploitation and identity. The central white figure is mostly naked and exposed and immediately dispatches a sense of unease. This unattractive character is mingled into the composition with subtle references from the established canon of portraiture in high European art. Kentridge gives shape to this figure through the expressive layers of his brushwork and the variety of mediums in the artwork. The stark backdrop accommodates the gesticulating figure, showing movement on a flat surface. The composition hangs as a gloomy interlude reminiscent of crumbling draconian regime and its ill and severe effects it has imposed on South African society.

Kentridge’s principal subject in the late 1970s and early 1980s was the domestic arena, the chief place of contact between whites and blacks. The plethora of artworks created during this period, in a variety of mediums, chronicled the mighty atrocities of apartheid. However, towards the end of 1989 and post-1989, Kentridge slightly shifts his focus from the concerns and protest of the apartheid regime to probing into the racial, communal, political and social identity and difference. In an interview with Mark Rosenthal, curator of modern art at Norton, the artist concludes: “I am trying to recapture moral terrain in which there aren’t really any heroes but there are victims. A world where compassion just isn’t enough.”

Bibliography M. Rosenthal, William Kentridge: A Portrait of the artist, (San Francisco, 2007), pp.36, 45

106 | Bonhams 105* W William Joseph Kentridge (South African, born 1955) ‘Head’ signed ‘W.Kentridge’ (lower right) and numbered ‘12/15’ (lower left) drypoint with hand colouring 103 x 79cm (40 9/16 x 31 1/8in). published by David Krut Fine Art, London

£45,000 - 60,000 ZAR820,000 - 1,100,000

LITERATURE uniform editions. In a medium known for its often virtually identical D. Krut (ed.), William Kentridge Prints, (Johannesburg, 2006), multiple originals, he constantly experiments during the printing with another edition illustrated p.46 changing the marks on the surface, the inking, and the addition of K. Geers (ed.), Contemporary South African Art - The Gencor wash and hand-colouring”. Collection, (Johannesburg, 1997), another edition illustrated on the front cover and p.22 Head depicts a disassociated male head; his head tilts back and his

eyes are closed. Sight and insight, or the lack thereof, is a central

theme in Kentridge’s work. The subject’s upwardly tilting chin exposes Beginning in 1992, Kentridge produced a series of monumental the carotid artery in his extended neck in what can be read as a drypoint prints of a head, with handpainting and torn shards gesture of either submission or strength: it is unclear whether these are created from varying templates, allowing for incarnations in orange eyes closed in defiance, dreaming, or death. In many ways, the Head (editioned 1993), blue (editioned 1993-8) and green (1992), though works read as a formal elaboration of the artist’s well-known 1989 the latter were never editioned. These Heads were printed by drypoint Casspirs Full of Love, though the individual head offers a more master printer Jack Shirreff, assisted by Andrew Smith, at the 107 elegiac composition and ambivalent message. Workshop in Wiltshire.

As Erik Denker has articulated, what makes Kentridge’s prints Bibliography unique is that “great variety occurs in what would normally be E. Denker, ‘William Kentridge: Metamorphosis and Memory’, in William Kentridge/Oleg Kudryashov: Against the Grain, (Washington D.C., 2009), exhibition catalogue, pp. 9-21, p.10

the south african sale | 107 106* W Deborah Margaret Bell (South African, born 1957) ‘Diary I’ (diptych) Signed, dated and numbered ‘BELL 98 6/15’ (lower centre); inscribed with title (lower centre) drypoint with colour roll and chine-collé, on two sheets 120.5 x 178cm (47 7/16 x 70 1/16in).

£3,000 - 5,000 ZAR54,000 - 91,000

108 | Bonhams 107* W Deborah Margaret Bell (South African, born 1957) ‘Displacement’ signed and dated ‘BELL 96’ (lower right) mixed media 118.5 x 160cm (46 5/8 x 63in).

£10,000 - 15,000 ZAR180,000 - 270,000

While Deborah Bell’s artworks are not prescriptive to the genre of abstraction, her use of symbols fabricate an intimate narrative of family and love. At first glance, Bell’s artworks appear to present a narrative which is innocent, free and blithe, however, as each artwork is contemplated, the ties of being human, the ideas centred on feelings and believing emerge and become notably apparent. These deceptively innocent paintings transmit a vivid range of reflections and questions which the artist poses, delivered with a unique and exquisite decisiveness.

Viewing her shapes, marks and lines as a method of writing and her personal poetic version of musical notation, Bell’s artworks are punctuated with plunging lines and rich colours. She unites colour and movement, echoes and repetitions and draws on disparate rhythms. Antique maps, snippets of actual language, forest of tear shapes, somber and shadowy hues with touches of garnet and gold coalesce - confronting the tasks of starting out, starting over and starting fresh. Sacred poise permeates her artworks revealing certain truths to which society has become oblivious.

Bibliography E. Bedford (ed), Contemporary South African Art 1985-1995, (Cape Town, 1997), pp.32-34

the south african sale | 109 108 Dylan Lewis (South African, born 1964) ‘Sitting Oriental Cat II’ signed ‘Dylan Lewis’ and numbered ‘8/15 S182’ and stamped ‘BRONZE AGE’ (to base); bears artist’s label with cast date ‘08/2006’ (under base) bronze 52 x 12 x 36cm (20 1/2 x 4 3/4 x 14 3/16in).

£6,000 - 9,000 ZAR110,000 - 160,000

110 | Bonhams 109 Stella Shawzin (South African, born 1923) ‘Mother and Baby IX’ stamped ‘Stella Shawzin’ (verso) Carrara marble 20 x 42 x 24cm (7 7/8 x 16 9/16 x 9 7/16in).

£12,000 - 18,000 ZAR220,000 - 330,000

South African born, Stella Shawzin’s sculpture is largely figurative. Drawing inspiration from South Africa’s invigorated but complex multi-racial society, it is undeniable that much of her sculpture is a visual and emotional response to her milieu. Shawzin’s primary concern is for the human form and for the universal human condition. She makes use of the simplified and bare African figure stripped of its cultural associations, tribal traditions and political affiliations - rendering an anonymous and exquisitely crafted figure into timeless space.

Mother and Baby IX is a sensuous and tender sculptural expression of one of Shawzin’s principal interests - women and children and their spiritual cord. Lyrical and subtle in anatomical form, it is the curve of the mother’s arm, the bending of her legs, the pensiveness of her unidentified head, in which Shawzin imbues her humanist input. The inexpressible and profoundly intense bond between a mother and child is further accentuated by her use of the Carrara milk - white marble, a colour which is commonly associated with light, goodness, innocence and purity.

Bibliography V.T Wechter, Stella Shawzin: Recent Sculpture, in Stella Shawzin, Weintraub Gallery exhibition catalogue (New York, 1994), pp.6-7

the south african sale | 111 110W Stella Shawzin (South African, born 1923) ‘Athlete on Horizontal Bar’ bronze 177 x 180 x 40cm (69 11/16 x 70 7/8 x 15 3/4in) (including base).

£20,000 - 30,000 ZAR360,000 - 540,000

Stella Shawzin has produced numerous distinguished cast bronze sculptures of the human form which can be found worldwide, from New York to Cape Town. When placing Shawzin’s prodigious sculpture pieces out in the open, she directly communicates her primary concern of the human condition with her audience. The monumental bronze athlete vertically strains into the air with an expression absorbed in concentration. This timeless piece of cast bronze sculpture is a meticulous study of the human form distilled in movement. The intense straining of the athlete’s muscles is juxtaposed with the poised and gentle curve of his arm. This piece evokes intense and emotional responses, inviting the viewer to consider both the earth and sky which are metaphorically conjoined with the athlete.

Bibliography V.T Wechter, Stella Shawzin: Recent Sculpture, in Stella Shawzin, Weintraub Gallery exhibition catalogue (New York, 1994), pp.6-7

112 | Bonhams the south african sale | 113 111 Stella Shawzin (South African, born 1923) ‘Balancing Figures II’ signed ‘S.S’ and numbered ‘5 / 8’ (highest foot) bronze 90 x 34 x36cm (35 7/16 x 13 3/8 x 14 3/16in).

£10,000 - 15,000 ZAR180,000 - 270,000

114 | Bonhams 112W 113W Penelope Siopis (South African, born 1953) Moshekwa Langa (South African, born 1975) ‘PINKY PINY Damage / 2002’ ‘Transfiguration of the common place’ bears Goodman Gallery label with title (verso) watercolour and collage oil and found object on canvas 138 x 100cm (54 5/16 x 39 3/8in). 152 x 92cm (59 13/16 x 36 1/4in). £2,500 - 3,500 £3,000 - 5,000 ZAR45,000 - 64,000 ZAR54,000 - 91,000

the south african sale | 115 114 Arthur Goldreich (South African, 1929-2011) ‘Mantle for Nelson’ signed and dated ‘Arthur Goldreich 1983’ (on label verso) painted collage and raffia hanging 104 x 102cm (40 15/16 x 40 3/16in).

£4,000 - 6,000 ZAR73,000 - 110,000

PROVENANCE Acquired directly from the artist A private collection

As opposition shifted from peaceful protest to violence in the 1960s, anti-apartheid struggle, a single-winged Cessna aircraft carrying two artist and designer Arthur Goldreich became a leading ANC planner. priests in dog collars took off from an airstrip in Swaziland and flew He travelled widely overseas, seeking military aid and information on across South African territory to British Bechuanaland. The “clerics” making weapons, in East Germany, and . He wrote a stepped out to a rapturous welcome from the local African National detailed plan for the overthrow of South Africa based on blowing up Congress. The escape of the freedom fighter Arthur Goldreich had key industrial targets. been accomplished.

Goldreich and his family lived on Lilliesleaf Farm, ten miles north of Nelson Mandela valued Goldreich because of his experience fighting in Johannesburg, which became the centre of planning for the ANC’s Israel during and after the War of Independence in 1948. military wing, Umkhonto we Sizwe, Spear of the Nation. On July 11 1963 the police raided the farm and took Goldreich and Walter Sisulu, Goldreich went on to head the design department of the Bezalel the ANC’s Secretary General, plus 15 others captive. Nelson Mandela Academy of Arts and Design in Jerusalem. In 1994 he returned briefly had been arrested the year before. to South Africa to attend a reunion at Lilliesleaf which has since been turned into a Museum. Unlike Mandela, Goldreich managed to escape prison with another colleague Harold Wolpe, a lawyer and ANC activist, by bribing a guard Goldreich produced the present lot, dedicated to Nelson Mandela, in and dressing up as a priests. During one of the tensest periods of the 1983, when Mandela was still incarcerated.

116 | Bonhams 115W Helmut Starcke (South African, born 1935) ‘Return of the Exile’ signed and dated ‘H. Starcke ‘06’ (lower left); bears Everard Read Gallery label with title (to stretcher, verso) acrylic on canvas 200 x 145cm (78 3/4 x 57 1/16in). £5,000 - 8,000 ZAR91,000 - 150,000

EXHIBITED Johannesburg, Everard Read, Helmut Starcke: Reflections, 3-17 May with unconventional weaponry: the instruments of the handyman, 2007, illustrated in catalogue, front cover artisan or terrorist, as opposed to the metaphysical arsenal of the avenging angel. His form has been appropriated from a nude male “From celestial rabble-rousers to political revolutionaries, Starcke’s drawing executed by Michelangelo, but it is also reminiscent of an iconography straddles the shifting spectrum of faith and fact, history illustration by Dore of the Fallen Angel (also from Milton’s Paradise and mythology. In Return of the Exile, he treads on emotionally- Lost), as well as depictions of pagan gods in classical mythology and charged turf. Possibly the most contentious painting on the exhibition, antiquity. A contemporary reading of this work renders it discomfiting given its political and racial inferences, this work depicts a dark, in terms of its suggestions of redemption, reconciliation or retribution.” sinuous angel descending through the clouds. His waist is adorned (Hazel Friedman, Everard Read exhibition catalogue, 2007)

the south african sale | 117 118 | Bonhams * W 116* W 117 William Joseph Kentridge (South African, born William Joseph Kentridge (South African, born 1955) 1955) Eight Figures ‘Entirely Not So’ signed ‘W.Kentridge’ (lower right) and numbered ‘11/40’ (lower left) signed ‘W Kentridge’ (lower right) and numbered ‘25/30’ (lower left) linocut silkscreen on BFK rives 300gsm, published by The Caversham 104 x 200cm (40 15/16 x 78 3/4in).(sheet size) Press, 2010 142.2 x 83.5cm (56 x 32 7/8in).(image size) £30,000 - 50,000 ZAR540,000 - 910,000 £4,000 - 6,000 ZAR73,000 - 110,000 LITERATURE R.Krauss, R. Malbert and K.Crickard, A Universal Archive: Kentridge as LITERATURE Printmaker, (London, 2012), another edition illustrated p.106 - 7 William Kentridge: A Universal Archive (Parts 7-23), (Sydney, 2012), Annandale Galleries exhibition catalogue, another edition illustrated In this striking linocut evocation of the procession theme, p. 21 Kentridge peoples the pictorial stage with eight figures. Some are anthropomorphised objects (a walking globe which strides out Amongst Kentridge’s most famous works are large-scale silkscreen purposefully), many part of the familiar lexicon of previous projects prints, such as the triptych Art in a State of Hope, Art in a State of (a miner with two spades, the windmill woman, Tatlin’s Monument to Grace, and Art in a State of Siege (1988), which mark his transition the Third International). Still others ‘’weld body and burden’’ to create from designing political and theatre posters into fine art printing the fusion of subject and object for which the artist is well-known. (though these domains remain interwoven in his work). Using figures While some of the characters are derived from a South African context, relating to his opera commission, The Nose, Entirely Not So, in the Cyrillic text and Soviet symbols disrupt any contextual certainty. which a suited man with a cigarette declares that things are not Moreover, these figures ‘’could be disenfranchised victims or bold as they seem, in fact “Entirely Not So” (the red streak negating the adventurers, or just hybrid objects/characters set in motion by exterior monochrome message like the line of a no-entry sign), reflects the forces’’: ambiguity lies at the heart of the work. artist’s ongoing interest in the de- and reconstruction of meaning and form. This exploration finds its culmination in a series of silkscreened As one of the most recent iterations of the procession theme statements in the 2013 exhibition No, it is at the Goodman Gallery, in Kentridge’s oeuvre, the current lot reflects the artist’s formal Johannesburg. experimentation with the linocut medium, using it to simulate the textured archival ground of his works on found paper and encyclopaedia pages.

Bibliography K.McCrickard, William Kentridge, (London, 2012), pp.39,41

the south african sale | 119 118* 119* W Deborah Margaret Bell (South African, born 1957) Deborah Margaret Bell (South African, born 1957) ‘Guardian Staffs I’ ‘Guardian Staffs II’ signed and dated ‘BELL 99’ (lower right), inscribed with title (lower signed and dated ‘BELL 99’ (lower right); inscribed with title (lower centre) centre) charcoal and mixed media on paper charcoal and mixed media on paper 120.5 x 65.5cm (47 7/16 x 25 13/16in). 120.5 x 65.5cm (47 7/16 x 25 13/16in).

£6,000 - 9,000 £6,000 - 9,000 ZAR110,000 - 160,000 ZAR110,000 - 160,000

PROVENANCE PROVENANCE Rose Korber Art, Cape Town Rose Korber Art, Cape Town

LITERATURE P. Stein (ed.), Deborah Bell, (Johannesburg, 2004), a near-identical work illustrated p.11

120 | Bonhams 120* Deborah Margaret Bell (South African, born 1957) ‘Those who came before me’ II & V both signed and dated ‘BELL / 2003’ (lower right), both inscribed with title (lower centre) watercolour and pastel 70 x 50cm (27 9/16 x 19 11/16in); 61 x 49.5cm (24 x 19 1/2in) (2)

£6,000 - 9,000 ZAR110,000 - 160,000

PROVENANCE Rose Korber Art, Cape Town

the south african sale | 121 Ben (Benedict chukwukadiBia) contact NOTICE TO BIDDERS enwonwu, M.B.e +44 (0) 207 468 8355 This notice is addressed by Bonhams to any person who may a qualified electrician on their status before doing so. Such Bonhams’ behalf which is in any way descriptive of any Lot (Nigerian, 1917-1994) [email protected] be interested in a Lot, including Bidders and potential Bidders items which are unsuitable for connection are sold as items of or as to the anticipated or likely selling price of any Lot. No (including any eventual Buyer of the Lot). For ease of reference interest for display purposes only. If you yourself do not have statement or representation by Bonhams or on its behalf in any Workers in the fields we refer to such persons as “Bidders” or “you”. 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You should be alert to the EXAMINED ON YOUR BEHALF BEFORE THE SALE. is sold by its respective Seller to the Buyer of the Lot as possibility of changes and ask in advance of bidding if there corresponding only with that part of the Entry which is have been any. 4. CONDUCT OF THE SALE printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot 1. OUR ROLE Our Sales are public auctions which persons may attend and in the Catalogue. The remainder of the Entry, which is not you should take the opportunity to do so. We do reserve the printed in bold letters, represents Bonhams’ opinion (given on In its role as Auctioneer of Lots, Bonhams acts solely for and right at our sole discretion to refuse admission to our premises behalf of the Seller) about the Lot only and is not part of the in the interests of the Seller. Bonhams’ job is to sell the Lot at or to any Sale without stating a reason. We have complete Contractual Description in accordance with which the Lot is the highest price obtainable at the Sale to a Bidder. Bonhams discretion as to whether the Sale proceeds, whether any Lot is sold by the Seller. does not act for Buyers or Bidders in this role and does not included in the Sale, the manner in which the Sale is conducted give advice to Buyers or Bidders. When it or its staff make and we may offer Lots for Sale in any order we choose Estimates statements about a Lot or, if Bonhams provides a Condition notwithstanding the numbers given to Lots in the Catalogue. In most cases, an Estimate is printed beside the Entry. Estimates Report on a Lot it is doing that on behalf of the Seller of the You should therefore check the date and starting time of the are only an expression of Bonhams’ opinion made on behalf Lot. Bidders and Buyers who are themselves not expert in Sale, whether there have been any withdrawals or late entries. of the Seller of the range where Bonhams thinks the Hammer the Lots are strongly advised to seek and obtain independent Remember that withdrawals and late entries may affect the Price for the Lot is likely to fall; it is not an Estimate of value. advice on the Lots and their value before bidding for them. time at which a Lot you are interested in is put up for Sale. We It does not take into account any VAT or Buyer’s Premium The Seller has authorised Bonhams to sell the Lot as its agent have complete discretion to refuse any bid, to nominate any payable. Lots can in fact sell for Hammer Prices below and on its behalf and, save where we expressly make it clear to bidding increment we consider appropriate, to divide any Lot, above the Estimate. Any Estimate should not be relied on as an the contrary, Bonhams acts only as agent for the Seller. Any to combine two or more Lots, to withdraw any Lot from a Sale indication of the actual selling price or value of a Lot. Estimates statement or representation we make in respect of a Lot is and, before the Sale has been closed, to put up any Lot for are in the currency of the Sale. made on the Seller’s behalf and, unless Bonhams sells a Lot auction again. Auction speeds can exceed 100 Lots to the hour as principal, not on our behalf and any Contract for Sale is and bidding increments are generally about 10%. However Condition Reports between the Buyer and the Seller and not with us. If Bonhams these do vary from Sale to Sale and from Auctioneer to In respect of most Lots, you may ask for a Condition Report on sells a Lot as principal this will either be stated in the Catalogue Auctioneer. Please check with the department organising the its physical condition from Bonhams. If you do so, this will be or an announcement to that effect will be made by the Sale for advice on this. Where a Reserve has been applied to a provided by Bonhams on behalf of the Seller free of charge. Auctioneer, or it will be stated in a notice at the Sale or an Lot, the Auctioneer may, in his absolute discretion, place bids Bonhams is not entering into a contract with you in respect insert in the Catalogue. (up to an amount not equalling or exceeding such Reserve) on of the Condition Report and accordingly does not assume behalf of the Seller. We are not responsible to you in respect of responsibility to you in respect of it. Nor does the Seller owe or Bonhams does not owe or undertake or agree to any duty the presence or absence of any Reserve in respect of any Lot. If agree to owe you as a Bidder any obligation or duty in respect or responsibility to you in contract or tort (whether direct, there is a Reserve it will normally be no higher than the lower of this free report about a Lot, which is available for your own collateral, express, implied or otherwise). If you successfully bid figure for any Estimate in the Catalogue, assuming that the inspection or for inspection by an expert instructed by you. for a Lot and buy it, at that stage Bonhams does enter into an currency of the Reserve has not fluctuated adversely against However, any written Description of the physical condition of agreement with the Buyer. The terms of that contract are set the currency of the Estimate. The Buyer will be the Bidder who the Lot contained in a Condition Report will form part of the out in our Buyer’s Agreement, which you will find at Appendix makes the highest bid acceptable to the Auctioneer for any Lot Contractual Description of the Lot under which it is sold to 2 at the back of the Catalogue. This will govern Bonhams’ (subject to any applicable Reserve) to whom the Lot is knocked any Buyer. relationship with the Buyer. down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by The Seller’s responsibility to you 2. LOTS the Auctioneer in his absolute discretion. All bids tendered will The Seller does not make or agree to make any representation relate to the actual Lot number announced by the Auctioneer. of fact or contractual promise, Guarantee or warranty and Subject to the Contractual Description printed in bold letters An electronic currency converter may be used at the Sale. This undertakes no obligation or duty, whether in contract or in in the Entry about the Lot in the Catalogue (see paragraph 3 equipment is provided as a general guide as to the equivalent tort (other than to the eventual Buyer as set out above), in below), Lots are sold to the Buyer on an “as is” basis, with amount in certain currencies of a given bid. We do not accept respect of the accuracy or completeness of any statement all faults and imperfections. Illustrations and photographs any responsibility for any errors which may occur in the use of or representation made by him or on his behalf, which is in contained in the Catalogue (other than photographs forming the currency converter. We may use video cameras to record any way descriptive of any Lot or as to the anticipated or part of the Contractual Description) or elsewhere of any Lots the Sale and may record telephone calls for reasons of security likely selling price of any Lot. Other than as set out above, are for identification purposes only. They may not reveal the and to assist in solving any disputes which may arise in relation no statement or representation in any way descriptive of a true condition of the Lot. A photograph or illustration may not to bids made at the Sale. At some Sales, for example, jewellery Lot or any Estimate is incorporated into any Contract for Sale reflect an accurate reproduction of the colour(s) of the Lot. Lots Sales, we may use screens on which images of the Lots will be between a Seller and a Buyer. are available for inspection prior to the Sale and it is for you to projected. This service is provided to assist viewing at the Sale. satisfy yourself as to each and every aspect of a Lot, including The image on the screen should be treated as an indication Bonhams’ responsibility to you its authorship, attribution, condition, provenance, history, only of the current Lot. It should be noted that all bids You have the opportunity of examining the Lot if you want to background, authenticity, style, period, age, suitability, quality, tendered will relate to the actual Lot number announced by and the Contract for Sale for a Lot is with the Seller and not roadworthiness (if relevant), origin, value and estimated selling the Auctioneer. We do not accept any responsibility for any with Bonhams; Bonhams acts as the Seller’s agent only (unless price (including the Hammer Price). It is your responsibility errors which may occur in the use of the screen. Bonhams sells the Lot as principal). to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as 5. BIDDING Bonhams undertakes no obligation to you to examine, good as that indicated by its outward appearance. In particular, investigate or carry out any tests, either in sufficient depth or parts may have been replaced or renewed and Lots may not We do not accept bids from any person who has not at all, on each Lot to establish the accuracy or otherwise of any be authentic or of satisfactory quality; the inside of a Lot may completed and delivered to us one of our Bidding Forms, Descriptions or opinions given by Bonhams, or by any person not be visible and may not be original or may be damaged, either our Bidder Registration Form, Absentee Bidding Form on Bonhams’ behalf, whether in the Catalogue or elsewhere. as for example where it is covered by upholstery or material. or Telephone Bidding Form. You will be asked for proof of Given the age of many Lots they may have been damaged and/ identity, residence and references, which, when asked for, you You should not suppose that such examinations, investigations or repaired and you should not assume that a Lot is in good must supply if your bids are to be accepted by us. Please bring or tests have occurred. condition. Electronic or mechanical parts may not operate your passport, driving licence (or similar photographic proof or may not comply with current statutory requirements. You of identity) and proof of address. We may request a deposit Bonhams does not make or agree to make any representation should not assume that electrical items designed to operate from you before allowing you to bid. We may refuse entry africa now of fact, and undertakes no obligation or duty (whether in on mains electricity will be suitable for connection to the to a Sale to any person even if that person has completed a New Bond Street contract or tort) in respect of the accuracy or completeness mains electricity supply and you should obtain a report from Bidding Form. Wednesday 21 May 2014 of any statement or representation made by Bonhams or on

NTB/MAIN/09.13/V2 122 | Bonhams bonhams.com/africanow Ben (Benedict chukwukadiBia) contact NOTICE TO BIDDERS enwonwu, M.B.e +44 (0) 207 468 8355 This notice is addressed by Bonhams to any person who may a qualified electrician on their status before doing so. Such Bonhams’ behalf which is in any way descriptive of any Lot (Nigerian, 1917-1994) [email protected] be interested in a Lot, including Bidders and potential Bidders items which are unsuitable for connection are sold as items of or as to the anticipated or likely selling price of any Lot. No (including any eventual Buyer of the Lot). For ease of reference interest for display purposes only. If you yourself do not have statement or representation by Bonhams or on its behalf in any Workers in the fields we refer to such persons as “Bidders” or “you”. Our List of expertise regarding a Lot, you should consult someone who way descriptive of any Lot or any Estimate is incorporated into signed “Chuka” (lower left) entries now invited Definitions and Glossary is incorporated into this Notice to does to advise you. We can assist in arranging facilities for you our Buyer’s Agreement. oil on board Bidders. It is at Appendix 3 at the back of the Catalogue. to carry out or have carried out more detailed inspections and Where words and phrases are used in this notice which are in tests. Please ask our staff for details. Alterations 53 x 72cm (20 7/8 x 28 3/8in) the List of Definitions, they are printed in italics. Descriptions and Estimates may be amended at Bonhams’ £25,000 - 35,000 Any person who damages a Lot will be held liable for the discretion from time to time by notice given orally or in IMPORTANT: Additional information applicable to the Sale loss caused. writing before or during a Sale. may be set out in the Catalogue for the Sale, in an insert in the Catalogue and/or in a notice displayed at the Sale venue 3. DESCRIPTIONS OF LOTS AND ESTIMATES THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST and you should read them as well. Announcements affecting FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE Contractual Description of a Lot the Sale may also be given out orally before and during the STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT The Catalogue contains an Entry about each Lot. Each Lot Sale without prior written notice. You should be alert to the EXAMINED ON YOUR BEHALF BEFORE THE SALE. is sold by its respective Seller to the Buyer of the Lot as possibility of changes and ask in advance of bidding if there corresponding only with that part of the Entry which is have been any. 4. CONDUCT OF THE SALE printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot 1. OUR ROLE Our Sales are public auctions which persons may attend and in the Catalogue. The remainder of the Entry, which is not you should take the opportunity to do so. We do reserve the printed in bold letters, represents Bonhams’ opinion (given on In its role as Auctioneer of Lots, Bonhams acts solely for and right at our sole discretion to refuse admission to our premises behalf of the Seller) about the Lot only and is not part of the in the interests of the Seller. Bonhams’ job is to sell the Lot at or to any Sale without stating a reason. We have complete Contractual Description in accordance with which the Lot is the highest price obtainable at the Sale to a Bidder. Bonhams discretion as to whether the Sale proceeds, whether any Lot is sold by the Seller. does not act for Buyers or Bidders in this role and does not included in the Sale, the manner in which the Sale is conducted give advice to Buyers or Bidders. When it or its staff make and we may offer Lots for Sale in any order we choose Estimates statements about a Lot or, if Bonhams provides a Condition notwithstanding the numbers given to Lots in the Catalogue. In most cases, an Estimate is printed beside the Entry. Estimates Report on a Lot it is doing that on behalf of the Seller of the You should therefore check the date and starting time of the are only an expression of Bonhams’ opinion made on behalf Lot. Bidders and Buyers who are themselves not expert in Sale, whether there have been any withdrawals or late entries. of the Seller of the range where Bonhams thinks the Hammer the Lots are strongly advised to seek and obtain independent Remember that withdrawals and late entries may affect the Price for the Lot is likely to fall; it is not an Estimate of value. advice on the Lots and their value before bidding for them. time at which a Lot you are interested in is put up for Sale. We It does not take into account any VAT or Buyer’s Premium The Seller has authorised Bonhams to sell the Lot as its agent have complete discretion to refuse any bid, to nominate any payable. Lots can in fact sell for Hammer Prices below and on its behalf and, save where we expressly make it clear to bidding increment we consider appropriate, to divide any Lot, above the Estimate. Any Estimate should not be relied on as an the contrary, Bonhams acts only as agent for the Seller. Any to combine two or more Lots, to withdraw any Lot from a Sale indication of the actual selling price or value of a Lot. Estimates statement or representation we make in respect of a Lot is and, before the Sale has been closed, to put up any Lot for are in the currency of the Sale. made on the Seller’s behalf and, unless Bonhams sells a Lot auction again. Auction speeds can exceed 100 Lots to the hour as principal, not on our behalf and any Contract for Sale is and bidding increments are generally about 10%. However Condition Reports between the Buyer and the Seller and not with us. If Bonhams these do vary from Sale to Sale and from Auctioneer to In respect of most Lots, you may ask for a Condition Report on sells a Lot as principal this will either be stated in the Catalogue Auctioneer. Please check with the department organising the its physical condition from Bonhams. If you do so, this will be or an announcement to that effect will be made by the Sale for advice on this. Where a Reserve has been applied to a provided by Bonhams on behalf of the Seller free of charge. Auctioneer, or it will be stated in a notice at the Sale or an Lot, the Auctioneer may, in his absolute discretion, place bids Bonhams is not entering into a contract with you in respect insert in the Catalogue. (up to an amount not equalling or exceeding such Reserve) on of the Condition Report and accordingly does not assume behalf of the Seller. We are not responsible to you in respect of responsibility to you in respect of it. Nor does the Seller owe or Bonhams does not owe or undertake or agree to any duty the presence or absence of any Reserve in respect of any Lot. If agree to owe you as a Bidder any obligation or duty in respect or responsibility to you in contract or tort (whether direct, there is a Reserve it will normally be no higher than the lower of this free report about a Lot, which is available for your own collateral, express, implied or otherwise). If you successfully bid figure for any Estimate in the Catalogue, assuming that the inspection or for inspection by an expert instructed by you. for a Lot and buy it, at that stage Bonhams does enter into an currency of the Reserve has not fluctuated adversely against However, any written Description of the physical condition of agreement with the Buyer. The terms of that contract are set the currency of the Estimate. The Buyer will be the Bidder who the Lot contained in a Condition Report will form part of the out in our Buyer’s Agreement, which you will find at Appendix makes the highest bid acceptable to the Auctioneer for any Lot Contractual Description of the Lot under which it is sold to 2 at the back of the Catalogue. This will govern Bonhams’ (subject to any applicable Reserve) to whom the Lot is knocked any Buyer. relationship with the Buyer. down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by The Seller’s responsibility to you 2. LOTS the Auctioneer in his absolute discretion. All bids tendered will The Seller does not make or agree to make any representation relate to the actual Lot number announced by the Auctioneer. of fact or contractual promise, Guarantee or warranty and Subject to the Contractual Description printed in bold letters An electronic currency converter may be used at the Sale. This undertakes no obligation or duty, whether in contract or in in the Entry about the Lot in the Catalogue (see paragraph 3 equipment is provided as a general guide as to the equivalent tort (other than to the eventual Buyer as set out above), in below), Lots are sold to the Buyer on an “as is” basis, with amount in certain currencies of a given bid. We do not accept respect of the accuracy or completeness of any statement all faults and imperfections. Illustrations and photographs any responsibility for any errors which may occur in the use of or representation made by him or on his behalf, which is in contained in the Catalogue (other than photographs forming the currency converter. We may use video cameras to record any way descriptive of any Lot or as to the anticipated or part of the Contractual Description) or elsewhere of any Lots the Sale and may record telephone calls for reasons of security likely selling price of any Lot. Other than as set out above, are for identification purposes only. They may not reveal the and to assist in solving any disputes which may arise in relation no statement or representation in any way descriptive of a true condition of the Lot. A photograph or illustration may not to bids made at the Sale. At some Sales, for example, jewellery Lot or any Estimate is incorporated into any Contract for Sale reflect an accurate reproduction of the colour(s) of the Lot. Lots Sales, we may use screens on which images of the Lots will be between a Seller and a Buyer. are available for inspection prior to the Sale and it is for you to projected. This service is provided to assist viewing at the Sale. satisfy yourself as to each and every aspect of a Lot, including The image on the screen should be treated as an indication Bonhams’ responsibility to you its authorship, attribution, condition, provenance, history, only of the current Lot. It should be noted that all bids You have the opportunity of examining the Lot if you want to background, authenticity, style, period, age, suitability, quality, tendered will relate to the actual Lot number announced by and the Contract for Sale for a Lot is with the Seller and not roadworthiness (if relevant), origin, value and estimated selling the Auctioneer. We do not accept any responsibility for any with Bonhams; Bonhams acts as the Seller’s agent only (unless price (including the Hammer Price). It is your responsibility errors which may occur in the use of the screen. Bonhams sells the Lot as principal). to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as 5. BIDDING Bonhams undertakes no obligation to you to examine, good as that indicated by its outward appearance. In particular, investigate or carry out any tests, either in sufficient depth or parts may have been replaced or renewed and Lots may not We do not accept bids from any person who has not at all, on each Lot to establish the accuracy or otherwise of any be authentic or of satisfactory quality; the inside of a Lot may completed and delivered to us one of our Bidding Forms, Descriptions or opinions given by Bonhams, or by any person not be visible and may not be original or may be damaged, either our Bidder Registration Form, Absentee Bidding Form on Bonhams’ behalf, whether in the Catalogue or elsewhere. as for example where it is covered by upholstery or material. or Telephone Bidding Form. You will be asked for proof of Given the age of many Lots they may have been damaged and/ identity, residence and references, which, when asked for, you You should not suppose that such examinations, investigations or repaired and you should not assume that a Lot is in good must supply if your bids are to be accepted by us. Please bring or tests have occurred. condition. Electronic or mechanical parts may not operate your passport, driving licence (or similar photographic proof or may not comply with current statutory requirements. You of identity) and proof of address. We may request a deposit Bonhams does not make or agree to make any representation should not assume that electrical items designed to operate from you before allowing you to bid. We may refuse entry africa now of fact, and undertakes no obligation or duty (whether in on mains electricity will be suitable for connection to the to a Sale to any person even if that person has completed a New Bond Street contract or tort) in respect of the accuracy or completeness mains electricity supply and you should obtain a report from Bidding Form. Wednesday 21 May 2014 of any statement or representation made by Bonhams or on bonhams.com/africanow NTB/MAIN/09.13/V2 Bidding in person identity of your client in advance, we will be in a position to G Gold bullion exempt from VAT on the Hammer Price Union Pay cards: these are now accepted at our Knightsbridge any Description or Estimate made of any Lot, or the conduct modern firearms specialist. All prospective Bidders are advised You should come to our Bidder registration desk at the Sale address the invoice to your principal rather than you. We will and subject to VAT at the prevailing rate on the Buyer’s and New Bond Street offices, when presented in person by the of any Sale in relation to any Lot, whether in damages, for an to consult the ˚ of bore and wall-thickness measurements venue and fill out a Bidder Registration Form on (or, if possible, require proof of the agent’s client’s identity and residence in Premium card holder. These cards are subject to a 2% surcharge. indemnity or contribution, or for a restitutionary remedy or posted in the saleroom and available from the department. before) the day of the Sale. The bidding number system is advance of any bids made by the agent on his behalf. Please • Zero rated for VAT, no VAT will be added to the Hammer otherwise, our and/or the Seller’s liability (combined, if both Bidders should note that guns are stripped only where there sometimes referred to as “paddle bidding”. You will be issued refer to our Conditions of Business and contact our Customer Price or the Buyer’s Premium Credit cards: Visa and Mastercard only. Please note there is a we and the Seller are liable) will be limited to payment of a is a strong indication of a mechanical malfunction. Stripping with a large card (a “paddle”) with a printed number on it. Services Department for further details. a Buyers from within the EU: VAT is payable at the 2% surcharge on the total invoice value when payments are sum which will not exceed by way of maximum the amount is not, otherwise, undertaken. Guns intended for use should This will be attributed to you for the purposes of the Sale. prevailing rate on just the Buyer’s Premium (NOT the made using credit cards. It may be advisable to notify your card of the Purchase Price of the Lot irrespective in any case of the be stripped and cleaned beforehand. Hammer guns should Should you be a successful Bidder you will need to ensure that 6. CONTRACTS BETWEEN THE BUYER AND SELLER Hammer Price). Buyers from outside the EU: VAT is provider of your intended purchase in advance to reduce delays nature, volume or source of any loss or damage alleged to be have their rebound mechanisms checked before use. The your number can be clearly seen by the Auctioneer and that it AND THE BUYER AND BONHAMS payable at the prevailing rate on both Hammer Price caused by us having to seek authority when you come to pay. If suffered or sum claimed as due, and irrespective of whether safety mechanisms of all guns must be tested before use. is your number which is identified as the Buyer’s. You should and Buyer’s Premium. If a Buyer, having registered under you have any questions with regard to payment, please contact the liability arises from any negligence, other tort, breach All measurements are approximate. not let anyone else use your paddle as all Lots will be invoiced On the Lot being knocked down to the Buyer, a Contract for a non-EU address, decides that the item is not to be our Customer Services Department. of contract (if any) or statutory duty or otherwise. Nothing to the name and address given on your Bidder Registration Sale of the Lot will be entered into between the Seller and exported from the EU, then he should advise Bonhams set out above will be construed as excluding or restricting Original Gun Specifications Derived from Gunmakers Form. Once an invoice is issued it will not be changed. If there the Buyer on the terms of the Contract for Sale set out in immediately. 10. COLLECTION AND STORAGE (whether directly or indirectly) our liability or excluding or The Sporting Gun Department endeavours to confirm a gun’s is any doubt as to the Hammer Price of, or whether you are the Appendix 1 at the back of the Catalogue. You will be liable to restricting any person’s rights or remedies in respect of (i) fraud, original specification and date of manufacture with makers successful Bidder of, a particular Lot, you must draw this to the pay the Purchase Price, which is the Hammer Price plus any In all other instances no VAT will be charged on the Hammer The Buyer of a Lot will not be allowed to collect it until or (ii) death or personal injury caused by our negligence (or by who hold their original records. attention of the Auctioneer before the next Lot is offered for applicable VAT. At the same time, a separate contract is also Price, but VAT at the prevailing rate will be added to Buyer’s payment in full and in cleared funds has been made (unless the negligence of any person under our control or for whom Sale. At the end of the Sale, or when you have finished bidding entered into between us as Auctioneers and the Buyer. This Premium which will be invoiced on a VAT inclusive basis. we have made a special arrangement with the Buyer). For we are legally responsible), or (iii) acts or omissions for which Licensing Requirements please return your paddle to the Bidder registration desk. is our Buyer’s Agreement, the terms of which are set out in collection and removal of purchased Lots, please refer to Sale we are liable under the Occupiers Liability Act 1957, or (iv) Firearms Act 1968 as amended Appendix 2 at the back of the Catalogue. Please read the terms 9. PAYMENT Information at the front of the Catalogue. Our offices are any other liability to the extent the same may not be excluded Bonhams is constantly reviewing its procedures and would Bidding by telephone (only available on lots with a of the Contract for Sale and our Buyer’s Agreement contained open 9.00am – 5pm Monday to Friday. Details relating to or restricted as a matter of law or (v) our undertakings under remind you that, in the case of firearms or shotguns subject to low estimate greater than £400) in the Catalogue in case you are the successful Bidder. We It is of critical importance that you ensure that you have readily the collection of a Lot, the storage of a Lot and our Storage paragraphs 9 (in relation to specialist Stamp or Book Sales only) certification, to conform with current legislation, Bonhams is If you wish to bid at the Sale by telephone, please complete a may change the terms of either or both of these agreements available funds to pay the Purchase Price and the Buyer’s Contractor after the Sale are set out in the Catalogue. and 10 of the Buyer’s Agreement. The same applies in respect required to see, as appropriate, your original registered firearms Telephone Bidding Form, which is available from our offices or in advance of their being entered into, by setting out different Premium (plus VAT and any other charges and Expenses to us) of the Seller, as if references to us in this paragraph were dealer’s certificate / shot gun certificate / firearm certificate / in the Catalogue. Please then return it to the office responsible terms in the Catalogue and/or by placing an insert in the in full before making a bid for the Lot. If you are a successful 11. SHIPPING substituted with references to the Seller. museum firearms licence / Section 5 authority or import licence for the Sale at least 24 hours in advance of the Sale. It is your Catalogue and/or by notices at the Sale venue and/or by oral Bidder, payment will be due to us by 4.30 pm on the second (or details of any exemption from which you may benefit, for responsibility to check with our Bids Office that your bid has announcements before and during the Sale. You should be working day after the Sale so that all sums are cleared by Please refer all enquiries to our shipping department on: 15. BOOKS instance Crown servant status) for the firearm(s) you have been received. Telephone calls will be recorded. The telephone alert to this possibility of changes and ask if there have been the eighth working day after the Sale. Unless agreed by us in Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 purchased prior to taking full payment of the amount shown bidding facility is a discretionary service and may not be any. advance payments made by anyone other than the registered Email: [email protected] As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of available in relation to all Lots. We will not be responsible for Buyer will not be accepted. Payment will have to be by one of to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially bidding on your behalf if you are unavailable at the time of 7. BUYER’S PREMIUM AND OTHER CHARGES the following methods (all cheques should be made payable to 12. EXPORT/TRADE RESTRICTIONS set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of the Sale or if the telephone connection is interrupted during PAYABLE BY THE BUYER Bonhams 1793 Limited). Bonhams reserves the right to vary the in the circumstances set out in paragraph 11 of the Buyers 5% payable on presentation of your valid certificate or licence bidding. Please contact us for further details. terms of payment at any time. It is your sole responsibility to comply with all export and Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. Under the Buyer’s Agreement, a premium (the Buyer’s import regulations relating to your purchases and also to obtain unframed maps and bound manuscripts are not liable to VAT Bidding by post or fax Premium) is payable to us by the Buyer in accordance with the Sterling personal cheque drawn on a UK branch of a bank any relevant export and/or import licence(s). Export licences are on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable to Absentee Bidding Forms can be found in the back of this terms of the Buyer’s Agreement and at rates set out below, or building society: all cheques must be cleared before you issued by Arts Council England and application forms can be produce the correct paperwork, the Lot(s) will be reoffered by Catalogue and should be completed and sent to the office calculated by reference to the Hammer Price and payable in can collect your purchases; obtained from its Export Licensing Unit. The detailed provisions 16. CLOCKS AND WATCHES Bonhams in the next appropriate Sale, on standard terms for responsible for the Sale. It is in your interests to return your addition to it. Storage charges and Expenses are also payable of the export licencing arrangements can be found on the ACE Sellers, and you will be responsible for any loss incurred by form as soon as possible, as if two or more Bidders submit by the Buyer as set out in the Buyer’s Agreement. All the sums Bankers draft/building society cheque: if you can provide website http://www.artscouncil.org.uk/what-we-do/supporting- All Lots are sold “as is”, and the absence of any reference Bonhams on the original Sale to you. identical bids for a Lot, the first bid received takes preference. payable to us by the Buyer are subject to VAT. For this Sale the suitable proof of identity and we are satisfied as to the museums/cultural-property/export-controls/export-licensing/ to the condition of a clock or watch does not imply that In any event, all bids should be received at least 24 hours following rates of Buyer’s Premium will be payable by Buyers genuineness of the draft or cheque, we will allow you to collect or by phoning ACE on +44 (0)20 7973 5188. The need for the Lot is in good condition and without defects, repairs or In the case of RFD certificates and Section 5 authorities, we before the start of the Sale. Please check your Absentee of Lots: your purchases immediately; import licences varies from country to country and you should restorations. Most clocks and watches have been repaired in wish to keep an up-to-date copy on file. Please supply us with Bidding Form carefully before returning it to us, fully completed acquaint yourself with all relevant local requirements and the course of their normal lifetime and may now incorporate a Fax or photocopy. It would be helpful if you could send us an 25% up to £50,000 of the Hammer Price and signed by you. It is your responsibility to check with our Cash: you may pay for Lots purchased by you at this Sale with provisions. The refusal of any import or export licence(s) or parts not original to them. Furthermore, Bonhams makes updated copy whenever your certificate or authority is renewed 20% from £50,001 to £1,000,000 of the Hammer Price Bids Office that your bid has been received. This additional notes, coins or travellers cheques in the currency in which any delay in obtaining such licence(s) shall not permit the no representation or warranty that any clock or watch is in or changed. 12% from £1,000,001 of the Hammer Price service is complimentary and is confidential. Such bids are the Sale is conducted (but not any other currency) provided rescission of any Sale nor allow any delay in making full working order. As clocks and watches often contain fine and made at your own risk and we cannot accept liability for our that the total amount payable by you in respect of all Lots payment for the Lot. Generally, please contact our shipping complex mechanisms, Bidders should be aware that a general Lots marked ‘S1´ and bearing red labels are Section 1 firearms On certain Lots, which will be marked “AR” in the Catalogue failure to receive and/or place any such bids. All bids made purchased by you at the Sale does not exceed £3,000, or the department before the Sale if you require assistance in service, change of battery or further repair work, for which the and require a valid British Firearms certificate, RFD Licence or and which are sold for a Hammer Price of €1,000 or greater on your behalf will be made at the lowest level possible equivalent in the currency in which the Sale is conducted, at relation to export regulations. Buyer is solely responsible, may be necessary. Bidders should import licence. (converted into the currency of the Sale using the European subject to Reserves and other bids made for the Lot. Where the time when payment is made. If the amount payable by you be aware that the importation of watches such as Rolex, Frank Central Bank Reference rate prevailing on the date of the Sale), appropriate your bids will be rounded down to the nearest for Lots exceeds that sum, the balance must be paid otherwise 13. CITES REGULATIONS Muller and Corum into the United States is highly restricted. Lots marked ‘S2’ and bearing blue labels are Section 2 firearms the Additional Premium will be payable to us by the Buyer to amount consistent with the Auctioneer’s bidding increments. than in coins, notes or travellers cheques; These watches may not be shipped to the USA and can only be and require a valid British Shotgun certificate, RFD licence or cover our Expenses relating to the payment of royalties under New Bidders must also provide proof of identity and address Please be aware that all Lots marked with the symbol Y are imported personally. import licence. the Artists Resale Right Regulations 2006. The Additional when submitting bids. Failure to do this will result in your bid Sterling travellers cheques: you may pay for Lots purchased subject to CITES regulations when exporting these items Premium will be a percentage of the amount of the Hammer not being placed. by you at this Sale with travellers cheques, provided the total outside the EU. These regulations may be found at 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are Price calculated in accordance with the table below, and shall amount payable by you in respect of all Lots purchased by you http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 not exceed €12,500 (converted into the currency of the Sale Bidding via the internet at the Sale does not exceed £3,000. We will need to see your be requested from: Authority or import licence. using the European Central Bank Reference rate prevailing on Please visit our Website at http://www.bonhams.com for passport if you wish to pay using travellers cheques; Proof of Firearms the date of the Sale). Animal Health and Veterinary Laboratories Agency (AHVLA) details of how to bid via the internet. The term “proof exemption” indicates that a firearm has Lots marked with a ‘S58´ and bearing yellow labels are for Wildlife Licencing Hammer Price Percentage amount Bank transfer: you may electronically transfer funds to our been examined at a Proof House, but not proved, as either obsolete calibres and no licence is required unless ammunition Floor 1, Zone 17, Temple Quay House Bidding through an agent From €0 to €50,000 4% Trust Account. If you do so, please quote your paddle number (a) it was deemed of interest and not intended for use, or (b) is held. 2 The Square, Temple Quay Bids will be accepted as placed on behalf of the person named From €50,000.01 to €200,000 3% and invoice number as the reference. Our Trust Account details ammunition was not available. In either case, the firearm must BRISTOL BS1 6EB as the principal on the Bidding Form although we may refuse From €200,000.01 to €350,000 1% are as follows: be regarded as unsafe to fire unless subsequently proved. Unmarked Lots require no licence. Tel: +44 (0) 117 372 8774 to accept bids from an agent on behalf of a principal and will From €350,000.01 to €500,000 0.5% Firearms proved for Black Powder should not be used with Bank: National Westminster Bank Plc require written confirmation from the principal confirming Exceeding €500,000 0.25% smokeless ammunition. Please do not hesitate to contact the Modern Sporting Gun Address: PO Box 4RY 14. THE SELLERS AND/OR BONHAMS’ LIABILITY the agent’s authority to bid. Nevertheless, as the Bidding Department should you have any queries. 250 Regent Street Form explains, any person placing a bid as agent on behalf 8. VAT The term “Certificate of Unprovability” indicates that a firearm London W1A 4RY Other than any liability of the Seller to the Buyer of a Lot of another (whether or not he has disclosed that fact or the has been examined at a Proof House and is deemed both Taxidermy and Related Items Account Name: Bonhams 1793 Limited Trust Account under the Contract for Sale, neither we nor the Seller are identity of his principal) will be jointly and severally liable with The prevailing rate of VAT at the time of going to press is 20%, unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply Account Number: 25563009 liable (whether in negligence or otherwise) for any error or the principal to the Seller and to Bonhams under any contract but this is subject to government change and the rate payable such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to Sort Code: 56-00-27 misdescription or omission in any Description of a Lot or any resulting from the acceptance of a bid. Subject to the above, will be the rate in force on the date of the Sale. inform themselves of all such regulations and should expect IBAN Number: GB 33 NWBK 560027 25563009 Estimate in respect of it, whether contained in the Catalogue please let us know if you are acting on behalf of another Guns Sold as Parts the exportation of items to take some time to arrange. or otherwise, whether given orally or in writing and whether person when bidding for Lots at the Sale. The following symbols are used to denote that VAT is due on Barrels of guns sold as parts will only be made available for If paying by bank transfer, the amount received after the given before or during the Sale. Neither we nor the Seller will the Hammer Price and Buyer’s Premium: sleeving and measurements once rendered unserviceable 18. FURNITURE deduction of any bank fees and/or conversion of the currency be liable for any loss of Business, profits, revenue or income, or Equally, please let us know if you intend to nominate another † VAT at the prevailing rate on Hammer Price and Buyer’s according to the Gun Barrel Proof Act of 1968 to 1978 and the of payment to pounds sterling must not be less than the for loss of reputation, or for disruption to Business or wasted person to bid on your behalf at the Sale unless this is to be Premium Rules of Proof. Upholstered Furniture sterling amount payable, as set out on the invoice. time on the part of management or staff, or for indirect losses carried out by us pursuant to a Telephone or Absentee Bidding Ω VAT on imported items at the prevailing rate on Hammer Whilst we take every care in cataloguing furniture which has or consequential damages of any kind, irrespective in any Form that you have completed. If we do not approve the Price and Buyer’s Premium Condition of Firearms been upholstered we offer no Guarantee as to the originality Debit cards: there is no additional charge for purchases made case of the nature, volume or source of the loss or damage agency arrangements in writing before the Sale, we are entitled * VAT on imported items at a preferential rate of 5% on Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery. with personal debit cards, issued by a UK bank. Debit cards alleged to be suffered, and irrespective of whether the said to assume that the person bidding at the Sale is bidding on his Hammer Price and the prevailing rate on Buyer’s Premium exceptional condition and to those defects that might affect issued by an overseas bank, deferred and company debit cards loss or damage is caused by or claimed in respect of any own behalf. Accordingly, the person bidding at the Sale will the immediate safety of a firearm in normal use. An intending and all credit cards will be subject to a 2% surcharge; negligence, other tort, breach of contract (if any) or statutory be the Buyer and will be liable to pay the Hammer Price and Bidder unable to make technical examinations and assessments duty, restitutionary claim or otherwise. In any circumstances Buyer’s Premium and associated charges. If we approve the is recommended to seek advice from a gunmaker or from a where we and/or the Seller are liable in relation to any Lot or

NTB/MAIN/09.13/V2 NTB/MAIN/09.13/V2 Bidding in person identity of your client in advance, we will be in a position to G Gold bullion exempt from VAT on the Hammer Price Union Pay cards: these are now accepted at our Knightsbridge any Description or Estimate made of any Lot, or the conduct modern firearms specialist. All prospective Bidders are advised You should come to our Bidder registration desk at the Sale address the invoice to your principal rather than you. We will and subject to VAT at the prevailing rate on the Buyer’s and New Bond Street offices, when presented in person by the of any Sale in relation to any Lot, whether in damages, for an to consult the ˚ of bore and wall-thickness measurements venue and fill out a Bidder Registration Form on (or, if possible, require proof of the agent’s client’s identity and residence in Premium card holder. These cards are subject to a 2% surcharge. indemnity or contribution, or for a restitutionary remedy or posted in the saleroom and available from the department. before) the day of the Sale. The bidding number system is advance of any bids made by the agent on his behalf. Please • Zero rated for VAT, no VAT will be added to the Hammer otherwise, our and/or the Seller’s liability (combined, if both Bidders should note that guns are stripped only where there sometimes referred to as “paddle bidding”. You will be issued refer to our Conditions of Business and contact our Customer Price or the Buyer’s Premium Credit cards: Visa and Mastercard only. Please note there is a we and the Seller are liable) will be limited to payment of a is a strong indication of a mechanical malfunction. Stripping with a large card (a “paddle”) with a printed number on it. Services Department for further details. a Buyers from within the EU: VAT is payable at the 2% surcharge on the total invoice value when payments are sum which will not exceed by way of maximum the amount is not, otherwise, undertaken. Guns intended for use should This will be attributed to you for the purposes of the Sale. prevailing rate on just the Buyer’s Premium (NOT the made using credit cards. It may be advisable to notify your card of the Purchase Price of the Lot irrespective in any case of the be stripped and cleaned beforehand. Hammer guns should Should you be a successful Bidder you will need to ensure that 6. CONTRACTS BETWEEN THE BUYER AND SELLER Hammer Price). Buyers from outside the EU: VAT is provider of your intended purchase in advance to reduce delays nature, volume or source of any loss or damage alleged to be have their rebound mechanisms checked before use. The your number can be clearly seen by the Auctioneer and that it AND THE BUYER AND BONHAMS payable at the prevailing rate on both Hammer Price caused by us having to seek authority when you come to pay. If suffered or sum claimed as due, and irrespective of whether safety mechanisms of all guns must be tested before use. is your number which is identified as the Buyer’s. You should and Buyer’s Premium. If a Buyer, having registered under you have any questions with regard to payment, please contact the liability arises from any negligence, other tort, breach All measurements are approximate. not let anyone else use your paddle as all Lots will be invoiced On the Lot being knocked down to the Buyer, a Contract for a non-EU address, decides that the item is not to be our Customer Services Department. of contract (if any) or statutory duty or otherwise. Nothing to the name and address given on your Bidder Registration Sale of the Lot will be entered into between the Seller and exported from the EU, then he should advise Bonhams set out above will be construed as excluding or restricting Original Gun Specifications Derived from Gunmakers Form. Once an invoice is issued it will not be changed. If there the Buyer on the terms of the Contract for Sale set out in immediately. 10. COLLECTION AND STORAGE (whether directly or indirectly) our liability or excluding or The Sporting Gun Department endeavours to confirm a gun’s is any doubt as to the Hammer Price of, or whether you are the Appendix 1 at the back of the Catalogue. You will be liable to restricting any person’s rights or remedies in respect of (i) fraud, original specification and date of manufacture with makers successful Bidder of, a particular Lot, you must draw this to the pay the Purchase Price, which is the Hammer Price plus any In all other instances no VAT will be charged on the Hammer The Buyer of a Lot will not be allowed to collect it until or (ii) death or personal injury caused by our negligence (or by who hold their original records. attention of the Auctioneer before the next Lot is offered for applicable VAT. At the same time, a separate contract is also Price, but VAT at the prevailing rate will be added to Buyer’s payment in full and in cleared funds has been made (unless the negligence of any person under our control or for whom Sale. At the end of the Sale, or when you have finished bidding entered into between us as Auctioneers and the Buyer. This Premium which will be invoiced on a VAT inclusive basis. we have made a special arrangement with the Buyer). For we are legally responsible), or (iii) acts or omissions for which Licensing Requirements please return your paddle to the Bidder registration desk. is our Buyer’s Agreement, the terms of which are set out in collection and removal of purchased Lots, please refer to Sale we are liable under the Occupiers Liability Act 1957, or (iv) Firearms Act 1968 as amended Appendix 2 at the back of the Catalogue. Please read the terms 9. PAYMENT Information at the front of the Catalogue. Our offices are any other liability to the extent the same may not be excluded Bonhams is constantly reviewing its procedures and would Bidding by telephone (only available on lots with a of the Contract for Sale and our Buyer’s Agreement contained open 9.00am – 5pm Monday to Friday. Details relating to or restricted as a matter of law or (v) our undertakings under remind you that, in the case of firearms or shotguns subject to low estimate greater than £400) in the Catalogue in case you are the successful Bidder. We It is of critical importance that you ensure that you have readily the collection of a Lot, the storage of a Lot and our Storage paragraphs 9 (in relation to specialist Stamp or Book Sales only) certification, to conform with current legislation, Bonhams is If you wish to bid at the Sale by telephone, please complete a may change the terms of either or both of these agreements available funds to pay the Purchase Price and the Buyer’s Contractor after the Sale are set out in the Catalogue. and 10 of the Buyer’s Agreement. The same applies in respect required to see, as appropriate, your original registered firearms Telephone Bidding Form, which is available from our offices or in advance of their being entered into, by setting out different Premium (plus VAT and any other charges and Expenses to us) of the Seller, as if references to us in this paragraph were dealer’s certificate / shot gun certificate / firearm certificate / in the Catalogue. Please then return it to the office responsible terms in the Catalogue and/or by placing an insert in the in full before making a bid for the Lot. If you are a successful 11. SHIPPING substituted with references to the Seller. museum firearms licence / Section 5 authority or import licence for the Sale at least 24 hours in advance of the Sale. It is your Catalogue and/or by notices at the Sale venue and/or by oral Bidder, payment will be due to us by 4.30 pm on the second (or details of any exemption from which you may benefit, for responsibility to check with our Bids Office that your bid has announcements before and during the Sale. You should be working day after the Sale so that all sums are cleared by Please refer all enquiries to our shipping department on: 15. BOOKS instance Crown servant status) for the firearm(s) you have been received. Telephone calls will be recorded. The telephone alert to this possibility of changes and ask if there have been the eighth working day after the Sale. Unless agreed by us in Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 purchased prior to taking full payment of the amount shown bidding facility is a discretionary service and may not be any. advance payments made by anyone other than the registered Email: [email protected] As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of available in relation to all Lots. We will not be responsible for Buyer will not be accepted. Payment will have to be by one of to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially bidding on your behalf if you are unavailable at the time of 7. BUYER’S PREMIUM AND OTHER CHARGES the following methods (all cheques should be made payable to 12. EXPORT/TRADE RESTRICTIONS set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of the Sale or if the telephone connection is interrupted during PAYABLE BY THE BUYER Bonhams 1793 Limited). Bonhams reserves the right to vary the in the circumstances set out in paragraph 11 of the Buyers 5% payable on presentation of your valid certificate or licence bidding. Please contact us for further details. terms of payment at any time. It is your sole responsibility to comply with all export and Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. Under the Buyer’s Agreement, a premium (the Buyer’s import regulations relating to your purchases and also to obtain unframed maps and bound manuscripts are not liable to VAT Bidding by post or fax Premium) is payable to us by the Buyer in accordance with the Sterling personal cheque drawn on a UK branch of a bank any relevant export and/or import licence(s). Export licences are on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable to Absentee Bidding Forms can be found in the back of this terms of the Buyer’s Agreement and at rates set out below, or building society: all cheques must be cleared before you issued by Arts Council England and application forms can be produce the correct paperwork, the Lot(s) will be reoffered by Catalogue and should be completed and sent to the office calculated by reference to the Hammer Price and payable in can collect your purchases; obtained from its Export Licensing Unit. The detailed provisions 16. CLOCKS AND WATCHES Bonhams in the next appropriate Sale, on standard terms for responsible for the Sale. It is in your interests to return your addition to it. Storage charges and Expenses are also payable of the export licencing arrangements can be found on the ACE Sellers, and you will be responsible for any loss incurred by form as soon as possible, as if two or more Bidders submit by the Buyer as set out in the Buyer’s Agreement. All the sums Bankers draft/building society cheque: if you can provide website http://www.artscouncil.org.uk/what-we-do/supporting- All Lots are sold “as is”, and the absence of any reference Bonhams on the original Sale to you. identical bids for a Lot, the first bid received takes preference. payable to us by the Buyer are subject to VAT. For this Sale the suitable proof of identity and we are satisfied as to the museums/cultural-property/export-controls/export-licensing/ to the condition of a clock or watch does not imply that In any event, all bids should be received at least 24 hours following rates of Buyer’s Premium will be payable by Buyers genuineness of the draft or cheque, we will allow you to collect or by phoning ACE on +44 (0)20 7973 5188. The need for the Lot is in good condition and without defects, repairs or In the case of RFD certificates and Section 5 authorities, we before the start of the Sale. Please check your Absentee of Lots: your purchases immediately; import licences varies from country to country and you should restorations. Most clocks and watches have been repaired in wish to keep an up-to-date copy on file. Please supply us with Bidding Form carefully before returning it to us, fully completed acquaint yourself with all relevant local requirements and the course of their normal lifetime and may now incorporate a Fax or photocopy. It would be helpful if you could send us an 25% up to £50,000 of the Hammer Price and signed by you. It is your responsibility to check with our Cash: you may pay for Lots purchased by you at this Sale with provisions. The refusal of any import or export licence(s) or parts not original to them. Furthermore, Bonhams makes updated copy whenever your certificate or authority is renewed 20% from £50,001 to £1,000,000 of the Hammer Price Bids Office that your bid has been received. This additional notes, coins or travellers cheques in the currency in which any delay in obtaining such licence(s) shall not permit the no representation or warranty that any clock or watch is in or changed. 12% from £1,000,001 of the Hammer Price service is complimentary and is confidential. Such bids are the Sale is conducted (but not any other currency) provided rescission of any Sale nor allow any delay in making full working order. As clocks and watches often contain fine and made at your own risk and we cannot accept liability for our that the total amount payable by you in respect of all Lots payment for the Lot. Generally, please contact our shipping complex mechanisms, Bidders should be aware that a general Lots marked ‘S1´ and bearing red labels are Section 1 firearms On certain Lots, which will be marked “AR” in the Catalogue failure to receive and/or place any such bids. All bids made purchased by you at the Sale does not exceed £3,000, or the department before the Sale if you require assistance in service, change of battery or further repair work, for which the and require a valid British Firearms certificate, RFD Licence or and which are sold for a Hammer Price of €1,000 or greater on your behalf will be made at the lowest level possible equivalent in the currency in which the Sale is conducted, at relation to export regulations. Buyer is solely responsible, may be necessary. Bidders should import licence. (converted into the currency of the Sale using the European subject to Reserves and other bids made for the Lot. Where the time when payment is made. If the amount payable by you be aware that the importation of watches such as Rolex, Frank Central Bank Reference rate prevailing on the date of the Sale), appropriate your bids will be rounded down to the nearest for Lots exceeds that sum, the balance must be paid otherwise 13. CITES REGULATIONS Muller and Corum into the United States is highly restricted. Lots marked ‘S2’ and bearing blue labels are Section 2 firearms the Additional Premium will be payable to us by the Buyer to amount consistent with the Auctioneer’s bidding increments. than in coins, notes or travellers cheques; These watches may not be shipped to the USA and can only be and require a valid British Shotgun certificate, RFD licence or cover our Expenses relating to the payment of royalties under New Bidders must also provide proof of identity and address Please be aware that all Lots marked with the symbol Y are imported personally. import licence. the Artists Resale Right Regulations 2006. The Additional when submitting bids. Failure to do this will result in your bid Sterling travellers cheques: you may pay for Lots purchased subject to CITES regulations when exporting these items Premium will be a percentage of the amount of the Hammer not being placed. by you at this Sale with travellers cheques, provided the total outside the EU. These regulations may be found at 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are Price calculated in accordance with the table below, and shall amount payable by you in respect of all Lots purchased by you http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 not exceed €12,500 (converted into the currency of the Sale Bidding via the internet at the Sale does not exceed £3,000. We will need to see your be requested from: Authority or import licence. using the European Central Bank Reference rate prevailing on Please visit our Website at http://www.bonhams.com for passport if you wish to pay using travellers cheques; Proof of Firearms the date of the Sale). Animal Health and Veterinary Laboratories Agency (AHVLA) details of how to bid via the internet. The term “proof exemption” indicates that a firearm has Lots marked with a ‘S58´ and bearing yellow labels are for Wildlife Licencing Hammer Price Percentage amount Bank transfer: you may electronically transfer funds to our been examined at a Proof House, but not proved, as either obsolete calibres and no licence is required unless ammunition Floor 1, Zone 17, Temple Quay House Bidding through an agent From €0 to €50,000 4% Trust Account. If you do so, please quote your paddle number (a) it was deemed of interest and not intended for use, or (b) is held. 2 The Square, Temple Quay Bids will be accepted as placed on behalf of the person named From €50,000.01 to €200,000 3% and invoice number as the reference. Our Trust Account details ammunition was not available. In either case, the firearm must BRISTOL BS1 6EB as the principal on the Bidding Form although we may refuse From €200,000.01 to €350,000 1% are as follows: be regarded as unsafe to fire unless subsequently proved. Unmarked Lots require no licence. Tel: +44 (0) 117 372 8774 to accept bids from an agent on behalf of a principal and will From €350,000.01 to €500,000 0.5% Firearms proved for Black Powder should not be used with Bank: National Westminster Bank Plc require written confirmation from the principal confirming Exceeding €500,000 0.25% smokeless ammunition. Please do not hesitate to contact the Modern Sporting Gun Address: PO Box 4RY 14. THE SELLERS AND/OR BONHAMS’ LIABILITY the agent’s authority to bid. Nevertheless, as the Bidding Department should you have any queries. 250 Regent Street Form explains, any person placing a bid as agent on behalf 8. VAT The term “Certificate of Unprovability” indicates that a firearm London W1A 4RY Other than any liability of the Seller to the Buyer of a Lot of another (whether or not he has disclosed that fact or the has been examined at a Proof House and is deemed both Taxidermy and Related Items Account Name: Bonhams 1793 Limited Trust Account under the Contract for Sale, neither we nor the Seller are identity of his principal) will be jointly and severally liable with The prevailing rate of VAT at the time of going to press is 20%, unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply Account Number: 25563009 liable (whether in negligence or otherwise) for any error or the principal to the Seller and to Bonhams under any contract but this is subject to government change and the rate payable such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to Sort Code: 56-00-27 misdescription or omission in any Description of a Lot or any resulting from the acceptance of a bid. Subject to the above, will be the rate in force on the date of the Sale. inform themselves of all such regulations and should expect IBAN Number: GB 33 NWBK 560027 25563009 Estimate in respect of it, whether contained in the Catalogue please let us know if you are acting on behalf of another Guns Sold as Parts the exportation of items to take some time to arrange. or otherwise, whether given orally or in writing and whether person when bidding for Lots at the Sale. The following symbols are used to denote that VAT is due on Barrels of guns sold as parts will only be made available for If paying by bank transfer, the amount received after the given before or during the Sale. Neither we nor the Seller will the Hammer Price and Buyer’s Premium: sleeving and measurements once rendered unserviceable 18. FURNITURE deduction of any bank fees and/or conversion of the currency be liable for any loss of Business, profits, revenue or income, or Equally, please let us know if you intend to nominate another † VAT at the prevailing rate on Hammer Price and Buyer’s according to the Gun Barrel Proof Act of 1968 to 1978 and the of payment to pounds sterling must not be less than the for loss of reputation, or for disruption to Business or wasted person to bid on your behalf at the Sale unless this is to be Premium Rules of Proof. Upholstered Furniture sterling amount payable, as set out on the invoice. time on the part of management or staff, or for indirect losses carried out by us pursuant to a Telephone or Absentee Bidding Ω VAT on imported items at the prevailing rate on Hammer Whilst we take every care in cataloguing furniture which has or consequential damages of any kind, irrespective in any Form that you have completed. If we do not approve the Price and Buyer’s Premium Condition of Firearms been upholstered we offer no Guarantee as to the originality Debit cards: there is no additional charge for purchases made case of the nature, volume or source of the loss or damage agency arrangements in writing before the Sale, we are entitled * VAT on imported items at a preferential rate of 5% on Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery. with personal debit cards, issued by a UK bank. Debit cards alleged to be suffered, and irrespective of whether the said to assume that the person bidding at the Sale is bidding on his Hammer Price and the prevailing rate on Buyer’s Premium exceptional condition and to those defects that might affect issued by an overseas bank, deferred and company debit cards loss or damage is caused by or claimed in respect of any own behalf. Accordingly, the person bidding at the Sale will the immediate safety of a firearm in normal use. An intending and all credit cards will be subject to a 2% surcharge; negligence, other tort, breach of contract (if any) or statutory be the Buyer and will be liable to pay the Hammer Price and Bidder unable to make technical examinations and assessments duty, restitutionary claim or otherwise. In any circumstances Buyer’s Premium and associated charges. If we approve the is recommended to seek advice from a gunmaker or from a where we and/or the Seller are liable in relation to any Lot or

NTB/MAIN/09.13/V2 NTB/MAIN/09.13/V2 19. JEWELLERY • The date given is that of the image (negative). Where no 24. WINE SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any further date is given, this indicates that the photographic undertaking, whether implied by the Sale of Goods ˜ Ruby and Jadeite print is vintage (the term “vintage” may also be included Lots which are lying under Bond and those liable to VAT may THE FOLLOWING SYMBOLS ARE USED TO DENOTE 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality Ruby and jadeite gemstones of Burmese (Myanmar) origin in the Lot Description). A vintage photograph is one which not be available for immediate collection. of the Lot or its fitness for any purpose. may not be imported into the US. Rubies and jadeite of Y Subject to CITES regulations when exporting these items was made within approximately 5-10 years of the negative. 2.1.1 the Seller is the owner of the Lot or is duly authorised non–Burmese origin require certification before import outside the EU, see clause 13. Where a second, later date appears, this refers to the date Examining the wines to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE into the US and it is the Buyer’s responsibility to obtain all W Objects displayed with a w will be located in the of printing. Where the exact printing date is not known, but It is occasionally possible to provide a pre-Sale tasting for relevant and required export/import licences, certificates Bonhams Warehouse and will only be available for understood to be later, “printed later” will appear in the Lot larger parcels (as defined below). This is generally limited to 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked and documentation before shipping. Failure by the Buyer to collection from this location. Description. more recent and everyday drinking wines. Please contact the Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s successfully import goods into the US does not constitute ≈ Please note that as a result of recent legislation ruby and • Unless otherwise specified, dimensions given are those of department for details. guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will not grounds for non payment or cancellation of Sale. Bonhams jadeite gem stones of Burmese (Myanmar) origin may the piece of paper on which the image is printed, including liquidator, receiver or administrator, with whatever be responsible thereafter for the Lot prior to will not be responsible for any additional costs in this regard not be imported into the US. Rubies and jadeite of non- any margins. Some photographs may appear in the It is not our policy to inspect every unopened case. In the case right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage howsoever incurred. Burmese origin require certification before import into the Catalogue without margins illustrated. of wines older than 20 years the boxes will usually have been Contractor, with whom you have separate contract(s) US. • All photographs are sold unframed unless stated in the Lot opened and levels and appearance noted in the Catalogue 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the Gemstones Δ Wines lying in Bond. Description. where necessary. You should make proper allowance for liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, Historically many gemstones have been subjected to a variety AR An Additional Premium will be payable to us by the Buyer variations in ullage levels and conditions of corks, capsules legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in of treatments to enhance their appearance. Sapphires and to cover our Expenses relating to payment of royalties 21. PICTURES and labels. of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the rubies are routinely heat treated to improve their colour and under the Artists Resale Right Regulations 2006. See and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until clarity, similarly emeralds are frequently treated with oils or Explanation of Catalogue Terms clause 7 for details. Corks and Ullages the terms implied by the Sale of Goods Act 1979, you obtain full title to it. resin for the same purpose. Other treatments such as staining, The following terms used in the Catalogue have the following ○ The Seller has been guaranteed a minimum price for the Ullage refers to the space between the base of the cork and Sections 12(1) and 12(2) (see the Definitions and irradiation or coating may have been used on other gemstones. meanings but are subject to the general provisions relating to Lot, either by Bonhams or a third party. This may take the wine. Ullage levels for Bordeaux shaped bottles are only Glossary); 5.2 Title to the Lot remains in and is retained by the These treatments may be permanent, whilst others may need Descriptions contained in the Contract for Sale: the form of an irrevocable bid by a third party, who may normally noted when below the neck and for Burgundy, Seller until the Purchase Price and all other sums special care or re-treatment over the years to retain their • “Jacopo Bassano”: in our opinion a work by the artist. make a financial gain on a successful Sale or a financial Alsace, German and Cognac shaped bottles when greater than 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot appearance. Bidders should be aware that Estimates assume When the artist’s forename(s) is not known, a series of loss if unsuccessful. 4 centimetres (cm). Acceptable ullage levels increase with age; otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared that gemstones may have been subjected to such treatments. asterisks, followed by the surname of the artist, whether ▲ Bonhams owns the Lot either wholly or partially or may generally acceptable levels are as follows: and all duties and taxes in respect of the export or funds by, Bonhams. A number of laboratories issue certificates that give more preceded by an initial or not, indicates that in our opinion otherwise have an economic interest. import of the Lot have (unless stated to the contrary detailed Descriptions of gemstones. However there may not be the work is by the artist named; Under 15 years old – into neck or less than 4cm in the Catalogue or announced by the Auctioneer) 6 PAYMENT consensus between different laboratories on the degrees, or • “Attributed to Jacopo Bassano”: in our opinion probably 15 to 30 years old – top shoulder (ts) or up to 5cm •, †, *, G, Ω, a see clause 8, VAT, for details. been paid and, so far as the Seller is aware, all third types of treatment for any particular gemstone. In the event a work by the artist but less certainty as to authorship is Over 30 years old – high shoulder (hs) or up to 6cm parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises when that Bonhams has been given or has obtained certificates expressed than in the preceding category; DATA PROTECTION – USE OF YOUR INFORMATION the past; the Lot is knocked down to you on the fall of the for any Lot in the Sale these certificates will be disclosed in • “Studio/Workshop of Jacopo Bassano”: in our opinion a It should be noted that ullages may change between Auctioneer’s hammer in respect of the Lot. the Catalogue. Although, as a matter of policy, Bonhams work by an unknown hand in a studio of the artist which publication of the Catalogue and the Sale and that corks may Where we obtain any personal information about you, we shall 2.1.5 subject to any alterations expressly identified as such endeavours to provide certificates from recognised laboratories may or may not have been executed under the artist’s fail as a result of transporting the wine. We will only accept only use it in accordance with the terms of our Privacy Policy made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment for certain gemstones, it is not feasible to obtain certificates direction; responsibility for Descriptions of condition at the time of (subject to any additional specific consent(s) you may have or by the Notice to Bidders or by an insert in the of the Purchase Price and all other sums payable by for each Lot. In the event that no certificate is published in the • “Circle of Jacopo Bassano”: in our opinion a work by publication of the Catalogue and cannot accept responsibility given at the time your information was disclosed). A copy of Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you Catalogue, Bidders should assume that the gemstones may a hand closely associated with a named artist but not for any loss resulting from failure of corks either before or after our Privacy Policy can be found on our Website www.bonhams. Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case have been treated. Neither Bonhams nor the Seller accepts any necessarily his pupil; this point. com or requested by post from Customer Services Department, about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), liability for contradictions or differing certificates obtained by • “Follower of Jacopo Bassano”: in our opinion a work by a 101 New Bond Street, London, W1S 1SR or by email from letters and (except for colour) with any photograph all such sums must be paid to Bonhams by you in Buyers on any Lots subsequent to the Sale. painter working in the artist’s style, contemporary or nearly Options to buy parcels [email protected] of the Lot in the Catalogue and the contents of the currency in which the Sale was conducted by contemporary, but not necessarily his pupil; A parcel is a number of Lots of identical size of the same wine, any Condition Report which has been provided to not later than 4.30pm on the second working day Estimated Weights • “Manner of Jacopo Bassano”: in our opinion a work in the bottle size and Description. The Buyer of any of these Lots has APPENDIX 1 the Buyer. following the Sale and you must ensure that the If a stone(s) weight appears within the body of the Description style of the artist and of a later date; the option to accept some or all of the remaining Lots in the funds are cleared by the seventh working day after in capital letters, the stone(s) has been unmounted and • “After Jacopo Bassano”: in our opinion, a copy of a known parcel at the same price, although such options will be at the CONTRACT FOR SALE 3 DESCRIPTIONS OF THE LOT the Sale. Payment must be made to Bonhams by one weighed by Bonhams. If the weight of the stone(s) is stated work of the artist; Auctioneer’s sole discretion. Absentee Bidders are, therefore, of the methods stated in the Notice to Bidders unless to be approximate and does not appear in capital letters, the • “Signed and/or dated and/or inscribed”: in our opinion the advised to bid on the first Lot in a parcel. IMPORTANT: These terms may be changed in advance of the 3.1 Paragraph 2.1.5 sets out what is the Contractual otherwise agreed with you in writing by Bonhams. If stone(s) has been assessed by us within its/their settings, and signature and/or date and/or inscription are from the hand Sale of the Lot to you, by the setting out of different terms in Description of the Lot. In particular, the Lot is not you do not pay any sums due in accordance with this the stated weight is a statement of our opinion only. This of the artist; Wines in Bond the Catalogue for the Sale and/or by placing an insert in the sold as corresponding with that part of the Entry in paragraph, the Seller will have the rights set out in information is given as a guide and Bidders should satisfy • “Bears a signature and/or date and/or inscription”: in our Wines lying in Bond are marked Δ and VAT is payable by the Catalogue and/or by notices at the Sale venue and/or by oral the Catalogue which is not printed in bold letters, paragraph 8 below. themselves with regard to this information as to its accuracy. opinion the signature and/or date and/or inscription have purchaser, at the standard rate, on the Hammer Price, unless announcements before and during the Sale at the Sale venue. which merely sets out (on the Seller’s behalf) been added by another hand. the wines are to remain under Bond. Buyers requiring their You should be alert to this possibility of changes and ask in Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT Signatures wine to remain in Bond must notify Bonhams at the time of advance of bidding if there have been any. part of the Contractual Description upon which the 1. A diamond brooch, by Kutchinsky 22. PORCELAIN AND GLASS the Sale. The Buyer is then himself responsible for all duty, Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by When the maker’s name appears in the title, in Bonhams’ clearance VAT and other charges that may be payable thereon. Under this contract the Seller’s liability in respect of the quality than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your opinion the piece is by that maker. Damage and Restoration All such Lots must be transferred or collected within two weeks of the Lot, it’s fitness for any purpose and its conformity with 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared funds For your guidance, in our Catalogues we detail, as far as of the Sale. any Description is limited. You are strongly advised to examine as referred to in paragraph 2.1.5), including any to the amount of the full Purchase Price and all other 2. A diamond brooch, signed Kutchinsky practicable, recorded all significant defects, cracks and the Lot for yourself and/or obtain an independent examination Description or Estimate, whether made orally or in sums owed by you to the Seller and to Bonhams. Has a signature that, in Bonhams’ opinion, is authentic but restoration. Such practicable Descriptions of damage cannot Buyers outside the UK must be aware that any forwarding of it before you buy it. writing, including in the Catalogue or on Bonhams’ may contain gemstones that are not original, or the piece may be definitive, and in providing Condition Reports, we cannot agent appointed to export their purchases must have a Website, or by conduct, or otherwise, and whether 7.2 The Seller is entitled to withhold possession from you have been altered. Guarantee that there are no other defects present which movement certificate for Lots to be released under Bond. 1 THE CONTRACT by or on behalf of the Seller or Bonhams and of any other Lot he has sold to you at the same or have not been mentioned. Bidders should satisfy themselves whether made prior to or during the Sale, is not part at any other Sale and whether currently in Bonhams’ 3. A diamond brooch, mounted by Kutchinsky by inspection, as to the condition of each Lot. Please see the Bottling Details and Case Terms 1.1 These terms govern the Contract for Sale of the Lot of the Contractual Description upon which the Lot is possession or not until payment in full and in cleared Has been created by the jeweller, in Bonhams’ opinion, but Contract for Sale printed in this Catalogue. Because of the The following terms used in the Catalogue have the following by the Seller to the Buyer. sold. funds of the Purchase Price and all other sums due to using stones or designs supplied by the client. difficulty in determining whether an item of glass has been meanings: the Seller and/or Bonhams in respect of the Lot. repolished, in our Catalogues reference is only made to visible CB – Château bottled 1.2 The Definitions and Glossary contained in Appendix 3 3.2 Except as provided in paragraph 2.1.5, the Seller 20. PHOTOGRAPHS chips and cracks. No mention is made of repolishing, severe DB – Domaine bottled in the Catalogue are incorporated into this Contract does not make or give and does not agree to make 7.3 You will collect and remove the Lot at your own or otherwise. EstB – Estate bottled for Sale and a separate copy can also be provided Explanation of Catalogue Terms or give any contractual promise, undertaking, expense from Bonhams’ custody and/ or control or BB – Bordeaux bottled by Bonhams on request. Where words and phrases • “Bill Brandt”: in our opinion a work by the artist. obligation, guarantee, warranty, or representation from the Storage Contractor’s custody in accordance 23. VEHICLES BE – Belgian bottled are used which are in the List of Definitions, they are • “Attributed to Bill Brandt”: in our opinion probably a work of fact, or undertake any duty of care, in relation to with Bonhams’ instructions or requirements. FB – French bottled printed in italics. by the artist, but less certainty to authorship is expressed any Description of the Lot or any Estimate in relation The Veteran Car Club of Great Britain GB – German bottled than in the preceding category. to it, nor of the accuracy or completeness of any 7.4 You will be wholly responsible for packing, handling OB – Oporto bottled 1.3 The Seller sells the Lot as the principal to the • “Signed and/or titled and/or dated and/or inscribed”: in Description or Estimate which may have been made and transport of the Lot on collection and for Dating Plates and Certificates UK – United Kingdom bottled Contract for Sale, such contract being made between our opinion the signature and/or title and/or date and/or by or on behalf of the Seller including by Bonhams. complying with all import or export regulations in When mention is made of a Veteran Car Club Dating Plate or owc – original wooden case the Seller and you through Bonhams which acts in inscription are in the artist’s hand. No such Description or Estimate is incorporated into connection with the Lot. Dating Certificate in thisCatalogue , it should be borne in mind iwc – individual wooden case the sole capacity as the Seller’s agent and not as • “Signed and/or titled and/or dated and/or inscribed in this Contract for Sale. that the Veteran Car Club of Great Britain using the services of oc – original carton an additional principal. However, if the Catalogue another hand”: in our opinion the signature and/or title 7.5 You will be wholly responsible for any removal, Veteran Car Company Ltd, does from time to time, review cars states that Bonhams sells the Lot as principal, or such and/or date and/or inscription have been added by 4 FITNESS FOR PURPOSE AND SATISFACTORY storage or other charges or Expenses incurred already dated and, in some instances, where fresh evidence a statement is made by an announcement by the another hand. QUALITY by the Seller if you do not remove the Lot in becomes available, the review can result in an alteration of date. Auctioneer, or by a notice at the Sale, or an insert accordance with this paragraph 7 and will Whilst the Club and Veteran Car Company Ltd make every in the Catalogue, then Bonhams is the Seller for the 4.1 The Seller does not make and does not agree indemnify the Seller against all charges, costs, effort to ensure accuracy, the date shown on the Dating Plate or purposes of this agreement. to make any contractual promise, undertaking, including any legal costs and fees, Expenses and Dating Certificate cannot be guaranteed as correct and intending obligation, guarantee, warranty, or representation of losses suffered by the Seller by reason of your purchasers should make their own enquiries as to the date of 1.4 The contract is made on the fall of the Auctioneer’s fact in relation to the satisfactory quality of the Lot or failure to remove the Lot including any charges the car. hammer in respect of the Lot when it is knocked its fitness for any purpose. due under any Storage Contract. All such sums down to you. due to the Seller will be payable on demand.

NTB/MAIN/09.13/V2 NTB/MAIN/09.13/V2 19. JEWELLERY • The date given is that of the image (negative). Where no 24. WINE SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any further date is given, this indicates that the photographic undertaking, whether implied by the Sale of Goods ˜ Ruby and Jadeite print is vintage (the term “vintage” may also be included Lots which are lying under Bond and those liable to VAT may THE FOLLOWING SYMBOLS ARE USED TO DENOTE 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality Ruby and jadeite gemstones of Burmese (Myanmar) origin in the Lot Description). A vintage photograph is one which not be available for immediate collection. of the Lot or its fitness for any purpose. may not be imported into the US. Rubies and jadeite of Y Subject to CITES regulations when exporting these items was made within approximately 5-10 years of the negative. 2.1.1 the Seller is the owner of the Lot or is duly authorised non–Burmese origin require certification before import outside the EU, see clause 13. Where a second, later date appears, this refers to the date Examining the wines to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE into the US and it is the Buyer’s responsibility to obtain all W Objects displayed with a w will be located in the of printing. Where the exact printing date is not known, but It is occasionally possible to provide a pre-Sale tasting for relevant and required export/import licences, certificates Bonhams Warehouse and will only be available for understood to be later, “printed later” will appear in the Lot larger parcels (as defined below). This is generally limited to 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked and documentation before shipping. Failure by the Buyer to collection from this location. Description. more recent and everyday drinking wines. Please contact the Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s successfully import goods into the US does not constitute ≈ Please note that as a result of recent legislation ruby and • Unless otherwise specified, dimensions given are those of department for details. guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will not grounds for non payment or cancellation of Sale. Bonhams jadeite gem stones of Burmese (Myanmar) origin may the piece of paper on which the image is printed, including liquidator, receiver or administrator, with whatever be responsible thereafter for the Lot prior to will not be responsible for any additional costs in this regard not be imported into the US. Rubies and jadeite of non- any margins. Some photographs may appear in the It is not our policy to inspect every unopened case. In the case right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage howsoever incurred. Burmese origin require certification before import into the Catalogue without margins illustrated. of wines older than 20 years the boxes will usually have been Contractor, with whom you have separate contract(s) US. • All photographs are sold unframed unless stated in the Lot opened and levels and appearance noted in the Catalogue 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the Gemstones Δ Wines lying in Bond. Description. where necessary. You should make proper allowance for liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, Historically many gemstones have been subjected to a variety AR An Additional Premium will be payable to us by the Buyer variations in ullage levels and conditions of corks, capsules legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in of treatments to enhance their appearance. Sapphires and to cover our Expenses relating to payment of royalties 21. PICTURES and labels. of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the rubies are routinely heat treated to improve their colour and under the Artists Resale Right Regulations 2006. See and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until clarity, similarly emeralds are frequently treated with oils or Explanation of Catalogue Terms clause 7 for details. Corks and Ullages the terms implied by the Sale of Goods Act 1979, you obtain full title to it. resin for the same purpose. Other treatments such as staining, The following terms used in the Catalogue have the following ○ The Seller has been guaranteed a minimum price for the Ullage refers to the space between the base of the cork and Sections 12(1) and 12(2) (see the Definitions and irradiation or coating may have been used on other gemstones. meanings but are subject to the general provisions relating to Lot, either by Bonhams or a third party. This may take the wine. Ullage levels for Bordeaux shaped bottles are only Glossary); 5.2 Title to the Lot remains in and is retained by the These treatments may be permanent, whilst others may need Descriptions contained in the Contract for Sale: the form of an irrevocable bid by a third party, who may normally noted when below the neck and for Burgundy, Seller until the Purchase Price and all other sums special care or re-treatment over the years to retain their • “Jacopo Bassano”: in our opinion a work by the artist. make a financial gain on a successful Sale or a financial Alsace, German and Cognac shaped bottles when greater than 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot appearance. Bidders should be aware that Estimates assume When the artist’s forename(s) is not known, a series of loss if unsuccessful. 4 centimetres (cm). Acceptable ullage levels increase with age; otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared that gemstones may have been subjected to such treatments. asterisks, followed by the surname of the artist, whether ▲ Bonhams owns the Lot either wholly or partially or may generally acceptable levels are as follows: and all duties and taxes in respect of the export or funds by, Bonhams. A number of laboratories issue certificates that give more preceded by an initial or not, indicates that in our opinion otherwise have an economic interest. import of the Lot have (unless stated to the contrary detailed Descriptions of gemstones. However there may not be the work is by the artist named; Under 15 years old – into neck or less than 4cm in the Catalogue or announced by the Auctioneer) 6 PAYMENT consensus between different laboratories on the degrees, or • “Attributed to Jacopo Bassano”: in our opinion probably 15 to 30 years old – top shoulder (ts) or up to 5cm •, †, *, G, Ω, a see clause 8, VAT, for details. been paid and, so far as the Seller is aware, all third types of treatment for any particular gemstone. In the event a work by the artist but less certainty as to authorship is Over 30 years old – high shoulder (hs) or up to 6cm parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises when that Bonhams has been given or has obtained certificates expressed than in the preceding category; DATA PROTECTION – USE OF YOUR INFORMATION the past; the Lot is knocked down to you on the fall of the for any Lot in the Sale these certificates will be disclosed in • “Studio/Workshop of Jacopo Bassano”: in our opinion a It should be noted that ullages may change between Auctioneer’s hammer in respect of the Lot. the Catalogue. Although, as a matter of policy, Bonhams work by an unknown hand in a studio of the artist which publication of the Catalogue and the Sale and that corks may Where we obtain any personal information about you, we shall 2.1.5 subject to any alterations expressly identified as such endeavours to provide certificates from recognised laboratories may or may not have been executed under the artist’s fail as a result of transporting the wine. We will only accept only use it in accordance with the terms of our Privacy Policy made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment for certain gemstones, it is not feasible to obtain certificates direction; responsibility for Descriptions of condition at the time of (subject to any additional specific consent(s) you may have or by the Notice to Bidders or by an insert in the of the Purchase Price and all other sums payable by for each Lot. In the event that no certificate is published in the • “Circle of Jacopo Bassano”: in our opinion a work by publication of the Catalogue and cannot accept responsibility given at the time your information was disclosed). A copy of Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you Catalogue, Bidders should assume that the gemstones may a hand closely associated with a named artist but not for any loss resulting from failure of corks either before or after our Privacy Policy can be found on our Website www.bonhams. Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case have been treated. Neither Bonhams nor the Seller accepts any necessarily his pupil; this point. com or requested by post from Customer Services Department, about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), liability for contradictions or differing certificates obtained by • “Follower of Jacopo Bassano”: in our opinion a work by a 101 New Bond Street, London, W1S 1SR or by email from letters and (except for colour) with any photograph all such sums must be paid to Bonhams by you in Buyers on any Lots subsequent to the Sale. painter working in the artist’s style, contemporary or nearly Options to buy parcels [email protected] of the Lot in the Catalogue and the contents of the currency in which the Sale was conducted by contemporary, but not necessarily his pupil; A parcel is a number of Lots of identical size of the same wine, any Condition Report which has been provided to not later than 4.30pm on the second working day Estimated Weights • “Manner of Jacopo Bassano”: in our opinion a work in the bottle size and Description. The Buyer of any of these Lots has APPENDIX 1 the Buyer. following the Sale and you must ensure that the If a stone(s) weight appears within the body of the Description style of the artist and of a later date; the option to accept some or all of the remaining Lots in the funds are cleared by the seventh working day after in capital letters, the stone(s) has been unmounted and • “After Jacopo Bassano”: in our opinion, a copy of a known parcel at the same price, although such options will be at the CONTRACT FOR SALE 3 DESCRIPTIONS OF THE LOT the Sale. Payment must be made to Bonhams by one weighed by Bonhams. If the weight of the stone(s) is stated work of the artist; Auctioneer’s sole discretion. Absentee Bidders are, therefore, of the methods stated in the Notice to Bidders unless to be approximate and does not appear in capital letters, the • “Signed and/or dated and/or inscribed”: in our opinion the advised to bid on the first Lot in a parcel. IMPORTANT: These terms may be changed in advance of the 3.1 Paragraph 2.1.5 sets out what is the Contractual otherwise agreed with you in writing by Bonhams. If stone(s) has been assessed by us within its/their settings, and signature and/or date and/or inscription are from the hand Sale of the Lot to you, by the setting out of different terms in Description of the Lot. In particular, the Lot is not you do not pay any sums due in accordance with this the stated weight is a statement of our opinion only. This of the artist; Wines in Bond the Catalogue for the Sale and/or by placing an insert in the sold as corresponding with that part of the Entry in paragraph, the Seller will have the rights set out in information is given as a guide and Bidders should satisfy • “Bears a signature and/or date and/or inscription”: in our Wines lying in Bond are marked Δ and VAT is payable by the Catalogue and/or by notices at the Sale venue and/or by oral the Catalogue which is not printed in bold letters, paragraph 8 below. themselves with regard to this information as to its accuracy. opinion the signature and/or date and/or inscription have purchaser, at the standard rate, on the Hammer Price, unless announcements before and during the Sale at the Sale venue. which merely sets out (on the Seller’s behalf) been added by another hand. the wines are to remain under Bond. Buyers requiring their You should be alert to this possibility of changes and ask in Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT Signatures wine to remain in Bond must notify Bonhams at the time of advance of bidding if there have been any. part of the Contractual Description upon which the 1. A diamond brooch, by Kutchinsky 22. PORCELAIN AND GLASS the Sale. The Buyer is then himself responsible for all duty, Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by When the maker’s name appears in the title, in Bonhams’ clearance VAT and other charges that may be payable thereon. Under this contract the Seller’s liability in respect of the quality than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your opinion the piece is by that maker. Damage and Restoration All such Lots must be transferred or collected within two weeks of the Lot, it’s fitness for any purpose and its conformity with 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared funds For your guidance, in our Catalogues we detail, as far as of the Sale. any Description is limited. You are strongly advised to examine as referred to in paragraph 2.1.5), including any to the amount of the full Purchase Price and all other 2. A diamond brooch, signed Kutchinsky practicable, recorded all significant defects, cracks and the Lot for yourself and/or obtain an independent examination Description or Estimate, whether made orally or in sums owed by you to the Seller and to Bonhams. Has a signature that, in Bonhams’ opinion, is authentic but restoration. Such practicable Descriptions of damage cannot Buyers outside the UK must be aware that any forwarding of it before you buy it. writing, including in the Catalogue or on Bonhams’ may contain gemstones that are not original, or the piece may be definitive, and in providing Condition Reports, we cannot agent appointed to export their purchases must have a Website, or by conduct, or otherwise, and whether 7.2 The Seller is entitled to withhold possession from you have been altered. Guarantee that there are no other defects present which movement certificate for Lots to be released under Bond. 1 THE CONTRACT by or on behalf of the Seller or Bonhams and of any other Lot he has sold to you at the same or have not been mentioned. Bidders should satisfy themselves whether made prior to or during the Sale, is not part at any other Sale and whether currently in Bonhams’ 3. A diamond brooch, mounted by Kutchinsky by inspection, as to the condition of each Lot. Please see the Bottling Details and Case Terms 1.1 These terms govern the Contract for Sale of the Lot of the Contractual Description upon which the Lot is possession or not until payment in full and in cleared Has been created by the jeweller, in Bonhams’ opinion, but Contract for Sale printed in this Catalogue. Because of the The following terms used in the Catalogue have the following by the Seller to the Buyer. sold. funds of the Purchase Price and all other sums due to using stones or designs supplied by the client. difficulty in determining whether an item of glass has been meanings: the Seller and/or Bonhams in respect of the Lot. repolished, in our Catalogues reference is only made to visible CB – Château bottled 1.2 The Definitions and Glossary contained in Appendix 3 3.2 Except as provided in paragraph 2.1.5, the Seller 20. PHOTOGRAPHS chips and cracks. No mention is made of repolishing, severe DB – Domaine bottled in the Catalogue are incorporated into this Contract does not make or give and does not agree to make 7.3 You will collect and remove the Lot at your own or otherwise. EstB – Estate bottled for Sale and a separate copy can also be provided Explanation of Catalogue Terms or give any contractual promise, undertaking, expense from Bonhams’ custody and/ or control or BB – Bordeaux bottled by Bonhams on request. Where words and phrases • “Bill Brandt”: in our opinion a work by the artist. obligation, guarantee, warranty, or representation from the Storage Contractor’s custody in accordance 23. VEHICLES BE – Belgian bottled are used which are in the List of Definitions, they are • “Attributed to Bill Brandt”: in our opinion probably a work of fact, or undertake any duty of care, in relation to with Bonhams’ instructions or requirements. FB – French bottled printed in italics. by the artist, but less certainty to authorship is expressed any Description of the Lot or any Estimate in relation The Veteran Car Club of Great Britain GB – German bottled than in the preceding category. to it, nor of the accuracy or completeness of any 7.4 You will be wholly responsible for packing, handling OB – Oporto bottled 1.3 The Seller sells the Lot as the principal to the • “Signed and/or titled and/or dated and/or inscribed”: in Description or Estimate which may have been made and transport of the Lot on collection and for Dating Plates and Certificates UK – United Kingdom bottled Contract for Sale, such contract being made between our opinion the signature and/or title and/or date and/or by or on behalf of the Seller including by Bonhams. complying with all import or export regulations in When mention is made of a Veteran Car Club Dating Plate or owc – original wooden case the Seller and you through Bonhams which acts in inscription are in the artist’s hand. No such Description or Estimate is incorporated into connection with the Lot. Dating Certificate in thisCatalogue , it should be borne in mind iwc – individual wooden case the sole capacity as the Seller’s agent and not as • “Signed and/or titled and/or dated and/or inscribed in this Contract for Sale. that the Veteran Car Club of Great Britain using the services of oc – original carton an additional principal. However, if the Catalogue another hand”: in our opinion the signature and/or title 7.5 You will be wholly responsible for any removal, Veteran Car Company Ltd, does from time to time, review cars states that Bonhams sells the Lot as principal, or such and/or date and/or inscription have been added by 4 FITNESS FOR PURPOSE AND SATISFACTORY storage or other charges or Expenses incurred already dated and, in some instances, where fresh evidence a statement is made by an announcement by the another hand. QUALITY by the Seller if you do not remove the Lot in becomes available, the review can result in an alteration of date. Auctioneer, or by a notice at the Sale, or an insert accordance with this paragraph 7 and will Whilst the Club and Veteran Car Company Ltd make every in the Catalogue, then Bonhams is the Seller for the 4.1 The Seller does not make and does not agree indemnify the Seller against all charges, costs, effort to ensure accuracy, the date shown on the Dating Plate or purposes of this agreement. to make any contractual promise, undertaking, including any legal costs and fees, Expenses and Dating Certificate cannot be guaranteed as correct and intending obligation, guarantee, warranty, or representation of losses suffered by the Seller by reason of your purchasers should make their own enquiries as to the date of 1.4 The contract is made on the fall of the Auctioneer’s fact in relation to the satisfactory quality of the Lot or failure to remove the Lot including any charges the car. hammer in respect of the Lot when it is knocked its fitness for any purpose. due under any Storage Contract. All such sums down to you. due to the Seller will be payable on demand.

NTB/MAIN/09.13/V2 NTB/MAIN/09.13/V2 8 FAILURE TO PAY FOR THE LOT 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date specified from performing that party’s respective obligations in the Notice to Bidders, you authorise us, acting 8.1 If the Purchase Price for a Lot is not paid to Bonhams 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances beyond BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as as your agent and on your behalf, to enter into a in full in accordance with the Contract for Sale damage caused by the Lot after the fall of the its reasonable control or if performance of its otherwise set out in the Notice to Bidders, you must contract (the “Storage Contract”) with the Storage the Seller will be entitled, with the prior written Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances IMPORTANT: These terms may be changed in advance of the pay to us by not later than 4.30pm on the second Contractor for the storage of the Lot on the then agreement of Bonhams but without further notice to give rise to a significantly increased financial Sale of the Lot to you, by the setting out of different terms in working day following the Sale: current standard terms and conditions agreed you, to exercise one or more of the following rights 9.2 Subject to paragraph 9.3 below, except for breach cost to it, that party will not, for so long as such the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor (whether through Bonhams or otherwise): of the express undertaking provided in paragraph circumstances prevail, be required to perform such Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot 2.1.5, the Seller will not be liable for any breach obligations. This paragraph does not apply to the announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current 8.1.1 to terminate immediately the Contract for Sale of the of any term that the Lot will correspond with any obligations imposed on you by paragraph 6. You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per Lot for your breach of contract; Description applied to it by or on behalf of the Seller, advance of bidding if there have been any. out in the Notice to Bidders, and Lot per day) will be payable from the expiry of the whether implied by the Sale of Goods Act 1979 or 10.4 Any notice or other communication to be given period referred to in paragraph 4.2. These storage 8.1.2 to resell the Lot by auction, private treaty or any otherwise. under the Contract for Sale must be in writing 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. other means on giving seven days’ written notice to and may be delivered by hand or sent by first class which is calculated and payable in accordance with you of the intention to resell; 9.3 Unless the Seller sells the Lot in the course of a post or air mail or fax transmission, if to the Seller, 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any Business and the Buyer buys it as a Consumer, addressed c/o Bonhams at its address or fax number personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as 8.1.3 to retain possession of the Lot; in the Catalogue (marked for the attention of the a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage 9.3.1 the Seller will not be liable (whether in negligence, Company Secretary), and if to you to the address or Contractor as agent on behalf of the Seller and 8.1.4 to remove and store the Lot at your expense; other tort, breach of contract or statutory duty or in fax number of the Buyer given in the Bidding Form 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage restitution or under the Misrepresentation Act 1967, (unless notice of any change of address is given in 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. 8.1.5 to take legal proceedings against you for any sum or in any other way) for any lack of conformity with, writing). It is the responsibility of the sender of the into this agreement and a separate copy can also due under the Contract for Sale and/or damages for or inaccuracy, error, misdescription or omission in notice or communication to ensure that it is received be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any breach of contract; any Description of the Lot or any Entry or Estimate in a legible form within any applicable time period. phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the charges in relation to the Lot made by or on behalf of are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the (and all costs of moving the Lot into storage) due 8.1.6 to be paid interest on any monies due (after as well the Seller (whether made in writing, including in 10.5 If any term or any part of any term of the Contract Reference is made in this agreement to information methods of payment set out in the Notice to under any Storage Contract. You acknowledge and as before judgement or order) at the annual rate the Catalogue, or on the Website, or orally, or by for Sale is held to be unenforceable or invalid, such printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the agree that you will not be able to collect the Lot from of 5% per annum above the base rate of National conduct or otherwise) and whether made before or unenforceability or invalidity will not affect the Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an the Storage Contractor’s premises until you have paid Westminster Bank Plc from time to time to be after this agreement or prior to or during the Sale; enforceability and validity of the remaining terms or is referred to it is incorporated into this agreement. agent for a named principal and we have approved the Purchase Price, any Expenses and all charges due calculated on a daily basis from the date upon which the remainder of the relevant term. that arrangement, in which case we will address the under the Storage Contract. such monies become payable until the date of actual 9.3.2 the Seller will not be liable for any loss of Business, 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. payment; Business profits or revenue or income or for loss of 10.6 References in the Contract for Sale to Bonhams will, Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling reputation or for disruption to Business or wasted where appropriate, include reference to Bonhams’ and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for 8.1.7 to repossess the Lot (or any part thereof) which has time on the part of the Buyer or of the Buyer’s officers, employees and agents. hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in not become your property, and for this purpose management or staff or, for any indirect losses or down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. (unless the Buyer buys the Lot as a Consumer from consequential damages of any kind, irrespective in 10.7 The headings used in the Contract for Sale also made between you and Bonhams on the terms all such sums. the Seller selling in the course of a Business) you any case of the nature, volume or source of the loss are for convenience only and will not affect its in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, hereby grant an irrevocable licence to the Seller by or damage alleged to be suffered, and irrespective interpretation. 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed himself and to his servants or agents to enter upon of whether the said loss or damage is caused by 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our all or any of your premises (with or without vehicles) or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including during normal Business hours to take possession of breach of contract, statutory duty, restitutionary “including, without limitation”. breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of the Lot or part thereof; claim or otherwise; unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any 10.9 References to the singular will include reference to event before any collection of the Lot by you or on 8.1.8 to retain possession of any other property sold to you 9.3.3 in any circumstances where the Seller is liable to you the plural (and vice versa) and reference to any one 1.5 Our personal obligations to you are governed by this 3.6 Time will be of the essence in relation to any your behalf. by the Seller at the Sale or any other auction or by in respect of the Lot, or any act, omission, statement, gender will include reference to the other genders. agreement and we agree, subject to the terms below, payment payable to us. If you do not pay the private treaty until all sums due under the Contract or representation in respect of it, or this agreement to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT for Sale shall have been paid in full in cleared funds; or its performance, and whether in damages, for 10.10 Reference to a numbered paragraph is to a accordance with this paragraph 3, we will have the an indemnity or contribution or for a restitutionary paragraph of the Contract for Sale. 1.5.1 we will, until the date and time specified in the rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your 8.1.9 to retain possession of, and on three months’ written remedy or in any way whatsoever, the Seller’s liability Notice to Bidders or otherwise notified to you, store removal of the Lot or until the time and date set out notice to sell, Without Reserve, any of your other will be limited to payment of a sum which will not 10.11 Save as expressly provided in paragraph 10.12 the Lot in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down to in the Notice to Bidders, on the Sale Information property in the possession of the Seller and/or of exceed by way of maximum the amount of the nothing in the Contract for Sale confers (or purports you, any monies we receive from you will be applied Page or at the back of the catalogue (or if no date Bonhams (as bailee for the Seller) for any purpose Purchase Price of the Lot irrespective in any case of to confer) on any person who is not a party to the 1.5.2 subject to any power of the Seller or us to refuse to firstly pro-rata to pay the Purchase Price of each Lot is specified, by 4.30pm on the seventh day after the (including, without limitation, other goods sold to the nature, volume or source of any loss or damage Contract for Sale any benefit conferred by, or the release the Lot to you, we will release the Lot to you and secondly pro-rata to pay all amounts due to Sale) and, subject to paragraphs 6 and 10, to be you) and to apply any monies due to you as a result alleged to be suffered or sum claimed as due, and right to enforce any term of, the Contract for Sale. in accordance with paragraph 4 once you have paid Bonhams. responsible as bailee to you for damage to or the loss of such Sale in satisfaction or part satisfaction of any irrespective of whether the liability arises from any to us, in cleared funds, everything due to us and the or destruction of the Lot (notwithstanding that it is amounts owed to the Seller or to Bonhams; and negligence, other tort, breach of contract, statutory 10.12 Where the Contract for Sale confers an immunity Seller; 4 COLLECTION OF THE LOT not your property before payment of the Purchase duty, bailee’s duty, restitutionary claim or otherwise. from, and/or an exclusion or restriction of, the Price). If you do not collect the Lot before the time 8.1.10 so long as such goods remain in the possession of responsibility and/or liability of the Seller, it will also 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no the Seller or Bonhams as its bailee, to rescind the 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will operate in favour and for the benefit ofBonhams, paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day contract for the Sale of any other goods sold to be construed as excluding or restricting (whether Bonhams’ holding company and the subsidiaries in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another you by the Seller at the Sale or at any other auction directly or indirectly) any person’s liability or excluding of such holding company and the successors and 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out or by private treaty and apply any monies received or restricting any person’s rights or remedies in assigns of Bonhams and of such companies and of or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have from you in respect of such goods in part or full respect of (i) fraud, or (ii) death or personal injury any officer, employee and agent of Bonhams and obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, satisfaction of any amounts owed to the Seller or to caused by the Seller’s negligence (or any person such companies, each of whom will be entitled to fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, Bonhams by you. under the Seller’s control or for whom the Seller is rely on the relevant immunity and/or exclusion and/or Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to legally responsible), or (iii) acts or omissions for which restriction within and for the purposes of Contracts completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the 8.2 You agree to indemnify the Seller against all legal the Seller is liable under the Occupiers Liability Act (Rights of Third Parties) Act 1999, which enables the may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with and other costs of enforcement, all losses and other 1957, or (iv) any other liability to the extent the same benefit of a contract to be extended to a person who or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. Expenses and costs (including any monies payable may not be excluded or restricted as a matter of law. is not a party to the contract, and generally at law. writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. to Bonhams in order to obtain the release of the Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT Lot) incurred by the Seller (whether or not court 10 MISCELLANEOUS 11 GOVERNING LAW made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot proceedings will have been issued) as a result of during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us Bonhams taking steps under this paragraph 8 on a 10.1 You may not assign either the benefit or burden of All transactions to which the Contract for Sale applies incorporated into this agreement between you and Notice to Bidders for collection on the days and times will title in the Lot pass to you. However under the full indemnity basis together with interest thereon the Contract for Sale. and all connected matters will be governed by and us. Any such Description or Estimate, if made by us specified in the Notice to Bidders. Thereafter, the Contract for Sale, the risk in the Lot passed to you (after as well as before judgement or order) at the construed in accordance with the laws of that part or on our behalf, was (unless Bonhams itself sells Lot may be removed elsewhere for storage and you when it was knocked down to you. rate specified in paragraph 8.1.6 from the date upon 10.2 The Seller’s failure or delay in enforcing or exercising of the United Kingdom where the Sale takes place the Lot as principal) made as agent on behalf of the must enquire from us as to when and where you can which the Seller becomes liable to pay the same until any power or right under the Contract for Sale will and the Seller and you each submit to the exclusive Seller. collect it, although this information will usually be set 6.2 You are advised to obtain insurance in respect of the payment by you. not operate or be deemed to operate as a waiver of jurisdiction of the courts of that part of the United out in the Notice to Bidders. Lot as soon as possible after the Sale. his rights under it except to the extent of any express Kingdom, save that the Seller may bring proceedings 2 PERFORMANCE OF THE CONTRACT FOR SALE 8.3 On any resale of the Lot under paragraph 8.1.2, the waiver given to you in writing. Any such waiver will against you in any other court of competent Seller will account to you in respect of any balance not affect the Seller’s ability subsequently to enforce jurisdiction to the extent permitted by the laws of You undertake to us personally that you will remaining from any monies received by him or on any right arising under the Contract for Sale. the relevant jurisdiction. Bonhams has a complaints observe and comply with all your obligations and his behalf in respect of the Lot, after the payment of procedure in place. undertakings to the Seller under the Contract for Sale all sums due to the Seller and to Bonhams, within in respect of the Lot. 28 days of receipt of such monies by him or on his behalf.

NTB/MAIN/09.13/V2 NTB/MAIN/09.13/V2 8 FAILURE TO PAY FOR THE LOT 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date specified from performing that party’s respective obligations in the Notice to Bidders, you authorise us, acting 8.1 If the Purchase Price for a Lot is not paid to Bonhams 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances beyond BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as as your agent and on your behalf, to enter into a in full in accordance with the Contract for Sale damage caused by the Lot after the fall of the its reasonable control or if performance of its otherwise set out in the Notice to Bidders, you must contract (the “Storage Contract”) with the Storage the Seller will be entitled, with the prior written Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances IMPORTANT: These terms may be changed in advance of the pay to us by not later than 4.30pm on the second Contractor for the storage of the Lot on the then agreement of Bonhams but without further notice to give rise to a significantly increased financial Sale of the Lot to you, by the setting out of different terms in working day following the Sale: current standard terms and conditions agreed you, to exercise one or more of the following rights 9.2 Subject to paragraph 9.3 below, except for breach cost to it, that party will not, for so long as such the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor (whether through Bonhams or otherwise): of the express undertaking provided in paragraph circumstances prevail, be required to perform such Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot 2.1.5, the Seller will not be liable for any breach obligations. This paragraph does not apply to the announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current 8.1.1 to terminate immediately the Contract for Sale of the of any term that the Lot will correspond with any obligations imposed on you by paragraph 6. You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per Lot for your breach of contract; Description applied to it by or on behalf of the Seller, advance of bidding if there have been any. out in the Notice to Bidders, and Lot per day) will be payable from the expiry of the whether implied by the Sale of Goods Act 1979 or 10.4 Any notice or other communication to be given period referred to in paragraph 4.2. These storage 8.1.2 to resell the Lot by auction, private treaty or any otherwise. under the Contract for Sale must be in writing 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. other means on giving seven days’ written notice to and may be delivered by hand or sent by first class which is calculated and payable in accordance with you of the intention to resell; 9.3 Unless the Seller sells the Lot in the course of a post or air mail or fax transmission, if to the Seller, 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any Business and the Buyer buys it as a Consumer, addressed c/o Bonhams at its address or fax number personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as 8.1.3 to retain possession of the Lot; in the Catalogue (marked for the attention of the a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage 9.3.1 the Seller will not be liable (whether in negligence, Company Secretary), and if to you to the address or Contractor as agent on behalf of the Seller and 8.1.4 to remove and store the Lot at your expense; other tort, breach of contract or statutory duty or in fax number of the Buyer given in the Bidding Form 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage restitution or under the Misrepresentation Act 1967, (unless notice of any change of address is given in 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. 8.1.5 to take legal proceedings against you for any sum or in any other way) for any lack of conformity with, writing). It is the responsibility of the sender of the into this agreement and a separate copy can also due under the Contract for Sale and/or damages for or inaccuracy, error, misdescription or omission in notice or communication to ensure that it is received be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any breach of contract; any Description of the Lot or any Entry or Estimate in a legible form within any applicable time period. phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the charges in relation to the Lot made by or on behalf of are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the (and all costs of moving the Lot into storage) due 8.1.6 to be paid interest on any monies due (after as well the Seller (whether made in writing, including in 10.5 If any term or any part of any term of the Contract Reference is made in this agreement to information methods of payment set out in the Notice to under any Storage Contract. You acknowledge and as before judgement or order) at the annual rate the Catalogue, or on the Website, or orally, or by for Sale is held to be unenforceable or invalid, such printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the agree that you will not be able to collect the Lot from of 5% per annum above the base rate of National conduct or otherwise) and whether made before or unenforceability or invalidity will not affect the Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an the Storage Contractor’s premises until you have paid Westminster Bank Plc from time to time to be after this agreement or prior to or during the Sale; enforceability and validity of the remaining terms or is referred to it is incorporated into this agreement. agent for a named principal and we have approved the Purchase Price, any Expenses and all charges due calculated on a daily basis from the date upon which the remainder of the relevant term. that arrangement, in which case we will address the under the Storage Contract. such monies become payable until the date of actual 9.3.2 the Seller will not be liable for any loss of Business, 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. payment; Business profits or revenue or income or for loss of 10.6 References in the Contract for Sale to Bonhams will, Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling reputation or for disruption to Business or wasted where appropriate, include reference to Bonhams’ and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for 8.1.7 to repossess the Lot (or any part thereof) which has time on the part of the Buyer or of the Buyer’s officers, employees and agents. hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in not become your property, and for this purpose management or staff or, for any indirect losses or down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. (unless the Buyer buys the Lot as a Consumer from consequential damages of any kind, irrespective in 10.7 The headings used in the Contract for Sale also made between you and Bonhams on the terms all such sums. the Seller selling in the course of a Business) you any case of the nature, volume or source of the loss are for convenience only and will not affect its in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, hereby grant an irrevocable licence to the Seller by or damage alleged to be suffered, and irrespective interpretation. 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed himself and to his servants or agents to enter upon of whether the said loss or damage is caused by 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our all or any of your premises (with or without vehicles) or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including during normal Business hours to take possession of breach of contract, statutory duty, restitutionary “including, without limitation”. breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of the Lot or part thereof; claim or otherwise; unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any 10.9 References to the singular will include reference to event before any collection of the Lot by you or on 8.1.8 to retain possession of any other property sold to you 9.3.3 in any circumstances where the Seller is liable to you the plural (and vice versa) and reference to any one 1.5 Our personal obligations to you are governed by this 3.6 Time will be of the essence in relation to any your behalf. by the Seller at the Sale or any other auction or by in respect of the Lot, or any act, omission, statement, gender will include reference to the other genders. agreement and we agree, subject to the terms below, payment payable to us. If you do not pay the private treaty until all sums due under the Contract or representation in respect of it, or this agreement to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT for Sale shall have been paid in full in cleared funds; or its performance, and whether in damages, for 10.10 Reference to a numbered paragraph is to a accordance with this paragraph 3, we will have the an indemnity or contribution or for a restitutionary paragraph of the Contract for Sale. 1.5.1 we will, until the date and time specified in the rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your 8.1.9 to retain possession of, and on three months’ written remedy or in any way whatsoever, the Seller’s liability Notice to Bidders or otherwise notified to you, store removal of the Lot or until the time and date set out notice to sell, Without Reserve, any of your other will be limited to payment of a sum which will not 10.11 Save as expressly provided in paragraph 10.12 the Lot in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down to in the Notice to Bidders, on the Sale Information property in the possession of the Seller and/or of exceed by way of maximum the amount of the nothing in the Contract for Sale confers (or purports you, any monies we receive from you will be applied Page or at the back of the catalogue (or if no date Bonhams (as bailee for the Seller) for any purpose Purchase Price of the Lot irrespective in any case of to confer) on any person who is not a party to the 1.5.2 subject to any power of the Seller or us to refuse to firstly pro-rata to pay the Purchase Price of each Lot is specified, by 4.30pm on the seventh day after the (including, without limitation, other goods sold to the nature, volume or source of any loss or damage Contract for Sale any benefit conferred by, or the release the Lot to you, we will release the Lot to you and secondly pro-rata to pay all amounts due to Sale) and, subject to paragraphs 6 and 10, to be you) and to apply any monies due to you as a result alleged to be suffered or sum claimed as due, and right to enforce any term of, the Contract for Sale. in accordance with paragraph 4 once you have paid Bonhams. responsible as bailee to you for damage to or the loss of such Sale in satisfaction or part satisfaction of any irrespective of whether the liability arises from any to us, in cleared funds, everything due to us and the or destruction of the Lot (notwithstanding that it is amounts owed to the Seller or to Bonhams; and negligence, other tort, breach of contract, statutory 10.12 Where the Contract for Sale confers an immunity Seller; 4 COLLECTION OF THE LOT not your property before payment of the Purchase duty, bailee’s duty, restitutionary claim or otherwise. from, and/or an exclusion or restriction of, the Price). If you do not collect the Lot before the time 8.1.10 so long as such goods remain in the possession of responsibility and/or liability of the Seller, it will also 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no the Seller or Bonhams as its bailee, to rescind the 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will operate in favour and for the benefit ofBonhams, paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day contract for the Sale of any other goods sold to be construed as excluding or restricting (whether Bonhams’ holding company and the subsidiaries in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another you by the Seller at the Sale or at any other auction directly or indirectly) any person’s liability or excluding of such holding company and the successors and 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out or by private treaty and apply any monies received or restricting any person’s rights or remedies in assigns of Bonhams and of such companies and of or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have from you in respect of such goods in part or full respect of (i) fraud, or (ii) death or personal injury any officer, employee and agent of Bonhams and obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, satisfaction of any amounts owed to the Seller or to caused by the Seller’s negligence (or any person such companies, each of whom will be entitled to fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, Bonhams by you. under the Seller’s control or for whom the Seller is rely on the relevant immunity and/or exclusion and/or Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to legally responsible), or (iii) acts or omissions for which restriction within and for the purposes of Contracts completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the 8.2 You agree to indemnify the Seller against all legal the Seller is liable under the Occupiers Liability Act (Rights of Third Parties) Act 1999, which enables the may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with and other costs of enforcement, all losses and other 1957, or (iv) any other liability to the extent the same benefit of a contract to be extended to a person who or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. Expenses and costs (including any monies payable may not be excluded or restricted as a matter of law. is not a party to the contract, and generally at law. writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. to Bonhams in order to obtain the release of the Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT Lot) incurred by the Seller (whether or not court 10 MISCELLANEOUS 11 GOVERNING LAW made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot proceedings will have been issued) as a result of during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us Bonhams taking steps under this paragraph 8 on a 10.1 You may not assign either the benefit or burden of All transactions to which the Contract for Sale applies incorporated into this agreement between you and Notice to Bidders for collection on the days and times will title in the Lot pass to you. However under the full indemnity basis together with interest thereon the Contract for Sale. and all connected matters will be governed by and us. Any such Description or Estimate, if made by us specified in the Notice to Bidders. Thereafter, the Contract for Sale, the risk in the Lot passed to you (after as well as before judgement or order) at the construed in accordance with the laws of that part or on our behalf, was (unless Bonhams itself sells Lot may be removed elsewhere for storage and you when it was knocked down to you. rate specified in paragraph 8.1.6 from the date upon 10.2 The Seller’s failure or delay in enforcing or exercising of the United Kingdom where the Sale takes place the Lot as principal) made as agent on behalf of the must enquire from us as to when and where you can which the Seller becomes liable to pay the same until any power or right under the Contract for Sale will and the Seller and you each submit to the exclusive Seller. collect it, although this information will usually be set 6.2 You are advised to obtain insurance in respect of the payment by you. not operate or be deemed to operate as a waiver of jurisdiction of the courts of that part of the United out in the Notice to Bidders. Lot as soon as possible after the Sale. his rights under it except to the extent of any express Kingdom, save that the Seller may bring proceedings 2 PERFORMANCE OF THE CONTRACT FOR SALE 8.3 On any resale of the Lot under paragraph 8.1.2, the waiver given to you in writing. Any such waiver will against you in any other court of competent Seller will account to you in respect of any balance not affect the Seller’s ability subsequently to enforce jurisdiction to the extent permitted by the laws of You undertake to us personally that you will remaining from any monies received by him or on any right arising under the Contract for Sale. the relevant jurisdiction. Bonhams has a complaints observe and comply with all your obligations and his behalf in respect of the Lot, after the payment of procedure in place. undertakings to the Seller under the Contract for Sale all sums due to the Seller and to Bonhams, within in respect of the Lot. 28 days of receipt of such monies by him or on his behalf.

NTB/MAIN/09.13/V2 NTB/MAIN/09.13/V2 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: 10.3.1 We will not be liable to you for any loss of Business, the Entry in the Catalogue in respect of the Lot 12.7 The headings used in this agreement are AND PART PAYMENTS payment shall be applied firstly to the Purchase Price Business profits, revenue or income or for loss of reflected the then accepted general opinion of for convenience only and will not affect its of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the Business reputation or for disruption to Business or scholars and experts or fairly indicated that there was interpretation. 7.1 If all sums payable to us are not so paid in full at the one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general wasted time on the part of the Buyer’s management a conflict of such opinion; or time they are due and/or the Lot is not removed in Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated or staff or, if you are buying the Lot in the course of 12.8 In this agreement “including” means “including, accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected a Business, for any indirect losses or consequential it can be established that the Lot is a non-conforming without limitation”. further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged damages of any kind, irrespective in any case of Lot only by means of a process not generally more of the following rights (without prejudice to other sums due to us. to be a leading expert in the relevant field; or the nature, volume or source of the loss or damage accepted for use until after the date on which the 12.9 References to the singular will include reference to any rights we may exercise on behalf of the Seller): alleged to be suffered, and irrespective of whether Catalogue was published or by means of a process the plural (and vice versa) and reference to any one 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only the said loss or damage is caused by or claimed which it was unreasonable in all the circumstances gender will include reference to the other genders. 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for in respect of any negligence, other tort, breach of for us to have employed; or breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was contract, statutory duty, bailee’s duty, a restitutionary 12.10 Reference to a numbered paragraph is to a this paragraph 7 after the payment of all sums due to published or by means of a process which it was claim or otherwise. the Lot comprises atlases, maps, autographs, paragraph of this agreement. 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have manuscripts, extra illustrated books, music or all such sums paid to us. employed. 10.3.2 Unless you buy the Lot as a Consumer, in any periodical publications; or 12.11 Save as expressly provided in paragraph 12.12 7.1.3 to remove, and/or store the Lot at your expense; circumstances where we are liable to you in nothing in this agreement confers (or purports to 8 CLAIMS BY OTHER PERSONS IN RESPECT OF 9.4 You authorise us to carry out such processes and respect of a Lot, or any act, omission, statement, the Lot was listed in the Catalogue under confer) on any person who is not a party to this 7.1.4 to take legal proceedings against you for payment THE LOT tests on the Lot as we in our absolute discretion representation in respect of it, or this agreement “collections” or “collections and various” or the Lot agreement any benefit conferred by, or the right to of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot is or its performance, and whether in damages, for was stated in the Catalogue to comprise or contain enforce any term of, this agreement. Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot or is not a Forgery. an indemnity or contribution or for a restitutionary a collection, issue or Books which are undescribed or contract; is the subject of a claim by someone other than remedy or in any way whatsoever, our liability will be the missing text or illustrations are referred to or the 12.12 Where this agreement confers an immunity from, you and other than the Seller (or that such a claim 9.5 If we are satisfied that a Lot is a Forgery we will (as limited to payment of a sum which will not exceed relevant parts of the Book contain blanks, half titles and/or an exclusion or restriction of, the responsibility 7.1.5 to be paid interest on any monies due to us (after can reasonably be expected to be made), we may, principal) purchase the Lot from you and you will by way of maximum the amount of the Purchase or advertisements. and/or liability of Bonhams, it will also operate in as well as before judgement or order) at the annual at our absolute discretion, deal with the Lot in transfer the title to the Lot in question to us, with Price of the Lot plus Buyer’s Premium (less any sum favour and for the benefit of Bonhams’ holding rate of 5% per annum above the base lending rate any manner which appears to us to recognise the full title guarantee, free from any liens, charges, you may be entitled to recover from the Seller) If we are reasonably satisfied that a Lot is a non- company and the subsidiaries of such holding of National Westminster Bank Plc from time to time legitimate interests of ourselves and the other parties encumbrances and adverse claims, in accordance irrespective in any case of the nature, volume or conforming Lot, we will (as principal) purchase the company and the successors and assigns of Bonhams to be calculated on a daily basis from the date upon involved and lawfully to protect our position and with the provisions of Sections 12(1) and 12(2) of source of any loss or damage alleged to be suffered Lot from you and you will transfer the title to the Lot and of such companies and of any officer, employee which such monies become payable until the date of our legitimate interests. Without prejudice to the the Sale of Goods Act 1979 and we will pay to you or sum claimed as due, and irrespective of whether in question to us, with full title guarantee, free from and agent of Bonhams and such companies, each actual payment; generality of the discretion and by way of example, an amount equal to the sum of the Purchase Price, the liability arises from negligence, other tort, any liens, charges, encumbrances and adverse claims of whom will be entitled to rely on the relevant we may: Buyer’s Premium, VAT and Expenses paid by you in breach of contract, statutory duty, bailee’s duty, a and we will pay to you an amount equal to the sum immunity and/or exclusion and/or restriction within 7.1.6 to repossess the Lot (or any part thereof) which has respect of the Lot. restitutionary claim or otherwise. of the Purchase Price and Buyer’s Premium paid by and for the purposes of Contracts (Rights of Third not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or you in respect of the Lot. Parties) Act 1999, which enables the benefit of a (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to 9.6 The benefit of paragraph 9 is personal to, and You may wish to protect yourself against loss by contract to be extended to a person who is not a grant an irrevocable licence to us, by ourselves, our the Lot; and/or incapable of assignment by, you. obtaining insurance. The benefit of paragraph 10 is personal to, and party to the contract, and generally at law. servants or agents, to enter upon all or any of your incapable of assignment by, you and if you sell or premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or 9.7 If you sell or otherwise dispose of your interest in the 10.4 Nothing set out above will be construed as excluding otherwise dispose of your interest in the Lot, all 13 GOVERNING LAW business hours to take possession of any Lot or part Lot, all rights and benefits under this paragraph will or restricting (whether directly or indirectly) any rights and benefits under this paragraph will cease. thereof; 8.1.3 commence interpleader proceedings or seek any cease. person’s liability or excluding or restricting any All transactions to which this agreement applies other order of any court, mediator, arbitrator or person’s rights or remedies in respect of (i) fraud, or 12 MISCELLANEOUS and all connected matters will be governed by and 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or 9.8 Paragraph 9 does not apply to a Lot made up of or (ii) death or personal injury caused by our negligence construed in accordance with the laws of that part treaty or any other means on giving you three including a Chinese painting or Chinese paintings, a (or any person under our control or for whom we are 12.1 You may not assign either the benefit or burden of of the United Kingdom where the Sale takes (or months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in motor vehicle or motor vehicles, a Stamp or Stamps legally responsible), or (iii) acts or omissions for which this agreement. is to take) place and we and you each submit to return for pursuing a course of action agreed to by or a Book or Books. we are liable under the Occupiers Liability Act 1957, the exclusive jurisdiction of the courts of that part 7.1.8 to retain possession of any of your other property in you. or (iv) any other liability to the extent the same may 12.2 Our failure or delay in enforcing or exercising any of the United Kingdom, save that we may bring our possession for any purpose (including, without 10 OUR LIABILITY not be excluded or restricted as a matter of law, or power or right under this agreement will not operate proceedings against you in any other court of limitation, other goods sold to you or with us for 8.2 The discretion referred to in paragraph 8.1: (v) under our undertaking in paragraph 9 of these or be deemed to operate as a waiver of our rights competent jurisdiction to the extent permitted by Sale) until all sums due to us have been paid in full; 10.1 We will not be liable whether in negligence, other conditions. under it except to the extent of any express waiver the laws of the relevant jurisdiction. Bonhams has a 8.2.1 may be exercised at any time during which we have tort, breach of contract or statutory duty or in given to you in writing. Any such waiver will not complaints procedure in place. 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at restitution or under the Misrepresentation Act 1967 11 BOOKS MISSING TEXT OR ILLUSTRATIONS affect our ability subsequently to enforce any right purpose whether at the time of your default or at any time after such possession, where the cessation or in any other way for lack of conformity with or arising under this agreement. DATA PROTECTION – USE OF YOUR INFORMATION any time thereafter in payment or part payment of of such possession has occurred by reason of any any inaccuracy, error, misdescription or omission in Where the Lot is made up wholly of a Book or Books any sums due to us by you under this agreement; decision, order or ruling of any court, mediator, any Description of the Lot or any Entry or Estimate and any Book does not contain text or illustrations (in 12.3 If either party to this agreement is prevented from Where we obtain any personal information about you, we shall arbitrator or government body; and in respect of it, made by us or on our behalf or by either case referred to as a “non-conforming Lot”), performing that party’s respective obligations only use it in accordance with the terms of our Privacy Policy 7.1.10 on three months’ written notice to sell, Without or on behalf of the Seller (whether made in writing, we undertake a personal responsibility for such a under this agreement by circumstances beyond (subject to any additional specific consent(s) you may have Reserve, any of your other property in our possession 8.2.2 will not be exercised unless we believe that there including in the Catalogue, or on the Bonhams’ non-conforming Lot in accordance with the terms of its reasonable control or if performance of its given at the time your information was disclosed). A copy of or under our control for any purpose (including other exists a serious prospect of a good arguable case in Website, or orally, or by conduct or otherwise) and this paragraph, if: obligations would by reason of such circumstances our Privacy Policy can be found on our Website www.bonhams. goods sold to you or with us for Sale) and to apply favour of the claim. whether made before or after this agreement or prior give rise to a significantly increased financial com or requested by post from Customer Services Department, any monies due to you as a result of such Sale in to or during the Sale. the original invoice was made out by us to you in cost to it, that party will not, for so long as such 101 New Bond Street, London W1S 1SR, United Kingdom or payment or part payment of any amounts owed to 9 FORGERIES respect of the Lot and that invoice has been paid; circumstances prevail, be required to perform such by email from [email protected]. us; 10.2 Our duty to you while the Lot is at your risk and/or and obligations. This paragraph does not apply to the 9.1 We undertake a personal responsibility for any your property and in our custody and/or control is to obligations imposed on you by paragraph 3. APPENDIX 3 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this exercise reasonable care in relation to it, but we will you notify us in writing as soon as reasonably reject a bid from you at any future Sale or to require paragraph 9. not be responsible for damage to the Lot or to other practicable after you have become aware that the Lot 12.4 Any notice or other communication to be given DEFINITIONS AND GLOSSARY you to pay a deposit before any bid is accepted by us persons or things caused by: is or may be a non-conforming Lot, and in any event under this agreement must be in writing and may at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: within 20 days after the Sale (or such longer period be delivered by hand or sent by first class post or Where these Definitions and Glossary are incorporated, the to apply such deposit in payment or part payment, as 10.2.1 handling the Lot if it was affected at the time of Sale as we may agree in writing) that the Lot is a non- air mail or fax transmission (if to Bonhams marked following words and phrases used have (unless the context the case may be, of the Purchase Price of any Lot of 9.2.1 your name appears as the named person to whom to you by woodworm and any damage is caused as a conforming Lot; and for the attention of the Company Secretary), to the otherwise requires) the meanings given to them below. The which you are the Buyer. the original invoice was made out by us in respect of result of it being affected by woodworm; or address or fax number of the relevant party given Glossary is to assist you to understand words and phrases the Lot and that invoice has been paid; and within 20 days of the date of the relevant Sale (or in the Contract Form (unless notice of any change which have a specific legal meaning with which you may not 7.2 You agree to indemnify us against all legal and other 10.2.2 changes in atmospheric pressure; nor will we be such longer period as we may agree in writing) you of address is given in writing). It is the responsibility be familiar. costs, all losses and all other Expenses (whether or 9.2.2 you notify us in writing as soon as reasonably liable for: return the Lot to us in the same condition as it was of the sender of the notice or communication to not court proceedings will have been issued) incurred practicable after you have become aware that the Lot at the time of the Sale, accompanied by written ensure that it is received in a legible form within any LIST OF DEFINITIONS by us as a result of our taking steps under this is or may be a Forgery, and in any event within one 10.2.3 damage to tension stringed musical instruments; or evidence that the Lot is a non-conforming Lot and applicable time period. paragraph 7 on a full indemnity basis together with year after the Sale, that the Lot is a Forgery; and details of the Sale and Lot number sufficient to “Additional Premium” a premium, calculated in accordance interest thereon (after as well as before judgement or 10.2.4 damage to gilded picture frames, plaster picture identify the Lot. 12.5 If any term or any part of any term of this agreement with the Notice to Bidders, to cover Bonhams’ Expenses order) at the rate specified in paragraph 7.1.5 from 9.2.3 within one month after such notification has been frames or picture frame glass; and if the Lot is or is held to be unenforceable or invalid, such relating to the payment of royalties under the Artists Resale the date upon which we become liable to pay the given, you return the Lot to us in the same condition becomes dangerous, we may dispose of it without but not if: unenforceability or invalidity will not affect the Right Regulations 2006 which is payable by the Buyer to same until payment by you. as it was at the time of the Sale, accompanied by notice to you in advance in any manner we think fit enforceability and validity of the remaining terms or Bonhams on any Lot marked [AR] which sells for a Hammer written evidence that the Lot is a Forgery and details and we will be under no liability to you for doing so. the Entry in the Catalogue in respect of the Lot the remainder of the relevant term. Price which together with the Buyer’s Premium (but excluding of the Sale and Lot number sufficient to identify the indicates that the rights given by this paragraph do any VAT) equals or exceeds 1000 euros (converted into Lot. not apply to it; or 12.6 References in this agreement to Bonhams will, where the currency of the Sale using the European Central Bank appropriate, include reference to Bonhams’ officers, Reference rate prevailing on the date of the Sale). employees and agents. “Auctioneer” the representative of Bonhams conducting the Sale.

NTB/MAIN/09.13/V2 NTB/MAIN/09.13/V2 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: 10.3.1 We will not be liable to you for any loss of Business, the Entry in the Catalogue in respect of the Lot 12.7 The headings used in this agreement are AND PART PAYMENTS payment shall be applied firstly to the Purchase Price Business profits, revenue or income or for loss of reflected the then accepted general opinion of for convenience only and will not affect its of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the Business reputation or for disruption to Business or scholars and experts or fairly indicated that there was interpretation. 7.1 If all sums payable to us are not so paid in full at the one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general wasted time on the part of the Buyer’s management a conflict of such opinion; or time they are due and/or the Lot is not removed in Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated or staff or, if you are buying the Lot in the course of 12.8 In this agreement “including” means “including, accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected a Business, for any indirect losses or consequential it can be established that the Lot is a non-conforming without limitation”. further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged damages of any kind, irrespective in any case of Lot only by means of a process not generally more of the following rights (without prejudice to other sums due to us. to be a leading expert in the relevant field; or the nature, volume or source of the loss or damage accepted for use until after the date on which the 12.9 References to the singular will include reference to any rights we may exercise on behalf of the Seller): alleged to be suffered, and irrespective of whether Catalogue was published or by means of a process the plural (and vice versa) and reference to any one 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only the said loss or damage is caused by or claimed which it was unreasonable in all the circumstances gender will include reference to the other genders. 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for in respect of any negligence, other tort, breach of for us to have employed; or breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was contract, statutory duty, bailee’s duty, a restitutionary 12.10 Reference to a numbered paragraph is to a this paragraph 7 after the payment of all sums due to published or by means of a process which it was claim or otherwise. the Lot comprises atlases, maps, autographs, paragraph of this agreement. 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have manuscripts, extra illustrated books, music or all such sums paid to us. employed. 10.3.2 Unless you buy the Lot as a Consumer, in any periodical publications; or 12.11 Save as expressly provided in paragraph 12.12 7.1.3 to remove, and/or store the Lot at your expense; circumstances where we are liable to you in nothing in this agreement confers (or purports to 8 CLAIMS BY OTHER PERSONS IN RESPECT OF 9.4 You authorise us to carry out such processes and respect of a Lot, or any act, omission, statement, the Lot was listed in the Catalogue under confer) on any person who is not a party to this 7.1.4 to take legal proceedings against you for payment THE LOT tests on the Lot as we in our absolute discretion representation in respect of it, or this agreement “collections” or “collections and various” or the Lot agreement any benefit conferred by, or the right to of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot is or its performance, and whether in damages, for was stated in the Catalogue to comprise or contain enforce any term of, this agreement. Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot or is not a Forgery. an indemnity or contribution or for a restitutionary a collection, issue or Books which are undescribed or contract; is the subject of a claim by someone other than remedy or in any way whatsoever, our liability will be the missing text or illustrations are referred to or the 12.12 Where this agreement confers an immunity from, you and other than the Seller (or that such a claim 9.5 If we are satisfied that a Lot is a Forgery we will (as limited to payment of a sum which will not exceed relevant parts of the Book contain blanks, half titles and/or an exclusion or restriction of, the responsibility 7.1.5 to be paid interest on any monies due to us (after can reasonably be expected to be made), we may, principal) purchase the Lot from you and you will by way of maximum the amount of the Purchase or advertisements. and/or liability of Bonhams, it will also operate in as well as before judgement or order) at the annual at our absolute discretion, deal with the Lot in transfer the title to the Lot in question to us, with Price of the Lot plus Buyer’s Premium (less any sum favour and for the benefit of Bonhams’ holding rate of 5% per annum above the base lending rate any manner which appears to us to recognise the full title guarantee, free from any liens, charges, you may be entitled to recover from the Seller) If we are reasonably satisfied that a Lot is a non- company and the subsidiaries of such holding of National Westminster Bank Plc from time to time legitimate interests of ourselves and the other parties encumbrances and adverse claims, in accordance irrespective in any case of the nature, volume or conforming Lot, we will (as principal) purchase the company and the successors and assigns of Bonhams to be calculated on a daily basis from the date upon involved and lawfully to protect our position and with the provisions of Sections 12(1) and 12(2) of source of any loss or damage alleged to be suffered Lot from you and you will transfer the title to the Lot and of such companies and of any officer, employee which such monies become payable until the date of our legitimate interests. Without prejudice to the the Sale of Goods Act 1979 and we will pay to you or sum claimed as due, and irrespective of whether in question to us, with full title guarantee, free from and agent of Bonhams and such companies, each actual payment; generality of the discretion and by way of example, an amount equal to the sum of the Purchase Price, the liability arises from negligence, other tort, any liens, charges, encumbrances and adverse claims of whom will be entitled to rely on the relevant we may: Buyer’s Premium, VAT and Expenses paid by you in breach of contract, statutory duty, bailee’s duty, a and we will pay to you an amount equal to the sum immunity and/or exclusion and/or restriction within 7.1.6 to repossess the Lot (or any part thereof) which has respect of the Lot. restitutionary claim or otherwise. of the Purchase Price and Buyer’s Premium paid by and for the purposes of Contracts (Rights of Third not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or you in respect of the Lot. Parties) Act 1999, which enables the benefit of a (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to 9.6 The benefit of paragraph 9 is personal to, and You may wish to protect yourself against loss by contract to be extended to a person who is not a grant an irrevocable licence to us, by ourselves, our the Lot; and/or incapable of assignment by, you. obtaining insurance. The benefit of paragraph 10 is personal to, and party to the contract, and generally at law. servants or agents, to enter upon all or any of your incapable of assignment by, you and if you sell or premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or 9.7 If you sell or otherwise dispose of your interest in the 10.4 Nothing set out above will be construed as excluding otherwise dispose of your interest in the Lot, all 13 GOVERNING LAW business hours to take possession of any Lot or part Lot, all rights and benefits under this paragraph will or restricting (whether directly or indirectly) any rights and benefits under this paragraph will cease. thereof; 8.1.3 commence interpleader proceedings or seek any cease. person’s liability or excluding or restricting any All transactions to which this agreement applies other order of any court, mediator, arbitrator or person’s rights or remedies in respect of (i) fraud, or 12 MISCELLANEOUS and all connected matters will be governed by and 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or 9.8 Paragraph 9 does not apply to a Lot made up of or (ii) death or personal injury caused by our negligence construed in accordance with the laws of that part treaty or any other means on giving you three including a Chinese painting or Chinese paintings, a (or any person under our control or for whom we are 12.1 You may not assign either the benefit or burden of of the United Kingdom where the Sale takes (or months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in motor vehicle or motor vehicles, a Stamp or Stamps legally responsible), or (iii) acts or omissions for which this agreement. is to take) place and we and you each submit to return for pursuing a course of action agreed to by or a Book or Books. we are liable under the Occupiers Liability Act 1957, the exclusive jurisdiction of the courts of that part 7.1.8 to retain possession of any of your other property in you. or (iv) any other liability to the extent the same may 12.2 Our failure or delay in enforcing or exercising any of the United Kingdom, save that we may bring our possession for any purpose (including, without 10 OUR LIABILITY not be excluded or restricted as a matter of law, or power or right under this agreement will not operate proceedings against you in any other court of limitation, other goods sold to you or with us for 8.2 The discretion referred to in paragraph 8.1: (v) under our undertaking in paragraph 9 of these or be deemed to operate as a waiver of our rights competent jurisdiction to the extent permitted by Sale) until all sums due to us have been paid in full; 10.1 We will not be liable whether in negligence, other conditions. under it except to the extent of any express waiver the laws of the relevant jurisdiction. Bonhams has a 8.2.1 may be exercised at any time during which we have tort, breach of contract or statutory duty or in given to you in writing. Any such waiver will not complaints procedure in place. 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at restitution or under the Misrepresentation Act 1967 11 BOOKS MISSING TEXT OR ILLUSTRATIONS affect our ability subsequently to enforce any right purpose whether at the time of your default or at any time after such possession, where the cessation or in any other way for lack of conformity with or arising under this agreement. DATA PROTECTION – USE OF YOUR INFORMATION any time thereafter in payment or part payment of of such possession has occurred by reason of any any inaccuracy, error, misdescription or omission in Where the Lot is made up wholly of a Book or Books any sums due to us by you under this agreement; decision, order or ruling of any court, mediator, any Description of the Lot or any Entry or Estimate and any Book does not contain text or illustrations (in 12.3 If either party to this agreement is prevented from Where we obtain any personal information about you, we shall arbitrator or government body; and in respect of it, made by us or on our behalf or by either case referred to as a “non-conforming Lot”), performing that party’s respective obligations only use it in accordance with the terms of our Privacy Policy 7.1.10 on three months’ written notice to sell, Without or on behalf of the Seller (whether made in writing, we undertake a personal responsibility for such a under this agreement by circumstances beyond (subject to any additional specific consent(s) you may have Reserve, any of your other property in our possession 8.2.2 will not be exercised unless we believe that there including in the Catalogue, or on the Bonhams’ non-conforming Lot in accordance with the terms of its reasonable control or if performance of its given at the time your information was disclosed). A copy of or under our control for any purpose (including other exists a serious prospect of a good arguable case in Website, or orally, or by conduct or otherwise) and this paragraph, if: obligations would by reason of such circumstances our Privacy Policy can be found on our Website www.bonhams. goods sold to you or with us for Sale) and to apply favour of the claim. whether made before or after this agreement or prior give rise to a significantly increased financial com or requested by post from Customer Services Department, any monies due to you as a result of such Sale in to or during the Sale. the original invoice was made out by us to you in cost to it, that party will not, for so long as such 101 New Bond Street, London W1S 1SR, United Kingdom or payment or part payment of any amounts owed to 9 FORGERIES respect of the Lot and that invoice has been paid; circumstances prevail, be required to perform such by email from [email protected]. us; 10.2 Our duty to you while the Lot is at your risk and/or and obligations. This paragraph does not apply to the 9.1 We undertake a personal responsibility for any your property and in our custody and/or control is to obligations imposed on you by paragraph 3. APPENDIX 3 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this exercise reasonable care in relation to it, but we will you notify us in writing as soon as reasonably reject a bid from you at any future Sale or to require paragraph 9. not be responsible for damage to the Lot or to other practicable after you have become aware that the Lot 12.4 Any notice or other communication to be given DEFINITIONS AND GLOSSARY you to pay a deposit before any bid is accepted by us persons or things caused by: is or may be a non-conforming Lot, and in any event under this agreement must be in writing and may at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: within 20 days after the Sale (or such longer period be delivered by hand or sent by first class post or Where these Definitions and Glossary are incorporated, the to apply such deposit in payment or part payment, as 10.2.1 handling the Lot if it was affected at the time of Sale as we may agree in writing) that the Lot is a non- air mail or fax transmission (if to Bonhams marked following words and phrases used have (unless the context the case may be, of the Purchase Price of any Lot of 9.2.1 your name appears as the named person to whom to you by woodworm and any damage is caused as a conforming Lot; and for the attention of the Company Secretary), to the otherwise requires) the meanings given to them below. The which you are the Buyer. the original invoice was made out by us in respect of result of it being affected by woodworm; or address or fax number of the relevant party given Glossary is to assist you to understand words and phrases the Lot and that invoice has been paid; and within 20 days of the date of the relevant Sale (or in the Contract Form (unless notice of any change which have a specific legal meaning with which you may not 7.2 You agree to indemnify us against all legal and other 10.2.2 changes in atmospheric pressure; nor will we be such longer period as we may agree in writing) you of address is given in writing). It is the responsibility be familiar. costs, all losses and all other Expenses (whether or 9.2.2 you notify us in writing as soon as reasonably liable for: return the Lot to us in the same condition as it was of the sender of the notice or communication to not court proceedings will have been issued) incurred practicable after you have become aware that the Lot at the time of the Sale, accompanied by written ensure that it is received in a legible form within any LIST OF DEFINITIONS by us as a result of our taking steps under this is or may be a Forgery, and in any event within one 10.2.3 damage to tension stringed musical instruments; or evidence that the Lot is a non-conforming Lot and applicable time period. paragraph 7 on a full indemnity basis together with year after the Sale, that the Lot is a Forgery; and details of the Sale and Lot number sufficient to “Additional Premium” a premium, calculated in accordance interest thereon (after as well as before judgement or 10.2.4 damage to gilded picture frames, plaster picture identify the Lot. 12.5 If any term or any part of any term of this agreement with the Notice to Bidders, to cover Bonhams’ Expenses order) at the rate specified in paragraph 7.1.5 from 9.2.3 within one month after such notification has been frames or picture frame glass; and if the Lot is or is held to be unenforceable or invalid, such relating to the payment of royalties under the Artists Resale the date upon which we become liable to pay the given, you return the Lot to us in the same condition becomes dangerous, we may dispose of it without but not if: unenforceability or invalidity will not affect the Right Regulations 2006 which is payable by the Buyer to same until payment by you. as it was at the time of the Sale, accompanied by notice to you in advance in any manner we think fit enforceability and validity of the remaining terms or Bonhams on any Lot marked [AR] which sells for a Hammer written evidence that the Lot is a Forgery and details and we will be under no liability to you for doing so. the Entry in the Catalogue in respect of the Lot the remainder of the relevant term. Price which together with the Buyer’s Premium (but excluding of the Sale and Lot number sufficient to identify the indicates that the rights given by this paragraph do any VAT) equals or exceeds 1000 euros (converted into Lot. not apply to it; or 12.6 References in this agreement to Bonhams will, where the currency of the Sale using the European Central Bank appropriate, include reference to Bonhams’ officers, Reference rate prevailing on the date of the Sale). employees and agents. “Auctioneer” the representative of Bonhams conducting the Sale.

NTB/MAIN/09.13/V2 NTB/MAIN/09.13/V2 “Bidder” a person who has completed a Bidding Form. “Loss and Damage Warranty” means the warranty described “artist’s resale right”: the right of the creator of a work of art Bonhams Specialist Departments To e-mail any of the below use the first name dot second “Bidding Form” our Bidding Registration Form, our Absentee in paragraph 8.2 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the name @bonhams.com eg. [email protected] Bidding Form or our Telephone Bidding Form. “Loss and Damage Warranty Fee” means the fee described original Sale of that work by the creator of it as set out in the “Bonhams” Bonhams 1793 Limited or its successors or in paragraph 8.2.3 of the Conditions of Business. Artists Resale Right Regulations 2006. 19th Century Paintings British & European Furniture & Works of Art Motor Cars Scientific Instruments assigns. Bonhams is also referred to in the Buyer’s Agreement, “Lot” any item consigned to Bonhams with a view to its Sale “bailee”: a person to whom goods are entrusted. UK Porcelain & Pottery UK UK Jon Baddeley the Conditions of Business and the Notice to Bidders by the at auction or by private treaty (and reference to any Lot will “indemnity”: an obligation to put the person who has Charles O’ Brien UK Fergus Lyons Tim Schofield +44 20 7393 3872 words “we”, “us” and “our”. include, unless the context otherwise requires, reference to the benefit of the indemnity in the same position in which +44 20 7468 8360 John Sandon +44 20 7468 8221 +44 20 7468 5804 U.S.A. “Book” a printed Book offered for Sale at a specialist Book individual items comprised in a group of two or more items he would have been, had the circumstances giving rise to U.S.A +44 20 7468 8244 U.S.A U.S.A Jonathan Snellenburg Sale. offered for Sale as one Lot). the indemnity not arisen and the expression “indemnify” is Madalina Lazen U.S.A Jeffrey Smith Mark Osborne +1 212 461 6530 “Business” includes any trade, Business and profession. “Motoring Catalogue Fee” a fee payable by the Seller to construed accordingly. +1 212 644 9108 Peter Scott +1 415 503 3413 +1 415 503 3353 “Buyer” the person to whom a Lot is knocked down by the Bonhams in consideration of the additional work undertaken “interpleader proceedings”: proceedings in the Courts to +1 415 503 3326 AUSTRALIA EUROPE Scottish Pictures Auctioneer. The Buyer is also referred to in the Contract for by Bonhams in respect of the cataloguing of motor vehicles determine ownership or rights over a Lot. 20th Century British Art Jennifer Gibson Philip Kantor Chris Brickley Sale and the Buyer’s Agreement by the words “you” and and in respect of the promotion of Sales of motor vehicles. “knocked down”: when a Lot is sold to a Bidder, indicated by Matthew Bradbury California & +61 3 8640 4088 +32 476 879 471 +44 131 240 2297 “your”. “New Bond Street” means Bonhams’ saleroom at 101 New the fall of the hammer at the Sale. +44 20 7468 8295 American Paintings AUSTRALIA “Buyer’s Agreement” the contract entered into by Bonhams Bond Street, London W1S 1SR. “lien”: a right for the person who has possession of the Lot to Scot Levitt Greek Art Damien Duigan Silver & Gold Boxes with the Buyer (see Appendix 2 in the Catalogue). “Notional Charges” the amount of Commission and VAT retain possession of it. Aboriginal Art +1 323 436 5425 Olympia Pappa +61 2 8412 2232 UK “Buyer’s Premium” the sum calculated on the Hammer Price which would have been payable if the Lot had been sold at the “risk”: the possibility that a Lot may be lost, damaged, Francesca Cavazzini +44 20 7468 8314 Automobilia Michael Moorcroft at the rates stated in the Notice to Bidders. Notional Price. destroyed, stolen, or deteriorate in condition or value. +61 2 8412 2222 Carpets UK +44 20 7468 8241 “Catalogue” the Catalogue relating to the relevant Sale, “Notional Fee” the sum on which the Consignment Fee “title”: the legal and equitable right to the ownership of a Lot. UK Golf Sporting Toby Wilson U.S.A payable to Bonhams by the Seller is based and which is including any representation of the Catalogue published on “tort”: a legal wrong done to someone to whom the wrong African, Oceanic Mark Dance Memorabilia +44 8700 273 619 Aileen Ward calculated according to the formula set out in the Conditions our Website. doer has a duty of care. & Pre-Columbian Art +44 8700 27361 Kevin Mcgimpsey U.S.A +1 800 223 5463 “Commission” the Commission payable by the Seller to of Business. UK U.S.A. +44 1244 353123 Kurt Forry Bonhams calculated at the rates stated in the Contract Form. “Notional Price” the latest in time of the average of the SALE OF GOODS ACT 1979 Philip Keith Hadji Rahimipour +1 415 391 4000 “Condition Report” a report on the physical condition of a Lot high and low Estimates given by us to you or stated in the South African Art provided to a Bidder or potential Bidder by Bonhams on behalf Catalogue or, if no such Estimates have been given or stated, The following is an extract from the Sale of Goods Act 1979: +44 2920 727 980 +1 415 503 3392 Irish Art Giles Peppiatt of the Seller. the Reserve applicable to the Lot. U.S.A Penny Day Motorcycles +44 20 7468 8355 “Conditions of Sale” the Notice to Bidders, Contract for Sale, “Notice to Bidders” the notice printed at the back or front of “Section 12 Implied terms about title, etc Fredric Backlar Chinese & Asian Art +44 20 7468 8366 Ben Walker Buyer’s Agreement and Definitions and Glossary. our Catalogues. +1 323 436 5416 UK +44 8700 273616 Sporting Guns “Consignment Fee” a fee payable to Bonhams by the Seller “Purchase Price” the aggregate of the Hammer Price and VAT (1) In a contract of sale, other than one to which subsection Asaph Hyman Impressionist & Automobilia Patrick Hawes calculated at rates set out in the Conditions of Business. on the Hammer Price (where applicable), the Buyer’s Premium (3) below applies, there is an implied term on the part of American Paintings +44 20 7468 5888 Modern Art Adrian Pipiros +44 20 7393 3815 “Consumer” a natural person who is acting for the relevant and VAT on the Buyer’s Premium and any Expenses. the seller that in the case of a sale he has a right to sell Alan Fausel U.S.A UK +44 8700 273621 purpose outside his trade, Business or profession. “Reserve” the minimum price at which a Lot may be sold the goods, and in the case of an agreement to sell he +1 212 644 9039 Dessa Goddard Deborah Allan Toys, Dolls & Chess “Contract Form” the Contract Form, or vehicle Entry form, as (whether at auction or by private treaty). will have such a right at the time when the property is to +1 415 503 3333 +44 20 7468 8276 Musical Instruments Leigh Gotch applicable, signed by or on behalf of the Seller listing the Lots “Sale” the auction Sale at which a Lot is to be offered for Sale pass. Antiquities HONG KONG U.S.A Philip Scott +44 20 8963 2839 to be offered for Sale by Bonhams. by Bonhams. Madeleine Perridge +852 3607 0010 Tanya Wells +44 20 7393 3855 “Contract for Sale” the Sale contract entered into by the “Sale Proceeds” the net amount due to the Seller from the (2) In a contract of sale, other than one to which subsection +44 20 7468 8226 +1 917 206 1685 Travel Pictures Seller with the Buyer (see Appendix 1 in the Catalogue). Sale of a Lot, being the Hammer Price less the Commission, any (3) below applies, there is also an implied term that- Clocks Native American Art Veronique Scorer “Contractual Description” the only Description of the Lot VAT chargeable thereon, Expenses and any other amount due Antique Arms & Armour UK Islamic & Indian Art Jim Haas +44 20 7393 3962 (being that part of the Entry about the Lot in the Catalogue to us in whatever capacity and howsoever arising. (a) the goods are free, and will remain free until UK James Stratton Alice Bailey +1 415 503 3294 which is in bold letters, any photograph (except for the colour) “Seller” the person who offers the Lot for Sale named on the time when the property is to pass, from any David Williams +44 20 7468 8364 +44 20 7468 8268 Urban Art and the contents of any Condition Report) to which the Seller the Contract Form. Where the person so named identifies on charge or encumbrance not disclosed or known +44 20 7393 3807 U.S.A Natural History Gareth Williams undertakes in the Contract of Sale the Lot corresponds. the form another person as acting as his agent, or where the to the buyer before the contract is made, and U.S.A Jonathan Snellenburg Japanese Art U.S.A +44 20 7468 5879 “Description” any statement or representation in any person named on the Contract Form acts as an agent for a Paul Carella +1 212 461 6530 UK Claudia Florian way descriptive of the Lot, including any statement or principal (whether such agency is disclosed to Bonhams or not), (b) the buyer will enjoy quiet possession of the goods +1 415 503 3360 Suzannah Yip +1 323 436 5437 Watches & representation relating to its authorship, attribution, condition, “Seller” includes both the agent and the principal who shall be except in so far as it may be disturbed by the Coins & Medals +44 20 7468 8368 Wristwatches provenance, authenticity, style, period, age, suitability, quality, jointly and severally liable as such. The Seller is also referred to owner or other person entitled to the benefit Art Collections, UK U.S.A Old Master Pictures UK origin, value, estimated selling price (including the Hammer in the Conditions of Business by the words “you” and “your”. of any charge or encumbrance so disclosed or Estates & Valuations John Millensted Jeff Olson UK Paul Maudsley Price). “Specialist Examination” a visual examination of a Lot by a known. Harvey Cammell +44 20 7393 3914 +1 212 461 6516 Andrew Mckenzie +44 20 7447 7412 “Entry” a written statement in the Catalogue identifying the specialist on the Lot. +44 (0) 20 7468 8340 U.S.A +44 20 7468 8261 U.S.A. Lot and its Lot number which may contain a Description and “Stamp” means a postage Stamp offered for Sale at a (3) This subsection applies to a contract of sale in the case Paul Song Jewellery U.S.A Jonathan Snellenburg illustration(s) relating to the Lot. Specialist Stamp Sale. of which there appears from the contract or is to be Art Nouveau & Decorative +1 323 436 5455 UK Mark Fisher +1 212 461 6530 “Estimate” a statement of our opinion of the range within “Standard Examination” a visual examination of a Lot by a inferred from its circumstances an intention that the Art & Design Jean Ghika +1 323 436 5488 HONG KONG which the hammer is likely to fall. non-specialist member of Bonhams’ staff. seller should transfer only such title as he or a third UK Contemporary Art +44 20 7468 8282 Carson Chan “Expenses” charges and Expenses paid or payable by “Storage Contract” means the contract described in person may have. Mark Oliver UK U.S.A Orientalist Art +852 2918 4321 Bonhams in respect of the Lot including legal Expenses, paragraph 8.3.3 of the Conditions of Business or paragraph +44 20 7393 3856 Gareth Williams Susan Abeles Charles O’Brien banking charges and Expenses incurred as a result of an 4.4 of the Buyer’s Agreement (as appropriate). (4) In a contract to which subsection (3) above applies there U.S.A +44 20 7468 5879 +1 212 461 6525 +44 20 7468 8360 Whisky electronic transfer of money, charges and Expenses for loss and “Storage Contractor” means the company identified as such is an implied term that all charges or encumbrances Frank Maraschiello U.S.A AUSTRALIA UK damage cover, insurance, Catalogue and other reproductions in the Catalogue. known to the seller and not known to the buyer have +1 212 644 9059 Jeremy Goldsmith Anellie Manolas Photography Martin Green and illustrations, any customs duties, advertising, packing or “Terrorism” means any act or threatened act of terrorism, been disclosed to the buyer before the contract is made. +1 917 206 1656 +61 2 8412 2222 U.S.A +44 1292 520000 shipping costs, reproductions rights’ fees, taxes, levies, costs of whether any person is acting alone or on behalf of or in Australian Art HONG KONG Judith Eurich U.S.A testing, searches or enquiries, preparation of the Lot for Sale, connection with any organisation(s) and/or government(s), (5) In a contract to which subsection (3) above applies Alex Clark Costume & Textiles Graeme Thompson +1 415 503 3259 Joseph Hyman storage charges, removal charges, removal charges or costs committed for political, religious or ideological or similar there is also an implied term that none of the following +61 2 8412 2222 Claire Browne +852 3607 0006 +1 917 206 1661 of collection from the Seller as the Seller’s agents or from a purposes including, but not limited to, the intention to will disturb the buyer’s quiet possession of the goods, +44 1564 732969 Portrait Miniatures HONG KONG defaulting Buyer, plus VAT if applicable. influence any government and/or put the public or any section namely: Australian Colonial Marine Art Jennifer Tonkin Daniel Lam “Forgery” an imitation intended by the maker or any other of the public into fear. Furniture and Australiana Entertainment UK +44 20 7393 3986 +852 3607 0004 person to deceive as to authorship, attribution, origin, “Trust Account” the bank account of Bonhams into which all (a) the seller; James Hendy Memorabilia Veronique Scorer authenticity, style, date, age, period, provenance, culture, sums received in respect of the Purchase Price of any +61 2 8412 2222 UK +44 20 7393 3962 Prints Wine source or composition, which at the date of the Sale had a Lot will be paid, such account to be a distinct and separate (b) in a case where the parties to the contract intend Stephanie Connell U.S.A UK UK value materially less than it would have had if the Lot had not account to Bonhams’ normal business bank account. that the seller should transfer only such title as a Books, Maps & +44 20 7393 3844 Gregg Dietrich Rupert Worrall Richard Harvey been such an imitation, and which is not stated to be such “VAT” value added tax at the prevailing rate at the date of the third person may have, that person; Manuscripts U.S.A +1 917 206 1697 +44 20 7468 8262 +44 (0) 20 7468 5811 an imitation in any description of the Lot. A Lot will not be a Sale in the United Kingdom. UK Catherine Williamson U.S.A U.S.A Forgery by reason of any damage to, and/or restoration and/ “Website” Bonhams Website at www.bonhams.com (c) anyone claiming through or under the seller or Matthew Haley +1 323 436 5442 Mechanical Music Judith Eurich Doug Davidson or modification work (including repainting or over painting) “Withdrawal Notice” the Seller’s written notice to Bonhams that third person otherwise than under a charge +44 20 7393 3817 Jon Baddeley +1 415 503 3259 +1 415 503 3363 having been carried out on the Lot, where that damage, revoking Bonhams’ instructions to sell a Lot. or encumbrance disclosed or known to the buyer U.S.A Football Sporting +44 20 7393 3872 HONG KONG restoration or modification work (as the case may be) does not “Without Reserve” where there is no minimum price at before the contract is made. Christina Geiger Memorabilia Russian Art Daniel Lam substantially affect the identity of the Lot as one conforming to which a Lot may be sold (whether at auction or by private +1 212 644 9094 Dan Davies Modern, Contemporary UK +852 3607 0004 the Description of the Lot. treaty). (5A) As regards England and Wales and Northern Ireland, the +44 1244 353118 & Latin American Art Sophie Hamilton “Guarantee” the obligation undertaken personally by term implied by subsection (1) above is a condition and British & European Glass U.S.A +44 20 7468 8334 Bonhams to the Buyer in respect of any Forgery and, in the GLOSSARY the terms implied by subsections (2), (4) and (5) above UK Alexis Chompaisal U.S.A case of specialist Stamp Sales and/or specialist Book Sales, a Lot are warranties.” Simon Cottle +1 323 436 5469 Yelena Harbick made up of a Stamp or Stamps or a Book or Books as set out The following expressions have specific legal meanings with +44 20 7468 8383 +1 212 644 9136 in the Buyer’s Agreement. which you may not be familiar. The following glossary is U.S.A. Modern Design “Hammer Price” the price in the currency in which the Sale is intended to give you an understanding of those expressions Suzy Pai Gareth Williams conducted at which a Lot is knocked down by the Auctioneer. but is not intended to limit their legal meanings: +1 415 503 3343 +44 20 7468 5879

NTB/MAIN/09.13/V2 SD05/11/13 “Bidder” a person who has completed a Bidding Form. “Loss and Damage Warranty” means the warranty described “artist’s resale right”: the right of the creator of a work of art Bonhams Specialist Departments To e-mail any of the below use the first name dot second “Bidding Form” our Bidding Registration Form, our Absentee in paragraph 8.2 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the name @bonhams.com eg. [email protected] Bidding Form or our Telephone Bidding Form. “Loss and Damage Warranty Fee” means the fee described original Sale of that work by the creator of it as set out in the “Bonhams” Bonhams 1793 Limited or its successors or in paragraph 8.2.3 of the Conditions of Business. Artists Resale Right Regulations 2006. 19th Century Paintings British & European Furniture & Works of Art Motor Cars Scientific Instruments assigns. Bonhams is also referred to in the Buyer’s Agreement, “Lot” any item consigned to Bonhams with a view to its Sale “bailee”: a person to whom goods are entrusted. UK Porcelain & Pottery UK UK Jon Baddeley the Conditions of Business and the Notice to Bidders by the at auction or by private treaty (and reference to any Lot will “indemnity”: an obligation to put the person who has Charles O’ Brien UK Fergus Lyons Tim Schofield +44 20 7393 3872 words “we”, “us” and “our”. include, unless the context otherwise requires, reference to the benefit of the indemnity in the same position in which +44 20 7468 8360 John Sandon +44 20 7468 8221 +44 20 7468 5804 U.S.A. “Book” a printed Book offered for Sale at a specialist Book individual items comprised in a group of two or more items he would have been, had the circumstances giving rise to U.S.A +44 20 7468 8244 U.S.A U.S.A Jonathan Snellenburg Sale. offered for Sale as one Lot). the indemnity not arisen and the expression “indemnify” is Madalina Lazen U.S.A Jeffrey Smith Mark Osborne +1 212 461 6530 “Business” includes any trade, Business and profession. “Motoring Catalogue Fee” a fee payable by the Seller to construed accordingly. +1 212 644 9108 Peter Scott +1 415 503 3413 +1 415 503 3353 “Buyer” the person to whom a Lot is knocked down by the Bonhams in consideration of the additional work undertaken “interpleader proceedings”: proceedings in the Courts to +1 415 503 3326 AUSTRALIA EUROPE Scottish Pictures Auctioneer. The Buyer is also referred to in the Contract for by Bonhams in respect of the cataloguing of motor vehicles determine ownership or rights over a Lot. 20th Century British Art Jennifer Gibson Philip Kantor Chris Brickley Sale and the Buyer’s Agreement by the words “you” and and in respect of the promotion of Sales of motor vehicles. “knocked down”: when a Lot is sold to a Bidder, indicated by Matthew Bradbury California & +61 3 8640 4088 +32 476 879 471 +44 131 240 2297 “your”. “New Bond Street” means Bonhams’ saleroom at 101 New the fall of the hammer at the Sale. +44 20 7468 8295 American Paintings AUSTRALIA “Buyer’s Agreement” the contract entered into by Bonhams Bond Street, London W1S 1SR. “lien”: a right for the person who has possession of the Lot to Scot Levitt Greek Art Damien Duigan Silver & Gold Boxes with the Buyer (see Appendix 2 in the Catalogue). “Notional Charges” the amount of Commission and VAT retain possession of it. Aboriginal Art +1 323 436 5425 Olympia Pappa +61 2 8412 2232 UK “Buyer’s Premium” the sum calculated on the Hammer Price which would have been payable if the Lot had been sold at the “risk”: the possibility that a Lot may be lost, damaged, Francesca Cavazzini +44 20 7468 8314 Automobilia Michael Moorcroft at the rates stated in the Notice to Bidders. Notional Price. destroyed, stolen, or deteriorate in condition or value. +61 2 8412 2222 Carpets UK +44 20 7468 8241 “Catalogue” the Catalogue relating to the relevant Sale, “Notional Fee” the sum on which the Consignment Fee “title”: the legal and equitable right to the ownership of a Lot. UK Golf Sporting Toby Wilson U.S.A payable to Bonhams by the Seller is based and which is including any representation of the Catalogue published on “tort”: a legal wrong done to someone to whom the wrong African, Oceanic Mark Dance Memorabilia +44 8700 273 619 Aileen Ward calculated according to the formula set out in the Conditions our Website. doer has a duty of care. & Pre-Columbian Art +44 8700 27361 Kevin Mcgimpsey U.S.A +1 800 223 5463 “Commission” the Commission payable by the Seller to of Business. UK U.S.A. +44 1244 353123 Kurt Forry Bonhams calculated at the rates stated in the Contract Form. “Notional Price” the latest in time of the average of the SALE OF GOODS ACT 1979 Philip Keith Hadji Rahimipour +1 415 391 4000 “Condition Report” a report on the physical condition of a Lot high and low Estimates given by us to you or stated in the South African Art provided to a Bidder or potential Bidder by Bonhams on behalf Catalogue or, if no such Estimates have been given or stated, The following is an extract from the Sale of Goods Act 1979: +44 2920 727 980 +1 415 503 3392 Irish Art Giles Peppiatt of the Seller. the Reserve applicable to the Lot. U.S.A Penny Day Motorcycles +44 20 7468 8355 “Conditions of Sale” the Notice to Bidders, Contract for Sale, “Notice to Bidders” the notice printed at the back or front of “Section 12 Implied terms about title, etc Fredric Backlar Chinese & Asian Art +44 20 7468 8366 Ben Walker Buyer’s Agreement and Definitions and Glossary. our Catalogues. +1 323 436 5416 UK +44 8700 273616 Sporting Guns “Consignment Fee” a fee payable to Bonhams by the Seller “Purchase Price” the aggregate of the Hammer Price and VAT (1) In a contract of sale, other than one to which subsection Asaph Hyman Impressionist & Automobilia Patrick Hawes calculated at rates set out in the Conditions of Business. on the Hammer Price (where applicable), the Buyer’s Premium (3) below applies, there is an implied term on the part of American Paintings +44 20 7468 5888 Modern Art Adrian Pipiros +44 20 7393 3815 “Consumer” a natural person who is acting for the relevant and VAT on the Buyer’s Premium and any Expenses. the seller that in the case of a sale he has a right to sell Alan Fausel U.S.A UK +44 8700 273621 purpose outside his trade, Business or profession. “Reserve” the minimum price at which a Lot may be sold the goods, and in the case of an agreement to sell he +1 212 644 9039 Dessa Goddard Deborah Allan Toys, Dolls & Chess “Contract Form” the Contract Form, or vehicle Entry form, as (whether at auction or by private treaty). will have such a right at the time when the property is to +1 415 503 3333 +44 20 7468 8276 Musical Instruments Leigh Gotch applicable, signed by or on behalf of the Seller listing the Lots “Sale” the auction Sale at which a Lot is to be offered for Sale pass. Antiquities HONG KONG U.S.A Philip Scott +44 20 8963 2839 to be offered for Sale by Bonhams. by Bonhams. Madeleine Perridge +852 3607 0010 Tanya Wells +44 20 7393 3855 “Contract for Sale” the Sale contract entered into by the “Sale Proceeds” the net amount due to the Seller from the (2) In a contract of sale, other than one to which subsection +44 20 7468 8226 +1 917 206 1685 Travel Pictures Seller with the Buyer (see Appendix 1 in the Catalogue). Sale of a Lot, being the Hammer Price less the Commission, any (3) below applies, there is also an implied term that- Clocks Native American Art Veronique Scorer “Contractual Description” the only Description of the Lot VAT chargeable thereon, Expenses and any other amount due Antique Arms & Armour UK Islamic & Indian Art Jim Haas +44 20 7393 3962 (being that part of the Entry about the Lot in the Catalogue to us in whatever capacity and howsoever arising. (a) the goods are free, and will remain free until UK James Stratton Alice Bailey +1 415 503 3294 which is in bold letters, any photograph (except for the colour) “Seller” the person who offers the Lot for Sale named on the time when the property is to pass, from any David Williams +44 20 7468 8364 +44 20 7468 8268 Urban Art and the contents of any Condition Report) to which the Seller the Contract Form. Where the person so named identifies on charge or encumbrance not disclosed or known +44 20 7393 3807 U.S.A Natural History Gareth Williams undertakes in the Contract of Sale the Lot corresponds. the form another person as acting as his agent, or where the to the buyer before the contract is made, and U.S.A Jonathan Snellenburg Japanese Art U.S.A +44 20 7468 5879 “Description” any statement or representation in any person named on the Contract Form acts as an agent for a Paul Carella +1 212 461 6530 UK Claudia Florian way descriptive of the Lot, including any statement or principal (whether such agency is disclosed to Bonhams or not), (b) the buyer will enjoy quiet possession of the goods +1 415 503 3360 Suzannah Yip +1 323 436 5437 Watches & representation relating to its authorship, attribution, condition, “Seller” includes both the agent and the principal who shall be except in so far as it may be disturbed by the Coins & Medals +44 20 7468 8368 Wristwatches provenance, authenticity, style, period, age, suitability, quality, jointly and severally liable as such. The Seller is also referred to owner or other person entitled to the benefit Art Collections, UK U.S.A Old Master Pictures UK origin, value, estimated selling price (including the Hammer in the Conditions of Business by the words “you” and “your”. of any charge or encumbrance so disclosed or Estates & Valuations John Millensted Jeff Olson UK Paul Maudsley Price). “Specialist Examination” a visual examination of a Lot by a known. Harvey Cammell +44 20 7393 3914 +1 212 461 6516 Andrew Mckenzie +44 20 7447 7412 “Entry” a written statement in the Catalogue identifying the specialist on the Lot. +44 (0) 20 7468 8340 U.S.A +44 20 7468 8261 U.S.A. Lot and its Lot number which may contain a Description and “Stamp” means a postage Stamp offered for Sale at a (3) This subsection applies to a contract of sale in the case Paul Song Jewellery U.S.A Jonathan Snellenburg illustration(s) relating to the Lot. Specialist Stamp Sale. of which there appears from the contract or is to be Art Nouveau & Decorative +1 323 436 5455 UK Mark Fisher +1 212 461 6530 “Estimate” a statement of our opinion of the range within “Standard Examination” a visual examination of a Lot by a inferred from its circumstances an intention that the Art & Design Jean Ghika +1 323 436 5488 HONG KONG which the hammer is likely to fall. non-specialist member of Bonhams’ staff. seller should transfer only such title as he or a third UK Contemporary Art +44 20 7468 8282 Carson Chan “Expenses” charges and Expenses paid or payable by “Storage Contract” means the contract described in person may have. Mark Oliver UK U.S.A Orientalist Art +852 2918 4321 Bonhams in respect of the Lot including legal Expenses, paragraph 8.3.3 of the Conditions of Business or paragraph +44 20 7393 3856 Gareth Williams Susan Abeles Charles O’Brien banking charges and Expenses incurred as a result of an 4.4 of the Buyer’s Agreement (as appropriate). (4) In a contract to which subsection (3) above applies there U.S.A +44 20 7468 5879 +1 212 461 6525 +44 20 7468 8360 Whisky electronic transfer of money, charges and Expenses for loss and “Storage Contractor” means the company identified as such is an implied term that all charges or encumbrances Frank Maraschiello U.S.A AUSTRALIA UK damage cover, insurance, Catalogue and other reproductions in the Catalogue. known to the seller and not known to the buyer have +1 212 644 9059 Jeremy Goldsmith Anellie Manolas Photography Martin Green and illustrations, any customs duties, advertising, packing or “Terrorism” means any act or threatened act of terrorism, been disclosed to the buyer before the contract is made. +1 917 206 1656 +61 2 8412 2222 U.S.A +44 1292 520000 shipping costs, reproductions rights’ fees, taxes, levies, costs of whether any person is acting alone or on behalf of or in Australian Art HONG KONG Judith Eurich U.S.A testing, searches or enquiries, preparation of the Lot for Sale, connection with any organisation(s) and/or government(s), (5) In a contract to which subsection (3) above applies Alex Clark Costume & Textiles Graeme Thompson +1 415 503 3259 Joseph Hyman storage charges, removal charges, removal charges or costs committed for political, religious or ideological or similar there is also an implied term that none of the following +61 2 8412 2222 Claire Browne +852 3607 0006 +1 917 206 1661 of collection from the Seller as the Seller’s agents or from a purposes including, but not limited to, the intention to will disturb the buyer’s quiet possession of the goods, +44 1564 732969 Portrait Miniatures HONG KONG defaulting Buyer, plus VAT if applicable. influence any government and/or put the public or any section namely: Australian Colonial Marine Art Jennifer Tonkin Daniel Lam “Forgery” an imitation intended by the maker or any other of the public into fear. Furniture and Australiana Entertainment UK +44 20 7393 3986 +852 3607 0004 person to deceive as to authorship, attribution, origin, “Trust Account” the bank account of Bonhams into which all (a) the seller; James Hendy Memorabilia Veronique Scorer authenticity, style, date, age, period, provenance, culture, sums received in respect of the Purchase Price of any +61 2 8412 2222 UK +44 20 7393 3962 Prints Wine source or composition, which at the date of the Sale had a Lot will be paid, such account to be a distinct and separate (b) in a case where the parties to the contract intend Stephanie Connell U.S.A UK UK value materially less than it would have had if the Lot had not account to Bonhams’ normal business bank account. that the seller should transfer only such title as a Books, Maps & +44 20 7393 3844 Gregg Dietrich Rupert Worrall Richard Harvey been such an imitation, and which is not stated to be such “VAT” value added tax at the prevailing rate at the date of the third person may have, that person; Manuscripts U.S.A +1 917 206 1697 +44 20 7468 8262 +44 (0) 20 7468 5811 an imitation in any description of the Lot. A Lot will not be a Sale in the United Kingdom. UK Catherine Williamson U.S.A U.S.A Forgery by reason of any damage to, and/or restoration and/ “Website” Bonhams Website at www.bonhams.com (c) anyone claiming through or under the seller or Matthew Haley +1 323 436 5442 Mechanical Music Judith Eurich Doug Davidson or modification work (including repainting or over painting) “Withdrawal Notice” the Seller’s written notice to Bonhams that third person otherwise than under a charge +44 20 7393 3817 Jon Baddeley +1 415 503 3259 +1 415 503 3363 having been carried out on the Lot, where that damage, revoking Bonhams’ instructions to sell a Lot. or encumbrance disclosed or known to the buyer U.S.A Football Sporting +44 20 7393 3872 HONG KONG restoration or modification work (as the case may be) does not “Without Reserve” where there is no minimum price at before the contract is made. Christina Geiger Memorabilia Russian Art Daniel Lam substantially affect the identity of the Lot as one conforming to which a Lot may be sold (whether at auction or by private +1 212 644 9094 Dan Davies Modern, Contemporary UK +852 3607 0004 the Description of the Lot. treaty). (5A) As regards England and Wales and Northern Ireland, the +44 1244 353118 & Latin American Art Sophie Hamilton “Guarantee” the obligation undertaken personally by term implied by subsection (1) above is a condition and British & European Glass U.S.A +44 20 7468 8334 Bonhams to the Buyer in respect of any Forgery and, in the GLOSSARY the terms implied by subsections (2), (4) and (5) above UK Alexis Chompaisal U.S.A case of specialist Stamp Sales and/or specialist Book Sales, a Lot are warranties.” Simon Cottle +1 323 436 5469 Yelena Harbick made up of a Stamp or Stamps or a Book or Books as set out The following expressions have specific legal meanings with +44 20 7468 8383 +1 212 644 9136 in the Buyer’s Agreement. which you may not be familiar. The following glossary is U.S.A. Modern Design “Hammer Price” the price in the currency in which the Sale is intended to give you an understanding of those expressions Suzy Pai Gareth Williams conducted at which a Lot is knocked down by the Auctioneer. but is not intended to limit their legal meanings: +1 415 503 3343 +44 20 7468 5879

NTB/MAIN/09.13/V2 SD05/11/13 International Salerooms, Offices and Associated Companies ( • Indicates Saleroom) Registration and Bidding Form UNITED KINGDOM Representatives: Channel Islands Ireland - Dublin NOrTH AMErICA SOUTH AMErICA (Attendee / Absentee / Online / Telephone Bidding) Dorset 31 Molesworth Street London Bill Allan Jersey Dublin 2 USA Argentina Please circle your bidding method above. 101 New Bond Street • +44 1935 815 271 39 Don Street +353 (0)1 602 0990 Daniel Claramunt London W1S 1SR St.Helier +353 (0)1 4004 140 fax San Francisco • +54 11 479 37600 +44 20 7447 7447 East Anglia JE2 4TR [email protected] 220 San Bruno Avenue Sale title: Sale date: +44 20 7447 7400 fax +44 1534 722 441 San Francisco Brazil Bury St. Edmunds +44 1534 759 354 fax Italy - Milan CA 94103 Thomaz Oscar Saavedra Montpelier Street • 21 Churchgate Street Via Boccaccio 22 +1 (415) 861 7500 +55 11 3031 4444 Sale no. Sale venue: London SW7 1HH Bury St Edmunds Representative: 20123 Milano +1 (415) 861 8951 fax +55 11 3031 4444 fax +44 20 7393 3900 Suffolk IP33 1RG Guernsey +39 (0)2 4953 9020 Paddle number (for office use only) +44 20 7393 3905 fax +44 1284 716 190 +44 1481 722 448 +39 (0)2 4953 9021 fax Los Angeles • If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours +44 1284 755 844 fax [email protected] 7601 W. Sunset Boulevard ASIA This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue South East Scotland Los Angeles Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will England Norfolk Italy - rome CA 90046 Hong Kong at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. The Market Place Edinburgh • Via Sicilia 50 +1 (323) 850 7500 Suite 1122 You should read the Conditions in conjunction with General Bid Increments: Brighton & Hove Reepham 22 Queen Street 00187 Rome +1 (323) 850 6090 fax Two Pacific Place the Sale Information relating to this Sale which sets Norfolk NR10 4JJ Edinburgh +39 (0)6 48 5900 £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s 19 Palmeira Square 88 Queensway out the charges payable by you on the purchases Hove, East Sussex +44 1603 871 443 EH2 1JX +39 (0)6 482 0479 fax New York • Admiralty £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and BN3 2JN +44 1603 872 973 fax +44 131 225 2266 [email protected] 580 Madison Avenue Hong Kong £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s +44 131 220 2547 fax buying at the Sale. You should ask any questions you +44 1273 220 000 New York, NY +852 2918 4321 £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s +44 1273 220 335 fax Midlands - Amsterdam 10022 +852 2918 4320 fax have about the Conditions before signing this form. Glasgow De Lairessestraat 154 +1 (212) 644 9001 [email protected] These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion Guildford Knowle 176 St. Vincent Street, 1075 HL Amsterdam +1 (212) 644 9007 fax by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s The Old House Glasgow +31 20 67 09 701 Millmead, Beijing bidders and buyers. The auctioneer has discretion to split any bid at any time. Guildford, Station Road G2 5SG +31 20 67 09 702 fax Representatives: Hongyu Yu Surrey GU2 4BE Knowle, Solihull +44 141 223 8866 [email protected] Arizona Suite 511 +44 1483 504 030 West Midlands +44 141 223 8868 fax Terri Adrian-Hardy Chang An Club Data protection – use of your information Customer Number Title +44 1483 450 205 fax B93 0HT Spain - Madrid +1 (480) 994 5362 10 East Chang An Avenue Where we obtain any personal information about you, +44 1564 776 151 Representatives: Nuñez de Balboa no.4 - 1A Beijing 100006 we shall only use it in accordance with the terms of our First Name Last Name Isle of Wight +44 1564 778 069 fax Wine & Spirits Madrid California +86(0) 10 6528 0922 Privacy Policy (subject to any additional specific consent(s) Tom Gilbey 28001 +44 1273 220 000 Central Valley [email protected] you may have given at the time your information was Company name (to be invoiced if applicable) Oxford • +44 1382 330 256 +34 91 578 17 27 David Daniel disclosed). A copy of our Privacy Policy can be found on Representative: Banbury Road [email protected] +1 (916) 364 1645 Japan Shipton on Cherwell Wales our website (www.bonhams.com) or requested by post Address Kent Akiko Tsuchida from Customer Services Department, 101 New Bond George Dawes Kidlington OX5 1JH Switzerland - Geneva District of Columbia/ Level 14 Hibiya Central Building Street, London W1S 1SR United Kingdom or by e-mail +44 1483 504 030 +44 1865 853 640 Cardiff Rue Etienne-Dumont 10 Mid-Atlantic 1-2-9 Nishi-Shimbashi +44 1865 372 722 fax 7-8 Park Place, 1204 Geneva Martin Gammon Minato-ku from [email protected]. West Sussex Cardiff CF10 3DP Switzerland +1 (202) 333 1696 Tokyo 105-0003 City County / State Jeff Burfield Yorkshire & North East +44 2920 727 980 +41 76 379 9230 +81 (0) 3 5532 8636 Credit and Debit Card Payments +44 1243 787 548 England +44 2920 727 989 fax [email protected] Southern California +81 (0) 3 5532 8637 fax There is no surcharge for payments made by debit cards Post / Zip code Country Christine Eisenberg [email protected] issued by a UK bank. All other debit cards and all credit cards Leeds Representatives: South West +1 (949) 646 6560 are subject to a 2% surcharge on the total invoice price. Telephone mobile Telephone daytime England 30 Park Square West EUrOpE Denmark Singapore Leeds LS1 2PF Henning Thomsen Florida Bernadette Rankine Bath +44 113 234 5755 Austria - +45 4178 4799 +1 (305) 228 6600 11th Floor, Wisma Atria Notice to Bidders. Telephone evening Fax Queen Square House +44 113 244 3910 fax Tuchlauben 8 [email protected] 435 Orchard Road Clients are requested to provide photographic proof of Charlotte Street 1010 Vienna Georgia Singapore 238877 ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) Bath BA1 2LL North West England Austria Spain - Marbella Mary Moore Bethea +65 (0) 6701 8038 of address - utility bill, bank or credit card statement +44 1225 788 988 +43 (0)1 403 00 01 James Roberts +1 (404) 842 1500 +65 (0) 6701 8001 fax etc. Corporate clients should also provide a copy of their +44 1225 446 675 fax Chester [email protected] +34 952 90 62 50 bernadette.rankine@ articles of association / company registration documents, New House [email protected] Illinois bonhams.com together with a letter authorising the individual to bid on E-mail (in capitals) Cornwall – Truro 150 Christleton Road Belgium - Brussels Ricki Blumberg Harris Chester, Cheshire Boulevard the company’s behalf. Failure to provide this may result in 36 Lemon Street portugal +1 (312) 475 3922 Taiwan Truro CH3 5TD Saint-Michel 101 Filipa Rebelo de Andrade +1 (773) 267 3300 Summer Fang your bids not being processed. For higher value lots you Cornwall +44 1244 313 936 1040 Brussels +351 91 921 4778 37th Floor, Taipei 101 Tower may also be asked to provide a bank reference. TR1 2NR +44 1244 340 028 fax +32 (0)2 736 5076 [email protected] Massachusetts Nor 7 Xinyi Road, Section 5 I am registering to bid as a private client I am registering to bid as a trade client +44 1872 250 170 +32 (0)2 732 5501 fax Boston/New England Taipei, 100 If successful +44 1872 250 179 fax Manchester [email protected] russia - Moscow Amy Corcoran +886 2 8758 2898 If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before The Stables Anastasia Vinokurova +1 (617) 742 0909 +886 2 8757 2897 fax I will collect the purchases myself Exeter 213 Ashley Road France - paris +7 964 562 3845 [email protected] Please contact me with a shipping quote / - - Hale WA15 9TB 4 rue de la Paix The Lodge [email protected] Nevada (if applicable) Southernhay West Exeter, +44 161 927 3822 75002 Paris David Daniel Please note that all telephone calls are recorded. Devon +44 161 927 3824 fax +33 (0)1 42 61 1010 russia - St petersburg +1 (775) 831 0330 AUSTrALIA +33 (0)1 42 61 1015 fax MAX bid in GBP EX1 1JG Marina Jacobson Telephone or +44 1392 425 264 [email protected] +7 921 555 2302 New Mexico Sydney Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) +44 1392 494 561 fax [email protected] Leslie Trilling 76 Paddington Street & VAT) Germany - Cologne +1 (505) 820 0701Please indicate TelephonePaddington or NSW Absentee 2021 (T Winchester Albertusstrasse 26 / A) Australia The Red House 50667 Cologne Oregon +61 (0) 2 8412 2222 Hyde Street +49 (0)221 2779 9650 Sheryl Acheson +61 (0) 2 9475 4110 fax Winchester +49 (0)221 2779 9652 fax +1(503) 312 6023 [email protected] Hants SO23 7DX [email protected] +44 1962 862 515 Texas Melbourne +44 1962 865 166 fax Germany - Amy Lawch Como House Maximilianstrasse 52 +1 (713) 621 5988 Cnr Williams Road Tetbury 80538 Munich & Lechlade Avenue 22a Long Street +49 (0) 89 2420 5812 Washington South Yarra VIC 3141 Tetbury +49 (0) 89 2420 7523 fax Heather O’Mahony Gloucestershire [email protected] +1 (206) 218 5011 GL8 8AQ AFrICA +44 1666 502 200 Greece - Athens CANADA +44 1666 505 107 fax 7 Neofytou Vamva Street South Africa - Johannesburg 10674 Athens Toronto, Ontario • Penny Culverwell FOR WINE SALES ONLY +30 (0) 210 3636 404 Jack Kerr-Wilson +27 (0)71 342 2670 [email protected] 20 Hazelton Avenue [email protected] Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT) Toronto, ONT M5R 2E2 +1 (416) 462 9004 BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM. [email protected] THIS AFFECTS YOUR LEGAL RIGHTS.

Montreal, Quebec Your signature: Date: David Kelsey +1 (514) 341 9238 [email protected] * Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. G-NET/1/14 Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/04/13 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. International Salerooms, Offices and Associated Companies ( • Indicates Saleroom) Registration and Bidding Form UNITED KINGDOM Representatives: Channel Islands Ireland - Dublin NOrTH AMErICA SOUTH AMErICA (Attendee / Absentee / Online / Telephone Bidding) Dorset 31 Molesworth Street London Bill Allan Jersey Dublin 2 USA Argentina Please circle your bidding method above. 101 New Bond Street • +44 1935 815 271 39 Don Street +353 (0)1 602 0990 Daniel Claramunt London W1S 1SR St.Helier +353 (0)1 4004 140 fax San Francisco • +54 11 479 37600 +44 20 7447 7447 East Anglia JE2 4TR [email protected] 220 San Bruno Avenue Sale title: The South African Sale Sale date: Wednesday 19 March 2014 +44 20 7447 7400 fax +44 1534 722 441 San Francisco Brazil Bury St. Edmunds +44 1534 759 354 fax Italy - Milan CA 94103 Thomaz Oscar Saavedra 21 Churchgate Street Via Boccaccio 22 Montpelier Street • +1 (415) 861 7500 +55 11 3031 4444 Sale no. 21431 Sale venue: New Bond Street, London London SW7 1HH Bury St Edmunds Representative: 20123 Milano +1 (415) 861 8951 fax +55 11 3031 4444 fax +44 20 7393 3900 Suffolk IP33 1RG Guernsey +39 (0)2 4953 9020 Paddle number (for office use only) +44 20 7393 3905 fax +44 1284 716 190 +44 1481 722 448 +39 (0)2 4953 9021 fax Los Angeles • If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours +44 1284 755 844 fax [email protected] 7601 W. Sunset Boulevard ASIA This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue South East Scotland Los Angeles Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will England Norfolk Italy - rome CA 90046 Hong Kong at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. The Market Place Edinburgh • Via Sicilia 50 +1 (323) 850 7500 Suite 1122 You should read the Conditions in conjunction with General Bid Increments: Brighton & Hove Reepham 22 Queen Street 00187 Rome +1 (323) 850 6090 fax Two Pacific Place the Sale Information relating to this Sale which sets Norfolk NR10 4JJ Edinburgh +39 (0)6 48 5900 £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s 19 Palmeira Square 88 Queensway out the charges payable by you on the purchases Hove, East Sussex +44 1603 871 443 EH2 1JX +39 (0)6 482 0479 fax New York • Admiralty £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and BN3 2JN +44 1603 872 973 fax +44 131 225 2266 [email protected] 580 Madison Avenue Hong Kong £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s +44 131 220 2547 fax buying at the Sale. You should ask any questions you +44 1273 220 000 New York, NY +852 2918 4321 £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s +44 1273 220 335 fax Midlands Netherlands - Amsterdam 10022 +852 2918 4320 fax have about the Conditions before signing this form. Glasgow De Lairessestraat 154 +1 (212) 644 9001 [email protected] These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion Guildford Knowle 176 St. Vincent Street, 1075 HL Amsterdam +1 (212) 644 9007 fax by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s The Old House Glasgow +31 20 67 09 701 Millmead, Beijing bidders and buyers. The auctioneer has discretion to split any bid at any time. Guildford, Station Road G2 5SG +31 20 67 09 702 fax Representatives: Hongyu Yu Surrey GU2 4BE Knowle, Solihull +44 141 223 8866 [email protected] Arizona Suite 511 +44 1483 504 030 West Midlands +44 141 223 8868 fax Terri Adrian-Hardy Chang An Club Data protection – use of your information Customer Number Title +44 1483 450 205 fax B93 0HT Spain - Madrid +1 (480) 994 5362 10 East Chang An Avenue Where we obtain any personal information about you, +44 1564 776 151 Representatives: Nuñez de Balboa no.4 - 1A Beijing 100006 we shall only use it in accordance with the terms of our First Name Last Name Isle of Wight +44 1564 778 069 fax Wine & Spirits Madrid California +86(0) 10 6528 0922 Privacy Policy (subject to any additional specific consent(s) Tom Gilbey 28001 +44 1273 220 000 Central Valley [email protected] you may have given at the time your information was Company name (to be invoiced if applicable) Oxford • +44 1382 330 256 +34 91 578 17 27 David Daniel disclosed). A copy of our Privacy Policy can be found on Representative: Banbury Road [email protected] +1 (916) 364 1645 Japan Shipton on Cherwell Wales our website (www.bonhams.com) or requested by post Address Kent Akiko Tsuchida from Customer Services Department, 101 New Bond George Dawes Kidlington OX5 1JH Switzerland - Geneva District of Columbia/ Level 14 Hibiya Central Building Street, London W1S 1SR United Kingdom or by e-mail +44 1483 504 030 +44 1865 853 640 Cardiff Rue Etienne-Dumont 10 Mid-Atlantic 1-2-9 Nishi-Shimbashi +44 1865 372 722 fax 7-8 Park Place, 1204 Geneva Martin Gammon Minato-ku from [email protected]. West Sussex Cardiff CF10 3DP Switzerland +1 (202) 333 1696 Tokyo 105-0003 City County / State Jeff Burfield Yorkshire & North East +44 2920 727 980 +41 76 379 9230 +81 (0) 3 5532 8636 Credit and Debit Card Payments +44 1243 787 548 England +44 2920 727 989 fax [email protected] Southern California +81 (0) 3 5532 8637 fax There is no surcharge for payments made by debit cards Post / Zip code Country Christine Eisenberg [email protected] issued by a UK bank. All other debit cards and all credit cards Leeds Representatives: South West +1 (949) 646 6560 are subject to a 2% surcharge on the total invoice price. Telephone mobile Telephone daytime England 30 Park Square West EUrOpE Denmark Singapore Leeds LS1 2PF Henning Thomsen Florida Bernadette Rankine Bath +44 113 234 5755 Austria - Vienna +45 4178 4799 +1 (305) 228 6600 11th Floor, Wisma Atria Notice to Bidders. Telephone evening Fax Queen Square House +44 113 244 3910 fax Tuchlauben 8 [email protected] 435 Orchard Road Clients are requested to provide photographic proof of Charlotte Street 1010 Vienna Georgia Singapore 238877 ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) Bath BA1 2LL North West England Austria Spain - Marbella Mary Moore Bethea +65 (0) 6701 8038 of address - utility bill, bank or credit card statement +44 1225 788 988 +43 (0)1 403 00 01 James Roberts +1 (404) 842 1500 +65 (0) 6701 8001 fax etc. Corporate clients should also provide a copy of their +44 1225 446 675 fax Chester [email protected] +34 952 90 62 50 bernadette.rankine@ articles of association / company registration documents, New House [email protected] Illinois bonhams.com together with a letter authorising the individual to bid on E-mail (in capitals) Cornwall – Truro 150 Christleton Road Belgium - Brussels Ricki Blumberg Harris Chester, Cheshire Boulevard the company’s behalf. Failure to provide this may result in 36 Lemon Street portugal +1 (312) 475 3922 Taiwan Truro CH3 5TD Saint-Michel 101 Filipa Rebelo de Andrade +1 (773) 267 3300 Summer Fang your bids not being processed. For higher value lots you Cornwall +44 1244 313 936 1040 Brussels +351 91 921 4778 37th Floor, Taipei 101 Tower may also be asked to provide a bank reference. TR1 2NR +44 1244 340 028 fax +32 (0)2 736 5076 [email protected] Massachusetts Nor 7 Xinyi Road, Section 5 I am registering to bid as a private client I am registering to bid as a trade client +44 1872 250 170 +32 (0)2 732 5501 fax Boston/New England Taipei, 100 If successful +44 1872 250 179 fax Manchester [email protected] russia - Moscow Amy Corcoran +886 2 8758 2898 If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before The Stables Anastasia Vinokurova +1 (617) 742 0909 +886 2 8757 2897 fax I will collect the purchases myself Exeter 213 Ashley Road France - paris +7 964 562 3845 [email protected] Please contact me with a shipping quote / - - Hale WA15 9TB 4 rue de la Paix The Lodge [email protected] Nevada (if applicable) Southernhay West Exeter, +44 161 927 3822 75002 Paris David Daniel Please note that all telephone calls are recorded. Devon +44 161 927 3824 fax +33 (0)1 42 61 1010 russia - St petersburg +1 (775) 831 0330 AUSTrALIA +33 (0)1 42 61 1015 fax MAX bid in GBP EX1 1JG Marina Jacobson Telephone or +44 1392 425 264 [email protected] +7 921 555 2302 New Mexico Sydney Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) +44 1392 494 561 fax [email protected] Leslie Trilling 76 Paddington Street & VAT) Germany - Cologne +1 (505) 820 0701Please indicate TelephonePaddington or NSW Absentee 2021 (T Winchester Albertusstrasse 26 / A) Australia The Red House 50667 Cologne Oregon +61 (0) 2 8412 2222 Hyde Street +49 (0)221 2779 9650 Sheryl Acheson +61 (0) 2 9475 4110 fax Winchester +49 (0)221 2779 9652 fax +1(503) 312 6023 [email protected] Hants SO23 7DX [email protected] +44 1962 862 515 Texas Melbourne +44 1962 865 166 fax Germany - Munich Amy Lawch Como House Maximilianstrasse 52 +1 (713) 621 5988 Cnr Williams Road Tetbury 80538 Munich & Lechlade Avenue 22a Long Street +49 (0) 89 2420 5812 Washington South Yarra VIC 3141 Tetbury +49 (0) 89 2420 7523 fax Heather O’Mahony Gloucestershire [email protected] +1 (206) 218 5011 GL8 8AQ AFrICA +44 1666 502 200 Greece - Athens CANADA +44 1666 505 107 fax 7 Neofytou Vamva Street South Africa - Johannesburg 10674 Athens Toronto, Ontario • Penny Culverwell FOR WINE SALES ONLY +30 (0) 210 3636 404 Jack Kerr-Wilson +27 (0)71 342 2670 [email protected] 20 Hazelton Avenue [email protected] Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT) Toronto, ONT M5R 2E2 +1 (416) 462 9004 BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM. [email protected] THIS AFFECTS YOUR LEGAL RIGHTS.

Montreal, Quebec Your signature: Date: David Kelsey +1 (514) 341 9238 [email protected] * Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. G-NET/1/14 Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/04/13 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. Index of Artists Lot Goldreich, Arthur 114 Goodman, Robert Gwelo 13 Hodgins, Robert Griffiths 101, 102 Jentsch, Adolph Stephan Friedrich 54 Kentridge, William Joseph 103, 104, 105, 116, 117 Kibel, Wolf 14 Krenz, Alfred Frederic 51, 52 Krige, Francois 89 Kumalo, Sydney Alex 94, 95 Langa, Moshekwa 113 Laubser, Maggie (Maria Magdalena) 27, 28, 29 Lewis, Alfred Neville 41, 42 Lewis, Dylan 108 Lock, Freida 43, 44, 45 Mgudlandlu, Gladys 72 Naudé, Pieter Hugo 6, 7 Oerder, Frans David 2, 3, 4 Page, Frederick Hutchison 91 Pemba, George Milwa Mnyaluza 100 Pierneef, Jacob Hendrik 5, 11, 12, 21, 22, 23, 37, 38 Pinker, Stanley F. 70, 71 Preller, Alexis 17, 18, 19, 20, 57, 58 Rose-Innes, Alexander 92 Sekoto, Gerard 30, 59, 60, 61, 85, 86A, 86B, 87 Shawzin, Stella 109, 110, 111 Siopis, Penelope 112 Sithole, Lucas Tandokwazi 75, 76, 93 Skotnes, Cecil Edwin Frans 82, 83, 84 Starcke, Helmut 115 Stern, Irma 15, 16, 33, 34, 35, 36, 62, 63, 64, 65, 77 Sumner, Maud Frances Eyston 25, 26 Theys, Conrad 97, 98, 99 Tretchikoff, Vladimir Griegorovich 31, 32, 46, 47, 48, 78, 79 van Essche, Maurice Charles Louis 55, 56, 73, 74 van Wouw, Anton 9, 10 Villa, Edoardo 96 Wenning, Pieter Willem Frederick 1 Index of Artists Lot Goldreich, Arthur 114 Goodman, Robert Gwelo 13 Hodgins, Robert Griffiths 101, 102 Jentsch, Adolph Stephan Friedrich 54 Kentridge, William Joseph 103, 104, 105, 116, 117 Kibel, Wolf 14 Krenz, Alfred Frederic 51, 52 Krige, Francois 89 Kumalo, Sydney Alex 94, 95 Langa, Moshekwa 113 Laubser, Maggie (Maria Magdalena) 27, 28, 29 Lewis, Alfred Neville 41, 42 Lewis, Dylan 108 Lock, Freida 43, 44, 45 Mgudlandlu, Gladys 72 Naudé, Pieter Hugo 6, 7 Oerder, Frans David 2, 3, 4 Page, Frederick Hutchison 91 Pemba, George Milwa Mnyaluza 100 Pierneef, Jacob Hendrik 5, 11, 12, 21, 22, 23, 37, 38 Pinker, Stanley F. 70, 71 Preller, Alexis 17, 18, 19, 20, 57, 58 Rose-Innes, Alexander 92 Sekoto, Gerard 30, 59, 60, 61, 85, 86A, 86B, 87 Shawzin, Stella 109, 110, 111 Siopis, Penelope 112 Sithole, Lucas Tandokwazi 75, 76, 93 Skotnes, Cecil Edwin Frans 82, 83, 84 Starcke, Helmut 115 Stern, Irma 15, 16, 33, 34, 35, 36, 62, 63, 64, 65, 77 Sumner, Maud Frances Eyston 25, 26 Theys, Conrad 97, 98, 99 Tretchikoff, Vladimir Griegorovich 31, 32, 46, 47, 48, 78, 79 van Essche, Maurice Charles Louis 55, 56, 73, 74 van Wouw, Anton 9, 10 Villa, Edoardo 96 Wenning, Pieter Willem Frederick 1 Bonhams 101 New Bond Street the south african sale London Wednesday 19 March 2014 W1S 1SR

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New Bond Street, London London Street, Bond New Ӏ Wednesday 19 March 2014 19 March Wednesday 21431

International Auctioneers and Valuers – bonhams.com