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Top Lista Nadrealista Kao Medijski Fenomen Subkulturnog Razvoja Sarajeva I Njen Utjecaj Na Recipijente“ - Master Teza

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Top Lista Nadrealista Kao Medijski Fenomen Subkulturnog Razvoja Sarajeva I Njen Utjecaj Na Recipijente“ - Master Teza ODSJEK: KOMUNIKOLOGIJA „Top lista nadrealista kao medijski fenomen subkulturnog razvoja Sarajeva i njen utjecaj na recipijente“ - master teza - Kandidat: Mentorica: Erol Handžar Prof. dr. Buljubašić Belma Broj indeksa: 951/I Sarajevo, oktobar, 2020 SADRŽAJ SADRŽAJ .............................................................................................................................................. 2 SAŽETAK ................................................................................................................................................. 4 1. UVOD ............................................................................................................................................... 5 2. Metodologija istraživanja ................................................................................................................... 6 2.1 Problem istraživanja ..................................................................................................................... 6 2.1.1. Predmet istraživanja ............................................................................................................. 7 2.2. Naučni i društveni ciljevi istraživanja ........................................................................................... 8 2.2.1. Naučni ciljevi istraživanja ..................................................................................................... 9 Naučna klasifikacija i tipologizacija .......................................................................................................... 9 Naučna eksplikacija ................................................................................................................................. 9 2.2.2. Društveni ciljevi istraživanja ................................................................................................. 9 2.3.2Generalna hipoteza rada ............................................................................................................ 10 Posebne hipoteze............................................................................................................................... 10 Indikatori .......................................................................................................................................... 10 2.3.3 Naučni pristup i metode istraživanja ....................................................................................... 10 2.4.3. Općenaučne metode ........................................................................................................... 11 Komparativna metoda .......................................................................................................................... 11 2.4.4. Metode pribavljanja podataka ............................................................................................ 12 Analiza sadržaja dokumenata ................................................................................................................ 12 Biografska metoda ................................................................................................................................ 12 Ispitivanje (tehnika intervjua i ankete) .................................................................................................. 13 3. Humoristični žanrovi ......................................................................................................................... 13 3.1.1 Etika i karakeristike humorističkih žanrova ............................................................................ 15 3.2.1. Karikatura .............................................................................................................................. 17 3.3.1. Kozerija .................................................................................................................................. 20 3.3.2. Vic i aforizam ......................................................................................................................... 21 3.3.3. Satira i njeno shvatanje ........................................................................................................... 24 3.4.4. Utjecaj Horacija i Juvenala na satiru ...................................................................................... 27 4. Analitički žanrovi i satira .................................................................................................................... 29 4.1.1. Komentar ................................................................................................................................ 32 4.2.1. Članak..................................................................................................................................... 34 4.2.2. Esej ......................................................................................................................................... 36 4.3.2. Kolumna.................................................................................................................................. 37 2 4.3.3.Kritika ...................................................................................................................................... 40 4.4.3. Bilješka ................................................................................................................................... 43 4.4.4. Feljton..................................................................................................................................... 44 5. Satira u današnjem vremenu ............................................................................................................. 45 6. New primitives – Novi primitivizam .................................................................................................. 51 6.1.1. Nestanak novog primitivizma ...................................................................................................... 55 6.2.1 Afera „crk'o maršal“ ................................................................................................................ 56 6.2.2. PRIMUS i Top lista nadrealista ............................................................................................... 56 7. Metodologija istraživanja (II dio) – empirijsko istraživanje ................................................................. 60 7.1.1. Analiza rezultata istraživanja ...................................................................................................... 60 7.2.1. Kvantitativna analiza sadržaja ................................................................................................ 61 7.2.2. Kvalitativna analiza sadržaja ................................................................................................... 66 8. Detaljna analiza nekolicine skečeva iz serijala Top lista nadrealista .................................................... 67 9. Analiza anketa ................................................................................................................................. 81 10. Analiza intervjua ......................................................................................................................... 99 10.1.1. Intervju – Zenit Đozić .......................................................................................................... 100 10.2.1. Intervju – Mirko Srdić (Elvis J. Kurtović) ............................................................................ 101 10.2.2. Intervju – Nenad Janković (Nele Karajlić) ........................................................................... 102 10.3.2. Intervju – Borislav „Boro“ Kontić ....................................................................................... 103 11. Zaključak ....................................................................................................................................... 105 Popis korištene literature .................................................................................................................... 109 Popis korištenih grafikona: .................................................................................................................. 111 3 SAŽETAK U ovome radu ću se baviti prije svega izlaganjem nekih osnovnih stvari u medijima, kao što je već odavno poznato pravilo 5W + H te analitičkih žanrova, humoristično-satričnih žanorva sa posebnim osvrtom na satiru. Kako bih što jasnije objasnio satiru bilo je potrebno detaljnije predstaviti koja je razlika između analitičkih žanrova koji su „ozbiljniji“ od humoristično- satiričnih, koji predstavljaju ozbiljan sadržaj na humorističan ili satiričan način. Nakon nabrajanja i analiziranja, kao i definiranja osnovnih vrsta unutar analitičkog žanra, onda je uslijedilo pojašnjavanje i definiranje humoristično-satiričnih vrsta, od kojih je posebna pažnja i naglasak na satiričnim sadržajima, koji su uzgredno, i dio hipoteza ovoga rada. Nakon upoznavanja sa osnovnim stvarima u satiri, navedena je i trenutačna situacija sa satirom u BiH alii regionu, te je općenito obrađen dio koji se naziva „satira danas“. Nakon upoznavanja sa svime što je prethodno rečeno, slijedi uvod u Top listu nadrealista, gdje će se prije svega pojasniti Novi primitivizam kao zasebni talas „Novog talasa“ koji je bio specifičan za Sarajevo, ma da su kasnije nastali i neke grupe u drugim dijelovima BiH, ali i u recimo Srbiji, koje su pokušale biti dio tog pokreta. Taj kulturni pokret, kako će se ispostaviti, je začet nakon snimanja epizoda na PRIMUS-u, tj. radio emisije na Radiju Sarajevo. Ubrzo nakon toga, nekadašnji Pseudobluz bend
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