A Musician's Mental Health
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Eating After the Triple Disaster: New Meanings of Food in Three Post-3.11 Texts
EATING AFTER THE TRIPLE DISASTER: NEW MEANINGS OF FOOD IN THREE POST-3.11 TEXTS by ROSALEY GAI B.A., The University of Chicago, June 2016 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2020 © Rosaley Gai, 2020 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the thesis entitled: Eating After the Triple Disaster: New Meanings of Food in Three Post-3.11 Texts submitted by Rosaley Gai in partial fulfillment of the requirements for the degree of Master of Arts in Asian Studies Examining Committee: Sharalyn Orbaugh, Professor, Asian Studies, UBC Supervisor Christina Yi, Associate Professor, Asian Studies, UBC Supervisory Committee Member Ayaka Yoshimizu, Assistant Professor of Teaching, Asian Studies, UBC Supervisory Committee Member ii ABstract Known colloquially as “3.11,” the triple disaster that struck Japan’s northeastern region of Tōhoku on March 11, 2011 comprised of both natural (the magnitude 9.0 earthquake and resultant tsunami) and humanmade (the nuclear meltdown at the Tokyo Electric Power Company’s Fukushima Daiichi nuclear power plant incurred due to post-earthquake damage) disasters. In the days, weeks, months, and years that followed, there was an outpouring of media reacting to and reflecting on the great loss of life and resulting nuclear contamination of the nearby land and sea of the region. Thematically, food plays a large role in many post-3.11 narratives, both through the damage and recovery of local food systems after the natural disasters and the radiation contamination that to this day stigmatizes regionally grown food. -
The Chemical Brothers: Elektrobank (Spike Jonze 1997) And
The Chemical Brothers: Elektrobank (Spike Jonze 1997) and Star Guitar (Michel Gondry 2001) Once you feel you’ve got the trust in the director, then it’s their thing and they make the video. (The Chemical Brothers – Tom Rowlands and Ed Simons) For some types of music, particularly electronic dance, there is almost a sub-genre of videos in which the artist either does not appear at all or merely makes a token cameo appearance. Specialists in this are the directors Spike Jonze and Michel Gondry who have both taken music promos in new directions, effectively finding a mass audience for experimental filmmaking. Though both directors have made plenty of videos featuring the artist as central performer, their willingness to push the boundaries of the conventions of music video has led to some interesting work. In Electrobank, Jonze used the idea of the Svengali coach training a young gymnast, based on his reading about Soviet coaches of young girls preparing for the Olympic Games. His (then) girlfriend, Sofia Coppola, appeared as the main character – a high school competitor – and had to learn gymnastics, dance and ribbonwork for the part. Jonze created a back-story for her and the other characters, where she chooses this music for her routine (counterpointed by the classical music which plays as she arrives in the hall). This short film represents a melodrama in which the young gymnast battles against a leg injury with the encouragement of both her coach and her family to narrowly win at the end. It is a simple story, told visually, mainly through exchanges of looks between characters and through the routine she performs, but what makes it memorable is the context – this is a music video. -
Constructing and Consuming an Ideal in Japanese Popular Culture
Running head: KAWAII BOYS AND IKEMEN GIRLS 1 Kawaii Boys and Ikemen Girls: Constructing and Consuming an Ideal in Japanese Popular Culture Grace Pilgrim University of Florida KAWAII BOYS AND IKEMEN GIRLS 2 Table of Contents Abstract………………………………………………………………………………………..3 Introduction……………………………………………………………………………………4 The Construction of Gender…………………………………………………………………...6 Explication of the Concept of Gender…………………………………………………6 Gender in Japan………………………………………………………………………..8 Feminist Movements………………………………………………………………….12 Creating Pop Culture Icons…………………………………………………………………...22 AKB48………………………………………………………………………………..24 K-pop………………………………………………………………………………….30 Johnny & Associates………………………………………………………………….39 Takarazuka Revue…………………………………………………………………….42 Kabuki………………………………………………………………………………...47 Creating the Ideal in Johnny’s and Takarazuka……………………………………………….52 How the Companies and Idols Market Themselves…………………………………...53 How Fans Both Consume and Contribute to This Model……………………………..65 The Ideal and What He Means for Gender Expression………………………………………..70 Conclusion……………………………………………………………………………………..77 References……………………………………………………………………………………..79 KAWAII BOYS AND IKEMEN GIRLS 3 Abstract This study explores the construction of a uniquely gendered Ideal by idols from Johnny & Associates and actors from the Takarazuka Revue, as well as how fans both consume and contribute to this model. Previous studies have often focused on the gender play by and fan activities of either Johnny & Associates talents or Takarazuka Revue actors, but never has any research -
The Action of God's Love
Christ Episcopal Church, Valdosta “The Action of God’s Love” (2 Corinthians 4:14-5:1) June 6, 2021 Dave Johnson In the Name of the Father, Son, and Holy Spirit. The Apostle Paul’s Second Letter to the Corinthians is far and away his most vulnerable letter. He does not water down the realities of his suffering as an apostle of the gospel of our Lord Jesus Christ—as he writes: Five times I have received the forty lashes minus one. Three times I was beaten with rods. Once I received a stoning. Three times I was shipwrecked; for a night and a day I was adrift at sea; on frequent journeys, in danger from rivers, danger from bandits, danger from my own people, danger from Gentiles, danger in the city, danger in the wilderness, danger at sea, danger from false brothers and sisters; in toil and hardship, through many a sleepless night, hungry and thirsty, often without food, cold and naked. And besides other things, I am under daily pressure because of my anxiety for all the churches. Who is weal, and I am not weak? (2 Corinthians 11:24-29). Not only did Paul suffer all these things in his apostolic ministry, he also suffered in his personal life, especially with what he dubbed his “thorn in the flesh”: “Therefore, to keep me from being too elated, a thorn was given me in the flesh, a messenger of Satan to torment me, to keep me from being too elated.” Paul does not reveal what this specific “thorn in the flesh” was, though there are many theories about it, but he does reveal what he did about it: “Three times I appealed to the Lord about this, that it would leave me, but he said to me, ‘My grace is sufficient for you, for power is made perfect in weakness’” (2 Corinthians 12:7-9). -
(Leviticus 10:6): on Mourning and Refraining from Mourning in the Bible
1 “Do not bare your heads and do not rend your clothes” (Leviticus 10:6): On Mourning and Refraining from Mourning in the Bible Yael Shemesh, Bar Ilan University Many agree today that objective research devoid of a personal dimension is a chimera. As noted by Fewell (1987:77), the very choice of a research topic is influenced by subjective factors. Until October 2008, mourning in the Bible and the ways in which people deal with bereavement had never been one of my particular fields of interest and my various plans for scholarly research did not include that topic. Then, on October 4, 2008, the Sabbath of Penitence (the Sabbath before the Day of Atonement), my beloved father succumbed to cancer. When we returned home after the funeral, close family friends brought us the first meal that we mourners ate in our new status, in accordance with Jewish custom, as my mother, my three brothers, my father’s sisters, and I began “sitting shivah”—observing the week of mourning and receiving the comforters who visited my parent’s house. The shivah for my father’s death was abbreviated to only three full days, rather than the customary week, also in keeping with custom, because Yom Kippur, which fell only four days after my father’s death, truncated the initial period of mourning. Before my bereavement I had always imagined that sitting shivah and conversing with those who came to console me, when I was so deep in my grief, would be more than I could bear emotionally and thought that I would prefer for people to leave me alone, alone with my pain. -
Fascinating Experience
Tuesday January 31st, 2012 3 Star Track Album Joey Lewis Pic by: Johann inger Joey Lewis completed his short years of sadness and destruction, this is Jayasinha vacation in Sri Lanka and left for home now your reward....and a much deserved (SNNI) S(England) last Wednesday, January one - having her to yourself in her glori- Melbourne 18th, 2012. ous and magnificent beauty once again. Yes, of course, Joey is Sri Lankan but "Experiencing this while I was there now lives in England. the past few weeks was simply awesome." His trip to Colombo was mainly to spend Generally, Joey obliges his followers in the festive period with his mom. Colombo with some surprise guest spots, He arrived soon after spending Christmas especially at the Margarita Blue. with his family members in England. This time, however, he decided to Although the singer was here during the play it cool. But that did not stop New Year Eve celebrations, he opted to stay him from getting involved in at home, with his mom, and his 14-year-old some kind of music. son, Mark, who accompanied him. He was seen working with PROUD Mark was last here as a 10-year-old kid maestro Nimal Mendis on and was seeing things differently now. some Sinhala/English tracks JLS According to Joey, his son was simply fas- for a compilation album. cinated by what he saw on his way to Joey also spent some When my strength was gone, Make me stronger, so that I Colombo from the airport. time rehearsing his reper- and I just gave up on life rise up He was just blown away by all the decora- toire of songs with the In my darkest place you were Made my mind up my guide All that I do is to make you tions, connected with the festive season, and band Flame who will be And you told me that I proud the lights, and the nativity creations along touring Australia in should live my life to the Proud, proud, make you the way, said Joey. -
June 7-25, 2020…..17 Days in Scandinavia with Dave Anderson
June 7-25, 2020…..17 days in Scandinavia with Dave Anderson Sunday June 7 Our tour begins with an evening flight from Chicago to Copenhagen Monday June 8 We arrive in Copenhagen, go to our hotel to freshen up and then we will stretch our legs on Copenhagen’s famous walking street. Dinner and overnight at our Copenhagen hotel. Tuesday, June 9 Today we will visit Roskilde, the incredible cathedral where Danish Kings and Queens are buried. We will stop at the famous mermaid statue in the Copenhagen harbor and a great fountain nearby. We will stop at two amazing Copenhagen cathedrals including the Gruntvig Cathedral. Dinner tonight in Tivoli Gardens, one of Europe’s most famous amusement parks. Same hotel. Wednesday, June 10 We head a little north of Copenhagen to the beautiful and massive Christian IV Castle. The castle tour will take two hours. After lunch we head east to Helsingør for a short ferry boat ride to Helsingborg, Sweden. After looking around the city center, we will travel to the very old Helsingborg suburb of Råå, where we will stay overnight at the Sundsgården Folkhögskola. Dinner and great accommodations. Sundsgården is a Chrsitian “folk high school” where Dave and Barb Anderson have stayed many times. Thursday, June 11 After breakfast, we will travel south to the great university city of Lund where we will visit the 1000-year old Lund Cathedral. We will have time to look in shops in Lund and have lunch there. Dave and Barb Anderson have hosted the Rökeblås (Röke is the village the founder of the band lived in and blås is the Sweden word for “blow”) band for ten US tours over the past 40 years. -
Paul Simon Touring U.S. in June
CLICK HERE TO SIGN UP FOR THE DAN'S INSIDER NEWSLETTER Search this website… Paul Simon Touring U.S. in June PAUL SIMON ONSTAGE IN 2012, PHOTO: ©PATRICKMCMULLAN.COM APRIL 16, 2017 BY SOTH TEAM 7 7 0 Like Share Share Tweet Montauk resident Paul Simon and his band will play 17 cities across the United States throughout the month of June. The tour, which benefits the E.O. Wilson Biodiversity Foundation’s Half- Earth Project, begins June 1 in St. Augustine, Florida, and ends June 28 in Denver, Colorado. Sadly, there’s no New York shows. RELATED – Slip Slidin’ Away: Paul Simon Moves Montauk Bluffs Cottage Simon is still touring in support of his 13th solo studio album, Stranger to Stranger, which was released via Concord Records on June 3, 2016—almost exactly one year before his latest list of shows kicks off. Stranger to Stranger debuted at number 3 on the Billboard 200, making it Simon’s most successful debut on the chart. The album, which offers a series of experimental tracks played on instruments custom-made by composer Harry Partch, topped the UK charts and was hailed by critics. It was Simon’s first studio record since 2011’s So Beautiful or So What. Simon has threatened to retire in recent years, so one never know which tour will be his last. Don’t you miss those All for the Sea concerts at Southampton College or, going way back, his concerts at Deep Hollow Ranch in Montauk? If you can find your way outside the Empire State, his tour dates are as follows: June 1 – St. -
Musgrave, George. 2020. Avicii: True Stories - Review
Musgrave, George. 2020. Avicii: True Stories - Review. Dancecult Journal of Electronic Dance Music Culture, 12(1), pp. 94-97. ISSN 1947-5403 [Article] https://research.gold.ac.uk/id/eprint/28935/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] 94 Dancecult 12(1) Avicii: True Stories Dir. Levan Tsikurishvili USA: Black Dalmation Films, OPA People Production, Piece of Magic Entertainment, and SF Bio, 2017. <https://www.imdb.com/title/tt7357302/> <http://dx.doi.org/10.12801/1947-5403.2020.12.01.15> George Musgrave Goldsmiths, University of London (UK) University of Westminster (UK) It is extremely hard to review a documentary like Avicii: True Stories and disentangle myself from the research on mental health and the music industry which I have spent the last four years immersed in (Gross and Musgrave 2016; 2017; 2020). With almost every minute that passes of this profoundly sad, and at times chilling film, I found myself thinking that, in many respects, what I was watching was one of the most extreme case studies imaginable for the conceptual architecture we have developed to try and grapple with the potential for toxicity which a music career presents. -
Das Genie, Das Ich Nicht Vermarkten Wollte
SWR2 MANUSKRIPT ESSAYS FEATURES KOMMENTARE VORTRÄGE SWR2 Tandem Das ungleiche Paar Paul Simon und Art Garfunkel werden 75 Von Christiane Rebmann Sendung: 04.11.2016 um 19.20 Uhr Redaktion: Bettina Stender Sprecher: Peter Binder Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Service: SWR2 Tandem können Sie auch als Live-Stream hören im SWR2 Webradio unter www.swr2.de oder als Podcast nachhören: http://www1.swr.de/podcast/xml/swr2/tandem.xml Mitschnitte aller Sendungen der Redaktion SWR2 Tandem sind auf CD erhältlich beim SWR Mitschnittdienst in Baden-Baden zum Preis von 12,50 Euro. Bestellungen über Telefon: 07221/929-26030 Bestellungen per E-Mail: [email protected] Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2-Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de 2 O-Ton Das war eine großartige Periode. Die beste. Da waren wir auf der Überholspur. Auch musikalisch war das eine tolle Zeit, weil da eine Menge Energie in der Luft lag. Das war eine Zeit der Experimente. Und das Ganze folgte einer großen Ära des Rock'n'Roll. Die Quellen, aus denen wir Musiker damals schöpfen konnten, waren also sehr reichhaltig. In den folgenden Jahrzehnten konnten wir nie mehr auf so ergiebige Quellen zurückgreifen. Die Musik der 70er Jahre zum Beispiel war viel flacher und nicht annähernd so anregend wie die aus den 50er Jahren. -
Downbeat.Com February 2021 U.K. £6.99
FEBRUARY 2021 U.K. £6.99 DOWNBEAT.COM FEBRUARY 2021 DOWNBEAT 1 FEBRUARY 2021 VOLUME 88 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York.