The Chemical Brothers the Chemical Brothers Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

The Chemical Brothers The Chemical Brothers mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: The Chemical Brothers Country: UK Released: 2008 Style: Techno, Big Beat MP3 version RAR size: 1343 mb FLAC version RAR size: 1544 mb WMA version RAR size: 1947 mb Rating: 4.2 Votes: 534 Other Formats: MP4 WAV WMA RA FLAC AA AA Tracklist Hide Credits 1-01 Do It Again (Edit) 3:41 1-02 Block Rockin' Beats 5:15 1-03 Music: Response 5:35 1-04 Hey Boy Hey Girl 4:51 Believe (Erol Alkan's 'Feel Me' Re-Work) 1-05 6:27 Remix – Erol Alkan 1-06 Chico's Groove 4:49 1-07 Get Yourself High 5:52 1-08 My Elastic Eye 3:44 1-09 Star Guitar (Edit) 4:03 1-10 Galaxy Bounce 4:46 1-11 The Golden Path 4:48 1-12 Out Of Control 7:21 1-13 Electronic Battle Weapon 9 6:41 1-14 The Private Psychedelic Reel 9:08 2-01 Leave Home 5:07 2-02 Let Forever Be 3:44 2-03 Come With Us 5:00 2-04 H.I.A. 7:14 2-05 Prescription Beats 5:15 2-06 Power Move 4:12 Battle Scars (Beyond The Wizard's Sleeve Remix) 2-07 8:34 Remix – Beyond The Wizards Sleeve 2-08 Under The Influence 4:18 2-09 Setting Sun (Instrumental) 7:03 2-10 Das Spiegel 5:54 2-11 Freak Of The Week 6:07 2-12 Galvanize (Single Version) 4:30 2-13 Elektrobank (Live) 7:46 2-14 Asleep From Day 4:47 Companies, etc. Copyright (c) – Universal Music Publishing Ltd. Credits Compiled By, Compilation Producer – Adrian McKinney Cover, Photography By – Steen Sunderland/LGA* Design – Andrew Greetham Notes Housed in a 9½" x 11¼" hardback bookstyle pack. Supposedly limited to only 40 copies. Track 1-03 listed as "Music-Response". Track 1-05 listed as "Believe (Erol Alkan's Feel Me Re-work)" Barcode and Other Identifiers Matrix / Runout (CD1): CHEMICAL/1 01 Matrix / Runout (CD2): CHEMICAL/2 01 Mastering SID Code (CD1&2): IFPI L135 Mould SID Code (CD1): IFPI 0407 Mould SID Code (CD2): IFPI 0417 Matrix / Runout (CD1 Etched In Mould): MADE IN THE UK Mould SID Code (CD2 Etched In Matrix): IFPI 04AR Comments about The Chemical Brothers - The Chemical Brothers Gralmeena I have recently obtained this extremely rare item. Apparently there are only 40 copies worldwide (according to eil.com), yet to have 100% confirmation of this. I do believe it is a lot more hard to come by than the 'Strictly Limited Edition' Japanese promo. Related Music albums to The Chemical Brothers by The Chemical Brothers The Chemical Brothers - The Golden Path (Format Tracks) Erol Alkan - Disco 2006 The Chemical Brothers - Remixes The Chemical Brothers - Музыкальный Avtomat The Chemical Brothers - Battlescars - Beyond The Wizards Sleeve Re-Animation The Chemical Brothers - Radio 1 Anti-Nazi Mix The Chemical Brothers - Greatest Hits The Chemical Brothers - Live In Sweden 96.

Copy Link

Recommended publications

The Chemical Brothers: Elektrobank (Spike Jonze 1997) And
The Chemical Brothers: Elektrobank (Spike Jonze 1997) and Star Guitar (Michel Gondry 2001) Once you feel you’ve got the trust in the director, then it’s their thing and they make the video. (The Chemical Brothers – Tom Rowlands and Ed Simons) For some types of music, particularly electronic dance, there is almost a sub-genre of videos in which the artist either does not appear at all or merely makes a token cameo appearance. Specialists in this are the directors Spike Jonze and Michel Gondry who have both taken music promos in new directions, effectively finding a mass audience for experimental filmmaking. Though both directors have made plenty of videos featuring the artist as central performer, their willingness to push the boundaries of the conventions of music video has led to some interesting work. In Electrobank, Jonze used the idea of the Svengali coach training a young gymnast, based on his reading about Soviet coaches of young girls preparing for the Olympic Games. His (then) girlfriend, Sofia Coppola, appeared as the main character – a high school competitor – and had to learn gymnastics, dance and ribbonwork for the part. Jonze created a back-story for her and the other characters, where she chooses this music for her routine (counterpointed by the classical music which plays as she arrives in the hall). This short film represents a melodrama in which the young gymnast battles against a leg injury with the encouragement of both her coach and her family to narrowly win at the end. It is a simple story, told visually, mainly through exchanges of looks between characters and through the routine she performs, but what makes it memorable is the context – this is a music video.
[Show full text]
Llnierchandise Continues to Thrive, Since Ueven Ihe Most Revered Indie-Rock Labels Rarely Inspire I
_ANCE LABELS: Record lalrel- mer cnandising Uevenllnierchandise Ihe most continues revered indie-rock to thrive, sincelabels dancerarely Inspireones do. Ihe same kind of allegiance as weiring your of lelling■ Kyou peopleboy a label's you're merchandiseinto bouse or ifsgarage, a way Mil (orMerchandising example," explains (which créâtes Mark Dixon lines offor Impacl the flIVI:PMand Distinctive labels, among others). A 1 î" ""'sisette everyhody,But merchandising observes Lewisdoesn't Pennington, work (or the growing market for dance-related, logo-emblazoned merchandise suppliespartner in dance Merchandising labels including Mallers, has become ever more innovative and adaptable, says Peter Lyle i Positiva, Krr, Jackpot and 5 i soonStrictly discovered Rhythm UK. unless "We a iANCE ACTS: Conventional wisdom says thaï this year's merchandising companies such m label is of a certain size il _ landmost the prominent Mercury dancePrize-winning acts - the Roni chart-topping Size - willr Pulfnot inspireDaddy as Underworld and De-Luxe, simply tlnesn't have the Ihe same kind of dévotion as a rock band like Oasis n whichUnderworld includes the inband ils rosier(whose rangeprofile ot le merchandising," support a full U2.their Consequently loyalty by having dance their fans logosare unlikely blazoned to expressacross memb s double as design says Pennington. their chests. JamiroquaiJa[rcollectivecoll Tomato) (whose andlogo breakDixon an agréés,unknown "Ifs label. hard If theto Virgins and Our shirtîrtRock as longinnn fans as will that go T-shirfsT.chSrtv out in a gotndirty* Ihe pair logoi-.„„ of ijeans and■ a, dirty T- rone of the best fi Prices aren'l (amiliar with the product, they wail says Mark Dixon, sales executiven at Impact Merchandising.
[Show full text]
Electronic from Kraftwerk to the Chemical Brothers Release.Pdf
By show directors Smith & Lyall. Photo credit: Luke Dyson Electronic: From Kraftwerk to The Chemical Brothers 1 April – 26 July 2020 the Design Museum #MixandRemix @DesignMuseum IMAGE LINK The Design Museum in London launches new exhibition exploring the hypnotic world of electronic music, from its origins to its futuristic dreams Discover how design, technology and innovation powered the genre in the work of visionaries including Kraftwerk, The Chemical Brothers, Jeff Mills, Daphne Oram, Jean-Michel Jarre and Aphex Twin Experience the museum premiere of electronic pioneers The Chemical Brothers’ sensory spectacle by creative studio Smith & Lyall featuring mesmerising visuals for the Grammy Award-winning track ‘Got to Keep On’ This exhibition makes connections between electronic music and contemporary design, fashion and art. Including works from Charles Jeffrey of Loverboy, Andreas Gursky, Peter Saville, Boiler Room, the Designers Republic, Christian Marclay, Jeremy Deller and more 1 Grab your headphones and plug into the first music-themed exhibition at the Design Museum, from Wednesday 1 April 2020 – featuring a club-like environment where lighting and video are synched to a specially curated soundtrack by French DJ Laurent Garnier. Complete with a new series of live AV experiences, visitors will be transported by multi-sensory installations. This is your chance to step inside the visual world of The Chemical Brothers featuring elements of their legendary live show, as visuals and lights interact to create a three- dimensional immersive experience by Smith & Lyall (@smithandlyall) – inspired by the psychedelic duo’s acclaimed ’No Geography’ Tour. Delve into the extreme visual world created by Weirdcore for Aphex Twin’s ‘Collapse’ and celebrate 50 years of legendary group Kraftwerk with a 30-minute 3D experience.
[Show full text]
L the Charlatans UK the Charlatans UK Vs. the Chemical Brothers
These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE AUGUST 29TH ARTIST TITLE LABEL FORMAT QTY Sounds Like A Melody (Grant & Kelly E Alphaville Rhino Atlantic 12" Vinyl 3500 Remix by Blank & Jones x Gold & Lloyd) F America Heritage II: Demos Omnivore RecordingsLP 1700 E And Also The Trees And Also The Trees Terror Vision Records2 x LP 2000 E Archers of Loaf "Raleigh Days"/"Street Fighting Man" Merge Records 7" Vinyl 1200 L August Burns Red Bones Fearless 7" Vinyl 1000 F Buju Banton Trust & Steppa Roc Nation 10" Vinyl 2500 E Bastille All This Bad Blood Capitol 2 x LP 1500 E Black Keys Let's Rock (45 RPM Edition) Nonesuch 2 x LP 5000 They's A Person Of The World (featuring L Black Lips Fire Records 7" Vinyl 750 Kesha) F Black Crowes Lions eOne Music 2 x LP 3000 F Tommy Bolin Tommy Bolin Lives! Friday Music EP 1000 F Bone Thugs-N-Harmony Creepin' On Ah Come Up Ruthless RecordsLP 3000 E David Bowie ChangesNowBowie Parlophone LP E David Bowie ChangesNowBowie Parlophone CD E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone 2 x LP E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone CD E Marion Brown Porto Novo ORG Music LP 1500 F Nicole Bus Live in NYC Roc Nation LP 2500 E Canned Heat/John Lee Hooker Hooker 'N Heat Culture Factory2 x LP 2000 F Ron Carter Foursight: Stockholm IN+OUT Records2 x LP 650 F Ted Cassidy The Lurch Jackpot Records7" Vinyl 1000 The Charlatans UK vs.
[Show full text]
Finney, John D
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project JOHN D. FINNEY, JR. Interviewed by: Charles Stuart Kennedy Initial Interview date: December 21, 2004 Copyright 2018 ADST TABLE OF CONTENTS Background Born in Indianapolis, Indiana July 31, 1939 BA in American History, St. Louis University 1957-1961 MA in American History, St. Louis University 1961-1962 PhD in American History, Georgetown University 1962-1967 U.S. Army Combat Engineer 1962-1962 Entered the Foreign Service 1966 Arequipa, Peru—Vice Consul 1967-1968 Monitoring Communism and the capture of Che Guevara Lima, Peru—Political Officer 1968-1970 University and youth radicalization The Alliance for Progress and liberation theology Peruvian military coup and Standard Oil controversy Life in Peru Rosslyn, VA—Student 1970-1971 Vietnam training center experience Phan Thiet, Vietnam—Province Senior Development Officer 1971-1972 CORDS security situation in Binh Thuan province Land reform implementation, irrigation, and banking Corruption and elections Tuy Hoa, Vietnam—Deputy Province Advisor 1972-1973 CORDS security situation in Phu Yen province Close encounters with death Personal opinion on Paris Peace Accords and Vietnam War Washington, DC—North Vietnam Desk Officer, East Asia Bureau 1973-1975 Upholding Paris Peace Accord and defeat of South Vietnam 1 Udorn, Thailand—Consul General 1976-1978 Upholding American relations and monitoring Vietnamese refugees Visiting Thai countryside and military government President Carter’s influence and CIA intelligence
[Show full text]
Presidential Documents
Weekly Compilation of Presidential Documents Monday, July 30, 2001 Volume 37—Number 30 Pages 1077–1113 VerDate 11-MAY-2000 00:44 Aug 01, 2001 Jkt 005300 PO 00000 Frm 00001 Fmt 1249 Sfmt 1249 W:\DISC\PD30JY01.PRE ATX004 PsN: ATX004 Contents Addresses and Remarks Interviews With the News Media—Continued See also Bill Signings; Meetings With Foreign Genoa, Italy—1078, 1079 Leaders Oval Office—1103 Congressional Gold Medal, presentation to News conferences Navajo Code Talkers—1105 July 22 (No. 13) with President Putin of Congressional leaders, meeting—1099 Russia—1081 Kosovo, U.S. troops at Camp Bondsteel— July 23 (No. 14) with Prime Minister 1095 Berlusconi of Italy—1088 National Future Farmers of America Organization—1108 Joint Statements Radio address—1077 President George W. Bush and President of Virginia gubernatorial candidate Mark the Russian Federation Vladimir V. Putin— Earley—1103 1086, 1087 Bill Signings Meetings With Foreign Leaders Senator Paul Coverdell, legislation honoring, France, President Chirac—1078 remarks—1102 Germany, Chancellor Schroeder—1079 Supplemental Appropriations Act, FY 2001, Italy, Prime Minister Berlusconi—1088 statement—1096 Russia, President Putin—1081, 1086, 1087 Communications to Congress Vatican, Pope John Paul II—1087 Middle East peace process, message Proclamations transmitting report on national emergency with respect to terrorists who threaten to National Korean War Veterans Armistice disrupt—1094 Day—1100 Plan Colombia, message transmitting report— Parents’ Day—1079 1108 Statements by the President Yugoslavia, former, letter reporting on See also Bill Signings deployment of military forces for Americans with Disabilities Act of 1990, stabilization—1098 anniversary—1106 Communications to Federal Agencies Balkans—1097 Charter for Coordinator of U.S.
[Show full text]
Downbeat.Com February 2021 U.K. £6.99
FEBRUARY 2021 U.K. £6.99 DOWNBEAT.COM FEBRUARY 2021 DOWNBEAT 1 FEBRUARY 2021 VOLUME 88 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
[Show full text]
Sword Points
Transforming Lives Through Jesus Christ Sword Points October 5, 2017 www.SaintPaulsBrookfield.com (203) 775-9587 † Questioning, Pondering & Pursuing as a Faith Response Wisdom is proved right by all her children. Luke 7:35 Dear Friends, ast Monday evening, as our Men’s Bible Study L studied the Book of Job, our discussion ranged from the text, to Einstein's theory of relativity, to physics as poetry, to the concept of time itself. God's presence was experienced powerfully, as moments of silent wonder filled our space, especially among the questions. As God asks Job seventy-seven questions in the final chapters, we too returned the questioning, pondering and pursuing as a faith response to God. This very Hebrew approach of answering a question with a question is part of the path toward divine wisdom. As one of our participants shared: we were on the mountaintop together. May we continue to reach new heights and depths with God, especially in our Bible studies at St. Paul's throughout each week, through the One who bridges the questions and the answers, the fountain of all wisdom, Jesus Christ our Lord. Faithfully, † Dear Paul... Yet another "Sword Points" exclusive! This week only (thankfully)! Our very own namesake and patron saint the Colossal Apostle Paul picks up his pithy pen once again to grace this page as special guest advice columnist to the thinking Christian: as transcribed by John Tuthill Dear Apostle Paul, Like clockwork every single year, by December 1st our next-door neighbor always puts up THE most over-the-top display of flashing Christmas lights and decorations.
[Show full text]
A Blend of Sound and Image-The Music Video
DOI: 10.2478/v10319-012-0002-2 A BLEND OF SOUND AND IMAGE- THE MUSIC VIDEO ELIZA CLAUDIA FILIMON University of Timişoara Email: [email protected] Abstract: The focus of this paper is first of all the issue of authorship in music videos, with reference to the division of tasks between the musician and the director. Secondly, a non-narrative musical piece in analysed - The Chemical Brothers’ Star Guitar - in relation to the narrative video created by Michel Gondry to enrich its meanings and better convey the intended message of the musicians. Keywords: authorship, musical message, video message 1. Introduction Literary critical studies have constantly been holding authorship theories under scrutiny, from voices hailing the paramount role an author has to theoretical studies committing the author to invisibility. Roland Barthes boldly denounced the limiting status of the author in the interpretation of a text, stating the necessity of abandoning the creative voice entirely: “The birth of the reader must be at the cost of the death of the Author” (qtd. in Caughie 1981:213). Michael Foucault distinguished himself from Barthes by tackling the problem from another angle. By separating the indicative and designative functions of the author’s name, he investigated the discourses surrounding and attached to the author’s name. Extending his theories of discourses from The Order of Things and The Archaeology of Knowledge, Foucault considered author as a product of discursive practices, instead of a creative subject. “In undertaking an internal and architectonic analysis of a work and in delimiting psychological and biographical references, suspicions arise concerning the absolute nature and creative role of the subject.” (qtd.
[Show full text]
Bark at Park’ Festival by Everett Rosenfeld ‘09 May Day, the Lower School’S Liss, Selected the Music for the Event
POSTSCRIPT The Park School Brooklandville, MD May 28, 2004 Volume LXIV Issue No. 9 Parents’ Healthy Food Committee bans soda sales on campus by Sarah Dunn ‘06 Starting next year, Park will ban daily nutritional requirements. It is stat- to more healthy drinks. At Oldfields, healthier foods in schools is happening the sale of sodas on campus. This move ed directly in the proposal that, “health many other junk foods have been elimi- all over the country. In New York City is the result of an April 14 proposal made related behaviors are established early in nated as well. Almost 95% of what is sold and Los Angeles public schools, sodas by the Park Healthy Foods Committee, life” and the Committee believes that in its vending machines are healthy were banned from vending machines. In a group that consists of faculty and par- Philadelphia public schools, all soda sales ents. The proposal stated that the school were eliminated. Other states taking a should not profit from the sale of such stand on the foods sold in their cafeteri- unhealthy drinks and that they should not as include Texas, South Carolina, New be sold on school grounds. The Park Hampshire, Washington, California, and Parents’ Association approved the plan; Minnesota. Dr. David Jackson, Head of School, and Next year, Park will discontin- Caleb Karpay ‘04, former Upper School ue its vending machine soda sales as President, also supported it. well. Unlike St. Paul’s, students will be Deirdre Smith, a parent and a permitted to bring sodas on campus, but member of the committee, explained that the school does not wish to profit from the number one disease among teenag- them.
[Show full text]
A Blend of Sound and Image-The Music Video
DOI: 10.2478/rjes-2013-0002 A BLEND OF SOUND AND IMAGE- THE MUSIC VIDEO ELIZA CLAUDIA FILIMON University of Timişoara Email: [email protected] Abstract: The focus of this paper is first of all the issue of authorship in music videos, with reference to the division of tasks between the musician and the director. Secondly, a non-narrative musical piece in analysed - The Chemical Brothers’ Star Guitar - in relation to the narrative video created by Michel Gondry to enrich its meanings and better convey the intended message of the musicians. Keywords: authorship, musical message, video message 1. Introduction Literary critical studies have constantly been holding authorship theories under scrutiny, from voices hailing the paramount role an author has to theoretical studies committing the author to invisibility. Roland Barthes boldly denounced the limiting status of the author in the interpretation of a text, stating the necessity of abandoning the creative voice entirely: “The birth of the reader must be at the cost of the death of the Author” (qtd. in Caughie 1981:213). Michael Foucault distinguished himself from Barthes by tackling the problem from another angle. By separating the indicative and designative functions of the author’s name, he investigated the discourses surrounding and attached to the author’s name. Extending his theories of discourses from The Order of Things and The Archaeology of Knowledge, Foucault considered author as a product of discursive practices, instead of a creative subject. “In undertaking an internal and architectonic analysis of a work and in delimiting psychological and biographical references, suspicions arise concerning the absolute nature and creative role of the subject.” (qtd.
[Show full text]
All Audio Songs by Artist
ALL AUDIO SONGS BY ARTIST ARTIST TRACK NAME 1814 INSOMNIA 1814 MORNING STAR 1814 MY DEAR FRIEND 1814 LET JAH FIRE BURN 1814 4 UNUNINI 1814 JAH RYDEM 1814 GET UP 1814 LET MY PEOPLE GO 1814 JAH RASTAFARI 1814 WHAKAHONOHONO 1814 SHACKLED 2 PAC CALIFORNIA LOVE 20 FINGERS SHORT SHORT MAN 28 DAYS RIP IT UP 3 DOORS DOWN KRYPTONITE 3 DOORS DOWN HERE WITHOUT YOU 3 JAYS IN MY EYES 3 JAYS FEELING IT TOO 3 THE HARDWAY ITS ON 360 FT GOSSLING BOYS LIKE YOU 360 FT JOSH PYKE THROW IT AWAY 3OH!3 STARSTRUKK ALBUM VERSION 3OH!3 DOUBLE VISION 3OH!3 DONT TRUST ME 3OH!3 AND KESHA MY FIRST KISS 4 NON BLONDES OLD MR HEFFER 4 NON BLONDES TRAIN 4 NON BLONDES PLEASANTLY BLUE 4 NON BLONDES NO PLACE LIKE HOME 4 NON BLONDES DRIFTING 4 NON BLONDES CALLING ALL THE PEOPLE 4 NON BLONDES WHATS UP 4 NON BLONDES SUPERFLY 4 NON BLONDES SPACEMAN 4 NON BLONDES MORPHINE AND CHOCOLATE 4 NON BLONDES DEAR MR PRESIDENT 48 MAY NERVOUS WRECK 48 MAY LEATHER AND TATTOOS 48 MAY INTO THE SUN 48 MAY BIGSHOCK 48 MAY HOME BY 2 5 SECONDS OF SUMMER GOOD GIRLS 5 SECONDS OF SUMMER EVERYTHING I DIDNT SAY 5 SECONDS OF SUMMER DONT STOP 5 SECONDS OF SUMMER AMNESIA 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER KISS ME KISS ME 50 CENT CANDY SHOP 50 CENT WINDOW SHOPPER 50 CENT IN DA CLUB 50 CENT JUST A LIL BIT 50 CENT 21 QUESTIONS 50 CENT AND JUSTIN TIMBERLAKE AYO TECHNOLOGY 6400 CREW HUSTLERS REVENGE 98 DEGREES GIVE ME JUST ONE NIGHT A GREAT BIG WORLD FT CHRISTINA AGUILERA SAY SOMETHING A HA THE ALWAYS SHINES ON TV A HA THE LIVING DAYLIGHTS A LIGHTER SHADE OF BROWN ON A SUNDAY AFTERNOON
[Show full text]