DOCSLIB.ORG

Paul Simon Hearts and Bones Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Paul Simon Hearts And Bones mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Hearts And Bones Country: Europe Released: 1983 Style: Pop Rock MP3 version RAR size: 1612 mb FLAC version RAR size: 1554 mb WMA version RAR size: 1487 mb Rating: 4.6 Votes: 138 Other Formats: MPC AIFF ASF DTS XM AIFF MOD Tracklist Hide Credits Allergies Acoustic Guitar – Paul SimonArranged By [Horns] – Dave Matthews Bass Guitar A1 [Contrabass Guitar] – Anthony JacksonDrums – Steve Ferrone, Steve GaddElectric Guitar – 4:37 Dean ParksElectric Piano [Fender Rhodes] – Greg PhillinganesGuitar, Soloist – Al Di MeolaPercussion – Airto MoreiraSynthesizer – Rob Mounsey, Rob Sabino Hearts And Bones Acoustic Guitar – Paul SimonBass Guitar [Contrabass Guitar] – Anthony JacksonDrums – A2 5:37 Steve GaddElectric Piano [Fender Rhodes] – Richard TeeGuitar [Hi-string] – Dean ParksPercussion – Airto MoreiraVibraphone, Marimba – Michael Mainieri* When Numbers Get Serious Bass Guitar [Contrabass Guitar] – Anthony JacksonDrums – Steve FerroneElectric Guitar – A3 3:25 Eric GaleKeyboards – Richard TeePercussion – Airto MoreiraSynthesizer [Synclavier] – Tom Coppola Think Too Much (b) Acoustic Guitar – Paul SimonBass – Marcus MillerBass Guitar [Contrabass Guitar] – A4 Anthony JacksonDrums – Steve GaddElectric Guitar – Dean ParksMarimba – Michael 2:44 Mainieri*Percussion – Airto MoreiraPiano – Richard TeeSynthesizer [Synclavier] – Tom Coppola Song About The Moon Acoustic Guitar – Paul SimonBass Guitar [Contrabass Guitar] – Anthony JacksonDrums – A5 4:07 Steve GaddElectric Guitar – Dean ParksElectric Piano [Fender Rhodes] – Greg PhillinganesSynthesizer [Synclavier] – Tom CoppolaVocoder – Rob Mounsey Think Too Much (a) B1 Bass – Bernard EdwardsDrums – Steve FerroneElectric Guitar – Nile RodgersSynthesizer 3:05 [Synclavier] – Tom Coppola Train In The Distance Alto Saxophone – Mark RiveraBass – Marcus MillerBass Guitar [Contrabass Guitar] – B2 Anthony JacksonCello – Jess Levy*Drums – Jeff PorcaroElectric Guitar – Dean ParksElectric 5:11 Piano [Fender Rhodes] – Richard TeeFrench Horn – Peter Gordon Percussion – Airto MoreiraVibraphone – Michael Mainieri* René And Georgette Magritte With Their Dog After The War Backing Vocals [Arranged & Perfomed By] – The HarptonesBass Guitar [Contrabass Guitar] B3 – Anthony JacksonElectric Guitar – Paul SimonElectric Piano [Fender Rhodes], Synthesizer 3:44 – Richard TeeOrchestrated By – George Delerue*Piano – Rob SabinoSynthesizer [Synclavier] – Wells Christie Cars Are Cars Arranged By [Horns] – Dave Matthews Bass Guitar [Contrabass Guitar] – Anthony B4 3:15 JacksonElectric Guitar, Programmed By [Linn Drum Machine] – Nile RodgersProgrammed By [Linn Drum Machine] – Paul SimonSynthesizer – Rob Sabino The Late Great Johnny Ace Acoustic Guitar – Paul SimonBass Clarinet – George MargeCello – Frederick Zlotkin*Composed By [Closing], Orchestrated By [Closing] – Philip GlassConductor, B5 4:45 Synthesizer – Michael RiesmanDrums – Steve GaddElectric Guitar – Dean Parks, Sid McGinnisElectric Piano [Fender Rhodes] – Greg PhillinganesFlute – Carol WincencSynthesizer – Michael BoddickerViola – Jill JaffeViolin – Marin Alsop Companies, etc. Recorded At – Warner Bros. Recording Studios Recorded At – Regent Sound Studios, New York City Recorded At – Power Station Recorded At – Mediasound Recorded At – Atlantic Studios Recorded At – Sigma Sound Studios, New York Phonographic Copyright (p) – Paul Simon Copyright (c) – Paul Simon Copyright (c) – Warner Bros. Records Inc. Mixed At – Regent Sound Studios, New York City Mastered At – Sterling Sound Mastered At – Sheffield Lab Matrix – △5490 Mastered At – Sheffield Lab Matrix – △5491-X Record Company – Warner Bros. Records Inc. Credits Art Direction – Jeffrey Kent Ayeroff, Paula Greif Co-producer – Lenny Waronker (tracks: a1, a5, b5) Design – Jeri McManus Engineer [Additional] – Gene Paul, Jason Corsaro, James Dougherty*, Lee Herschberg, Mark Linett Engineer [Digital] – Tom Bates Engineer [Second] – Andy Hoffman, Dan Nash, Dave Greenberg, Eric Korte, Jim Santis*, Ken Deane, Stuart Gitlin, Terry Rosiello Engineer [Soundworks Digital Audio Facilities] – Wayne Yurgelun* Mastered By – Greg Calbi Other [Production Assistant] – Julie Hooker, Kimberly Boyle Photography By [Cover] – E.K.T.V. Photography By [Innersleeve] – Arthur Elgort Producer – Paul Simon, Russ Titelman Producer, Engineer, Mixed By – Roy Halee Programmed By [Synclavier] – David Nichtern Written-By, Backing Vocals – Paul Simon Written-By, Vocals, Backing Vocals – Paul Simon Notes 9 23942-1 on spine, 1-23942 on labels. White 7-shield WB labels. Allied Record Company pressing, with Sheffield Lab Matrix SLM △5490 in Side A runout and △5491- X in Side B runout, Most versions have SLM △5491 and △5491-X in the runouts:Paul Simon - Hearts And Bones. At least one has been identified with △5490 and △5490-X: Paul Simon - Hearts And Bones. ("SLM △" in runouts indicates that the lacquer disc was processed at, and the metal parts used to manufacture the record were made at Sheffield Lab Matrix.) Barcode and Other Identifiers Matrix / Runout (Side A, Etched): 1.2.3942-A-SH8 SLM △5490 1-3 B-18677-SH8 STERLING ⚾ Matrix / Runout (Side B, Etched): 1.2.3942B I̶N̶T̶12 SLM △5491-X 1-3 B-18678-B12 STERLING ⚾ Barcode: 0 7599-23942-1 Other versions Category Artist Title (Format) Label Category Country Year Warner Bros. Hearts And 9 23942-1, Paul Records, 9 23942-1, Bones (LP, US 1983 1-23942 Simon Warner Bros. 1-23942 Album, All) Records Hearts And Paul Warner Bros. 23942-1 Bones (LP, 23942-1 Australia 1983 Simon Records Album) Hearts And Paul Legacy, Sony 88697932692 Bones (CD, 88697932692 Europe 2011 Simon Music Album, RE, RM) Warner Bros. Hearts And 9 23942-1, Paul Records, 9 23942-1, Bones (LP, US 1983 1-23942 Simon Warner Bros. 1-23942 Album) Records Hearts And Paul Warner Bros. 7599-23942-2 Bones (CD, 7599-23942-2 Germany Unknown Simon Records Album, RE) Related Music albums to Hearts And Bones by Paul Simon 1. Django Reinhardt - Composition Des Orchestres De Django Reinhardt 2. Steve Howe - The Steve Howe Album 3. Marilyn McCoo & Billy Davis Jr. - Marilyn & Billy 4. Michael Johnson - Dialogue / The Michael Johnson Album 5. Euge Groove - Sunday Morning 6. Ashford & Simpson - Stay Free 7. Kiss, Paul Stanley - Paul Stanley 8. Les Paul And His Trio - The Guitar Artistry Of Les Paul 9. Paul Simon - One-Trick Pony 10. Steve Goddard - Maybe Lady.
Recommended publications
  • Eating After the Triple Disaster: New Meanings of Food in Three Post-3.11 Texts

    Eating After the Triple Disaster: New Meanings of Food in Three Post-3.11 Texts

    EATING AFTER THE TRIPLE DISASTER: NEW MEANINGS OF FOOD IN THREE POST-3.11 TEXTS by ROSALEY GAI B.A., The University of Chicago, June 2016 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2020 © Rosaley Gai, 2020 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the thesis entitled: Eating After the Triple Disaster: New Meanings of Food in Three Post-3.11 Texts submitted by Rosaley Gai in partial fulfillment of the requirements for the degree of Master of Arts in Asian Studies Examining Committee: Sharalyn Orbaugh, Professor, Asian Studies, UBC Supervisor Christina Yi, Associate Professor, Asian Studies, UBC Supervisory Committee Member Ayaka Yoshimizu, Assistant Professor of Teaching, Asian Studies, UBC Supervisory Committee Member ii ABstract Known colloquially as “3.11,” the triple disaster that struck Japan’s northeastern region of Tōhoku on March 11, 2011 comprised of both natural (the magnitude 9.0 earthquake and resultant tsunami) and humanmade (the nuclear meltdown at the Tokyo Electric Power Company’s Fukushima Daiichi nuclear power plant incurred due to post-earthquake damage) disasters. In the days, weeks, months, and years that followed, there was an outpouring of media reacting to and reflecting on the great loss of life and resulting nuclear contamination of the nearby land and sea of the region. Thematically, food plays a large role in many post-3.11 narratives, both through the damage and recovery of local food systems after the natural disasters and the radiation contamination that to this day stigmatizes regionally grown food.
  • Constructing and Consuming an Ideal in Japanese Popular Culture

    Constructing and Consuming an Ideal in Japanese Popular Culture

    Running head: KAWAII BOYS AND IKEMEN GIRLS 1 Kawaii Boys and Ikemen Girls: Constructing and Consuming an Ideal in Japanese Popular Culture Grace Pilgrim University of Florida KAWAII BOYS AND IKEMEN GIRLS 2 Table of Contents Abstract………………………………………………………………………………………..3 Introduction……………………………………………………………………………………4 The Construction of Gender…………………………………………………………………...6 Explication of the Concept of Gender…………………………………………………6 Gender in Japan………………………………………………………………………..8 Feminist Movements………………………………………………………………….12 Creating Pop Culture Icons…………………………………………………………………...22 AKB48………………………………………………………………………………..24 K-pop………………………………………………………………………………….30 Johnny & Associates………………………………………………………………….39 Takarazuka Revue…………………………………………………………………….42 Kabuki………………………………………………………………………………...47 Creating the Ideal in Johnny’s and Takarazuka……………………………………………….52 How the Companies and Idols Market Themselves…………………………………...53 How Fans Both Consume and Contribute to This Model……………………………..65 The Ideal and What He Means for Gender Expression………………………………………..70 Conclusion……………………………………………………………………………………..77 References……………………………………………………………………………………..79 KAWAII BOYS AND IKEMEN GIRLS 3 Abstract This study explores the construction of a uniquely gendered Ideal by idols from Johnny & Associates and actors from the Takarazuka Revue, as well as how fans both consume and contribute to this model. Previous studies have often focused on the gender play by and fan activities of either Johnny & Associates talents or Takarazuka Revue actors, but never has any research
  • Blink 182 New Album

    Blink 182 New Album

    Blink 182 new album Continue 2019 studio album Blink-182NineStudio album Blink-182ReleasedSeptember 20, 2019 (2019-09-20)RecordedApril 2018-June 2019Studio Foxy Studios, Los Angeles Oprah Studios, North Hollywood Ranch Pagzilla, North Hollywood Studio 1111, Beverly Hills Genre Pop Punk 1 3 3 3 Pop Rock 4 5 Length41:40LabelColumbiaProducer John Feldman Tim Pagnotta Matt Malpass Andrew Watt Barker Blink-182 California Chronology (2016) Nine (2019) Singles of Nine It On My Youth Released: May 8, 2019 Generational Division Released: June 21, 2019 Happy Days Released: July 1, 2019 Darkside Released: July 25, 2019 I Really Wish I Hated You Released: September 6, 2019 Nine is the eighth studio album by American rock band Blink-182, released September 20, 2019 through Columbia Records. The band, consisting of bassist/vocalist Mark Hoppus, guitarist/vocalist Matt Skiba and drummer Travis Barker, began developing the album after performing touring commitments on their previous release, California (2016). While Nine is based on their collaboration with producer John Feldman, who also produced California, it also employs additional outside producers and songwriters including Captain Cuts, Futuristics and Tim Paniotta. Although Nine is consistently the eighth studio album of Blink-182, Hoppus and Barker decided to consider it the ninth, retroactively considering the 1994 band's demo, Buddha, their first. Hoppus also called the number 9 the number of universal love and the number of Uranus. The cover of the flower-washing album was written by graffiti artist RISK. Much of the album's lyricism is dark in nature and was based on world events, as well as on Hoppus's struggle with depression.
  • Paul Simon's Graceland: Days of Wonder and Miracles by Yunus

    Paul Simon's Graceland: Days of Wonder and Miracles by Yunus

    Paul Simon’s Graceland: Days of wonder and miracles by Yunus Momoniat 8 March 2021 When Paul Simon embarked on a project to draw inspiration from South African musicians, he set out on a perilous obstacle course that would stir fevered controversy. Simon entered into a political minefield: he transgressed the United Nations’ call to boycott South Africa’s apartheid regime, he angered the African National Congress and other liberation movements and he dared to question the thinking behind their political tactics. This was the project, begun 35 years ago in February 1985, that resulted in the release of Graceland, the album that saved Simon’s flagging career but which also brought world acclaim for music from South Africa. By no means ignorant of the horrors of apartheid, Simon appreciated the reasoning behind the cultural boycott, and had turned down invitations to perform at Sun City in what was then the Bophuthatswana “independent homeland”. Other famous musicians took up the invitation and came to play to white South African audiences who would never otherwise see world-class acts because of the cultural boycott. Many of these were blacklisted, including Queen, Rod Stewart, the Beach Boys, Frank Sinatra, Elton John and, crucially, Linda Ronstadt. Around the same time, Stevie Van Zandt, guitarist for Bruce Springsteen, founded Artists United Against Apartheid, producing an album and single, both titled Sun City, to urge artists to support the cultural boycott. It featured Springsteen, Miles Davis, Bob Dylan, Herbie Hancock, Gil Scott-Heron, Ringo Starr, Run DMC, Lou Reed and Peter Gabriel among the 50 or so artists who took part.
  • Music 18068 Songs, 47.6 Days, 99.18 GB

    Music 18068 Songs, 47.6 Days, 99.18 GB

    Music 18068 songs, 47.6 days, 99.18 GB Name Time Album Artist A. F. U. (Naturally Wired) 4:31 Ou812 Van Halen A.B.C. 3:52 Coolin' At The Playground Ya' Know! Another Bad Creation ABC 2:56 The Ultimate Collection The Jackson 5 Abi Gezundt (A Bee Gezindt) 2:48 The King Of Hi-De-Ho 1934-1937 Cab Calloway Abigail Beecher 2:25 The EP Collection Freddy Cannon Abilene 2:15 Billboard Top Country Hits - 1963 George Hamilton IV About You (Feat. Will.I.Am and Nina Sim... 4:05 The Breakthrough Mary J. Blige Above the Rim 3:38 Hootie Mack Bell Biv DeVoe Abracadabra 3:39 Now That's What I Call The 80s Steve Miller Abracadabra 5:06 Steve Miller Band Abscretions 7:03 Music, Inc. Big Band Music Inc. Absolutely Nothing's Changed 3:43 Twenty Four Seven Tina Turner AC 3e 7:1010000 Days Tool Acapulco 1922 2:42 Definitive Hits Herb Alpert Accidentally In Love 3:09 Shrek 2 Counting Crows Accidently On Purpose 2:23 Best of Vol. 1: Hardcore Honky George Jones According To You (Top 40 Edit) 3:20 Promo Only Mainstream Radio December Orianthi Ace in the Hole 2:35 50 Number Ones Disc 1 George Strait Ace in the Hole 5:44 One Trick Pony Paul Simon Ace Of Hearts 3:06 Here In The Real World Alan Jackson Achilles Last Stand 10:23 Boxed Set [Disc 3] Led Zeppelin Achilles Last Stand 10:23 Boxed Set [Disc 3] Led Zeppelin Aching, Breaking, Heart 2:49 Best of Vol.
  • Populärkulturens Utveckling, Kompendium (2)

    Populärkulturens Utveckling, Kompendium (2)

    1970 På sjuttiotalet insåg man att det var nödvändigt att det fanns en gräns för exempelvis energiresurser och droganvändning. Därför kallas ibland sjuttiotalet för sextiotalets baksmälla. Starka politiska diskussioner växte fram om allt möjligt: feminism, miljöpolitik, sociala reformer osv. Politiken kom även att influera klädmodet en hel del vid denna period. Många upptäckte nämligen att kläder var ett värdefullt verktyg för att uttrycka sina åsikter på. Kvinnorörelserna brände sina Bh:ar och klädde sig i kostym. Amerikanska fredsdemonstranter bar militärjackor och kommunisterna bar arbetarkläder. Alla människor hade en åsikt, och därför skapades stilar där ens värderingar lyste igenom. Detta insåg även de stora designermärkena, och började därför använda detta i sina kollektioner. Under sjuttiotalet insåg många klädtillverkare att det var mycket billigare att producera sina kläder i asiatiska utvecklingsländer, och sedan sälja dem i sina egna länder. I Sverige hade vi tidigare stora klädföretag som t.ex. Algots som länge hade tillverkat och sålt sina kläder men som nu fick de läggas ner. Flytten av klädindustrin till U-länderna pressade ner priserna på kläder eftersom det var billigare att tillverka där, vilket också gjorde att det blev lättare att få tag på. Det ledde i sin tur till att fler sorters klädesplagg och stilar blev populära och folk kunde lättare skapa en personlig stil. Kortfakta 13 februari: En männniskoätande tiger uppges ha dödat 48 personer, bara 80 km från New Delhi, Indien. 3 april: En engelsk kvinna, Miriam Hargrave, klarar sitt körprov på sitt 40:e försök. Ett par naturkatastrofer inträffade, några jordbävningar. Cyklonen Bhola är det inofficiella namnet på en ovanligt destruktiv tropisk cyklon som i november 1970 drabbade Östpakistan (nuvarande Bangladesh).

  • The Bass Lines of Paul Simon's Graceland

    THE BASS LINES OF PAUL SIMON’S GRACELAND By CHARLES S. DEVILLERS A RESEARCH PAPER Submitted in partial fulfillment of the requirements for the degree of Master of Music in Commercial Music in the School of Music of the College of Visual and Performing Arts Belmont University NASHVILLE, TENNESSEE May 2020 Submitted by Charles S. DeVillers in partial fulfillment of the requirements for the degree of Master of Music in Commercial Music. Accepted on behalf of the Graduate Faculty of the School of Music by the Mentoring Committee: _______________ ______________________________ Date Roy Vogt, M.M. Major Mentor ______________________________ Bruce Dudley, D.M.A. Second Mentor ______________________________ Peter Lamothe, Ph.D. Third Mentor _______________ ______________________________ Date Kathryn Paradise, M.M. Assistant Director, School of Music ii Contents Examples ............................................................................................................................ iv Presentation of Material Introduction ..............................................................................................................1 Chapter One: An Overview of Paul Simon’s Graceland.........................................3 Chapter Two: Bakithi Kumalo and South African Township Music ....................14 Chapter Three: Elements of South African Music Within the Bass Lines of Graceland ..............................................................................................................22 Chapter Four: The Bass in Paul Simon’s
  • “The Song of Redemption” (PDF)

    “The Song of Redemption” (PDF)

    The Song of Redemption December 3, 2011 / 7 Kislev, 5772 Rabbi Daniel Greyber On Thursday night, Jennifer, Sibby, Rabbi Sager and I went to hear Paul Simon at DPAC. It was an overwhelming experience. The nostalgia in the room. The pulse of a group of musicians who come together and become more than the sum of their parts. Even from the 2nd balcony, the awe of being in the room with the man whose recordings were so much a part of my childhood, so much a part of American life, and the lives of so many people in the room that night, to look down and see his mouth move and hear the words and the tone and the melodies I knew so well, all of it reminded me of the power and life of live music. The tour is called “So Beautiful or So What,” named after Paul Simon’s new album. A few weeks ago I went onto I-Tunes to buy a copy but I couldn’t bring myself to do it. I bought The Essential Paul Simon – a collection of Simon and Garfunkle concert recordings instead. I imagine I am not alone when I confess that, at DPAC, I listened patiently as Simon played a few of the new songs but they were not what I came to hear. What I enjoyed was when he played Diamonds on the Soles of Her Shoes, The Boy in the Bubble and Graceland, and what I really really enjoyed was when he played the Sounds of Silence and The Only Living Boy in New York, and Hearts and Bones and 50 Ways to Leave Your Lover.
  • GENTLE ELECTRIC Any Anguish

    GENTLE ELECTRIC Any Anguish

    ELECTRONICS-MUSIC-HOME RECORDING February 1984 COMMODORE 64 MUSIC SOFTWARE REVIEWS BUILD: A JUST INTONATION GENERATOR A NOISE REDUCTION UNIT VOCAL BASICS 3-D VIDEO ISSN: 0163-4534 T H G O B G R H G I M S Y S T G M “ Let me overturn a “ The system inspires “ In truth,these "There’s no other way “ The interface with myth here—this is creativity and three little boxes to record a symphony the DSX exponentially the greatest drum box experimentation on (DMX, DSX & OB-8) by yourself....” enlarges the for sound and every level.” will do far more than possibilities of Sting (The Police) programmability....” we yet know howto what I can do.” David Sancious Musician/June 1983 make use of musically. Stewart Copeland May 27,1983 Jeff Lorber (The Police) Jim Aikin Obernotes/Fall 1982 Melody Maker Keyboard/ April 1983 June 18,1983 OBGRHGM eieCTRONICS.INC. Some things are better than others 2 2 5 0 So Barrington Avt. Los Angeles. CA 9 0 0 6 4 DX Digital DMX Digital DSX Digital OB-8 Polyphonic 700 Professional Drum Machine Drum Machine Polyphonic Programmable Stereo $1395.00 $2895.00 Sequencer Synthesizer Power Amplifier Suggested retail Suggested retail $1995.00 $4395.00 $895.00 Suggested retail Suggested retail Suggested retail ------ STAFF -------- PUBLISHER ISSN: 0163-4534 John S. Simonton, Jr. I \ % p h o r ^ EDITOR Craig Anderton VOLUME 9, NUMBER 2 EDITORIAL ASSISTANT Vanessa Else FEBRUARY, 1984 MANAGING EDITOR Linda Kay Brumfield TECHNICAL ILLLUSTRATOR Caroline Wood 3-D Viedo CIRCULATION By: Dr. Maury Deutsch.............................................. 8 Ramona French Peggy Walker Build A Just Intonnation Generator By: Vanessa E l s e ..........................................................
  • NORTHERN NARRATIVES a Collection of Poems, Essays, and Short Stories by Citizens of North Dakota and the Red River Valley

    NORTHERN NARRATIVES a Collection of Poems, Essays, and Short Stories by Citizens of North Dakota and the Red River Valley

    NORTHERN NARRATIVES A Collection of Poems, Essays, and Short Stories by Citizens of North Dakota and the Red River Valley NORTHERN NARRATIVES A Collection of Poems, Essays, and Short Stories by Citizens of North Dakota and the Red River Valley Volume 3 Published 2019 Collected and Produced by the following Fargo Public Library Staff: Krista Aldrich, AJ Bauers, Sunny Branick, Melisa Duncan, Andy Gustafson, Cheryl Lackman, and Lori West. 2019 iii Copyright © 2019 by Fargo Public Library Cover art copyright © 2017 City of Fargo All rights reserved. This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review or scholarly journal. First Printing: 2019 ISBN 978-0-359-80839-7 Fargo Public Library 102 3 St. N Fargo, ND 58102 www.fargolibrary.org ACKNOWLEDGEMENTS We would like to thank the Friends of the Fargo Public Library for their funding and support of this project. We would also like to thank the volunteers who donated their time judging the submissions, including the NDSU English Honor Society. v vi CONTENTS Acknowledgements ..........................................................................v Contents ............................................................................................ vii Introduction ....................................................................................... 1 Poetry ..................................................................................................
  • Two Bands, Two Legends

    Two Bands, Two Legends

    TWO BANDS, TWO LEGENDS Jennifer Latham Biology/Chemistry Northview High School, Brazil, IN The 'sixties was a time of cultural, sexual, and musical revolution. The music scene was bombarded with folk and rock groups not only from the United States, but also from England. Two groups that captured the minds and hears of millions were The Beatles and Simon and Garfunkel. The Beatles (earlier in their career) were thought of as sex symbols and teen-idols. They energetically sang about love and being young with a rock and roll style. Simon and Garfunkel, on the other, singing their insightful folk tunes, appealed to a more mature, reflective audience. Even though both The Beatles and Simon and Garfunkel became popular in the same time period, the groups themselves had specific qualities which gave each a distinct style. Paul McCartney, George Harrison, Ringo Starr, and John Lennon, with their boyish charm and jazz-pop style, were The Beatles. They took control of the music review charts in England and the United States with hits such as "Can't Buy Me Love," "Hard Day's Night," "Hey, Jude," and the first song that they released which sent them on their way to fame, "I Want To Hold Your Hand." Their songs could be humorous or satirical, without being offensive or crude, showing the good taste of the group. Paul McCartney and John Lennon, who wrote most of the lyrics, proved to be genuine poets with romantic tendencies, writing about love, life, and the world. For this reason, one would be hard-pressed to find a female who was not smitten with the Fab-Four ( a nick-name given to them by their home town of Liverpool, England).
  • TEAM SIMON a Hit

    TEAM SIMON a Hit

    have with the James Taylor /Carole King album won the 1970 album of the year Grammy Award, say, 'Hey, that's as good as Graceland. "' Live at the Troubadour, which sold 557,000 copies it was the B -side to "Cecilia." Simon has spent the last 10 years picking up in 2010 and 58,000 units so far this year. " Thatsong ,atthetimeofthealbum,was almost awards -among them Rock and Roll Hall of A tour of venues in the 4,000- to 7,000- capac- TEAM SIMON a hit. If they would have released it, it would have Fame induction as a solo artist (2001), a Lifetime ity range should also bump up sales. On Oct. 17, been a hit," Simon says. "At the time, before Mi- Achievement Grammy Award and Kennedy four days after Simon turned 70, he began a 31- chael Jackson, the record company would say after Center Honors (2002) and joining the American MANAGEMENT: date tour that wraps Dec. 6. It's his second since Jeff Kramer at three or four singles, 'That's all we can put out. We Academy of Arts and Sciences in October. All of the release of So Beautiful or So What: The first OK Management don't want to look like we're greedy.' So they didn't which suggest he knows a good song when he roundofl3 shows- bookedintheaters and clubs BOOKING: Brian Greenbaum at put out a fifth single. Time goes by and then comes hears one. Despite his roots in the Brill Building in April and May-grossed $2.6 million with a Creative Artists Agency 'Garden State.' It's the first time fora [new] genera- style ofwriting potential hits, Simon says he no dozen sellouts, according to Billboard Boxscore.