Forum Addresses Minority Concerns
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The Action of God's Love
Christ Episcopal Church, Valdosta “The Action of God’s Love” (2 Corinthians 4:14-5:1) June 6, 2021 Dave Johnson In the Name of the Father, Son, and Holy Spirit. The Apostle Paul’s Second Letter to the Corinthians is far and away his most vulnerable letter. He does not water down the realities of his suffering as an apostle of the gospel of our Lord Jesus Christ—as he writes: Five times I have received the forty lashes minus one. Three times I was beaten with rods. Once I received a stoning. Three times I was shipwrecked; for a night and a day I was adrift at sea; on frequent journeys, in danger from rivers, danger from bandits, danger from my own people, danger from Gentiles, danger in the city, danger in the wilderness, danger at sea, danger from false brothers and sisters; in toil and hardship, through many a sleepless night, hungry and thirsty, often without food, cold and naked. And besides other things, I am under daily pressure because of my anxiety for all the churches. Who is weal, and I am not weak? (2 Corinthians 11:24-29). Not only did Paul suffer all these things in his apostolic ministry, he also suffered in his personal life, especially with what he dubbed his “thorn in the flesh”: “Therefore, to keep me from being too elated, a thorn was given me in the flesh, a messenger of Satan to torment me, to keep me from being too elated.” Paul does not reveal what this specific “thorn in the flesh” was, though there are many theories about it, but he does reveal what he did about it: “Three times I appealed to the Lord about this, that it would leave me, but he said to me, ‘My grace is sufficient for you, for power is made perfect in weakness’” (2 Corinthians 12:7-9). -
Microsoft Outlook
Emails pertaining to Gateway Pacific Project For April 2013 From: Jane (ORA) Dewell <[email protected]> Sent: Monday, April 01, 2013 8:12 AM To: '[email protected]'; Skip Kalb ([email protected]); John Robinson([email protected]); Brian W (DFW) Williams; Cyrilla (DNR) Cook; Dennis (DNR) Clark; Alice (ECY) Kelly; Loree' (ECY) Randall; Krista Rave-Perkins (Rave- [email protected]); Jeremy Freimund; Joel Moribe; 'George Swanaset Jr'; Oliver Grah; Dan Mahar; [email protected]; Scott Boettcher; Al Jeroue ([email protected]); AriSteinberg; Tyler Schroeder Cc: Kelly (AGR) McLain; Cliff Strong; Tiffany Quarles([email protected]); David Seep ([email protected]); Michael G (Env Dept) Stanfill; Bob Watters ([email protected]); [email protected]; Jeff Hegedus; Sam (Jeanne) Ryan; Wayne Fitch; Sally (COM) Harris; Gretchen (DAHP) Kaehler; Rob (DAHP) Whitlam; Allen E (DFW) Pleus; Bob (DFW) Everitt; Jeffrey W (DFW) Kamps; Mark (DFW) OToole; CINDE(DNR) DONOGHUE; Ginger (DNR) Shoemaker; KRISTIN (DNR) SWENDDAL; TERRY (DNR) CARTEN; Peggy (DOH) Johnson; Bob (ECY) Fritzen; Brenden (ECY) McFarland; Christina (ECY) Maginnis; Chad (ECY) Yunge; Douglas R. (ECY) Allen; Gail (ECY) Sandlin; Josh (ECY) Baldi; Kasey (ECY) Cykler; Kurt (ECY) Baumgarten; Norm (ECY) Davis; Steve (ECY) Hood; Susan (ECY) Meyer; Karen (GOV) Pemerl; Scott (GOV) Hitchcock; Cindy Zehnder([email protected]); Hallee Sanders; [email protected]; Sue S. PaDelford; Mary Bhuthimethee; Mark Buford ([email protected]); Greg Hueckel([email protected]); Mark Knudsen ([email protected]); Skip Sahlin; Francis X. Eugenio([email protected]); Joseph W NWS Brock; Matthew J NWS Bennett; Kathy (UTC) Hunter; ([email protected]); Ahmer Nizam; Chris Regan Subject: GPT MAP Team website This website will be unavailable today as maintenance is completed. -
Das Genie, Das Ich Nicht Vermarkten Wollte
SWR2 MANUSKRIPT ESSAYS FEATURES KOMMENTARE VORTRÄGE SWR2 Tandem Das ungleiche Paar Paul Simon und Art Garfunkel werden 75 Von Christiane Rebmann Sendung: 04.11.2016 um 19.20 Uhr Redaktion: Bettina Stender Sprecher: Peter Binder Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Service: SWR2 Tandem können Sie auch als Live-Stream hören im SWR2 Webradio unter www.swr2.de oder als Podcast nachhören: http://www1.swr.de/podcast/xml/swr2/tandem.xml Mitschnitte aller Sendungen der Redaktion SWR2 Tandem sind auf CD erhältlich beim SWR Mitschnittdienst in Baden-Baden zum Preis von 12,50 Euro. Bestellungen über Telefon: 07221/929-26030 Bestellungen per E-Mail: [email protected] Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2-Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de 2 O-Ton Das war eine großartige Periode. Die beste. Da waren wir auf der Überholspur. Auch musikalisch war das eine tolle Zeit, weil da eine Menge Energie in der Luft lag. Das war eine Zeit der Experimente. Und das Ganze folgte einer großen Ära des Rock'n'Roll. Die Quellen, aus denen wir Musiker damals schöpfen konnten, waren also sehr reichhaltig. In den folgenden Jahrzehnten konnten wir nie mehr auf so ergiebige Quellen zurückgreifen. Die Musik der 70er Jahre zum Beispiel war viel flacher und nicht annähernd so anregend wie die aus den 50er Jahren. -
Creative Industries: Behind the Scenes Inequalities
Georgia State University ScholarWorks @ Georgia State University Sociology Theses Department of Sociology Fall 12-17-2019 CREATIVE INDUSTRIES: BEHIND THE SCENES INEQUALITIES Sierra C. Nicely Follow this and additional works at: https://scholarworks.gsu.edu/sociology_theses Recommended Citation Nicely, Sierra C., "CREATIVE INDUSTRIES: BEHIND THE SCENES INEQUALITIES." Thesis, Georgia State University, 2019. https://scholarworks.gsu.edu/sociology_theses/86 This Thesis is brought to you for free and open access by the Department of Sociology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Sociology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CREATIVE INDUSTRIES: BEHIND THE SCENES INEQUALITIES by SIERRA NICELY Under the Direction of Wendy Simonds, PhD ABSTRACT Film has been a major influence since its creation in the early 20th century. Women have always been involved in the creation of film as a cultural product. However, they have rarely been given positions of power in major film productions. Using qualitative approaches, I examine the different ways in which men and women directors approach creating film. I examine 20 films, half were directed by men and half by women. I selected the twenty films out of two movie genres: Action and Romantic Comedy. These genres were chosen because of their very gendered marketing. My focus was on the different ways in which gender was shown on screen and the differences in approach by men and women directors. The research showed differences in approach of gender but also different approaches in race and sexuality. Future studies should include more analysis on differences by race and sexuality. -
Opportunity Oroville Othello Pacific Pasco Port Angeles Port Townsend Prosser Pullman Puyallup
KZBE Hot AC KGSG Classic Rock KLES Regional Mexican 104.3 3500w 981ft 93.7 450w 1184ft 101.7 3531w 869ft North Cascades Broadcasting +Alexandra Communications, Inc. +Luna Communications Trust Sister to: KNCW, KOMW Managed by: Cherry Creek Radio, LLC Sister to: KMNA, KZXR 509-826-0100 fax:509-826-3929 509-546-0313 fax: 509-546-2678 509-786-1310 fax:509-786-6814 PO Box 151, 98841, 320 Emery Dr, 98841 PO Box 2623, 99302, 2823 W Lewis St, 99301 152101 W County Road 12, 99350 GM John Andrist SM Rick Duck GM Kelley Cheatwood SM Tami Peterson GM/SM Gonzalo Cortez PD Yesenia de Luna PD Chris Schmidt CE Jerry Robinson PD Doug Daniels CE Kelsey Black CE Andy Thompson www.komw.net Richland/KennewickPasco Arbitron 1.3 Shr 300 AQH Yakima Arbitron 3.1 Shr 800 AQH 2nd market Richland/Kennewick/Pasco KEYW Hot AC Opportunity 98.3 12500w 997ft +Gap Broadcasting, LLC Pullman KTRW Adult Standards/Talk Sister to: KFLD, KOLW, KORD-F, KXRX 630 530/53 ND KQQQ News/Talk 509-547-9791 fax: 509-547-8509 1150 11000/27 ND +Read Broadcasting Network 2621 WASt, 99301 Sister to: KSPO Radio Palouse GM Eric Van Winkle SM Grant Linnen 509-443-1000 fax: 509-448-3811 Sister to: KHTR PD Paul Drake CE Bill Glenn 509-332-6551 fax: 509-332-5151 PO Box 31000, Spokane 99223 www.keyw.com GM Thomas Read SM/PD Melinda Read PO Box 1, 99163,1101 Old Wawawai Rd, 99163 Richland/Kennewick/Pasco Arbitron 6.3 Shr 1500 AQH CE Bill Glenn GM/SM/PD/CE Bill Weed 2nd market Walla Walla www.ktnv.com Pullman/Moscow Market Spokane Market KGDN Religious Teaching KWSU News/Talk* 101.3 2750w 1001ft KIXZ-F -
ASWSU Improves KZUU Giving Tree Offers Fails by by Marnmw SMYLIE Cover the Remaining Cost of the Gutierrez Said
The THURSDAY, "OVEM,BER 19, 1998 VOL. 105 er A STUDENT PUBLICATION OF WASHiNGTON STATE UNIVERSITY No. 68 Prop. 1 ASWSU improves KZUU Giving tree offers fails by BY MArnmw SMYLIE cover the remaining cost of the Gutierrez said. "We're just The Daily Evergreen transmitter, as well as $1,200 asking for your support hope for the needy 1percent because we've been support- for installation, which BY CmusroPHER. Wn.soN The Whitman County ing you all along." ASWSU Senators con-, DeCoria said would take The Daily Evergreen Nov. 3 election was final- tributed money for a new approximately three days. "With this bill we're getting ized' today at the transmitter for a campus radio Jose Gutierrez, assistant better equipment, which will Students in a business management class have put up a Whitman County station and discussed various general manager for KZUU, last a long time," DeCoria Thanksgiving giving tree in the Todd Hall Atrium, asking for Courthouse. ways to make the WSU cam- said the new equipment would said. "But it still leaves stu- donations for the Pullman Food Bank and Pu11man Child Proposition 1, which pus safer at their meeting allow them to reach across dents with a healthy chunk of Welfare. asked voters to approve Wednesday night. Pullman and even into money for the rest of the The Christmas-style tree, donated by the Pu11man Sbopko funding for a new District 10 Senator Manny Moscow. He said the current semester." Pullman hospital, narrow- DeCoria proposed a bill that transmitter is in such poor con- Other senators saw the bill store, is decorated with strung popcorn and paper-leaf orna- ly failed after absentee would give 90.7 KZUU-FM dition, the station has spent as a way to publicize ASWSU ments. -
Licensing and Management System
Approved by OMB (Office of Management and Budget) 3060-0084 July 2019 (REFERENCE COPY - Not for submission) Noncommercial Broadcast Stations Biennial Ownership Report (FCC Form 323-E) File Number: 0000102069 Submit Date: 2020-01-30 FRN: 0001563949 Purpose: Noncommercial Broadcast Stations Biennial Ownership Report Status: Received Status Date: 01/30/2020 Filing Status: Active Section I - General Information 1. Respondent FRN Entity Name 0001563949 Washington State University City (and Country if non U.S. State ("NA" if non-U.S. Zip Street Address address) address) Code Phone Email PO Box Pullman WA 99164 +1 (509) 335- doug. 642530 3861 krehbiel@wsu. Edward R. edu Murrow College of Communication 2. Contact Name Organization Representative Barry S. Persh Gray Miller Persh LLP Street City (and Country if non U.S. Zip Address address) State Code Phone Email 2233 Washington DC 20007 +1 (202) 776- bpersh@graymillerpersh. Wisconsin 2458 com Ave., NW Suite 226 Not Applicable 3. Application Filing Fee 4. Control of (a) Provide the following information about the Respondent: Respondent Relationship to stations/permits Licensee Is the Respondent's governing board (or other governing entity) directly or No indirectly under the control of another entity? (b) Provide the following information about this report: Purpose Biennial "As of" date 10/01/2019 When filing a biennial ownership report or validating and resubmitting a prior biennial ownership report, this date must be Oct. 1 of the year in which this report is filed. 5. Licensee(s) and Station(s) Respondent is filing this report to cover the following Licensee(s) and station(s): Licensee/Permittee Name FRN Washington State University 0001563949 Fac. -
SALVADOR DA BAHIA, BRAZIL Onboard: 1800 Sunday, November 6
Arrive: 0800 Tuesday, November 1 SALVADOR DA BAHIA, BRAZIL Onboard: 1800 Sunday, November 6 Brief Overview: Salvador Da Bahia simply called ‘Bahia’ by locals, is an energetic and beautiful city. The bright and gold-laden architecture of this city demonstrates the grandeur of what was once the capital of Portugal’s New World colony. The Afro-Brazilian culture of the city is evident in much of the its traditions, specifically in its religious movements, music, dance, food, and martial arts, which have preserved the heritage of the West African peoples that were enslaved and brought to Brazil. Experience Bahian culture through a performance of the Bahia Folklore Dance Company or take part in a drumming workshop. Participate in the immense restoration projects sweeping the city, or meet with locals who took the revitalization of these communities under their wing. Don’t miss out in viewing Salvador’s vibrant coast. Whether visiting the sea turtle project at Praia do Forte or taking a cruise to Itaparica Island, the magnificent shoreline is something to be seen. Out of town: Rio de Janeiro is not called the Magnificent City for nothing. The juxtaposition of dense city and tropical rainforest leaves the imagination with endless inspirations. You can find yourself in the middle of a bustling city street one minute and the next hiking up to an astounding overlook through the Tijuca Atlantic Forest. If you’re into natural wonders, catch a flight to Iguaçu National Park and marvel at its 240 waterfalls. Visit the Amazon: Travel to Manaus, and embark on a riverboat expedition along the Amazon River. -
The Rhythm of the Saints By: Stewart Clegg Introduction Reflexivity Isn't What It Used to Be. Reflexivity, No Longer the Prese
The Rhythm of the Saints by: Stewart Clegg Introduction Reflexivity isn't what it used to be. Reflexivity, no longer the preserve of a largely formalist, formulaic and limited theoretical conversation, is, according to Lash and Urry (1994) a property of a system of flows. Created and recreated in these flows are spaces and signs, significations and semiotics, symbols and mobile subjects and objects moving through circuits of power framed by meaning, space and time. The critical variable in meaning is reflexivity: some subjects are able to be more acutely reflexive than others because of specific configurations of space and time which flow through them. Flows channel through institutional spaces characterized by different 'governance structures'. Institutional spaces are both regionally and organizationally elaborated through space and time by different constitutions of meaning-governance structures. Regionally, some are thickly fabricated by multifarious flows channelling through contiguous nodes, such as the capital cities of the postmodern world. Others are spaces from which flows retreat or remain absent in a vicious circle that empties out life chances thus contained: the ghettoes of the UK and the USA, the wastelands of Eastern Europe. Within the saturated spaces of rich flows governance is less by either market or hierarchies and more by either or both of these being embedded in networks. Many flows are risky as organization power circuits stretch and spill beyond the capacities for reflexive monitoring and management that they are inscribed within. At risk are embodied selves seeking to manage whatever circumstances they are in, circumstances of escalating existential uncertainty. Reflexivity, in thick circuits, defines these states increasingly in aesthetic terms, in both work, where design and symbolic manipulation overtake traditional labour processes, and in play, where subjects check in and out of different avenues for self expression. -
MLA Style for Academic Work (2018-2019) In-Text Citations
MLA Style for Academic Work (2018-2019) This guide is based on the MLA Handbook, 8th ed., Modern Language Association of America, 2016. The Purpose of Citing Sources 1) to give credit to (cite) other people’s ideas, creations, and information (sources) used within your academic work, and 2) to direct your readers to your sources through your Works Cited list at the end of your academic work. MLA Style The Modern Language Association of America (MLA) style is only one citation method. Details about this style are found in ● the MLA Handbook (8th ed.), available in the MRU Bookstore and at the MRU Library Service Desk, and ● the MLA Style Center at style.mla.org/ for information on formatting research papers and sample papers in MLA style. The guiding principles of the MLA Handbook (8th ed.) are [MLA 3-4] ● include common features (e.g., author, title) found in most sources in a citation, ● there is more than one correct way to create a citation for a source, and [MLA xii] ● citations should be useful for readers by providing enough information to locate the source. Avoiding Plagiarism: Citation Principles for Academic Work Within essays, term papers, and any other written assignments (as in all academic work), you must identify (i.e., reference, document, cite) all quotations, paraphrases, ideas, and images from someone else’s work. You must name the original author or source and surround quoted material with quotation marks or set it in a block format as described in this guide. Copying any material and submitting it as your own (plagiarism) is an academic offence. -
Radio Stations on the Internet
Radio Stations on the Internet KMNT -102.9 FM- Centralia, WA KUGS -89.3 FM- Bellingham, WA (Western Washington University) http: / /www.kmnt.com http: / /www.kugs.org KMPS-94.1 FM- Seattle, WA KUJ -99.1 FM -Walla Walla, WA http: / /www.kmps.com http://www.kujfm.com -103.7 FM-Tacoma, KMTT WA KUKN -94.5 FM- Kelso, WA http: / /www.kmllcom http: / /www.kukn.com KNDD-107.7 FM-Seattle, WA http: / /www.kndd.com KULE -730 AM- Ephrata, WA http: / /www.kule.com KNHC -89.5 FM- Seattle, WA (Nathan Hale High School) http://www.c895fm.com KULE -92.3 FM- Ephrata, WA http: / /www.kule.com KNLT-95.7 FM -Walla Walla, WA http: / /www.owt.com /knit KUPS -90.1 FM- Tacoma, WA (University of Puget Sound) http://diver.ups.edu/kups KNWP -90.1 FM -Port Angeles, WA (Washington State University) http://www.wsu.edu/ETT/NWPR/index.html KVAN -1550 AM- Vancouver, WA http://www.kvan.com KNWR -90.7 FM- Ellensburg, WA (Washington State University) http://www.wsu.edu/ETT/NWPR/index.html KVI-570 AM-Seattle, WA http://www.570kvi.com KNWV-90.5 FM- Clarkston, WA (Washington State University) http://www.wsu.edu/ETT/NWPR/index.html KVTI-90.9 FM- Tacoma. WA (Clover Park Technical College) KNWX -770 AM- Seattle, WA http://www.i91.ctc.edu http://www.halcyon.com/kiro/hello.htmlitknwx KWIO-1020 AM -Moses Lake North, WA KNWY -90.3 FM- Yakima, WA (Washington State University) http: / /www.kkrt.com http://www.wsu.edu/ETT/NWPR/index.html KWJZ -98.9 FM- Seattle, WA KOMO-1000 AM-Seattle, WA http: / /www.kwjz.com http://www.komo-am.com KWPZ-106.5 FM-Lynden, WA KONA-105.3 FM-Kennewick, WA -
The Films in This Cinematic Innovation, New Frontier Is Also a Venue Showcasing Section Will Shape a “Greater” Next Wave in American Cinema
T U , E C N A D N U S , T R O S E R N I A T N U O M E C N A D N U S F O Y S E T R U O C SUNDANCE INSTITUTE PRESENTS THE SUNDANCE FILM FESTIVAL ABOUT SUNDANCE INSTITUTE ABOUT SUNDANCE FILM FESTIVAL Sundance Institute is a nonprofit cultural organization Each January, the Sundance Film Festival attracts the most founded by Robert Redford to advance the work of risk-taking innovative storytellers and adventurous audiences to a 10-day storytellers worldwide. With a range of programs for artists celebration of the best independent filmmaking today. In a and audiences, the Institute provides year-round creative and small mountain town, a diverse range of ideas, stories, artists, financial support for the development and presentation of and film lovers converge to launch the year in culture. original stories for the screen and stage. W ELCOME ST RA NGER N Sundance Institute Presents E E R G R E 2014 Sundance Film Festival EV Here is an overview of the program at this year’s Sundance Film Festival. HA LF NE LSON U .S. DRAMATIC COMPETITION D OCUMENTARY PREMIERES FROM THE COLLECTION SUNDANCE KIDS Presenting the world premieres of 16 narrative feature films, Renowned filmmakers and films about far-reaching subjects Rediscover classic works of independent cinema as the This new section of the Festival is designed for independent the Dramatic Competition offers Festivalgoers a first look at comprise this section highlighting our ongoing commitment to Sundance Film Festival presents films from the vaults of the film’s youngest fans.