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"AUSTRALIA and HER NAVIGATORS" [By the President, COMMANDER NORMAN S
78 PRESIDENTIAL ADDRESS "AUSTRALIA AND HER NAVIGATORS" [By the President, COMMANDER NORMAN S. PIXLEY, C.M.G., M.B.E., V.R.D., Kt.O.N., F.R.Hist.S.Q.] (Read at a Meeting of the Society on 24 September 1970.) Joseph Conrad in his writings, refers to "The mysteriously born traditions of seacraft, command, and unity in an occu pation in which men's lives depend on each other." Still true today, how much more was this so with the mariners of long ago, who sailed in smaU ships for thousands of lonely leagues through unknown seas, for on them alone rested the safety of the ship and all on board. Dr. Johnson wrote "No man will be a saUor who has con trivance to get himself into jaU, for being in a ship is being in a jail with the chance of being drowned." There was more than an element of truth in this, for the seaman who refused to sail could be clapped in jail; whUst THE PRESIDENT, COMMANDER NORMAN S PIXLEY 79 those who did sail faced months in a confined space with acute discomfort, severe punishment at times, and provisions and water which deteriorated as the voyage proceeded. Scurvy kiUed more than storm and shipwreck until James Cook in his first voyage proved that it could be prevented. Clothing was rarely changed, the sailor coming wet to his hammock from his watch on deck in bad weather. Rats and cockroaches lived and thrived amongst the pro visions, adding to the problems of hygiene and health. -
Or Later, but Before 1650] 687X868mm. Copper Engraving On
60 Willem Janszoon BLAEU (1571-1638). Pascaarte van alle de Zécuften van EUROPA. Nieulycx befchreven door Willem Ianfs. Blaw. Men vintfe te coop tot Amsterdam, Op't Water inde vergulde Sonnewÿser. [Amsterdam, 1621 or later, but before 1650] 687x868mm. Copper engraving on parchment, coloured by a contemporary hand. Cropped, as usual, on the neat line, to the right cut about 5mm into the printed area. The imprint is on places somewhat weaker and /or ink has been faded out. One small hole (1,7x1,4cm.) in lower part, inland of Russia. As often, the parchment is wavy, with light water staining, usual staining and surface dust. First state of two. The title and imprint appear in a cartouche, crowned by the printer's mark of Willem Jansz Blaeu [INDEFESSVS AGENDO], at the center of the lower border. Scale cartouches appear in four corners of the chart, and richly decorated coats of arms have been engraved in the interior. The chart is oriented to the west. It shows the seacoasts of Europe from Novaya Zemlya and the Gulf of Sydra in the east, and the Azores and the west coast of Greenland in the west. In the north the chart extends to the northern coast of Spitsbergen, and in the south to the Canary Islands. The eastern part of the Mediterranean id included in the North African interior. The chart is printed on parchment and coloured by a contemporary hand. The colours red and green and blue still present, other colours faded. An intriguing line in green colour, 34 cm long and about 3mm bold is running offshore the Norwegian coast all the way south of Greenland, and closely following Tara Polar Arctic Circle ! Blaeu's chart greatly influenced other Amsterdam publisher's. -
Interiors and Interiority in Vermeer: Empiricism, Subjectivity, Modernism
ARTICLE Received 20 Feb 2017 | Accepted 11 May 2017 | Published 12 Jul 2017 DOI: 10.1057/palcomms.2017.68 OPEN Interiors and interiority in Vermeer: empiricism, subjectivity, modernism Benjamin Binstock1 ABSTRACT Johannes Vermeer may well be the foremost painter of interiors and interiority in the history of art, yet we have not necessarily understood his achievement in either domain, or their relation within his complex development. This essay explains how Vermeer based his interiors on rooms in his house and used his family members as models, combining empiricism and subjectivity. Vermeer was exceptionally self-conscious and sophisticated about his artistic task, which we are still laboring to understand and articulate. He eschewed anecdotal narratives and presented his models as models in “studio” settings, in paintings about paintings, or art about art, a form of modernism. In contrast to the prevailing con- ception in scholarship of Dutch Golden Age paintings as providing didactic or moralizing messages for their pre-modern audiences, we glimpse in Vermeer’s paintings an anticipation of our own modern understanding of art. This article is published as part of a collection on interiorities. 1 School of History and Social Sciences, Cooper Union, New York, NY, USA Correspondence: (e-mail: [email protected]) PALGRAVE COMMUNICATIONS | 3:17068 | DOI: 10.1057/palcomms.2017.68 | www.palgrave-journals.com/palcomms 1 ARTICLE PALGRAVE COMMUNICATIONS | DOI: 10.1057/palcomms.2017.68 ‘All the beautifully furnished rooms, carefully designed within his complex development. This essay explains how interiors, everything so controlled; There wasn’t any room Vermeer based his interiors on rooms in his house and his for any real feelings between any of us’. -
General Index
General Index Italic page numbers refer to illustrations. Authors are listed in ical Index. Manuscripts, maps, and charts are usually listed by this index only when their ideas or works are discussed; full title and author; occasionally they are listed under the city and listings of works as cited in this volume are in the Bibliograph- institution in which they are held. CAbbas I, Shah, 47, 63, 65, 67, 409 on South Asian world maps, 393 and Kacba, 191 "Jahangir Embracing Shah (Abbas" Abywn (Abiyun) al-Batriq (Apion the in Kitab-i balJriye, 232-33, 278-79 (painting), 408, 410, 515 Patriarch), 26 in Kitab ~urat ai-arc!, 169 cAbd ai-Karim al-Mi~ri, 54, 65 Accuracy in Nuzhat al-mushtaq, 169 cAbd al-Rabman Efendi, 68 of Arabic measurements of length of on Piri Re)is's world map, 270, 271 cAbd al-Rabman ibn Burhan al-Maw~ili, 54 degree, 181 in Ptolemy's Geography, 169 cAbdolazlz ibn CAbdolgani el-Erzincani, 225 of Bharat Kala Bhavan globe, 397 al-Qazwlni's world maps, 144 Abdur Rahim, map by, 411, 412, 413 of al-BlrunI's calculation of Ghazna's on South Asian world maps, 393, 394, 400 Abraham ben Meir ibn Ezra, 60 longitude, 188 in view of world landmass as bird, 90-91 Abu, Mount, Rajasthan of al-BlrunI's celestial mapping, 37 in Walters Deniz atlast, pl.23 on Jain triptych, 460 of globes in paintings, 409 n.36 Agapius (Mabbub) religious map of, 482-83 of al-Idrisi's sectional maps, 163 Kitab al- ~nwan, 17 Abo al-cAbbas Abmad ibn Abi cAbdallah of Islamic celestial globes, 46-47 Agnese, Battista, 279, 280, 282, 282-83 Mu\:lammad of Kitab-i ba/Jriye, 231, 233 Agnicayana, 308-9, 309 Kitab al-durar wa-al-yawaqft fi 11m of map of north-central India, 421, 422 Agra, 378 n.145, 403, 436, 448, 476-77 al-ra~d wa-al-mawaqft (Book of of maps in Gentil's atlas of Mughal Agrawala, V. -
Analysis of the Spatiotemporal Transformation of Fort San Domingo in Tamsui, Taiwan, from the Perspective of Cultural Imagination
This paper is part of the Proceedings of the 3rd International Conference on Defence Sites: Heritage and Future (DSHF 2016) www.witconferences.com Analysis of the spatiotemporal transformation of Fort San Domingo in Tamsui, Taiwan, from the perspective of cultural imagination C.-Y. Chang Ministry of the Interior, Architecture and Building Institute, Taiwan, ROC Abstract The timeline of transformation of Fort San Domingo shows that between the 1630s and 1860s it was used as a military defense; from the 1860s–1970s as a foreign consulate and then from the 1980s–2010s as a historical site. We can see different and contradictory explanations of the cultural imagination of remembrance, exoticism and the symbolism of anti-imperialism from the historical context of this military building. Keywords: spatiotemporal transformation, Fort San Domingo, Tamsui, cultural imagination. 1 Introduction Fort San Domingo is rather young compared to forts built in Europe, yet it has a different historical meaning for this island located in Eastern Asia. Fort San Domingo (聖多明哥城) was one of the earliest Grade I heritage sites first appointed under the Cultural Heritage Preservation Act in 1982. It is the most well preserved fortress that can be dated back to the golden age of expeditions made by the Dutch East India Company during the colonial era. Moreover, Fort San Domingo is also the first heritage that has been transformed into a modern museum. Named the Tamsui Historical Museum of New Taipei City, the fort and its surrounding historical buildings were listed as a Potential World Heritage Site in Taiwan by the Ministry of Cultural Heritage. -
Map Matters, the Newsletter of the News Australia on the Map Division of the Australasian Hydrographic Society
www.australiaonthemap.org.au I s s u e Map 1 Matters Issue 7 August 2009 Inside this issue Welcome to the 'Winter' edition of Map Matters, the newsletter of the News Australia on the Map Division of the Australasian Hydrographic Society. World Hydrography Day 2009 If you have any contributions or suggestions for National Library Map Matters, you can email them to me at: stoked at acquiring [email protected], or post them to me at: rare charts GPO Box 1781, Canberra, 2601 Sticky Charts Education award Frank Geurts 2009 Editor Projects update Members welcome Contacts How to contact the AOTM Division News World Hydrography Day 2009 Since the United Nations officially recognised 21 June as World Hydrography Day in 2005 it has been marked around the world each year by the international hydrographic community. And this year was no exception. Different divisions of the Australasian Hydrographic Society organised events as befitted the occasion. In Perth the WA Region had a guided tour of the Journeys of Enlightenment exhibition at the Maritime Museum, followed by a lecture on the “Mapping the Coast” database. In New Zealand a seminar and dinner were held. Similarly, the Eastern Australian Region conducted a seminar at the Royal Automobile Club in Sydney, which was followed by a dinner. Rupert Gerritsen accepts the Literary Achievement Award on behalf of Associate Professor Bill Richardson. I, as Chair of the Australia on the Map Division, attended the Sydney event. The Royal Automobile Club is a grand old building, well suited to the occasion. The theme of the day-long seminar was “Taking Stock of the Industry”. -
Review of Vermeer and the Art of Painting, by Arthur K. Wheelock, Jr
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 1997 Review of Vermeer and the Art of Painting, by Arthur K. Wheelock, Jr. Christiane Hertel Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the History of Art, Architecture, and Archaeology Commons Custom Citation Hertel, Christiane. Review of Vermeer and the Art of Painting, by Arthur K. Wheelock, Jr. Renaissance Quarterly 50 (1997): 329-331, doi: 10.2307/3039381. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/2 For more information, please contact [email protected]. REVIEWS 329 Arthur K. Wheelock, Jr. Vermeer of paintlayers, x-rays, collaged infrared and the Art of Painting. New Ha- reflectograms,and lab reports - to ven and London: Yale University guide the readerthrough this process. Press, 1995. 143 pls. + x + 201 pp. The pedagogicand rhetorical power of $45. Wheelock's account lies in the eye- This book about Vermeer'stech- openingskill with which he makesthis nique of paintingdiffers from the au- processcome alivefor the reader.The thor'searlier work on the artistby tak- way he accomplishesthis has every- ing a new perspectiveboth on Vermeer thingto do with his convictionthat by as painterand on the readeras viewer. understandingVermeer's artistic prac- Wheelockinvestigates Vermeer's paint- tice we also come to know the artist. ing techniquesin orderto understand As the agentof this practiceVermeer is his artisticpractice and, ultimately, his alsothe grammaticalsubject of most of artisticmind. -
Changing Coastlines Putting Australia on the World Map 1943-1993
CHANGING COASTLINES PUTTING AUSTRALIA ON THE WORLD MAP 1943-1993 Edited by Michael Richards & Maura O'Connor A NATIONAL LIBRARY OF AUSTRALIA TRAVELLING EXHIBITON CHANGING COASTLINES PUTTING AUSTRALIA ON THE WORLD MAP 1493-1993 Edited by Michael Richards & Maura O'Connor National Library of Australia Canberra 1993 Front cover: This intriguing world map comes from Christopher Plantin's Polyglot Bible of 1569-72. The map speculates about the location of the scattered tribes of the Jewish diaspora, and finds Solomon's fabled Ophir in north America. A mysterious southern landmass rises out of the sea to the south of the Spice Islands. Its source is not known. Benedictus Arias Montanus Sacrae Geographiae tabulam ex antiquissimorum cultop Familiis a Mose pecensitis (1572) Back cover: Bugis Sea Chart of the Indonesian Archipelago (1828) Reproduced from Tijdshcrift van het Koninklijk Nederlands Aardrijkskundig Genootschap 52 (1935), courtesy of the Australian National University Library © National Library of Australia 1993 Itinerary: National Library of Australia, Canberra November 1993 - February 1994 Australian National Maritime Museum, Sydney March-May 1994 National Library of Australia Cataloguing-in-Publication entry Western Australian Museum, Perth June - August 1994 National Library of Australia. Changing coastlines: putting Australia on the world map, 1493-1993. Bibliography. ISBN 0 642 10610 X. 1. National Library of Australia—Exhibitions. 2. Cartography—Australia—History—Exhibitions. 3. Australia—Historical geography—Maps—Exhibitions. -
Art As Communication: Y the Impact of Art As a Catalyst for Social Change Cm
capa e contra capa.pdf 1 03/06/2019 10:57:34 POLYTECHNIC INSTITUTE OF LISBON . PORTUGAL C M ART AS COMMUNICATION: Y THE IMPACT OF ART AS A CATALYST FOR SOCIAL CHANGE CM MY CY CMY K Fifteenth International Conference on The Arts in Society Against the Grain: Arts and the Crisis of Democracy NUI Galway Galway, Ireland 24–26 June 2020 Call for Papers We invite proposals for paper presentations, workshops/interactive sessions, posters/exhibits, colloquia, creative practice showcases, virtual posters, or virtual lightning talks. Returning Member Registration We are pleased to oer a Returning Member Registration Discount to delegates who have attended The Arts in Society Conference in the past. Returning research network members receive a discount o the full conference registration rate. ArtsInSociety.com/2020-Conference Conference Partner Fourteenth International Conference on The Arts in Society “Art as Communication: The Impact of Art as a Catalyst for Social Change” 19–21 June 2019 | Polytechnic Institute of Lisbon | Lisbon, Portugal www.artsinsociety.com www.facebook.com/ArtsInSociety @artsinsociety | #ICAIS19 Fourteenth International Conference on the Arts in Society www.artsinsociety.com First published in 2019 in Champaign, Illinois, USA by Common Ground Research Networks, NFP www.cgnetworks.org © 2019 Common Ground Research Networks All rights reserved. Apart from fair dealing for the purpose of study, research, criticism or review as permitted under the applicable copyright legislation, no part of this work may be reproduced by any process without written permission from the publisher. For permissions and other inquiries, please visit the CGScholar Knowledge Base (https://cgscholar.com/cg_support/en). -
The Domestication of History in American Art: 1848-1876
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1998 The domestication of history in American art: 1848-1876 Jochen Wierich College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, History of Art, Architecture, and Archaeology Commons, and the United States History Commons Recommended Citation Wierich, Jochen, "The domestication of history in American art: 1848-1876" (1998). Dissertations, Theses, and Masters Projects. Paper 1539623945. https://dx.doi.org/doi:10.21220/s2-qc92-2y94 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Appendix Appendix
APPENDIX APPENDIX DYNASTIC LISTS, WITH GOVERNORS AND GOVERNORS-GENERAL Burma and Arakan: A. Rulers of Pagan before 1044 B. The Pagan dynasty, 1044-1287 C. Myinsaing and Pinya, 1298-1364 D. Sagaing, 1315-64 E. Ava, 1364-1555 F. The Toungoo dynasty, 1486-1752 G. The Alaungpaya or Konbaung dynasty, 1752- 1885 H. Mon rulers of Hanthawaddy (Pegu) I. Arakan Cambodia: A. Funan B. Chenla C. The Angkor monarchy D. The post-Angkor period Champa: A. Linyi B. Champa Indonesia and Malaya: A. Java, Pre-Muslim period B. Java, Muslim period C. Malacca D. Acheh (Achin) E. Governors-General of the Netherlands East Indies Tai Dynasties: A. Sukhot'ai B. Ayut'ia C. Bangkok D. Muong Swa E. Lang Chang F. Vien Chang (Vientiane) G. Luang Prabang 954 APPENDIX 955 Vietnam: A. The Hong-Bang, 2879-258 B.c. B. The Thuc, 257-208 B.C. C. The Trieu, 207-I I I B.C. D. The Earlier Li, A.D. 544-602 E. The Ngo, 939-54 F. The Dinh, 968-79 G. The Earlier Le, 980-I009 H. The Later Li, I009-I225 I. The Tran, 1225-I400 J. The Ho, I400-I407 K. The restored Tran, I407-I8 L. The Later Le, I4I8-I8o4 M. The Mac, I527-I677 N. The Trinh, I539-I787 0. The Tay-Son, I778-I8o2 P. The Nguyen Q. Governors and governors-general of French Indo China APPENDIX DYNASTIC LISTS BURMA AND ARAKAN A. RULERS OF PAGAN BEFORE IOH (According to the Burmese chronicles) dat~ of accusion 1. Pyusawti 167 2. Timinyi, son of I 242 3· Yimminpaik, son of 2 299 4· Paikthili, son of 3 . -
Discovery of Van Diemen's Land in 1642 with Notes on the Localities Mentioned in Tasman's Journal of the Voyage
( No. 80.) 1891. PARLIAMENT OF TASMANIA. DISCOVERY OF ·VAN DIEMEN'S LAND . IN 1642 :. WITH NOTES ON THE LOCALITIES MENTIONED IN TASlVIAN'S JOURNAL OF THE VOYAGE. Presented to both Houses of Parliament by His Excellency's Command .. THE D'ISCO'VERY OF VAN D'lEMEN~s LAND IN 1642; WI'£H NOTES ON THE LOC .A.LITIES :MENTION E,n IN TASMAN'S JOURNAL OF THE VOYAGE. BY JAMES BAOKHOUSE WALKER ABEL J anszoon Tasman was unquestionably one of East Indies published in 1726, gave a inore extended the greatest, if not the greatest, of the navigators between account, illustrated by copies of Tasman's maps and Magellan, who in the early years of the 16th century sketches. But the joumal itself remained practically first crossed the Pacific Ocean, and Cook, who in the unknown until a copy of it and of the original sketches latter years of the 18th practically opened Oceania and and charts was discovered in London in 1776 and pur Austrnlia to Europe. chased for half a guinea. This MS. aftei:wards came Little is known of Tasman's personal history, except into the possession of Sir Joseph Banks, and he employed that he was born about the year 1602, at Hoorn on the the Rev. C. G. Waide, a Dutch clergyman living in Zuyder Zee, a seaport which produced many another London," to make a translation of it. Thirty years later hardy navigator. Tasman has made familiar in our seas the substance of this translation was printed by Dr. the name of one of these fellow townsmen, the Cornelis Burney in his "History of Discovery in the South Sea," zoon Schouten, who in 1616 doubled the Cape, :softerwards published in J 814.