The Dogon Creation Story
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Cultural Impacts of Tourism: the Ac Se of the “Dogon Country” in Mali Mamadou Ballo
Rochester Institute of Technology RIT Scholar Works Theses Thesis/Dissertation Collections 2010 Cultural impacts of tourism: The ac se of the “Dogon Country” in Mali Mamadou Ballo Follow this and additional works at: http://scholarworks.rit.edu/theses Recommended Citation Ballo, Mamadou, "Cultural impacts of tourism: The case of the “Dogon Country” in Mali" (2010). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. CULTURAL IMPACTS OF TOURISM: The case of the “Dogon Country” in Mali A Thesis presented to the faculty in the College of Applied Science and Technology School of Hospitality and Service Management at Rochester Institute of Technology By Mamadou Ballo Thesis Supervisor Richard Rick Lagiewski Date approved:______/_______/_______ February 2010 VâÄàâÜtÄ \ÅÑtvàá Éy gÉâÜ|áÅM vtáx Éy WÉzÉÇá |Ç `tÄ| TABLE OF CONTENTS CHAPTER 1 Abstract…………………………………………………..……….………………………………7 Introduction…………………………………………………………..……………………………9 1.1. Background: overview of tourism in Mali…………………….….…..………………………9 1.2. Purpose of the study…………………………………………………...………….…………13 1.3. Significance of the study………………………..……………………...……………………13 1.4. Definition of key terms…………………………………………………...…………………14 CHAPTER 2 Literature Review…………………………………….……….………….………………………15 CHAPTER 3 Methodology……………………………….……………………………………………………28 3.1. Description of the sample………………………...…………………………………………29 3.2. Language…………….…………………………...………………………….………………30 3.3. Scope and limitations……………………...……………………………...…………………30 3.4. Weakness of the study………………………..…………………………….………………30 3.5. Research questions …………………………………..……………………..………………30 CHAPTER 4 Results analysis…………………………………………………………………………………..31 CHAPTER 5 Conclusions and Recommendations …………….………………………………………………56 5.1. Major findings …………………………...….………………………………………………56 5.2. -
Photos & Text : Huib Blom Sketches : Arian & Anneke Blom
www.dogon-lobi.ch photos & text : Huib Blom sketches : Arian & Anneke Blom Table of contents Introduction 01 Toloy 02 Tellem 02 Nongo 03 Dogon Country 05 Niongono (Pignari) 06 Kargue (Lowel-Gueou) 07 Dani Sare & Bounou (Lowel-Gueou) 08 Bara (Lowel-Gueou) 09 Borko (Bondum) 10 Tintam & Samari (Bondum) 11 Saoura Koum (plateau central) 12 Sangha 13 Pegue Toulou 14 Yougo Dogorou 15 The plain of Seno-Gondo 18 Architecture and traditional religion 20 Ginna (associated with the Wagem cult) 20 House of the Hogon (associated with the Lebe cult) 24 House of the Hogon of Arou 25 Binu shrine 26 Togu Na 29 Menstrual hut 31 Smithy 32 Altars 34 Mosque 35 The society of the masks 40 Funerary rites 40 Burial 40 Funeral 41 Funeral of the Hogon in Sangha - 1985 44 Masks 46 Mask Satimbe 47 Great Mask 48 Mask Sirige 50 Mask Kanaga 51 Various masks 52 Bibliography 57 www.dogon-lobi.ch is a travel journal. Photos presented were taken during some twenty trips spread over as many years. All these journeys were made on foot in the company of my friends Ana and Serou Dolo, sons of Diangouno Dolo, the late chief of Sangha. Today Ana is the owner of Hôtel Campement Gir-Yam in Sangha and Serou specializes in the building of wells and other water retention structures. Apart from some personal observations, the text that follows is based on the numerous ethnographic studies that have been conducted in Dogon country. It is an attempt to put a selection of photos in its cultural and historical context. -
INVESTIGATING the SIRIUS "MYSTERY" Ian Ridpath
INVESTIGATING THE SIRIUS "MYSTERY" Ian Ridpath Did amphibious beings from the star Sirius visit the earth 5,000 or more years ago and leave advanced astronomical knowledge that is still pos- sessed by a remote African tribe called the Dogon? This astonishing claim was put forward in 1976 by Robert Temple in his "ancient astro- naut" book, The Sirius Mystery. An astronomer, familiar with the Sirius system, would say no, because astronomical theory virtually precludes the possibility that Sirius is a suitable parent star for life or that it could have habitable planets. But most of Robert Temple's readers would not know enough astronomy to judge the matter for themselves. Neither would they find the relevant astronomical information in Temple's book, most of which consists of brain-numbing excursions into Egyptol- ogy. (Isaac Asimov has been quoted by Temple as having said that he found no mistakes in the book; but Temple did not know that the reason for this, according to Asimov, was that he had found the book too im- penetrable to read!*) Even the BBC-TV Horizon investigation on an- cient astronauts (broadcast as part of the PBS "Nova" series in the United States), which did an otherwise excellent demolition job on the more extreme fantasies of Erich von Daniken, left the Sirius problem unanswered because of its extreme complexity. Yet an answer is needed, because the Dogon legends about a companion to Sirius are claimed to originate before any terrestrial astronomer could have known of the ex- istence of Sirius B, let alone its 50-year orbit or its nature as a tiny, con- * E d i t o r ' s note: See Asimov's essay, "The Dark Companion," in his Quasar, Quasar Burning Bright (Doubleday, 1978), in which he says he is embarrassed by his stupidity in not specifying that his comment, made only "to get rid of him [Temple] and to be polite," not be quoted. -
Cth 821 Course Title: African Traditional Religious Mythology and Cosmology
NATIONAL OPEN UNIVERSITY OF NIGERIA SCHOOL OF ARTS AND SOCIAL SCIENCES COURSE CODE: CTH 821 COURSE TITLE: AFRICAN TRADITIONAL RELIGIOUS MYTHOLOGY AND COSMOLOGY 1 Course Code: CTH 821 Course Title: African Traditional Religious Mythology and Cosmology Course Developer: Rev. Fr. Dr. Michael .N. Ushe Department of Christian Theology School of Arts and Social Sciences National Open University of Nigeria, Lagos Course Writer: Rev. Fr. Dr. Michael .N. Ushe Department of Christian Theology School of Arts and Social Sciences National Open University of Nigeria, Lagos Programme Leader: Rev. Fr. Dr. Michael .N. Ushe Department of Christian Theology School of Arts and Social Sciences National Open University of Nigeria, Lagos Course Title: CTH 821 AFRICAN TRADITIONAL RELIGIOUS MYTHOLOGY AND COSMOLOGY COURSE DEVELOPER/WRITER: Rev. Fr. Dr. Ushe .N. Michael 2 National Open University of Nigeria, Lagos COURSE MODERATOR: Rev. Fr. Dr. Mike Okoronkwo National Open University of Nigeria, Lagos PROGRAMME LEADER: Rev. Fr. Dr. Ushe .N. Michael National Open University of Nigeria, Lagos CONTENTS PAGE Introduction…………………………………………………………………………………… …...i What you will learn in this course…………………………………………………………….…i-ii 3 Course Aims………………………………………………………..……………………………..ii Course objectives……………………………………………………………………………...iii-iii Working Through this course…………………………………………………………………….iii Course materials…………………………………………………………………………..……iv-v Study Units………………………………………………………………………………………..v Set Textbooks…………………………………………………………………………………….vi Assignment File…………………………………………………………………………………..vi -
University Microfilms International 3D0 N
THE NARRATIVES OF BERNARD DADIE AND BIRAGO DIOP: AN EXAMINATION OF THEIR MYTHOLOGICAL AND COSMOLOGICAL FRAMEWORK AND AN ANALYSIS OF SELECTED STRUCTURAL ASPECTS Item Type text; Dissertation-Reproduction (electronic) Authors Tollerson, Marie Sherrod Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 15:32:00 Link to Item http://hdl.handle.net/10150/289247 INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. -
Mau Mau) Struggle for Kenya's Independence
Syracuse University SURFACE Pan African Studies - Theses College of Arts and Sciences 5-2013 "Thaai thathaiyai Ngai thaai": Narratives of Rituals, Agency, and Resistance in the KLFA (Mau Mau) Struggle for Kenya's Independence Henry Muoki Mbunga Syracuse University Follow this and additional works at: https://surface.syr.edu/panaf_theis Part of the African History Commons, and the African Studies Commons Recommended Citation Mbunga, Henry Muoki, ""Thaai thathaiyai Ngai thaai": Narratives of Rituals, Agency, and Resistance in the KLFA (Mau Mau) Struggle for Kenya's Independence" (2013). Pan African Studies - Theses. 4. https://surface.syr.edu/panaf_theis/4 This Thesis is brought to you for free and open access by the College of Arts and Sciences at SURFACE. It has been accepted for inclusion in Pan African Studies - Theses by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract The purpose of this project is to examine the role of rituals in the Mau Mau struggle for Kenya’s independence. Traditionally, research on the Mau Mau has focused on the political and socio-economic aspects of Kenya’s anti-colonial struggle. As a result, the place of spirituality and, in particular, the role of rituals in the Mau Mau struggle has largely been ignored in existing literature. Initially, when KLFA rituals were studied at the height of the Mau Mau struggle, the task was undertaken by colonial anthropologists and psychologists who were often unable to escape the snare of racist and Eurocentric prejudices in their analyses. Subsequent revisionist studies have attempted to be more objective in their analyses, but the focus has mainly been on the elements and details surrounding the actual ceremonies, at the expense of how these rituals impacted individual freedom fighters. -
African Mythology a to Z
African Mythology A to Z SECOND EDITION MYTHOLOGY A TO Z African Mythology A to Z Celtic Mythology A to Z Chinese Mythology A to Z Egyptian Mythology A to Z Greek and Roman Mythology A to Z Japanese Mythology A to Z Native American Mythology A to Z Norse Mythology A to Z South and Meso-American Mythology A to Z MYTHOLOGY A TO Z African Mythology A to Z SECOND EDITION 8 Patricia Ann Lynch Revised by Jeremy Roberts [ African Mythology A to Z, Second Edition Copyright © 2004, 2010 by Patricia Ann Lynch All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Chelsea House 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Lynch, Patricia Ann. African mythology A to Z / Patricia Ann Lynch ; revised by Jeremy Roberts. — 2nd ed. p. cm. Includes bibliographical references and index. ISBN 978-1-60413-415-5 (hc : alk. paper) 1. Mythology—African. 2. Encyclopedias—juvenile. I. Roberts, Jeremy, 1956- II. Title. BL2400 .L96 2010 299.6' 11303—dc22 2009033612 Chelsea House books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Chelsea House on the World Wide Web at http://www.chelseahouse.com Text design by Lina Farinella Map design by Patricia Meschino Composition by Mary Susan Ryan-Flynn Cover printed by Bang Printing, Brainerd, MN Bood printed and bound by Bang Printing, Brainerd, MN Date printed: March 2010 Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. -
Africana Studies Review
AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 ON THE COVER DETAIL FROM A PIECE OF THE WOODEN QUILTS™ COLLECTION BY NEW ORLEANS- BORN ARTIST AND HOODOO MAN, JEAN-MARCEL ST. JACQUES. THE COLLECTION IS COMPOSED ENTIRELY OF WOOD SALVAGED FROM HIS KATRINA-DAMAGED HOME IN THE TREME SECTION OF THE CITY. ST. JACQUES CITES HIS GRANDMOTHER—AN AVID QUILTER—AND HIS GRANDFATHER—A HOODOO MAN—AS HIS PRIMARY INFLUENCES AND TELLS OF HOW HEARING HIS GRANDMOTHER’S VOICE WHISPER, “QUILT IT, BABY” ONE NIGHT INSPIRED THE ACCLAIMED COLLECTION. PIECES ARE NOW ON DISPLAY AT THE AMERICAN FOLK ART MUSEUM AND OTHER VENUES. READ MORE ABOUT ST. JACQUES’ JOURNEY BEGINNING ON PAGE 75 COVER PHOTOGRAPH BY DEANNA GLORIA LOWMAN AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 ISSN 1555-9246 AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 TABLE OF CONTENTS About the Africana Studies Review ....................................................................... 4 Editorial Board ....................................................................................................... 5 Introduction to the Spring 2019 Issue .................................................................... 6 Funlayo E. Wood Menzies “Tribute”: Negotiating Social Unrest through African Diasporic Music and Dance in a Community African Drum and Dance Ensemble .............................. 11 Lisa M. Beckley-Roberts Still in the Hush Harbor: Black Religiosity as Protected Enclave in the Contemporary US ................................................................................................ 23 Nzinga Metzger The Tree That Centers the World: The Palm Tree as Yoruba Axis Mundi ........ -
Dogon Restudied: a Field Evaluation of the Work of Marcel Griaule [And Comments and Replies]
Dogon Restudied: A Field Evaluation of the Work of Marcel Griaule [and Comments and Replies] Walter E. A. van Beek; R. M. A. Bedaux; Suzanne Preston Blier; Jacky Bouju; Peter Ian Crawford; Mary Douglas; Paul Lane; Claude Meillassoux Current Anthropology, Vol. 32, No. 2. (Apr., 1991), pp. 139-167. Stable URL: http://links.jstor.org/sici?sici=0011-3204%28199104%2932%3A2%3C139%3ADRAFEO%3E2.0.CO%3B2-O Current Anthropology is currently published by The University of Chicago Press. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/journals/ucpress.html. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic journals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers, and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take advantage of advances in technology. -
Gender in the Arts Le Genre Dans Les Arts
DOCUMENTATION AND INFORMATION CENTRE CENTRE DE DOCUMENTATION ET D’INFORMATION Gender in the Arts Le genre dans les arts Bibliography - Bibliographie CODICE June/Juin, 2006 Gender in the Arts – Le genre dans les arts Introduction Introduction The topic of the 2006 session of the Gender La session 2006 de l’institut du genre porte sur Institute is “Gender in the arts”. The arts have « le Genre dans les arts ». been defined according to the Larousse dictionary Les arts, définis d’après le Larousse comme étant as being “All specific human activities, based on « l’ensemble des activités humaines spécifiques, sensory, aesthetic and intellectual faculties”. In faisant appel à certaines facultés sensorielles, other words, arts relate to: music, painting, esthétiques et intellectuelles ». En d’autres theatre, dance, cinematography, literature, termes, les arts se confondent à tout ce qui se orature, fashion, advertisement etc. rapporte à : la musique, la peinture, le théâtre, la danse, le cinéma, la littérature, l’oralité, la mode, This bibliography produced by the CODESRIA la publicité etc. Documentation and Information Centre (CODICE) within the framework of this institute lists Cette bibliographie produite par le Centre de documents covering all the concepts on arts. It is documentation et d’information du CODESRIA divided into four parts: (CODICE) dans le cadre de cet institut recense - References compiled from CODICE Bibliographic des documents en prenant en considération tous data base; les concepts liés aux arts. Elle est divisée en - New documents ordered for this institute; quatre parties : - Specialized journals on the topic of gender and - Les références tirées de la base de arts; données du CODICE. -
First Steps Towards the Detection of Contact Layers in Bangime: a Multi-Disciplinary, Computer-Assisted Approach
First steps towards the detection of contact layers in Bangime: A multi-disciplinary, computer-assisted approach 1 Introduction Bangime, a language isolate spoken in central-eastern Mali, represents an enigma, not only in terms of linguistics, but also with regards to their past ethnographic affiliations and migration patterns. The speakers of Bangime, the Bangande, live among and claim to constitute one of the Dogon groups that also occupy the rocky terrain of the Bandiagara Escarpment. However, there is little evidence in support of the Bangande being genetically affiliated with the Dogon or speaking one of the estimated 21 Dogon languages, nor of their being related to the neighboring Mande-speaking groups who inhabit a valley which stretches from the west and ends at the eastern edge of the Escarpment. Further to the north of the area where Bangime is spoken lies the vast Sahara desert, the southern borders of which are occupied by Songhai-speaking populations. Throughout the region are found Fula semi-nomadic herders who speak Fulfulde. Thus, we know that the Bangande have had the opportunity to engage in contact with each of these populations, but because there are no written historical records of their past settlement and migration patterns, nor have there been any archeological investigations of the western portions of the Bandiagara Escarpment where the Bangande are found today, we must rely on data from the present to reconstruct a picture of the past. Figure 1 illustrates the geographic positions of the languages represented in the sample with respect to where Bangime is spoken. Note that the points represent approximations; languages such as Fulfulde have a reach throughout the entire region and even beyond to bordering nations. -
US Forest Service/GSTA Pays Dogon Project Technical Assistance to Bandiagara Cercle, Mali
US Forest Service/GSTA Pays Dogon Project Technical Assistance to Bandiagara Cercle, Mali Mission: April 25-May 9, 2008 Participants in Guides’ Training Prepared by: Lisa Machnik, Ph.D., Project Coordinator Intermountain Region (R4) Regional Office, US Forest Service [email protected] TEL: (801) 625-5205 Sara Campney, Social Science Analyst Cibola National Forest and Grasslands, US Forest Service [email protected] TEL: (505) 346-3886 July 10, 2008 Sustainable Tourism in Dogon Country July 10, 2008 Table of Contents I. List of Acronyms............................................................................................................. 3 II. Acknowledgements ........................................................................................................ 4 III. Executive Summary...................................................................................................... 5 IV. Introduction: Scope of Technical Assistance ............................................................... 6 V. Issues and Findings ........................................................................................................ 9 ISSUE A: Representation of Stakeholders in the Visitor Center.................................... 9 ISSUE B: Traditional Materials and Design................................................................. 10 B1. Construction and Materials ................................................................................ 10 B2. Use of Traditional Dogon Design .....................................................................