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Transgender Representation on American Narrative Television from 2004-2014
TRANSJACKING TELEVISION: TRANSGENDER REPRESENTATION ON AMERICAN NARRATIVE TELEVISION FROM 2004-2014 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Kelly K. Ryan May 2021 Examining Committee Members: Jan Fernback, Advisory Chair, Media and Communication Nancy Morris, Media and Communication Fabienne Darling-Wolf, Media and Communication Ron Becker, External Member, Miami University ABSTRACT This study considers the case of representation of transgender people and issues on American fictional television from 2004 to 2014, a period which represents a steady surge in transgender television characters relative to what came before, and prefigures a more recent burgeoning of transgender characters since 2014. The study thus positions the period of analysis as an historical period in the changing representation of transgender characters. A discourse analysis is employed that not only assesses the way that transgender characters have been represented, but contextualizes American fictional television depictions of transgender people within the broader sociopolitical landscape in which those depictions have emerged and which they likely inform. Television representations and the social milieu in which they are situated are considered as parallel, mutually informing discourses, including the ways in which those representations have been engaged discursively through reviews, news coverage and, in some cases, blogs. ii To Desmond, Oonagh and Eamonn For everything. And to my mother, Elaine Keisling, Who would have read the whole thing. iii ACKNOWLEDGMENTS Throughout the research and writing of this dissertation, I have received a great deal of support and assistance, and therefore offer many thanks. To my Dissertation Chair, Jan Fernback, whose feedback on my writing and continued support and encouragement were invaluable to the completion of this project. -
Trans* Politics and the Feminist Project: Revisiting the Politics of Recognition to Resolve Impasses
Politics and Governance (ISSN: 2183–2463) 2020, Volume 8, Issue 3, Pages 312–320 DOI: 10.17645/pag.v8i3.2825 Article Trans* Politics and the Feminist Project: Revisiting the Politics of Recognition to Resolve Impasses Zara Saeidzadeh * and Sofia Strid Department of Gender Studies, Örebro University, 702 81 Örebro, Sweden; E-Mails: [email protected] (Z.S.), [email protected] (S.S.) * Corresponding author Submitted: 24 January 2020 | Accepted: 7 August 2020 | Published: 18 September 2020 Abstract The debates on, in, and between feminist and trans* movements have been politically intense at best and aggressively hostile at worst. The key contestations have revolved around three issues: First, the question of who constitutes a woman; second, what constitute feminist interests; and third, how trans* politics intersects with feminist politics. Despite decades of debates and scholarship, these impasses remain unbroken. In this article, our aim is to work out a way through these impasses. We argue that all three types of contestations are deeply invested in notions of identity, and therefore dealt with in an identitarian way. This has not been constructive in resolving the antagonistic relationship between the trans* movement and feminism. We aim to disentangle the antagonism within anti-trans* feminist politics on the one hand, and trans* politics’ responses to that antagonism on the other. In so doing, we argue for a politics of status-based recognition (drawing on Fraser, 2000a, 2000b) instead of identity-based recognition, highlighting individuals’ specific needs in soci- ety rather than women’s common interests (drawing on Jónasdóttir, 1991), and conceptualising the intersections of the trans* movement and feminism as mutually shaping rather than as trans* as additive to the feminist project (drawing on Walby, 2007, and Walby, Armstrong, and Strid, 2012). -
Survival. Activism. Feminism?: Exploring the Lives of Trans* Individuals in Chicago
SURVIVAL. ACTIVISM. FEMINISM? Survival. Activism. Feminism?: Exploring the Lives of Trans* Individuals in Chicago Some radical lesbian feminists, like Sheila Jeffreys (1997, 2003, 2014) argue that trans individuals are destroying feminism by succumbing to the greater forces of the patriarchy and by opting for surgery, thus conforming to normative ideas of sex and gender. Jeffreys is not alone in her views. Janice Raymond (1994, 2015) also maintains that trans individuals work either as male-to-females (MTFs) to uphold stereotypes of femininity and womanhood, or as female-to-males (FTMs) to join the ranks of the oppressors, support the patriarchy, and embrace hegemonic masculinity. Both Jeffreys and Raymond conclude that sex/gender is fixed by genitals at birth and thus deny trans individuals their right to move beyond the identities that they were assigned at birth. Ironically, a paradox is created by these radical lesbians feminist theorists, who deny trans individuals the right to define their own lives and control their own bodies. Such essentialist discourse, however, fails to recognize the oppression, persecution, and violence to which trans individuals are subjected because they do not conform to the sex that they were assigned at birth. Jeffreys (1997) also claims there is an emergency and that the human rights of those who are now identifying as trans are being violated. These critiques are not only troubling to me, as a self-identified lesbian feminist, but are also illogical and transphobic. My research, with trans identified individuals in Chicago, presents a different story and will show another side of the complex relationship between trans and lesbian feminist communities. -
"Rip Her to Shreds": Women's Musk According to a Butch-Femme Aesthetic
"Rip Her to Shreds": Women's Musk According to a Butch-Femme Aesthetic Judith A, Peraino "Rip Her to Shreds" is the tide of a song recorded in 1977 by the rock group Blondie; a song in which the female singer cat tily criticizes another woman. It begins with the female "speak er" addressing other members of her clique by calling attention to a woman who obviously stands outside the group. The lis tener likewise becomes a member of the clique, forced to par ticipate tacitly in the act of criticism. Every stanza of merciless defamation is articulated by a group of voices who shout a cho rus of agreement, enticing the listener to join the fray. (spoken! Hey, psf pst, here she comes !lOW. Ah, you know her, would YOIl look ollhlll hair, Yah, YOIl know her, check out Ihose shoes, A version of this paper was read at the conference "Feminist Theory and Music: Toward a Common Language," Minneapolis, MN, June 1991. If) 20 Peraino Rip Her to Shreds She looked like she stepped out in the middle of somebody's cruise. She looks like the Su nday comics, She thinks she's Brenda Starr, Her nose·job is real atomic, All she needs is an old knife scar. CHORUS: (group) 00, she's so dull, (solo) come on rip her to shreds, (group) She's so dull, (solo) come on rip her to shreds.! In contrast to the backstabbing female which the Blondie song presents, so-called "women's music" emphasizes solidarity and affection between women, and reserves its critical barbs for men and patriarchal society. -
“I Used to Be Gifted:” Case Studies of Lost Potential Among Adolescent Females, Conducted by Ms
“I USED TO BE GIFTED:” CASE STUDIES OF LOST POTENTIAL AMONG ADOLESCENT FEMALES A Dissertation by VIRGINIA MAURER MCDONNELL Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2005 Major Subject: Educational Psychology “I USED TO BE GIFTED:” CASE STUDIES OF LOST POTENTIAL AMONG ADOLESCENT FEMALES A Dissertation by VIRGINIA MAURER MCDONNELL Submitted to Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved as to style and content by: William R. Nash Michael J. Ash (Chair of Committee) (Member) Joyce E. Juntune G. Patrick Slattery, Jr. (Member) (Member) Michael R. Benz (Head of Department) May 2005 Major Subject: Educational Psychology iii ABSTRACT “I Used To Be Gifted:” Case Studies of Lost Potential Among Adolescent Females. (May 2005) Virginia Maurer McDonnell B.S., Iowa State University; M.S., Iowa State University Chair of Advisory Committee: Dr. William Nash This case study focuses on the influence of certain sociocultural factors on the ability of adolescent girls to fulfill their potentials. Specifically, the purpose of this research is to advance an alternative perspective on the relationship between the sociocultural influences of friendship, mother/daughter relationship, school experience, and body image and a loss of potential among adolescent girls from a historical, poststructural, postmodern-feminist perspective. The dissertation is presented in the form of narrative from both the author’s and girls’ and women’s perspectives in order to seek a rich and thick description. Throughout the study, the author integrates moments from her own journey during adolescence with the young girls and their mothers or grandmothers encountering the oftentimes overwhelming negative sociocultural challenges existing today. -
Delayed Critique: on Being Feminist, Time and Time Again
Delayed Critique: On Being Feminist, Time and Time Again In “On Being in Time with Feminism,” Robyn Emma McKenna is a Ph.D. candidate in English and Wiegman (2004) supports my contention that history, Cultural Studies at McMaster University. She is the au- theory, and pedagogy are central to thinking through thor of “‘Freedom to Choose”: Neoliberalism, Femi- the problems internal to feminism when she asks: “… nism, and Childcare in Canada.” what learning will ever be final?” (165) Positioning fem- inism as neither “an antidote to [n]or an ethical stance Abstract toward otherness,” Wiegman argues that “feminism it- In this article, I argue for a systematic critique of trans- self is our most challenging other” (164). I want to take phobia in feminism, advocating for a reconciling of seriously this claim in order to consider how feminism trans and feminist politics in community, pedagogy, is a kind of political intimacy that binds a subject to the and criticism. I claim that this critique is both delayed desire for an “Other-wise” (Thobani 2007). The content and productive. Using the Michigan Womyn’s Music of this “otherwise” is as varied as the projects that femi- Festival as a cultural archive of gender essentialism, I nism is called on to justify. In this paper, I consider the consider how rereading and revising politics might be marginalization of trans-feminism across mainstream, what is “essential” to feminism. lesbian feminist, and academic feminisms. Part of my interest in this analysis is the influence of the temporal Résumé on the way in which certain kinds of feminism are given Dans cet article, je défends l’idée d’une critique systéma- primacy in the representation of feminism. -
Whipping Girl
Table of Contents Title Page Dedication Introduction Trans Woman Manifesto PART 1 - Trans/Gender Theory Chapter 1 - Coming to Terms with Transgen- derism and Transsexuality Chapter 2 - Skirt Chasers: Why the Media Depicts the Trans Revolution in ... Trans Woman Archetypes in the Media The Fascination with “Feminization” The Media’s Transgender Gap Feminist Depictions of Trans Women Chapter 3 - Before and After: Class and Body Transformations 3/803 Chapter 4 - Boygasms and Girlgasms: A Frank Discussion About Hormones and ... Chapter 5 - Blind Spots: On Subconscious Sex and Gender Entitlement Chapter 6 - Intrinsic Inclinations: Explaining Gender and Sexual Diversity Reconciling Intrinsic Inclinations with Social Constructs Chapter 7 - Pathological Science: Debunking Sexological and Sociological Models ... Oppositional Sexism and Sex Reassignment Traditional Sexism and Effemimania Critiquing the Critics Moving Beyond Cissexist Models of Transsexuality Chapter 8 - Dismantling Cissexual Privilege Gendering Cissexual Assumption Cissexual Gender Entitlement The Myth of Cissexual Birth Privilege Trans-Facsimilation and Ungendering 4/803 Moving Beyond “Bio Boys” and “Gen- etic Girls” Third-Gendering and Third-Sexing Passing-Centrism Taking One’s Gender for Granted Distinguishing Between Transphobia and Cissexual Privilege Trans-Exclusion Trans-Objectification Trans-Mystification Trans-Interrogation Trans-Erasure Changing Gender Perception, Not Performance Chapter 9 - Ungendering in Art and Academia Capitalizing on Transsexuality and Intersexuality -
The Lesbian Tide Is a Radical Feminist News Magazine Published Six Times a Year by Mondanaro in Politics? TIDE PUBLICATIONS
$1.00 A £>, Gay PrH Whose (TIERRlLL-UJILSOn Realtor Residential—investment—Management Southern California Women for Understanding ARE YOU READY TO GROW LESBIAN RIGHTS AWARDS DINNER Call Honoring Ivy Bottini Del Martin & Phyllis Lyon Maureen Steinberg Gayle Wilson Mistress of Ceremonies: Midge Costanza Sat Sept IS The Biltmore Hotel 540 N. San Vicente $35 per person Los Anseles, Calif. 90048 for reservation information contact (213) 659-9933 Southern California Women For Understanding 13033 Ventura Blvd. THE NEW YORK FEMINIST Studio City, CA. 91604 ART INSTITUTE (213)766-6811 an exciting and innovative school and resource center opening in the fall of 1979, will provide an intellectual and cultural community for women in the arts. We invite you to share our enthusiasm and help us to realize our goals. For more information write: New York Feminist Art Institute. P. O. Box 798. Canal Street Sta- AMCtLti tion, New York. N. Y. 10013. S COMMUNITY CHORUS 3rd flNNUfll PRGGNTRTION Registered Cosmetologist Sculptured Haircuts Conditioning Coloring • performance of mu/ic Body Permanents compo/6d«orrong6d«conduct0d»sung 1022 North Fairfax West Hollywood by women (213) 656-7740 , Saturday, June 30, 1979 8:00 p.m. Robert Frost Auditorium 4401 Elenda, Culver City All Tickets: $4.50 Available from all chorus members and Feminist stores. TICKET DISTRIBUTORS: SISTERHOOD BOOKSTORE. PAGE ONE BOOKS, GentleTbuch SOJOURNER BOOKSTORE, FEMINIST HORIZONS, APPLE ROOM, FEMINIST WICCA, WOMANYES Dps Training For childcare reservations and general information call: 478-8308 by Kay Falcone _there_ujilI be signing forlhedeof 213 828 1583 nojjjgmQQ turned, QUUQU for lock of funds TIDE PUBLICATIONS Vol. 9 No. -
Representing Trans Road Narratives in Mainstream Cinema (1970-2016)
Wish You Were Here: Representing Trans Road Narratives in Mainstream Cinema (1970-2016) by Evelyn Deshane A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2019 © Evelyn Deshane 2019 Examining Committee Membership The following served on the Examining Committee for this thesis. The decision of the Examining Committee is by majority vote. External Examiner Dr. Dan Irving Associate Professor Supervisor Dr. Andrew McMurry Associate Professor Internal-external Member Dr. Kim Nguyen Assistant Professor Internal Members Dr. Gordon Slethaug Adjunct Professor Dr. Victoria Lamont Associate Professor ii Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. iii Abstract When Christine Jorgensen stepped off a plane in New York City from Denmark in 1952, she became one of the first instances of trans celebrity, and her intensely popular story was adapted from an article to a memoir and then a film in 1970. Though not the first trans person recorded in history, Jorgensen's story is crucial in the history of trans representation because her journey embodies the archetypal trans narrative which moves through stages of confusion, discovery, cohesion, and homecoming. This structure was solidified in memoirs of the 1950- 1970s, and grew in popularity alongside the booming film industry in the wake of the Hays Production Code, which finally allowed directors, producers, and writers to depict trans and gender nonconforming characters and their stories on-screen. -
Transgender History / by Susan Stryker
u.s. $12.95 gay/Lesbian studies Craving a smart and Comprehensive approaCh to transgender history historiCaL and Current topiCs in feminism? SEAL Studies Seal Studies helps you hone your analytical skills, susan stryker get informed, and have fun while you’re at it! transgender history HERE’S WHAT YOU’LL GET: • COVERAGE OF THE TOPIC IN ENGAGING AND AccESSIBLE LANGUAGE • PhOTOS, ILLUSTRATIONS, AND SIDEBARS • READERS’ gUIDES THAT PROMOTE CRITICAL ANALYSIS • EXTENSIVE BIBLIOGRAPHIES TO POINT YOU TO ADDITIONAL RESOURCES Transgender History covers American transgender history from the mid-twentieth century to today. From the transsexual and transvestite communities in the years following World War II to trans radicalism and social change in the ’60s and ’70s to the gender issues witnessed throughout the ’90s and ’00s, this introductory text will give you a foundation for understanding the developments, changes, strides, and setbacks of trans studies and the trans community in the United States. “A lively introduction to transgender history and activism in the U.S. Highly readable and highly recommended.” SUSAN —joanne meyerowitz, professor of history and american studies, yale University, and author of How Sex Changed: A History of Transsexuality In The United States “A powerful combination of lucid prose and theoretical sophistication . Readers STRYKER who have no or little knowledge of transgender issues will come away with the foundation they need, while those already in the field will find much to think about.” —paisley cUrrah, political -
Barbara Grier--Naiad Press Collection
BARBARA GRIER—NAIAD PRESS COLLECTION 1956-1999 Collection number: GLC 30 The James C. Hormel Gay and Lesbian Center San Francisco Public Library 2003 Barbara Grier—Naiad Press Collection GLC 30 p. 2 Gay and Lesbian Center, San Francisco Public Library TABLE OF CONTENTS Introduction p. 3-4 Biography and Corporate History p. 5-6 Scope and Content p. 6 Series Descriptions p. 7-10 Container Listing p. 11-64 Series 1: Naiad Press Correspondence, 1971-1994 p. 11-19 Series 2: Naiad Press Author Files, 1972-1999 p. 20-30 Series 3: Naiad Press Publications, 1975-1994 p. 31-32 Series 4: Naiad Press Subject Files, 1973-1994 p. 33-34 Series 5: Grier Correspondence, 1956-1992 p. 35-39 Series 6: Grier Manuscripts, 1958-1989 p. 40 Series 7: Grier Subject Files, 1965-1990 p. 41-42 Series 8: Works by Others, 1930s-1990s p. 43-46 a. Printed Works by Others, 1930s-1990s p. 43 b. Manuscripts by Others, 1960-1991 p. 43-46 Series 9: Audio-Visual Material, 1983-1990 p. 47-53 Series 10: Memorabilia p. 54-64 Barbara Grier—Naiad Press Collection GLC 30 p. 3 Gay and Lesbian Center, San Francisco Public Library INTRODUCTION Provenance The Barbara Grier—Naiad Press Collection was donated to the San Francisco Public Library by the Library Foundation of San Francisco in June 1992. Funding Funding for the processing was provided by a grant from the Library Foundation of San Francisco. Access The collection is open for research and available in the San Francisco History Center on the 6th Floor of the Main Library. -
LGBTQ Policy Journal at the John F
LGBTQ Policy Journal at the John F. Kennedy School of Government at Harvard University Volume 11 Spring 2021 ACKNOWLEDGMENT & APPRECIATION Editorial Staff Kamille Washington, Editor-in-Chief Elizabeth Zwart, Editor-in-Chief Marty Amaya, Managing Editor Morgan Benson, Associate Editor Ben Demers, Associate Editor Craig Johnson, Associate Editor Rachel Rostad, Associate Editor Jacob Waggoner, Associate Editor Individual Supporters Tim McCarthy, Faculty Advisor Richard Parker, Faculty Advisor Martha Foley, Publisher Nicole Lewis, Copyeditor Cerise Steel, Designer A Note of Gratitude Thank you to Open Gate, without whose support we would not have been able to produce as inclusive and meaningful a journal. Your generosity and commitment to justice were crucial in making this journal what is it. 2 LGBTQ Policy Journal 66 Taking off the ‘Masc’ Contents How Gay-Identifying Men Perceive and Navigate Hyper-Masculinity and “Mascing” 4 Letter from the Editor Culture Online By Alexander Löwstedt Granath 5 Absolute Sovereignty Exceptions as well as Legal 77 The United States Is Not Safe Obligations of States to Protect for LGBT Refugees the Rights of LGBTQI and Gender A Call to Abandon the Canada-United Diverse Persons (GDP), States Safe Third Country Agreement By Portia Comenetia Allen, James By Ella Hartsoe Katlego Chibamba, Shawn Mugisha, 80 Exploring the Need for and and Augusta Aondoaver Yaakugh Benefits of LGBTQA Faculty and 13 Up to Us Staff Groups in Higher Education A Community-Led Needs Assessment of By Ariel Schorr Lesnick Transgender and Gender Non-Conforming 90 Mutual Aid as a Queer Asians and Pacific Islanders in the Bay Intervention in Public Library Area By APIENC Service By Flan Park 24 Breaking the “First Rule of Masculinity” 93 Carving Spaces for A Conversation with Thomas Page McBee Engagement in Indonesia By Morgan Benson An Interview with Hendrika Mayora Victoria Kelan 31 Religious Equity By Eki Ramadhan A Path to Greater LGBTQ Inclusion By Rev.