Lesbians And…

Total Page:16

File Type:pdf, Size:1020Kb

Lesbians And… Lesbians and… WOC Lesbians -Black LGBT’s: Online and Archives resources -Black Lesbians -Black Lesbians and Activism -Black Lesbians and Amazons -Black Lesbians and Art -Black Lesbians and Artificial Insemination -Black Lesbians and Autobiographies -Black Lesbians and Backlash to Black Lesbians and Gays -Black Lesbians and Black Churches -Black Lesbians and the Black Community -Black Lesbians and Black Mary -Black Lesbians and Combahee River Collective -Black Lesbians and Communities -Black Lesbians and Cornwell, Anita -Black Lesbians and Diverse Social Groups -Black Lesbians and Daughters of Bilitis -Black Lesbians and E. Kitch Childs Testimony, Chicago -Black Lesbians and Eckstein, Ernestine -Black Lesbians and Events -Black Lesbians and Feminism -Black Lesbians and Fiction -Black Lesbians and the Homophile Movement -Black Lesbians and Isabell, Marilyn (Ex Prison Inmate Chicago) -Black Lesbians and Lesbian Rights -Black Lesbians and Lorde, Audre -Black Lesbians and Marriage -Black Lesbians and Mothers and Daughters -Black Lesbians and Music -Black Lesbians and NALL Holdings (April 1979) -Black Lesbians and Performance -Black Lesbians and Poetry -Black Lesbians and Politics -Black Lesbians and Poverty -Black Lesbians and Racism -Black Lesbians and “Scientific Studies” -Black Lesbians and black Straight Wimmin -Black Lesbians and Theory -Black Lesbians and Transvestism -Black Lesbians and the Women’s Movement -Black Lesbians and Writers -Lesbians of Color and Organizations A -Lesbians and Abortion -Lesbians and Activism - Lesbians and AIDS/HIV -Lesbians and Actors and Entertainers -Lesbians and Adoption -Lesbians and Alternative Education -Lesbians and Alternative Healing -Lesbians and American Library Association -Lesbians and Animal Protection -Lesbians and Anthologies -Lesbians and Anti-Gay Literature -Lesbians and the Anti-War Movement -Lesbians and Archives/Archiving -Lesbians and Art/Artists -Lesbians and Auctions B -Lesbians and Battering -Lesbians and Lesbians who were Battered Children -Lesbians and Bikers -Lesbians and Bisexuals -Lesbians and Book Reviews -Lesbians and Brown, Rita Mae -Lesbians and Butch and Femme -Lesbians and Businesses C -Lesbians and Cancer -Lesbians and Careers -Lesbians and Charity Work -Lesbians and Chemical Dependance -Lesbians and Chicago Women’s Liberation Union -Lesbians and Child Custody -Lesbians and the CIA -Lesbians and Civil Rights -Lesbians and Classified Advertising -Lesbians and Comedy -Lesbians and Coming Out -Lesbians and Commitment Ceremonies -Lesbians and Committee for Women’s Concerns -Lesbians and Community Centers -Lesbians and Conferences -Lesbians and Counseling (battering) -Lesbians and Crafts -Lesbians and Crime D -Lesbians and Daly, Mary -Lesbians and Dances (Events) -Lesbians and Dance -Lesbians and DeGeneres, Ellen -Lesbians and Disibilites -Lesbians and Divorce E -Lesbians and Education -Lesbians and Elected Office -Lesbians and Employment -Lesbians and Employment Discrimination -Lesbians and Equity Institute -Lesbians and Erotica -Lesbians and Events -Lesbians and Ex-Mental Prisoners Group F -Lesbians and Family Planning -Lesbians and Fashion -Lesbians and the FBI -Lesbians and Feminism -Lesbians and Feminist Economic Network -Lesbians and the Feminist Press -Lesbians and Film -Lesbians and Foreign Language Publications -Lesbians and Foster Care G -Lesbians and Gay Academic Union -Lesbians and Gay Games -Lesbians and Gay Movement -Lesbians and Gay Pride Festivals and Marches -Lesbians and ‘Gay’ Rights -Lesbians and Gender Identities -Lesbians and Government H -Lesbians and Handicap Awareness -Lesbians and Hate Crimes -Lesbians and Health Care -Lesbians and Herstory -Lesbians and Herstory Archives -Lesbians and Homophobia -Lesbians and Human Rights Campaign I -Lesbians and Incest Biographies -Lesbians and Incest NALL Holdings -Lesbians and Incest Survivors -Lesbians and Incest Survivors Groups and Events -Lesbians and Incest Survivors Questionnaire and Writing -Lesbians and International Ms. Leather Contest 1989 (3rd Annual) J -Lesbians and Jewish Lesbian Women Analysis etc… -Lesbians and Jewish Lesbians Autobiographies, Biographies, Interviews -Lesbians and Jewish Lesbians Bibliographies -Lesbians and Jewish Lesbians Events and Meetings -Lesbians and Jewish Lesbians Histories -Lesbians and Jewish Lesbians Religion -Lesbians and Jewish Lesbians Short Stories and Poetry L -Lesbians and Land Projects -Lesbians and Latin American Exchange Program -Lesbians and Leadership -Lesbians and Lesbian Feminist Center -Lesbians and Lesbian Writers Conference (LWF) Chicago -Lesbians and Legal Defense -Lesbians and the Lesbian Community -Lesbians and Lesbian Culture -Lesbians and Lesbian Identity -Lesbians and Lesbian Land -Lesbians and Lesbianism Readings -Lesbians and Lesbian/Women’s Studies -Lesbians and Liberal Political Organizations -Lesbians and Libraries M -Lesbians and Male Homosexual Publications/News Clippings -Lesbians and Marches -Lesbians and Marriage -Lesbians and Mass Gay Political Caucus -Lesbians and the Mental Health System -Lesbians and Miller, Dusty -Lesbians and the Military -Lesbians and Miscellaneous Workshops -Lesbians and Motherhood -Lesbians and Mothering -Lesbians and Motorcycles -Lesbians and Music -Lesbians and Musicians N -Lesbians and NCLR (National Center for Lesbian Rights) -Lesbians and NGTF (National Gay Task Force) -Lesbians and the New Alliance Party -Lesbians and NOW O -Lesbians and Obituaries -Lesbians and the Occult -Lesbians and Olivia Records -Lesbians and Oppression -Lesbians and Organizations P -Lesbians and Their Parents -Lesbians and Periodicals -Lesbians and Photographs -Lesbians and Photography -Lesbians and Poetry -Lesbians and Politicians -Lesbians and Prisoners Rights -Lesbians and Pro Gay Political Candidates -Lesbians and Gay Professional Organizations -Lesbians and Police Brutality -Lesbians and Pride Parades -Lesbians and Provincetown -Lesbians and Psychological Studies -Lesbians and Publishers -Lesbians and Women’s Publications/Resources Q R -Lesbians and Racism -Lesbians and Radical Lesbians -Lesbians and Radio -Lesbians and Real Estate -Lesbians and Relationships -Lesbians and Religion -Lesbians and Reproductive Choices -Lesbians and Reproductive Rights -Lesbians and Ride, Sally -Lesbians and Roosevelt, Eleanor S -Lesbians and Saxe, Susan -Lesbians and Scholarships -Lesbians and Self Defense -Lesbians and Self Employment -Lesbians and Separatism -Lesbians and Sexology -Lesbians and Lesbian Separatism -Lesbians and Sexual Assault Survivors -Lesbians and Sexuality -Lesbians and Sex Work -Lesbians and Short Stories -Lesbians and S/M Articles in the Gay Male Press -Lesbians and S/M General -Lesbians and Sado-Masochism -Lesbians and S/M: Articles in the Lesbian and Lesbian Feminist Press -Lesbians and S/M Conflicts in Western MA -Lesbians and S/M Groups and Events -Lesbians and S/M Reading and Resource List -Lesbians and S/M Fantasies from Shelix Members -Lesbians and S/M Pat Califia, Writings -Lesbians and Speakers Bureaus -Lesbians and Sperm Donation -Lesbians and Spirituality -Lesbians and Sports -Lesbians and Stein, Gertrude -Lesbians and Storytelling -Lesbians and Straight Consciousness Raising -Lesbians and the Straight Press -Lesbians and Straight Women Friends -Lesbians and Support -Lesbians and Surveys T -Lesbians and Theater -Lesbians and Theory -Lesbians and Therapy/Social Work -Lesbians and Transvestism -Lesbians and Travel -Lesbians and TV V -Lesbians and Vacation -Lesbians and Video -Lesbians and Violence in Lesbian Relationships W -Lesbians and Washington DC March 1987 -Lesbians and Witches -Lesbians and Women’s Liberation Movement -Lesbians and Women Outdoors -Lesbians and Women’s Shelters -Lesbians and Worker’s Rights -Lesbians and Writers .
Recommended publications
  • "Rip Her to Shreds": Women's Musk According to a Butch-Femme Aesthetic
    "Rip Her to Shreds": Women's Musk According to a Butch-Femme Aesthetic Judith A, Peraino "Rip Her to Shreds" is the tide of a song recorded in 1977 by the rock group Blondie; a song in which the female singer cat­ tily criticizes another woman. It begins with the female "speak­ er" addressing other members of her clique by calling attention to a woman who obviously stands outside the group. The lis­ tener likewise becomes a member of the clique, forced to par­ ticipate tacitly in the act of criticism. Every stanza of merciless defamation is articulated by a group of voices who shout a cho­ rus of agreement, enticing the listener to join the fray. (spoken! Hey, psf pst, here she comes !lOW. Ah, you know her, would YOIl look ollhlll hair, Yah, YOIl know her, check out Ihose shoes, A version of this paper was read at the conference "Feminist Theory and Music: Toward a Common Language," Minneapolis, MN, June 1991. If) 20 Peraino Rip Her to Shreds She looked like she stepped out in the middle of somebody's cruise. She looks like the Su nday comics, She thinks she's Brenda Starr, Her nose·job is real atomic, All she needs is an old knife scar. CHORUS: (group) 00, she's so dull, (solo) come on rip her to shreds, (group) She's so dull, (solo) come on rip her to shreds.! In contrast to the backstabbing female which the Blondie song presents, so-called "women's music" emphasizes solidarity and affection between women, and reserves its critical barbs for men and patriarchal society.
    [Show full text]
  • The Lesbian Tide Is a Radical Feminist News Magazine Published Six Times a Year by Mondanaro in Politics? TIDE PUBLICATIONS
    $1.00 A £>, Gay PrH Whose (TIERRlLL-UJILSOn Realtor Residential—investment—Management Southern California Women for Understanding ARE YOU READY TO GROW LESBIAN RIGHTS AWARDS DINNER Call Honoring Ivy Bottini Del Martin & Phyllis Lyon Maureen Steinberg Gayle Wilson Mistress of Ceremonies: Midge Costanza Sat Sept IS The Biltmore Hotel 540 N. San Vicente $35 per person Los Anseles, Calif. 90048 for reservation information contact (213) 659-9933 Southern California Women For Understanding 13033 Ventura Blvd. THE NEW YORK FEMINIST Studio City, CA. 91604 ART INSTITUTE (213)766-6811 an exciting and innovative school and resource center opening in the fall of 1979, will provide an intellectual and cultural community for women in the arts. We invite you to share our enthusiasm and help us to realize our goals. For more information write: New York Feminist Art Institute. P. O. Box 798. Canal Street Sta- AMCtLti tion, New York. N. Y. 10013. S COMMUNITY CHORUS 3rd flNNUfll PRGGNTRTION Registered Cosmetologist Sculptured Haircuts Conditioning Coloring • performance of mu/ic Body Permanents compo/6d«orrong6d«conduct0d»sung 1022 North Fairfax West Hollywood by women (213) 656-7740 , Saturday, June 30, 1979 8:00 p.m. Robert Frost Auditorium 4401 Elenda, Culver City All Tickets: $4.50 Available from all chorus members and Feminist stores. TICKET DISTRIBUTORS: SISTERHOOD BOOKSTORE. PAGE ONE BOOKS, GentleTbuch SOJOURNER BOOKSTORE, FEMINIST HORIZONS, APPLE ROOM, FEMINIST WICCA, WOMANYES Dps Training For childcare reservations and general information call: 478-8308 by Kay Falcone _there_ujilI be signing forlhedeof 213 828 1583 nojjjgmQQ turned, QUUQU for lock of funds TIDE PUBLICATIONS Vol. 9 No.
    [Show full text]
  • Barbara Grier--Naiad Press Collection
    BARBARA GRIER—NAIAD PRESS COLLECTION 1956-1999 Collection number: GLC 30 The James C. Hormel Gay and Lesbian Center San Francisco Public Library 2003 Barbara Grier—Naiad Press Collection GLC 30 p. 2 Gay and Lesbian Center, San Francisco Public Library TABLE OF CONTENTS Introduction p. 3-4 Biography and Corporate History p. 5-6 Scope and Content p. 6 Series Descriptions p. 7-10 Container Listing p. 11-64 Series 1: Naiad Press Correspondence, 1971-1994 p. 11-19 Series 2: Naiad Press Author Files, 1972-1999 p. 20-30 Series 3: Naiad Press Publications, 1975-1994 p. 31-32 Series 4: Naiad Press Subject Files, 1973-1994 p. 33-34 Series 5: Grier Correspondence, 1956-1992 p. 35-39 Series 6: Grier Manuscripts, 1958-1989 p. 40 Series 7: Grier Subject Files, 1965-1990 p. 41-42 Series 8: Works by Others, 1930s-1990s p. 43-46 a. Printed Works by Others, 1930s-1990s p. 43 b. Manuscripts by Others, 1960-1991 p. 43-46 Series 9: Audio-Visual Material, 1983-1990 p. 47-53 Series 10: Memorabilia p. 54-64 Barbara Grier—Naiad Press Collection GLC 30 p. 3 Gay and Lesbian Center, San Francisco Public Library INTRODUCTION Provenance The Barbara Grier—Naiad Press Collection was donated to the San Francisco Public Library by the Library Foundation of San Francisco in June 1992. Funding Funding for the processing was provided by a grant from the Library Foundation of San Francisco. Access The collection is open for research and available in the San Francisco History Center on the 6th Floor of the Main Library.
    [Show full text]
  • Cruising for Olivia: Lesbian Celebrity and the Cultural Politics of Coming out in Sport
    Sociology of Sport Journal, 2011, 28, 461-477 © 2011 Human Kinetics, Inc. Cruising for Olivia: Lesbian Celebrity and the Cultural Politics of Coming Out in Sport Megan Chawansky and Jessica Margaret Francombe University of Bath This paper explores issues of sport, sponsorship, and consumption by critically interrogating the mass-mediated “coming out” narratives of professional golfer, Rosie Jones, and professional basketball player, Sheryl Swoopes. Both athletes came out publicly as gay in light of endorsements received by Olivia Cruises and Resorts—a company that serves lesbian travelers—thus marking a significant shift in the relationship between lesbian subjectivity, sport, and sponsorship. A concern with a neoliberal-infused GLBT politics underscores our analysis, and a close reading of these narratives raises complex questions about the corporatization of coming out and the existence of lesbian celebrity in sport. Cet article explore des questions de sport, de commandite et de consommation par le biais d’une interrogation critique des sorties de placard médiatisées de la golfeuse professionnelle Rosie Jones et de la joueuse de basket professionnelle Sheryl Swoopes. Les deux athlètes se sont affichées publiquement comme gaies lorsqu’elles ont fait des publicités pour la compagnie Olivia Cruises and Resorts (une entreprise qui sert les voyageuses lesbiennes), ce qui a apporté un change- ment important dans les relations entre la subjectivité lesbienne, le sport et les commandites. Notre analyse est marquée d’une préoccupation pour les politiques GLBT imprégnées de néo-libéralisme. Une lecture attentive des récits soulève des questions complexes au sujet de la privatisation de la sortie de placard et de l’existence des célébrités lesbiennes en sport.
    [Show full text]
  • Deneuve-1993-12.Pdf
    ■ LLE:3, -.- e;; E::&c:L t=.. :t:-:i. E3 =a= -.- <:1~E3 photosby Donno Santisi, custom color by Debra St. John by VolC. Phoenix It was an exciting time last January, when Bill Clinton was sworn in as President. The air was ripe with promises and hope. Melissa Etheridge was one of many revelers at the lesbian and gay Triangle Ball sharing in the victory celebration, and in that spirit she made a little proclamation of her own, telling the crowd, 0 l'm proud to have been a lesbian all my life.'" c:ember 1993 With that sentence Etheridge joined the of humor in that, possibly, but, eh, it's a Melissa explains, while chewing select group of out recording artists on real powerful statement." thoughtfully, that the song meant several major labels. One month later she won a This powerful statement is number four things to her. "It's a song where I'm totally Grammy for best hard rock vocal perfor­ in a line of releases going back to her self­ outside myself, third person, singing about mance, and in April she performed at the titled debut in 1988. Originally from things I've observed and feel looking at March on Washington to ecstatic cheers. Leavenworth, Kan., Etheridge, 32, was dis­ other women. But, also, I felt like in rock 'n' Now the record-buying public has its say, as covered by Island Records' founder Chris roll women don't have like a powerful her latest release, Yes / Am, hits the stores. Blackwell when she played the lesbian bar American anthem.
    [Show full text]
  • Ladyslipper Music
    LADYSLIPPER MUSIC •Records and Tapes by Women LADYSLIPPER MUSIC is a project of three North Carolina women who are interested in expanding the scope and availability of Women's music, in exploring and snaring the herstory of of women in music, and in working with and for other women to make a living. We want to be able to build a catalog of records and tapes by women that reflects our pasts, our presents and our futures. We want to find and share with you music by women of all ages, races, and classes. Music created and performed by women is as varied and unique as we are. Bringing it together into one catalog won't be easy—so we do have our limits. Records that are mass produced by major record labels and available in most record stores, we won't carry. What you will find offered by Ladyslipper are recordings of Women's music (i.e., music written, performed and produced by women, on women's labels, for women)...records documenting the herstory of women in music...record­ ings by women throughout the world and in foreign (to us) languages...music for children that doesn't insult kids' intelligence or bore them...political and non-sexist music...recordings of women with non-traditional styles and instuments...music that reflects innovative contributions by women...and some rare or just hard-to-get recordings. We feel that it is important for women to support the struggles, hard work and commitment of those women who have formed their own record companies and/or produced records with women's energy and talents.
    [Show full text]
  • The Disappearing L
    1 The Soundtrack of Our Awakening I seem to have spent my entire life listening to boys talk about music. And sometimes, no matter how smart or untrivial or mean- ingful the boy might be, the sheer aesthetic presence of a masculine voice in record talk can get on my nerves. Because there are so many males talking, all the time, about everything, on television and on the radio, that I just get sick of men. —Sarah Vowell, Radio On We were not the first feminist musicians to sing out, but this tour jump-started a cultural phenomenon that would change the lives of hundreds of thousands of women and men; it laid the ground- work so that a dozen years later, young independent women could dominate the music industry. At the same time, millions of people never even knew it happened. —Holly Near, Fire in the Rain . Singer in the Storm Not wanting to identify with women’s music is the same thing as not wanting to call yourself a feminist. —Kaia Wilson, The Butchies, Co-owner, Mr. Lady Records For more than thirty years, I’ve collected the work of feminist musicians and comedians who enjoyed cult status as lesbian stage performers in the 23 © 2016 State University of New York Press, Albany 24 The Disappearing L 1970s, ’80s, and ’90s. These groundbreaking artists, earning very little in return for what they gave to the women’s community, worked tirelessly as local and national activists. Against all odds, they made the subject of lesbian rights into dance music, whether on bass guitar, piano, banjo, drum kit, saxophone, horn, djembe, or flute.
    [Show full text]
  • LGBTQ America: a Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History Is a Publication of the National Park Foundation and the National Park Service
    Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. THEMES The chapters in this section take themes as their starting points. They explore different aspects of LGBTQ history and heritage, tying them to specific places across the country. They include examinations of LGBTQ community, civil rights, the law, health, art and artists, commerce, the military, sports and leisure, and sex, love, and relationships. LGBTQ 16BUSINESS AND COMMERCE David K. Johnson As the field of gay and lesbian studies first began to take shape in the 1980s, writer and activist Dennis Altman called attention to the central role that commercial enterprises played in the development of LGBTQ communities. “One of the ironies
    [Show full text]
  • Examining Diversity in Youtube Music Videos with Queer Women Couples from 2006-2019
    Syracuse University SURFACE Theses - ALL May 2020 Examining Diversity in YouTube Music Videos with Queer Women Couples from 2006-2019 Sierra A. Holland Syracuse University Follow this and additional works at: https://surface.syr.edu/thesis Part of the Social and Behavioral Sciences Commons Recommended Citation Holland, Sierra A., "Examining Diversity in YouTube Music Videos with Queer Women Couples from 2006-2019" (2020). Theses - ALL. 398. https://surface.syr.edu/thesis/398 This Thesis is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Theses - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract This quantitative study examines the diversity of women1 included in music videos with relationships between two women through a comparative content analysis. Informed by intersectionality and queer theory, this study investigated the racial diversity, body diversity, gender performance, and tropes present in music videos with queer women couples (n=473) through a quantitative content analysis. This study also compared the diversity and tropes present in music videos made by musicians who identify as lesbian, bisexual, pansexual, and queer women and music videos made by non-queer musicians. Quantitative data was collected and reported for musicians who identify outside of the gender binary (e.g. non-binary, gender non- conforming, agender), but they were not included in the comparative analysis2. This thesis reports that the majority of women included in these music videos are white (62.79%), thin (98.73%), feminine (79.07%). In addition, the music videos often contained themes that exploit queer women’s sexuality either by a non-queer artist trying to gain queer women’s viewership or by portraying queer women’s relationships as for men’s pleasure.
    [Show full text]
  • Feeling Womens Culture, JDTC, 26.2.Dolan, 2012
    Access Provided by Princeton University at 07/17/12 10:55AM GMT Spring 2012 205 Feeling Women’s Culture: Women’s Music, Lesbian Feminism, and the Impact of Emotional Memory Jill Dolan What is women’s music? It is a song, rising from the footsteps of seven million women who were burned at the stake in the Middle Ages. Or songs that make love; oh, please do listen to the songs that make love. Maybe it is music for those who love or want to learn to love women amid misogyny. It represents our brazenness as well as our tenderness; our brilliance as well as our moments of weakness; our passion as well as our despair; our bravery as well as our fear; our desire to be mothers as well as our choice not to have children; our lesbianism as well as our heterosexuality, bisexuality, or celibacy; but especially our lesbianism, for even if we don’t actively live lesbian lives, understanding the desire to make love with a woman is divine approval of making love to ourselves.1 —Holly Near, “Fire in the Rain” This essay considers lesbian feminist cultural production in the 1970s as an activist project fueled by potent, newly expressed emotions, which has yet to be given its due in feminist or LBGTQ scholarship. As an erstwhile lesbian feminist myself, I’d like to recuperate the visionary cultural work which, I believe, was caught in the crosshairs of political and academic history, falling victim to the poststructuralist theoretical critique and becoming a scapegoat for a new academic field trying hard to establish itself as legitimate and serious.
    [Show full text]
  • The American Academy of Clinical Sexologists the Correlation of Sexual Frequency and Relationship Satisfaction Among Lesbians A
    1 THE AMERICAN ACADEMY OF CLINICAL SEXOLOGISTS THE CORRELATION OF SEXUAL FREQUENCY AND RELATIONSHIP SATISFACTION AMONG LESBIANS A DISSERTATION SUBMITTED TO THE FACULTY OF THE AMERICAN ACADEMY OF CLINICAL SEXOLOGISTS IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY MICHELE O’MARA ORLANDO, FLORIDA 2012 2 CONTENTS ACKNOWLEDGEMENTS..………………………………………….......................... i LIST OF ILLUSTRATIONS ………………………………………….......................... ii Chapter 1. INTRODUCTION …………………………..…….……………..................... x 2. A BRIEF LOOK AT LESBIAN HISTORY………….……………………… x 3. INTRODUCTION TO STUDY………………..………………………….…. xx Research Method Recruitment The Sample 4. DEFINING LESBIAN SEX ………………..………………………….…… xx Influential Books About Lesbian Sex Defining Lesbian Sex 5. SEXUAL BEHAVIORS OF LESBIANS…………….......................................... xx Human Sexual Response Cycle The Sexual Behaviors of Lesbians Masturbation Orgasms Open Relationships Among Lesbians 6. SEXUAL FREQUENCY AMONG LESBIANS..................................................... xx Lesbian Bed Death Sexual Frequency of Lesbians 7. CHARACTERISTICS MOST VALUED IN LESBIAN RELATIONSHIPS ... xx Overview of Relationship Characteristics and their Importance to Lesbians 3 The Importance of Sex to Lesbians How often is Sex the Cause for Leaving a Relationship? 8. CHANGES IN LESBIAN SEXUAL FREQUENCY OVER TIME……. xxx Changes in Sexual Frequency Causes for Decline in Sexual Frequency 9. LESBIAN RELATIONSHIP SATISFACTION………………………... xxx Overall Relationship Satisfaction Levels Sexual Frequency and Relationship Satisfaction 10. CONCLUSION………………………………………………………. xxx REFERENCE LIST……..…………………………………………………….. xxx 4 ACKNOWLEDGEMENTS I have much appreciation for many people who have been instrumental in the development of this project. To Dr. Charlayne Grenci, I give special thanks for her invaluable guidance and leadership. She provided consistent support and feedback during every step of the process. Her attention to detail, combined with her persistence, and her desire for perfection, encouraged me to be my best.
    [Show full text]
  • Discursive Spaces from America's First Gay Magazine to the World's Last Website for Queer Women, 1947-2019 Josie Rush
    Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Summer 8-10-2019 Just Between Us Girls: Discursive Spaces from America's First Gay Magazine to the World's Last Website for Queer Women, 1947-2019 Josie Rush Follow this and additional works at: https://dsc.duq.edu/etd Part of the American Popular Culture Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Recommended Citation Rush, J. (2019). Just Between Us Girls: Discursive Spaces from America's First Gay Magazine to the World's Last Website for Queer Women, 1947-2019 (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1810 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. JUST BETWEEN US GIRLS: DISCURSIVE SPACES FROM AMERICA’S FIRST GAY MAGAZINE TO THE WORLD’S LAST WEBSITE FOR QUEER WOMEN, 1947-2019 A Dissertation Submitted to McAnulty College of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Josie Rush August 2019 Copyright by Josie Rush 2019 JUST BETWEEN US GIRLS: DISCURSIVE SPACES FROM AMERICA’S FIRST GAY MAGAZINE TO THE WORLD’S LAST WEBSITE FOR QUEER WOMEN, 1947-2019 By Josie Rush Approved June 28, 2019 ________________________________ ________________________________ Dr. James P. Purdy Dr. Judy Suh Professor of English Professor of English (Committee Chair) (Committee Member) ________________________________ Dr. Kara Keeling Professor of Cinema and Media (Committee Member) ________________________________ ________________________________ Dr.
    [Show full text]