The Downfall of the Ryerson Press
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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
DOCUMENT RESUME BD 055 010 SO 001 939 Project Canada West
DOCUMENT RESUME BD 055 010 SO 001 939 TITLE Project Canada West. Urbanization as Seen Through Canadian Writings. INSTITUTION Western Curriculum Project on Canada Studies, Edmonton (Alberta). PUB DATE Jun 71 NOTE 105p. EDRS PRICE 1F-$0.65 HC-$6.58 DESCRIPTORS Curriculum Development; *Environmental Education; Interdisciplinary Approach; Literature; *Literature Programs; Projects; Self Concept; Senior High Schools; Social Problems; *Social Studies; Urban Culture; Urban Environment; *Urbanization; *Urban Studies IDENTIFIERS Canada; *Project Canada West ABSTRACT Facing the reality that students have become very aware of their environment and the problems we face merely to survive, and being aware of the alienation of a person as urbanization increases, the project staff decided to develop a curriculum to examine the urban environment through the works of Canadian writers, poets, novelists, etc. IR this way, tenth, eleventh, and twelfth grade students could confront some of the major concerns; become involved personally, though vicariously, in the lives and situations of individuals; and, learn about himself, his place, his role in urban society, and his Canadian literary heritage. The content selection and coMpilation of the writings was from a national point of view related to all parts of Canadian urbanization. The materials accumulated or referred to them during six months are included here in various categories taking into consideration the physical and human elements of each work:1) Faces of the City: descriptions, rejection of and attraction to the city; 2) Faces in the City: dwellers life styles, reactions, age, ef'-nic groups, city natives; 3) Poverty; 4) Handicapped; 5)So-. Tres; and, 6) Pollution. The material discussed is very co allow for survey studies city or local studies, or intensive area studies of urban regions; and, may be used as supplementary material or as primary content. -
University of Toronto Archives and Record Management Services
University of Toronto Archives and Record Management Services Finding Aids – Claude Bissell fonds Contains the following accessions: • B1984-0036 • B1993-0015 • B1984-0042 • B2001-0019 • B1986-0011 • B2001-0032 • B1986-0023 • B2003-0017 • B1987-0038 • B2011-0018 • B1987-0041 • B2013-0009 • B1988-0091 • B2017-0017 • B1989-0031 To navigate to a particular accession, use the bookmarks in the PDF file B84 - OOJ§_ BISSELL , Claude Thomas -----+-- ---------------------------------------------- Box ( ) Folder / Vol /001 Seri es I: Elsi e May Pomeroy (01) Correspondence. from.A~thur S, Bourinot, 1942 - 1958 (02) Newspaper cl i ppi ngs, Poems and photographs, collected by Elsie Pomeray, (03) Book reviewsp invit ation cards, correspondence, notes. /002 Series II: Claude T. Bissell Personal Correspondence.wi th Morley Call aghan, Robertson Davies, E, K. Brown , Earle Birney; Marshall McLuhan, J .B. Bickersteth /003 Personal Correspondence- /004 Personal Correspondence /005 General Correspondence, 1937 - 1959 /006 " " 1960 - 1963 II 964 1967 /007 " :1;- - II II / 008 1968 - 1970 II -· 1972 (March) /009 " 1971 /010· " II 1972 (April.~ 1974) . al so undated /011 " " 1975 - 1976 ; as President, 1957 -· 1958 /012 Correspondence regarding appoint ment / 013 Correspondence by subject, 1932 - 1972 /014 Articles and manuscripts by Claude T. Bissell (01 ) "Letters i n Canada" by Claude T. Bissell, 1947 - 1956 (publ ished extracts) Lectures, speeches, manuscripts (folder 1 of 2) (02( (Folder 2 of 2) ; (03( " " " (04, Ghana lectures, II to V . (05 ) Off prints of l ectures J (06 Literary manuscri pts . (07 tt " . (08) ft ft of others Li terary material, general (09~ (10 "China Di~y Revisited" /015 Articles on University Administration address~~ 1946 -·1972 /016 Correspondence, l etters of recommentation, fil es, lectures and publications /017 Correspondence, course accumulated while at Harvard, 19IS7 - -1968 up."- :Pa.rnassus-1'·; -·rr'iYp,esorip.t drafts; photo<::-opy /018 ''.'!{:aJ.fw.ay .ofi, proofs.. -
How a United Church Congregation Articulates Its Choices from the 41St General Council's
“What Language Shall I Borrow?” How a United Church Congregation Articulates its Choices from the 41st General Council’s Recommendations Regarding Peacebuilding in Israel/Palestine by Donna Patricia Kerrigan A Thesis submitted to the Faculty of Emmanuel College and the Toronto School of Theology In partial fulfillment of the requirements for the degree of Doctor of Ministry awarded by Emmanuel College and the University of Toronto © Copyright by Donna Patricia Kerrigan 2016 “What Language Shall I Borrow?” How a United Church Congregation Articulates its Choices from the 41st General Council’s Recommendations Regarding Peacebuilding in Israel/Palestine Donna Patricia Kerrigan Doctor of Ministry Emmanuel College and the University of Toronto 2016 Abstract The thesis of this dissertation is that members of the United Church of Canada who respond to the Report on Israel/Palestine Policy select from its peacebuilding recommendations according to their attitudes to theological contextualizing. Two attitudes give rise to two different methods, which are seldom articulated but underlie choices regarding peace initiatives such as boycotting or ecumenical/multifaith cooperation. The dissertation includes five parts: an investigation of contextual theologies for peacebuilders; a history of the UCC and ecumenical partners who have struggled to assist peace in Israel/Palestine; strategies for peace-minded ministers; a case-study of one congregation choosing peace strategies; and recommendations for denominational communications and peacebuilding. This thesis poses a taxonomy for theologizing in context, moving from initial interaction with the other by translating local systems of thought into terms of the Gospel message. Contextualizers proceed either to immerse in the local culture (anthropological) or to engage with locals in mutual learning (synthesis). -
Female Police Bodies and the Disruption to the Image of the Royal Canadian Mounted Police
Women in Red Serge: Female Police Bodies and the Disruption to the Image of the Royal Canadian Mounted Police by Bonnie Reilly Schmidt M.A. (History), Simon Fraser University, 2006 B.A., University of the Fraser Valley, 2004 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History Faculty of Arts and Social Sciences Bonnie Reilly Schmidt 2013 SIMON FRASER UNIVERSITY Fall 2013 Approval Name: Bonnie Reilly Schmidt Degree: Doctor of Philosophy (History) Title of Thesis: Women in Red Serge: Female Police Bodies and the Disruption to the Image of the Royal Canadian Mounted Police Examining Committee: Chair: Jeremy Brown Assistant Professor of History Willeen Keough Senior Supervisor Associate Professor of History Mark Leier Supervisor Professor of History Elise Chenier Supervisor Associate Professor of History Lara Campbell Internal/External Examiner Associate Professor of Gender, Sexuality, and Women’s Studies Jane Nicholas External Examiner Associate Professor Department of Women’s Studies Lakehead University Date Defended/Approved: October 28, 2013 ii Partial Copyright Licence iii Ethics Statement iv Abstract The arrival of women in the Royal Canadian Mounted Police (RCMP) in the mid-1970s disrupted the masculine image of a police force that was intimately connected to idealized Canadian manhood and the formation of the nation. Yet, women have been noticeably absent from the historical record of the RCMP, allowing the figure of the heroic male Mountie to continue his dominance in official, academic, and popular histories. Central to these discourses has been the male police body which has been positioned as the only body capable of enforcing the law in Canada. -
LORNE PIERCE MEDAL – Royal Society Of
LORNE PIERCE MEDAL – Royal Society of Canada Nomination Deadline: March 2022 Internal Deadline: TBD Good to know: Nomination is by Fellow of the Royal Society or our President Sponsor: Royal Society of Canada Web Site: https://rsc-src.ca/en/awards-excellence/rsc-medals-awards#Pierce For an achievement in critical or imaginative literature. Awarded: Biennially Next deadline: 2022 The medal was established in 1926 by Lorne Pierce (1890-1961), FRSC, who was Editor of Ryerson Press for forty years and contributed greatly to the development and appreciation of Canadian literature. The medal is awarded for an achievement of special significance and conspicuous merit in imaginative or critical literature written in either English or French (critical literature dealing with Canadian subjects has priority over critical literature of equal merit that does not deal with Canadian subjects). The gold plated silver medal is offered every two years if there is a suitable candidate. In addition to the specific information to be included in the nomination form, a complete nomination also comprises the following items: (1) a letter from the Primary Nominator (2) two letters from co-nominators attesting to their support of the nomination (3) a short citation (max 70 words) (4) a detailed appraisal of the nominee’s scholarship or artistic achievements (max 1200 words) (5) three letters of reference from independent referees and their biographies (6) a Curriculum Vitae (maximum of 20 pages) CONTACT Interested faculty are encouraged to consult with Danelle D'Alvise, Prizes & Awards Manager in the Office of the Vice-President, Research regarding this Medal and for assistance with the nomination process including: writing, editing and proofreading required elements of the nomination package; securing letters of support; and managing the submission process to ensure deadlines are met. -
Defending Writers in Prison for 50 Years
Defending Writers in Prison for 50 Years pen canada annual report 2009–10 1960/1961/1962/1963 PEN Canada is a non-profit literary and human rights organization that works on behalf of the right to /1964/1965/1966/19freedom of expression. We assist imprisoned or otherwise persecuted writers internationally through campaigns combining public awareness and quiet 67/1968/1969/1970/diplomacy. We also work to ensure that those responsible for the deaths of writers are brought to justice. At home, we provide opportunities for writers in exile to find 1971/1972/1973/1974/a place within Canadian society and monitor issues of censorship. PEN Canada 75/1976/1977/1978/is a registered charity. 1979/1980/1981/1982/19 83/1984/1985/1986/ 1987/1988/1989/1990/19 91/1992/1993/1994/ contents 1 Foreword 2 Introduction: Because Writers Speak Their Minds 1995/1996/1997/1998/19 8 PEN International President’s Message 10 President’s Message 18 Writers in Prison Committee Report 20 Honorary Members 99/2000/2001/2002/ 30 Honorary Members Released 36 National Affairs Committee Report 40 Membership Committee Report 03/2004/2005/2006/ 42 Members and Supporters 07/2008/2009/2010PEN CANADA 2 1960/1961/1962/1963 /1964/1965/1966/19 67/1968/1969/1970/ 1971/1972/1973/1974/ 75/1976/1977/1978/ 1979/1980/1981/1982/19 The empty chair on the stage at all PEN events serves as a reminder to the audience that as we are all enjoying an evening of readings and 83/1984/1985/1986/ conversation there are those who cannot be with us because they are in prison simply for having the audacity to express their views. -
Generic Experiment and Confusion in Early Canadian Novels of the Great War
Generic Experiment and Confusion in Early Canadian Novels of the Great War Colin Hill he Canadian novel changed dramatically in the years immediately following the Great War of 1914-18. In the 1920s and ’30s an innovative, modern, cosmopolitan, and multi-gen- ericT literary realism began to challenge and supersede the nineteenth- century romanticism that had loomed large in the national fiction at least since Confederation. Two formative literary magazines were found- ed shortly after the 1918 armistice: Canadian Bookman in 1919 and The Canadian Forum in 1920. Both publications printed articles and mani- festos that demanded a new realism capable of representing the modern and independent Canada that had emerged from the war. In these same years, Canadian writers from all regions began to produce modern-real- ist novels in various sub-genres, including prairie realism, urban realism, and social realism. These writers challenged the verbose and ornate styles of their predecessors with a language that was idiomatic and dir- ect. They sought narrative objectivism and impersonality in accordance with the documentary approach they brought to their representations of contemporary Canada. The most ambitious and creative modern realists experimented with literary form and reworked innovative and international modernist devices to express their interest in exploring and representing human psychology. By the end of the 1920s, some of the best examples of these multi-generic modern-realist works had been published, and a few of them are still read today: J.G. Sime’s Sister Woman (1919), Douglas Durkin’s The Magpie (1923), Frederick Philip Grove’s Settlers of the Marsh (1925), Martha Ostenso’s Wild Geese (1925), Morley Callaghan’s Strange Fugitive (1928), and Raymond Knister’s White Narcissus (1929). -
Uot History Freidland.Pdf
Notes for The University of Toronto A History Martin L. Friedland UNIVERSITY OF TORONTO PRESS Toronto Buffalo London © University of Toronto Press Incorporated 2002 Toronto Buffalo London Printed in Canada ISBN 0-8020-8526-1 National Library of Canada Cataloguing in Publication Data Friedland, M.L. (Martin Lawrence), 1932– Notes for The University of Toronto : a history ISBN 0-8020-8526-1 1. University of Toronto – History – Bibliography. I. Title. LE3.T52F75 2002 Suppl. 378.7139’541 C2002-900419-5 University of Toronto Press acknowledges the financial assistance to its publishing program of the Canada Council for the Arts and the Ontario Arts Council. This book has been published with the help of a grant from the Humanities and Social Sciences Federation of Canada, using funds provided by the Social Sciences and Humanities Research Council of Canada. University of Toronto Press acknowledges the finacial support for its publishing activities of the Government of Canada, through the Book Publishing Industry Development Program (BPIDP). Contents CHAPTER 1 – 1826 – A CHARTER FOR KING’S COLLEGE ..... ............................................. 7 CHAPTER 2 – 1842 – LAYING THE CORNERSTONE ..... ..................................................... 13 CHAPTER 3 – 1849 – THE CREATION OF THE UNIVERSITY OF TORONTO AND TRINITY COLLEGE ............................................................................................... 19 CHAPTER 4 – 1850 – STARTING OVER ..... .......................................................................... -
Appendix C Letters Not Included in the Print Edition
Appendix C Letters not included in the print edition I Peregrinations: 1903-1925 E. LODGE (2 DEC. 1903). EJP, VUL. Handwritten, on a ‘Newfoundland postcard’ (3 x 5) with 1 cent postage. Addressed to Mr E. Lodge / Asst. Sup. Of Education / St John’s/ Newfoundland. Offers to sell 400 Newfoundland stamps ‘at fifty cents a hundred as you said last year.’ MRS F.H. WALLACE (18 AUG. 1918). Pratt, MUNA. Handwritten, plain paper. Encloses a carbon copy of the typescript of ‘Rachael, a Sea-Story of Newfoundland (In Verse)’ as a gift in appreciation for the kindness of Dr and Mrs Wallace. LORNE PIERCE (16 APR. 1923). Pierce, QUA. Handwritten, LH2. Asks that copies of NV, published on 2 April 1923, be sent to reviewers as soon as possible. ARTHUR PHELPS (23 APR. 1918). Phelps, UML. Handwritten, plain paper. Encloses a recent AV, requested by Phelps, containing one of his poems [possibly ‘The Dear Illusion,’ AV (Mar. 1918): 312]. Requests ‘tit for tat.’ LORNE PIERCE (11 JUNE 1923). Pierce, QUA. Handwritten, LH3. Encloses clippings of a review of NV in the St. John’s Daily News. WILLIAM ARTHUR DEACON (3 AUG. 1923). Deacon, FRBL. Handwritten, LH2 with address crossed out and written over. Writes from Bobcaygeon to tell Deacon that W.A. Creighton of the Christian Guardian has agreed that he should review Deacon’s new book, Pens and Pirates [Toronto: Ryerson, 1923]. LORNE PIERCE (8 DEC. 1923). Pierce, QUA. Handwritten, LH2. Submission of three typescripts of ‘The Witches’ Brew’ for consideration by The Ryerson Press. NEWTON PINCOCK (NEWT AND JENNIE PINCOCK AND FRED AND MINNIE MAINES) (8 JUNE 1924) Pincock, UWL. -
News from the Feminist Caucus, by Anne Burke
News from the Feminist Caucus, by Anne Burke This month, more news from Bernice Lever and Mary Lou Soutar-Hynes; previews from Inanna Press and Wilfred Laurier Press; and a review of Journey With No Maps, A Life of P.K. Page (McGill-Queen’s Press) by Sandra Djwa. Don’t forget to send your review, news, and/or link! “Women are in language prison who can’t read safety regulations on the job, can’t read warnings on cleaning fluids or on wharfs, can’t read to get car licences or job contracts.” Bernice Lever edited and contributed to language(s) prison(s) 1998, with other papers by Nela Rio, Sheila Hyland, and Mary Dalton, in the Living Archives Series. She also compiled Singing, An Anthology of Women’s Writing from Canadian Prisons (Highway Book Shop, 1979). From: Bernice Lever To: A. Burke Sent: Friday, February 22, 2013 1:26:20 PM Subject: Query on reviews and interviews? Dear Anne: Sorry to be so slow in contacting you. Do you have a full slate of speakers on Male Mentors or topic for Toronto AGM in June? I am in Ottawa for Friday and Saturday --- for PLR and flying by banquet time to Toronto. Sat.8th. But I could send a prepared piece as some did last year who could not be present for the panel. 1.) Jennifer Footman interviewed me last year. She has the printed version and an audio one. Do you use audio ones on Feminist Caucus site? 2.) Also I wrote a book review of the Poet to Poet anthology by Guernica Editions which has some F.C. -
Lorne Pierce, Ryerson Press, and the Lmakters of Canadian Literature Series
Lorne Pierce, Ryerson Press, and The lMakters of Canadian Literature Series Margery Fee Probably every university library in Canada has, scattered through its Cana- dian Literatuire section, most of the thirteen blue and gold volumes of Ryer- son Press's Makers of Canadian Literature series.' It is just as probable that some of these volumes rarely leave the shelves: who is likely to want a book on Robert Norwood, Arthur Stringer, or Peter McArthur today? Charles G.D. Roberts, Isabella Valancy Crawford, and Stephen Leacock are still widely taught, but the canon has shifted away from William Henry Drum- mond, Thomas Haliburton, William Kirby, and even John Richardson. Louis Fréchette, Frangois-Xavier Garneau, and Antoine G6rin-Lajoie are all impor- tant figures in Quebec history, but none is now claimed as a great poet or novelist. Still, the history of the series is of interest to bibliographers, anti- qluarian book dealers, and literary historians. Lately, critical attention has turned to such matters as the economics of literary production, the history of the audience's 'reception' of particular works, the formation of national canons, and the description of the institutions connected with any special- ized discourse. The history of the Makers of Canadian Literature series touches on all these matters. The series can by no means be described as an unequivocal success: it failed financially, and some of its volumes are uncritical and badly written. Still, other volumes are readable and makte good critical sense. And the mere process of preparing the series generated, uncovered, and preserved a great deal of information about Canada's early literary history that, while it remains to be fully exploited, will undoubtedly be useful to both scholars and critics.