Appendix C Letters Not Included in the Print Edition
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
Marjorie Lowry Christie Pickthall - Poems
Classic Poetry Series Marjorie Lowry Christie Pickthall - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive www.PoemHunter.com - The World's Poetry Archive 1 Marjorie Lowry Christie Pickthall(14 September 1883 – 19 April 1922) Marjorie Lowry Christie Pickthall (September 14, 1883, Gunnersbury, London, – April 19, 1922, Vancouver), was a Canadian writer who was born in England but lived in Canada from the time she was seven. She was once "thought to be the best Canadian poet of her generation." Marjorie Pickthall was born in 1883 in the west London district of Gunnersbury, to Arthur Christie Pickthall, a surveyor and the son of a Church of England clergyman, and Elizabeth Helen Mary Pickthall (née Mallard), daughter of an officer in the Royal Navy, part Irish and part Huguenot. According to her father, Pickthall had planned her career before she was six; she would be a writer and illustrator of books. Her parents encouraged her artistic talents with lessons in drawing and music; an accomplished violinist, she continued studying violin until she was twenty. By 1890, Pickthall and her family had moved to Toronto, Canada where her father initially worked at the city’s waterworks before becoming an electrical draftsman. Her only brother died in 1894. Marjorie was educated at the Church of England day school on Beverley Street in Toronto, (possibly St. Mildred's College) and from 1899 at the Bishop Strachan School. She developed her skills at composition and made lasting friendships at these schools, despite suffering poor health, suffering from headaches, dental, eye and back problems. -
Northrop Frye and Edmund Blunden Robert D
Northrop Frye and Edmund Blunden Robert D. Denham dmund blunden (1896 to 1974) was Frye’s tutor at Merton College, EOxford University, during the two separate academic years Frye studied there, 1936–37 and 1938–39. Blunden was a poet, teacher, and critic, a survivor of two years in the trenches at Ypres, Somme, and Passchaendaele in World War I, and a close friend of Siegfrid Sassoon, another of the so- called war poets, who, like Blunden, was decorated for bravery. He was a professor of English at the University of Tokyo (1924 to 1927), and on returning to England he had a brief career as a literary journalist, writ- ing for the Nation and the Times Literary Supplement before taking up the position as Fellow and Tutor in English at Merton College in 1931. Blunden was extraordinarily prolific as a poet, prose writer, and journal- ist. Brownlee Jean Kirkpatrick’s bibliography of Blunden contains 3,988 entries, including more than three thousand contributions to periodicals and newspapers. Even so, Ms Kirkpatrick confesses that her bibliography is far from complete (xiii). In 1956 he succeeded Robert Graves as Professor of Poetry at Oxford, a crowning achievement of a life devoted to literature. Blunden was a polymath, as Frye would turn out to be, and much, perhaps most, of his critical writing centred on the nineteenth-century poets and ESC 41.4 (December 2015): 69–92 essayists. He wrote books and monographs, which we would characterize today as largely historical and biographical, on Clare, Keats, Wordsworth, Coleridge, the Shelleys (Percy and Mary), Byron, and Lamb. -
LORNE PIERCE MEDAL – Royal Society Of
LORNE PIERCE MEDAL – Royal Society of Canada Nomination Deadline: March 2022 Internal Deadline: TBD Good to know: Nomination is by Fellow of the Royal Society or our President Sponsor: Royal Society of Canada Web Site: https://rsc-src.ca/en/awards-excellence/rsc-medals-awards#Pierce For an achievement in critical or imaginative literature. Awarded: Biennially Next deadline: 2022 The medal was established in 1926 by Lorne Pierce (1890-1961), FRSC, who was Editor of Ryerson Press for forty years and contributed greatly to the development and appreciation of Canadian literature. The medal is awarded for an achievement of special significance and conspicuous merit in imaginative or critical literature written in either English or French (critical literature dealing with Canadian subjects has priority over critical literature of equal merit that does not deal with Canadian subjects). The gold plated silver medal is offered every two years if there is a suitable candidate. In addition to the specific information to be included in the nomination form, a complete nomination also comprises the following items: (1) a letter from the Primary Nominator (2) two letters from co-nominators attesting to their support of the nomination (3) a short citation (max 70 words) (4) a detailed appraisal of the nominee’s scholarship or artistic achievements (max 1200 words) (5) three letters of reference from independent referees and their biographies (6) a Curriculum Vitae (maximum of 20 pages) CONTACT Interested faculty are encouraged to consult with Danelle D'Alvise, Prizes & Awards Manager in the Office of the Vice-President, Research regarding this Medal and for assistance with the nomination process including: writing, editing and proofreading required elements of the nomination package; securing letters of support; and managing the submission process to ensure deadlines are met. -
The Royal Society of Canada
CELEBRATING EXCELLENCE AND IMPACT THE ROYAL SOCIETY OF CANADA 2015 ANNUAL REPORT www.rsc-src.ca TABLE OF CONTENTS ABOUT US .............................................................................................................................................................................................................. 2 MESSAGE FROM THE PRESIDENT ....................................................................................................................................................................... 3 MESSAGE FROM THE EXECUTIVE DIRECTOR ..................................................................................................................................................... 4 RSC COUNCIL AND THE SECRETARIAT ................................................................................................................................................................ 5 EXPERT PANELS ................................................................................................................................................................................................... 6 REPORTS FROM ABROAD .................................................................................................................................................................................... 6 INTERNATIONAL ACTIVITIES ................................................................................................................................................................................. 7 WORK OF THE ACADEMIES ................................................................................................................................................................................ -
News from the Feminist Caucus, by Anne Burke
News from the Feminist Caucus, by Anne Burke This month, more news from Bernice Lever and Mary Lou Soutar-Hynes; previews from Inanna Press and Wilfred Laurier Press; and a review of Journey With No Maps, A Life of P.K. Page (McGill-Queen’s Press) by Sandra Djwa. Don’t forget to send your review, news, and/or link! “Women are in language prison who can’t read safety regulations on the job, can’t read warnings on cleaning fluids or on wharfs, can’t read to get car licences or job contracts.” Bernice Lever edited and contributed to language(s) prison(s) 1998, with other papers by Nela Rio, Sheila Hyland, and Mary Dalton, in the Living Archives Series. She also compiled Singing, An Anthology of Women’s Writing from Canadian Prisons (Highway Book Shop, 1979). From: Bernice Lever To: A. Burke Sent: Friday, February 22, 2013 1:26:20 PM Subject: Query on reviews and interviews? Dear Anne: Sorry to be so slow in contacting you. Do you have a full slate of speakers on Male Mentors or topic for Toronto AGM in June? I am in Ottawa for Friday and Saturday --- for PLR and flying by banquet time to Toronto. Sat.8th. But I could send a prepared piece as some did last year who could not be present for the panel. 1.) Jennifer Footman interviewed me last year. She has the printed version and an audio one. Do you use audio ones on Feminist Caucus site? 2.) Also I wrote a book review of the Poet to Poet anthology by Guernica Editions which has some F.C. -
Lorne Pierce, Ryerson Press, and the Lmakters of Canadian Literature Series
Lorne Pierce, Ryerson Press, and The lMakters of Canadian Literature Series Margery Fee Probably every university library in Canada has, scattered through its Cana- dian Literatuire section, most of the thirteen blue and gold volumes of Ryer- son Press's Makers of Canadian Literature series.' It is just as probable that some of these volumes rarely leave the shelves: who is likely to want a book on Robert Norwood, Arthur Stringer, or Peter McArthur today? Charles G.D. Roberts, Isabella Valancy Crawford, and Stephen Leacock are still widely taught, but the canon has shifted away from William Henry Drum- mond, Thomas Haliburton, William Kirby, and even John Richardson. Louis Fréchette, Frangois-Xavier Garneau, and Antoine G6rin-Lajoie are all impor- tant figures in Quebec history, but none is now claimed as a great poet or novelist. Still, the history of the series is of interest to bibliographers, anti- qluarian book dealers, and literary historians. Lately, critical attention has turned to such matters as the economics of literary production, the history of the audience's 'reception' of particular works, the formation of national canons, and the description of the institutions connected with any special- ized discourse. The history of the Makers of Canadian Literature series touches on all these matters. The series can by no means be described as an unequivocal success: it failed financially, and some of its volumes are uncritical and badly written. Still, other volumes are readable and makte good critical sense. And the mere process of preparing the series generated, uncovered, and preserved a great deal of information about Canada's early literary history that, while it remains to be fully exploited, will undoubtedly be useful to both scholars and critics. -
Literature Awards Covering Specific Periods/Fields
Literature Awards Covering Specific Periods/Fields Medieval Studies • Van Courtlandt Elliott Prize (Medieval Academy of America) (for a first article) http://www.medievalacademy.org/grants/gradstudent_elliottprize.htm Nomination deadline: October 15. • Haskins Medal (Medieval Academy of America) (for a book on any aspect of medieval studies) Books remain eligible for five years. The period of eligibility is defined by the publication date printed in the book, which must be two–six years prior to the date of the award. For example, books bearing the publication dates 2002–2006 were eligible for the prize given in 2008.http://www.medievalacademy.org/grants/gradstudent_cara_haskins.htm Nomination deadline: October 15. • John Nicholas Brown Prize (Medieval Academy of America) (for a first book) A first book or monograph's eligibility is determined by the publication date. Books are eligible to be submitted in the third year after the publication date that appears in the book. For example, books bearing a publication date of 2000 were submitted in 2003 for the prize given in 2004. http://www.medievalacademy.org/grants/gradstudent_cara_brown.htmNomination deadline: October 15. Eighteenth-Century Studies • Biennial Annibel Jenkins Biography Prize (American Society for Eighteenth-Century Studies) (for a book-length biography of a late-seventeenth-century or eighteenth-century subject)http://asecs.press.jhu.edu/awards.html Nomination deadline: November 1. • Innovative Course Design Competition (American Society for Eighteenth-Century Studies) (for a new approach to teaching a unit within a course on the eighteenth century) http://asecs.press.jhu.edu/awards.htmlApplication deadline: November 1. • James L. Clifford Prize (American Society for Eighteenth-Century Studies) (for an article of no longer than 15,000 words on some aspect of eighteenth-century culture) http://asecs.press.jhu.edu/awards.html Nomination deadline: November 1. -
Periods of Poetic Silence in Modern Canadian Creative Careers
“A Strange Gestation”: Periods of Poetic Silence in Modern Canadian Creative Careers Laura Cameron Department of English McGill University, Montreal July 2015 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Laura Cameron 2015 “The sun climbs to the middle of the sky and stops. It’s noon. It’s the first bell of noon ringing loud from the cathedral tower. … Great shovelfuls of sound dumped in the grave of our activity. The sound fills up every space and every thought. … The future is blocked. The past is plugged up. Layer after layer of the present seizes us, buries us in one vast amber paperweight. Sealed under twelve skyfuls of the only moment.” — Leonard Cohen, Death of a Lady’s Man (1978) “Sit in a chair and keep still. Let the dancer’s shoulders emerge from your shoulders, the dancer’s chest from your chest, the dancer’s loins from your loins, the dancer’s hips and thighs from yours; and from your silence the throat that makes a sound, and from your bafflement a clear song to which the dancer moves, and let him serve God in beauty. When he fails, send him again from your chair.” — Leonard Cohen, Book of Mercy (1984) Table of Contents Abstract ii Résumé iv Acknowledgements vi Abbreviations viii Introduction 1 PART I: Conceptions of Silence Chapter One: “From the Performance Point of View”: Critical Conceptions of Creative Silence 30 Chapter Two: “Why did you stop writing?”: Poets Accounting for Poetic Silence 76 PART II: The Experience of Silence Chapter Three: “The Whole Breathless Predicament”: The Experience of Creative Crisis 121 Chapter Four: “Then let us start again”: Writing Out of Silence 189 Conclusion 288 Works Cited 301 Cameron ii Abstract This dissertation unites a diverse group of Canadian poets who all fell silent for a prolonged period in the middle of otherwise productive and successful poetic careers: P.K. -
Linda Christine Knowles Phd Thesis
IN SEARCH OF A NATIONAL VOICE : SOME SIMILARITIES BETWEEN SCOTTISH AND CANADIAN POETRY 1860-1930 Linda Christine Knowles A Thesis Submitted for the Degree of PhD at the University of St Andrews 1981 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/15190 This item is protected by original copyright In Search of a National Voice: Some Similarities Between Scottish and Canadian Poetry 1860-1930. by Linda Christine Knowles 1981 ProQuest Number: 10167356 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10167356 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 s tv3. This thesis has been composed by me, and the work of which it is a record has been done by myself. It has not been accepted in any previous application for a higher degree. I have carried out research in Canadian and Scottish poetry in the Department of English, University of St Andrews under the supervision of Dr R.P. -
Download The
READING THE FIELD OF CANADIAN POETRY IN THE ERA OF MODERNITY: THE RYERSON POETRY CHAP-BOOK SERIES, 1925-1962 by Gillian Dunks B.A. (With Distinction), Kwantlen Polytechnic University, 2011 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gillian Dunks, 2013 ii Abstract From 1925 to 1962, the Ryerson Press published 200 short, artisanally printed books of poetry by emerging and established Canadian authors. Series editor Lorne Pierce introduced the series alongside other nationalistic projects in the 1920s in order to foster the development of an avowedly Canadian literature. Pierce initially included established Confederation poets in the series, such as Charles G.D. Roberts, and popular late-romantic poets Marjorie Pickthall and Audrey Alexandra Brown. In response to shifting literary trends in the 1940s, Pierce also included the work of modernists such as Anne Marriott, Louis Dudek, and Al Purdy. Following Pierre Bourdieu, I read the Ryerson series as a sub-field of literary production that encapsulates broader trends in the Canadian literary field in the first half of the twentieth century. The struggle between late-romantic and modernist producers to determine literary legitimacy within the series constitutes the history of the field in this period. Pierce’s decision to orient the series towards modernist innovation during the Second World War was due to late romantics’ loss of their dominant cultural position as a result of shifting literary tastes. Modernist poets gained high cultural capital in both the Ryerson series and the broader field of Canadian literary production because of their appeal to an audience of male academics whose approval ensured their legitimacy. -
Anna Farneski; [email protected]
FOR IMMEDIATE RELEASE Contact: Anna Farneski; [email protected] September 7, 2010 AUTHOR TO SPEAK AT RAMAPO COLLEGE ON ROLE OF RIDGEWOOD NATIVE VARIAN FRY SAVING ARTISTS FROM NAZI OPPRESSION (MAHWAH, NJ) – Rosemary Sullivan, a prolific Canadian writer and researcher, will speak at Ramapo College of New Jersey in September under the auspices of the Center for Holocaust and Genocide Studies. Sullivan will give a talk about “Lives on the Line: Varian Fry and the Artists He Saved at the Villa Air-Bel.” It is being held in conjunction with the hosting of the United States Holocaust Memorial Museum’s traveling exhibition, Varian Fry, Assignment: Rescue, 1940-1941. It will be on display from September 1 to October 8 in the Pascal Gallery, Berrie Center for Performing and Visual Arts. The exhibition is sponsored by Ramapo College’s Center for Holocaust and Genocide Studies in cooperation with the Berrie Center Art Galleries and the Committee to Honor Varian Fry (Ridgewood). The exhibition and all events associated with it are free and open to the public. Rosemary Sullivan is a full professor at the University of Toronto where she holds the Canada Research Chair in Biography and Creative Non-Fiction and is director and founder of the MA Program in English in the Field of Creative Writing. In 2008, she was awarded the Lorne Pierce Medal by the Royal Society of Canada for distinguished contributions to Canadian literature and culture. Currently, she is a Fellow of the Pierre Elliot Trudeau Foundation of Toronto. Her recent book, Villa Air-Bel: World War II, Escape and a House in Marseille, was published by HarperCollins in Canada and the U.S., John Murray in England, Debate in Spain, Mladá fronta in the Czech Republic, Rocco Press in Brazil, and Edizioni dell’Altana in Italy.