Amherst Center for Russian Culture Sergei Boldyrev Liturgical Music

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Amherst Center for Russian Culture

Sergei Boldyrev Liturgical M usic Collection & Faina Terentieva Secular Vocal Music Collection

Accession number: CRC99-0001

Qua ntity: 7.58 linear ft.

Containers: 7 archival boxes

Processed by: 1999 Spring Aaron Stayman

Finding Aid Date: May 1999

Prepa red by: Aaron Stayman

Edited by: Stanley Rabinowitz Director of the Center for Russian Culture

Access: The bulk of the collection consists of copies rather than original material, therefore there is no restriction on access to these folders.

Copyright: It is the responsibility of the researcher to identify and satisfy the holders of the copyrights. Requests for per mission to publish material from the collection should be directed to th e Director of Amherst Center for Russian Culture.

©Amherst Center for Russian Culture 1999 May Page 1 Sergei Boldyrev Liturgical M usic Collection & Faina Terentieva Secular Vocal Music Collection

Contents

Description of the Collection...... 3

Arrangement of Material by Box...... 4

History of the Collection...... 6

Complete Listing of Materials Sergei Boldyrev Litur gical Music Collection Box#1...... 7 Box#2...... 9 Box#3...... 14 Faina Terentieva Secular Vocal Music Collection Box#4...... 16 Box#5...... 21 Box#6...... 29 Box#7...... 32

©Amherst Center for Russian Culture 1999 May Page 2 Description of the Collection

This collection consists almost wholly of sheet music for vocal compositions with Russian (or Church Slavonic) text. Several folders contain music with English text translated from Russian and still others contain music with Russian text translated from other languages. The collection is divided into two sections, the Liturgical Music of Sergei Boldyrev and the Secular Vocal Music of Faina Terentieva (Boldyreva). The collection of Sergei Boldyrev, contain ed in boxes 1-3, consists of sheet music for services of the Russian Eastern Orthodox Church. The collection includes original compositions on liturgical texts as well as harmonizations of old chant melodies. The music is for unaccompanied church choir (mixed and single-sex) and most often is arranged in four-voice harmony (piano accompaniment for rehearsal purposes appears occasionally). In some cases, there are separate parts for individual voices (soprano, alto, tenor, bass). Because many settin gs of a single hymn text can occur in such a collection, individual sheet music is filed by the composer or arranger. The music represents the work of various Russian and Russian/American composers from the 18th to the 20th cen tury. The col lection cont ains pie ces by well-k nown church comp oser s li ke Bort niansky, Grechaninov, Kastal sky, Chesnokov, Kedrov, L vov, L vovsky, Turchaninov and Ar changel sky as well as lesser known authors. In addition, Boldyrev s collection includes the music of primarily secular composers who experimented in the sacred realm, such as Rimsky-Korsakov, Tchaikovsky and Rachmaninov. Included here are arrangements of liturgical music by Serge Jaroff (Zharov), founder and director of the Don Cossack Choir of which Sergei Boldyrev was a former member. Th e collection also in cludes a number of arran gements by Boldyrev himself. Much of this material was used in Sergei Boldyrev s church ensemble in Toronto and therefore the bulk of individual pieces appears in its most practical form: xerox and mimeograph copies of printed and handwritten sheet music. Some original arrangements and transcriptions of arrangements by other composers appear in handwritten form. Amongst these materials, box#1 contains 4 published part-books of 35 sacred concer ti by Bortniansky. Sheet music which does not indicate the composer or arranger is filed separately by title. In addition to individual litur gical pieces, the collection includes compilations of liturgical music. These include published collections as well as stacks of individual pieces combined to form a specific service. The most interesting compilations are part-books pieced together and bound by parish choir conductors for every-day use. The assortment of composers an d styles com bined in these pa rt-books reveals the musical taste and liturgical ideals of the choir director. While the majority of the Sergei Boldyrev Collection consists of music with texts in Chuch Slavonic, Box#3 contains sheet music with English text. This box also contains liturgical music of the Serbian Eastern Orthodox Church with text in Serbian transliteration of Church Slavonic. The second part of this collection contains the sheet music of singer Faina Terentieva. The vocal pieces that appear in this section of the archive are secular, consisting of Russian folk song arrangements, romances and operatic arias. The majority of the sheet music is arranged for solo voice with accompaniment on piano but choral arrangements with and without ar rangement are also present here. A great multitude of composers an d arr angers ar e represented in this collection. Individual pieces have been filed by the title or the first few words of the song s text (it should be noted that, among many others, arrangements by Sergei Boldyrev and his former director, Serge Jaroff, appear here). Material has also been taken into consideration in filing individual pieces, sheet music is separated into that which is published, that which is handwritten, and that which appears in xerox or some other copied form. In addition to individual works, the Fain a Terentieva archive also contains printed compilation s of Russian secular vocal music. These are filed separately by the title of the compilation. Several collections of Ukrainian vocal music are included in this portion of the archive as well. Aside from Russian vocal music in Russian, which constitutes the bulk of this section, the Faina Teren tieva collection con tain s folders of material with English text translated from the Russian . Vocal works by

©Amherst Center for Russian Culture 1999 May Page 3 non-Russian composers with texts translated into Russian are filed separately as well. The collection possesses a few miscellaneous items, including a signed concert program of the Don Cossack Choir (Jaroff), a Don Cossack Choir promotional booklet, and music printed on unusual material.

Arrangement of Material by B ox

Sergei Boldyrev Litur gical Music Collection

Box#1: Liturgical compositions and chant harmonizations by known composers. Includes mimeographs, xerox copies, some ha ndwritten material and several published part books. Filed alphabetically by composer or arranger.

Box#2: "Harmonizations/arrangements with initials of unknown composers. "Liturgical compositions (Hymns of the Ordinary and Propers) by unknown composers. "Various chant harmonizations and arrangements of hymns (chant basis indicated) as well as harmonizations for irmosy, tropari, prokimn y, ektenii, etc...(chant basis not always indicated) by unknown composers. Contains mostly copies, but thirteen han dwritten sheets are included. Filed alphabetically by title. "Liturgical music compiled for special services (Mimeograph copies fastened together). "Collections of liturgical music. Includes published compilations, xeroxes of compilations, and works compiled in homemade part-books by church choir directors. "Miscellaneous liturgical material in Russian.

Box#3: "Liturgical compositions and chant harmonizations in English by known composers. All material appears in either printed, mimeograph, or xerox form. Filed alphabetically by composer/arranger. "Collections of liturgical music in English. "Collections of Serbian Orthodox liturgical music.

Faina Terentieva Secular Vocal Music Collection

Box#4: "Collections of secular Russian vocal music (folk songs, romances, operatic arias). Unless otherwise specified, all items are printed and bound. "Collections of Ukrainian secular vocal music. "Collections of secular vocal works in Russian by a single arranger or composer. Filed alphabetically by composer.

Box#5: "Individual secular vocal pieces (romances, folk song arrangements), professionally published and printed. Filed alphabetically by title. Unless otherwise noted, all music is for single voice with piano accompaniment. "Music from operas by Russian composers. Music for voice and piano reduction of orchestra. All items are published and professionally printed. Filed alphabetically by the title of the opera. "Individual handwritten parts for voice, voice with piano accompaniment, and choral singing. Folders contain romances, folk song arrangements, and music from operas by Russian composers. Arrangements by various composers, though much of the material is credited to S. Boldyrev, S. Zh arov, or K. Shvedov (arrangements by the two latter composers appear to be transcriptions by other musicians rather than original manuscripts). Filed alphabetically by title of song (if no title is indicated, the piece is filed by the first several words of the song). Where possible, the composer and/or arranger is indicated.

Box#6: "The following folders contain copies of printed and handwritten secular vocal sheet music. The copies are primarily in xerox form, but some carbon paper or mimeograph appear as well. The music

©Amherst Center for Russian Culture 1999 May Page 4 consists of folk song arrangements (for either choir or solo voice with accompaniment), romances, and arias from Russian operas. A multitude of composers and arrangers are represented here in this collection. These individual pieces have been filed alphabetically by title.

Box#7: "Vocal music by non-Russian composers, translated into Russian. Folders contain professionally published and printed sheet music. Entries are filed here alphabetically by composer (using the order of the Roman alphabet). "Miscellaneous materials, including concert programs, a music notebook, and sheet music printed in some special medium. "Collections of Russian secular vocal music in English. "Individual pieces of Russian secular vocal music in English.

©Amherst Center for Russian Culture 1999 May Page 5 History of the Collection

During her car eer as a performing vocalist, Faina Terentieva (Boldyreva) amassed a substan tial collection of sheet music. While preparing for a move from Toronto to Gulfport, Fl. she contacted Thomas Whitney with the intention of selling her collection to the Amherst Center for Russian Culture. In the course of correspondence with the director of the Russian Culture Center, Stanley Rabinowitz, Ms. Terentieva decided to include the sheet music collection of her husband, Sergei Boldyrev, former soloist with Serge Jaroff s Don Cossack Choir and church choir director of 25 years. Togeth er, the two collections contain masterpieces of sacr ed and secular vocal music by significant Russian and Russian-emigre composers. The collection was purchased as whole in 1994 by the Amherst Center for Russian Culture.

©Amherst Center for Russian Culture 1999 May Page 6 The Terentiev Collection: Sheet Music of S.O. Boldyrev

Liturgical Music In Russian: Box#1

Folder # Description

(1-22) Liturgical compositions and chant harmonizations by known composers. Includes mimeographs, xerox copies, some handwritten material and several published part books. Filed alphabetically by composer or arranger.

1 Azeev, Aleksandrov

2 Arkhangel sky

3 Baranov, S.O. Boldyrev, Borbevii(?)

4A, 4B, 4C Bortniansky

4D Bortniansky, Dmi tri, Ten or p art-book, published by Jur gen son , Moscow (ca . 1882 ), Polnoye Sobraniye dukhovno-muzykal nykh sochinenii: 35 Kontsertov dlya Diskanta, Al ta, Tenora, Basa. (Bound, 71 pp.). ca.1882 Con ten ts: Vospoitye Gospodevi pesn , Tor zhestvuyte dn es , Gospodi, sil oyu Tvoyeyu, Voskliknitye Gospodevi, Uslyshit tya Gospod, Slava v vyshnix Bogu, Priiditye, vozraduyemsya, Milosti Tvoyeya, Gospodi, Sey den , ego zhe sotvori, Poitye Bogu nashemu, Blagosloven Gospod, Bozhe, pesn novu vospoyu, Raduytesya Bogu, Otrygnu serdtse moye, Priiditye, vospoim lyudie, Voznesu Tya, Bozhe moi, Kol vlyublenna seleniya, Blago yest ispovedatisya, Reche Gospod Gospodevi, Na Tya, Gospodi, unpovakh, Zhivyi v pomoshchi Vyshnyago, Gospod, prosveshcheniye moye, Blazheni lyudiye, Vozvedokh ochi moi, Ne umolchit nikogda, Gospodi, Bozhe Izrailev, Glasom moim, Blazhen muzh, Voskhval yu im ya Boga, Uslyshi, Bozhe, glas moi, Vsi yazytsy, vosp leshchitye rukami, Skazi mi, Gospodi, Vskuyu priskorbna yesi, Da voskresnet Bog, Gospodi, kto obitayet.

4E Bortniansky, Dmitri, Soprano (discant) part-book, Polnoye Sobraniye dukhovno-muzykal nykh sochinenii: 35 Kontsertov dlya Diskanta, Al ta, Tenora, Basa. (Bound, 72 pp.). Contents: Same as above. Addt l note: A slip of paper with performance notes for Vsi yazytsy, vospleshchite rukami... inserted in back cover.

4F Bortniansky, Dmitri: Bass part, Polnoye Sobraniye dukhovno-muzykal nykh sochinenii: 35 Kontsertov dlya Diskanta, Al ta, Tenora, Basa. (Bound, 71 pp.). Contents: Same as above. Addt l note: A handwritten copy of the bass part for Skazhi mi Gospodi, konchinu moyu... (No.32) inserted in back cover.

©Amherst Center for Russian Culture 1999 May Page 7 4G Bortniansky, Dmitri: Alto part, Polnoye Sobraniye dukhovno-muzykal nykh sochinenii: 35 Kontsertov dlya Diskanta, Al ta, Tenora, Basa. (Bound, 71 pp.). Contents: Same as above.

5 Verbitsky, Vinogradov, Gardner

6 Goncharov

7A, 7B Grechaninov

8 Degtyar ev, Dudnik, Zharov, Ippolitov-Ivanov

9 Kalishevsky, A.A. Kaminsky, A. Kanerv

10 Kastal sky, Kastorsky

11 Kedrov

12 M. E. Kovalevsky, Krupitsky

13 Ledkovsky, Lisitsyn, Lomakin

14 A. L vov

15 L vovsky

16 Makarov(?), Myasnikov

17 Nik ol sky, Noskov, V.M . Or lov, Pa vlov, Pach enko, Potariinasy(?), Ver a Pr eobr azhenskaya ( Otche nash , in a pink prin ted booklet, 1967), Rachmaninov, Rech kunov

18A-D D. Reshetar . Includes a book of hymns for the Divine Liturgy, compositions and harmonizations by Prot. D.I. Reshetar . (Bound in a black three-hole binder, 140 pp.). Addt l note: There ar e four of th ese binders, all identical. Each contains full scores of all the th e hymns (SATB). Folder 18A contains several individual liturgical works by Reshetar .

19 Rimsky-Korsakov, F.I. Rudikov, Sarti, Smirnov, Stepanov, D.Solov ev, Sv. V. Starorussky, M. Tikhomirov, Turchaninov,Tyrpak(?), Fateev

20 Chaikovsky

21 Cherepnin

22 Chesnokov, Sheremet ev, P. Yastishak

©Amherst Center for Russian Culture 1999 May Page 8 Liturgical Music In Russian: Box#2

23 Harmonizations/arrangements with initials of unknown composers. Includes and Velichit dusha moya Gospoda (by L.P. ), Blagoslovi dushe, (four separate handwritten part-sheets: tenor I, tenor II, baritone, bass; harmonization of staryi grecheskii raspev by W.D.T., 1965) and Apostoli ot konets (harmonization of Kievo-pecherskaya lavra, signature indecipherable).

24 Liturgical compositions (Hymns of the Ordinary and Propers) by unknown composers (no chant basis for harmonization indicated). All music is either mimeograph or xerox copy. Includes: Da vozraduyetsya, Dostoino yest , Dostoino yest , Is polla eti despota, Kol slaven, Mnogaya leta, Mnogaya leta, Monogaya leta, Mnogoletsvovanie, Ot vostok, Ot yunnostei moeya, Pokayaniya otverzi mi, and Priidite poklonimsya.

(25-31) Various chant harmonizations and arrangements of hymns (chant basis indicated) as well as harmonizations for irmosy, tropari, prokimny, ektenii, etc...(chant basis not always indicated) by unknown composers. Contains mostly copies, but thirteen handwritten sheets are included. Filed alphabetically by title.

25 Alliluarii - Apostoli ot konets

26 Blagoobraznyi Iosif - Blazhen Muzh

27 Velikoe Slavoslovie - Dostoino yest

28 Ektenii

29 Irmosy

30 Konets Liturgii - Nyne otpushchaeshi

31 Otche nash - Kheruvimskaya

(32-44) Liturgical music compiled for special services (Mimeograph copies fastened together).

32 V nedelyu Antipaskhi (Fomina Nedelya). Contains music to be added into services (Great Vespers, Festal Matins, Divine Liturgy) for the holiday week of Antipaskha. Neither composers/arrangers nor compiler indicated. (11 pp.).

33 V nedelyu Vaii (Palm Sunday). Contains additional music for Great Vespers and Festal Matins (All-night Vigil) during the week of Palm Sunday. Composers/arrangers unknown except for a single Zadostoinik by Pr. Turchaninov. (23 pp.).

34 Vo Svyatuyu i Velikuyu Pyatidesyatnitsu (Pentecost). Additional music for Great Vespers, Festal Matins and the Divine Liturgy during the Pentecost. Composers/arrangers not indicated. (23 pp.).

35 Ezhe po Ploti Obrez anie Gospoda Nashego Iususa Khrista, i pamyat Sv. Vasiliya Velikago,

©Amherst Center for Russian Culture 1999 May Page 9 Archiepiskopa Kesarii Kappadokiiskiya. Additional music for Great Vespers, Festal Matins, and the Divine Liturgy during this holiday. Composers/arrangers not indicated (22 pp.).

36 Sretenie Gospoda Nashego Iususa Khrista (Candlemas Day; Feast of Purification). Additional music for Great Vespers, Festal Matins, and the Divine Liturgy during the Feast of Purification. Composers/arrangers not indicated. (19 pp.).

37 Sluzhba Sv. Apostolom Petru i Pavlu. Additional music for Great Vespers, Festal Matins and Divine Litur gy during th e Feast of Peter and Paul. Composers/arrangers n ot indicated, except for Arkhangel sky glas by Bortnyansky. (31 pp.).

38 Rozhdestvo Presvyatoi Bogoroditsy. Additional music for Great Vespers, Festal Matins, and Divine Liturgy on this holiday of the Virgin Mary. Composers/arrangers not indicated. (15 pp.).

39 Pokrov Presvyatoi Bogoroditsy. Additional music for Great Vespers, Festal Matins, and Divine Liturgy during the the Feast of the Protection. Composers/arrangers not indicated (23 pp.).

40 Bkhod vo Kram Presvyatyya Vladychitsy Nasheya Bogoroditsy... Additional music for Great Vespers, Festal Matins, and the Divine Liturgy during this holiday of the Virgin Mary. Composers/arrangers not indicated. (24 pp.).

41 Izhe vo Svyatykh Otsu Nashemu Svyatitelyu Nikolayu, Arkhiepiskopu Mir-Likiisk. Additional music for Great Vespers, Festal Matins, and the Divine Liturgy during the Feast of St. Nicholas. Composers/arrangers not indicated. (10 pp.). 42 Uspenie Presvyatoi Bogoroditsy, Additional music for Great Vespers, Festal Matins, and the Divine Liturgy the Assumption of the Virgin. Composers/arrangers generally not indicated, but irmosy by A. L vov appear here. (22 pp.+8pp. of irmosy).

43 Sluzhba: Uspenie Presvyatoi Bogoroditsy. Music for a service (apparently Vespers with Litiia and Matins) during the Assumption of the Virgin holiday. Composers/arrangers not indicated. (22 pp.).

44 Panakhida. Music for a memorial service, apparently put together by Peter Yastishak (a sticker with his name and address appears in the top right hand corner). Contains compositions and chant harmonizations by Rozdol sky, Verbinsky, Nizhankovsky(?), Chaikovsky, Mamyuk, Orlovsky, Vorobkevich and L. van Beethoven.

(45-59) Collections of liturgical music. Includes published compilations, xeroxes of compilations, and works compiled in homemade part-books by church choir directors.

45 Utrenya ( harmonizations/compositions for Matins), xerox copies of pp. 57-154 from an unknown publication. Note: Also includes a xerox of preface (by the editors) and table of contents (pp. 1-56 apparently contain music for vecherni (Vespers). Contains compositions for Utrenya by the following composers: A. Kastal sky, Ya. Chmelev, F. L vovsky, A. Krasnostovsky, P. Ivanov-Padkevich, A. Nikol sky, A. Arkhangel sky, L. Pariisky, Aleksandr G. Chesn okov Contains harmonizations/arr angements of chant melody for Utrenya by the following composers: Redaktsionaya Kollegiia (the editors of this collection), P.

©Amherst Center for Russian Culture 1999 May Page 10 Chesnokov, S. Smolensky, A. Kastal sky, N. Kedrov-syn (son), P. Chaikovsky, M. Kovalevsky, A. Zh avoronkov, M. Osorgin, A. Filat ev

46 Archbishop Dositheus (M.M. Ivanchenko), Dukhovno-muzykal nye Proizvedeniia, Sbornik VIII: Psalmy i pesnopeniia na Bozhestvennoi Liturgii posle Prichastnykh (Liturgical Compositions for Eastern Orthodox Churches, Volume VIII: Psalms and Hymns for after Communion in the Divine Liturgy), published by Dositheus Ivanchenko, Pine Bush, NY, 1971. (Staple bound, 65 pp.). Note: Contains compositions and a single chant arrangement by Archbishop Dositheus. Slavonic and some English texts.

47 Archbishop Dositheus (M.M. Ivanchenko), Dukhovno-muzykal nye Proizvedeniia, Sbornik IX: Pesnopeniia iz Posledovaniya ven chan iya (Liturgical Compositions for Eastern Orth odox Churches, Volume IX: Collection of Anthems (hymns) for Rite of Holy Matrimony), published by Dositheus Ivanchenko, Pine Bush, NY, 1974. (Staple bound, 28pp.). Note: Contains com positions an d chant harmonization s/arrangements by Arch bishop Dositheus, Starorussky, and unknown composers of the 18th and 19th centuries. Slavonic and English texts. There are four identical copies of this item.

48A, B Archbishop Dositheus (M.M. Ivanchenko), Dukhovno-muzykal nye Proizvedeniia, Sbornik X: Pesnopeniia na Pogrebenii Umershikh (Liturgical Music for Eastern Orthodox Churches, Volume X: Anthems (Hymns) for Funeral Service), published by Dositheus Ivanchenko, Pine Bush, NY, 1974. (Staple bound, 80 pp.). Note: Compositions and harmonizations/arrangements by Archbishop Dothiseus as well as composition by Chesnokov and a composition by Vedel . Slavonic and English texts. There are four identical copies of this item.

49 Collection of hymns from the Bogoglasnik, (the Bogoglasnik was a collection of hymns originally printed by the Pochaevsky Monaster y in 1825, contain ing traditional melodies of southwestern Russia and Ukraine), editors/publisher/composers unknown, missing both covers, title page, most of the table of contents, and the last twelve pages of the appendix. Note: Contains a foreward (author unknown). Pp. 1-141 contain hymn texts in Slavonic in honor of the Saints (for Saints Days and Holidays). The appen dix con tain s music for selected texts.

50 Binder of mimeographed sheet music, compiler unknown. Most of the transcriptions are from the library of Vsevolod Dudnik. Contains compositions by A. L vov, Gorokhov, Bortniansky, A.A. Arkhangel sky, Prot. P. Turchaninov. Contains harmonizations/arrangements by A. L vov, V. Dudnik.

51 Works compiled by I. Antonii Tereshchenko (ca.1944): Discant part-book (Bound). Contains a mixture of handwritten parts on staff paper and printed inserts. Primarily Hymns of the Ordinary for regular services. Works by I.P. Solomin, Chesn okov, Gol tison , Tolstyakov, Vor otn ik, Veleu pov, Bortniansky, Bogoslovsky, Chaikovsky, Pachenko, Kallinikov, Nikol sky, Lirin, Kompaneisky, Grechaninov, Fateev, I. Pokrovsky, Kopylov, Rebikov, and several pieces of unknown authorship (Tereshchenko?).

52 Works compiled by I. Antonii Tereshchenko: Tenor part-book (Bound).

©Amherst Center for Russian Culture 1999 May Page 11 Contents same as above.

53 Works compiled by I. Antonii Tereshchenko: Alto part-book (Bound). Contents same as above.

54 Works compiled by I. Antonii Tereshchenko: Bass part-book(?) (Bound). Addt l note: This item is missing almost all of its original contents, as well as the front cover. Contains a single handwritten bass part for Blagoslovi dushe... .

55 Discant part-book: liturgical music compiled into part-book for practical use (bound). Ivan Yakolevich Popov, whose name is stamped by many of the pieces, appears to be the compiler and perhaps the transcriber/arranger as well. All parts are hand-written in pen on staff paper. The year 1908 is written after a resurrectional troparion and Voskres is groba... Contains antiphoni, troparia, prokimni and several hymns which are not credited to any composer or arranger. Also includes a transcription of the sacred concerto Dnes Vladyki tvari by Vedel , Paschal Irmosi by Arkhangel sky, and a Velikii kanon by Ar khangel sky. Note: This book contains a a strip of staff paper with extra music for the soprano (discant) part. Marks for expression and dynamics in pencil appear over the inked parts.

56 Alto part-book: liturgical music compiled into part-book for practical use (bound). Ivan Yakolevich Popov, whose name is stamped by many of the pieces, appears to be the compiler and perhaps the transcriber/arranger as well. All parts are hand-written in ink on staff paper. The year 1908 is written after a resurrectional troparion and Voskres is groba... Contains antiphoni, troparia, prokimni and several hymns which are not credited to any composer or arranger. Also includes a transcription of the sacred concerto Dnes Vladyki tvari by Vedel , Paschal Irmosi by Arkhangel sky, and a Velikii kanon by Ar khangel sky. Note: After Egda slavnyi uchenitsy there is an indecipherable set of initials followed by the year 1916 (in pencil). After Zadostoinik v nedelyu Vaii ( obychnei garmonii ) appears the name I. Popov and the year 1917 (in ink). Marks for expression and dynamics in pencil appear over the inked parts.

57 Tenor part-book: liturgical music compiled into part-book for practical use (bound). Ivan Yakolevich Popov, whose name is stamped by many of the pieces, appears to be the compiler and perhaps the transcriber/arranger as well. All parts are hand-written in ink on staff paper. The year 1908 is written after a resurrectional troparion and Voskres is groba... Contains antiphoni, troparia, prokimni and several hymns which are not credited to any composer or arranger. Also includes a transcription of the sacred concerto Dnes Vladyki tvari by Vedel , Paschal Irmosi by Arkhangel sky, and a Velikii kanon by Ar khangel sky. Note: After Zadostoinik v nedelyu Vaii ( obychnei garmonii ) appears the name I. Popov and the year 1917 (in ink). Pencil marks indicating corr ections and dynamics appear throughout.

58 Bass part-book: liturgical music compiled into part-book for practical use (bound). Ivan Yakolevich Popov, whose name is stamped by many of the pieces, appears to be the compiler and perhaps the transcriber/arranger as well. All parts are hand-written in ink on staff paper. The year 1908 is written after a resurrectional troparion and Voskres is groba... Contains antiphoni, troparia, prokimni and several hymns which are not credited to any composer or arranger. Also includes a transcription of the sacred concerto

©Amherst Center for Russian Culture 1999 May Page 12 Dnes Vladyki tvari by Vedel , Paschal Irmosi by Arkhangel sky, and a Velikii kanon by Ar khangel sky. Note: After Zadostoinik v nedelyu Vaii ( obychnei garmonii ) appears the name I. Popov and the year 1917 (in ink). A strip of staff paper is included with a single phrase of music in four parts. Various pencil marks, indicating dynamics, corrections, omissions etc... appear throughout.

59 Collection of transcriptions by Walter Yanushevich. Contains 42 liturgical pieces of various kinds from troparia to elaborate sacred concerti. Note: Some works are not credited to a composer. Several dates of transcription appear, the earliest being 1924 and the latest 1940. Contains Composition s by Vedel , Arkhangel sky, Grechan inov, Turchan inov, Degtyarev, F.E. St epa nov, G. N. N osov, A. Turensky, V. Lebed ev, Bortnyansky, Maslov, V. Lir in, Ippolitov-Ivanov, Strokin , M. Tol stisan(?), I.P. Rumyan tsev. Contains arrangements by Yanushevich, Lirin

Miscellaneous Liturgical Material in Russian

60 Pesledovanie chasov, Izdanie Pravoslavnoi Kanadskoi Eparkhii, 1971. Texts for the priest, the reader and the choir for the observance of the third and sixth hours in both Russian and English. Contains no music.

©Amherst Center for Russian Culture 1999 May Page 13 Liturgical Music in English and Serbian Box#3

(61-62) Liturgical compositions and chant harmonizations by known composers. All material appears in either printed, mimeograph, or xerox form. Filed alphabetically by composer/arranger. (Note: Adaptions into English by A. Ruggieri, Sutko, Peterson, T. Heckman, D. Drillock, A. Cvercko, D. Trigg).

61 Allemanov, Arkhangel sky, Bortnyansky, P. Chesnokov, A. Cvercko, Grechaninov, T. Heckman, Kas tal sky, Ledkovs ky.

62 L vov/Bakhm etev, Rach maninov, Ri msk y-Korsakov, A. Rugg ier i, Sam son enko, Tschaikovsk y.

63 Liturgical compositions and chant harmonizations by unknown composers. All material either in mimeograph or xerox form. Filed alphabetically by title (contains music for an entire Panakhida service, the packet is stamped by Christ the Saviour Cathedral, Toronto).

(64-67) Collections of liturgical music in English.

64 Sheet music for the Nativity of Our Lord prin ted by the Department of Liturgical Music, Orthodox Church of America (OCA). ...The texts are taken from The Services for Christmas, published in 1981 by the OCA Dept. of Liturgical Music... For most hymns, two musical versions have been provided: one in the so-called Common Chant or Obikhod... and another version, taken from tradition al Kievan and Znamenny chants (harmonizations of th e latter melodies by L vov/Bakhmetev, Yaichkov, Ledkovsky, Balakirev/Rimsky-Korsakov, and others).

65 Russian Orthodox Church Music in English, Part I: Divine Liturgy, Wedding, Funeral (for mixed choir), adapted by A. Fissot and offered to St. Basil s Russian Orthodox Church in Watervliet, NY for publishing on its 75th anniversary, 1976. (171 pp., bound). Contains compositions and harmonizations for the Divine Liturgy, Wedding, and Funeral services. Compositions and harmonizations of chant melody by various composers (including A. Fissot).

66 Divine Liturgy of the Eastern Orthodox Church, adapted by Reverend father Igor Soroka, Vladimir Soroka, Line Drawings by Rev Heirmonk Roman (Serdynski), 1964. (44 pp., bound). A complete collection of the hymns of the Divine Liturgy, Resurrection Troparia, Prokeimenons, Pre-Communion and Dismissal Hymns and selected music for various Feast and Holy Days (arranged for two-part singing). Note: No specific basis for chant harmonization indicated. Contains a foreward by Alexander Schmemann.

67 Divine Liturgy Hymnal, adapted for Orthodox Liturgical Worship for All the Faithful (Congregation or Choir), text and music compiled by Igor Soroka, approved for publication: Theodosius, Archbishop of New York, Metropolitan of All-America and Canada, 1979. Contains adaptations of compositions and chant harmonizations, some composers are

©Amherst Center for Russian Culture 1999 May Page 14 indicated (Rimsky-Korsakov, Bortnyansky, Kovalevsky, and others...). Note: Contains a foreward (by Igor Soroka?).

(68-69) Collections of Serbian Orthodox Liturgical Music

68 Badnyak , Serbian Christmas Music, Izdanje Srpskog Pevackog Svaeza u Americi, Milwaukee, Wisconsin, 1974. (63 pp., bound). Contains compositions by T. Ostojich, St. St. Mokranjac, V. Ilic, J. Kindl, Prota Mirko Pavlovic, N. Baracki, Moka Kotorska-Baosic, Kornelije Stankovich. Contains harmonizations/arrangements by Dragie Zuzuly (Cuculjevich), M.P. Marlovina, Jerej S. Vujkov. Note: Contains foreward and introduction in English. Text for Badnjak ceremony in both English and Serbian (transliterated Slavonic). All hymn texts in Serbian (transliterated Slavonic).

69 St. Joh n Chrysostom Litur gy, Marriage Ceremony, Requiem of the Ser bian Eastern Orth odox Church for Mixed choir, compiledand copied by D. Cuculjevich, publication of the Serbian Singing Federation of America, 1954. (64 pp., spiral bound). Contains compositions by St. St. Mokranjac, J Marinkovich, R. Tollinger,M. Pavlovich, St. St. Binichki, J. Travanj, P. Kranjcevich, K. Stankovich. M. Topalovich. Contains arrangements by Vlad. V. Dobrovolsky, Cuculjevich, J. Kindl, A. Savine, S. Sokoloff.

©Amherst Center for Russian Culture 1999 May Page 15 Faina Terentieva Collection, Russian secular vocal sheet music: Box#4

Folder # Description (1-23) Collections of secular Russian vocal music (folk songs, romances, operatic arias). Unless otherwise specified, all items are printed and bound.

1 Aria i Roman sy iz Reper tuar a N. Zabely-Vrubel , L. Barsova, compiler , Izdatel stvo Muzyka, Leningradskoye Otdelenie, 1977 (80 pp.). For soprano with piano accompaniment. Arias by Rimski-Korsakov, Chaikovsky, Verdi, and Puccini (the latter translated into Russian) and romances by various composers.

2 Vecher Starinnogo Romansa, (Series: Repertuarnyi Sbornik ), foreward by Yurii Yakushev, Izadatel stvo Iskusstvo, 1974 (108 pp.). For voice and piano accompaniment. Contains romances with lyrics by various authors and music by various composers.

3 Dorogoi Dlinnoyu, Popularnye Romansy, N. Kol tsov , compiler, Izadatel stvo Muzyka, Moskva, 1970 (63 pp.). For voice with pian o accompaniment. Contain s romances with lyrics by various authors and music by various composers.

4 Kazach i Pesni: Sbornik Pervyi, (Kazach ya Biblioteka No. 8), compiler unknown, Izdanie Zhurnala Na Kazach em Postu (46 pp.). Includes texts for Cossack marching songs, dance songs, and several Cossack anthems. Music appears for selected texts (with and without divisi and/or piano accompaniment). Note: Inscription on front cover to I.I. Dolinkov (?) from the anonymous compiler, 20/9/1944.

5 Lyubimye Pesni: Pesennik (Vypusk 5), E. Sirotkii, compiler, Izadatel stvo Musyka, Leningrad, 1974 (65 pp.). Contains melodies and chord progressions for texts of folk songs, old romances, songs by Soviet composers, amd songs in translation by foreign composers.

6 Na Odn oi Zemle s Toboi, Pesni na Stikhi Kima Ryzhova, V. Grigorenko, ed., Izdatel stvo Sovetskii Kompozitor, Moskva, 1968 (36 pp.). Voice with piano accompaniment. Music to the lyrics of Kim Ryzhov by A. Kolker, A. Petrov, V. Shepovalov, and A. Vladimirtsov.

7 Novye Vokal nye Proiz vedeniya, Yu. Keldysh , ed ., Prilozh enie k Zhurnalu Sovetsk aya Muzyka, 1957 (32 pp.). Voice with piano accomapaniment. Six works by six different composers on the lyrics of six different authors (three are translated, the final piece is an anonymous folk song arrangement).

8 Pesennik, compiler unknown, Izdanie Yunosheskogo Otdela Russkogo Studencheskogo Khristianskogo Dvizheniya, Paris (year?) (98 pp.). Melodies (occasionally with divisi, no accompaniment) and lyrics for folk songs and romances. Composer/lyricist not indicated for traditional folk songs.

9 Pesennik Rossiiskago Voina, 1721-1921; The Russian Warrior s Songbook, Volume I, compiled and arr anged by V. Mantulin, V. Mantulin, NY, 1970 (95 pp.). A collection of

©Amherst Center for Russian Culture 1999 May Page 16 soldier s, seaman s, Cossack, regimental volunteer units , military academy and cadet songs, ioncluding the anthems and chorals which were most frequently sung in the Imperial Army and Navy in four-voiced a capella arrangement. Includes En glish tr anslations. Where applicable, lyricist and composer are indicated.

10 Pesni, compiled by Pavel Yur yan, publisher?, year? (162 pp.). Folk songs, romances, and a few liturgical pieces in two, three or four-voice arrangements. Contains anonymous works and works by both Russian and foreign composers (translated Russian).

11 Pesni Radio i Kino, 170 vypusk, V . Marutaev, ed., Izdatel stvo Muzyka , Moskva, 1972 (26 pp.). Voice with piano accompaniment. Contains music to the 50th anniversary of Soviet Education, songs of Soviet cinema, New Songs, songs at your request, and songs of the foreign stage and cinema (translated into Russian).

12 Repertuar Samodeyatel nykh Muzykal nykh Kollektivov, vypusk 17, E. Leonov, ed., Izdatel stvo Muzyka, Moskva, 1975 (64 pp.). For each piece, includes an arrangement for two- voice choir, three-voice single-sex choir, three-voice mixed choir and four-voice mixed choir all with piano a ccom panimen t. Con tains th ree pi eces : Mgn oven iya by M. Tariverdiev, Berezovyi Sok by V. Basner and Drozdy by V. Shainskii. Note: the original owner s name Dmitry Zabrotsky is written on the dust jacket and the title page.

13 Romansy Sovyetskikh Kompozitorov Na Stikhi Rabindranata Tagora, compiled by N. Rozhdestvenskaya, Gosudarstvennoe Muzykal noe Izdatel stvo, Moskva, 1962 (57 pp.). Music for voice with piano accompaniment to the words of Rabin dranat Tagor by M. Ippolitov-Ivanov, S. Vasilenko, A. Dzegelenok, F. Nadenenko, M. Osokin , Vl. Vlasov.

14 Russkie Narodnye Pesni i Pesni Nashikh Dnei, first edition, compiler unknown, Russian Language Specialties, Chicago, IL, 1965 (20 pp.). A capella arangements of Russian folk songs by various composers. Newer songs by various composers and lyricists appear with text and melody only. The final piece Pesnya o Druge includes piano accompaniment and a version translated into English ( My Friend ).

15 Russkie Khory dlya Smeshanykh Golosov, Izdanie I.A. Mel nikova, (stamped as the property of Jurgenson Publishing in St. Petersburg), printed by Yu. P. Semechkinoi, St. Petersburg, approved by censors in 1895 (43 pp. each). This folder contains four par t-books: soprano, alto, tenor and bass. Contains songs by Veimarn, Napravnik, Kyun, Kazachenko, Chaikovskii, and Shenk. Note: The name of the original owner Aga Hiron (?) appears on the dust cover of each part-book. The tenor part is stamped made in Galicia.

16 Russkie Khory dlya Smeshanykh Golosov, second edition, Izdanie I.A. Mel nikova, (stamped as the property of Jurgenson Publishing in St. Petersburg), printed by Yu. P. Semechkinoi, St. Petersburg, date? (16 pp. each). This folder contains four part-books: soprano, alto, tenor and bass. Contains songs by Krushevskii, Polyakov, Shenk. Note: The name of the original owner Aga Hiron (?) appears on the dust cover of each part-book. The soprano part is stamped made in Galicia.

17 Song Book of the Russian Student Choir, Vol. 1, compiler unknown, Defense Language Institute, 1965 (134 pp.). Contains four-part a capella arrangement of folk songs, Cossack dances, student songs, military songs, some liturgical material . For the most part, composers are

©Amherst Center for Russian Culture 1999 May Page 17 not indicated. English translations provided for most of the texts. Note: Includes a Short Guide to Reading Music at the beginning. There is a handwritten inscription to Serezhen ka (Sergei Boldyrev) from Natasha Kosoleva(?), 30.11.91, Toronto.

18 Song Book of the Russian Student Choir, Vol. 2, compiler unknown, Defense Language Institute, 1965 (153 pp.). Contains four-part a capella arrangement of folk songs, Cossack dances, student songs, military songs, some liturgical material . For the most part, composers are not indicated. English translations provided for most of the texts. Note: Contains a supplemental Russian English glossary at the back of the collection.

19 Starinnye Val sy, compiled by I. Nazarenko, Izdatel stvo Muzyka, Moskva 1970 (79 pp.). Music for voice with piano accompaniment. Contains popular waltzes of the 19th and 20th centuries as well as romances written in the form of a waltz. Compositions an d arr angements by various composers. Note: There are two copies of this item. One copy contain s the original owner s name, Galina Dobrich, on the dust cover.

20 Starinnye Pesni i Romansy Dlya Semistrunnoi Gitary, compiled and arranged by M. Minin, Izdatel stvo Muzyka, Moskva, 1966 (27 pp.). Music for voice and seven-string guitar. Contains romances from the second half of the 19th century. Words by various poets/lyricists and music by various composers. Note: The name Galina Dobrich is written on the dust cover.

21 Starinnye Russkie Romansy, compiled by L. Mezentseva, Izdatel stvo Muzyka, Moskva, 1974 (79 pp.). Music for voice and piano. Old romances (mainly 19th century) by both well- known and more obscure composers.

22 Umchalis Goda... : Starinnye Romansy dlya golosa s fortepiano, compiled by B. D. Gofman, Izdatel stvo Muzyka, Moskva, 1977 (46 pp.). Music for voice and pian o. Roman ces by various lyricists/composers.

23 Sbornik Starinn. Romansov, (actual dust cover/title-page missing, this is handwritten on the list of contents), compiler/publisher/date unknown (list of songs indicates that they are 70 pages in this collection, there are on ly 58 of those here, ending with Pridi Milyi Moi. ). Music for voice with piano accompaniment. Romances written and arranged by various composers. Note: The name Galina Dobrich (Dovbich?) appears handwritten at the top of the list of songs. This collection, formerly bound, is now taped together).

(24-26) Collections of Ukrainian secular vocal music.

24 201 Ukr ains kikh Narodnikh Pisen , compiler unknown, Ukrainian Music Publishing Co. Surma, NY, 1954 (141 pp.). Piano rescension of folk songs and Cossack songs with text in Ukrainian.

25 Muzika do Kobzarya: Music to the Words of Taras Shevchenko, compiler unknown, Surma Book and Music Co., NY 1954 (95 pp.). Music for soprano or alto with piano accompaniment. 32 songs to the words of Taras Shevchenko by Lisenko, Zarembi and Markevich.

26 Spivayut Sestri Baiko, compiled by Anatolii Kos-Anatol skii, Kinobo-zhurnal ne Vidavnitstvo, L viv, 1959 (74 pp.). Music for female trio with piano accompaniment. Contains

©Amherst Center for Russian Culture 1999 May Page 18 songs by Ukrain ian composer s and arrangements of Ukrainian folk songs from the repertoir of the Baiko sisters. Note: The name and address of Anna Nicholls appear on the title page of this collection.

(27-43) Collections of secular vocal works in Russian by a single arranger or composer. Filed alphabetically by composer.

27 Akimenko, F. O., Romansy i Pesni na Slova Ukrainskikh Poetov, M. P. Belaieff, 1937 (9 pp.). Music for voice and piano to the words of Ukrainian poets. Texts appear in Ukrainian, Russian and French. Contains V pesne-muki, Ne udivlyaisya, and Ne zal etsya pesnei serdtse.

28 Aleksandrov, A. V. , Pesni i Khor y, S.I. Smirnov, ed., Voen noe Izdatel stvo Min isterstva Oborony SSSR, Moskva, 1965 (119 pp.). Music for voice with bayan accompaniment. Folk song arrangements, Soviet army songs, music to the words of various poets by A.V. Aleksandrov.

29 Balakirev, M., Sbornik Russkikh Narodnykh Pesen , M.P. Belyaev (Jurgenson Publishing), Leipzig, 1895 (table of contents lists 80 pages, but only 18 are present here). Music for voice and pian o accompaniment. Arangements of Russian folk song by M. Balakir ev.

30 Blanter, M., Pesni na Slova B. Okudzhavy, Vsesoyuznoe Izdatel stvo Sovetskii Kompozitor, Moskva, 1969 (22 pp.). Music for voice with piano accompaniment. Music to the words of B. Okudzhava by M. Blanter.

31 Germanov, S., Romansy i Pesni, V. Zharov, ed., Izdatel stvo Muzyka, Moskva, 1971 (43 pp.). Music for voice with piano accompaniment. Music to the words of various poets by S. Germanov.

32 Dyubyuk, A., Romansy, compiled by R. Dobkina, Izdatel stvo Muzyka, Leningrad, 1973 (47 pp.). Music for voice with piano accompaniment. Music to words of various poets by A. Dyubyuk.

33 Leontovich, N., Chetyre Khor y: Ukrainskie Narodnye Pesn i, M. Yu. Mirkin, ed., Vserossiiskoe Khorovoe Obshch estvo, Moskva, 1960 (includes full score, 11 pp., an d four part books, soprano, alto, tenor, bass). Choral music in four-part arrangement. Arrangements of Ukrainian folk songs ( Pryalya, Za gorodom kachki plivut , Shchedrik, and Dudarik ) by N. Leontovich.

34 Malashkin, L.D., Starinnye Romansy, compiled by V.S. Malashkin, Izdatel stvo Muzyka, Leningrad, 1972 (34 pp.). Music for voice with piano accompaniment. Music by L.D. Malashkin to his own lyrics as well as the wor ds of A. Kol tsov.

35 Ponomarenko, G., Rastet v Volgograde Berezka: Popularnye Pesni v Soprovozhdanii Bayana, Vypusk 74, P. Teplov, ed., Izadatel stv o Muzyka, 1968 (58 pp.). Music for voice and accompaniment by bayan. Music to the words of various lyricists by G. Ponom aren ko.

36 Rebikov, V., Detskii Mir: 25 Detskikh Trekhgolosnykh Khorov dlya Shkol, Compiler unknown, Yurgenson, Moskva, date? (11 pp.). Music for voice without accompaniment. The complete collection ought to include parts for a three-voice children s choir, only the first voice part appears here. 25 son gs, music by V. Rebikov to the lyrics of Kol stsov, Lermontov, Tumanskii, Zhukovskii, Tolstoi, Maikov, Pushkin, Kukol nik, and Nikitin. Note: On the top of front cover: Property of L. Pisarev

©Amherst Center for Russian Culture 1999 May Page 19 37 Rimsky-Korsakov, N., Title un known (titlt page/dust jacket missing), compiler/editor/publisher unknown, date? (Includes pp. 5-60, no table of contents). Music in four-part arrangements (male choir and mixed choir) with piano accompaniment. Contains: Vakkhicheskaya pesnya (words by Pushkin), Staraya pesnya (words by Kol tsov), Mesyats Plyvet (words by Lermontov), Poslednyaya tucha pazseyannoi buri (Pushkin), Molitva (Pushkin).

38 Sveshnikov, A.V., Dvadtsat Shest Russkikh Narodnykh Pesen, compiler unknown, Gosudarstvennoe Muzykal noe Izdatel stvo, Moskva, 1948 (73 pp.). This item is a stack of xerox copies, not a printed original. 26 arrangments of Russian folk song for four-part chorus without accom paniment by A.V. Sveshn ikov.

39 Solov ev-Sedoi, V., Pesni, G. Krasnov, ed., Sovetskii Kompozitor, Leningrad, 1963 (106 pp.). Music for voice (and choir) with piano accompaniment. Songs by V. Solov ev-Sedoi, primarily from the stage and film. Words by various lyricists.

40A Stone, Gregory, Gypsy Memories: Tsyganskie Otgoloski, compiled and arranged by Gregory Stone, Edwar d B. Marks Music Corporation, 1936 (42 pp.). Twelve favorite gypsy romances for voice and piano. Contains texts in English and Russian.

40B Strok, Oskar, Title unknown, Edition Kazanova, Riga 1937. (pp. 3-6 and 11-16 from an unknown publication appear here). Conatins arrangements of I l yotsya pesnya, Vozle lesa u reki, Divnyya ochi, My tol ko znakom y, Ty uspokoi men ya, Lyubov prosh la, Nova ya derevnya, and Zhili 12 razboinikov by Oskar Strok. Note: Otdel nye noty N3 Oskara Stroka (individual sheet music of Oskar Strok Number 3) is written on page 3.

41 Taneev, S., Desyat Sti khotvorenii iz Sborn ika Ellis Immor tel i, Rossiiski i Mu zykal nyi Izdatel stvo, Berlin-Moscow, 1909 (48 pp., last pages are missing). Music for one voice and piano accompaniment. Contains twelve poems set to music by S. Taneev. Texts by Th. Moore, Dante Alighieri, Maeterlink, Ch. Baudelaire, S. Prud homme, Rodenbach, J. M. Heredia, Ch. D Orias, Nitzsche. Texts in Russian and German.

42 Cherepnin, N., 6 Romansov, M.P. Belyaev, Leipzig, 1900 (25 pp.). Music for voice and piano accompaniment. 6 rom ances by N. Cherepnin: Osenn ee (Lyalechin), Na vodakh pokoi glubokii (Kutuzov), Kolybel moya kachalas u Siona (Maikov), Sleti k nam tikhii vecher, Rozy (Kupernik), Kolybel naya (Lermontov).

43 Shvedov, K., Pesni Russkago Naroda v Arrangirovke K. Shvedova: Songs of the Russian People arranged by C. Shvedov (Vol. 2), Federated Russian Orthodox Clubs, NY, 1939 (36 pp.). Music arranged for mixed voices in four-part harmony. 16 Russian folk songs arranged by Shvedov. Texts in Russian and English. Note: There three copies of this item.

©Amherst Center for Russian Culture 1999 May Page 20 Faina Terentiev Collection, Russian secular vocal music: Box#5

(44-58) Individual secular vocal pieces (romances, folk song arrangements), professionally published and printed.Filed alphabetically by title . Unless otherwise noted, all music is for single voice with piano accompaniment.

44 Akh etot vzor! music by Zh. V.(?), words by P. Yu. G-re(?), ( Tsyganskaya zhizn series), published by N. Kh. Davingof, St. Petersburg, date?. Note: The initials I.I.T. and the name Mimi appear at the top of the front cover.

Ballada, music by A. Rubinstein, words by I. Turgenev, published by Yurgenson, Moscow, date?. Note: Text in Russian and German.

Beregis , ne obzhgis (Tsyganskii romans), words and music by M.K. Shteinberg, izdanie Tsimmerman, St. Petersburg/Moscow, date?

45 V dushe moei, music by B. V. Vrangel , words by N. D. Benardaka, ( Muzykal nyi Mir series) Izdatel stvo A. Iorgansen , Petersburg, date?.

Vernis ! arrangment by B. Prozorovskii, (Repertoir of Tamara Tseretelya), published by the author, Moskva, 1925.

Vremya nichto izmenit ne moglo (otvet na romans Vremya izmenitsya ), music by Ya. L. Fel dman, words by G. Razdol sky and D. Raskatov, Izdatel stvo Muzykal nyya Novosti, date?. Note: the name Galina Dobrich appears on the cover.

Vremya izmenitsya, words and music by B. S. Borisov, (for the 1913-14 concert tour of M. I. Babich), published by A. Gun, Moskva, date?. Note: the name Galina Dobrich appears on the cover. 46 Gasnul zakat, music by S. Ya. Pokrass, words by Pav. German, (the new repertoir of Yurii Morfessi ), published by O. Ventsel , Petrograd, date?.

Gonets, N. Rimsky-Korsakov, M. P. Belaieff, Leipzig, date?. Note: Text in Russian and French.

Dlya beregov otchizny dal noi, music by N. Rimsky-Korsakov, words by A. S. Pushkin, published by M. P. Belaieff, Leipzig date?. Note: Text in Russian and French.

Dushechka Devitsa, music by A. Dargomyzhsky on a folk text; music for solo voice and choir with piano accompaniment, Gosudarstvennoe Izdatel stvo: Muzykal nyi Sektor, Moskva, 1928. Note: Text in Russian and German.

47 Zhazhdu svidan ya, zhazhdu lobzaniya (Tsygan skii val s), words and music by N. V. Zubov, ( Sredi tsygan series), published by K. Leopas, St. Petersburg, date?

©Amherst Center for Russian Culture 1999 May Page 21 Zhelannyi ty moi (Tsyganskii romans), words and music by M. V. Lentovskii, published by A. Gutkheil , Moskva, date?.

Zakatilos solntse, music by P. Chaikovskii, words by A. Ratgauz, published by Muzgiz, Moskva-Leningrad, 1940.

Zachem, music by A. D. D avydov on an anonym ous tex t, (fr om a ser ies of th ree romances by Davydov), published by Jugenson, Moscow-Leipzig, date?. Note: the name Galina Dobrich appears on the cover as well as the initials I.I.T and the name Mimi.

Znayu den pridet, arrangement by A. Lentsov, words by Dmitri Dzhusto. Published by the author, Krasnodar, 1928. Note: N. Kasharnitskaya, 1929 g. appears on the cover.

48 Kak sladko (How sweet), music by Leon Zuckert, words by Ella Bobrov, Leonella Music Publishing Co., Toronto, date?. Note: Text in Russian, English, German and Fr ench. Inscribed to Faina Terentiev from the composer, 1974.

Kak kh oroshi te ochi, music by Fal binov, words by N. V. Dul kevich. Published by Zimmerman, Leipzig-Berlin, date?. Note: Text in German and Russian.

Kak aya Noch , music by Vr angel , wor ds by Bar oness I. Me dem , publish ed by Severn aya Lira, Petersburg, date?.

Kogda, dush a, prosilas ty... music by A. Alya b ev, words by A. D el vig, (Kon tsertnyi Repertuar Vokalista series), Muzgiz, 1962.

Kolokol chik, music by K. Lyadov, words by A. Ammosov, (Vokal naya biblioteka), Muzgiz 1961.

Kol slyshu khor tsygan, composer/lyricist?, published by W. Bessel and Co., Paris, date?. Note: Text in Russian and French. The name A. Nicholls appears on the cover.

Krasnyi Sar afan, music by A. Varlamov, words by G. Tsyganov, Gosudarsyvenn oe Muzykal noe Izdatel stvo, Moskva, 1935. Note: Text in Russian and German (French text added by owner with typewriter).

49 Lada, R. Music by Glier, words by Lyubov Stolitsa, Gosudarstven noe Izdatel stvo: Muzykal nyi Sektor, Moskva-Petrograd, 1923.

Lebednaya Pesn , music and words by M. Y. Puare, published by J. P. Katz, NY date?.

Moe Blazhenstvo, music by N. E. Nikiforovaya, words by K. D. Bal mont, published by Severnaya Lira, Petersburg, date?.

Moi chudnyi son, words and music by M. Shteinberg, published by Zimmerman, Petersburg- Moscow, date?. Note: the name Mimi ...? appears on the cover.

©Amherst Center for Russian Culture 1999 May Page 22 Mrachn aya zhizn , (daite mne radostei), music by Y. Rik, words by L. L. Pal msky, published by N. Kh. Davingof, Petrograd, date?.

Muchen e mne, tebya lyubit , music by F. K. Sadovsky, words by Evgenii Yur ev, ( Sredi Tsygan series), published by K. Leopas, Petersburg, date?.

My vypili do dna, music by Y. L. Fel dman, words by S. Stivinsky. (Repertoir of Agrippina Sergeevna Granskaya), published by Detlaf an d Co., Moskva, date?.

50 Na gore, gore, music by A. Grechaninov, words by ...? (Belorussian folk song), Gosudarstvennoe Izdatel stvo, Muzykal nyi Sektor, Moskva-Leningrad, 1924.

Nad tikhoyu rekoyu, words and music by B. B. Baron, ( Tsyganskoe pazdol e series), published by Severnaya Lira, St. Petersburg, date?

Ne vspominai, music by N. Kh. Davingof, words by Lev Drizot, ( Tsyganskaya zhizn series) published by Davingof, Petrograd, date?

Ne zazhigai ognya! music by A. Arenskii, words by D. Ratgauza, ( Biblioteka Vokalista- lyubitelya series), Izdatel stvo Muzyka, Moskva, date? Note: the name G. Dobrich appears on the cover.

Nochnye dumy, music by N. V. Zubov, words by A. V. Mattizen, ( Tsyganskaya zhizn series) published by N. Kh. Davingof, Petersbur g, date? Note: the name G. Dobrich appears on the cover.

Nochnye tsvety: Belye blednye..., music by A. K. Shilovskii, words by E. A. Varzhenevskaya, ( Tsyganskaya zhizn series) published by N. Kh. Davingof, Petersbur g, date?

Noch svetla (starinnyi russkii val s) , music by Shishkin, arranged by V. Podol skaya, publisher/date? Note: These are pages torn out of a collection of some kind, th ese printed sheets do not indicate anything about the larger publication.

51 O zhizn moya postoi ne ukhodi, words and music by T. K. Tolstoi, ( Tsyganskaya zhizn series) published by N. Kh. Davingof, Petersbur g, date? Note: the names Galina Dobrich and Mimi Sudermaya appear on the cover.

Otgovorila roshcha zolotaya, music by Ponomarenko, words by S. Esenin, publisher/date unknown. Note: T his is page t aken from a magazine or jour nal of s ome kin d, an article by Il ya Erenburg appears on the opposite side of the page.

Ottsvetali v sadu bledno-pyshnyya rozy, music by N. Kh. Davingof, words by E. A. R. (?), ( Tsyganskaya zhizn series) published by N. Kh. Davingof, Petersbur g, date?

Otchego ty ne khochesh lyubvi...? (tsyganskyi romans) words and music by Sergei Kuznetsov, ( Tsyganskaya zhizn series) published by N. Kh. Davingof, Petersbur g, date?

Okh vy gody, moi gody, music by Y. Arnol d, words by L. A. Mei, (No. 2 from the series Tri

©Amherst Center for Russian Culture 1999 May Page 23 melodii dlya basa by Yurii Arnol d) published by M. Bernard, Petersburg, date?

52 Pis mo materi, music by V. Lipatov, words by S. Esenin, (from the repertoir of Lina ...asal skaya(?), obscured), Izdatel stvo Modpik, date?

Pobledneli veselye kraski, music by Ippolitov-Ivanov, words by ?. A duet for mezzo-soprano and alto. Published by RSFSR: Muzykal nyi Sektor Gosudarstvennogo Izd-va, Moskva, 1929.

Pobud so mnoi, music by N. V. Zubov, words by N. N. (?), ( Tsyganskie Glazki series), published by Jurgen son, Moskva, date? Note: the initials I.I.T. and the names Galina Dobrich and Mimi appear on the cover.

Podari mn e platok, music by G. Ponomarenko, words by M. Agashinaya, publisher/date? Note: This piece of music appears in a newspaper clipping, along with a short article, Pesnya prishlas po dushe, by V. Terskaya. The newspaper title is unknown, but the date is September, 7 1974 (No. 210).

Poet zima, aukaet, music by V. Kosenko, words by S. Esenin, ( Kontsertnyi repertuar vokalista series) Muzgiz, 1960. Note: Text in Russian and Ukrainian.

Pozhalet -to ne mogu (Otvet na romans Pozhalei ), music by A. N. Chernyavskii, words by P. Krupchinin, Izdanie Evterpa, Petrograd, date? Note: Dobrich appears on the cover.

Poi, lastochka, poi: Sing, birdie, sing... Russian folk song arranged by H.L. (Henry Lefkowitch), Publish ed by Metro Music Co., NY, date?

Poteryala ya kolechko (arranged by I. Il in) and Zachem tebya ya, milyi moi, uznala...? (arranged by A. Titov), (from the series Lyubimye russkie narodnye pesni ) Muzgiz, 1952. Note: The name G. Dobrich appears on the front cover.

53 Poutru raneshen ko..., music by A. Grechaninov, words by ?, publisher/date unknown (these pages appear to have been taken from a collection of some kind, they are numbered 5-9 and the title is preceded by the number 2).

Pochemu ya bezumno lyublyu...? (Tsyganskii romans) words and music by B. S. Gurovich, ( Lyubimye i novye romansy i pesni series) Izdatel stvo Evterpa, Petrograd, date?

Pochemu ya bezumno lyublyu...? (Tsyganskii romans) arranged by Gr. Fistulari, ( U tsygan series) published by Bayan, Berlin, date? Note: Galina Dobrich appears on cover.

Provansal skay a pesnya no. 3: Osen yu, music by M. Ippolitov-Ivanov, words by Verlen, published by Aleksandr Venshau, Moskva, date?

Pust tol ko son... music by N. Kh. Davingof, words by Oleg Leonidov, ( Tsyganskaya zhizn series) published by N. Kh. Davingof, Petrogr ad, date?

54 Razluka, music by A. Gurilev, words by A. Kol tsov, ( Vokal naya Biblioteka Khudozhestvennoi Samodeyatel nosti series), Muzgiz, 1961.

©Amherst Center for Russian Culture 1999 May Page 24 Ryabiny (Kuzina i Zina), music by A. Kvidam, words by P. Potemkin, ( Tsyganskaya zhizn series) published by N. Kh. Davingof, Petersbur g, date?

55 S nemym vostorgom, music by V. P. Semenov, words by M. K. Snegirev, Publish ed by Zimmerman, Petersburg-Moscow-Leipzig-London, date?

Severnaya Zvezda, music by M. Glin ka, words by Rostopch inaya, Gosudarstvennoe Muzykal noe Izdatel stvo, Moskva-Leningrad, 1948. Note: The name Klara appears on the front cover.

Serenada Don-Zhuana, music by P. Chaikovsky, words by A. Tolstoi, Gosudarstvennoe Muzykal noe Izdatel stvo, Moskva-Leningrad, 1952.

Snegopad, music by A Ekimyan, words by Alla Rustaikis, publisher/date unknown. Note: This single page appears to have been ripped from a journal or magazine of some kind. The page yields no information about the publication. Six pieces of sheet music appear in miniature form on this page.

Snova, kak pr ezhde, music by P. Chaikovsky, words by D. Ratgauz, Gosudarstvenn oe Izdatel stvo: Muzykal nyi Sektor , Moskva-Leningrad, 1923. Note: Text in Russian and German.

56 Tak zhizn molodaya prokh odit bezsledno, words and music by L. D. Malashkin, published by Jurgenson, Moskva, date? Note: text appears in Russian and German.

Temno-vishnevaya shal , words and music by an anonymous author, arrangement by V. Podol skaya, publisher/date unknown. Note: This double-sided page, numbered 5-6, appears to be taken from a collection of some kind.

Troika, gypsy tune, arranger not indicated, ( Tsyganskaya zhizn series) published by N. Kh. Davingof, Petersburg, date? Note: Talya appears on the cover and G. Dobrich appears inside.

Troika (words by Chuevskii) and Gori, gori, moya zvezda (words by unknown author), music by P. Bulakhov, Muzgiz, 1961.

Tuchki nebesnyya, music by A. Dargomyzhskii, words by M. Lermon tov, published by Jurgenson, Moskva, date?

Ty eshche ne umeesh lyubit (Tsyganskii romans) arranged by N. Shishkin, (from the Sobranie tsygan skikh romansov kurskago khora series) Published by Jurgenson, Moskva, date? Note:Text in Russian and German. The name Windsor appears on the cover.

Ty moi rai (romans-val s), words and music by P.B. Rozyanko, published by Severnaya Lira, Petersburg, date?

©Amherst Center for Russian Culture 1999 May Page 25 57 Charui menya, charui, music by A. Dargomyzhskii, words by Y. Zhadkovskaya, Gosudarstvennoe Muzykal noe Izdatel stvo, Moskva, 1953. Note: The name Klara appears on the front cover.

Chto, krasotka molodaya...? music by M. Glin ka, words by A. Del vig, Gosudar stvenn oe Muzykal noe Izdatel stvo, Moskva-Leningrad, 1950.

Utro tumannoe, music by A. Abaz, words by I. Turgenev, publisher/date unknown. Note: this double-sided page, numbered 3-4, appears to have been taken from a collection of some kind. This page reveals no information about the publication.

58 Ya vas lyubil, music by A. Alyab ev, words by A. Pushkin, ( Kontsertny i repertuar vokalista series) Gosudarstvennoe Muzykal noe Izdatel stvo, Moscow, 1958. Note: Dobrich appears on cover.

Ya lyubila ego, music by M. Balakirev, words by A. Kol tsov, Gosudarstvenn oe Muzykal noe Izdatel stvo, Moskva-Leningrad, 1950. Note: The name Klara appears on the front cover.

Ya pomnyu den , words and music by A. Borisov, publisher/date unknown. Note: Apparently taken from a collection of some kind, this double-sided page is numbered 37-38. Texts are in Polish and Russian. The name Galya appears on page 38.

Ya stepei i voli doch , music by N. I. Shishkin, words by N. I. Blank, ( Tsyganskiya nochi series), published by Zimmerman, St. Petersburg, Warsaw, Moscow, date?

Ya tebe nichego ne skazhu, music by T. K. Tolstoi, words by Fet, ( Tsyganskaya zhizn series) published by N. Kh. Davingof, Petersbur g, date?

Ya chasto s toboi vstrechalsya, music by I. Korn ilov, words by Drozhdinin, published by Jurgenson, Moscow, date? Note: This piece is missing pages 1-4, only page 5 remains. An indecipherable name appears at the top right corner of the corner.

(59-61) Music from operas by Russian composers. Music for voice and piano reduction of orchestra. All items are published and professionally printed. Filed alphabetically by the title of the opera.

59 Evgenii Onegin, P. I. Chaikovsky: Aria knyazya (Gremina), (Act III), published by Leon Idzikowski, Warsaw, date? Note: Text in Polish and Russian.

Evgenii Onegin, P. I. Chaikovsky: Khor i plyaska krestyan : Bolyat moi ckory nozhen ki and Uzh kak po mostu mostochku , (Act I) music for four-voice choir with piano reduction. Published by Jurgensen, Moscow, date? Note: There are three identical copies of this item.

60 Evgenii Onegin, P. I. Chaikovsky: Khor i plyaska krestyan : Bolyat moi ckory nozhen ki and Uzh kak po mostu mostochku , (Act I) music for four-voice choir with piano reduction. Gosudarstvennoe Izdatel stvo: Muzykal nyi Sektor, Moscow, 1928.

61 Zabava Putyatishna, M.M. Ivan ov: Serenada solov ya, Gosudarstven noe Izdatel stvo: Muzykal nyi Sektor, Moscow, 1928.

Knyaz Igor , A. Borodin. Plach Yaroslavny, Published by M. P. Beliaeff, London-NY-LA- Sydney-Toronto-Cape Town-Paris, date? Note: Text in Russian, French and German.

Rusalka, A. Dargomyzhskii. Trio: Akh, proshlo to vremya zolotoe, published F. Stellovskii, St. Petersburg, date?

Rusalka, A. Dargomyzhsky. Pesnya Natashi: Po kamushkam, po zheltu pesochku... Gosudarstvennoe Muzykal noe Izdatel stvo, Moskva-Leningrad, 1944.

(62-73) Individual handwritten parts for voice, voice with piano accompaniment, and choral singing. Folders contain romances, folk song arrangements, and music from operas by Russian composers. Arrangments by various composers, though much of the material is credited to S. Boldyrev, S. Zharov, or K. Shvedov (arrangements by the two latter composers appear to be transcriptions by other musicians rather than original manuscripts). Filed alphabetically by title of song (if no title is indicated, the piece is filed by the first several words of the song). Where possible, the composer and/or arranger is indicated.

62 Alla Verdy (Zharov), Araks (Boldyrev), Akh, ty, zvezdochka (G.B.C.), Akh, ty, step shirokaya (?), Bandura (Davidovskii/Zharov), Beite! Rezhte! (Zharov), Beloe vino (?)

63 Vniz po matushke po volge (Boldyrev), Vo kuzn itse (Zharov), Vo subbotu (?) Vot mchitsya troika udalaya (Boldyrev), Vot polk poshel (Shvedov)

64 Glyazhu v ozera (Afanas ev) Dve gitary (Shvedov), Dlya menya ty vse... (Titov), Zhat sosedskuyu imenitsu... (?), Zelenyi luch (Arkhangel sky), I kto ego znaet (?)

65 Kazach i pesni (Zharov), Kalinka (Boldyrev), Kalinka (?), Legenda (Chaikovsky), Lipa vekovaya (Boldyrev), Lyubov , kak pesnya (Fel tsman),

66 Molis , kunak!/O i da , po na d le sik om/ Oi, chert, tebya nes ten or p art (Z harov), Molodezhnaya pesnya (?), Mukhi (Greve-Sobolevskaya)

67 Na D onu kazachiya sta nitsa bar itone-bass part (S hcheglov-k ulikovich), Na D onu kazachiya stanitsa SATB parts(?), Na russkoi yamarke (Shvedov), Na starom kurgane/Zelenyi luch (?), Ne shumi ty rozh (?), Nochka temnaya... (?)

68 Ozero spit SATB parts (Boldyrev), Okh, ty serdtse... (?), Ochi chernye, (Shvedov)

69 Partia lyubashi Trio from the opera Tsarskaya Nevesta (Rimsk y-Korsakov), Pesni uli tsy (Zharov), Pesnya Indiiskago gostya from Sadko (Rimski-Korsakov/Zharov), Po manilu parts + lyric sheet (K. Shvedov), Po ulitse mostovoi (?), Podmoskovnye vechera tenor I part (Zharov), Podymalas pogodushka (?), Polyushko-Pole tenor I part (Klipper-Zharov), Posmotryu na rodnuyu storonku... (?)

©Amherst Center for Russian Culture 1999 May Page 27 70 Rozpryagaite, khloptsy, koni (?), Rebe ta stogne (Zharov), Sinie glaza (Shch eglov- Kuplikovich), Svetit mesyats (?), Serenada (Borodin), Solovei-ptashechka bass-baritone part (Shvedov), Somnenie (M. Glinka)

71 Starinnyi val s tenor & bass parts (Shvedov), Storonal , storonka, Sten ka Razin (Dobrovein), Step da step krugom (Novikov)

72 Travushka-muravushka (Zharov), Troika (?), Tuchi chernye (Romberg)

73 Khutorok (?), Sharmanka (?), Ya vas lyubil... (Sheremetev/Trigg)

(74A-101B) The following folders contain copies of printed and handwritten secular vocal sheet music. The copies are primarily in xerox form, but some carbon paper or mimeograph appear as well. The music consists of folk song arrangements (for either choir or solo voice with accompaniment), romances, and arias from Russian operas. A multitude of composers and arranges are represented here in this collection. These individual pieces have been filed alphabetically by title.

74A A: A i gusto na bereze list e - Akh, derevnya ot derevni nepodaleku stoit

74B A: Akh, zachem eta noch - Akh ulitsa, ulitsa shirokaya

75 B: Bal lada o kr esh chenii Rusi - Bystry, kak vol ny

76A V: V gareme nezhitsya sultan - Vdol po Piterskoi

76B V: Vdol po ulitse - Veshchii Oleg

76C V: Vzveites sokoly orlami - Volya

76D V: Voron k voronu letit - V etsya lastochka sizokrylaya

77 G: Gai-da, troika - Gryadi...

78A D: Davno malinovki zvenyat - Dve redki

78B D: Devushki-volzhanochki - Dubinushka

79 E: Evreiskaya pesnya - Eshche ne pozdno, oglyanis

80 Zh: Zhavoronok - Zhuk i roza

81A Z: Zabyty nezhnie lobzan ya - Zachem tebya ya, milyi moi, uznala...?

82B Z: Zvezdochka yasnaya - Zoren ka-zoryanka

83 I: I kto ego znaet - Ispanckaya pesnya

84A K: K vetru - Kak po kame po reke

84B K: Kak po luzhku travka - Kibitka

84C K: Kovarnyi drug - Kontsert Sarazate

84D K: Korabli - Kynuv kuzhel na polytsyu

86A M: Mai - Mne ne Zhal !

86B M: Mne khochetsya verit tebe - My segodnya razstalis s toboyu

87A N: Na vostok svet zasiyal - Napadai ko li, napadai

87B N: Nal ei bokal - Ne n a rech en ke bylo, bra ttsy

87C N: Ne nado vstrech... - Net, ne tebya tak pylko ya lyublyu

87D N: Nichto v polyushke ne kolyshetsya - Nyu (Banal naya istoriya)

88A O: O kto, kto Nikolaya lyubit...? - Oi, vse kumushki domoi

88B O: Oi-da, vy tumany moi - Oi, polna, polna korobushka

88C O: Oi, pri luzhku, pri lune - Osen

88D O: Oskolki - Ochi chernye

89A P: Pal my - Pesnya Mefistofelya v pogrebke Auerbakha

89B P: Pesnya o Vil e - Podmoskovnye vechera

89C P: Podui, podui, nepogodushka - Posazhu l ya kalinushku

89D P: Posev - Provozhanie

89E P: Pormezh bylo kazan yu, promezh Astrakhan yu - Pyatnadtsat let

90 R: R Club Song (in Russian) - Ryabina

91A S: S nemym vostorgom... - Skazhi mne, podnaya

91B S: Slavnoe more, svyashchenyi Baikal - Spi, mladenets

91C S: Sredi doliny rovnye - Staryi dub

91D S: Sten ka Razin - Schastlivaya

92A T: Tak zachem eti dni ozhidanii - Tishina

92B T: To bylo ranneyu vesnoi... - Ty stoi, moya kalinushka

93A U: U vorot, vorot batyushkinykh - Uzh kak po moryu, po moryu, moryu sinen komu

93B U: Uzh ty, pole - Ukhodi

94 F: F.R.O. C. Anthem (in Russia n) - Fon tany

96 Ts: Tsyganka - Tsyganskaya pesnya

97 Ch: Chainy domik - Chudo-pesenka

98 Sh: Sharaban - Shut Ioann a Groznago

99 E: Ei, ukhnem! - E-ekh, vysylalas vysylka groznaya

100 Yu: Yunosha i deva

101A Ya: Ya v grote zhdal tebya... (Arioso) - Ya plyvu opyat po Volge

101B Ya: Ya po beregu khodila - Yaroslavskie rebyata

(102-108) Vocal music by non-Russian composers, translated into Russian. Folders contain professionally published and printed sheet music. Entries are filed here alphabetically by composer (using the order of the Roman alphabet).

102 Bemberg, H., Chant Hindou: Desperance ( Indusskaya pesnya: Otchayanie ). Gosudarstvennoe Izdatel stvo: Muzykal nyi Sektor ( Inostrannye Pomansy i pesni series), Moscow, 1928. Music for voice with piano accompaniment. Note: Text in both Russian and French.

103 Delibes, L., Melodii Izbrannoe (Selected Melodies) compiled by F. Gershkovich, Muzgiz, 1961 (55 pp.). Music for voice with piano accompaniment. Collection contains Blanche et Rose, Bonjour, Suzon, Chanson slave, Kukla (*originally composed to Russian text, no French text appears), Eglogue, Chanson de l oisele ur, Serenade de Ruy-Blas, Heure du soire, Chanson espagnole, and Valse de Coppelia. Note: Text in both Russian and French.*

(See 108) Fauvre, G., Le papillon et la fleur, Muzgiz ( Kontsertn yi reper tuar vokalista series), Moscow, 1961. Music for voice with piano accompaniment. Note: Text in Russian and French.

104 Gounod Ch., Nella calma D un belsogno..., Arietta from Romeo e Giulietta, publisher/date unknown (pages 3-8 of an unknown publication appear here). Music for soprano voice with piano accompaniment. Note: Text in Russian, Italian, and French.

105 Mahler, Gustav, Izbrannye pesny (selected songs), compiled and translated by N. Rozhdestvenskaya, Muzgiz, Moscow, 1961 (42 pp.). Music for voice with piano accompaniment. Contains four songs from 12 Lieder aus Des Knaben Wunderhorn , two songs from Ruckert- Lieder, and two songs from 14 Lieder und Gesange (aus der Jugenzeit). Note: Text in Russian and German.

106 Massenet, J., Regrets de Manon ( Zhaloba Manon ) from the opera Manon. Published by A. Gutkheil, Moscow, date? Music for voice with piano accompaniment. Note: Text in Russian and French.

107 Moniuszko, Stanislaw, Beginning of Act II: Recitative and Aria, from Halka, published by Jurgenson, Moscow, date? Music for voice with piano accompaniment. Note: T ext in Russia n on ly.

108 Sibelius, Jan , Devushka prishla domoi s progulki, (text in Russian only) and Fauvre, G., Le papillon et la fleur, (text in French and Russian). Muzgiz ( Kontsertny i repertuar vokalista series), Moscow, 1961. Music for voice with piano accompaniment.

(109-113) Miscellanious materials, including concert programs, a music notebook, and sheet music printed in some special medium.

©Amherst Center for Russian Culture 1999 May Page 32 109 S. Hurok Presents The Original Don Cossack Chorus and Dancers, Serge Jaroff conductor: A Great Organ of Human Voices, created by Hurok Attractions, Inc., NY, NY, date?. This is apparently a promotional booklet for Jaroff s Cossack choir. The booklet, written entirely in English, contains a brief history of the Cossacks, an essay called Music of Russia by Serge Jaroff, translations of texts sung by the Don Cossack Choir and numerous black and white photograph of the group and its leader. Note: Contains no music.

110 Concert program for the Don Cossack Chorus, Serge Jaroff conductor at Massey Hall (1944-45 season), Saturday and Monday evenings Oct. 14th and 16th, 1944. The program of the concert includes both sacred and secular vocal works by various composers. Note: The program has been autographed by seven members of the choir, including Serge Jaroff.

111 Tetrad dlya not (notebook with staff paper). Contains transcriptions of songs written in pen. The pieces all have titles but no text, the music consists of melody and chord symbols written above the staff. Includes Nad okoshkom mesyats (Esenin/Popov), Otgovorila roshcha zolotaya (Esenin/Ponomarenko), Vykkalsya na ozere alyi svet zari (Esenin), Ty menya ne lyubit , ne zhaleesh (Esenin), Ya podrostok netipichnyi , Oshibka rezidenta, Nad Kanadoi (A. Gorodnitskii), Mezh vysokikh khlebov zateryalos ... (Nekrasov), Bratskie mog ily (Vysotskii), Ryushka vodki , Po Smol enskoi dorog e (Bulat Ak udjava ), Polnochn yi trolleibus (Bulat Akudjava), Koroleva (Esenin), Zapregai-ka, bat ka, loshad , Mishka, Yaponchik (from the musical Kotovekii ). Note: The intials Ya. V. appear on the cover.

112 Korobeiniki, arranged by A.A. Kaminsky for mixed choir (1981). Origin al printed on Vellum, transparent sheets with black print.

113 Nochevala tuchka zolotaya (Dargomyzhsky) and Sosna (Dmitriev), two trios for soprano, tenor and bass. Appears in a negative form (black carbon[?] background with white staff/notes/letters), evidently used to make copies. Includes two bass parts, two tenor parts, amd one soprano part for each piece.

(114-115) Collections of Russian secular vocal music in English.

114 A Century of Russian Song: From Glinka to Rachamninoff, edited by Kurt Schindler, G. Schirmer, Inc., New York, 1939 (239 pp.). Contains fifty songs by Arensky, Balakir ev, Borodine, Cui, Dargomyzhsky, Glazunov, Glinka, Mussorgsky, Rachamninov, Rimsky-Korsakov, A. Rubinstein, Tchaikovsky. Music for voice with piano accompaniment.

115 Masters of Russian Song, Vol. II, collected and edited by Kurt Schindler, G. Schirmer, Inc. N.Y.1945 (105 pp.). Contains 25 songs by Balakirev, Tchaikovsky, Rimsky-Korsakov, Borodine, Gretchaninov and Rachmaninov. Music for voice with piano accompaniment.

116 Individual pieces of Russian secular vocal music in English. Far on the road we two journeyed togeth er... music by M. Ippolitov-Ivanov, words by D.U. Tsertelev (translated by Constance Purdy), Oliver Ditson Co. ( Russian Songs series), Boston,date?. Music for voice with piano accompaniment.

Russian Picn ic, words and music (based on Russian folk tunes) by Harvey Enders, G. Schirmer ( G. Schirmer s Secular Choral Music series), N.Y., 1946. Music for four-voice mixed choir

Two Guitars, (Russian folk song) arr anged by Paul Hill, words by Kermit Lyons. Music for voice with piano accompaniment. Note: Item is a photocopy from an unknown publication.