The True History of Christianity
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Axis Mundi 2-2008.Pub
Axis Mundi, časopis štu- Egalitarian Utopias and Conservative Politics Veche as a Societal Ideal within Rodnoverie Movement Kaarina Aitamurto Aleksanteri Institute, Finnish Centre for Russian and Eastern European Studies at the University of Helsinki Rodnoverie is a religion that seeks to revive pre-Christian Slavic spirituality. As the majority of contemporary Pagan religions, Rodnoverie is characterized by the antiauthoritarian spirit and avoidance of dogmatism. Similar vernacular and individualistic ideals can also be seen in the societal views of Rodnoverie. Rodnovers often present the veche, the ancient Slavic popular assembly, to be an ideal model of governance. Nevertheless, the representations of the veche may considerably vary. On the one hand, veche is employed to promote grass-root democracy. On the other hand, the ideal of the veche has also been used by Ronovers who are reflecting democracy highly critically. The aim of this paper is to examine these contradictious Rodnoverie representations of the veche and Rodnoverie societal ideals in general. As a case study of vernacular political visioning, Rodnoverie provides an interesting outlook both on the recent resurrection of Slavophil political tradition in Russia and on the attempts to establish native roots for democratic values. Rodnoverie, contemporary Paganism 2003). In Eastern Europe, however, the most prominent feature of the movement is Rodnoverie is a part of the international nationalism. Some parts of the Rodnoverie religious movement of contemporary Paganisms. movement even have close links with ultra- However, the majority of the believers reject the nationalist, racist and anti-Semitist politics word ‘paganism’ as derogatory.1 Within the (Shnirelman, 1998; Pribylovsky, 1999). -
The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below). -
FOR IMMEDIATE RELEASE… Russian Folk
Oconomowoc Area School District FOR IMMEDIATE RELEASE… FOR MORE INFORMATION, CONTACT: Michael Duncan – Arts Center Manager 641 East Forest Street Oconomowoc, WI 53066 262. 560.2130 [email protected] Russian Folk Cabaret Café Series February 22 and 23 6:30 PM Dining 7:00 PM Show Oconomowoc, WI – The Oconomowoc Arts Center (OAC) is pleased to present Russian Folk, Feb. 22 and 23 at 7:00 PM. The performances are part of the popular Cabaret Café Series. The trio is headed by accordion virtuoso, Stas Venglevski, a nationally known player recognized for his use of the “bayan,” a Russian accordion that has a different tone and bass with a much fuller sound. Other members of the band include, Anna Kryukovskaya, a vocalist and Misha Latvin, a master mandolinist and domra player. The trio will be performing traditional Russian folk favorites, many in their native language, with some original compositions that hail brilliant artistry and melody. Venglevski is a native of the Republic of Moldova, part of the former Soviet Union. He is a graduate of the Russian Academy of Music in Moscow where he received his Masters Degree in music under the famed Russian Bayanist, Fredrich Lips. In 1992, he immigrated to the US. Venglevski has performed all over the United States, Canada and Europe. He is a regular with the Milwaukee Symphony Orchestra and has performed with the Chicago Symphony Orchestra and the Tacoma Symphony Orchestra. He has also done performances with Doc Severinsen, Steve Allen and with Garrison Keillor on the Prairie Home Companion Show. -
The Problem of Mysteriousness of Baba Yaga Character in Religious Mythology
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Siberian Federal University Digital Repository Journal of Siberian Federal University. Humanities & Social Sciences 12 (2013 6) 1857-1866 ~ ~ ~ УДК 7.046 The Problem of Mysteriousness of Baba Yaga Character in Religious Mythology Evgenia V. Ivanova* Ural Federal University named after B.N. Yeltsin 51 Lenina, Ekaterinburg, 620083 Russia Received 28.07.2013, received in revised form 30.09.2013, accepted 05.11.2013 This article reveals the ambiguity of interpretation of Baba Yaga character by the representatives of different schools of mythology. Each of the researchers has his own version of the semantic peculiarities of this culture hero. Who is she? A pagan goddess, a priestess of pagan goddesses, a witch, a snake or a nature-deity? The aim of this research is to reveal the ambiguity of the archetypical features of this character and prove that the character of Baba Yaga as a culture hero of the archaic religious mythology has an influence on the contemporary religious mythology of mass media. Keywords: religious mythology, myth, culture hero, paganism, symbol, fairytale, religion, ritual, pagan priestess. Introduction. “Religious mythology” is examined by the author of the article (Ivanova, a new term, which is relevant to contemporary 2012, p.56). The subject of the research presented religious and cultural studies, philosophy in this article is topography or conceptual space of religion and other sciences focusing on of notional understanding of the fairytale pagan correlation between myth and religion. This culture hero – the character of Baba Yaga. -
M. Witzel (2003) Sintashta, BMAC and the Indo-Iranians. a Query. [Excerpt
M. Witzel (2003) Sintashta, BMAC and the Indo-Iranians. A query. [excerpt from: Linguistic Evidence for Cultural Exchange in Prehistoric Western Central Asia] (to appear in : Sino-Platonic Papers 129) Transhumance, Trickling in, Immigration of Steppe Peoples There is no need to underline that the establishment of a BMAC substrate belt has grave implications for the theory of the immigration of speakers of Indo-Iranian languages into Greater Iran and then into the Panjab. By and large, the body of words taken over into the Indo-Iranian languages in the BMAC area, necessarily by bilingualism, closes the linguistic gap between the Urals and the languages of Greater Iran and India. Uralic and Yeneseian were situated, as many IIr. loan words indicate, to the north of the steppe/taiga boundary of the (Proto-)IIr. speaking territories (§2.1.1). The individual IIr. languages are firmly attested in Greater Iran (Avestan, O.Persian, Median) as well as in the northwestern Indian subcontinent (Rgvedic, Middle Vedic). These materials, mentioned above (§2.1.) and some more materials relating to religion (Witzel forthc. b) indicate an early habitat of Proto- IIr. in the steppes south of the Russian/Siberian taiga belt. The most obvious linguistic proofs of this location are the FU words corresponding to IIr. Arya "self-designation of the IIr. tribes": Pre-Saami *orja > oarji "southwest" (Koivulehto 2001: 248), ārjel "Southerner", and Finnish orja, Votyak var, Syry. ver "slave" (Rédei 1986: 54). In other words, the IIr. speaking area may have included the S. Ural "country of towns" (Petrovka, Sintashta, Arkhaim) dated at c. -
Turkse Mythologie Gratis Epub, Ebook
TURKSE MYTHOLOGIE GRATIS Auteur: Ingrid Klerk Aantal pagina's: 310 pagina's Verschijningsdatum: 2004-02-07 Uitgever: Sigma EAN: 9789065562265 Taal: nl Link: Download hier Turkse mythologie Behalve platen en cd's van klassiek en pop tot folk en jazz verkopen we ook platenspelers, speakers, accessoires en muziekboeken. Onze Brasserie kan niet zonder u. En hopelijk mist u ons ook een beetje! Daarom kunt u iedere donderdag een warm diner afhalen in de Brasserie. Reserveer uiterlijk woensdag voor Onze collega bespreekt een specifiek tijdslot van een kwartier met u waarin u uw diner kunt afhalen. In tegenstelling tot onze eerdere afhaaldiners worden de bestellingen warm aan u meegegeven. Dit product is bij ons op voorraad in de winkel. Bestel het voor Veilig op afstand betalen: betaal vooraf via Tikkie of aan de deur met de pin. We maken het apparaat na elke betaling schoon. Wij raden u aan om voor de beschikbaarheid en levertijd van deze titel contact met ons op te nemen. In verband met de coronacrisis hebben verschillende Engelse leveranciers hun levering geminderd of tijdelijk gestaakt. De levertijd van boeken die niet bij ons op voorraad zijn kunnen hierdoor afwijken. Soms kunnen we een boek nog via andere wegen bestellen. Neem dus altijd even contact met ons op. Boeken In de Drvkkery dwaalt u door duizenden prachtige verhalen. Veelgezochte categorieën De tip van Vinyl Platenspelers Speakers Cd's Ga naar de verzamelpagina. Brasserie de Drvkkery Onze Brasserie kan niet zonder u. Bekijk het afhaalmenu van komende donderdag Wat staat er aankomende donderdag op het menu? Bekijk het menu. -
N.I.Il`Minskii and the Christianization of the Chuvash
Durham E-Theses Narodnost` and Obshchechelovechnost` in 19th century Russian missionary work: N.I.Il`minskii and the Christianization of the Chuvash KOLOSOVA, ALISON,RUTH How to cite: KOLOSOVA, ALISON,RUTH (2016) Narodnost` and Obshchechelovechnost` in 19th century Russian missionary work: N.I.Il`minskii and the Christianization of the Chuvash, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11403/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 1 Narodnost` and Obshchechelovechnost` in 19th century Russian missionary work: N.I.Il`minskii and the Christianization of the Chuvash PhD Thesis submitted by Alison Ruth Kolosova Material Abstract Nikolai Il`minskii, a specialist in Arabic and the Turkic languages which he taught at the Kazan Theological Academy and Kazan University from the 1840s to 1860s, became in 1872 the Director of the Kazan Teachers‟ Seminary where the first teachers were trained for native- language schools among the Turkic and Finnic peoples of the Volga-Urals and Siberia. -
Dalrev Vol62 Iss1 Pp36 43.Pdf (2.313Mb)
Robert W. Brockway The Descensus Ad Jnferos of Lewis Carroll On July 4, 1862 (which was either "cloudless blue above" or "cool and rather wet"), a party of picnickers strolled through Christ Church Meadows, Oxford to Folly Bridge where they boarded a gig on the Isis and rowed upstream to a spot where they spent a pleasant afternoon. While Robinson Duckworth rowed stroke, a pale Anglican divine who was also a learned mathematician rowed stroke and entertained little Alice Liddell and her two sisters with a fantasy which he made up as they drifted along. I The story was about a girl named Alice who chased a waistcoated rabbit down a hole and plunged into a strange under ground Wonderland where everything was topsy-turvy. At Alice's request, Dodgson wrote Alice's Adventures Underground which was published three years later under the pen-name Lewis Carroll. 2 Alice's Adventures in Wonderland and the sequel Through the Looking Glass have flourished as masterpieces more pleasing to adults than to children because of their remarkable symbolism and profun dity. Wonderland is the inner chaos of the human psyche and Alice the archetypal heroine who descends into hell. She is a Victorian Inanna and her story is in the tradition of the Sixth Book of Virgil's Aeneid and Dante's Inferno. While there is no suggestion of conscious deriva tion or adaptation of this descent theme on Carroll's part, it is interest ing that the story occurred to him during the Late Romantic era when considerable attention was being given the idea of unconscious mind, especially in the Germanies but also in Britain.3 This preoccupation was to culminate at fin de siecle in both psychoanalysis and C. -
Eastern Analogies of Lorinc Tar's Descent to Hell
Acta Ethnographica Academiae Scientiarum H ungaricae Tomus 15 (3-4) pp. 301-318 (1966) EASTERN ANALOGIES OF LORINC TAR'S DESCENT TO HELL . By LAJOS V ARGYAS RESEARCH GROUP FOR MUSICAL FOLKLORE OF THE HUNGARIAN ACADEMY OF SCIENCES Tinodi's "Zsigmond kiraly es csaszarnak kronikaja" ("Chronicle of Sigismund King and Emperor") contains eight stanzasl inserted before the concluding stanza which constitute a belated Hungarian versified variant of medieval European visions of the other world. "I heard it as a song, true or not That Lorinc Tar entered the hell. He saw a fiery bed there, and Four fiery men were standing at its four corners. Lorinc Tar was told there that The bed was kept ready for King Sigismund. The four men, one archbishop,· one bishop and Two laymen, were evil persons all of them. The archbishop was damned for unjust tithe, The chancellor for taking illegal fees, The two noblemen were punished for violence, One was suffering for levying fals t.oll. Lorinc Tar beheld there many wonders. He saw' a tub with fire aflame In which Emperor Sigismund bathed Wallowing with the Queen's daughter Mary. He saw maidens without purta, * Beautiful and beautifully dressed womenfolk, "Whose navel had been grabbed and Whose breasts had been seized by Sigismund. Lorinc Tar told the Emperor what he had seen To which he said he would see to it That his bed be taken from hell And directed to heaven. He did impair somewhat the crown, He detached thirteen towns 1 Published by Heltai in the Cancionale in 1574. These stanzas confuse the order of the initial letters: therefore, and also on the strength of other evidence, J. -
Shamanic Wisdom, Parapsychological Research and a Transpersonal View: a Cross-Cultural Perspective Larissa Vilenskaya Psi Research
International Journal of Transpersonal Studies Volume 15 | Issue 3 Article 5 9-1-1996 Shamanic Wisdom, Parapsychological Research and a Transpersonal View: A Cross-Cultural Perspective Larissa Vilenskaya Psi Research Follow this and additional works at: http://digitalcommons.ciis.edu/ijts-transpersonalstudies Part of the Philosophy Commons, Psychology Commons, and the Religion Commons Recommended Citation Vilenskaya, L. (1996). Vilenskaya, L. (1996). Shamanic wisdom, parapsychological research and a transpersonal view: A cross-cultural perspective. International Journal of Transpersonal Studies, 15(3), 30–55.. International Journal of Transpersonal Studies, 15 (3). Retrieved from http://digitalcommons.ciis.edu/ijts-transpersonalstudies/vol15/iss3/5 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in International Journal of Transpersonal Studies by an authorized administrator of Digital Commons @ CIIS. For more information, please contact [email protected]. SHAMANIC WISDOM, PARAPSYCHOLOGICAL RESEARCH AND A TRANSPERSONAL VIEW: A CROSS-CULTURAL ' PERSPECTIVE LARISSA VILENSKAYA PSI RESEARCH MENLO PARK, CALIFORNIA, USA There in the unbiased ether our essences balance against star weights hurled at the just now trembling scales. The ecstasy of life lives at this edge the body's memory of its immutable homeland. -Osip Mandelstam (1967, p. 124) PART I. THE LIGHT OF KNOWLEDGE: IN PURSUIT OF SLAVIC WISDOM TEACHINGS Upon the shores of afar sea A mighty green oak grows, And day and night a learned cat Walks round it on a golden chain. -
Deutsche Nationalbibliografie 2014 T 07
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2014 T 07 Stand: 16. Juli 2014 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2014 ISSN 1613-8945 urn:nbn:de:101-ReiheT07_2014-1 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Ritual Details of the Irish Horse Sacrifice in Betha Mholaise Daiminse
Ritual Details of the Irish Horse Sacrifice in Betha Mholaise Daiminse David Fickett-Wilbar Durham, New Hampshire [email protected] The kingly inauguration ritual described by Gerald of Wales has often been compared with horse sacrifice rituals in other Indo-European traditions, in particular the Roman October Equus and the Vedic aßvamedha. Among the doubts expressed about the Irish account is that it is the only text that describes the ritual. I will argue, however, that a similar ritual is found in another text, the Irish Life of St. Molaise of Devenish (Betha Mholaise Daiminise), not only confirming the accuracy of much of Gerald’s account, but providing additional details. Gerald of Wales’ (Gerald Cambrensis’) description of “a new and outlandish way of confirming kingship and dominion” in Ireland is justly famous among Celticists and Indo-European comparativists. It purports to give us a description of what can only be a pagan ritual, accounts of which from Ireland are in short supply, surviving into 12th century Ireland. He writes: Est igitur in boreali et ulteriori Uitoniae parte, scilicet apud Kenelcunnil, gens quaedam, quae barbaro nimis et abominabili ritu sic sibi regem creare solet. Collecto in unum universo terrae illius populo, in medium producitur jumentum candidum. Ad quod sublimandus ille non in principem sed in beluam, non in regem sed exlegem, coram omnibus bestialiter accedens, non minus impudenter quam imprudenter se quoque bestiam profitetur. Et statim jumento interfecto, et frustatim in aqua decocto, in eadam aqua balneum ei paratur. Cui insidens, de carnibus illis sibi allatis, circumstante populo suo et convescente, comedit ipse.