DVARAVATI, SI THEP, and WENDAN Hiram Woodward
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Along the Royal Roads to Angkor
Chapter Four The Royal Roads of King Jayavarman VII and its Architectural Remains 4.1 King Jayavarman VII’s Royal Roads 4.1.1 General Information Jayavarman VII’s Royal Roads was believed (by many scholars) to be built in the era of Jayavarman VII who ruled Khmer empire between AD 1812 – 1218. The road network not only cover the area of the modern-day Cambodia but also the large areas of the present Laos, Thailand and Vietnam that were under the control of the empire as well. As demonstrated by Ooi Keat Gin in Southeast Asia: A Historical Encyclopeida from Angkor Wat to East Timor Volume Two; highways were built—straight, stone-paved roads running across hundreds of kilometers, raised above the flood level, with stone bridges across rivers and lined with rest houses every 15 kilometers. Parts of some roads are still visible, even serving as the bed for modern roads. From the capital city, Angkor, there were at least two roads to the east and two to the west. One of the latter ran across the Dangrek Mountains to Phimai and another went due west toward Sisophon, which means toward the only lowland pass from Cambodia into eastern Thailand in the direction of Lopburi or Ayutthaya. Toward the east, one road has been traced almost to the Mekong, and according to an inscription in which these roads are described, it may continue as far as the capital of Champa1 1 Ooi. (2004). Southeast Asia: A Historical Encyclopeida from Angkor Wat to East Timor Volume Two, (California: ABC-CLIO.inc.) pg. -
Power and Pragmatism in the Political Economy of Angkor
THESIS FOR THE AWARD OF DOCTOR OF PHILOSOPHY IN ARTS _________ DEPARTMENT OF ARCHAEOLOGY, UNIVERSITY OF SYDNEY ____________ POWER AND PRAGMATISM IN THE POLITICAL ECONOMY OF ANGKOR EILEEN LUSTIG _________ UNIVERSITY OF SYDNEY 2009 Figure 1 Location map 1 Abstract The relationship between the Angkorian Empire and its capital is important for understanding how this state was sustained. The empire’s political economy is studied by analysing data from Pre-Angkorian and Angkorian period inscriptions in aggregated form, in contrast to previous studies which relied mainly on detailed reading of the texts. The study is necessarily broad to overcome the constraints of having relatively few inscriptions which relate to a selected range of topics, and are partial in viewpoint. The success of the pre-modern Khmer state depended on: its long-established communication and trade links; mutual support of rulers and regional elites; decentralised administration through regional centres; its ability to produce or acquire a surplus of resources; and a network of temples as an ideological vehicle for state integration. The claim that there was a centrally controlled command economy or significant redistribution of resources, as for archaic, moneyless societies is difficult to justify. The mode of control varied between the core area and peripheral areas. Even though Angkor did not have money, it used a unit of account. Despite being an inland agrarian polity, the Khmer actively pursued foreign trade. There are indications of a structure, perhaps hierarchical, of linked deities and religious foundations helping to disseminate the state’s ideology. The establishment of these foundations was encouraged by gifts and privileges granted to elite supporters of the rulers. -
Original Anothai.Pmd
Chula Med J Vol. 64 No. 1 January - March 2020;29-37 DOI : 10.14456/clmj.2020.4 Original article Incidences and characteristics of monkey-related injuries among locals and tourists in Mueng District, Lopburi Province, 2013 - 2017 Anothai Juttuporna, Sarunya Hengprapromb*, Thanapoom Rattananupongb aProgram in Health Research and Management, Department of Preventive and Social Medicine, Faculty of Medicine, Chulalongkorn University, Bangkok, Thailand bDepartment of Preventive and Social Medicine, Faculty of Medicine, Chulalongkorn University, Bangkok, Thailand Background: Conflicts between monkeys and humans are increasing, mainly because of urbanization and deforestation. Mueng district of Lopburi Province is one of the greatest conflict areas in Thailand, where public health concerns of zoonoses transmission from monkey - bites and scratches are high. Currently, there is no epidemiological research of monkey-related injuries in Thailand. Objectives: The purposes of this study were to determine the incidence of monkey-related injuries and investigate the trends and characteristics of the injured cases in Mueng District, Lopburi Province, in 2013 - 2017. Methods: A cross - sectional analytical study was conducted to compare monkey-related injuries and investigate the incidences between locals, Thai, and foreign tourists by collecting secondary data from medical records in 3 hospitals in the study area. The cumulative incidences were used to calculate relative risk between the tourists and the locals. The characteristics of the injury cases are presented by frequency and percentage. Results: Yearly incidences of locals, Thais, and foreign tourists were in the ranges of 9.16 - 18.33, 190.16 - 379.13, and 254.07 – 736.91 per 100,000 population, respectively. The trend of injury was remarkably higher in foreign tourists. -
Cambodia-10-Contents.Pdf
©Lonely Planet Publications Pty Ltd Cambodia Temples of Angkor p129 ^# ^# Siem Reap p93 Northwestern Eastern Cambodia Cambodia p270 p228 #_ Phnom Penh p36 South Coast p172 THIS EDITION WRITTEN AND RESEARCHED BY Nick Ray, Jessica Lee PLAN YOUR TRIP ON THE ROAD Welcome to Cambodia . 4 PHNOM PENH . 36 TEMPLES OF Cambodia Map . 6 Sights . 40 ANGKOR . 129 Cambodia’s Top 10 . 8 Activities . 50 Angkor Wat . 144 Need to Know . 14 Courses . 55 Angkor Thom . 148 Bayon 149 If You Like… . 16 Tours . 55 .. Sleeping . 56 Baphuon 154 Month by Month . 18 . Eating . 62 Royal Enclosure & Itineraries . 20 Drinking & Nightlife . 73 Phimeanakas . 154 Off the Beaten Track . 26 Entertainment . 76 Preah Palilay . 154 Outdoor Adventures . 28 Shopping . 78 Tep Pranam . 155 Preah Pithu 155 Regions at a Glance . 33 Around Phnom Penh . 88 . Koh Dach 88 Terrace of the . Leper King 155 Udong 88 . Terrace of Elephants 155 Tonlé Bati 90 . .. Kleangs & Prasat Phnom Tamao Wildlife Suor Prat 155 Rescue Centre . 90 . Around Angkor Thom . 156 Phnom Chisor 91 . Baksei Chamkrong 156 . CHRISTOPHER GROENHOUT / GETTY IMAGES © IMAGES GETTY / GROENHOUT CHRISTOPHER Kirirom National Park . 91 Phnom Bakheng. 156 SIEM REAP . 93 Chau Say Tevoda . 157 Thommanon 157 Sights . 95 . Spean Thmor 157 Activities . 99 .. Ta Keo 158 Courses . 101 . Ta Nei 158 Tours . 102 . Ta Prohm 158 Sleeping . 103 . Banteay Kdei Eating . 107 & Sra Srang . 159 Drinking & Nightlife . 115 Prasat Kravan . 159 PSAR THMEI P79, Entertainment . 117. Preah Khan 160 PHNOM PENH . Shopping . 118 Preah Neak Poan . 161 Around Siem Reap . 124 Ta Som 162 . TIM HUGHES / GETTY IMAGES © IMAGES GETTY / HUGHES TIM Banteay Srei District . -
Wat Phra That Hariphunchai ( ) Sited in Mid-Town, It Was Built During the Reign of King Arthitayarat, a Descendant of Queen Chamthewi Some 800 Years Ago
Amphoe Mueang Lamphun 01 - Wat Phra That Hariphunchai ( ) Sited in mid-town, it was built during the reign of King Arthitayarat, a descendant of Queen Chamthewi some 800 years ago. A principal landmark is the 46-metre tall golden Chedi whose present appearance was the result of the restoration work in 1443 by a king of Chiang Mai. It has long been regarded as a major place of worship. Other architectural works include the ancient-style brick arch adorned with fine designs and the pair of sculptured lions at the door. There are also a square-shaped Chedi and a Khmer-style Buddha statue. 02 - Hariphunchai National Museum ( ). Located on Inthayongyot Road almost opposite Wat Phra That Hariphunchai it displays and exhibits include historical development and archaeological items found in Lamphun. These include prehistorical human skeletons and objects of arts from the Dvaravati, Hariphunchai, Lanna and Rattanakosin periods. A chamber is devoted to a collection of inscription stones in Mon and Lanna scripts. Another displays ancient utensils, Lanna indigenous arts and carvings. The museum is open Wednesday-Sunday from 9.00 a.m. to 4.00 p.m. 03 - Phra Nang Chamthewi Statue ( ) Located in the Nong Dok public park in town commemorating the first ruler of Hariphunchai. 04 - Suthewa Rusi Statue ( ) In front of the Town Hall, the Legend has it that the Rusi, or ascetic, was the actual founder of Hariphunchai. As an ascetic refraining from worldly affairs he invited Phra Nang Chamthevi, a daughter of the King of Lopburi, to ascend the throne and helped her to firmly establish Buddhism in the land. -
Virtual Sambor Prei Kuk: an Interactive Learning Tool
Virtual Sambor Prei Kuk: An Interactive Learning Tool Daniel MICHON Religious Studies, Claremont McKenna College Claremont, CA 91711 and Yehuda KALAY Faculty of Architecture and Town Planning The Technion - Israel Institute of Technology Haifa 32000, Israel ABSTRACT along the trade routes from its Indic origins into Southeast Asia—one of the great cultural assimilations in human history. MUVEs (Multi-User Virtual Environments) are a new media for researching the genesis and evolution of sites of cultural Much of this important work has, so far, remained the exclusive significance. MUVEs are able to model both the tangible and province of researchers, hidden from the general public who intangible heritage of a site, allowing the user to obtain a more might find it justifiably interesting. Further, the advent of dynamic understanding of the culture. This paper illustrates a immersive, interactive, Web-enabled, Multi-User Virtual cultural heritage project which captures and communicates the Environments (MUVEs) has provided us with the opportunity interplay of context (geography), content (architecture and to tell the story of Sambor Prei Kuk in a way that can help artifacts) and temporal activity (rituals and everyday life) visitors experience this remarkable cultural heritage as it might leading to a unique digital archive of the tangible and intangible have been in the seventh-eighth century CE. MUVEs are a new heritage of the temple complex at Sambor Prei Kuk, Cambodia, media vehicle that has the ability to communicate cultural circa seventh-eighth century CE. The MUVE is used to provide heritage experience in a way that is a cross between a platform which enables the experience of weaved tangible and filmmaking, video games, and architectural design. -
Temples Tour Final Lite
explore the ancient city of angkor Visiting the Angkor temples is of course a must. Whether you choose a Grand Circle tour or a lessdemanding visit, you will be treated to an unforgettable opportunity to witness the wonders of ancient Cambodian art and culture and to ponder the reasons for the rise and fall of this great Southeast Asian civili- zation. We have carefully created twelve itinearies to explore the wonders of Siem Reap Province including the must-do and also less famous but yet fascinating monuments and sites. + See the interactive map online : http://angkor.com.kh/ interactive-map/ 1. small circuit TOUR The “small tour” is a circuit to see the major tem- ples of the Ancient City of Angkor such as Angkor Wat, Ta Prohm and Bayon. We recommend you to be escorted by a tour guide to discover the story of this mysterious and fascinating civilization. For the most courageous, you can wake up early (depar- ture at 4:45am from the hotel) to see the sunrise. (It worth it!) Monuments & sites to visit MORNING: Prasats Kravan, Banteay Kdei, Ta Prohm, Takeo AFTERNOON: Prasats Elephant and Leper King Ter- race, Baphuon, Bayon, Angkor Thom South Gate, Angkor Wat Angkor Wat Banteay Srei 2. Grand circuit TOUR 3. phnom kulen The “grand tour” is also a circuit in the main Angkor The Phnom Kulen mountain range is located 48 km area but you will see further temples like Preah northwards from Angkor Wat. Its name means Khan, Preah Neak Pean to the Eastern Mebon and ‘mountain of the lychees’. -
The King's Nation: a Study of the Emergence and Development of Nation and Nationalism in Thailand
THE KING’S NATION: A STUDY OF THE EMERGENCE AND DEVELOPMENT OF NATION AND NATIONALISM IN THAILAND Andreas Sturm Presented for the Degree of Doctor of Philosophy of the University of London (London School of Economics and Political Science) 2006 UMI Number: U215429 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U215429 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 I Declaration I hereby declare that the thesis, submitted in partial fulfillment o f the requirements for the degree of Doctor of Philosophy and entitled ‘The King’s Nation: A Study of the Emergence and Development of Nation and Nationalism in Thailand’, represents my own work and has not been previously submitted to this or any other institution for any degree, diploma or other qualification. Andreas Sturm 2 VV Abstract This thesis presents an overview over the history of the concepts ofnation and nationalism in Thailand. Based on the ethno-symbolist approach to the study of nationalism, this thesis proposes to see the Thai nation as a result of a long process, reflecting the three-phases-model (ethnie , pre-modem and modem nation) for the potential development of a nation as outlined by Anthony Smith. -
A New Date for the Phnom Da Images and Its Implications for Early Cambodia
A New Date for the Phnom Da Images and Its Implications for Early Cambodia NANCY H. DOWLING SCHOLARS FAMILIAR WITH SOUTHEAST ASIAN ART HISTORY are well aware of a confusing chronology for early Cambodian sculpture. One reason for this situa tion is obvious. For nearly fifty years, Cambodian art history has been wed to the work of George Coedes. Praised as the dean of Southeast Asian history, he was a member of an elite group of French scholars who worked in Cambodia for decades before World War II. In 1944, he wrote Histoire ancienne des hats hindouses d'Extreme-Orient, in which he established a chronological framework for early Southeast Asian history based on an interplay of Chinese texts and indigenous inscriptions. Most Southeast Asian historians readily admit that "his book remains the basic source for early South East Asian history, and while much recent re search, based upon new inscriptional evidence or re-readings, modifies some of Coedes' specific conclusions, the structure remains his" (Brown 1996: 3). Such a singular dependency on Coedes had a stifling effect on Cambodian art history. When Jean Boisselier, carrying on the work of Philippe Stern and Gilberte de Coral-Remusat, made a comprehensive attempt to set in order Cambodian sculpture, the French art historian fitted the works of art into Coedes' ready made chronology. Unfortunately, this all happened as if it were preferable to adjust Cambodian sculpture to a preconceived notion of history rather than ques tioning the model. In this way, some basic mistakes have been made, and these seriously affect the chronology and interpretation of early Cambodian sculpture. -
Visual Art of Thailand in Global Contexts
Agustinus Dwi Nugroho.KurniawanDellaThanom The Rata.Artist: AdiChapakdee. Sound Silent Saputro. and Technique Celebration Art Djohan.Conference of in Engagement Film Editorialof ReportDeath Form Art of Engagement: Visual Art of Thailand in Global Contexts Thanom Chapakdee Srinakharinwirot University Thailand ABSTRACT This paper on the topic of Art of Engagement: Visual Art of Thailand in Global Contexts, attempts to explore that “global contexts” is transformed because of the impacts rapid change in economics, politics, society and culture. Globalization based on the notion of Global art and transform Thai art scene into the state of international art movement such as Installation art, Performance art, Community art, i.e. these movement becomes the mainstream of art since 1980s. This kind of movement which artist has created the art objects, space, time and sphere as a model of sociability which audiences can participate with people in community as relational art practice. The relational art becomes the space of exchange and participants can share experienced of taste, aesthetic, criticism which it’s related to art objects and sphere of community. This paper will explains that relational art is in the process of art of engagement. That is why art has become the community engagement which art objects and practical based are of the relational art and relational aesthetics. Keywords: community art, relational art INTRODUCTION It seems that nowadays the word ‘culture’ is excessively used in a very superficial way. People use it just to appear fashionable and to follow the trend that calls for culture at all levels. Indeed, the meaning and context of culture are very important to people living in a society. -
Culture & History Story of Cambodia
CHAM CULTURE & HISTORY STORY OF CAMBODIA FARINA SO, VANNARA ORN - DOCUMENTATION CENTER OF CAMBODIA R KILLEAN, R HICKEY, L MOFFETT, D VIEJO-ROSE CHAM CULTURE & HISTORY STORYﺷﻤﺲ ISBN-13: 978-99950-60-28-2 OF CAMBODIA R Killean, R Hickey, L Moffett, D Viejo-Rose Farina So, Vannara Orn - 1 - Documentation Center of Cambodia ζរចងាំ និង យុត្ិធម៌ Memory & Justice មជ䮈មណ䮌លឯក羶រកម្宻ᾶ DOCUMENTATION CENTER OF CAMBODIA (DC-CAM) Villa No. 66, Preah Sihanouk Boulevard Phnom Penh, 12000 Cambodia Tel.: + 855 (23) 211-875 Fax.: + 855 (23) 210-358 E-mail: [email protected] CHAM CULTURE AND HISTORY STORY R Killean, R Hickey, L Moffett, D Viejo-Rose Farina So, Vannara Orn 1. Cambodia—Law—Human Rights 2. Cambodia—Politics and Government 3. Cambodia—History Funding for this project was provided by the UK Arts & Humanities Research Council: ‘Restoring Cultural Property and Communities After Conflict’ (project reference AH/P007929/1). DC-Cam receives generous support from the US Agency for International Development (USAID). The views expressed in this book are the points of view of the authors only. Include here a copyright statement about the photos used in the booklet. The ones sent by Belfast were from Creative Commons, or were from the authors, except where indicated. Copyright © 2018 by R Killean, R Hickey, L Moffett, D Viejo-Rose & the Documentation Center of Cambodia. All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. -
Chinese Art Within Thai Temples in Malaysia: the Disappearance of Thai Art
Asian Social Science; Vol. 11, No. 9; 2015 ISSN 1911-2017 E-ISSN 1911-2025 Published by Canadian Center of Science and Education Chinese Art within Thai Temples in Malaysia: The Disappearance of Thai Art Punya Tepsing1 1 Faculty of Liberal Arts, Prince of Songkla University, Songkhla, Thailand Correspondence: Punya Tepsing, Faculty of Liberal Arts, Prince of Songkla University, Songkhla 90112, Thailand. Tel: 66-83-14-6692. E-mail: [email protected] Received: August 12, 2014 Accepted: December 2, 2014 Online Published: April 2, 2015 doi:10.5539/ass.v11n9p43 URL: http://dx.doi.org/10.5539/ass.v11n9p43 Abstract The identity of Thai temples in Malaysia is disappearing, as the temples display more Chinese art than Thai. Thus, this research aims to investigate the patterns in Chinese art and the conditions that support the appearance of Chinese art within Thai temples. Chinese art appears within these temples in their sculptures of Buddha, pavilions, and walls. The conditions supporting the appearance of Chinese art include 1) the need for funds to construct new temples; 2) the abilities of pastors who can speak Chinese and English and are interested in art from various countries; and 3) the eastern coast of Malaysia being a place where many people of Chinese descent settled. Chinese people were not able to purchase land easily due to state laws; thus, they had to use Thai temples as places to preserve their identity by constructing Chinese art within the temple. Keywords: Chinese art, Thai temple, Malaysia, disappearance 1. Introduction Chinese culture has been found in Malaysia since the 15th century (Khin & Huat, 2005).