All the World's Been Staged
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Shakespeare's Use of Music
T wit iloucr and his UTc , With • hay* *»iih a ^oearil ahaytoorir Wellesley College Library + er lacuna + no and j Uayv noruc nocuc no iafpnrgume.;;.i r rr r . ~1 __i __. _c t)i« oolyprcunngcuDCWi f*CCTC Y RFMjlM EDITH BUTLER POOL This book-plate was designed in 1909 s\i tSr fpringc in fpt ing birdHiof:ng t Hjyc loum louc by Edith Butler Pool (Class of 1896) for her library. p r p r It seems appropriate that it should be used to mark the books purchased for the Department of English Literature through her memorial bequest fpring. *Ln£3i!in$adn£. ij. fwrctc loom looc the *ijno|Cf?AA;]L 'mm- -mm JLiltQH OUJ, 14 % fcetwret>e the AVeti ofthe riev Wall a hav, ai* w a ho^nd a hiynonle no, Thdc prem* Coo itnc rooles would lie, Inlpf'in^ r»tnr,thcorcIy pffTucriftgdnc, WrwvB;'d>d »r ling, Inydinga ding i diof, Swrctc toucf>!oye t^ei^nng. | ThU CjtcII thcybr^an thathoure, i Sjy, Wiw wi:h a ho ah J a fuy noruc no# How that 3 liL v^aitnn ^nowcr, In Ipnng tiVn*, the onely prctae ring time, When Bird* doc (ing, hay ding a ding a dujg, S veetc lo jen louc rhefpnng. 4 Then prettir louert tike the time, a w ir!i With hay , a ho xnd* hay nonie no. Fortooets crowned with the primr, Infrwingtinic^beonelypraucnngtirre, When find* doc fine, hay ding a ding a ding. S wcetc lawcts iouc die fpiing. Digitized by the Internet Archive in 2012 with funding from Wellesley College Library http://archive.org/details/shakespearesuseo01long HAKESPEARE USE OF MUSIC: A ST THE MUSIC AND ITS IN THE TION OF SEVEN COMEDIES JOHN H. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details The nature of growth: The postwar history of the economy, energy and the environment Richard Lane PhD in International Relations University of Sussex September 2014 I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another University for the award of any other degree. Signature:.................................................................................... Table of contents Acknowledgements 1 1. Research Summary 2 2. Introduction 3 3. The promiscuous history of the economy, energy and environment 11 The natural history of the great acceleration 13 Promiscuous history: relationality, performativity, translation 18 The national economy 23 Economy and growth 28 The promiscuous history of growth 33 4. Economy 36 The necessity of growth 38 The economy and the fear of postwar depression 39 Expansion economics and security 42 The scarcity of natural resources 44 Dewhurst, Malthus, and the postwar resource scarcity 45 Economy and scarcity: the postwar fears over growth 48 Resources for Freedom, resources for growth 50 The Paley report and the concern with growth 52 Scarcity and reserves 54 The Paley approach 59 Resources For the Future and scarcity 61 Growth and conservation 62 Resources For the Future 64 The death of absolute resource scarcity 67 The growth of the economy 71 5. -
Masaryk University Faculty of Education Department of English Language and Literature
MASARYK UNIVERSITY FACULTY OF EDUCATION DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE Renaissance theatre in England and its comparison with the theatre in the Czech Lands in the Renaissance period Bachelor Thesis Brno 2016 Supervisor: Author: Mgr. Lucie Podroužková, Ph.D. Lucie Pupalová Prohlášení Prohlašuji, že jsem bakalářskou práci vypracovala samostatně, s využitím pouze citovaných literárních pramenů, dalších informací a zdrojů v souladu s Disciplinárním řádem pro studenty Pedagogické fakulty Masarykovy univerzity a se zákonem č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon), ve znění pozdějších předpisů. Brno, 25. března 2016 …….………………… Lucie Pupalová Acknowledgement In the first place, I would like to thank my supervisor Mgr. Lucie Podroužková, Ph.D. for her valued help, patience and kind advice. Secondly, I would like to thank my parents as well as my dear classmates and friends for motivation and support, namely Magdalena Kyzlinková and Kateřina Zadinová. Abstract This Bachelor thesis focuses on the development of theatre in the period of Renaissance in England and in the Czech Lands as well as on their comparison. The thesis is divided into four main chapters. The first chapter briefly describes the theatre development in Europe prior to the Renaissance period. The following two chapters outline the theatre development of Renaissance theatre in both compared countries. The last chapter provides a comparison of these two theatre developments and seeks for similarities and differences between them. Key words theatre, drama, Renaissance, development, history, England, Czech Lands Anotace Tato bakalářská práce se zabývá vývojem renesančního divadla v Anglii a v Českých zemích a jejich porovnáním. -
“A Poor Player That Struts and Frets His Hour Upon the Stage…”
“A POOR PLAYER THAT STRUTS AND FRETS HIS HOUR UPON THE STAGE…” THE ENGLISH THEATRE IN TRANSITION A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Christin N. Gambill May, 2016 “A POOR PLAYER THAT STRUTS AND FRETS HIS HOUR UPON THE STAGE…” THE ENGLISH THEATRE IN TRANSITION Christin N. Gambill Thesis Approved: Accepted: _______________________________ _______________________________ Advisor Dean of the College Mr. James Slowiak Dr. John Green _______________________________ _______________________________ Faculty Reader Dean of the Graduate School Mr. Adel Migid Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Date Dr. Hillary Nunn _______________________________ School Director Dr. J. Thomas Dukes ii TABLE OF CONTENTS Page CHAPTER I. “THIS ROYAL THRONE THIS SCEPTERED ISLE…” THE THEATRE OF THE ENGLISH RENAISSANCE ............................................................................................... 1 II. THE COMING STORM .............................................................................................. 14 III. THE AXE FALLS ...................................................................................................... 29 IV. UNDER THEIR NOSES ............................................................................................ 42 V. THE NEW ORDER ..................................................................................................... 53 VI. FUTURE CONSIDERATIONS -
Select Bibliography and Websites
Select Bibliography and Websites 1. Primary Sources • Shakespeare quotations in the text are taken from The Complete Works of William Shakespeare (The Alexander text), published by Collins, 1951; 1981. • The Arden editions of the individual plays are usually worth buying for their extensive and often perceptive introductions. They are published by Thomson Learning. The website is at: http://www.ardenshakespeare.com • Shakespeare's Sonnets can also be read in the Arden edition, edited by Katherine Duncan-Jones, Thomson Learning, 1997. A. William of Stratford • William of Stratford's 'signatures' can be seen at: http://www.nationalarchives. gov.uk/museum/ • Documents on the life of William of Stratford can be read in David Thomas: Shakespeare in the Public Records, HMSO, 1985; Robert Bearman: Shakespeare in the Stratford Records, Alan Sutton, 1994; and Samuel Schoenbaum: William Shakespeare: A Documentary Life, Oxford, 1975. • Documents on William's life can also be read online at: http://fly.hiwaay.net/ ~paul/shakspere/evidence1.html or: http://www.william-shakespeare.info/william-shakespeare-facts.htm There are more than 100 references to William and his family in the public records—the product of assiduous research, especially in the 20th century. But, apart from wills, baptism, marriage and death certificates, they relate largely to acting, business, financial and legal matters. They indicate that he was an actor, that he was reluctant to pay his taxes, that he was a maltster, and that he was a moneylender who was quick to sue for debt. There is absolutely nothing in these records to connect him with the authorship of the works ascribed to him: no manuscripts of plays or poems; no letters to friends; no notes; no anecdotes about his writing; and no references to books or a library. -
GLOBE THEATER in ODESSA, TEXAS Major Professor Minor
A PROPOSED RECONSTRUCTION OP Till ELIZABETHAN GLOBE THEATER IN ODESSA, TEXAS APPROVED! Major Professor Minor Professor Director of the Department of Bngllah © School A PROPOSED RECONSTRUCTION OF THE ELIZABETHAN GLOBE THEATER IN ODESSA, TEXAS THESIS Presented to the Graduate Ootaaeil of th« North Texas State College In Partial Fulfillment of the Requirements For the Degree of MASTER OP ARTS By 1S 0 i) 9 d Marjorle Rogers Morris, B. A. Odessa, Texas August, 1950 180098 fABLE OP CONTENTS Pag© PREFACE. It LIST OF ILLUSTRATIONS. ................ vl Chapter I. THE ORIGINS OP THE ELIZABETHAN THEATER. ... 1 II. THE ELIZABETHAN PLAYHOUSES 12 The Theater The Curtain The Newington Butts The Rose The Swan The Fortune The Red Bull The Hope III. THE GREAT GLOBE ITSELF. ........... 41 IV. REPRODUCTIONS AID MODELS OP THE GLOBE THEATER .................. 81 Theaters Miniatures V. THE PROPOSED RECONSTRUCTION OP THE GLOBE THEATER IN ODESSA, TEXAS. ......... 105 VI. CONCLUSION. .......... 120 BIBLIOGRAPHY- 126 111 PREFACE The Shakespeare Club of Odessa High School has as its major project the promotion of a full-si jsed applies of the Elizabethan Glob® of Southwark, England, reconstructed on the prairies of West Texas* The purpose of this study is to determine as accurately as possible fro» an examina- tion of contemporary records and from interpretations of scholars what the structure and conventions of the Globe Theater were in the hope that the projected reconstruction of the theater in Odessa may be as near the original as is possible and feasible, I am deeply grateful to those scholars of Shakespeare whose years of tireless research have made my study an en- riching and satisfying experience. -
Treason and the State: Law, Politics, and Ideology in the English Civil War D
This page intentionally left blank Treason and the State This study traces the transition of treason from a personal crime against the monarch to a modern crime against the impersonal state. It consists of four highly detailed case studies of major state treason trials in England beginning with that of Thomas Wentworth, First Earl of Strafford, in the spring of 1641 and ending with that of Charles Stuart, King of England, in January 1649. The book examines how these trials constituted practical contexts in which ideas of statehood and public authority legitimated courses of political action that might ordi- narily be considered unlawful – or at least not within the compass of the foundational statute of 25 Edward III. The ensuing narrative reveals how the events of the 1640s in England challenged existing conceptions of treason as a personal crime against the king, his family and his servants, and pushed the ascendant parliamentarian faction toward embracing an impersonal conception of the state that perceived public authority as completely independent of any individual or group. d. alan orr was educated at Queen’s University at Kingston, the University of Glasgow and the University of Cambridge, where he received his Ph.D. in 1997. He has taught subsequently at Carleton University in Ottawa and Queen’s University at Kingston. Cambridge Studies in Early Modern British History Series editors anthony fletcher Victoria County History, Institute of Historical Research, University of London john guy Professor of Modern History, University of St. Andrews and john morrill Professor of British and Irish History, University of Cambridge, and Vice-Master of Selwyn College This is a series of monographs and studies covering many aspects of the history of the British Isles between the late fifteenth century and the early eighteenth century. -
Shakespeare's Will…
Brief Chronicles Vol. I (2009) 169 Shakespeare’s Will….. Considered Too Curiously Bonner Miller Cutting he last will and testament of William Shakespeare went unnoticed for approximately a century after his death in Stratford-on-Avon on April 23, 1616. !e engraver and antiquarian George Vertue is credited with noting the T 1, 2, 3 existence of a copy in 1737. !e will that is considered to be the original may (or may not) be the one discovered by the Reverend Joseph Greene ten years later in 1747.4, 5, 6 Subsequently, several copies of the Will were published,7 though the Prerogative Court of Canterbury steadfastly refused to allow an actual facsimile to be made. 8 Finally in 1851, the eminent 19th century scholar James Halliwell obtained permission from the Court to release Shakespeare’s Will to the “patient world” in a form as close to the original as possible. In a limited edition of 100 copies, the original character of the will was displayed with the interlineations and alterations set forth as best as could be done in type.9 On viewing the content of the will in its entirety, the Prerogative Court’s reluctance to make the will available in its original form can be easily understood. !e purpose of this paper is to put the will of William Shackspere of Stratford-on-Avon in its social, historical, and legal perspective. !is will be accomplished by a comparison with contemporaneous wills of the day, and by an examination of the circumstances surrounding the creation of the document itself. -
Reconstructions of the Globe: a Retrospective Gabriel Egan
Cambridge University Press 0521660742 - Shakespeare Survey 52: Shakespeare and the Globe Edited by Stanley Wells Excerpt More information RECONSTRUCTIONS OF THE GLOBE: A RETROSPECTIVE GABRIEL EGAN I ought not to have suggested in The Stage of the Globe, 356, that the ®rst Globe might have been rectangular.1 The Globe playhouse occupies special places in or Fortune differed substantially from their the collective conscious and unconscious of predecessors.4 Shakespeare studies and ± where id was, there Chambers offered no precise defence of his shall ego be ± the Wanamaker reconstruction has drawing because it was intended to be schematic brought important theoretical and practical rather than architectural, and showed neither the con¯icts into the open. The validity of histor- dimensions nor the arrangement of structural ical methods and pursuit of authenticity have members. General features, not unrecoverable always been contentious issues, but the act of particularities, were his concern. It is worth making a physical reconstruction focuses the noting that Chambers's octagonal playhouse minds of supporters and objectors in a way that which was supposed to be Globe-like and no hypothetical model can. The Wanamaker typical seems dependent upon J. C. Visscher's project can be credited with the achievement of engraving of 1616 called Londinium Florentis- accelerating research into the design and opera- s[i]ma Britanniae Urbs.5 When Chambers's book tion of the Globe so that in the last thirty years was published in 1923 the Visscher engraving the body of published work on the subject has was still considered authoritative and of the more than doubled. -
Bibliographical Contributions
BIBLIOGRAPHICAL CONTRIBUTIONS 2 UNIVERSITY OF KANSAS LIBRARIES 1976 University of Kansas Publications Library Series, 40 Copy for the title-page of the projected third edition of Pierre-Louis Roederer's Adresse d'un constitutionnel aux constitutionnels (see first article) BIBLIOGRAPHICAL CONTRIBUTIONS 2 UNIVERSITY OF KANSAS LIBRARIES Lawrence, Kansas 1976 PRINTED IN LAWRENCE, KANSAS, U.S.A., BY THE UNIVERSITY OF KANSAS PRINTING SERVICE Contents Pierre-Louis Roederer and the Adresse d'un Constitutionnel aux Constitutionnels (1835): Notes on a recent acquisition. By CHARLES K. WARNER The "Secret Transactions" of John Bowring and Charles I in the Isle of Wight: a Reappraisal. By ALLAN J. BUSCH Catesby, Curll, and Cook: or, The Librarian and the 18th Cen• tury English Book. By ALEXANDRA MASON Pierre-Louis Roederer and The Adresse d'un Constitutionnel Aux Constitutionnels (1835): Notes on a Recent Acquisition CHARLES K. WARNER In 1832, Louis-Philippe, King of the French since the July Revolution of 1830, appointed Count Pierre-Louis Roederer, an aging but still ener• getic notable of the Revolutionary and Napoleonic eras, to the Chamber of Peers, the upper house of France's new parliament. In February 1835, during what was to be his eighty-second and last year, Roederer published a small pamphlet, Adresse d'un constitutionnel aux constitutionnels, which burst like an embarrassing bombshell in the middle of the worst ministerial crisis of the July Monarchy's early years.1 Briefly, Roederer's pamphlet fustigated the efforts of such parliamentary leaders as Thiers, De Broglie and Guizot to obtain a ministry in some degree responsible to parliament and, more immediately, the right for the cabinet to meet apart from the King. -
1 Introduction by Grace Ioppolo in 1619, the Celebrated Actor Edward
Introduction by Grace Ioppolo In 1619, the celebrated actor Edward Alleyn founded Dulwich College, a boys’ school originally called ‘God’s Gift of Dulwich College’, as part of his charitable foundation, which also included a chapel and twelve almshouses.1 As part of his estate, Alleyn left thousands of pages of his personal professional papers as well as those of his father-in-law and business partner, the entrepreneur Philip Henslowe, to the College in perpetuity. Some of the papers, including the invaluable account book of theatrical expenses now known as Henslowe’s Diary, suffered minor damage over the centuries. Yet these papers recording playhouse construction, theatre company management, the relationships of actors and dramatists with their employers, and the interaction of royal and local officials in theatre performance and production remained largely intact. Although Henslowe’s Diary and other original volumes such as the play-text of The Telltale retained their original bindings, thousands of loose documents, including muniments, deeds, leases, indentures, contracts, letters, and receipts remained uncatalogued and in their original state (included folded into packets, as in the case of letters). Scholars and theatre professionals such as David Garrick, Edmond Malone, John Payne Collier and J. O. Halliwell made use of Dulwich College’s library in the 18th and 19th centuries, sometimes borrowing and then not returning bound volumes and loose manuscripts to use in their research on the theatre history of Shakespeare and his contemporaries. In the 1870s, the governors of Dulwich College accepted the offer of George F. Warner, a keeper of manuscripts at the British Museum, to conserve and catalogue this collection of the single most important archive of documents relating to 16th and 17th century performance and production. -
Liber Famelicus
LIBER FAMELICUS. THIS book I began to write in, the 18 April 1609, anno 7 Jacobi regni sui Anglise, et Scotise 42. In it I en tend to set downe roemorialls for my posterity of thinges most properly concerning myself and my familye. Oculis in solem, alis in coelum. Motto de cognisance.* Vive diu Whitlocke, tuis sic utere fatis Vt referent sensus alba nee atra tuos. JAMES WHITELOCKE. My father RICHARD WHITELOCK: was the fourthe sun of Richard Whitelock, and was born in the ancient seat of the Whitelocks, called Beeches, situate neer Okingham, a market towne in the countye of Barkes, whiche land hathe continued in our blud sithence the year of our Lord 1231; for it appeerethe by a deed in my cosen William f Whitelockes hand of Beches that Robert J then bishop of Salisburye, who was lord of the manor of Sunning neer Okingham, did give to William de la Beche, out of his purpres- ture§ of Bear Wood, that verye land my cosen William Whitelock now holdethe by discent from his father, and he bathe the originall • This "motto of cognisance" refers to the arms borne by the Whitelocke family, a chevron between three falcons, or, as they are called in one pedigree, three eagles, and the crest, a like bird rising out of a tower. +• My father's elder brother's son, and heir of the family ; William the eldest being ded without issue. Note by the writer of the MS. J Robert de Bingham, bishop of Salisbury 1228—1246. § Inclosure. CAMD. 8OC. B 2 LIBER FAMELICUS.