DOCSLIB.ORG

Often Launched by a Personal Connection to the Sea, Collectors

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Often Launched by a Personal Connection to the Sea, Collectors 18TH CENTURY BIBLE BOX CLOSES UP $9,600 • ZIG-ZAG BANK COULD CAPTURE $175K March 18, 2015 US 2.99 • Can 4.99 www.AntiqueTrader.com America’s Antiques & Collectibles Marketplace Telltale Tests Th at Indicate If Your Business Can Stay Afl oat Wayne Jordan’s latest installment of Behind the Gavel reveals formulas for predicting how long you can stay afl oat if you happen to be going through a sales dry spell. ■ Page 12 Family Business Takes Pride In Rescuing Precious Heirlooms McHugh’s Restorations of Richmond, Virginia, has been rescuing damaged — or Often launched by a downright shattered — family heirlooms for decades. Antoinette Rahn catches up with the personal connection to the McHugh family in the latest Knowing Your Business column, and fi nds out how each sea, collectors fi nd the Siren generation contributes to the team. song of maritime art and ■ Page 16 artifacts diffi cult to resist. Fine Arts & Craft s Woodblock ■ Page 18 Prints Impressing Bidders In December, Treadway-Toomey Galleries of Oak Park, Illinois, had the opportunity to sell one of the best Arts & Craft s collections ever to come to market, which prominently featured items by Stickley, Grueby and Tiff any. Bidders were especially impressed with the color woodblock prints. ■ Page 24 International Wedgwood Group Planning 60th Convo Birmingham, Alabama, is the location of the 60th Wedgwood International Seminar, which is taking place April 22-25. Th ose who register for the all-inclusive, four-day conference are privy to lectures from leading ceramics scholars, as well as hands-on sessions and conservation information. ■ Page 48 America’s #1 Price Guide “A book devoted to makingg you a better collector” Order today and enjoy free U.S. shipping with Discount Code ATPG15. Order online at KrauseBooks.com or call 855-864-2579 Please Reference Item #T1786 ARMS & ARMOR & CIVIL WAR AUCTIONS JUNE 13-14, 2015 | DALLAS | LIVE & ONLINE SEEKING QUALITY CONSIGNMENTS FOR REMARKABLE RESULTS! Extremely Rare Civil War Recruitment Alexander Gardner Photograph of Rare and Fine Late 19th Century Broadside Seeking African-American Soldiers: George G. Meade and Staff Signed UMC “Elk Scene” Cartridge Board “COME AND JOIN US BROTHERS” Sold for $8,125 Sold for $40,625 Sold for $22,500 Very Fine Commercially Produced 14th New Henry Lever Action Rifle Hampshire Forage Cap Sold for $12,500 Sold for $20,000 Pair of Engraved and Consecutively Numbered Colt Single Action Army Revolvers Sold for $20,000 Civil War Colt Model 1860 .44 Caliber Percussion Army Revolver Serial Number 78682 Issued to George Ferris Co “D” 7th Michigan Cavalry, Custer’s Michigan Cavalry Brigade U.S. Colt Model 1877 Bulldog Gatling Gun. Sold for $12,500 Sold For: $395,000 For more information about our auction services, please call 877-HERITAGE (437-4824) David Carde | Consignment Director | ext. 1881 | [email protected] Always Accepting Quality Consignments in 39 Categories | Immediate Cash Advances Available Annual Sales Exceed $900 Million ❘ 900,000+ Online Bidder-Members 3500 Maple Ave. ❘ Dallas, TX 75219 ❘ 877-HERITAGE (437-4824) ❘ HA.com DALLAS ❘ NEW YORK ❘ BEVERLY HILLS ❘ SAN FRANCISCO ❘ HOUSTON ❘ PARIS ❘ GENEVA Paul R. Minshull #16591. BP 12-25%; see HA.com; Heritage Auctions, Inc.: FFL #5-75-113-01-5C-04412. 35478 Cataloged Antique Auction Saturday, March 28, 2015 @ 11 A.M. Previews: Friday 10 A.M. - 5 P.M. Saturday 8 A.M. - 11 A.M. This auction will feature over 400 catalogued lots including Rosewood Rococo, Renaissance Revival, Figural Carved, Period Empire, & Turn of Century Oak Furniture by John H. Belter, J & J.W. Meeks, Thomas Brooks, R.J. Horner, Pottier & Stymus, John Jelliff, The Wooton Desk Co., Fine Lighting, Paintings, Icart Etchings, Porcelains, Sterling Silver, Pottery, Marble & Bronze Statuary, Asian Items, Cut Glass, Art Glass, Jewelry, Firearms plus hundreds of related accessories. For Full Lot Descriptions Photos & Terms of Sale Please Visit our Website www.FontainesAuction.com Consignments Wanted or Purchase Outright For our upcoming May 30th, 2015 Antique Clock & Watch Auction Your items will receive national exposure to our extensive customer database of over 18,000 subscribers & worldwide online marketing. We offer free estimates, prompt professional service, pickup & delivery nationwide. Consignments are fully insured. We also purchase outright, one item to an entire estate or collection. With over 45 years of service, we are the oldest operating auction gallery in Western Massachusetts. WE ARE NOW ACCEPTING CONSIGNMENTS FOR OUR UPCOMING AUCTIONS, FROM ONE ITEM TO A COMPLETE COLLECTION. WE CAN ARRANGE FOR PICKUP AND DELIVERY NATIONWIDE. S www.FontainesAuction.com I N C :HVW+RXVDWRQLF6WUHHW3LWWV¿HOG0$ 5RXWH ( A+ 1 3KRQH)D[(PDLOLQIR#IRQWDLQHVDXFWLRQFRP 9 7 AUCTIONEER: JOHN FONTAINE, Mass. Auctioneers License #327 3 March 18, 2015 • www.AntiqueTrader.com • ANTIQUE TRADER 3 SPRING SALE WWELCOMESATURDAY,ELCOM APRILE FFRIENDS R11ITHE, 2015NDS Dealer space available. Contact mall in your location for information. Monthly raffl e for a $200 gift certifi cate. FFROMSAT.REach ODECEMBERticketM also eligible TTHE forH 6TH, endE of 10year NNORTH! AMdrawingO TO Rin December5:30TH PM ! where one personGREAT will BARGAINS! win $5000.00 cash. DEALER SPACES AVAILABLE. Raffl CONTACTe tickets MALL can beIN YOUR fi lled LOCATION out at any FOR of INFORMATION! the four malls. FOUR GREAT LOCATIONS IN FLORIDA! Readers’ Advisory Board Update Vol. 59 No. 6 • March 18, 2015 It’s been a little more than four months tion will be debated forever. www.antiquetrader.com [email protected] since we launched the Antique Trader Read- • I would like to see some new refreshing Subscriptions ers’ Advisory Board. In that time we’ve guest columnists. 877-300-0247 (U.S. and Canada) received valuable feedback from the board • Th e last two Antique Trader Magazines 386-246-3434 (outside U.S.) P.O. Box 421751 members, and we wanted to share some of it. have been very pleasant to read partly Palm Coast, FL 32142-1751 Th e Readers’ Advisory Board is simply because of the bold relaxing colors being Editorial/Advertising Offi ce a group of subscribers who volunteer their used in the magazine. 700 E. State St. time and attention • When you have an auc- Iola, WI 54990-0001 Phone: 715-445-4612 to provide feedback tion preview it would be Fax: 715-445-4087 about Antique Trader. interesting to see if the [email protected] During a six-month sale price was close to the Editor Antoinette (“Toni”) Rahn term of service, board estimate. [email protected], ext. 13364 members are asked to • Was very interested to Print Editor Karen Knapstein [email protected], ext. 13627 communicate with us read the feature article Vice President / Group Publisher Jamie Wilkinson at least once a month, about farming collectibles, Contributing Editors sharing their thoughts as in our town there is an Wayne Jordan, Mary Manion, Sherry Minton, about everything from timeliness of delivery auction service that specializes in farm- Michael Polak, Joseph Porcelli, to thoughts about columns, news, advertise- ing collectibles. Fred Taylor, Melanie C. Thomas and Paul Kennedy ments and topics covered. At the conclusion • I fi nd articles on promotions at auction Editorial Director Tom Bartsch of their term, each Readers’ Advisory Board houses remind me of paid articles about Graphic Designer Dane Royer member receives a two-pack of antiques and the auction house and are of very little Advertising Sales: 800-726-9966 collectibles references published by Krause interest. Nick Ockwig, ext. 13322 [email protected] Publications, the book division of our par- • Your cover story “Th e Grand Tour” was Sales Assistant Julie Dillon ent company, F+W, a Content + eCommerce very enlightening, and all the images [email protected] Company. were a great extra. Beautiful box on the Dave Davel Senior VP, Advertising Sales We’d like to thank the current board cover. F+W, A Content + eCommerce Company members for their service and essential Board members have also shared some David Nussbaum Chairman and CEO input: Vikki Eilts, Mike Rusch , Sharon great topic suggestions, which we’ll share in James Ogle Chief Financial Offi cer and COO Sara Domville President Smith, Ken Mueller, Vicky Kellen, Lowell a future update. Chad Phelps Chief Digital Offi cer Haselroth, Meaghen Nan Porte, Dan Miller, If you are interested in serving as a Phil Graham Senior VP, Mfg. & Production Stacie Berger VP, Communications Audrey Belter, Michael Blatherwick, Ella member of the Board, send an email to Riddle, William Robinson and Sandy Erd- [email protected], give us a ANTIQUE TRADER (ISSN 0161-8342) man. call at 800-726-9966 ext. 13364 (Antoi- Vol. 59 No. 06 • March 18, 2015 is published semi-monthly except extra Here are some of their comments: nette) or ext. 13627 (Karen), or drop us a issues May and September; one less • Interesting ‘Restore or not to restore’ line at Antique Trader Readers’ Advisory issue August, 25 issues per year by Krause Publications, a division of F+W, reader letter, pg. 10. I’m sure this ques- Board, 700 East State St., Iola, WI 54990. A Content + eCommerce Company, 700 E. State St., Iola, WI 54990-0001. Periodical postage paid at Iola, Wis., and at additional mailing offi ces. Canadian Agreement No. 40665675. POSTMASTER: Send address changes to Antique Trader, Circulation Department, P.O. Box 421751, Palm Coast, FL 32142-1751. Copyright 2015 by Krause Publications, a WILLIAMS COUNTY division of F+W, A Content + eCommerce Company. All rights reserved. Antique Trader and its logo are registered trademarks. Other names and logos referred to or displayed in editorial or advertising content may be trademarked or copyright. Antique 2nd ANTIQUE SHOW Trader assumes no responsibility for unsolicited materials sent to it. Publisher and advertisers are not liable for typographical er- http://www.williamscountyantiqueshow.com rors that may appear in prices or descriptions in advertisements.
Load more

Recommended publications
  • Floating World: the Influence of Japanese Printmaking
    Floating World: The Influence of Japanese Printmaking Ando Hiroshige, Uraga in Sagami Province, from the series Harbors of Japan, 1840-42, color woodcut, collection of Ginna Parsons Lagergren Utagawa Kuniyoshi, Poem by Sarumaru Tayû: Soga Hakoômaru, from the series Ogura Imitations of One Hundred Poems by One Hundred Poets, 1845-48, color woodcut, collection of Jerry & Judith Levy Floating World: The Influence of Japanese Printmaking June 14–August 24, 2013 Floating World explores the influence of Japanese ukiyo-e woodblock printmaking on American and European artists from the late 19th century to the present. A selection of Japanese prints sets the stage for Arts & Crafts era works by Charles Bartlett, Elizabeth Colborne, Arthur Wesley Dow, Frances Gearhart, Edna Boies Hopkins, Bertha Lum and Margaret Jordan Patterson. Woodcuts by Helen Franken- thaler illuminate connections between Abstract Expressionism and Japanese art. Prints by Annie Bissett, Kristina Hagman, Ellen Heck, Tracy Lang, Eva Pietzcker and Roger Shimomura illustrate the ongo- ing allure of ukiyo-e as the basis for innovations in printmaking today. In 1891, AmerIcAn ArtisT woodblock prints that depicted the ARThuR WESLEY DOW wrote that “floating world” of leisure and en- “one evening with Hokusai gave me tertainment. Artists began depicting more light on composition and deco- teahouses, festivals, theater and activi- rative effect than years of study of ties like the tea ceremony, flower ar- pictures. I surely ought to compose in an ranging, painting, calligraphy and music. entirely different manner.”1 Dow wrote Landscapes, birds, flowers and scenes of the letter after discovering a book of daily life were also popular.
    [Show full text]
  • PROGRAM GUIDE #Apsapril Aps.Org/Meetingapp Aps.Org/Meetings/April
    APRIL MEETING 2018 April 14-17, 2018 quarks cosmos Columbus, Ohio Q2C PROGRAM GUIDE #apsapril aps.org/meetingapp aps.org/meetings/april Publish Your High Energy Physics Research in the Physical Review Journals APS supports the high-energy physics (HEP) community by providing authors a free and convenient route to publish HEP* research open access under the APS-SCOAP3 partnership. CHOOSE FROM THESE JOURNALS • No cost to authors Physical Review Letters • CC-BY 4.0 licence Physical Review C • Free global access Physical Review D • Broad dissemination • Greater exposure journals.aps.org *HEP papers covered by SCOAP3 are all those posted on arXiv.org prior to publication in any of the primary ‘hep’ categories: hep-ex, hep-lat, hep-ph, hep-th, and irrespective of the authors’ institution or country affiliation. WELCOME t is a pleasure to welcome you to Columbus, and to the APS April I Meeting 2018. The April Meeting is a wonderful gathering of enthusiastic scientists from diverse organizations and backgrounds who have broad interests in physics. Our meeting provides us with an opportunity to present exciting new work as well as to learn from others, and to meet up with colleagues and make new friends. While you are here, I encourage you to take every opportunity to experience the amazing science that envelops us at the meeting, and to enjoy the many additional professional and social gatherings offered. Additionally, this is a year for Strategic Planning for APS, when the membership will consider the evolving mission of APS and where we want to go as a society.
    [Show full text]
  • October 2007
    Number 34 Fall 2007 NE W SLETTER MAHS Conference 2008, Chicago, Illinois, April 2-5, 2008 The Midwest Art History Society’s 35th annual meeting will be The MAHS business lunch will take place on Friday. On Friday held April 2-5, 2008 in Chicago. Hosted by Loyola University, evening the Museum of Contemporary Photography, Columbia Columbia College and the Art Institute of Chicago, the con- College Chicago, 600 S. Michigan, www.mcop.org will be the ference takes place with the partnership of DePaul University, location of a MAHS reception. Saturday morning, April 5, The Lake Forest College, and the School of the Art Institute Museum of Contemporary Art, 220 East Chicago Avenue, www. Chicago. Further assistance has been provided by the Museum of mcachicago.org, will host an early opening, continental breakfast, Contemporary Art and the Terra Foundation for the Arts. The and curator’s tour of the current exhibitions – “Alexander Calder conference hotel will be the Club Quarters, conveniently located in Focus” and selections of the museum’s permanent collection. in Chicago’s Loop at W. Adams Street. The conference’s morning sessions will also be held at the MCA. The conference sessions and programs Loyola University Museum of Art, 820 North Michigan Avenue have been selected with an eye to (just two blocks west of the MCA) www. showcasing areas of specialization luc.edu/LUMA, will be the site of a closely associated with Chicago and luncheon on Saturday. The conference’s its educational and cultural insti- afternoon sessions will be held at LUMA tutions. Additional emphases on on Saturday where “Gilded Glory: American and Renaissance art have European Treasures from the Martin been designed to coordinate with D’Arcy Collection” will be on view.
    [Show full text]
  • The Modernist Studies Association Conference 2018 “Graphic Modernisms” Hilton Columbus Downtown Columbus, OH November 8-11, 2018
    The Modernist Studies Association Conference 2018 “Graphic Modernisms” Hilton Columbus Downtown Columbus, OH November 8-11, 2018 Statement on Transgender Inclusion The Modernist Studies Association affirms and stands in support of the rights and dignity of our transgender and gender non-binary members and all other persons associated with our organization and conference. We believe that inclusivity, diversity, access, and equality are critical to the strength of our organization and the effectiveness of our academic mission. We are committed to maintaining a welcoming and inclusive organization where everyone can be their full self. This goal includes the practice of using individuals’ preferred name and pronoun reference when introducing speakers or citing their work or ideas. Special Events Plenary Sessions Plenary Session 1: A Conversation with Joe Sacco Thursday, 7:00pm - 8:15 pm Joe Sacco is an acclaimed graphic journalist and author of Palestine and Footnotes in Gaza, on the Israel-Palestine conflict, and Safe Area Gorazde and The Fixer, on the Bosnian War. He’s lived in Malta and the U.S., and has published additional pieces on blues music, war crimes, and Chechen refugees. His work has won the American Book Award, a Guggenheim Fellowship, and the Eisner Award. His recently published collaboration with Matt Hern and Am Johal, Global Warming and the Sweetness of Life, explores ecology and climate change in the tar sands region of Canada. Joe Sacco will be interviewed by Jared Gardner, Professor of English at Ohio State University and author of Projections: Comics and the History of 21st-century Storytelling (2012), The Rise and Fall of Early American Magazine Culture (2012), and Master Plots: Race and the Founding of an American Literature 1787-1845 (1998).
    [Show full text]
  • Women's Studies Librarian on Women, Gender, And
    WOMEN’S STUDIES LIBRARIAN NEW BOOKS ON WOMEN, GENDER, AND FEMINISM Numbers 54–55 Spring–Fall 2009 University of Wisconsin System NEW BOOKS ON WOMEN, GENDER, & FEMINISM Nos. 54–55, Spring–Fall 2009 CONTENTS Scope Statement .................. 1 Reference/ Bibliography . 37 Anthropology...................... 1 Religion/ Spirituality . 38 Art/ Architecture/ Photography . 2 Science/ Mathematics/ Technology . 42 Biography ........................ 4 Sexuality ........................ 42 Economics/ Business/ Work . 8 Sociology/ Social Issues . 43 Education ....................... 10 Sports & Recreation . 47 Film/ Theater..................... 11 Women’s Movement/ General Women's Studies . 48 Health/ Medicine/ Biology . 12 Periodicals ...................... 49 History.......................... 15 Indexes Humor.......................... 19 Authors, Editors, & Translators . 51 Language/ Linguistics . 20 Subjects....................... 63 Law ............................ 20 Citation Abbreviations . 83 Lesbian Studies .................. 22 Lesbian, Gay, Bisexual, Transgender, Intersex, & Queer Studies . 22 New Books on Women, Gender, & Feminism is published by Literature Phyllis Holman Weisbard, Women's Studies Librarian for the University of Wisconsin System, 430 Memorial Library, 728 Drama ........................ 23 State Street, Madison, WI 53706. Phone: (608) 263-5754. Fiction ........................ 24 Email: wiswsl @library.wisc.edu. Editor: Linda Fain. Compilers: Elzbieta Beck, Madelyn R. Homuth, JoAnne Lehman, Heather History & Criticism
    [Show full text]
  • The Cape Cod School Of
    S IXTH ANNUAL IBITION PROVINCETOWN ART ASSOCIATION ! FOR SERVICEAND QUALITY Buy Direct from the Maker Newcomb - Macklin Co. ARTISTS’ MATERIALS C. G. MACKLIN, President J. SUSTER, Secretary OF ALL DESCRIPTIONS PICTURE FRAME MAKERS FAVOR, RUHL &CO. NEW YORK BOSTON CHICAGO DISTINGUISHED DESIGNS AND FINISHES SUPERIOR WORKMANSHIP LOWEST PRICES IF YOU WANT PURITY OF TONE AND TRUE COLORS, ASK FOR DEVOE ARTISTS OIL COLORS IN TUBES 233 Fifth Avenue, NEW YORK GEORGE A. McCOY, Manager THE OLDEST COLOR MAKERS ESTABLISHED, 1754 Factory : State and Kinzie Streets, CHICAGO DEVOE & RAYNOLDS CO. Catalogues sent to Artists and Dealers NEW YORK CHICAGO KANSAS CITY WEST END SCHOOL OF ART Provincetown Art Association LANDSCAPE AND FIGURE PAINTING Founded 1914 OIL AND WATER COLOR Provincetown, Massachusetts GEORGE ELMER BROWNE, Instructor SIXTH 1 62 Commercial Street, Provincetown ANNUAL EXHIBITION 1920 JULY 4TH TO AUGUST 31st The Cape School of Art Cod JURY AND HANGING COMMITTEE Instructor. CHARLES W. HAWTHORNE Max Bohm Charles W. Hawthorne, N. A. Assistant Instructor, OSCAR H. GIEBERICH E. Ambrose Webster Oliver Chaffee Director. HARRY N CAMPBELL George Elmer Browne Ethel Mars Mrs. Henry Mottet SEASON OF 1920 July 5th to August 28th, 1920 ADMISSION,10 CENTS FREEON SUNDAYS,1 TO 5 P. M. OFFICERS WILLIAM H. YOUNG, President PAINTING CLASS CHARLES W. HAWTHORNE, N. A, Vice President IN E AMBROSE WEBSTER. Vice President MRS. EUGENE WATSON, Acting Vice President BERMUDA MRS ANNA M. YOUNG, Treasurer MISS NINA S. WILLIAMS, Recording secretary E. A. WEBSTER, INSTRUCTOR MYRICK C. ATWOOD, Corresponding Secretary DEC. 1, 1919, TO FEB. 1, 1920 E. A MBROSE WEBSTER, Director ARTS & DECORATION ARTISTS’ MATERIALS 35 CENTS A COPY, $4.00 A YEAR OF ALL KINDS AT CITY PRICES 25 West Forty Third Street New York, N.
    [Show full text]
  • Squire, Maud Hunt (1873-1955) and Ethel Mars (1876-1956) by Ruth M
    Squire, Maud Hunt (1873-1955) and Ethel Mars (1876-1956) by Ruth M. Pettis Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2005, glbtq, inc. Reprinted from http://www.glbtq.com American artists and life partners Maud Hunt Squire and Ethel Mars forged distinguished careers in book illustration, painting, and woodblock printing. Émigrées to France, they frequented Gertrude Stein's salons and, during World War I, were among the Provincetown artists working in new methods of printmaking. Maud Squire was born January 30, 1873 in Cincinnati. Her parents encouraged her artistic training, though both had died by the time she was a young woman. At the age of 21, she enrolled in the Cincinnati Art Academy and studied under Lewis Henry Meakin and Frank Duveneck. At the academy she met fellow student Ethel Mars, with whom she would live and travel for the rest of her life. Mars, born in Springfield, Illinois on September 19, 1876, was the only child of a railroad employee and a homemaker. From 1892 to 1897, she studied illustration and drawing at the Cincinnati Art Academy. Squire began her career while still a student, traveling to New York to meet with publishers and exhibiting her work. By 1900 she and Mars were living in New York City, traveling to Europe, and collaborating on illustrating children's books, such as Charles Kingsley's The Heroes (1901). By 1906 they had settled in Paris together. Paris at the turn of the twentieth century had become a magnet for American women with artistic aspirations. As described by artist Anne Goldthwaite, Squire and Mars were prim "Middle Western" girls when they arrived in Paris.
    [Show full text]
  • Cincinnati Museum Association 2011 for the Fiscal Year September 1, 2009
    CINCINNATI MUSEUM ASSOCIATION ANNUAL REPORT 2011 FOR THE FISCAL YEAR SEPTEMBER 1, 2009 – AUGUST 31, 2010 GENERAL OPERATING SUPPORT The Cincinnati Art Museum is supported by the generosity of individuals and businesses that give annually to ArtsWave. The Ohio Arts Council helped fund this organization with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans. The Cincinnati Art Museum gratefully acknowledges generous operating support from the City of Cincinnati as well as our Members. On the cover: Christian Dior (1905–57); France; Wedding Ensemble: Dress, Crinoline and Headpiece, 1954; Linen, silk; Gift of Countess de Rochambeau; 2008.49a-c ©2011 Cincinnati Museum Association 2 Dear Friends, Thank you for another year of support to the Cincinnati Art Museum. We have been very busy bringing people and art together, and you have been a major part of our success in that work. We are celebrating record-breaking attendance, and are happy that you are enjoying what we have to offer at your Art Museum. WHAT WE’VE BEEN UP TO See America was a huge summer success, presenting nine views of America through the frames of Charley Harper prints, loans from private local collections, Thomas Schiff’s stunning 360 degree panoramic photography, and photographs on display in Walker Evans: Decade by Decade, great prints from our collection and an iconic American Car. We also mounted close to three hundred public events, in which we sang, danced, and talked about what America means to us. We thank our friends at ArtWorks and our visitors for their participation in DRAW, Charley Harper, Palm Beach, FL, 1952, cut paper collage with gouache & ink, ©Estate of Charley Harper, Image courtesy of 3 Estate of Charley Harper, L16.2010:9 SEE AMERICA: Nine View of America attracted new visitors from April through September, 2010.
    [Show full text]
  • A Brief History of the American Arts & Crafts Movement
    A Brief history of the american arts & crafts movement 1887-1930 A Brief history of the american arts & crafts movement 1887-1930 THOMAS MAGOULIS AND DAWN KRAUSE TWO RED ROSES FOUNDATION · PALM HARBOR, FLORIDA An Introduction to the American Arts and Crafts Movement The purpose of this essay is to provide the reader with a brief history and background on the American Arts and Crafts movement, the artists, objects, and enterprises that fueled it. It is not meant to be a scholarly treatise but more an introduction for beginners and the curious. It is our hope that as you read and begin to get a sense of the sweeping scope and dramatic impact the movement’s philosophy had on design and the craftsmanship evident in the works produced, that you will also gain an awareness and appreciation of the Two Red Roses Foundation’s decorative arts collection. The TRRF collection—believed to be among the most complete and important in the world—will be displayed in the Museum of the American Arts and Crafts Movement [MAACM] to be preserved, interpreted, and enjoyed by museum visitors in the future. Cover of the catalogue for the London Arts and Crafts Exhibition Society’s First Exhibition, 1888. Photo courtesy of the Metropolitan Museum of Art, New York. The formulation “Arts and Crafts” was first introduced only in 1888, in conjunction with the founding of the Arts and Crafts Exhibition Society in London. 1 2 Beginnings in England The Arts and Crafts movement had its beginnings during the last half of the nineteenth century in England, the birthplace of the Industrial Revolution.
    [Show full text]
  • 2016 National Conference Program Book
    2016 National Conference Program Book www.nacacconference.org | #nacac16 1 2016 NATIONAL CONFERENCE SPONSORS GOLD www.nshss.org Padfolio http://edu.chegg.com Ship Your Swag www.myuniuni.com Counselors’ College Fair Royall & Company www.zeemee.com Welcome Reception www.royall.com Conference WiFi www.thetalentedproject.org Refreshment Breaks SILVER www.collegeboard.org http://corp.collegenet.com www.discover.com/ www.c2education.com Counselor’s Preview Day Lanyard student-loans/ Water Bottles and Water Luncheon Coolers Hotel Keycard www.osu.edu www.guidebook.com www.commonapp.org Registration Area Conference App Meet Your Match www.landmark.edu Window Clings and Escalator Wrap BRONZE www.cegment.com www.indiana.edu www.oacac.org Registrations CHIEF Forum Notepad Counselor Preview Day www.spelmanandjohnson.com www.carnegiecomm.com mongooseresearch.com Conference Media AMMI Preconference Workshop www.chronicle.com www.udayton.edu Media Student Video Scholarship 2 www.nacacconference.org | #nacac16 Welcome from the 2016 Columbus Local Advisory Committee! Table of Contents General Information Letter from the President . 2 Board of Directors . 3 Maps . 4 Hotels . 6 General Information . 7 Daily Schedules Tuesday & Wednesday . 9 Thursday . 15 Friday . 41 Back Row: Mark Nusbaum, Jill Byers, Cari Schultz, Keith Gehres, Seneca Bing, Kristen Dickerson, Charlie Runyan Saturday . 77 Front Row: Laren Wenzell, Ashley Logan, Nancy Gibson, Annual Membership Marcy Ritzert, Amanda Sohl, Derek DuBose Meeting Agenda . 107 Not Pictured: Lindsay Lake, Rae Ann DiBaggio Presenter List . 108 Many thanks to Columbus LAC for hosting NACAC’s 72nd National Conference and for its generous Exhibitors contributions supporting registrations for local counselors to attend Counselors’ Preview Day.
    [Show full text]
  • Edna Boies Hopkins
    Edna Boies Hopkins ■ Color Woodblock Prints ■ The technic [sic] of color printing from wood imposes certain conditions—flatness of the masses used and simplicity in their shapes. These conditions are in no sense restrictions. They are rather privileges. Every artist who works in two dimensions strives to attain in his work a beautiful pattern, a mosaic, of simple flat shapes. Color printers, then, have certain difficulties obviated for them but it entails a heavy responsibility. This very flatness and simplicity makes it imperative that shapes and color shall be perfect in their relations. There is no imitation of form to convince the spectator and no illusion with which to deceive him. There is only the most abstract kind of representation. Since there is no subterfuge in the color print vocabulary they must say per- fectly what they have to say. They do this solely with the real tools of the artist, lines, masses and colors, and if you like them, “you don’t know why,” then you are suscep- tible to the highest appeal of art. —Edna Boies Hopkins, Causerie Artistique1 ■ EARLY YEARS dna Bel Beachboard was born in the south Michigan town of Hudson on October 13, E 1872.2 As the daughter of David J. Beachboard, a prominent Hudson citizen and vice president of the Boies State Savings Bank, and his wife, Clotilda C. Sawyer, Edna probably en- joyed a privileged childhood. While no documentation exists of her youth, it is known that in 1887 her older brother, Earl James Beachboard, died of diphtheria at the age of sixteen, making Edna an only child.
    [Show full text]
  • Assignment 4: First Draft of Essay
    Assignment 4: First Draft of Essay Flowers Across Cultures: How Did Japanese Art of the Edo Period Influence the Floral Images of Vincent Van Gogh, Odilon Redon and Edna Boies Hopkins? Table of Contents List of Figures 2 1. Introduction 3 2. Japonisme and its Influence on Art in Europe and North America 3 2.1 Influence of Japonisme 4 2.2 Subjects Portrayed in Japanese Art 4 2.3 Japonisme and Orientalism 5 3. Theoretical Framework 6 4. Findings and Discussion 7 4.1 Vincent Van Gogh 7 4.2 Odilon Redon 13 4.3 Edna Boies Hopkins 18 5. Conclusion 23 References 25 Bibliography 30 Glossary 43 Creative Arts Level 3 – Research - Assignment 4 – Bob Coe Student Number 507140 Page 1 of 43 List of Figures Fig. 1 Van Gogh, V. (1887) Flowering Plum Orchard (after Hiroshige). [Oil on canvas], At https://www.vangoghmuseum.nl/en/collection/s0115V1962 (Accessed 19/11/2020). Fig. 2 Hiroshige, U. (1857) Plum Estate, Kameido, No 30 from One Hundred Famous Views of Edo. [Woodblock print] At https://www.britishmuseum.org/collection/object/A_1948-0410-0-65 (Accessed 19/11/2020). Fig. 3 Van Gogh, V. (1890) Almond Blossom. [Oil on canvas] At https://www.vangoghmuseum.nl/en/collection/s0176V1962 (Accessed 19/11/2020). Fig. 4 Van Gogh, V. (1888) Sunflowers. [Oil on canvas] At https://www.nationalgallery.org.uk/paintings/vincent-van-gogh-sunflowers (Accessed 19/11/2020). Fig. 5 Redon, O. (1903) Paravent d'Olivier Sainsère. [Tempera, oil paint, gouache on canvas] At https://gifu-art.info/details.php?id=3222 (Accessed 19/11/2020).
    [Show full text]