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Home , Alexander Siemens, Andrew Saul, Anton van den Wyngaerde, Arlene Shechet, Barbara Crane, Bob Brady

N A TIO NAL G ALL E R Y O F A R T

2016 ANNUAL REPORT & EDUCATION Gregory W. Fazakerley Board of Trustees COMMITTEE Aaron Fleischman (as of September 30, 2016) Frederick W. Beinecke Juliet C. Folger Chairman Marina Kellen French Earl A. Powell III Morton Funger Mitchell P. Rales Whitney Ganz Sharon P. Rockefeller Lenore Greenberg David M. Rubenstein Rose Ellen Greene Andrew M. Saul Andrew S. Gundlach Frederic C. Hamilton † FINANCE COMMITTEE Richard C. Hedreen Mitchell P. Rales Teresa Heinz Chairman Helen Lee Henderson Jacob J. Lew Secretary of the Treasury Benjamin R. Jacobs Betsy K. Karel Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Kasper Chairman President David M. Rubenstein Linda H. Kaufman Andrew M. Saul Mark J. Kington Kyle J. Krause Jo Carole Lauder AUDIT COMMITTEE David W. Laughlin Andrew M. Saul Chairman LaSalle D. Leffall Jr. Frederick W. Beinecke Reid V. MacDonald Mitchell P. Rales Edward J. Mathias Sharon P. Rockefeller Robert B. Menschel Constance J. Milstein David M. Rubenstein Mitchell P. Rales David M. Rubenstein Diane A. Nixon John G. Pappajohn TRUSTEES EMERITI Sally Engelhard Pingree Julian Ganz, Jr. Tony Podesta Alexander M. Laughlin William A. Prezant David O. Maxwell C. Prince Victoria P. Sant Robert M. Rosenthal Roger W. Sant B. Francis Saul II EXECUTIVE OFFICERS Thomas A. Saunders III Frederick W. Beinecke Fern M. Schad President Andrew M. Saul John G. Roberts Jr. Leonard L. Silverstein Chief Justice of the Earl A. Powell III Director Albert H. Small Franklin Kelly Michelle Smith Deputy Director and Benjamin F. Stapleton III Chief Curator Luther M. Stovall Darrell R. Willson Alexa Davidson Suskin Administrator Christopher V. Walker William W. McClure Treasurer Diana Walker Nancy Robinson Breuer William L Walton Secretary and General Counsel Walter L. Weisman Elizabeth Cropper John R. West Dean, Center for Advanced Study in the Visual Dian Woodner John F. Kerry Jacob J. Lew Secretary of State Secretary of the Treasury TRUSTEES’ COUNCIL HONORARY TRUSTEES’ (as of September 30, 2016) COUNCIL Vincent J. Buonanno (as of September 30, 2016) Chair Edwin L. Cox Adrienne Arsht Doris Fisher Max N. Berry Julian Ganz, Jr. Louise Bryson Alexander M. Laughlin W. Russell G. Byers Jr. David O. Maxwell Buffy Cafritz Victoria P. Sant Calvin Cafritz John Wilmerding David J. Skorton Leo A. Daly III Secretary of the Louisa Duemling † Deceased Smithsonian Institution

NATIONAL GALLERY OF ART

Washington, DC

Fiscal Year 2016

A GIFT TO THE NATION

Celebrating 75 Years

1941 – 2016

iscal year 2016 marked the 75th anniversary of the National sister, Ailsa Mellon Bruce. Their names are two of the last in the list Gallery of Art. The founding story of the Gallery began with of the nine founding benefactors carved into the walls of the West F Andrew Mellon’s monumental gift to the nation: his art col- Building’s north lobby, yet their stories—and their contributions— lection, the funds to construct the West Building, and an endow- are distinct and different. ment. He is remembered best for founding the Gallery with what was The quiet contributions of Ailsa Mellon Bruce stand powerfully thought at the time to be the single largest gift by any individual to alongside those of her father and brother. As a patron of the arts, any nation. Visitors to the Gallery and all Americans owe a debt of she generously donated funds to the Gallery as well as other institu- gratitude to Andrew Mellon for his act of extraordinary generosity and tions to enable acquisitions, fellowships, lectures, and publications. to his children, Paul Mellon and Ailsa Mellon Bruce, for their devo- When the Gallery faced a critical need for additional space to display tion to their father’s legacy. Together they changed the cultural life of its permanent collection, temporary exhibitions, and ever-expanding Washington, DC, and the nation forever. programs, she and her brother stepped forward to offer funds for a It was Andrew Mellon’s intention to provide a framework for the second building. Ailsa Mellon Bruce famously donated her personal Gallery’s future growth. His gift of 126 and 26 , collection of small French paintings to the Gallery and funds to pur- the nucleus of the Gallery’s world-class collection, spans from Jan chase the only panel by Leonardo da Vinci in the Americas. van Eyck’s The Annunciation and Raphael’s The Alba Madonna to Among her many gifts were Claude Monet’s The Artist’s Garden at Francisco de Goya’s The Marquesa de Pontejos and Gilbert Stuart’s Vétheuil, Vincent van Gogh’s Farmhouse in Provence, and Thomas The Skater. His collection was chosen with such discretion that it Cole’s allegorical quartet The Voyage of Life. Just as Ailsa Mellon provided a nearly complete outline of seven centuries of European Bruce gave an impressive variety of gifts, she also conferred them painting. Andrew Mellon insisted that the museum not bear his name, through different means, in part to minimalize public awareness of believing that it should be a truly national institution and knowing that her generosity. She made some gifts personally and some anony- it would depend on generous gifts of art from many individuals to fill mously; she made other donations through her Avalon Foundation its spacious galleries. Thanks to his foresight, other major donors were and its successor, The Andrew W. Mellon Foundation. Whether she already giving their collections to the before its opening. gave openly, anonymously, jointly, posthumously, or through a con- Paul Mellon, like his father, left a legacy of visionary and judicious duit, her contributions to the Gallery earned her an undisputed place leadership, spanning more than six decades, from the inception of among the Gallery’s founding benefactors. the Gallery to the time of his death. Following the inaugural ceremony The National Gallery of Art began as Andrew Mellon’s vision. As where he presented the Gallery to the nation on behalf of his father, intended, he inspired—and continues to inspire—others to contrib- he almost single-handedly guided, nurtured, and built this vibrant ute to the nation’s collection. For seventy-five years the Gallery has institution. With his signature modesty and grace, Paul Mellon provided millions with tangible reminders of the power of the human donated extraordinary gifts—in art and funds—and he enlisted spirit and the beauty of artistic expression. Thanks to the Mellon fam- others to do the same. His peerless gifts to the Gallery’s permanent ily’s devotion, the generosity of many citizens, and the support of the collection, made with his wife Bunny, amount to more than 1,000 federal government, the Gallery continues to be a vital part of our works of art since 1964. Among them are his favorite Edgar Degas national identity. wax sculptures, Paul Cézanne’s masterpiece Boy in a Red Waistcoat, and numerous watercolors by Winslow Homer. Over the course of his life, Paul Mellon served as trustee, president, chairman, and finally the Gallery’s first honorary trustee. He carefully watched over the Gallery’s growth, from a single building with a budding collection to a magnificent institution with an additional monumental structure View of the East and West Buildings of the National Gallery of Art and the and rich holdings. His silent partner for a quarter century was his Andrew W. Mellon Memorial looking toward the U.S. Capitol.

5 President’s Foreword

he National Gallery of Art celebrated a distinguished re- Diana C. Prince, and Luther M. Stovall. As Vincent J. Buonanno con- cord of accomplishments and looked to an exciting future cludes his tenure as Council chair, the members of the Trustees’ T as it marked its 75th anniversary in 2016. Generous friends Council join the trustees in expressing gratitude to Vin for his valu- stepped forward this fiscal year, with significant gifts in honor of this able leadership. landmark occasion. On March 17, 2016, the Gallery announced a ma- My fellow trustees and I extend special thanks to Calvin Cafritz, jor endowment challenge grant awarded by The Andrew W. Mellon Gregory W. Fazakerley, Betsy K. Karel, Linda H. Kaufman, LaSalle D. Foundation. I am pleased to announce that this Mellon grant has al- Leffall Jr., Diane A. Nixon, and Roger W. Sant. These members gen- ready generated an enthusiastic response from many of the Gallery’s erously agreed to continue on the Council and serve as members for dedicated patrons. The goal of this challenge is to increase accessi- an additional year in honor of the 75th anniversary. The trustees join bility to the Gallery’s impressive collection and intellectual resourc- me in expressing deep appreciation to all of the Trustees’ Council es through its digital initiatives, education and outreach programs, members for their generous support and guidance. art conservation, and Center for Advanced Study in the Visual Arts This year we mourned the loss of a close friend of the Gallery, (CASVA). There is no better tribute to the legacy of Andrew Mellon Frederic C. Hamilton. A founding member of the Collectors Com- and his gift to the nation on this 75th anniversary than this unprece- mittee, Fred also served on the Trustees’ Council for more than two dented grant, which will enable the Gallery to fulfill its mission to the decades. We honor his service to the Gallery over the years. We also American public. The trustees and staff look forward to meeting this were saddened by the death of artist . A key figure in challenge with each accomplishment. postwar abstraction, Ellsworth was a dear friend whose gifts have In just seventy-five years, the Gallery has become one of the world’s enhanced the Gallery’s collection. The Ellsworth Kelly great national art museums through unique cooperation between Foundation has been a significant supporter of the Gallery’s modern the federal government and American private donors. Federal bud- and conservation program as well. get funds support the Gallery’s basic operations while private contri- Several leadership gifts from foundations, individuals, and corpo- butions to its core programs sustain its standard of excellence. The rations were received during this anniversary year. The Walton Family trustees join me in expressing our deepest thanks to the President Foundation established the John Wilmerding Fund for Education and the Congress of the United States for their unwavering support in American Art at the Gallery to enhance and deepen the public’s of the Gallery’s mission of service to the nation. understanding of our country’s artistic heritage. I am pleased to ac- Adding to the excitement in this landmark year, our East Building knowledge this important leadership gift in honor of the Gallery’s galleries reopened to the public to great acclaim after an extensive former chairman and trustee John Wilmerding, one of our nation’s three-year renovation and expansion. The federal government pro- leading scholars of American art. On behalf of the trustees and all vided funds to upgrade the building and its systems, and five ded- who will benefit from programming supported by the Wilmerding icated friends of the Gallery—Victoria and Roger Sant, Mitchell and Fund, I express our deepest gratitude to Alice Walton and The Walton Emily Rales, and David M. Rubenstein—generously funded its expan- Family Foundation for this extraordinary gift. sion. We are grateful to Vicki and Roger, Mitch and Emily, and David We extend our warmest appreciation to The Lee and Juliet Folger for their leadership support and commitment to the Gallery. I am Fund for strengthening and enhancing the nation’s Dutch collec- pleased to report that this transformation of the East Building was tion over many years. This fiscal year, thanks to The Folger Fund, a completed on time and on budget and enables the Gallery to present significant acquisition by Frans van Mieris was added to the seven- more modern art from its permanent collection and accommodate teenth-century Dutch collection. The trustees join me in recognizing comfortably an increasing number of exhibitions and a greater num- Lee and Julie for their generosity and enduring commitment to the ber of visitors. Gallery’s collection. The Trustees’ Council continues steadfast in its national advisory The Gallery is grateful to the Richard King Mellon Foundation for role to the Board of Trustees. It is the trustees’ pleasure to welcome two major commitments this year: a grant that made possible the back four members of the Council: Doris Fisher, Benjamin R. Jacobs, restoration and rededication of the Andrew W. Mellon Memorial

6 NATIONAL GALLERY OF ART

Fountain and a 75th-anniversary gift in support of photography ac- reopened with an exhibition of the works of . Generous quisitions. We also express sincere gratitude to Lily Safra and the contributions from more than a thousand members of the Circle con- Edmond J. Safra Foundation for their substantial gift to endow the tinued to provide key unrestricted resources for many of the Gallery’s Edmond J. Safra Visiting Professorship in CASVA. programs. We thank them all. The contributions of foundations, individuals, corporations, and We also are grateful to the Legacy Circle, whose members have the members of the Exhibition Circle supported a robust special ex- made commitments to secure the Gallery’s future through their es- hibitions program this year. We thank the Terra Foundation for Amer- tate plans. Many individuals have named the Gallery as a legatee ican Art for its generous sponsorship of Three Centuries of American of a bequest or as a beneficiary of a gift annuity, charitable lead or Prints from the National Gallery of Art and Stuart Davis: In Full Swing, remainder trust, or other planned giving vehicle. The trustees join which also received major funding from the Henry Luce Foundation. me in honoring the foresight and support of the members of the The renovated East Building and Concourse galleries were opened Legacy Circle. with two outstanding exhibitions: to : Dwan The achievements of this fiscal year carry forward the Gallery’s tra- Gallery, 1959–1971, made possible with the generous support of the dition of excellence and commitment to its ongoing mission to en- Robert and Mercedes Eichholz Foundation, and Photography Rein- rich the lives of all people and to serve the public in perpetuity. These vented: The Collection of Robert E. Meyerhoff and Rheda Becker. The successes are only possible through the dedication and diligence of Gallery acknowledges and thanks The Leonard and Elaine Silverstein every staff member at the Gallery. On the occasion of the 75th anni- Family Foundation for its leadership support of Hubert Robert, versary, let us pause to reflect on the venerable history of our National 1733–1808, and Dr. Mihael and Mrs. Mahy Polymeropoulos for their Gallery of Art and all those before us who have contributed to create sponsorship of a future exhibition of paintings and works on paper, and sustain this great national institution. Drawings for Paintings in the Age of Rembrandt. The trustees join me in expressing appreciation to Betsy Karel and the Trellis Fund and the Ryna and Melvin Cohen Family Foundation for their ongoing support of our photography exhibitions program. We are grateful to Altria Group for its sponsorship of Three Centuries of American Prints from the National Gallery of Art and Stuart Davis: Frederick W. Beinecke In Full Swing. Altria continues its long-standing commitment to the Gallery by sponsoring the 2017 exhibition Della Robbia: Sculpting with Color in Renaissance Florence—marking this company’s fourteenth exhibition sponsorship. We thank as well BP America for making a special commitment in celebration of the Gallery’s 75th anniversary. The annual giving programs—the Exhibition Circle, the Collectors Committee, the Tower Project, and the Circle—provide vital resourc- es for many Gallery activities. On behalf of the Board of Trustees I thank sincerely all of our members at every giving level for their partic- ipation and support. We are grateful to the members of the Exhibition Circle whose contributions help support the special exhibitions pro- gram. This year the Collectors Committee voted to acquire Lick and Lather (1993) by Janine Antoni, and there are currently three galleries in the East Building showcasing the past generosity and vision of the Collectors Committee. The Gallery’s original Tower gallery, dedicated to a series of exhibitions sustained by members of the Tower Project

7 Director’s Statement

he National Gallery of Art opened to the public on March 17, From the Gallery’s architects and engineers to those who design 1941. Founded by Andrew W. Mellon and accepted by Presi- and install the exhibitions, from the conservators to curators, many T dent Franklin D. Roosevelt on behalf of the nation, the Gallery Gallery staff worked long hours, with great enthusiasm, to create the serves a singular role in American cultural life. As the nation’s art mu- beautiful new spaces in the East Building. The dedicated staff worked seum, it is dedicated to preserving, collecting, exhibiting, and foster- to repair and renovate existing spaces, create and design new galler- ing an understanding of works of art at the highest possible museum ies, and select and preserve the great masterpieces exhibited to tell and scholarly standards. Throughout the Gallery’s 75th-anniversary the story of modern art. The results of their enthusiastic work have year we celebrated this mission and the federal–private partnership met with rave reviews from around the globe. On behalf of myself, the that enables us to showcase the nation’s fine art collection. trustees, and the American public, we thank them for their commit- In honor of the Gallery’s 75th anniversary, the restored three-tiered ment to the Gallery. bronze Andrew W. Mellon Memorial Fountain, inoperable since 2008, This year, Jonathan Bober was named Andrew W. Mellon senior was unveiled. We were delighted to accept the transfer of responsibil- curator of prints and drawings. He succeeds Andrew Robison, who ity for this important site from the National Park Service. We are very cultivated the Gallery’s departments of prints and drawings for more grateful for the generosity of the Richard King Mellon Foundation and than forty years. We are delighted to have Jonathan assuming this their major leadership gift to restore and renovate the site, which now prestigious role. stands as a beautiful entrance at the apex of the Federal Triangle. Additional works of art from the Corcoran Collection were acces- Two generous gifts came to the Gallery on the occasion of the 75th sioned into the Gallery’s permanent collection this year. The Gallery anniversary. The Andrew W. Mellon Foundation awarded a $30 mil- will continue to expand public accessibility to works of art from the lion endowment challenge grant to reinforce the Gallery’s leadership Corcoran Gallery of Art including its prints, drawings, watercolors, role in digital programs, education, conservation, and scholarship. and photographs. The trustees and staff join me in expressing our deep gratitude for The acquisition of an extensive range of works also deepened the all that the Mellon family and Mellon Foundation have done to create Gallery’s collection. These include a superb painting by Dutch mas- and maintain this important American institution. The Walton Family ter Frans van Mieris, A Soldier Smoking a Pipe; an early portrait by Foundation also awarded a $10 million grant to establish the John Alex Katz of his wife, Ada; a major work by French impressionist Wilmerding Fund for Education in American Art. The Wilmerding Gustave Caillebotte; and a remarkable trompe l’oeil painting by an Fund will significantly strengthen the Gallery’s efforts to engage our unknown seventeenth-century Dutch artist. The Collectors Commit- visitors and expand our reach to new audiences in educating them tee enhanced the Gallery’s growing contemporary holdings with the about this country’s rich artistic heritage. groundbreaking Lick and Lather (1993) by Janine Antoni, two The reopening of the East Building galleries to the public on Sep- photographs by Sally Mann, and eight images by tember 30, 2016 marked the culmination of years of planning, design, and Roger Brown. and construction. In the spirit of the public and private initiative that An impressive eighteen special exhibitions delighted Gallery audi- created the Gallery, generous donors funded the construction of the ences this year. Coinciding with the 50th anniversary of the renowned new public spaces while the interior renovations and enhanced public artists’ workshop and publisher, The Serial Impulse at Gemini G.E.L. safety features were achieved through the federally funded Master Fa- showcased, in their entirety, seventeen innovative and exemplary cilities Plan. Two new top-lit Tower galleries connected by a new Roof serial projects. The Gallery is proud to be the home of the Gemini Terrace, a gift to the nation by Victoria and Roger Sant, Mitchell and G.E.L. Archive. Emily Rales, and David M. Rubenstein, provide for additional exhibi- Gallery visitors were given an unprecedented opportunity to tion space for our ever-growing modern collection. We are continually see some fifty rare bronze sculptures and related works from the grateful for the private and federal funding that enables us to protect Hellenistic period in Power and Pathos: Bronze of the and present the nation’s art collection, free of charge, seven days a Hellenistic World. We thank the many lenders from museums in week, for current and future generations. , Denmark, , Georgia, Great Britain, Greece, , ,

8 NATIONAL GALLERY OF ART

Tunisia, the United States, and the Vatican, as well as Art Gallery, who agreed to undertake the role of volume editor after for their generous support. Miklós’s death. We also extend our thanks to Samuel H. Kress Timed to coincide with the Gallery’s 75th anniversary, In Celebra- Foundation President Max Marmor and its board for their continuing tion of Paul Mellon featured the finest pastels, watercolors, drawings, commitment to the Gallery, and to the Getty Foundation for its critical prints, and illustrated books of one of the Gallery’s leading benefac- support in enabling the Gallery to embark on this digital series. tors. Paul Mellon was a major donor of funds and works of art, a The Gallery maintains the largest public collection of art by the valiant advocate for the Gallery’s architecture (both the East and West American artist Mark Rothko. Current research is being prepared for Buildings), and a supporter of its programs for scholars and for all Mark Rothko: The Works on Paper, which will document and illustrate who appreciate fine art. some 2,600 works by Rothko located in public and private collections Hubert Robert, 1733–1808 was the first monographic exhibition in worldwide. We are thankful to the artist’s children, Kate Rothko Prizel the United States on the artist as well as the first exhibition to survey and Christopher Rothko, for their continuing support of this import- his achievements as both a painter and a draftsman. Robert’s overall ant project. production was far richer and more varied than has generally been In keeping with the Gallery’s mission to preserve works of art, recognized on this side of the Atlantic, and we were delighted to bring many notable works from the collection were conserved this year in- new recognition to an artist whose creative range and accomplish- cluding paintings by Jean Siméon Chardin, Frederic Edwin Church, ments deserve to be better known. and Aaron Douglas; works on paper by Pietro Rotari and Ed Ruscha; Los Angeles to New York: Dwan Gallery, 1959–1971, the first major and sculptures by Roxy Paine and Jean Dubuffet. In preparation for exhibition to explore the storied past of the pioneering mid-twenti- the upcoming exhibition Della Robbia: Sculpting with Color in Renais- eth-century Dwan Gallery, honored Virginia Dwan’s gift from her ex- sance Florence, conservators treated several glazed terracottas. traordinary personal collection. We are grateful to Ms. Dwan for this During fiscal year 2016, the Gallery welcomed more than four mil- generous promised gift and to the many lenders who enabled us to lion visitors. Through social media, the Gallery reached more than present an exhibition that brought together highlights of the more one million followers in innovative and exciting ways. The Gallery’s than forty seminal shows that she installed in her galleries. website received six million visits this year. Photography Reinvented: The Collection of Robert E. Meyerhoff and These momentous achievements marking the Gallery’s first sev- Rheda Becker featured works by eighteen artists, who in the last two enty-five years would not be possible without a dedicated Board of decades have created pictures that expand our understanding of the Trustees and talented staff. I join with Gallery President Frederick nature of photography. Their collection of photographs enhances the Beinecke in thanking them, along with the federal government, indi- appreciation of the vitality and complexity of modern and contempo- vidual, foundation, and corporate donors, and many volunteers, for rary art and photography. We are immensely grateful for this remark- their efforts to ensure the Gallery continues to serve the American able promised gift. people for many years to come. In addition to these exhibitions, educational initiatives attracted large audiences to the Gallery this year. We are thankful to Faber-Castell USA for its generous support of educational programs, including the pilot program Sketching Is Seeing, in commemoration of the Gallery’s 75th anniversary. Part of an ongoing effort to digitize and provide open access to the Gallery’s permanent collection catalogs, NGA Online Editions Earl A. Powell III released the second catalog of the series, Italian Paintings of the Thirteenth and Fourteenth Centuries. We are supremely grateful to the late Miklós Boskovits, and to Laurence B. Kanter, chief curator, and Lionel Goldfrank III, curator of European art at the Yale University

9

Restoration of the Andrew W. Mellon Memorial Fountain, dedicated to the Gallery’s founder, was made possible by a major grant from the Richard King Mellon Foundation. 12 NATIONAL GALLERY OF ART

COLLECTING

PAINTINGS suburbs of . Like his close friend Claude decided to share it with the nation. It joins his fiscal year the Gallery received a Monet, with whom he shared gardening other dazzling impressionist garden scenes spectacular nineteenth-century garden expertise, Caillebotte created lush, vibrantly in the collection by Auguste Renoir and T scene, Gustave Caillebotte’s large-scale colored and translated them into Camille Pissarro, and most spectacularly, Dahlias, Garden at Petit Gennevilliers (1893), a paint on canvas. This marvelous addition to Monet’s The Artist’s Garden at Vétheuil, a generous gift from the Scharffenberger family the Gallery’s singular impressionist collection work of the same dimensions. of . A leader of the impressionist celebrates his prized dahlias exploding in the The newly discovered early-seventeenth- movement, a central exhibitor, and an foreground in front of his greenhouse and century painting Madonna and Child organizing force for several of their exhibitions home. The painter uses perspectival recession (1633) by the leading French artist of the between 1876 and 1882, Caillebotte was also an to structure his composition and dramatize day, Simon Vouet, also strengthened the avid horticulturalist. Caillebotte designed the the space, an effect employed brilliantly in his collection of French paintings this year. Vouet garden on his property in Petit Gennevilliers Parisian scenes of the late 1870s. Caillebotte studied in during the first decades across the Seine River from Argenteuil, both continued to paint scenes of his garden and of of the seventeenth century, succumbing the river until his premature death in 1894, one to the pervasive, pan-European influence year after he completed this painting. of Caravaggio’s realist revolution in Gustave Caillebotte Dahlias, Garden at Petit Gennevilliers contemporary painting. In 1627, King Louis Dahlias, Garden at Petit Gennevilliers lived in the Scharffenbergers’ home near XIII called Vouet home to Paris to be his Gift of the Scharffenberger Family Los Angeles for fifty years before the family court painter, and Vouet refined Caravaggio’s

13 COLLECTING

innovations into a style that would become band, exposing the ivory tones of her neck painting, The Artist Sketching at Mount Des- the French school of painting so exquisitely and shoulder. The Christ child reaches up to ert, Maine, inscribed July 22, 1864, entered represented by Madonna and Child. kiss his mother, his body twisting as he pulls the Gallery’s collection in 2004, as the gift The cult of the Virgin was in full swing her face toward him. This brilliantly executed of Jo Ann and Julian Ganz. McEntee’s paint- during this period, inspiring the king to ded- moment expresses extreme tenderness and ing, , Maine, inscribed icate the empire to her in 1638. Images of intimacy, as well as a prescient gravitas. July 17, 1864, now joins the collection as her proliferated, not least in the oeuvre of Madonna and Child bridges the Ro- a gift from John Wilmerding in honor of Vouet, who painted a dozen compositions of man-period painting by Vouet in the Gal- Jo Ann and Julian Ganz. Created during the the Virgin and her son at half-length, many lery’s collection, Saint Jerome and the Angel same summer expedition, both works fea- of which were reproduced as prints. The (c. 1622/1625), with a later decorative panel, ture a single figure seated on a rocky prec- Gallery’s Madonna and Child seems not to The Muses Urania and Calliope (c. 1634), ipice high above an expansive, sun-bathed have been reproduced, and, also unlike the completed with the help of Vouet’s by-then forest. Neither painting betrays a hint of the others, is signed and dated, quite rare in the large studio, as well as with works by his suc- horrific Civil War still raging to the south. work of the artist. While the dark background cessor in the royal court, Nicolas Poussin. Scholars have suggested that the Gifford/ and monumental composition remain from Likely commissioned as an altarpiece for McEntee summer sketching tour may have his Roman manner, Vouet’s mastery of ex- the private chapel of a wealthy Parisian, the been prompted by a shared wish to escape quisitely subtle light and his use of clearer, painting provides a powerful anchor for the the war. Gifford, who had served briefly in the brighter colors—the strong blue and red seventeenth-century French galleries. Union Army, had lost his brother, Edward, to against the delicate tones of white and yel- Three paintings entered the American col- the conflict in 1863. During their summer low of the Virgin’s clothing—mark his new lection this year as gifts from private individu- excursion, both artists produced quiet, re- French style. Supported by a classical capital, als: Mount Desert Island, Maine (1864) by Jervis flective landscapes that speak, perhaps, of the Virgin holds her son on her lap, gazing McEntee, Woods in Winter (1886) by Charles the restorative power many visitors found in at him adoringly through heavy eyelids. Her Warren Eaton, and High Bridge at Night, New Maine’s wilderness . thick hair is pulled back loosely with a fabric York City (c. 1910/1920) by Ernest Lawson. Twenty-two years after Gifford and McEntee In the summer of 1864, Jervis McEntee painted their Mount Desert landscapes, and his close friend, Sanford Robinson Charles Warren Eaton completed Woods in Jervis McEntee Gifford, journeyed to Maine where both Winter, a work that vividly illustrates the dra- Mount Desert Island, Maine artists completed oil sketches featuring the matic change that took place among land- Gift of John Wilmerding in honor of Jo Ann panoramic view from the summit of Cadillac scape painters during the final decades of the and Julian Ganz Mountain on Mount Desert Island. Gifford’s nineteenth century. The clearly defined, richly

14 NATIONAL GALLERY OF ART

detailed landscapes characteristic of first- and second-generation School art- ists gave way to softer, muted landscapes pro- duced by artists later described as tonalists. Members of this loosely defined group were influenced by artists James Abbott McNeill Whistler and as well as by the French Barbizon painters. In 1886, Eaton traveled to Europe, specifically to the Barbi- zon region in France. In letters to a friend, he described taking long walks in the forest of Fontainebleau—the primary subject of sev- eral prominent Barbizon painters. Woods in Winter, dated 1886, is a particularly beautiful example of the soft-focus forest interiors for which Eaton is best known. Woods in Winter, the first painting by Eaton to enter the col- lection, was given by Stephen and Andrew Trachtenberg in loving memory of Honey Trachtenberg Weiss and Henry Weiss. High Bridge at Night, is a rare nocturnal view by Ernest Lawson, one of a group of painters called The Eight, who rebelled against the conservative policies of the National Academy of Design early in the twentieth century. Protesting exclusionary policies and led by artist and teacher Robert Henri, the group mounted an independent exhibition in 1908. With a focus on contem- porary American life and painterly practices that favored loose, active brushwork, the eight painters often chose urban subjects. As a young artist, Lawson studied abroad, but in 1896 he returned to New York and soon became a member of Henri’s circle. In 1898 he settled in Washington Heights and for the next two decades painted images that com- bine landscape elements with the buildings and bridges that marked New York City’s rapid expansion north. Among the most ac- board. Northern baroque artists particularly of the local militia company, judging by the complished of these paintings are Lawson’s delighted in creating such illusionistic works trumpet, banner, and armor on the floor. views of the Harlem River, including High that could deceive a viewer into mistaking a The soldier’s knowing gaze, paired with the Bridge at Night, New York City, which joins painted image for reality itself. The illusion- deck of cards, half a glass of beer, and empty the artist’s Boathouse, Winter, Harlem Riv- ism in this painting is owed to the artist’s chair engage the viewer and raise fascinat- er (c. 1916) in the Gallery’s collection. High extraordinary rendering of the etching’s crin- ing questions about the narrative the artist Bridge at Night, New York City is the gift of kles and creases. He has also masterfully im- has depicted. Alice and Richard Schoen. itated the look of the pine wood panel with The Italian paintings department acquired, The Dutch and Flemish collection was its rough grain and knots with toned glazes, through the Pepita Milmore Memorial Fund, enhanced with two wonderful acquisitions and carefully built up the red pigments to ap- The Adoration of the Magi (c. 1600), a beauti- this year: Trompe l’Oeil of an Etching by proximate the texture of a wax seal. Although ful oil sketch by Pier Francesco Mazzucchelli, Ferdinand Bol (c. 1675) by an anonymous not signed or dated, the painting was likely also called Morazzone. In recent years, Dutch or Flemish artist, courtesy of funds executed around 1675. along with his fellow early-seventeenth-cen- given in honor of Derald H. Ruttenberg’s A Soldier Smoking a Pipe is a superb ex- tury Lombard painters, Morazzone has been grandchildren, and A Soldier Smoking a Pipe ample of the refined manner of the Leiden of keen interest to scholars. The painter may (c. 1657/1658) by Frans van Mieris, made master Frans van Mieris. Dating from about well have completed the picture in Rome, possible through the continued generosity of 1657/1658, this masterpiece encompasses where he was active between 1596 and 1598. The Lee and Juliet Folger Fund. all of Van Mieris’s finest qualities: it is inti- Trompe l’Oeil of an Etching by Ferdinand mate in scale, possesses a high degree of Bol depicts Bol’s etching Old Man with a refinement (particularly in the soldier’s au- Frans van Mieris Flowing Beard and Velvet Beret as though bergine costume), and depicts an engaging A Soldier Smoking a Pipe it were attached by a red-wax seal to a pine subject. The soldier is most likely a member The Lee and Juliet Folger Fund

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title word is repeat- said, and is also the first work by this photog- ed in brushy white rapher to enter the Gallery’s collection. Other capital letters on a significant gifts made in honor of the 25th red ground, given by anniversary include Paul Strand’s portrait of the artist in honor his mentor, Alfred Stieglitz (1929), a gift of of Dr. James Meyer, Gary and Ellen Davis; Leon Levinstein’s cel- another former cu- ebrated Houston Street, New York (1970), a rator of modern art; gift of Michael Mattis and Judith Hochberg; a fascinating work Vik Muniz’s New York City, after George by Roxy Paine, Pigeon Bellows (2011), a stunning reinterpretation Holes (1997), display- of the Gallery’s painting by George Bellows, ing monochromatic New York (1911), a gift of Nion McEvoy; textured brushstrokes Muniz’s Untitled (Matrix for New York City, pinned to a wooden after George Bellows) (2011), a gift of the board and numbered artist himself; Paul Graham’s Pittsburgh like specimens, a gift (2004), two series of inkjet prints, a gift of the Heather and of Susan and Peter MacGill; Idris Khan’s Tony Podesta Collec- Every…Bernd and Hilla Becher Spherical Type tion; an important Gasholder (2004), a gift of Mary and Dan early painting by the Solomon; and Simon Norfolk’s seven-part Oakland-based painter study of the evaporation of the Lewis Glacier, Oliver Lee Jackson, a gift of Theresa Luisotti. Portrait of Julius Several exceptional nineteenth-century Representing the Adoration of the Magi Hemphill (1973), in which the compos- photographs were also acquired, notably the as a night scene, in a format approximately er and saxophonist is evoked in mixed me- gift from John P. Coll, in memory of Margaret ten inches square, the panel has the virtues dia including silver paint and studs, given Canaga Coll and John Owen Reilly Coll, of of an oil sketch (intimate mood and bravura by the Oliver L. Jackson Trust; a major ear- John Moran’s Broadhead’s Creek, Delaware execution) but does not seem to have been ly painting by the British, New York-based Water Gap (1863); a rare daguerreotype by made for any of the large-scale altarpieces painter Graham Nickson, The Bather with Platt D. Babbitt, (c. 1855), a of this subject that Morazzone undertook. Outstretched Arms (1980–1981), in which a gift of the Robinson Family Fund in mem- The painter was also a prolific frescoist, and strongly rendered female figure balances on ory of C. David Robinson and the Clinton his works still ornament the churches and a rock over water in a minimal landscape and Jean Wright Fund; Thomas Sutton’s chapels in Como, Varese, and elsewhere in composed of five separate panels, a gift of salted paper print Landscape with Ships and Lombardy, for which they were completed. John and Laurie Adams; and an impres- Castle (c. 1850), acquired with funding from The artist’s works, large and small, in oil or sive work by the Washington-based paint- Robert Menschel and the Vital Projects Fund; fresco, display a mannerist elegance and ex- er Willem de Looper, The Duke (1990), an a paper negative by Captain Linnaeus Tripe, aggeration, combined with a proto-baroque abstract tribute in metallic paints to the Bridge near Collector’s House, Shungavellor, expressiveness that he shares with other great Washington-born jazz composer and India (1857–1858), a gift of Betsy Karel; and members of the school. The flashes of light bandleader Duke Ellington, given by Frauke an of albumen prints by Louis-Émile on the crowns and gifts of the magi and the de Looper, the artist’s widow. Alex Katz’s Durandelle, Le Nouvel Opéra de Paris (The brilliant hues of their garments, punctuating Portrait of Ada (1959), an important early New Paris Opera) (1875). the dark space, give the little painting a kind portrait by the artist of his wife and muse The twentieth-century collection of pho- of glowing presence that belies its size. The seen cropped at the waist in a plain blue tographs was also enriched with many elaborate carved and gilded frame appears shirt on a flat green background, was pur- works by women photographers, including to date from considerably later in the seven- chased through the Avalon Fund. ’s Christian Bérard’s Posed teenth century and was probably put on by at Edge of Basin of Water (c. 1935) and an early collector to enhance the painting as PHOTOGRAPHS Rogi André’s portrait Dora Maar (1941), a precious object. This year the department of photographs both acquired through Robert Menschel The department of modern art received acquired almost 480 works through gift and and the Vital Projects Fund. The Pepita the gift of six paintings: a monumental unti- purchase, many donated in honor of the 25th Milmore Memorial Fund enabled the ac- tled canvas featuring black linear geometries anniversary of the photography program at quisition of three works by Ringl and Pit on a white ground by the late Al Held, donat- the Gallery, celebrated in 2015. Foremost (Grete Stern and Ellen Auerbach): Soap- ed by the Al Held Foundation, Inc., in memo- among these are a superb vintage print by suds (1930), Eckstein with Lipstick (1930), ry of Nan Rosenthal, former curator of mod- , General Strike, San Francisco and Walter and Ellen Auerbach (1931); ern art; a powerful painting by Mel Bochner (1934), made possible through Diana and ’s Beggar, Paris (1937); and from 2011 titled Blah, Blah, Blah, in which the Mallory Walker and Robert Menschel and Eleanor Antin’s conceptual work 100 BOOTS the Vital Projects Fund. Made at the moment (1971–1973). In addition, the collection was when Lange turned from photographing San augmented with ’s Roadside Pier Francesco Mazzucchelli, called Morazzone Francisco’s elite to recording the impact of Ambush from the series House Beautiful: The Adoration of the Magi the Depression on the poor, it shows her Bringing the War Home (1967–1972), a gift Pepita Milmore Memorial Fund compassion for “people in trouble,” as she of the artist and Mitchell-Innes and Nash;

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and Sally Mann’s Deep South, Untitled, accomplishment known as incuse-cast that picting different classical personifications of (Scarred Tree) (1998), acquired through the was popular in France in the first half of the artistic practice, these two works add to a Alfred H. Moses and Fern M. Schad Fund. seventeenth century. growing area of the collection. Other major twentieth-century photo- A terracotta medal of the little-known poet The department of modern art received graphs added to the collection include and astrologer Giovanni Francesco Tinti by a seven gifts of sculpture in 2016: Janine Lewis Baltz’s portfolio San Quentin Point sixteenth-century Tuscan sculptor intriguingly Antoni’s remarkable Lick and Lather (1993), (1982–1983), a gift of Stephen G. Stein, and follows the typology of a bronze medal, yet a multiple self-portrait consisting of fourteen Baltz’s silver-dye bleach print There is No Life is made of clay. It would have been created busts taken from life and cast in either Outside of These Verona Walls (1992), a gift with very fine clay pressed into molds and chocolate or soap before being modified of David Knaus; Christian Boltanski’s mixed then fired. Tinti is known to have contribut- through licking and bathing respectively, a media installation of gelatin silver prints, met- ed to the practice of burying medals in the gift of the Collectors Committee; Kenneth al biscuit boxes, and lamps from his series foundations of buildings, supplying groups Snelson’s V–X (1967), a “tensegrity” (the Le Lycée Chases (Numbers 6, 7, 9, 11, 12, 14) of his medals for protected sites for posterity artist’s contraction of tension and integrity) (1986), a gift of Glenstone Foundation; four and future discovery. Examples of this medal, work of stainless-steel tubes and wire cables, gelatin silver prints by Henri Cartier-Bresson, given by Michael, Elizabeth, Christian, and donated by the artist; Fred Sandback’s Untitled a gift of Ann Ford Doyle; and the maquette Francesca Riddick, have been excavated in at (One of Four Diagonals) (1970), a room-filling for David Levinthal’s seminal publication, least four locations in Tuscany. Also given by work consisting of a single black elastic cord Mein Kampf (1974–1975), an anonymous the Riddick family is a gilded bronze plaquette stretched from the bottom corner of a room gift, along with his Dallas 1963 (2013), a gift of by a French sixteenth-century sculptor depict- to the diagonally opposite top corner, given by Donald S. Rosenfeld Jr.; three videos (2000, ing Judith and Holofernes. Its design forms a the Fred Sandback Archive in honor of Virginia 2002, and 2008) by Jonas Dahlberg, gifts of pair with another oval plaquette of Susanna Dwan; Dimitri Hadzi’s Scudi IV (1959–1961), the Heather and Tony Podesta Collection; and the Elders, which dates to the 1570s, al- an abstracted, roughly worked bronze figure and fifteen gelatin silver prints (1986–1995) ready in the Gallery’s collection. The compo- holding a shield, given by the artist’s widow, by Emmet Gowin, along with Robert Frank’s sition of Judith with the Head of Holofernes Cynthia Hadzi, in honor of Dimitri Hadzi; Park/Sleep (2012), one of the artist’s last reflects the influence books with twenty-seven gelatin silver prints of prints by Jean and eight dye diffusion transfer prints, both Cousin the Younger gifts of Jane P. Watkins. first published in 1596, and both works SCULPTURES may be indebted to Gifts of five medals and plaquettes strength- a common source. ened the Gallery’s collection this year. A The Judith plaquette bronze medal from the seventeenth centu- is known in only ry that reproduces a design by Jean Warin, one other example, the leading French medalist of the period, in . Its rarity was given by Andrew Brown. Louis XIV, and the opportunity 1638–1715, King of France 1643, and his to reunite these two mother Anne of Austria is a long-sought complementary works example of a fine early cast of the obverse celebrating heroic of a medal commissioned in 1645 by Anne women make this gift of Austria, queen of France, herself, for the a desirable addition foundation of the church of Val-de-Grâce in to the collection. Paris. A solid gold cast of the medal was Two late-nineteenth- encased in the church’s foundation stone, century works by laid by the six-year-old Louis XIV. Anne, who Louis-Oscar Roty aug- tenderly embraces her son, founded Val- ment the Gallery’s hol- de-Grâce in fulfillment of a vow of thanks dings of this important for the long-awaited birth of an heir to the French medallist. A French throne. By the time the church was silvered-bronze med- begun, Anne had been a widow and regent al commemorating the for two years. On the medal’s obverse the 50th anniversary of artist brilliantly conflates the age-old theme the École française d’ of mother and child, whose hand gestures Athènes and a sub- serve to show affection and intimacy, with tly modeled bronze the traditional iconography for joint rulers plaquette, Painting (going back to Roman coinage) of facing (Pittura), were giv- Dorothea Lange profile portraits. This significant addition en by Faya Causey in General Strike, San Francisco to the Gallery’s holdings demonstrates one memory of the Gal- The Diana and Mallory Walker Fund and of Warin’s most famous inventions. The re- lery’s late curator of Robert Menschel and the Vital Projects Fund, verse is formed from a detailed negative im- European paintings, in Honor of the 25th Anniversary of Photography pression of the obverse, a difficult technical Philip Conisbee. De- at the National Gallery of Art

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and three sculptures by Arlene Shechet, Not man and the other of the ancient poetess Buddha (1995), Head in My Head (2000), and Sappho. Both drawings had been pasted Twin Rockers (2007), which employ ceramic into a 1436 manuscript that contained school or Hyrdrocal in addition to other supporting texts and aphorisms in Latin and German, materials to depict contemplative, mysterious even though they had no connection to the figures and objects, all donated by Anne and writings. The details of the man’s elegant Joel Ehrenkranz. costume, especially the full sleeves adorned with lacy falls of fabric at the wrists, and the DRAWINGS complex folds of Sappho’s dress and cloak This fiscal year the Gallery’s collection of old are particularly well-drawn. Adding to the im- master drawings was enhanced by both gifts portance of these two sheets is the secular and purchases of more than fifty works. De- nature of the subjects, which is quite rare in serving of special recognition are four from art from this period. the fifteenth century, which form a fascinating Dating from about 1480/1490 is a beau- group of sheets by artists from three differ- tifully imagined rendering of Jacob’s Dream ent regions: Florence, South , and by an artist from the circle of Hugo van der the southern . The earliest is the Goes, a gift of Beatrix von Hoffmann. The work of an anonymous Florentine artist active interpretation of the scene is quite literal, around 1400, an impressive composite sheet with Jacob stretched across the foreground, of figure studies focusing on the expressive asleep on the ground with a rock serving as qualities of light and pose, a gift of Dian his pillow. The ladder of his dream is set on Woodner from the collection of her father, Ian the earth behind him and extends to heav- Woodner. This drawing harks back to the work en, with angels descending and ascending. of Taddeo Gaddi, Giotto’s closest follower, Typical of early Netherlandish storytelling, (Above) but the style and iconography belong to the a second episode from Jacob’s story ap- Janine Antoni Lick and Lather generation of Gaddi’s son, Agnolo. The date, pears in the middle ground, showing him Complete set of fourteen busts: seven in chocolate size, and complexity of this work make it one embracing his eventual wife Rachel as she and seven in soap on fourteen pedestals of the Gallery’s most important early draw- tends her herds. Although unattributed, Gift of the Collectors Committee ings and a major addition to the collection. this is a particularly fine representation of Purchased through the Ruth and Jacob Netherlandish draftsmanship of the late fif- Pieter Bruegel the Elder Kainen Memorial Acquisition Fund are two teenth century. The Bagpipe Player small but very fine South German drawings Three impressive sixteenth-century draw- Woodner Collection, Gift of Dian Woodner from about 1440, one of a standing gentle- ings that were also acquired this year merit

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particular attention. A handsome early pen drawing of a sibyl by the Genoese master Luca Cambiaso, dating from the mid-1550s, was purchased as the gift of Joan and David Maxwell. A spirited study by Pieter Bruegel the Elder (c. 1562) of a peasant playing the bagpipes while balancing precariously on a three-legged stool was another important gift of Dian Woodner from the Ian Woodner Collection. Most unusual is an exquisitely drawn Pietà (c. 1570), one of a handful of drawings now attributed to El Greco. This work is thought to have been executed during El Greco’s ten-year-long stay in Italy, when the influence of the Venetian manner- ists was especially strong in his work. This exceptional composition came to the Gallery as the gift of David H. McDonnell. Outstanding among the more than 150 modern drawings acquired this year were three by noted avant-garde artists Heinrich Campendonk, Lyonel Feininger, and Egon Schiele, each with ties to German expression- ism. The earliest is a double-sided watercolor from 1912 by Campendonk, a gift of Beatrix and Ladislaus von Hoffmann in honor of Andrew Robison. The self-portrait on the front of the sheet shows Campendonk in a red bow tie— an array of abstracted forms circling around him. The drawing becomes the Gallery’s most important work on paper by any member of Munich’s Blaue Reiter (Blue Rider) group. A charming work by Feininger, an Ameri- can-born artist who spent most of his career in Germany, was purchased through the Ruth and Jacob Kainen Fund. Strolling Ladies with Gentlemen Admirers (1910) shows fashion- ably dressed people traversing a knoll. The perspective is such that the figures seem demonstrates that Steinberg was as much a Purchased through the New Century Fund almost perched on top of an off-kilter world. brilliant draftsman with a witty sensibility as and the Eugene L. and Marie-Louise Garbáty They strut at impossible angles, as if answer- he was a keen observer of art, the cultural Fund, this volume is only the sixth copy to ing to their own laws of gravity. landscape, human nature, and the natural have been identified. Schiele’s Standing Nude with a Patterned and built environment. Among numerous sixteenth-century prints, Robe (1917) is one of two drawings by the art- three works deserve special mention. Impos- ist given by the Robert and Mary M. Looker PRINTS AND ing and articulate, Hans Weiditz’s woodcut Family Collection this year. Unusually sen- ILLUSTRATED BOOKS portrait of Maximillian I, commemorating suous for Schiele and extremely beautiful, The Gallery acquired some 725 prints by gift his death in 1519, is a celebrated image in the Standing Nude focuses on the woman’s soft and purchase and a dozen fine illustrated vast iconography of the great Holy Roman curves. Her gaze is averted, her head barely books this year. The earliest and most im- Emperor. In the so-called Allegory of Love contained on the sheet, her legs cropped at portant volume is the Mirouer de la redemp- (c. 1540) by a Roman engraver from the the knees—a mere hint of stocking visible. tion de lumain lignage, published in Lyons in school of Marcantonio Raimondi, a child Also outstanding was a transformative 1478. The Speculum Humanae Salvationis, a expires in a boiling cauldron and a poised gift from the Saul Steinberg Foundation of digest of the Old Testament, the New Tes- female figure plays dice with Cupid, while thirty-four drawings and a sketchbook by tament, and apocryphal texts emphasizing arrows pierce a male torso, a dog devours a the artist Saul Steinberg. Renowned for his their interconnection and the path to person- heart, and the chariot of Hades darkens the work in The New Yorker, the drawings date al salvation, was the most popular book of from 1945 to 1985 and cover a wide range: the early Renaissance. The Mirouer was not from the horror of World War II bombings, only its first French edition, but also the first Heinrich Campendonk to a satirical look at the social dynamics illustrated book published in France. The 236 Self-Portrait of a cocktail party, to the sheer beauty of woodcuts are especially beautiful, imagina- Gift of Beatrix and Ladislaus von Hoffmann works such as Via Aerea (1969). The group tive in design and sophisticated in cutting. in Honor of Andrew Robison

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sky. The verse below—in the voice of the collection. Acquired through the generosity French academician Pierre-Hubert Subleyras child—elucidates, this is the fate of those who of an anonymous donor, Giovanni Battista made an etching after his own painting The lose in love. Unprecedented in ancient litera- Bracelli’s Figure con Instrumenti Musicali e Feast in the House of Simon. It is one of the ture and unparalleled in contemporary imag- Boscarecci, created in Rome around 1630, most accomplished pure etchings of the pe- ery, the print epitomizes mannerist invention. presents a fantastic choreography of styl- riod, prefiguring Giovanni Battista Piranesi’s A very different and famous expression of the ish postures and lavish costumes. Extraor- in virtuosity and painterliness. Thanks to the period’s imagination, the twenty plates of dinarily rare, this is only the fifth group of generous gift of Vincent J. Buonanno, in hon- Hans Vredeman de Vries’s Scenographiae sive impressions to be identified, the only one or of Andrew Robison, the Gallery’s holdings Perspectivae (1560) fuse the Renaissance tra- in this country, and the most complete of in this area were transformed by two con- ditions of utopian architecture and rigorous any. Three complete sets of maritime views temporary and sixty-six plates, the perspectival construction. by Reinier Nooms, called Zeeman, were most complete set of Chinea prints outside A number of outstanding series of seven- purchased through the Pepita Milmore Me- of Rome. The Chinea was an annual Roman teenth-century etchings were added to the morial Fund. A sailor who became a painter festival celebrating the papacy’s concession and exquisite etcher, Zeeman gave definitive of its feudal rights to the Kingdom of . expression to this quintessentially Dutch In the eighteenth century the festival came Louis-Joseph Le Lorrain subject. His renderings are so detailed and to feature monumental temporary architec- Fortes Creantur Fortibus [Strength sensitive that the features of actual ports ture, elaborate decoration, and pyrotechnic Begets Strength]: First ‘Macchina’ for and types of ships can be distinguished. display. These “machines,” designed by the the Chinea Festival of 1748 Printmaking in eighteenth-century Rome leading architects of the day, were commem- Gift of Vincent Buonanno in Honor was exceptionally well-represented among orated in large-scale etchings of their own of Andrew Robison this year’s acquisitions. In 1738, the resident considerable beauty.

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Notable among the roughly 450 modern tion of views of and the sole edition The department also acquired a small set of prints that entered the collection are more published. Privately printed in large format postcards of the exhibition Entartete Kunst than sixty of Max Weber’s cubist-style wood- for informed amateurs, noble Genoese pa- (Degenerate Art) held in Munich in 1937. cuts and linoleum cuts from 1919 to 1956, trons, and French travelers to , the Other important acquisitions include a pre- many of them uniquely inked and printed in work includes eighteen folio-sheet engrav- sentation album to the Dukes of Bavaria with color, a gift of Jack and Margrit Vanderryn. ings and four engraved double-sheets, which photographs of the Villa della Pianore, home Another noteworthy gift, from Bob Stana and can be assembled to create a twelve-foot pan- of the Dukes of Bourbon near Lucca (c. 1893); Tom Judy, featured picturesque color wood- orama of the bay and coastline. an album capturing views of the Exposition cuts from the late 1910s by Gustave Baumann Etudes d’anatomie a l’usage des peintres des Arts Décoratifs in Paris (1925); and an al- and Edna Boies Hopkins, a fiery color litho- (Paris, between 1769 and 1776) by Charles bum depicting Wilhem Kaulbach’s mural cy- graph with collage (1998) by Betye Saar, and Monnet enriched the library’s collection on cle for the Neue Pinakothek in Munich (1863). prints by such imagists as , human anatomy and proportion with the Among the individual rare photographs Christina Ramberg, and . support of the David K. E. Bruce Fund. In- acquired is an early photo by William Henry Celebrating its 50th anniversary, Gemini tended as an instruction manual for young Fox Talbot of the Chiaramonti Museum G.E.L. strengthened the Gallery’s Gemini artists, the plates are noteworthy for bear- at the Vatican (1858) that relates to a archive by donating important series and ing the proper myological and osteological nearly identical photo in the collection by individual prints by twelve major artists. The terminology. This example is in its original Robert Macpherson taken the same year, a most extraordinary modern print purchased portfolio featuring forty-two sanguine en- photograph of Winslow Homer’s Right and this year was ’s Keith (1972), gravings by Gilles Demarteau, the inven- Left sent to the artist by his dealer in 1909, made possible through the generous support tor of the technique. Several drawings by and an extensive group of photos from the of the Jon and Mary Shirley Foundation, the Théodore Géricault are believed to be mod- collection of Hilla von Rebay documenting Frank H. and Eva B. Buck Foundation, Nelson eled after plates in this edition. her work at the Solomon Guggenheim Blitz Jr. and Catherine Woodard, Avalon Fund, The image collections department ac- Foundation and Museum. Pepita Milmore Memorial Fund, and Jordan quired an archive of approximately 5,000 al- D. Schnitzer. A rare and coveted work, Keith bumen photographs ranks as a milestone both in Close’s career comprising the core and in the history of printmaking. set produced by the Among the most exquisite of the modern British photographer illustrated books acquired this year was Joan Francis Bedford (1815– Miró’s deluxe-format copy of À toute épreuve, 1894). Bedford doc- with poems by surrealist , pub- umented the archi- lished in 1958. Containing eighty of Miró’s tecture and environs color woodcuts, many with additional collage of the British Isles elements, the book was purchased through during the 1870s the Pepita Milmore Memorial Fund, the and 1880s. The ar- Eugene L. and Marie-Louise Garbáty Fund, chive includes two and the Ahmanson Foundation. ledgers that track the production of RARE BOOKS AND IMAGES the images. This ac- The library added seventy-nine titles to the quisition makes the rare book collection in 2016, of which three Gallery the center are of particular interest. An extremely rare for the study of edition of Vincenzo Coronelli’s Singolarità Bedford’s work. di Venezia e del serenissimo suo dominio… The department (Venice, 1697) was acquired through the acquired twenty-six Grega and Leo A. Daly Fund for Architectural rare albums this year. Books and the J. Paul Getty Fund in honor One of the most no- of Franklin D. Murphy. As one of the most table documents the comprehensive albums of Venetian archi- construction of the tecture of the time, the four imperial folios Haus der Deutschen are bound in the original vellum and include Kunst in Munich 244 etched and engraved plates. Coronelli’s from 1933 to 1937. work was a forerunner for vedutisti such as From images of Canaletto and Francesco Guardi, and only the initial plans by one other complete edition is known to exist Paul Ludwig Troost in North America. to its dedication by The Nell and Robert Weidenhammer Fund Adolf Hitler, the al- supported the acquisition of Antonio Giolfi’s bum shows how the Francis Bedford Raccolta di diverse vedute della città di Third Reich planned Tintern Abbey, View of the Choir looking East Genova e delle principali sue parti e fabriche to showcase “ap- Department of Image Collections, (Genoa, 1769), the first documented collec- proved” German art. National Gallery of Art Library

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The Gallery’s East Building reopened on September 30, 2016, revealing 12,250 square feet of new exhibition space for the Gallery’s growing collection of modern and contemporary art.

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EXHIBITING

uring fiscal year 2016 the Gallery G.E.L. Archive, the Gallery organized The sources of inspiration for their serial projects. presented a varied selection of spe- Serial Impulse at Gemini G.E.L. to commem- The beginning of the year marked the D cial exhibitions while preparing to orate this important milestone. The exhibi- culmination of a yearlong celebration and reopen the East Building galleries after three tion showcased, in their entirety, seventeen a three-year initiative for photography. The years of renovation. Of the eighteen exhibi- innovative and exemplary serial projects (127 Gallery’s publication The Altering Eye: Pho- tions offered, four continued from the pre- individual prints) created by seventeen art- tography from the National Gallery of Art, vious year: Recent Acquisitions of Italian Re- ists working at Gemini G.E.L. including John a landmark volume on the photography naissance Prints: Ideas Made Flesh; Gustave Baldessari, , Jasper Johns, collection, coincided with the commemo- Caillebotte: The Painter’s Eye; Pleasure and Pi- Julie Mehretu, Susan Rothenberg, and Ed rative exhibition Celebrating Photography ety: The Art of Joachim Wtewael (1566–1638); Ruscha. All the works in the exhibition were at the National Gallery of Art: Recent Gifts. and Vermeer’s “Woman in Blue Reading a drawn from the archive at the Gallery, which The exhibition unveiled some 200 works Letter” from the Rijksmuseum. The Library contains an example of nearly every edition acquired in honor of the 25th anniversary presented three exhibitions of books and im- ever published by Gemini. An extensive of the Gallery’s photography program and ages from its collections. feature on the Gallery’s website presented included photographs made from the dawn This year marked the 50th anniversary of images of all the prints in the exhibition, ar- of photography in the 1840s to work by con- Gemini G.E.L. (Graphic Editions Limited), chival photographs of printmakers at work in temporary photographers. The exhibition in- the renowned Los Angeles artists’ workshop Gemini’s studio, quotations from the artists, corporated a number of challenging display and publisher. As the home of the Gemini and discussions of the nature, purpose, and features including a large wall with sixty-nine

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political portraits by orig- unprecedented opportunity to appreciate portraiture and the dynamic expression of inally produced as Rolling Stone covers. To their importance in antiquity and the inno- states of mind, and a series of step-by-step enable visitors to appreciate the full extent of vations of Hellenistic sculptors. Some fifty diagrams of the complex process for casting Deborah Luster’s One Big Self: Prisoners of bronze sculptures and related works, dat- hollow bronze sculptures in antiquity. Louisiana (1998–2002), the Gallery digitized ing from the fourth century BC to the first A focused installation of the work of British her 249 images and their reverse, each in- century AD, spanned the Hellenistic period artist Tom Hunter featured five photographs scribed with information about the inmates when the art and culture of Greece spread from the series Life and Death in Hackney, and all presented on a touch screen moni- throughout the Mediterranean. Through in which he explored the cultural resonanc- tor—the first time such technology has been the medium of bronze, artists were able to es of iconic Victorian paintings by reworking used in a Gallery exhibition. The entire set of capture the dynamic , expression, their compositions in a contemporary set- Luster portraits was also made available on and detail that characterized the new artistic ting. Like the Pre-Raphaelite painters who the Gallery’s website. goals of the era. came before, Hunter also concentrated on : No Exit explored the work Statue of a Victorious Youth (“The Getty the marginal and disempowered. By adding of the artist with twenty-one drawings, prints, Bronze”), set against a curved wall with a the weight of historical allusion to his com- and sculptures revealing Bourgeois’s ties to photomural of the stone statue bases in situ positions, Hunter imparted a dignity to his both existentialism and . The ex- at Olympia, beckoned to visitors in the East often overlooked subjects, transforming the hibition featured a rare complete copy of the Garden Court. Several photomurals were disaffected youth of contemporary artist’s book He Disappeared into Complete used throughout including an enlarged frag- into his heroes and heroines. Silence (1947), a group of nine engravings, ment of the Alexander mosaic positioned Mounted on the occasion of the Gallery’s each with a parable written by Bourgeois behind an equestrian sculpture of Alexander 75th anniversary and drawn entirely from the suggesting the themes of loss, misfortune, the Great. Pedestal designs and mounts were permanent collection, including promised miscommunication, and rejection. carefully crafted to allow for the least amount gifts, Three Centuries of American Prints from Only a small fraction of ancient bronzes of handling of fragile objects while also hid- the National Gallery of Art explored major survive; most have been melted down over ing complex steel and aluminum braces. A events and movements in American art from the centuries. Power and Pathos: Bronze new, internally lit, micro-climate case was the Colonial era to the present. This exhibi- Sculpture of the Hellenistic World offered an designed for two high-relief statues from the tion surveyed how America has been rep- first century BC of Erotes riding lions. resented in prints made by artists between A fully illustrated catalog accompanied the 1710 and 2010. Early prints of the continent’s exhibition. A documentary film, produced by indigenous peoples, landscapes, flora and (Clockwise from above) the Gallery and narrated by Liev Schreiber, fauna, historical events, wars, and citizenry explored the historical and cultural context reflect the curiosity of Europeans about a The Serial Impulse at Gemini G.E.L. of Hellenistic bronzes and included origi- world they perceived as new and strange. Celebrating Photography at the National Gallery nal footage shot on location at archaeolog- The exhibition included works from across of Art: Recent Gifts ical sites at Delphi, Corinth, and Olympia in the centuries that aim to raise awareness Greece. For the first time, the Gallery also of- and inspire change, ranging from an engrav- Power and Pathos: Bronze Sculpture of the fered a free exhibition audio tour accessible ing of the Boston Massacre by Paul Revere Hellenistic World directly from visitors’ devices. Two re- to a broadside from more than two hundred lated programs were created for the Gallery’s years later by the undercover feminist collec- Three Centuries of American Prints from website: a slideshow with commentary high- tive known as the . Enlarged the National Gallery of Art lighting the Hellenistic emphasis on realistic images of Robert Havell’s (after John James

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Audubon) American and Jasper who had laid plans for the museum before . Quotations taken from Johns’s Flags I served as entrance and exit his death in 1937. A great number of Paul interviews, memoirs, and other writings graphics. A fully illustrated catalog accompa- Mellon’s gifts were works of art on paper, by Paul Mellon were screen printed on the nied the exhibition. which are light sensitive and cannot be walls, vividly conveying both his distinctive The 75th-anniversary celebration continued constantly displayed. In Celebration of Paul approach to collecting and his sheer delight as the Gallery recognized the crucial role Mellon brought together some eighty of in looking at and living with the works he that Paul Mellon played in carrying out the finest pastels, watercolors, drawings, chose. To complement the exhibition of the founding vision of his father, Andrew, prints, and illustrated books given to the works on paper, the Gallery produced a Gallery by the philanthropist. Among the companion brochure, A Lasting Legacy: works on display were evocative watercolors Paintings and Sculptures from the Paul (Above) by Winslow Homer and Édouard Manet, Mellon Collection, which provided visitors In Celebration of Paul Mellon powerful portrait drawings by Jean-Auguste- with a walking tour of major Mellon gifts Dominique Ingres and Edgar Degas, in other media on view in the permanent Intersections: Photographs and Videos from sporting lithographs by George Bellows, a collection galleries. the National Gallery of Art and the Corcoran pen landscape by Vincent van Gogh, and Nearly 700 photographs from Eadweard Gallery of Art cubist compositions by and Muybridge’s groundbreaking publication Animal

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Locomotion, acquired by the Corcoran Gallery and to survey his achievements as both a Damien Hirst: The Last Supper included of Art in 1887, became the foundation for that painter and a draftsman. thirteen prints from the Corcoran Collection, institution’s early interest in photography. The visitor was drawn into the exhibition which are the first works by Hirst to enter the The Key Set of more than 1,600 works by with a view of the colossal painting Stair and Gallery’s collection. In The Last Supper, Hirst Alfred Stieglitz, donated by Georgia O’Keeffe Fountain in the Park of a Roman Villa on loan wittily explored the role of faith, viewing it in and the Alfred Stieglitz Estate, launched from the Los Angeles County Museum of relation to medicine and religion. Each print the photography collection at the National Art. Four monumental paintings created for features an altered pharmaceutical label. Gallery of Art in 1949. Inspired by these two the petit salon of the Château de Méréville The names of medicines have been replaced seminal artists, Muybridge and Stieglitz, the were hung in an octagonal gallery to empha- with those of common British foods, and the exhibition Intersections: Photographs and size their power and relationship as an archi- names or logos of the manufacturers have Videos from the National Gallery of Art and tectural quartet. One gallery, devoted entirely been replaced by those of the artist—Hirst’s the Corcoran Gallery of Art brought together to works on paper, was hung in a salon style own brand, so to speak. highlights of the recently merged collections and included a digitized sketchbook using This fiscal year the East Building galler- by a range of artists from the 1840s to today. page-turning technology, allowing visitors to ies reopened, revealing new and enhanced The connections between the two photogra- flip through its recreated pages on a monitor spaces, which included three exhibitions. phy collections were explored through five next to the actual book. A selection of dig- The Tower Gallery exhibition focused on themes—movement, sequence, narrative, itized sketchbook drawings was also made the work of American artist Barbara Kruger. studio, and identity—present in the work of available on the Gallery website. Inspired by the Gallery’s recent acquisition the two founding photographers. Recent Acquisitions of Dutch and Flemish of Kruger’s Untitled (Know nothing, Believe The exhibition Hubert Robert, 1733–1808 Drawings encompassed landscapes, anything, Forget everything) (1987/2014), the explored one of the most prominent art- seascapes, portraits, still lifes, and historical exhibition featured related images of faces ists of the late eighteenth century. Robert subjects that demonstrate the originality and figures in profile over which Kruger su- loved and depicted ruined structures of of Dutch and Flemish draftsmanship perimposed her striking phrases and figures all types, whether real or imagined. At the and its stylistic evolution. Key works by of speech. In a short film produced by the core of his success was his brilliance as artists such as Maerten van Heemskerck, Gallery, Barbara Kruger: in her own words, the a master of the architectural capriccio, in Hendrick Goltzius, Abraham Bloemaert, artist discussed her career from her begin- which random monuments from different and Jan van Huysum were exhibited. In nings as a layout editor for Condé Nast pub- locales were artfully brought together to addition to eight works made prior to 1600, lications to her present life as an artist. An create new, completely imaginary land- six eighteenth- and nineteenth-century illustrated brochure featured excerpts from scapes. With some fifty paintings and fifty drawings were on view, including major an interview with the artist and a checklist of drawings, this monographic exhibition, co- works by Gaspar van Wittel and Johan the works on view. organized by the Gallery and the Musée du Barthold Jongkind. The latest work in the , was the first in more than eighty exhibition was the powerful Self-Portrait years to encompass Robert’s entire career (1907) by Lodewijk Schelfhout. Hubert Robert, 1733–1808

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Exhibited in the newly redesigned Con- Charles Ross’s Star Axis (1971–ongoing). Very Odessa (1963) and Portrait of Virginia (1963), course galleries, Los Angeles to New York: large photomurals of these sculptures were which are too fragile to run continuously. Dwan Gallery, 1959–1971 showcased the produced to give a sense of their scale. The third exhibition in the new spaces, remarkable career of art dealer and patron A fully illustrated catalog accompanied Photography Reinvented: The Collection Virginia Dwan and featured 100 works prom- the exhibition, which will travel to the Los of Robert E. Meyerhoff and Rheda Becker ised to the Gallery from her extraordinary Angeles County Museum of Art. The Gallery brought together works by critically im- personal collection. Founded by Dwan in a also produced a documentary film that fea- portant artists who changed the course of storefront in Los Angeles in 1959, the West tures Dwan reflecting on her career, commen- photography through their experimenta- Coast enterprise was a leading avant-garde tary by artists she supported, and original and tion and conceptual scope. The exhibition space in the early 1960s, presenting works archival footage capturing the innovative spir- celebrated the pledged gift of thirty-three, by abstract expressionists, neo-dadaists, it of the 1960s. Within the exhibition and on large-scale photographs from the important pop artists, and nouveaux réalistes, including the Gallery’s website, short films showed two collection of Robert E. Meyerhoff and Rheda Philip Guston, Franz Kline, Ad Reinhardt, of Tinguely’s kinetic sculptures in motion: Becker with monumental works by Thomas Robert Rauschenberg, , Edward Kienholz, , Niki de Sant Phalle, , and others. In 1965, Dwan established a gallery in New York where she presented groundbreaking exhi- bitions on minimalism, , and land art, featuring works by Carl Andre, Walter De Maria, Michael Heizer, Robert Morris, Sol LeWitt, Agnes Martin, Robert Ryman, and Robert Smithson, among others. Dwan emerged as a leading patron of earthworks during this period, sponsoring Heizer’s mon- umental sculptures Double Negative (1969) and City (1972–ongoing); Smithson’s mas- terpiece Spiral Jetty (1970); the first version of De Maria’s 35-Pole Lightning Field (1974); and

(Above) In the Tower: Barbara Kruger

(Right) Los Angeles to New York: Dwan Gallery, 1959–1971

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Demand, Thomas Struth, Hiroshi Sugimoto, No. VI to the Chrysler Museum of Art, as well and Jeff Wall, among others. A fully illustrat- as Käthe Kollwitz’s The Widow I (Die Witwe ed catalog accompanied the exhibition. I), Self-Portrait (Selbstbildnis), The Survivors The Gallery administered the loan of 1,104 (Die Uberlebenden), and Never Again War works of art to 228 sites during fiscal year (Nie Wieder Krieg) to the Davis Museum and 2016. This year, the Gallery loaned numerous Cultural Center at Wellesley College. works to a number of exhibitions featuring Included in the total number of loans this including ’s year, 993 works were loaned to museums for Infinity Nets Yellow to the Henie Onstad Art exhibition both domestically and internation- Center and Moderna Museet, Alice Neel’s ally. Some of the highlights included loans Loneliness and Hartley to the Ateneum Art of twenty-five photographs by Robert Frank Museum, Élisabeth-Louise Vigée Le Brun’s and Allen Ginsberg to the Musée national The Marquise de Pezay, and the Marquise d’art moderne, Centre Georges Pompidou, de Rougé with Her Sons Alexis and Adrien Sandro Botticelli’s Portrait of a Youth to the to the Metropolitan Museum of Art and the Staatliche Museen zu and the Tokyo National Gallery of Canada, Helen Levitt’s Metropolitan Art Museum, Jan van Eyck’s The New York to the Musée d’Orsay, and Mary Annunciation to the Städelsches Kunstinstitut Cassatt’s Children Playing on the Beach to und Städtische Galerie, René Magritte’s the Yokohama Museum of Art. The Gallery La condition humaine to the Staatsgalerie also loaned numerous works by Georgia Stuttgart and the Kyoto Municipal Museum O’Keeffe, including Line and Curve, Sky with of Art, Hieronymus Bosch’s Death and the Flat White Cloud, Winter Road I, and No. Miser to the Noorbrabrants Museum and the 14 Special to the Tate; Jack-in-Pulpit–No. 2, Museo Nacional del Prado, Gilbert Stuart’s Jack-in-the-Pulpit No. 3, Jack-in-the-Pulpit George Washington (Vaughan portrait) to No. IV, Jack-in-Pulpit Abstraction–No. 5, the National Portrait Gallery, Washington, and Jack-in-the-Pulpit No. VI to the Norton and The Jolly Flatboatman by George Caleb Gallery and School of Art; Second, Out of Bingham to the Art Museum. My Head and No. 20–From Music–Special to the Columbia Museum of Art; and Line and Curve, Sky with Flat White Cloud, Jack- in-Pulpit–No. 2, Jack-in-the-Pulpit No. 3, Jack- in-the-Pulpit No. IV, and Jack-in-the-Pulpit

Photography Reinvented: The Collection of Robert E. Meyerhoff and Rheda Becker

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Gallery educator Meghan Lally encourages Art Around the Corner students to look closely at Augustus Saint-Gaudens’s Shaw Memorial to deepen their understanding of the American Civil War. 34 NATIONAL GALLERY OF ART

EDUCATING

his year the education division served more than 13,000 people. Based on of Leonardo da Vinci’s Ginevra de’ Benci. focused on how to encourage visi- an online survey, ninety-three percent of Two other programs piloted this year in- T tors to have richer, more purposeful participants reported that the program had cluded Writing Salon, a variation on Draw- experiences with works of art in the Gallery’s a moderate to major impact on their visit. ing Salon, and Artist + Artist. Writing Salon collection. With that idea in mind, the divi- Sixty-seven percent of participants report- was created for visitors who like to connect sion planned several new programs to cel- ed never having attended a program at the with art through looking, conversation, and ebrate the Gallery’s 75th-anniversary year Gallery, which meant an entirely new audi- writing. Taught by a writer and museum ed- and reach out to visitors onsite and through ence was reached. On social media, a cam- ucator, these sessions attracted another new social media. paign was launched called #NGASketch audience. In Artist + Artist, a working artist Sketching Is Seeing encouraged audienc- which encouraged onsite and virtual visi- discussed an object in the permanent col- es of all ages and skill levels to sketch as a tors to share their sketches. lection and how he or she took inspiration way to slow down, look carefully, and con- Another new offering, 75 Stories invited vis- from it. The program linked old master art to nect with works of art. This pilot program itors to join fifteen-minute pop-up talks that contemporary practice, offering insights to focused on rarely told tales from the Gallery’s visitors. In one session, an artist discussed first seventy-five years. Stories ranged from how a painting by the fifteenth-century Neth- Children and their families enjoy story time with the puzzling discovery of an older woman erlandish artist Hans Memling inspired her Gallery educator Marjorie Mitzner during the Stories painted beneath Jean-Honoré Fragonard’s to create a series of photographs exhibited at in Art series. Young Girl Reading to the clandestine arrival the .

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To better appreciate the Gallery’s audienc- tour offerings were maintained. Regular Throughout the year, the Gallery’s one es, visitor studies and interviews were con- programming continued for school tours, million followers on social media (Facebook, ducted. A study of visitor experiences in the family programs, the Summer Teacher In- Twitter, Instagram, and Pinterest) helped the Joachim Wtewael exhibition, in collaboration stitute, workshops for teachers, lectures, Gallery share posts, generating three million with the northern baroque curatorial depart- gallery talks, docent tours, audio guides for engagements in the process. Several new ment, proved that using clear language when adults, and internship and fellowship pro- hashtags, including #myngadc, encouraged referring to art historical concepts is critical. grams. The summer intern program served visitors to post their favorite Gallery images. Texts or talks grounded in visual elements eighteen students from ten states and three Education resources, the Gallery’s outreach of a work of art support careful looking, and countries, while the academic-year intern program that consists of nearly five hundred installing works of art to encourage compar- initiative welcomed eight participants. Audi- programs and publications, served more ing and contrasting is a powerful learning torium programs served more than 16,000 than thirty million users, including television strategy. Additionally, a yearlong study of visitors. Among the highlights of the year viewers across the nation. Gallery website users was conducted to un- were public conversations with architect derstand their motivations and satisfactions. Frank Gehry and artists Cecily Brown and CONCERTS AND FILMS An online survey for Homeschool Days was Lorna Simpson. Podcasts of these events The music department began its seventy- offered, observations and interviews for Art were posted online and reached almost fourth concert season with three brunch- Around the Corner Family Days were pre- 150,000 additional viewers. Docent- and time concerts in the Sculpture Garden, ex- pared, and visitors were interviewed about staff-led tours and free audio guides of the panding the musical offerings to include what they are looking for in a highlights tour collection reached about 125,000 visitors. bluegrass and Dixieland jazz bands. For the of the West Building. Based on the findings, Teen and family programs and audio guides first time the Gallery held all concerts during the education department has already recast for children engaged about 12,000 young the day, which increased attendance and a number of programs. visitors. School tours, including the mul- brought standing-room-only crowds to sev- Another initiative included a six-visit pilot tiple-visit Art Around the Corner program, eral of the musical events. program designed for Georgetown Universi- connected more than 33,000 students with A number of concerts were presented ty medical students, using art to help them the Gallery’s collections. A series of three les- in honor of special exhibitions. In honor of hone their observation and communication sons in the Art Around the Corner program Louise Bourgeois: No Exit, some of the art- skills. In addition, the division worked with focused on the theme “What’s Your Story” ist’s favorite composers were featured in advanced nursing students and created a to explore how artists depict characters and concert. One concert included music in the workshop for the American College of Phy- symbols. During the 75th-anniversary year, a style of Benny Goodman, Paul Mellon’s fa- sician’s annual internal medicine conference new guide was created for objects given by vorite musician, to honor In Celebration of to focus on closer looking. For users with Paul Mellon. Together, all print publications Paul Mellon. The Gallery presented three disabilities, a short introductory video was served more than 550,000 visitors. Thus, concerts of American music in honor of created for the website in American Sign through various approaches, an audience of Three Centuries of American Prints from the Language, and the ASL and Picture This more than 750,000 was reached on site. National Gallery of Art. The music department produced three special weekend-long music festivals. To cel- ebrate the 150th anniversaries of Carl Nielsen and , four concerts of music by the Nordic composers were presented. The Gallery’s resident ensembles, as well as its or- chestra and a Finnish soprano were featured. A festival of the complete instrumental trios of was presented, in- cluding nine concerts in four days, culminat- ing with the National Gallery of Art Orchestra accompanying the resident piano trio on the Triple Concerto. In honor of the Gallery’s 75th anniversary on March 17, 2016, the music department brought ensembles from four branches of the military to perform daily throughout the four-day celebration. To present special concerts and sympho- ny programs, the music department collab- orated with a number of offices and organi- zations including the Embassy of the Czech Republic, the Delegation of the European Union to the United States, Washington Performing Arts, the Gallery’s department of Writing Salon participants join local playwright Mary film programs, and the Equal Employment Hall Surface in exploring the literal and metaphorical Opportunity office. The Gallery present- roles of setting in writing and painting. ed special concerts in honor of Hispanic

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Heritage Month, Veterans Day, African Highlights from the year included pre- During the summer, the popular series American History Month, Women’s History mieres of Don’t Blink—Robert Frank, Won- The Grandest Spaces: Picturing Museums Month, the National Cherry Blossom Festi- drous Boccaccio, Hockney, and The Seasons focused on ciné- recently produced val, and Asian Heritage Month. The depart- in Quincy: Four Portraits of John Berger, about museums. In conjunction with the ment helped to present the popular Jazz in produced by Berger’s friend Tilda Swinton. commemoration of the 400th anniversa- the Garden concert series as well as jazz Among the special events during the fall sea- ry of Shakespeare’s death, Shakespeare as brunch concerts. These two programs enter- son were a collaborative presentation with Cinematic Experiment: 1908–1921 featured tained more than 100,000 music lovers. Festival del film Locarno and the retrospec- many unusual expressions of Shakespear- The music department merited seven pos- tives Agnès Varda: Ciné-Portraiture and Maya ean performance including a restoration of itive concert reviews in various publications. Deren: Rhythm, Ritual, Repetition. Asta Nielsen’s Hamlet (1921) from the col- The 2016 concerts were produced with funds The film department cooperated with the lection of the George Eastman Museum. bequeathed to the Gallery by William Nelson Freer Gallery of Art to present Reseeing : Throughout the year, popular ciné-concerts Cromwell and F. Lammot Belin, with gener- Twentieth Annual Iranian Film Festival, which continued, ranging from F. W. Murnau’s ous additional support from the Billy Rose attracted standing-room-only audiences. Faust (1926) with a new score by the Daniel Foundation and the Gottesman Fund in Other series during the winter months in- Schnyder Trio to D. W. Griffith’sWay Down memory of Milton M. Gottesman. The mu- cluded Bolshoi Postmodern: Innovative Perfor- East featuring the film’s original orchestral sic program was also supported by the Ann mance in HD and Athens Today: New Greek score from 1920. and Gordon Getty Foundation and Professor Cinema, organized to coincide with the ex- Joseph L. Gastwirth. hibition Power and Pathos: Bronze Sculpture RESOURCES FOR Film and video premieres, restorations, of the Hellenistic World. Special film events SCHOLARLY RESEARCH and retrospectives were presented every during the winter included a revival of Zorba The Library’s third publication highlighting week during the year, adding to the Gallery’s the Greek introduced by Katherine Quinn. important aspects of its collection, Docu- reputation as one of the best film exhibition The spring season began with a partner- menting the Salon, was completed this year venues in North America. Films were fre- ship with the National Cherry Blossom Festi- thanks to a generous grant from the Florence quently introduced by renowned filmmakers, val and two film restorations, Kon Ichikawa’s Gould Foundation. The volume was distrib- scholars, artists, and critics. The Gallery’s Kyoto and Nagisa Oshima’s Kyoto, My Mother’s uted free of charge to more than 250 muse- membership in the International Federation Place. Avant-garde cinematographer Babette um and university libraries worldwide. of Film Archives remains vital for access to Mangolte, who collaborated with film artists rare prints from film vaults around the world. Yvonne Rainer, Michael Snow, and Chantal The estate of artist Nancy Holt collaborated Akerman, presented a retrospective. The film The Gallery’s summer interns closely examine on the digital restoration of Holt’s films Pine and music series Bernard Herrmann: Stage, selections from the permanent collection of Barrens (1975) and Sun Tunnels (1978), both Screen, and Radio attracted media coverage American works of art on paper in the West of which premiered at the Gallery. and large audiences. Building study room.

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Nearly 1,000 scans from the department’s collections were created. Digitization of the 4,000 negatives comprising the Georg Piltz Archive began this year. Piltz documented ar- chitecture and sculpture in the former from just before World War II until the fall of the Berlin Wall in 1989. Artists’ portraits acquired include by Julian Wasser (1963), Ruth Asawa by Imogen Cunningham (1963), by Fred McDarrah (1961), Paul Cadmus by George Platt Lynes (1940), Robert Frank on the set of Pull My Daisy by John Cohen (1959), and twenty-one photos of New York art dealers by Mottke Weissman (1965). The department received notable gifts from Diane de Grazia, Mrs. Michael Horn, Dianne Modestini, Innis Shoemaker, and Scott Sullivan, and from Gallery staff mem- bers Elizabeth Cropper, Lamia Doumato, and John Hand. William Craft Brumfield continues to add images to his survey of Russian architecture. In keeping with its mission, the Gallery Archives provided critical support for the Gallery’s 75th-anniversary commemoration by giving access to thousands of historical images and documentary materials, assist- ing with extensive research, and delivering several well-received presentations on the Gallery’s history. The archives received transfers of paper and digital records from Gallery offices to significantly increase its holdings, includ- ing new documentation on the Andrew W. Mellon Memorial Fountain and East Build- ing renovations. Dorothy Vogel donated supplementary photographs, clippings, cor- respondence, and other items to enhance the Vogel biography and information about their collection. Gillian Walker gave addition- al materials relating to her father and former Gallery director, John Walker, for inclusion with the rest of his papers housed in the Gallery Archives. Staff responded to some 600 inquiries The Library added 6,393 books and 1,353 loaned 1,664 titles to universities and pub- about the Gallery’s early exhibitions, ac- auction catalogs to its holdings in fiscal lic libraries in forty-seven states and Puerto quisitions, programs, and architecture. A year 2016. The reader services department Rico and in nineteen foreign countries. Re- reference service database was created and answered 2,950 inquiries, welcomed ap- search orientations were held for groups implemented to track and respond to re- proximately 2,000 visitors, created 3,467 from the George Washington University, searchers more efficiently. scans from its rare book collection, and re- University of Maryland, Catholic Univer- To provide further insight on Gallery his- corded 28,384 unique visits to the library’s sity of America, College Art Association, tory, the oral history program continued con- web pages. The department borrowed 4,553 and Japan Library Forum. ducting interviews with several individuals, in- items for Gallery and Center for Advanced The department of image collections ac- cluding key figures involved with the Gallery’s Study in the Visual Arts (CASVA) staff and quired approximately 148,000 images in 2016, historic agreement with the Corcoran Gallery. including twenty-six rare photographic albums, Archives staff transferred the Corcoran 5,800 rare photographs, 62,500 photographs, archives from the Corcoran building, which Art Around the Corner students journal and sketch and 36,000 digital images. Researchers viewed had been placed in the Gallery’s custody for during their visit to the exhibition Three Centuries of more than 10,000 images on-site, and image temporary safekeeping, to the George Wash- American Prints from the National Gallery of Art. specialists answered 954 reference inquiries. ington University.

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The Kress History and Conservation Da- behind-the-scenes tours, visiting curators, Chinese, and Japanese editions. The publish- tabase project successfully digitized conser- Gallery docents, interns, and new staff. ing office edited thirty wall texts and five hun- vation documents relating to Gallery-owned dred object labels and edited and designed a Kress paintings and developed strategies for PUBLICATIONS variety of ephemera including brochures, au- providing public access to these and other The Gallery’s 75th-anniversary celebration dio guides, calendars, press materials, invi- legacy scans. The project is supported gen- and the reopening of the East Building gal- tations, announcements, and web overviews erously by the Samuel H. Kress Foundation. leries were the inspiration for a significant pertaining to the reopening. The Archive completed the import of the portion of the publishing office’s activities The Gallery’s second catalog in the prize- remaining legacy finding aids into the ar- and output during fiscal year 2016. Foremost winning series National Gallery of Art On- chival description database. This multi-year in size and importance among the 2016 line Editions, Italian Paintings of the Thir- project to normalize and ingest bibliograph- publications is America’s National Gallery of teenth and Fourteenth Centuries, went live ical metadata into a structured environment Art, a richly illustrated tour through the mu- in February 2016. The third catalog in this improved physical and intellectual manage- seum’s remarkable history, highlighting the series, American Paintings, 1900–1945, was ment of Gallery archival records. contributions of its four directors, the growth launched in September to coincide with The study room for European works of art of the Gallery’s collections and exhibitions, the installation of works from this period in on paper in the East Building hosted more its architectural grace, and the largesse of the renovated East Building galleries. Ap- than 1,200 visitors. Thirty-seven classes from its founders and supporters over the past proximately twenty more backlist titles were twelve universities and seven schools were seventy-five years. The book was written by added to the PDF Library on the Gallery’s taught, using the Gallery’s original prints, Philip Kopper and the publishing office of the website, where online visitors can browse, drawings, and rare illustrated books. In ad- Gallery, designed by Kelly Doe, and copub- search, and download out-of-print exhibition dition, there were twelve lectures for special lished by Princeton University Press. and collection catalogs at no charge. groups and ten tours for Gallery docents, in- A new highlights guide to the Gallery’s A prototype for the online resource Mark terns, and new staff. Gallery curators offered collections and a compact map of the cam- Rothko: Works on Paper is in preparation. twenty-five of these classes, lectures, and pus that includes accessible graphics of the The site is expected to launch in 2017 with tours. The study room for American prints renovated East Building were produced. approximately nine hundred works from the and drawings in the West Building hosted Highlights from the National Gallery of Art, Gallery’s collection to afford a broad view of 742 visitors, including students in twen- curated and introduced by the deputy direc- Rothko’s work from the 1930s through 1970. ty-three classes from eight universities and tor, features 430 works accompanied by in- Twelve book-length publications were pro- four schools. Additionally, curators provided sightful texts by the Gallery’s curatorial staff; duced this year: five exhibition catalogs, two thirty-one presentations for special groups, it is available in English, Spanish, French, collection catalogs, two volumes for CASVA, a library publication, a special Mellon pub- lication, and America’s National Gallery of Art. Reprints were undertaken for Pleasure and Piety: The Art of Joachim Wtewael and Drawing in Silver and Gold: Leonardo to Jasper Johns. Printed brochures were prepared for In Celebration of Paul Mellon and In the Tower: Barbara Kruger, along with five library brochures. The publishing office received a total of eight design awards for Drawing in Silver and Gold: Leonardo to Jasper Johns, The Memory of Time: Contemporary Photographs at the National Gallery of Art, Gustave Caillebotte: The Painter’s Eye, and The Altering Eye: Photographs from the National Gallery of Art.

DIGITAL MEDIA In fiscal year 2016 the digital media division was established to further the Gallery’s dig- ital integration plans. During the year, the division of imaging and visual services, the website department, and the media pro- duction department, were consolidated to increase the effectiveness and coordination

Gallery visitors draw a in the pilot program Sketching Is Seeing, where complimentary sketch- books and graphite pencils were provided to visitors as tools to explore the museum.

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of all digital media activities at the Gallery. ditionally, more than 46,200 images are now Reeves. Films about the Gallery’s perma- The division of imaging and visual services available for free download from NGA Im- nent collection included From Private Setting continued documenting the Gallery’s collec- ages. NGA Images users downloaded more to Public Garden about the installation of tions and promoting access to high-quality, than 550,000 images in the fiscal year, bring- Marc Chagall’s mosaic mural Orphée in the color-accurate digital images. Master digital ing the grand total of downloads to 2,324,871 Sculpture Garden, and Photographing “Little files were made for 828 objects including 158 since the website launched in 2012. Dancer” featuring Degas’s iconic sculpture. new acquisitions. Technical imaging was pro- In support of the East Building reopening, In total, the Gallery produced 164 audio and vided for 121 conservation treatments. Publi- the Gallery released a new home page on the sixty-seven video podcasts this year. All films cation-quality images were made for seven website as well as refreshed visitor informa- and podcasts were featured on the Gallery’s Gallery exhibitions and catalogs including tion pages. These updates reflect a renewed website. Multimedia artwork was installed Three Centuries of American Prints from the focus on the Gallery visitor, providing high and maintained for several exhibitions and National Gallery of Art; In Celebration of Paul visibility for key facts as well as information ongoing media art installations including Mellon; and Intersections: Photographs and about the collection, exhibitions, and events. Intersections: Photographs and Videos from Videos from the National Gallery of Art and The Gallery’s website had more than six mil- the National Gallery of Art and the Corcor- the Corcoran Gallery of Art. lion visits in the fiscal year, an increase of an Gallery of Art; Los Angeles to New York: The Gallery posted 41,771 new and re- four percent from fiscal year 2015. Dwan Gallery, 1959–1971; James Nares’s vid- placement images to its website. Using The media production department pro- eo Street (2011); and Rineke Dijkstra’s I See highly sophisticated imaging techniques, vided digital moving media and audio to the a Woman Crying (Weeping Woman) (2009). 332 ultra-resolution images were created and public. Several films were produced to high- posted to the website, allowing the public to light art by Mark Ruwedel, Allan McCollum, pan and zoom at extremely close detail. Ad- Julie Mehretu, Don Perry, and Jennifer

Junior chairs of the Beijing Thirty-Fourth World Congress of Art History discuss the Gallery’s rare book collection with executive librarian Neal Turtell and rare book librarian Yuri Long.

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CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS

The Center for Advanced Study in the Visu- This year’s Wyeth Foundation for American The Center’s ongoing research projects al Arts sponsors the study of the visual arts Art Lecture was delivered by Kirk Savage on provide primary materials for scholarship. in its four program areas of fellowships, re- the topic “The Art of the Name: Soldiers, The Malvasia project will make available a search, publications, and scholarly meetings. Graves, and Monuments in the Aftermath multivolume annotated translation and new Most members are selected through a com- of the Civil War,” and was subsequently critical edition of Carlo Cesare Malvasia’s petitive process by the Center’s Board of Ad- released as a video podcast. The Center Felsina pittrice (Bologna, 1678). Work on vol- visors. In 2016 the Board of Advisors includ- sponsored a Robert H. Smith study day ume two, dedicated to Bolognese printmak- ed Patricia Berger (, in association with the exhibition Gustave ers, is advancing to completion. The project Berkeley), H. Perry Chapman (University of Caillebotte: The Painter’s Eye. A lecture by is directed by the dean and coordinated by Delaware), John R. Clarke (University of Tex- André Dombrowski entitled “Painting Rain: Professor Lorenzo Pericolo of the Universi- as), Michael W. Cole (), The Atmosphere of ” preced- ty of Warwick, who also serves as editor of Jeffrey F. Hamburger (Harvard University), ed the study day. At the 104th annual confer- the critical edition. Associate Dean Therese Steven D. Nelson (University of California, ence of the College Art Association (CAA), O’Malley is directing the design of a digital Los Angeles), and Cécile Whiting (Univer- the Center convened a session on the topic database for the History of Early American sity of California, Irvine). Three professorial of the study of world art in Washington, DC, Landscape Design project. This expands appointments (the Samuel H. Kress profes- supported by the J. Carter Brown Fund. The upon the published volume Keywords in sor, the Andrew W. Mellon professor, and Center further sponsored a two-day visit to American Landscape Design (2010). Associ- the Edmond J. Safra visiting professor) are the Gallery for fifteen emerging scholars ate Dean Peter Lukehart and his team have made at the invitation of the Gallery’s Board from attending the CAA conference, been developing a geotagging feature that of Trustees. who served as junior chairs at the 2016 Con- will allow place names mentioned in docu- During its thirty-sixth academic year, the gress in Beijing organized by the Comité ments in the Accademia di San Luca data- Center welcomed fellows from China, Ger- international d’histoire de l’art (CIHA). To base (www.nga.gov/casva/accademia) to link many, Italy, Japan, the Netherlands, Serbia, recognize the contributions of former Safra to historic maps of Rome. In the course of the , and the United States. professors, the Center held a meeting for the year the Accademia database migrated to The topics of their research ranged from the public and Gallery staff entitled “Reflec- the Gallery’s new web platform, which allows gold disks of Chichen Itza in the reign of tions on the Collection: The Edmond J. Safra for increased sustainability of the data and K’ak’upcal to the migration of fountains in Visiting Professors at the National Gallery the addition of new documents. early modern Europe, from the relationship of Art.” The meeting included lectures from For more on the Center’s programs, see between Edgar Degas and to eleven former professors and will result in a the complete archive of its published annu- fashion and costume in Yuan dynasty Chi- series of short video podcasts. al reports at www.nga.gov/content/ngaweb/ na, from the art of Romare Bearden to that The sixty-fifth A. W. Mellon Lectures in the research/casva/publications/center-report.html. of Philip Guston, and from American mod- Fine Arts were delivered by Vidya Dehejia of ernist photography and the Mexican cultur- Columbia University, on the topic “The Thief al renaissance to the prints of Jan van de Who Stole My Heart: The Material Life of Sa- Velde II. cred Bronzes in Chola India, c. 850 –1280.” The Center cosponsored, with the Uni- Professor Dehejia’s six Mellon lectures are versity of Maryland, the forty-sixth Middle now available on the Gallery website as audio Atlantic Symposium in the History of Art. and closed-captioned video podcasts.

41

Gallery painting conservator Joanna Dunn restores Jacopo Tintoretto’s Summer.

NATIONAL GALLERY OF ART

PRESERVING

he reopening of the East Building ConservationSpace. Since 2010, the Gallery Church’s Niagara, Marsden Hartley’s Berlin galleries required a team effort within has led this software development project Abstraction, Aaron Douglas’s Into Bondage, T the conservation division, a process to support conservation business processes and Leon Berkowitz’s Coronation. Other no- undertaken in collaboration with colleagues and manage conservation documents. table treatments included Pieter de Hooch’s throughout the Gallery. Conservation staff The painting conservation department Woman and Child in a Courtyard, Frédéric treated many objects and participated in nu- staff completed twenty-eight major and/or Bazille’s Edouard Blau, Sir Peter Paul merous installations, including much work to complex treatments, thirty-five minor treat- Rubens’s Decius Mus Addressing the Legions, integrate the Corcoran works into the collec- ments, and seventy-four major examinations Jan Davidsz de Heem’s Vase of Flowers, and tion. In addition, the staff prepared the third involving x-radiography and infrared reflec- Jean Dubuffet’s Façades d’immeubles (Build- volume of Facture devoted to Edgar Degas’s tography. More than five hundred paintings ing Façades). oeuvre that includes significant new research were examined and documented in prepa- The department continued to commit sig- on his work across mediums. Another major ration for lending to other institutions or nificant time and resources to the Gallery’s initiative that involved the entire division was for inclusion in Gallery installations. Several online systematic catalog project. Several hundred additional paintings in the collec- conservators worked closely with curators tion were examined. and catalog authors to resolve questions of Gallery frame conservator Richard Ford applies Some of the more significant painting con- facture and condition, prepare technical en- gold leaf to the eighteenth-century Italian frame for servation treatments included Jean Siméon tries, and edit scholarly essays for volumes Amedeo Modigliani’s Nude on a Blue Cushion. Chardin’s The Scullery Maid, Frederic Edwin devoted to sixteenth-century Italian paintings

45 PRESERVING

housings. Although specialists concentrat- ed mainly on straightforward hinging, mat- ting, and framing, they frequently needed to create mounts for three-dimensional or unusual works on paper. Several exhibitions included sketchbooks and bound volumes for which framers constructed cradles to support the books, some with multiple page openings. Matting and framing specialists collaborated with other Gallery staff on the complicated installation of a glass lantern- slide by Étienne Jules Marey, Chronophoto- graph of a Man on a Bicycle. For the exhibi- tion Three Centuries of American Prints from the National Gallery of Art, framers and con- servators mounted Robert Rauschenberg’s collage of printed cardboard, Cardbird II, directly to the wall with fabricated hardware and Velcro. Made of molded polyeurethane over a lithographic print, Claes Oldenburg’s Profile Airflow was cleaned and reassembled using additional materials to provide struc- tural support necessary for the artwork to safely travel to other institutions. The photograph conservators completed twenty-seven major treatments, 966 minor treatments, and 828 condition examinations for loans, collection maintenance, and five exhibitions: Celebrating Photography at the National Gallery of Art: Recent Gifts; Inter- sections: Photographs and Videos from the National Gallery of Art and the Corcoran Gallery of Art; Tom Hunter: Life and Death in Hackney; Los Angeles to New York: Dwan by Titian, Jacopo Tintoretto, and Veronese; of scratches and water damage on Pietro Gallery, 1959–1971; and Photography Rein- nineteenth-century French paintings; and Rotari’s pastel An Elegant Young Lady with a vented: The Collection of Robert E. Meyerhoff American modernism. Staff began techni- Lace Cap (1750/1756) to the mending of pa- and Rheda Becker. cal examinations and updates for the online per shattered by sulfuric acid in Ed Ruscha’s Working in close collaboration with art Dutch catalog, primarily focusing on the Stains: Sulfuric Acid (Mallinckrodt) (1969). handlers, matter-framers, and preventive Corcoran Collection and other recent acquisi- They also finished 124 minor treatments, four conservation staff, the photograph conserva- tions. Painting conservators also engaged in major examinations, and 1,376 minor exam- tion department prepared for the installation collaborative research with curators and sci- inations. One of the most intriguing works of Photography Reinvented in the renovated entists to contribute chapters to forthcoming conserved this year was the eighteenth-cen- East Building galleries. Many of the exhibi- catalogs for the Gallery exhibitions Frédéric tury British cut paper drawing Adam and Eve tion’s large and impressive contemporary Bazille and the Birth of Impressionism and in the Garden with Two Sheep and Two Doves. photographs have exposed surfaces without Fragonard’s Fantasy Figures. Resembling paper lace, the work of art was protective glazing, so the department initi- Department staff continued their collabo- made by cutting the design into the paper ated research to test cleaning and dusting ration with Gallery Archives on the Kress Ar- and drawing the details using graphite pencil, methods to inform how to preserve the deli- chives Conservation database project. Staff pen and ink, and touches of watercolor. The cate high-gloss surfaces of these works of art. also conducted a wide range of research re- artist glued the lacework onto a red painted Conservation of three photographs by lated to Gallery paintings, artists’ materials background and framed it. Over time, areas James Van Der Zee was completed, which in- and techniques, and innovative approaches of paper became stuck to the glass and some cluded the reintegration of mottled areas on to treatment, and produced numerous publi- sections tore apart. The conservator careful- the matte-surfaced print A Casual Affair and cations and presentations. ly removed the paper from the glass using compensations for loss, reduction of tears, and Paper conservators completed seventeen moisture, mended the tears, and realigned creases in Club Lido and Dress Rehearsal #2. major treatments ranging from the repair distorted sections of the lacework. To prepare for the upcoming exhibition Matting-framing specialists matted 1,584 East of the Mississippi: Nineteenth-Century prints, drawings, and photographs, framed American Landscape Photography, a com- Gallery paper conservator Kimberly Schenck and unframed 1,104 artworks, devised 132 plex treatment was performed on James F. repairs scratches and water damage on Pietro display mounts, built 115 frames, installed Ryder’s Photographic Views on the Atlantic Rotari’s pastel An Elegant Lady with a Lace Cap. 103 artworks, and prepared 598 custom & Great Western Railway in which flocked

46 NATIONAL GALLERY OF ART

cellulose powder was used to camouflage Bari by Benedetto Briosco were replaced, learn firsthand the arcana of lost-wax and unsightly stains on the mount of this al- and ’s monumental Cheval sand-casting techniques. bumen print. Rouge returned to the Sculpture Garden The preventive conservation department Photograph conservation continued work newly painted in the rich red-orange color as coordinated several activities throughout the on the upcoming book Platinum and Palla- the artist intended. Gallery while continuing to work on outgo- dium Photographs: Technical and Aesthetic The department oversaw major conser- ing loans, frames, and special exhibitions, History, Chemistry, and Connoisseurship, fea- vation of the three-tiered Andrew W. Mellon which included the installation of Power and turing forty-one essays by forty-four contrib- Memorial Fountain with bronze zodiac re- Pathos: Bronze Sculpture of the Hellenistic utors, nine of whom are past and present liefs designed by Sidney Waugh. Situated in a World; Hubert Robert, 1733–1808; and Los An- Gallery photograph conservators, scientists, plaza bounded by Sixth Street, geles to New York: Dwan Gallery, 1959–1971. and curators. The department also collab- Avenue, and Constitution Avenue North- Each of these projects required substantial orated with the Gallery’s media produc- west, the fountain was restored as a func- support from preventive conservators to col- tion staff to produce videos describing the tioning waterwork to celebrate the Gallery’s lect loans and collaborate with curators and process of platinum photography for the 75th anniversary. designers to ensure a successful installation. Gallery’s website, which will launch in con- Preparation of sculpture for installation in Conservators also assisted with the return of junction with the book’s publication. the renovated East Building was paramount. the last traveling loan exhibition associated Object conservators completed ten major Installation of outdoor works on the new Roof with the closing of the East Building galleries, treatments, 127 minor treatments, sixty-three Terrace including the impressive blue paint- Intimate Impressionism from the National major examinations, and more than 600 mi- ed Hahn/Cock by Katharina Fritsch, George Gallery of Art. In addition to exhibition re- nor examinations for loan, exhibition, and Rickey’s kinetic piece Divided Square Oblique sponsibilities, twenty-six micro-climate and preservation. Among notable treatments II, and the intertwined stainless steel config- waterproof packages were constructed for were those sculptures new to the collection uration V–X by Kenneth Snelson required ex- the Gallery’s loan program. or long absent from view, including Pigeon ceptional coordination with numerous Gallery Preventive conservators worked closely Holes by Roxy Paine; Jean Dubuffet’s Site à departments to ensure safe installation. with scientific research and risk manage- l’homme assis, a quintessential example of his For the upcoming exhibition Della Robbia: ment departments to improve the review polyester resin figural works painted bright Sculpting with Color in Renaissance Florence, and approval process of all materials and white with bold black lines; Constantino conservators treated glazed terracottas for products used at Gallery facilities. Work Nivola’s Widow of Pausania, an assemblage exhibition, examined multiple works of art, of carved and polished travertine blocks; and initiated technical research for the ac- and Wilhelm Lehmbruck’s last sculpture, companying catalog. As part of an interna- Gallery textile conservator Julia Burke prepares the large-scale painted plaster Seated Youth. tional team investigating copper-alloy sculp- ’s cotton and machine appliquéd, Disfiguring old repairs on the large marble ture techniques and history, conservators oversized wall hanging, Untitled, for installation in roundel depicting Lodovico Sforza, Duke of participated in a bronze-casting course to the renovated East Building Concourse galleries.

47 PRESERVING

A collaborative study by Gallery painting conser- vators and curators using x-radiography revealed a hidden portrait beneath Frédéric Bazille’s Young Woman with Peonies.

48 NATIONAL GALLERY OF ART

included modification to the Safety Data Sheet database to highlight important dis- tinctions of material usage that may pose a risk to art preservation. Frame conservators completed several major treatments, notably the stabilization and refinishing of the eighteenth-century Ital- ian frame for Amedeo Modigliani’s Nude on a Blue Cushion and the replacement of the frame for Jean Dubuffet’s Façades d’immeu- bles (Building Façades). For installation in the French, American, and Dutch galleries, frames recently entering the collection from the Corcoran also were treated or replaced. The textile conservator completed four major treatments, thirteen major examina- tions, fifty-one minor treatments, eighty minor examinations, and 213 condition ex- aminations for exhibitions, loans, collection maintenance, and the East Building reinstal- lation. Treatments included a silk damask upholstered slip seat from a side chair (1740–1760) in the Kaufman Col- lection; Matt Mullican’s cotton and machine appliquéd, oversized wall hanging, Untitled (1982); a Scenic Animal Carpet (c. 1625) from Northwest India; and Robert Rauschenberg’s Ringer (State) with lithograph and newsprint transfers and collage on silk and cotton lay- ered panels. Two of the works examined and rehoused included ’s tapestry Vari- ation Sur “Aubette” and the related cartoon. In collaboration with other conservation departments, microfading and instrumental analysis techniques were used to assess the vulnerability of light-induced fading in tex- tiles, photographs, and works on paper. In addition to analysis of conservation and exhibition materials and ongoing support of online catalogs, the scientific research The Feast of the Gods by Giovanni Bellini and Study Center. Work continues to reorganize department responded to more than 120 Titian. Department members shared exper- trade literature, which will be available on requests for analysis on works of art, many tise with the conservation field through train- the database with detailed descriptions of all involving complex investigations. In prepa- ing, continued leadership in working groups, 21,600 items cataloged to date. The history ration for two upcoming exhibitions, the and lectures at academic institutions and files will contain rare, primary-source docu- department collected technical information conferences. Podcasts from a symposium ments gathered directly from company own- that will be used to illuminate the relation- on imaging works of art were added to the ers and business records housed in the art ships among paintings: in one case, a small Gallery website. Department members co- materials collection. group of works by Jean-Honoré Fragonard, authored twelve papers that covered topics and in the other, the complex network of rela- as diverse as non-invasive identification and tionships among seventeenth-century Dutch visual localization of different paint binders genre painters. For the latter exhibition, 105 in a painting by Jackson Pollock, the discov- paintings were examined and methods for ery of a rare mineral in a painting by Giotto, the visualization of the data developed. The investigations of innovative gels for cleaning department replaced two gas-chromato- works of art, and the chemistry that occurs graphs and the ten-year-old micro-spectro- in paint films. photometer. Scientists demonstrated new, The conservation administration depart- leading-edge capabilities for collecting and ment has been creating a comprehensive processing high-resolution hyperspectral re- data repository for advertising materials, Conservation scientist Kathryn Dooley collects and flectance images and x-ray fluorescence maps technical information, and color charts that processes high-resolution hyperspectral reflectance of large paintings. One of the highlights of will be appended to the database for artists’ images of The Feast of the Gods by Giovanni Bellini this work is the set of images obtained from materials in the Art Materials Research and and Titian.

49

2016 REVIEW TREASURER’S REPORT

Fiscal year 2016 marked a number of costs of operations, including the protection The invested portfolio returned 8.4 percent, significant milestones for the Gallery including and care of the works of art given to the excluding new gifts added and spending the 75th anniversary of its opening on nation, so that the Gallery would at all times withdrawn to support programs. All asset March 17, 1941, the completion of a three- be properly maintained and remain open to classes of the portfolio produced gains, with year renovation and expansion of the East the public free of charge. developed international, emerging market Building galleries, and the conclusion of the The Gallery receives annual federal and U.S. equities contributing most to overall accessioning and integration of art works appropriations to support core programs and performance. Relatively flat returns for private from the Corcoran Gallery of Art under the renovations of its buildings as part of the budget equity and hedge funds tempered the overall landmark agreement between the Corcoran, approved annually by Congress and signed by performance of the portfolio. The investment the George Washington University, and the the President. Income from endowments as portfolio’s long-term performance over the National Gallery of Art in August 2014. Each well as gifts and grants designated by donors ten-year period totaled 5.5 percent, exceeding of these milestones significantly advanced for other specific purposes supplement the the Gallery’s custom investable benchmark the Gallery’s mission of service to the nation federal appropriations. Endowment support for by 150 basis points. and also influenced the Gallery’s financial expenditures is computed under the Gallery’s The Gallery continued progress on the position and operating results. These spending policy and utilized in accordance Master Facilities Plan, a comprehensive long- accomplishments could not have been with donor-imposed restrictions. The Gallery is term capital renewal program supported successfully realized without the steadfast a nonprofit organization exempt from federal by federal appropriations that is designed support of Congress and the President, income taxes under the provisions of Section to address life safety and infrastructure the generosity of many donors, and the 501(c)(3) of the Internal Revenue Code. improvements necessary to maintain and tremendous effort and dedication of staff in protect the Gallery’s buildings. In fiscal year every department of the Gallery. Financial Position 2016, investments in building renovations The federal commitment to operate and The Gallery continued to build on its strong and capitalized equipment totaled $36.8 maintain the Gallery originates in the 1937 financial position in fiscal year 2016. Net million. Construction was completed on Joint Resolution of Congress that accepted assets totaled $1.14 billion at September the major fire, life safety, and infrastructure Andrew W. Mellon’s unprecedented gift to 30, 2016, an increase of $75.8 million or 7.1 improvements to the public galleries in the the nation of his art collection, the funds percent over fiscal 2015. This increase is East Building including the privately funded to construct the West Building, and an primarily due to the strong performance of gallery expansion and new Roof Terrace. On endowment. The Joint Resolution pledged the Gallery’s investment portfolio, which September 30, the renovated East Building that the United States would provide funds ended the year at $808.1 million, $48.4 galleries reopened to the public in celebration for the upkeep, administrative expenses, and million or 6.4 percent over the prior year-end. of the Gallery’s 75th-anniversary year.

52 NATIONAL GALLERY OF ART

Operating Results and other income totaled $1.2 million, a major exhibitions opening this year included The Gallery ended the fiscal year with an decrease of $1.7 million from the prior year Power and Pathos: Bronze Sculpture of the unrestricted operating surplus of $1.1 million due primarily to one-time fees received in Hellenistic World; Hubert Robert, 1733–1808; before depreciation and amortization. the prior year for touring exhibitions of art and The Serial Impulse at Gemini G.E.L. Operating expenses increased at a greater displaced by the East Building construction The collection was augmented by several rate than operating support and revenue project. Funds appropriated under the major purchases in fiscal year 2016 including resulting in a lower operating surplus than Gallery’s investment spending policy totaled Frans van Mieris’s A Soldier Smoking a Pipe, the prior year. $17.5 million, a decrease of $1.0 million or 5.2 Simon Vouet’s Madonna and Child, and Operating support and revenue totaled percent from the prior year as a result of one- Janine Antoni’s Lick and Lather. $158.6 million in fiscal 2016, increasing time support in fiscal 2015 for the transfer of $4.1 million or 2.6 percent over fiscal 2015. artworks and personnel from the Corcoran Auditors' Report And Financial Statements Federal support for operations totaled $123.5 Gallery of Art. Revenues from the Gallery Summarized financial information is shown million, an increase of $6.3 million, as a shops totaled $7.8 million, a decrease of $0.8 on the following pages. The Gallery’s complete result of a 6.5 percent increase in total federal million from the prior year due to the East fiscal year 2016 audited financial statements, appropriations received and increased outlays Building renovation. related notes, and the auditors’ reports thereon for prior year obligations. Support from gifts Fiscal 2016 operating expenses totaled can be found on the Gallery’s website at and grants totaled $8.5 million, an increase of $157.5 million, increasing $7.3 million or 4.9 www.nga.gov. The Gallery’s external auditors $1.2 million over fiscal year 2015 primarily as percent over the prior year, mainly the result issued an unqualified opinion on the fiscal a result of unrestricted gifts received in honor of special programs and events celebrating year 2016 financial statements and did not of the Gallery’s 75th anniversary. Gifts from the Gallery’s 75th-anniversary year and the identify any material weaknesses, significant individuals, corporations, and foundations reinstallation and reopening of the East deficiencies, or areas of noncompliance with continued to play a major role in supporting Building. This heightened level of activity laws and regulations. the Gallery’s special exhibition, education, was supported by the sustained efforts of curatorial, and conservation programs in staff in nearly every Gallery department. fiscal year 2016. At the end of the year, exhibitions of two These increases in operating support major promised gifts marked the reopening were partially offset by reductions in revenue of the East Building galleries: Los Angeles from royalties and other income, funds to New York: Dwan Gallery, 1959–1971 and appropriated under the Gallery’s spending Photography Reinvented: The Collection of policy, and sales in the Gallery shops. Royalties Robert E. Meyerhoff and Rheda Becker. Other

53 FINANCIAL STATEMENTS

SUMMARIZED STATEMENTS OF FINANCIAL POSITION Years ended September 30, 2016 and 2015 (In thousands)

ASSETS 2016 2015 Cash and cash equivalents $ 54,774 $ 60,101 Pledges, accounts receivable, and other assets 27,835 14,205 Investments and trusts held by others 808,105 759,738 Property, plant, and equipment, net 332,157 310,886 Total assets $ 1,222,871 $ 1,144,930

LIABILITIES AND NET ASSETS LIABILITIES: Environmental liability $ 22,981 $ 23,671 Other liabilities 57,126 54,345 Total liabilities 80,107 78,016

NET ASSETS: Unrestricted 549,768 499,780 Temporarily restricted 184,801 176,324 Permanently restricted 408,195 390,810 Total net assets 1,142,764 1,066,914

Total liabilities and net assets $ 1,222,871 $ 1,144,930

SUMMARIZED STATEMENT OF OPERATIONS Years ended September 30, 2016 and 2015 (In thousands)

UNRESTRICTED SUPPORT AND REVENUE 2016 2015 Federal appropriations $ 123,534 $ 117,196 Gifts and grants 8,492 7,256 Gallery shops sales, net 7,822 8,641 Spending policy appropriated for operations 17,488 18,455 Royalties and other income 1,232 2,929 Total support and revenue 158,568 154,477

UNRESTRICTED EXPENSES* Collections 49,702 48,436 Special exhibitions 20,812 18,644 Education, Gallery shops, and public programs 41,370 39,969 Editorial and photography 6,587 6,184 General and administrative 34,843 32,905 Development 4,168 4,044 Total expenses 157,482 150,182 Change in net assets from operating activities $ 1,086 $ 4,295

*excluding depreciation and amortization

54 NATIONAL GALLERY OF ART

2016 UNRESTRICTED OPERATING SUPPORT AND REVENUE $158,568 (In thousands)

Royalties and other income

Spending policy appropriated for operations 1%

11%

Gallery shops sales, net 5%

Gifts and grants 5%

Federal appropriations 78%

2016 UNRESTRICTED OPERATING EXPENSES BEFORE DEPRECIATION AND AMORTIZATION $157,482 (In thousands)

Development

3%

General and administrative 22% Collections 32%

Editorial and photography 4%

13% Education, Gallery shops, 26% Special exhibitions and public programs

55 ACQUISITIONS

During fiscal year 2016 the National Gallery of Art accessioned 2,204 accessioned a total of 8,801 works of art from the Corcoran Collection works of art from the Corcoran Gallery of Art. These works of art are including 536 paintings, 455 sculptures, 1,170 drawings, 3,876 prints in addition to the works accessioned during fiscal years 2014 and and illustrated books, and 2,569 photographs. The works listed below 2015. The full list of works accessioned from the Corcoran Collection, represent works outside the Corcoran Collection that were acquired since the court decision, is available on the Gallery’s press website at during fiscal year 2016. www.nga.gov/press. In fiscal years 2014, 2015, and 2016 the Gallery

PAINTINGS Mieris, Frans van, Dutch, 1635–1681 > Painting (Pittura), 1879, bronze, 2015.177.1.a, b, 2, Artschwager, Richard, American, 1923–2013 > A Soldier Smoking a Pipe, c. 1657/1658, oil on panel, Gift of Faya Causey, in memory of Philip Conisbee > Untitled (Mantlepiece), 1972, charcoal and acrylic 2016.10.1, The Lee and Juliet Folger Fund Sandback, Fred, American, 1943–2003 polymer emulsion on composition board, 2016.11.1, Nickson, Graham, British, born 1946 > Untitled (One of Four Diagonals), 1970, black elastic Dorothy and Herbert Vogel Collection > The Bather with Outstretched Arms, 1980–1981, cord, 2015.153.1, Gift of the Fred Sandback Archive in Benglis, Lynda, American, born 1941 Liquitex on museum board (five panels), 2015.155.1, honor of Virginia Dwan > 1st Wax Work, 1966, wax and resin with powder Gift of John and Laurie Adams Shechet, Arlene, American, born 1951 aniline dye, 2016.11.4, Dorothy and Herbert Vogel Paine, Roxy, American, born 1966 > Not Buddha, 1995, Hydrocal and acrylic Collection > Pigeon Holes, 1997, acrylic, alkyd, silicone, and insect > Head in My Head, 2000, Hydrocal, acrylic, steel, Bochner, Mel, American, born 1940 pins on mahogany panel with Plexiglas, 2015.159.4, and concrete > Blah, Blah, Blah, 2011, oil on canvas, 2015.154.1, Gift of the Heather and Tony Podesta Collection > Twin Rockers, 2007, ceramic, steel, acrylic, and plywood, Gift of Mel Bochner in honor of Dr. James Meyer Vos, Marten de, Flemish, 1532–1603 2016.9.1–3, Gift of Anne and Joel Ehrenkranz Caillebotte, Gustave, French, 1848–1894 > Portrait of an Old Woman, 1556, oil on panel, Snelson, Kenneth, American, born 1927 > Dahlias, Garden at Petit Gennevilliers, 1893, oil on 2015.156.1, Gift of Family of Edith K. Bralove > V–X, 1967, stainless steel and wire cable, 2016.51.1, canvas, 2016.48.1, Gift of the Scharffenberger Family Vouet, Simon, French, 1590–1649 Gift of the artist Constable, John, British, 1776–1837 > Madonna and Child, 1633, oil on canvas, 2016.20.1, Tuscan 16th Century > Yarmouth Jetty, 1822, oil on canvas, 2016.115.1, Chester Dale Fund > Giovanni Francesco Tinti, Poet and Astrologer [ob- Gift of Ruth Carter Stevenson in Honor of the 50th verse]; Coat of Arms and Inscription [reverse], 1581, Anniversary of the National Gallery of Art terracotta, 2015.178.1.a, b, Gift of the Riddick Family: SCULPTURES Michael, Elizabeth, Christian, and Francesca Dutch or Flemish 17th Century >Trompe l’Oeil of an Etching by Ferdinand Bol, c. 1675, Antoni, Janine, Bahamian, born 1964 Tuttle, Richard, American, born 1941 oil on panel, 2016.3.1, Fund given in honor of Derald > Lick and Lather, 1993, complete set of fourteen busts: > #7 (wood), 1997–1998, plywood, cardboard, Ruttenberg’s Grandchildren seven in chocolate and seven in soap on fourteen wire, paint, and nails, 2016.11.3, Dorothy and pedestals, 2016.49.1, Gift of the Collectors Committee Herbert Vogel Collection Eaton, Charles Warren, American, 1857–1937 > Woods in Winter, 1886, oil on canvas, 2015.162.1, Benglis, Lynda, American, born 1941 > Untitled, 1968, colored latex, 2016.11.2, Dorothy and Stephen and Andrew Trachtenberg in loving memory DRAWINGS of Honey Trachtenberg Weiss and Henry Weiss Herbert Vogel Collection Flavin, Dan, American, 1933–1996 Adamski, Hans Peter, German, born 1947 Held, Al, American, 1928–2005 > Self-Portrait with Nose Trophy, 1980, acrylic on brown > Untitled, 1973, acrylic on canvas, 2016.45.1, > “monument” for V. Tatlin, 1966, cool white fluorescent light, 2015.179.1, Gift of Virginia Dwan paper, 2016.142.1, Gift of Christopher and Beverly Gift of the Al Held Foundation, Inc. in memory With in memory of Karl and Gerda With of Nan Rosenthal French 16th Century > Judith with the Head of Holofernes, 16th century or Angelis, Pietro de, Italian, c. 1730s–1800 or later Jackson, Oliver Lee, American, born 1935 > Design for a Trompe-l’Oeil Ceiling Decoration, > Portrait of Julius Hemphill, 1973, silver paint, studs, later, gilded bronze, 2015.178.2, Gift of the Riddick Family: Michael, Elizabeth, Christian, and Francesca c. 1780, pen and black ink with gray wash and graphite, and mixed media on canvas, 2015.152.1, Gift of the 2016.66.1, Ailsa Mellon Bruce Fund Oliver L. Jackson Trust French 17th Century, after Jean Warin, Flemish, 1607–1672 Augsburg School, 18th century Katz, Alex, American, born 1927 > Arabesques with Frolicking Putti, Animals, and , > Portrait of Ada, 1959, oil on linen, 2016.2.1, Avalon Fund > Louis XIV, 1638–1715, King of France 1643, and his mother Anne of Austria, after 1645, bronze, 2016.52.1, c. 1750, pen and gray ink with gray wash over graphite, Lawson, Ernest, American, born Canada, 1873–1939 Gift of Andrew Brown heightened with white and gold on blue paper, > High Bridge at Night, New York City, c. 1910/1920, oil 2016.100.1, Purchased as the Gift of Andrea Woodner on canvas, 2016.129.1, Gift of Alice and Richard Schoen Giacometti, Alberto, Swiss, 1901–1966 > Bust of Annette IX, conceived 1964, cast 1966, bronze, Bacler d’Albe, Baron Louis-Albert-Guillain, Looper, Willem de, American, born the Netherlands, 2016.44.1, Gift of Richard and Elaine Kaufman French, 1761–1824 1932–2009 > River Landscape with Castles and Travelers, 1817, > The Duke, 1990, acrylic on canvas, 2016.116.1, Hadzi, Dimitri, American, 1921–2006 gouache on cardboard Gift of Frauke de Looper > Scudi IV, model 1959, cast 1961, bronze, 2016.17.1, > River Landscape with Castles and Fishermen, 1817, Gift of Cynthia Hadzi, in honor of Dimitri Hadzi Mazzucchelli, called Morazzone, Pier Francesco, gouache on cardboard, 2016.71.1, 2, Purchased as Lombard, 1573–1626 Ross, Charles, American, born 1937 the Gift of Dian Woodner > The Adoration of the Magi, c. 1600, oil on panel, > Hanging Islands, conceived 1966, refabricated 2015, Barth, Carl, German, 1787–1853 2016.87.1, Pepita Milmore Memorial Fund acrylic and metal (thirty-six prisms), 2016.19.1, Gift of > A Young Woman with an Elaborate Hairdo, 1823, Virginia Dwan McEntee, Jervis, American, 1828–1891 graphite with pen and black ink, 2016.28.1, > Mount Desert Island, Maine, 1864, oil on canvas, Roty, Louis-Oscar, French, 1846–1911 Ailsa Mellon Bruce Fund 2016.141.1, Gift of John Wilmerding in honor of > Medal for the Fiftieth Anniversary of the École Berkowitz, Leon, American, 1911–1987 Jo Ann and Julian Ganz française d’ Athènes [obverse]; École française > Untitled, 1984, pastel, 2016.148.5, Gift of Bob Stana d’ Athènes [reverse], 1898, silver and Tom Judy

56 NATIONAL GALLERY OF ART

Birmann, Peter, Swiss, 1758–1844 Florentine 15th century > Reclining Nude, 1944, graphite > Il Orido a Bellano sul Lago di Como, c. 1805, pen and > Studies of Saint Francis Kneeling and Other Figures, > Figure in a Rocker, 1945, brush and black ink black and brown ink with brown wash, 2016.33.1, c. 1390/1410, brown wash heightened with white > Seated Nude with Right Leg Extended, 1945, graphite Ailsa Mellon Bruce Fund on green prepared paper cut, reassembled, and laid > Seated Woman Doing Handwork, 1945, graphite on Bisttram, Emil, American, 1895–1976 down, 2016.127.1, Woodner Collection, coated paper > Untitled, c. 1950, charcoal, 2015.115.6, Gift of Gift of Dian Woodner > Woman Seated at a Desk, 1945, graphite Bob Stana and Tom Judy Francis, Sam, American, 1923–1994 > Elisabeth Seated Sewing, c. 1945, pen and black ink > Untitled, 1976–1977, acrylic paint, 2016.8.1, > Interior, c. 1945, pen and black ink Bonnard, Pierre, French, 1867–1947 > Seated Woman, c. 1945, pen and black ink > Intervalles (Study for Le Petit Solfège illustré), Gift of the Sam Francis Foundation, California; Bequest of Robert Shapazian > Woman at a Table, c. 1945, brush and black ink on 1891/1893, pen and ink with wash over graphite, gray cardboard 2016.88.1, Purchased for the Virginia and Freudenberger, Sigmund, Swiss, 1745–1801 > Seated Woman Resting Her Head on Her Hand, c. 1945, Ira Jackson Collection > Conversation Piece, 1770s, pen and ink with gray wash pen and black ink with pastel Bruegel, Pieter the Elder, Flemish, c. 1525/1530–1569 over graphite, 2015.161.2, Gift of John O’Brien > Seated Woman at a Table, c. 1945, brush and black ink > The Bagpipe Player, c. 1562, pen and brown ink, with Gandolfi, Gaetano, Italian, 1734–1802 > Reclining Nude, 1946, graphite some incised lines, 2016.127.2, Woodner Collection, > Birth of Venus, late 1770s, red chalk heightened with > Elisabeth in a Rocker, 1946, pen and black ink Gift of Dian Woodner white chalk, 2016.131.2, Gift of David H. McDonnell > Elisabeth, 1946, graphite Cambiaso, Luca, Genoese, 1527–1585 Gessner, Conrad, Swiss, 1764–1826 > Seated Woman (Portrait of Elisabeth?) (recto); Standing > A Standing Sibyl with a Scroll, mid-1550s, pen and > Sunlight Filtering through Trees along the River Sihl, Woman Leaning on a Table (verso), 1946, graphite brown ink, 2016.75.1, Purchased as the Gift of Joan 1792, watercolor and gouache, 2016.41.1, > Seated Woman, c. 1946, pen and black ink and David Maxwell Ailsa Mellon Bruce Fund > Two Still-Life Studies, c. 1946, graphite > Studio Interior, 1947, pen and black ink Campendonk, Heinrich, 1889–1957 Goes, Hugo van der, circle of, Netherlandish, > Self-Portrait, c. 1947, brush and brown ink > Self-Portrait (recto); Adda Deichmann Reclining in a 15th century > Seated Woman, c. 1947, brush and black ink Chair (verso), c. 1912, watercolor and gouache over > Jacob’s Dream, 1480/1490, pen and brown ink > Untitled, c. 1948, brush and black ink graphite on Japanese paper, 2016.136.1.a, b, Gift of with white heightening on brown paper, 2016.55.1, > Untitled, c. 1948, pen and black ink on printed postcard Beatrix and Ladislaus von Hoffmann in Honor of Gift of Beatrix von Hoffmann > Untitled, c. 1950, brush and black ink over graphite Andrew Robison Green, Art, American, born 1941 > Seven Studies, c. 1950, brush and black ink on Chatillon, Henri-Guillaume, French, 1780–1856 > Untitled, c. 1969, black ball-point pen on newsprint, tissue paper > Apollo or Adonis, c. 1818, charcoal and black chalk, 2015.115.18, Gift of Bob Stana and Tom Judy > Untitled, c. 1950, charcoal and orange oil paint, 2016.54.3, Gift of David H. McDonnell Grillo, John, American, 1917–2014 2016.60.1–35, Gift of Rufus Zogbaum and Chazal, Antoine Toussaint de, French, 1793–1854 > Tention with a Yellow Shape, 1947, gouache on Reina Schratter > Seated Woman (recto); Head of a Child (verso), c. paperboard, 2016.148.12, Gift of Bob Stana and Klinsky, Johann Gottfried, German, 1765–1828 1815, black and white chalk on blue paper, squared Tom Judy > Ancient Roman Ruins Overgrown with Trees and in red chalk (recto); black and white chalk on blue Hawkins, Louis Welden, French, 1849–1910 Bushes, 1793/1795, watercolor over graphite, paper (verso), 2016.93.1.a, b, Joseph F. McCrindle > Gleaners in the Field, c. 1880, watercolor and gouache, 2016.84.1, Ailsa Mellon Bruce Fund Endowment Fund 2016.110.1, Joseph F. McCrindle Endowment Fund Kramer, Linda, American, born 1937 Corbett, Muriel Goodwin, American, 1906–1990 Herms, George, American, born 1935 > Untitled, 1970, oil stick, graphite, and crayon, > Paris #27, 1957, ink, 2016.148.11, Gift of Bob Stana > Compro, 1977, collage with rubber stamping, 2016.148.24, Gift of Bob Stana and Tom Judy and Tom Judy 2015.115.20, Gift of Bob Stana and Tom Judy Lalaisse, Hippolyte, French, 1810–1884 Cox, David, British, 1783–1859 Herriman, George, American, 1880–1944 > Workmen Gathering Ice at the Water’s Edge, c. 1850, > Grotto Interior, c. 1850, watercolor over graphite, > A “Air” One, A “Sea” One, and a “Land” One, 1921, ink, black chalk heightened with white on blue paper 2015.151.1, Gift of Donald Stone blue colored pencil, and graphite on paperboard > Nessus and Dejanira in Four Poses, and the Dying Di Meo, Dominick, American, born 1927 > Ah-h, She Sails Like an Angel, 1921, ink and graphite Nessus, 1830s, pen and brown ink with brown wash, > Untitled, 1966, gouache and collage, 2016.148.9, with scratching on paperboard, 2016.21.1, 2, Gift of heightened with white on blue paper Gift of Bob Stana and Tom Judy Garry Trudeau > An Ancient Roman Warrior in Battle, c. 1830, pen and brown ink Dine, Jim, American, born 1935 Hollar, Wenceslaus, Bohemian, 1607–1677 > A Pollard Willow by a Stream, c. 1840, > Shellac Orientale, 1973–1974, graphite, watercolor, > View of Orsoy, 1636, pen and ink over graphite, pen and brown ink and shellac with collage of various papers, human 2016.133.1, Gift of Katherine and Alexandra Baer > An Arab on Camelback, c. 1840, black chalk hair, and screw heads, 2016.13.1, Gift of Milly and Indian, 18th century with white heightening on blue paper, 2015.196.1–4, Arne Glimcher > Man Holding a Jewel, 18th century, watercolor 2016.70.1, Ailsa Mellon Bruce Fund Donley, Robert, American, born 1934 > Seated Figures, 18th century, watercolor, 2016.132.1, 2, Lallemand, Jean-Baptiste, French, 1716–c. 1803 > Great Tank Battle, 1981, graphite, colored pencil, and Gift of Jutta Mosse, in memory of Rudolf Mosse > Architectural Fantasy of Roman Ruins with an ink, 2015.115.13, Gift of Bob Stana and Tom Judy Kelly, Walt, American, 1913–1973 Inscription Plaque, c. 1768, pen and brown ink with Dorner, Johann Jakob the Younger, German, > A Bear-Trap in His Mouth ’Stead of Teeth, 1952, ink, brown wash, heightened with white, over black chalk, 1775–1852 blue colored pencil, and graphite 2016.65.1, Ailsa Mellon Bruce Fund > A Study of Pine Trees (recto); The Rhine Valley (verso), > Owl’s Head, 1955, ink over blue colored pencil Le Barbier, Jean-Jacques-François, French, 1738–1826 c. 1820, watercolor and gouache over graphite with > Owl’s Bulls-eye, 1965, ink over blue colored pencil > The Grimsel Pass, 1776/1780, pen and black ink with pen and black ink on blue-gray prepared paper > Human and Humane, 1970, ink over blue colored gray wash, 2016.80.1, Purchased as the Gift of Ivan (recto); graphite (verso), 2016.84.2.a, b, Ailsa Mellon pencil, 2016.21.3–6, Gift of Garry Trudeau and Winifred Phillips Bruce Fund Kline, Franz, American, 1910–1962 Le Prince, Jean-Baptiste (Attributed to), El Greco, attributed to, Greek, 1541–1614 > Nude Studies, 1936, pen and brown ink French, 1734–1781 > Pietà, c. 1570, pen and brown ink and brown wash > Sanitation Man, 1939–1940, graphite > The Carrefour de l’Aiguille in the Forest of Fontainebleau, over black chalk, 2016.54.1, Gift of David H. McDonnell > Seated Nude, 1940s, pen and black ink c. 1770, red chalk, 2016.78.1, Ailsa Mellon Bruce Elsasser, Julius Albert, German, 1814–1859 > Self-Portrait, c. 1940, brush and black ink over graphite Fund and Phillips Family Fund > Moonlit Landscape with a Monk Walking near > Standing Female Nude, c. 1940, red conté crayon > Street Scene, c. 1940, pen and black ink Leithauser, Mark, American, born 1950 a Palace, 1852, brown wax with scratching out, > Fallen Tree, Fiddlehead Ferns (First Study) (recto); 2015.188.1, Ailsa Mellon Bruce Fund > Standing Man, 1940s, graphite > Woman in a Rocker (recto); Untitled (Head of a Woman) Study of Trees and Table Settings (verso), 1979, graphite Feininger, Lyonel, American, 1871–1956 (verso), 1942, pen and black ink (recto); graphite and pen and black ink (verso) > Strolling Ladies with Gentlemen Admirers, 1910, pen > Seated Woman (recto); Figure Studies (verso), c. 1942, > Birches and King George (Second Study), 1979, graphite, and black ink, 2016.101.2, Ruth and Jacob Kainen pen and black ink (recto); graphite (verso) 2016.57.4, 5, Gift of General William Y. Smith Memorial Acquisition Fund > Three Seated Figures, c. 1942, pen and blue ink

57 ACQUISITIONS

Lepère, Auguste, French, 1849–1918 Saint-Non, Jean-Claude-Richard, Abbé de, > Untitled (Family Portrait), c. 1968, pen and black ink, > Chestnut Trees above a River, c. 1900, pastel on French, 1727–1791 graphite, colored pencil, watercolor, gouache, and crayon paperboard, 2015.206.1, Gift of Helen Porter and > A Gardener and a Gentleman, c. 1745, pen and brown > Untitled (Man and Woman in a Spatial Illusion), 1968, James T. Dyke ink, 2015.161.1, Gift of John O’Brien graphite, pen and black ink, charcoal, colored pencil, Lhermitte, Léon Augustin, French, 1844–1925 Savery, Jacob I, Dutch, c. 1545–1602 and crayon > Spring, c. 1880(?), charcoal and brown pastel > Panoramic River Landscape, c. 1590, pen and brown > Artists and War, 1969, rubber-stamping, graphite, > The Weaver’s Cottage, c. 1895, pastel, 2016.130.1, 2, Gift ink over traces of black chalk, 2016.101.3, Ruth and and colored pencil of Merritt Porter Dyke in Honor of Andrew Robison Jacob Kainen Memorial Acquisition Fund > Untitled (Factory) (recto); Untitled (Stamped Land- scape) (verso), 1969, rubber-stamping, pen and black Michetti, Francesco Paolo, Italian, 1851–1929 Schiele, Egon, Austrian, 1890–1918 ink, and graphite (recto); rubber-stamping and > Luisa Carmignani, the Artist’s Mother-in-Law, c. 1881, > Frauenkopf, c. 1907/1908, conté crayon and pastel graphite (verso) pastel and white gouache on gray paper, 2015.150.1, > Standing Nude with a Patterned Robe, 1917, gouache > Via Aerea, 1969, colored pencil, crayon, pen and Gift of Jean-Luc Baroni and black crayon, 2016.59.1, 2, Gift of The Robert black ink, watercolor, rubber-stamping, and collage Middleton, John, British, 1827–1856 and Mary M. Looker Family Collection > Artist, 1970, graphite, colored pencil, ink, and > A Country Lane, c. 1850, watercolor and gouache, Schuffenecker, Claude Emile, French, 1851–1934 rubber-stamping 2016.98.1, Joseph F. McCrindle Endowment Fund > Chrysanthemums, 1890s(?), black chalk and char- > Untitled (Ghost Town), 1971, charcoal Muys, Nicolaas, Dutch, 1740–1808 coal heightened with white chalk on gray paper, > Untitled (Downtown), 1971, graphite and colored pencil > A Lady Wearing a Dormeuse Cap, c. 1770, red and 2016.65.2, Ailsa Mellon Bruce Fund > Untitled (Table Composition with Hebrew Greeting black chalk, 2016.96.1, Purchased as the Gift of Ivan and Schwalb, Susan, American, born 1944 Card), 1974, graphite, colored pencil, black ball-point Winifred Phillips in Honor of Margaret Morgan Grasselli > Strata #134, 1997, copperpoint and aluminumpoint pen, and pen and ink with collage on clay-coated paper, 2016.144.1, Gift of the Artist > Three Landscapes, 1974, watercolor, graphite, and North, John William, British, 1842–1924 ink with rubber-stamping > The Hayloft, 1867, watercolor with gouache and Spero, Nancy, American, 1926–2009 > Canal St. Station, 1981, crayon, colored pencil, scratching out, laid down on board, 2016.65.3, > The Red Cape/Dancer, 1992, color relief print with and graphite William B. O’Neal Fund collage on Japanese paper, 2015.115.45, Gift of > Self-Portrait, 1984, graphite, crayon, and colored pencil Orlowski, Hans, German, 1894–1967 Bob Stana and Tom Judy > Flowers and Ink Bottles, 1985, watercolor, crayon, > Circus Performers, 1930, watercolor and pen and ink, South German 15th Century colored pencil, charcoal, gouache, graphite, and collage 2016.142.8, Gift of Christopher and Beverly With in > A Standing Courtier, c. 1440, pen and black ink with > November, Long Shadows, 1985, graphite and crayon memory of Karl and Gerda With gray wash > Sketchbook, 1986, spiral-bound notebook with Payne, William, British, c. 1760–1830 > Sappho, c. 1440, pen and black ink with gray wash, forty-eight drawings in various media, 2016.143.1–35, > Travellers in a Woodland Glade, c. 1800, 2016.101.1, 5, Ruth and Jacob Kainen Memorial Gift of The Saul Steinberg Foundation watercolor with graphite Acquisition Fund Strij, Jacob van, Dutch, 1756–1815 > A Ruined Abbey by a Waterfall, c. 1800, watercolor Steinberg, Saul, American, 1914–1999 > Man Sitting on a Cask on a Wheelbarrow, c. 1787, gray and gouache with graphite, 2016.76.1, 2, > Germany, c. 1945, pen and black ink over graphite wash over graphite, 2016.83.1, Ailsa Mellon Bruce Fund Ailsa Mellon Bruce Fund > Three Women II, 1945, pen and black ink Strozzi, Bernardo, Italian, 1581/1582–1644 Petitjean, Hippolyte, French, 1854–1929 > Belle I, c. 1949–1954, pen and black ink > A Standing Man with Cloak and Gloves, 1630s, red > A Broad Valley at Sunset, c. 1897, watercolor, > Parade 2, 1950–1951, pen and black ink with chalk, 2015.148.1, Gift of Silvana Tagliavini Bareggi 2015.206.2, Gift of Helen Porter and James T. Dyke fingerprint and rubber-stamping in memory of Riccardo Bareggi > Parade 5, 1950–1951, pen and black ink and watercolor Ramberg, Christina, American, 1946–1995 > Three Fur Coats, 1951, pen and black ink Swiss 18th century > Untitled (hunched women and other studies), c. 1968, > Cowboys, 1952, graphite > The Mountains near Glärnisch, , c. 1790, black and brown felt-tip pen and graphite > Untitled (Pedestrians and Bread Cars), 1952, ink, pen and black ink with watercolor over graphite, > Untitled (undergarments), c. 1968, black felt-tip pen watercolor, and graphite on paper cut-outs 2016.101.4, Ruth and Jacob Kainen Memorial > Untitled (torsos), c. 1971, black ball-point pen and > Vichy Water Still Life, c. 1953, pen with black and Acquisition Fund colored pencil on postcard, 2015.158.3–5, Gift of the brown ink, watercolor, oil paint, graphite, colored Trudeau, Garry, American, born 1948 Collectors Committee pencil, and collage > The Real Enemy, 2013, graphite on three sheets > Untitled (four figures), 1968, black felt-tip pen, > Bingo in Venice, California, 1953, pen and black ink, of paper printed with blue guide lines, 2016.21.7, 2015.158.6, Gift of the Gallery Girls and Dian Woodner crayon, and watercolor Gift of Garry Trudeau Ridolfi, Claudio, Italian, 1570–1644 > Untitled (Cocktail Party), 1953, pen and black ink, Valadier, Luigi, Italian, 1726–1785 > The Flagellation of Christ, 1619, oil paint over pen and conté crayon, watercolor, crayon, and graphite > A Salver with Two Bases, 1755/1760, pen and brown black ink (?) on two pieces of paper mounted on fabric > Diploma, 1954, pen and black ink with embossing ink with brown wash over black chalk and wood, 2016.85.1, Pepita Milmore Memorial Fund in white paint > A Salver and an Openwork Base, 1755/1760, pen and Rizzi, Maria Teresa, Argentinean, born 1957 > Subway, 1954, pen and black ink, crayon, and brown ink with brown wash over black chalk and > May 17, 2005, watercolor charcoal on torn brown paper graphite, 2016.68.1, 2, William B. O’Neal Fund > Untitled (Man at a Table, Drawing), 1963, > Merging, 2014, watercolor, 2016.7.1, 2, Gift of Wirsum, Karl, American, born 1939 Catherine Woodard and Nelson Blitz Jr. pen and black ink > Untitled (A Conversation), 1964, pen and black ink, > Wake Up Yer Scalp with Chicago, 1969, pen and brush Rocca, Suellen, American, born 1943 graphite, and watercolor with collage with black ink, graphite, and red ball-point pen on > Exercise Handbag, c. 1968, pen and black ink, > Five Dollars, 1964, pen with black and colored inks, spiral-bound sketchbook page, 2015.115.49, Gift of 2015.115.40, Gift of Bob Stana and Tom Judy colored markers, colored pencil, crayon, Bob Stana and Tom Judy Rotari, Pietro, Italian, 1707–1762 rubber-stamping, collage, and embossing With, Gerda Becker, German, 1910–2002 > An Elegant Young Lady with a Lace Cap, 1750/1756, > Bergamo, 1966, pen and black ink, colored pencil, > Café, 1931, graphite on blue paper pastel on fabric prepared with a beige ground and and rubber-stamping > Two Men Seated at a Table, 1932, charcoal and white wrapped around a wood strainer, 2015.201.1, > The Smithsonian, 1967, pen with black and colored chalk on blue-gray paper, 2015.141.17, 18, Gift of The Ahmanson Foundation inks, gouache, watercolor, rubber-stamping, colored Christopher and Beverly With in memory of Karl Rottenhammer, Hans, German, 1564–1625 pencil, crayon, and graphite with collage and Gerda With > The Adoration of the Golden Calf, 1595/1596, pen > Untitled (Seated Man and Seated Woman with a Cat on Her Lap) (recto); Untitled (Brushwork, and brown ink with brown wash, over black chalk, PRINTS AND Penwork, Stamping, and Embossing (verso), 1967, 2015.181.1, Ruth and Jacob Kainen Memorial ILLUSTRATED BOOKS Acquisition Fund watercolor and graphite with embossing (recto); watercolor, pen and black ink, stamping in color, Acconci, Vito, American, born 1940 Saenredam, Pieter Jansz, Dutch, 1597–1665 with embossing (verso) > Stones for a Wall, 1977, portfolio of ten lithographs, > Interior of Saint Bavo’s Church, Haarlem, 1635, pen > Untitled (Woman on a Wicker Sofa), 1967, graphite 2016.148.1, Gift of Bob Stana and Tom Judy and brown ink with gray wash and touches of red and colored pencil chalk over graphite, squared in red chalk, 2015.149.1, Ackroyd, Norman, British, born 1938 > The Woodner Collection, Gift of Dian Woodner Westmere Rainbow, 1981, etching

58 NATIONAL GALLERY OF ART

> Daybreak Picture, 1982, etching, 2016.126.3, 4, Berdich, Vera, American, 1915–2003; Art Green, Brown, Roger, American, 1941–1997; Eleanor Dube, Gift of Marion F. Houstoun American, born 1941; , American, born American, born 1946; Philip Hanson, American, born Ademollo, Luigi, Italian, 1764–1849 1943; William Schwedler, American, 1942–1982 1943; Christina Ramberg, American, 1946–1995 > An Antique Sacrifice, 1820s, etching and aquatint, > Silent Eclectic Fish Tattoo, 1964, etching, 2015.158.7, > The False Image, 1968, double-sided offset lithograph 2015.195.1, Ailsa Mellon Bruce Fund Purchased as the Gift of Stephen Dull > False Image II, 1969, color offset lithograph, 2015.157.17, 18, Purchased as the Gift of Stephen Dull Andrade, Edna, American, 1917–2008 Bertoia, Harry, American, 1915–1978 > Black Diamond, 1967, screenprint, 2015.115.3, > Untitled, c. 1943, color monotype, 2015.115.5, Buhot, Félix-Hilaire, French, 1847–1898 Gift of Bob Stana and Tom Judy Gift of Bob Stana and Tom Judy > Une Matinée d’automme, 1875, etching, aquatint and Bevan, Robert Polhill, British, 1865–1925 drypoint on japan paper, 2016.107.1, Purchased for Arneson, Robert, American, 1930–1992 the Virginia and Ira Jackson Collection > Picasso, 1983, woodcut, 2016.148.13, Gift of Bob > A Lonely Farm [Hawkridge], 1900, crayon-manner Stana and Tom Judy lithograph, 2016.36.2, Ailsa Mellon Bruce Fund Calle, Sophie, French, born 1953 > Address Book, 2009, portfolio of twenty-eight pages, Audenaerd, Robert van, Flemish, 1663–1743 Bianchi, Mosè, Italian, 1840–1904 > Seated Acolyte, c. 1872, etching with roulette and each with text and photographs, in a screen printed > Omnia Vincit Amor [Apollo and Daphne] (after Carlo binder; one etching with gold leaf, one blind em- Maratta), 1728, etching and engraving, 2015.142.4, aquatint (artist’s proof), 2016.82.1, Purchased as the Gift of Ann and Matthew Nimetz bossment and one color lithograph, 2016.61.1, Gift of Gift of David H. McDonnell Gemini G.E.L., LLC and the Artist Bléry, Eugène, French, 1805–1887 Baldessari, John, American, born 1931 Carracci, Agostino, Italian, 1557–1602 > Jump (with Volcano), 1994/2012, color lithograph > Plants and Ivies by a Stream, 1848/1849, lithograph > Oaks by Ravines, 1845, etching, 2016.128.1, 2, Gift of > Saint Jerome, 1602, engraving, 2016. 131.1, Gift of and screenprint David H. McDonnell > One and Three Persons (with Two Contexts—One Chaotic), Nicholas and Margaret Morgan Grasselli, in honor of 1994/2012, color lithograph and screenprint Andrew Robison Carter, Clarence Holbrook, American, 1904–2000 > Money (with Space Between), 1994, color lithograph Bontecou, Lee, American, born 1931 > Railroad Avenue, 1931, color aquatint, 2015.115.11, and screenprint on two sheets of paper > Untitled, 1973, color screenprint, 2015.115.1, Gift of Bob Stana and Tom Judy > Accordionist (with Crowd), 1994, color screenprint Gift of Bob Stana and Tom Judy Charlot, Jean, American, born France, 1898–1979 > French Horn Player (with Three Contexts—One Uncoded), Borofsky, Jonathan, American, born 1942 > Picture Book, 1933, bound volume with thirty-two 1994, color lithograph and screenprint > Turtle, 1991, color lithograph and screenprint with color lithographs, 2016.148.19, Gift of Bob Stana and > Two Sunsets (One with Square Blue Moon), 1994, gold leaf, varnish, and embossing Tom Judy color screenprint > Heart Light, 1991, aluminum and resin sculpture Cheffetz, Asa, American, 1896–1965 > Keys (with Intrusion), 1994, color screenprint, with electronic sound and light, 2016.63.3, 8, Gift of > Monday, c. 1932, wood engraving, 2016.148.54, 2015.138.9, 10, 2015.139.1–5, Gift of Gemini G.E.L. Gemini G.E.L. and the Artist Gift of Bob Stana and Tom Judy and the Artist > White Horse, 1991, lithograph, screenprint, and > Man with Snake (Blue and Yellow), 1991, color Chodowiecki, Daniel, German, 1726–1801 collage with hand coloring > Unklug, c. 1780, etching lithograph, 2016.146.1, Gift of Gemini G.E.L. and the > Self-Portrait-Bronze Head, 1991, cast bronze with Artist, in honor of Andrew Robison > Sah er ungehalten aus?, 1779, etching hand painting > Du bist schläfrig, 1788, etching, 2016.142.2, 10, 11, Balechou, Jean-Joseph, French, 1716–1764 > Self-Portrait-Bronze Head (State), 1991, painted Gift of Christopher and Beverly With in memory > Madame Arlon Spinning Silk (after Jean-Simon cast bronze of Karl and Gerda With Aved), 1739, engraving with etching, 2016.67.1, > Self-Portrait with Gold Dot, 1991, lithograph, screen- Katharine Shepard Fund print, and collage with hand painting Close, Chuck, American, born 1940 > Portrait of My Father, 1991, color screenprint, > Keith, 1972, mezzotint, 2016.90.1, Purchased as a Balestrieri, Lionello, Italian, 1872–1958 Gift of the Jon and Mary Shirley Foundation, Frank > Matins, c. 1905, aquatint with etching, 2016.82.2, 2016.146.10–14, Gift of Gemini G.E.L. and the Artist, in honor of Andrew Robison H. and Eva B. Buck Foundation, Nelson Blitz Jr. and Purchased as the Gift of Ann and Matthew Nimetz Catherine Woodard, Avalon Fund, Pepita Milmore Barnett, Will, American, 1911–2012 Bracelli, Giovanni Battista, Italian, active c. 1624/1649 Memorial Fund, and Jordan D. Schnitzer > Figure con Instrumenti Musicali e Boscarecci, set > Child in High Chair (Dicky), 1942, color woodcut, Colescott, Warrington, American, born 1921 2016.148.2, Gift of Bob Stana and Tom Judy of thirty etchings, 2016.35.1–30, Purchased as an Anonymous Gift > In Birmingham Jail, 1963–1964, color etching, Baskin, Leonard, American, 1922–2000 aquatint, drypoint, and roulette, 2015.115.12, > Owl, 1960, color woodcut, 2016.126.1, Brooks, James, American, 1906–1962 Gift of Bob Stana and Tom Judy Gift of Marion F. Houstoun > Concord, 1975, color screenprint, 2016.148.6, > A Moonlight Swim, 1952, color screenprint, Gift of Bob Stana and Tom Judy Baudet, Etienne, French, c. 1636–1711 2016.148.8, Gift of Bob Stana and Tom Judy > Martyre de Saint Etienne (after Annibale Carracci), Brown, Roger, American, 1941–1997 Conner, Bruce, American, 1933–2008 1677, engraving, 2015.160.1, Gift of Ingrid Rose in > Giotto in Chicago, 1981, color lithograph and > Untitled (Mandala), c. 1977, offset lithograph on memory of her husband Milton Rose photolithograph brown paper, 2016.148.14, Gift of Bob Stana and > One Share Art Stock, 1989, color lithograph, Tom Judy Baum, Don, American, 1922–2008 2015.115.7, 8, Gift of Bob Stana and Tom Judy > Says Chicago Needs Famous Artists, 1969, > Sinking, 1977, etching and aquatint Corinth, Lovis, German, 1858–1925 offset photolithograph, 2015.157.20, Purchased as > Standing While All Around Are Sinking, 1977, etching > Milk Wagon, c. 1917, drypoint, Gift of Jutta Mosse, the Gift of Stephen Dull and aquatint in memory of Edith Steinfeld Baumann, Gustave, American, 1881–1971 > Study for “Standing While All Around Are Sinking,” Cort, Cornelis, Netherlandish, 1533–1578 > Idle Fleet, 1918, color woodcut, 2015.115.4, 1977/1998, etching and aquatint > The Betrayal of Christ (after Girolamo Muziano), Gift of Bob Stana and Tom Judy > Family Tree Mourning Print, 1987, color woodcut, 1568, engraving, 2015.202.1, Ailsa Mellon Bruce Fund Baumberger, Otto, Swiss, 1889–1961 2015.144.1, 2015.157.1–3, Gift of the Collectors Committee Czashka, Jurgen, Austrian, 20th century > The Descent from the Cross, 1918, lithograph, > False Image Postcards, 1968, color offset > Gesicht, 1980, etching, 2015.141.16, Gift of Christopher 2015.141.4, Gift of Christopher and Beverly With photolithograph on card stock and Beverly With in memory of Karl and Gerda With in memory of Karl and Gerda With > False Image Postcards, 1968, color offset photolithograph on card stock David, Hermine, French, 1886–1970 Bayer, Herbert, American, born Austria, 1900–1985 > False Image Decals, 1969, color screenprint decal > Menton: Kiosque à musique, 1920s, engraving and > Untitled, 1948, color lithograph, 2015.115.24, Gift of on calendered paper drypoint, 2015.141.5, Gift of Christopher and Beverly Bob Stana and Tom Judy > Famous Artists from Chicago, 1970, color offset With in memory of Karl and Gerda With > Spiral and Free Curve, 1979, color lithograph, lithograph on calendered paper de Erdely, Francis, American, 1904–1959 2016.148.3, Gift of Bob Stana and Tom Judy > Disasters, 1972, color offset lithograph, 2015.157.4, 5, > The Three Magi, 1940s, woodcut, 2015.141.6, Gift of Beal, Jack, American, 1931–2013 9, 10, 19, Purchased as the Gift of Stephen Dull Christopher and Beverly With in memory of Karl and > Chicago Skyline, 1979, color lithograph, 2016.148.4, > The Jim and Tammy Show, 1987, color lithograph, Gerda With Gift of Bob Stana and Tom Judy 2016.148.7, Gift of Bob Stana and Tom Judy

59 ACQUISITIONS

Diebenkorn, Richard, American, 1922–1993 Fortuny y Carbó, Mariano, Spanish, 1838–1874 > False Image Postcards, 1968, color offset > Untitled, 1991, lithograph > Ami Ed. Zamacois (Eduardo Zamacois y Zabala), photolithograph on card stock > Untitled, 1991 lithograph 1869, etching, 2016.73.1, Purchased as the Gift of > False Image Decals, 1969, color screenprint decal on > Untitled, 1991, lithograph Dewayne and Faith Perry calendered paper, 2015.157.7, 13, 14, Purchased as the > Untitled #9, 1993, lithograph > Arabe assis, 1873, etching and aquatint on japan paper Gift of Stephen Dull > Untitled #10, 1993, lithograph, 2016.146.2–4, 7, 8, > L’Amateur de jardin, 1878, etching, 2016.104.1, 2, Hara, Keiko, American, born Japan, 1942 Gift of Gemini G.E.L. and the Artist, in honor of Purchased as the Gift of Ann and Matthew Nimetz > Verse–Space M-I, 2006, lithograph Andrew Robison Franco, Battista, Italian, probably 1498–1561 > Verse–Space M-II, 2006, lithograph Dion, Mark, American, born 1961 > Saint John the Baptist, 1550s, etching with engraving, > Verse–Space M-III, 2006, lithograph > World in a Box, 2015, suite of twenty-seven prints 2016.18.1, Purchased as the Gift of Robert B. Loper > Verse–Space M-IV, 2006, lithograph with hand additions, in various media in a custom-made oak wood box, French 16th Century 2016.53.1–4, Gift of Ainslie and Keith Peoples in 2016.145.1.1–27, Gift of Graphicstudio/University of > Heures a l’usage de Rouen (Paris, 1502), almanac [for memory of Barbara Frost Harkness South Florida and the Artist 1502–1520] with forty-two metalcut and engraved Hartley, Marsden, American, 1877–1943 Doré, Gustave, French, 1832–1883 illustrations on vellum, decorated with hundreds > Grapes, 1923, lithograph, 2016.148.15, Gift of Bob > Rue de la Vieille-Lanterne, mort de Gérard de Nerval, of small and large illuminated initials, 2016.27.1, Stana and Tom Judy 1855, lithograph, 2016.134.3, Gift of the Prouté William B. O’Neal Fund Havell, Robert, American, born , 1793–1878 Family in Honor of Andrew Robison French or Swiss 15th Century, and Julien Macho > Tell-tale Godwit or Snipe (after John James Audubon), Drewes, Werner, American, 1899–1985 (translator and editor), French, active 15th century 2002, engraving (restrike), 2016.12.1, Gift of Bill and > In Front of the New York Public Library, 1931, woodcut > Mirouer de la redemption de lumain lignage (Lyons, Peg Steiner on Japanese paper, 2015.115.14, Gift of Bob Stana and 1478), bound volume with 236 woodcut illustrations Heckel, Erich, German, 1883–1970 Tom Judy from 232 blocks, 2015.182.1, New Century Fund and > Frühlingslandschaft (Spring Landscape), 1913, woodcut, > American Indians, 1973, portfolio of eight woodcuts, Eugene L. and Marie-Louise Garbáty Fund 2015.141.9, Gift of Christopher and Beverly With in 2015.160.2.1–8, Gift of Ingrid Rose in memory of her Gaillard, Ferdinand, French, 1834–1887 memory of Karl and Gerda With husband Milton Rose > Oedipus (after Jean-Auguste-Dominique Ingres), Heintz, Joseph the Younger, Swiss, c. 1600–1678 Dube, Eleanor, American, born 1946 1876, engraving on chine collé, 2016.105.2, Pur- > The Transport of the Holy House of Loreto, c. 1650, > False Image Postcards, 1968, color offset chased as the Gift of David A. Krol in Memory of his etching, 2016.43.3, Ailsa Mellon Bruce Fund photolithograph on card stock Brother Anthony J. Krol Jr. Hill, Polly Knipp, American, 1900–1990 > False Image Postcards, 1968, color offset Goeneutte, Norbert, French, 1854–1894 photolithograph on card stock > Quilting Party, 1942, etching in brown on buff paper, > A Moonlit Harbor, 1890s, mezzotint, 2016.43.2, 2015.141.1, Gift of Christopher and Beverly With in > False Image Decals, 1969, color screenprint decal on Purchased as the Gift of Lawrence Lawver calendered paper, 2015.157.6, 11, 12, Purchased as the memory of Karl and Gerda With Gift of Stephen Dull Goujon, Jean, French, 1510–1565 Hockney, David, British, born 1937 > [Entrée d’Henri II] C’est l’ordre qui a este tenu a la Dürer, Albrecht, German, 1471–1528, Various Artists, > Celia Pondering, 1980, color lithograph nouvelle et ioyeuse entrée que tres hault, tresexcellent > Self-Portrait, 1980, color lithograph and Sebastian Brant (author), Swiss, 1458–1521 et trespuissant Prince le Roy treschrestien Henry > Stultifera navis (Basel, 1497), bound volume with > Untitled for Joel Wachs, 1993, color lithograph deuzieme de ce nom à faicte en sa bonne ville et cité de and screenprint 117 woodcut illustrations from 112 blocks, 2016.40.1, Paris… (Paris, 1549), bound volume with one woodcut William B. O’Neal Fund > Blue Hang Cliff, 1993, color lithograph and screenprint headpiece and eleven woodcut illustrations including > Slow Rise, 1993, color lithograph and screenprint Dwight, Mabel, American, 1875–1955 two fold-outs, 2016.91.1, William B. O’Neal Fund > Catherine’s Walk, 1994, color lithograph and screenprint > Ferry Boat, 1930, lithograph, 2015.115.15, Gift of Goya, Francisco de, Spanish, 1746–1828 > Gorge d’Incre, 1994, color lithograph and screenprint Bob Stana and Tom Judy > No se convienen, published 1863, etching, drypoint, > Pushing Up, 1994, color lithograph and screenprint Edmondson, Leonard, American, 1916–2002 engraving, and burnishing > Above and Beyond, 1994, color screenprint > Flying Machine, c. 1950, color etching and aquatint, > Que valor!, published 1863, etching, aquatint, dry- > Albert Clark, 1995, color lithograph 2015.115.16, Gift of Bob Stana and Tom Judy point, engraving, and burnishing, 2015.141.7, 8, Gift > Albert and George Clark, 1995, color lithograph Fabre, François-Xavier, French, 1766–1837 of Christopher and Beverly With in memory of Karl > Celia Reading, 1995, color lithograph > Christ Carried to the Tomb, 1810, etching and aquatint, and Gerda With > Celia Looks, 1995, color lithograph printed in brown, 2016.43.5, Ailsa Mellon Bruce Fund Graham, Robert, American, 1938–2008 > Bill Burroughs, 1995, color lithograph > Bill and James I, 1995, color lithograph Favai, Gennaro, Italian, 1879–1958 > Untitled, 1982–1983, glazed porcelain, 2016.63.1, Gift of Gemini G.E.L. and the Artist > Bill and James II, 1995, color lithograph > Procession in Front of San Marco, c. 1914, lithograph > James, 1995, color lithograph, 2016.146.15–30, 51, on tissue paper [proof], 2015.147.1, Gift of Eric Denker Grambs, Blanche, American, 1916–2010 Gift of Gemini G.E.L. and the Artist, in honor of Fernandez-Pol, Julia, American, born 1984 > Negro Girl, 1939, color etching and aquatint, Andrew Robison 2016.74.2, Evelyn Stefansson Nef Fund > Reef Series 2: #4, 2012, watercolor monotype with Hofer, Karl, German, 1878–1955 hand coloring on gray paper, 2016.148.10, Gift of Grasset, Eugène, French, 1841–1917; Charles Gillot > Schlafende II, c. 1926, lithograph, 2016.142.3, Gift of Bob Stana and Tom Judy (engraver), French, 1853–1903; and Charles Marcilly Christopher and Beverly With in memory of Karl and Ferren, John, American, 1905–1970 (author), French, active late Gerda With > Histoire des Quatre Fils Aymon (Paris, 1883), bound > Untitled, 1935, softground etching, 2015.115.53, Holzer, Jenny, American, born 1950 Gift of Bob Stana and Tom Judy volume with 241 chromolithographic ornamental borders or full-page illustrations, 2016.77.1, Pur- > Inflammatory Essays Red, 1979–1982, offset litho- Feure, Georges de, French, 1868–1943, and Marcel chased for the Ira and Virginia Jackson Collection graph on pink paper, 2015.115.21, Gift of Bob Stana Schwob (author), French, 1867–1905 and Tom Judy Guérard, Henri-Charles, French, 1846–1897 > La Porte des Rêves (Paris, 1899), bound volume Hooghe, Romeyn de, Dutch, 1645–1708, and with fold-out frontispiece etched in two tones and > Tall Ships in a Harbor, c. 1880, drypoint and aquatint > Boats in a Morning Fog, 1875/1880, etching, aquatint, Antoine de la Sale (author), French, 1385/1386– hand-colored; sixteen full-page wood engravings; 1460/1461 100 illustrated borders from thirty-two blocks; and and roulette on simili Japan > Cleopatra, c. 1890, mezzotint with aquatint > Les Cent Nouvelles (Cologne [], 1701), fifteen culs-de-lampe, 2016.99.2, Purchased for the two volumes with 100 half-page, etched illustrations, Virginia and Ira Jackson Collection > Salomon and Cleopatra, c. 1890, mezzotint > Salomon and Cleopatra, c. 1890, mezzotint, 2016.69.1.1–2, William B. O’Neal Fund Flood, Ed, American, 1944–1985 2015.187.1, 2015.190.1, 2016.37.1, 2, 2016.37.3, Hopkins, Edna Boies, American, 1878–1937 > Two Palm Trees Menaced by a Wave, 1971, color litho- Ailsa Mellon Bruce Fund > Canoes, c. 1917–1918, color woodcut, 2015.115.22, graph, 2015.115.17, Gift of Bob Stana and Tom Judy Hanson, Philip, American, born 1943 Gift of Bob Stana and Tom Judy Focus, Georges, French, 1641–1708 > Dancing Couple II, 1968, color etching, 2015.115.19, Hudson, Andrew, American born 1935 > Landscape with a Traveler Resting, 1660s, etching, Gift of Bob Stana and Tom Judy > Tom and Mark, 1981, color lithograph, 2016.148.16, 2015.171.1, Gift of Ivan E. and Winifred Phillips in > False Image Postcards, 1968 color offset Gift of Bob Stana and Tom Judy memory of Neil Phillips photolithograph on card stock

60 NATIONAL GALLERY OF ART

Huntley, Victoria Hutson, American, 1900–1971 Kent, Rockwell, American, 1882–1971 Lostutter, Robert, American, born 1939 > Lower New York, 1934, lithograph, 2015.115.23, > Drifter, 1933, wood engraving, 2015.115.28, > Ross’s Turaco Looking Back, 1988, etching with colored Gift of Bob Stana and Tom Judy Gift of Bob Stana and Tom Judy pencil, 2015.115.32, Gift of Bob Stana and Tom Judy Ireland, David, American, 1930–2009 > Sea and Sky, 1931, wood engraving, 2016.126.2, Macke, August, German, 1887–1914 > Untitled, 1972, lithograph, 2016.148.17, Gift of Bob Gift of Marion F. Houstoun > Komposition, 1918, linoleum cut, 2015.141.10, Gift of Stana and Tom Judy > Pinnacle, 1928, lithograph, 2016.142.4, Christopher and Beverly With in memory of Karl and Gift of Christopher and Beverly With in memory Gerda With Jacque, Charles Émile, French, 1813–1894 of Karl and Gerda With > Riverbank at Night, 1844, etching Maes, Karel, Belgian, 1900–1974 > The Pig Butcher, 1844, etching with engraving on Kerciu, G. Ray, American, born 1933 > Violiniste, 1919, woodcut, 2016.142.6, Gift of japan paper, 2016.106.1, 2, Purchased as the Gift of > Gulf Port Sound, 1960, color lithograph, Christopher and Beverly With in memory of Andrew Robison 2016.148.22, Gift of Bob Stana and Tom Judy Karl and Gerda With Janssen, Gerhard, Dutch, 1636–1725 Kip, Johannes, Dutch, 1653–1722 Mansen, Matthias, German, born 1958 > Antique Boar Hunt, 1716, etching and open-bite > The North Prospect of the Cathedral Church of Oxford > Strasse, Ile St. Louis–Il de la Cité > Nymphs in a Landscape, 1716/1717, etching and (after Leendert Knijff), 1707, etching and engraving > Strasse open-bite, 2016.103.1, 2, Purchased as the Gift of > The North Prospect of the New Quadrangle of Christ > Haus (Fragment aus Ile St. Louis–Il de la Cité), 1988, Ann and Matthew Nimetz Church in Oxford (after Leendert Knijff), 1707, woodcut, 2016.5.1–3, Gift of Wolfgang Wittrock etching and engraving Johns, Jasper, American, born 1930 > The South Prospect of the New Quadrangle of Christ Massé, Jean-Baptiste (designer and author), French, > Untitled, 1991, color lithograph, 2016.146.5, Gift of Gemini Church in Oxford (after Leendert Knijff), 1707, 1687–1767, and Various Engravers G.E.L. and the Artist, in honor of Andrew Robison etching and engraving, 2015.145.1–3, Gift of Joan > La Grande Galerie de Versailles, et les deux salons Johnston, Ynez, American, born 1920 and Daniel Mulcahy qui l’accompagnent (Paris, 1752), bound volume > Abstract Composition, c. 1950s, etching with oil paint, with fifty-six engravings after Charles Le Brun, Kirchner, Ernst Ludwig, German, 1880–1938 2015.142.1.1–56, Gift of David H. McDonnell 2016.142.9, Gift of Christopher and Beverly With in > Nude with Jewelry [The Thousand and One Nights], memory of Karl and Gerda With 1906, woodcut on brown paper, 2016.42.1, Gift (Partial McChesney, Robert, American, 1913–2008 Jones, John Paul, American, 1924–1999 and Promised) of Trina and Lee G. Rubenstein > S3, 1951, color screenprint, 2016.148.30, Gift of Bob Stana and Tom Judy > Double Portrait, 1957, softground etching and Klinger, Max, German, 1857–1920 aquatint, 2016.142.5, Gift of Christopher and > Amor und Psyche (Opus Va and Vb), 1880–1881 (this McGarrell, James, American, born 1930 Beverly With in memory of Karl and Gerda With edition 1893/1907), complete set of two portfolios > Elephant Girl, 1990, intaglio, 2016.148.31, Gift of Judd, Donald, American, 1928–1994 with forty-seven etchings, some with aquatint, on Bob Stana and Tom Judy > Parallelogram, 1974, aquatint, 2016.148.18, Gift of twenty-four sheets, 2015.113.1.1–15 and 2015.113.2.1–9, McMillen, Mildred, American, 1884–1940 Bob Stana and Tom Judy Ruth and Jacob Kainen Memorial Acquisition Fund > The Attic Window, 1920, woodcut, 2016.148.32, Kainen, Jacob, American, 1909–2001 Kozman, Myron, American, 1916–2002 Gift of Bob Stana and Tom Judy > Night Club, c. 1938, color lithograph, 2015.115.26, > Untitled, 1941, color screenprint, 2016.148.23, Mehretu, Julie, American, born Ethiopia, 1970 Gift of Bob Stana and Tom Judy Gift of Bob Stana and Tom Judy > Myriads, Only by Dark, 2014, color aquatint and Kanemitsu, Matsumi, American, 1922–1992 Kubinyi, Kálmán, American, 1906–1973 spitbite on four sheets of paper, 2015.138.3.1–4, > Tam. 12, 1965, 1978, color lithograph, 2016,148.20, > Harbor Scene, c. 1940, color woodcut, 2016.148.25, Gift of Gemini G.E.L., LLC and the Artist Gift of Bob Stana and Tom Judy Gift of Bob Stana and Tom Judy Meidner, Ludwig, German, 1884–1966 Kasten, Karl, American, 1916–2010 Kunisada, Utagawa, Japanese, 1786–1864 > Gebet, 1918, lithograph on buff paper, 2015.141.3, > Fete St. Jeanne, 1961–1962, color etching and aquatint, > Kabuki Actor with a Fan, 1820s/1840s, woodblock Gift of Christopher and Beverly With in memory 2016.148.21, Gift of Bob Stana and Tom Judy print on Japanese paper of Karl and Gerda With Katz, Alex, American, born 1927 > Scene from a Kabuki Play [triptych], 1840s, wood- Merida, Carlos, Guatemalan, 1891–1984 > Tracy, 2013, color lithograph and woodcut, block print on three sheets of paper, 2015.146.1, > Untitled, 1934, suite of four lithographs, 2016.145.2, Gift of Graphicstudio/University of 2.a–c, Gift of Lin Lougheed 2016.148.36–39, Gift of Bob Stana and Tom Judy South Florida and the Artist Lagrenée, Jean Jacques II, French, 1739–1821 Meryon, Charles, French, 1821–1868 Kelly, Ellsworth, American, 1923–2015 > Four Religious and Secular Compositions, 1760s, > Nouvelle Zélande, Presqu’ile de Banks, 1863, etching, > Yellow Panel, 1981/1982, painted aluminum etching, 2016.36.1, Ailsa Mellon Bruce Fund 2015.189.1, Ailsa Mellon Bruce > Gray Panel, 1981/1982, painted aluminum Landacre, Paul, American, 1893–1963 Miró, Joan, Spanish, 1893–1983, and Paul Éluard > Red Panel, 1981/1982, painted aluminum > Death of a Forest, 1938, wood engraving, 2015.115.29, (author), French, 1895–1952 > Red-Orange Panel, 1981/1982, painted aluminum Gift of Bob Stana and Tom Judy > À toute épreuve (, 1958), unbound volume > White Panel, 1981/1982, painted aluminum Landon, Edward, American, 1911–1984 with eighty color woodcuts, some with collage, > Black Panel, 1981/1982, painted aluminum > Departure, 1942, color screenprint, 2016.148.26, 2016.1.1–80, Pepita Milmore Memorial Fund, > Dark Blue Panel, 1981/1982, painted aluminum Gift of Bob Stana and Tom Judy Eugene L. and Marie-Louise Garbáty Fund, and > Dark Green Panel I, 1981/1982, painted aluminum The Ahmanson Foundation Lanyon, Ellen, American, 1926–2013 > Dark Green Panel II, 1981/1982, painted aluminum, Molitor, Martin von, Austrian, 1759–1812 2015.139.13–21, Gift of Gemini G.E.L. and the Artist > Ostricart, 1968, lithograph, 2016.148.27, Gift of Bob Stana and Tom Judy > Mountain Landscape with a Rocky Outcrop, 1795, > Green Curve with Radius of 20’, 1974, color etching and aquatint, 2016.102.1, Ruth and Jacob lithograph with embossing Lebrun, Rico, American, born Italy, 1900–1964 Kainen Memorial Acquisition Fund > Untitled, 1974, color lithograph > Rabbit, 1945, lithograph, 2015.115.30, Gift of Bob > Blue/Yellow/Red, 1992, color lithograph Stana and Tom Judy Moreau, Jean Michel, French, 1741–1814 > Le bal masqué–Fête donnée à l’occasion de la > Oak, 1993, lithograph Leithauser, Mark, American, born 1950 > Oak II, 1993, lithograph naissance de Monseigneur le Dauphin, 23 janvier > Birches (proof 2), 1980, etching 1782, 1782, etching > Oak III, 1993, lithograph > Birches (proof 3), 1980, etching > Oak IV, 1993, lithograph > Le festin royal–Fête donnée à l’occasion de la nais- > Birches (proof 5), 1980, etching, 2016.57.1–3, sance de Monseigneur le Dauphin, 21 janvier 1782, > Oak V, 1993, lithograph Gift of General William Y. Smith > Oak VI, 1993, lithograph 1782, etching, 2016.134.1, 2, Gift of the Prouté > Oak VII, 1993, lithograph Leslie, Alfred, American, born 1927 Family in Honor of Andrew Robison > Red Curve (for Joel), 1993, color lithograph, > Untitled, c. 1956, color screenprint, 2015.115.31, Morris, Robert, American, born 1931 2016.146.31–41, Gift of Gemini G.E.L. and the Artist, Gift of Bob Stana and Tom Judy > A Final Tomb for Frank “Jelly” Nash, 1980, in honor of Andrew Robison Lewis, Martin, American, 1881–1962 color lithograph, 2016.148.29, Gift of Bob Stana Kelly, James, American, 1913–2003 > Building a Babylon, Tudor City, N.Y.C., 1929, etching and Tom Judy > August, 1952, color lithograph, 2015.115.27, and drypoint, 2016.148.28, Gift of Bob Stana and Gift of Bob Stana and Tom Judy Tom Judy

61 ACQUISITIONS

Mucha, Alphonse Marie, Czech, 1860–1939, and Oppenheim, Dennis, American, 1938–2011 Raimondi, Marcantonio, School of, Italian, 16th century Anatole France (author), French, 1844–1924 > Time Line, 1978, color lithograph, 2016.148.55, > Allegory of Love (after Baccio Bandinelli), c. 1540, > Clio (Paris, 1900), bound volume with forty-two Gift of Bob Stana and Tom Judy engraving, 2016.47.1, Ailsa Mellon Bruce Fund wood-engraved illustrations including the cover Orlowski, Hans, German, 1894–1967 Ramberg, Christina, American, 1946–1995 and twelve engravings [each present in three states, > Man in a Storm, 1947, woodcut, 2015.141.11, > Head, 1969–1970, color screenprint, 2015.115.38, as a monochrome, in color, and as published]; one Gift of Christopher and Beverly With in memory Gift of Bob Stana and Tom Judy title with vignette; and a lower cover device [in two of Karl and Gerda With > False Image Postcards, 1968, color photolithograph states], 2016.99.1, Purchased for the Virginia and on card stock Ira Jackson Collection Paschke, Ed, American, 1939–2004 > Ben Hur, 1969–1970, color screenprint > False Image Postcards, 1968, color photolithograph Munch, Edvard, Norwegian, 1863–1944 > Hubert, 1976–1977, color lithograph, 2015.115.35, 36, on card stock > The Kiss, 1895, etching, open bite, drypoint, Gift of Bob Stana and Tom Judy > False Image Decals, 1969, color screenprint decal on and aquatint calendered paper, 2015.157.8, 15, 16, Purchased as the > Munch and Director Ludvig Didrichsen, 1916, lithograph Pearson, John, British, born 1940 Gift of Stephen Dull > Old Woman with Umbrella, 1902, etching with aqua- > Mondrian Linear Series/ J.C. /Study B, 1977, > Heads, 1973, etching tint and burnishing color screenprint with graphite and colored pencil, > Back-to-Back, 1973, etching, 2015.158.1, 2, Gift of the > Doctor Linde’s Four Sons, 1902, drypoint, 2016.6.1–4, 2016.148.35, Gift of Bob Stana and Tom Judy Collectors Committee Gift of The Epstein Family Collection Peschka, Anton, German, 1885–1940 Ramos, Mel, American, born 1935 Murray, Elizabeth, American, 1940–2007 > Morituri Te Salutant, 1920, drypoint, 2015.141.2, > Coca Cola (Lola Cola), 1972, color lithograph, > Jump, color lithograph on two sheets of paper Gift of Christopher and Beverly With in memory 2015.115.39, Gift of Bob Stana and Tom Judy of Karl and Gerda With > Dictionary #2, Boggy, 1994, color etching and Rathbone, Augusta, American, 1897–1990 screenprint with hand coloring Peterdi, Gabor, American, 1915–2001 > Washington Square, c. 1930, color aquatint, > Toe Two, 1994, etching > Dark Visit, 1948, etching and engraving, 2016.148.42, Gift of Bob Stana and Tom Judy > Falling Leaf, 1995, color intaglio 2016.148.40, Gift of Bob Stana and Tom Judy > LuLu Leaps, 1995, color intaglio Rauschenberg, Robert, American, 1925–2008 Picasso, Pablo, Spanish, 1881–1973 > Tibetan Keys (Centers), 1987, photo-screenprinted > Red Violet, 1995, color lithograph, screenprint, > Pour Roby, 1950, etching, 2015.141.20, and intaglio decals and hand painting on powder-coated steel Gift of Christopher and Beverly With in memory > Tibetan Keys (El), 1987, photo-screenprinted > Disguise, 1995, color lithograph, screenprint, of Karl and Gerda With and intaglio decals and hand painting on powder-coated steel, > Night and Day, 1995, color lithograph, screenprint, Pierre, Jean-Baptiste-Marie, French, 1713–1789 2016.63.6, 7, Gift of Gemini G.E.L. and the Artist and intaglio > Rest on the Flight into , 1758, etching Ribera, Jusepe de, Spanish, 1591–1652 > Flying A, 1995, color lithograph, screenprint, > Rest on the Flight into Egypt, 1759, etching, 2016.81.1, 2, > Saint Jerome Hearing the Trumpet of the Last Judgement, and intaglio Ailsa Mellon Bruce Fund and Katharine Shepard Fund c. 1621, etching (counterproof), 2015.142.3, Gift of > Skyline, 1995, color lithograph, screenprint, and Piper, Adrian, American, born 1948 David H. McDonnell intaglio, 2016.146.9, 42–50, Gift of Gemini G.E.L. > Calling Card (I am black), 1986, offset lithograph Rice, William S., American, 1873–1963 and the Artist, in honor of Andrew Robison > Calling Card (I am not here to pick anyone up), > The Bush Burner, c. 1930, color woodcut, Nash, David, British, born 1945 1986, offset lithograph, 2015.140.1, 2, Gift of 2015.115.25, Gift of Bob Stana and Tom Judy Anne H. Simmons > Egg and Stump, 2004, aquatint, 2016.142.7, Gift of Rizzi, Maria Teresa, Argentinean, born 1957 Christopher and Beverly With in memory of Karl Piranesi, Francesco, Italian, c. 1758–1810 > Asymmetrical Sin, 2005, color etching and Gerda With > Antiquities de la Grande-Grèce, 1806/1807, > Arrojo, 1994, color etching, 2016.7.3, 4, Gift of Nauman, Bruce, American, born 1941 thirteen etchings after Giovanni Battista Piranesi, Catherine Woodard and Nelson Blitz Jr. > Fingers and Holes: Untitled, 1994, seven etchings, 2015.160.3–15, Gift of Ingrid Rose in memory of her husband Milton Rose Robert, Hubert, French, 1733–1808 2015.139.6–12, Gift of Gemini G.E.L. and the Artist > Landscape with a Fallen Tree, 1764, etching, Niffenegger, Aubrey, American, born 1963 Piranesi, Giovanni Battista, Italian, 1720–1778, 2016.43.6, Katharine Shepard Fund and Francesco Piranesi, Italian, c. 1758–1810 > Nest, 1985, etching, 2016.148.33, Gift of Bob Stana Romano, Clare, American, born 1922 and Tom Judy > Oeuvres des Chevaliers Jean Baptiste et Francois Piranesi (Rome, 1792), catalog of Piranesi works (no > Summer Garden, 1958, color collograph Nilsson, Gladys, American, born 1940 illustrations), 2016.97.1, Purchased as the Gift of > Grand Canyon, 1975/1977, color collograph, > Problematical Tripdickery, 1984, color etching and Vincent J. Buonanno 2016.148.43, 44, Gift of Bob Stana and Tom Judy drypoint, 2015.115.37, Gift of Bob Stana and Tom Judy Pittoni, Giovanni Battista, Italian, c. 1520–1583 Rosofsky, Seymour, American, 1924–1981 Nooms, called Zeeman, Reinier, Dutch, 1624–1664 > Panel of Ornament, 1561, etching, 2015.172.1, Gift of > The Family, 1968, lithograph, 2015.115.41, Gift of > Ships and Harbors, c. 1652–1654, three complete sets Andrée and Jonathan Bober Bob Stana and Tom Judy of twelve etchings, 2016.89.1–36, Pepita Milmore Roth, Dieter, Swiss, born Germany, 1930–1998 Memorial Fund Pozzatti, Rudy, American, born 1925 > Apollo, 1970, color etching and aquatint, 2016.148.41, > Book AC, 1964, unbound volume with twenty-four Nutt, Jim, American, born 1938 Gift of Bob Stana and Tom Judy die-cut sheets, 2016.58.1, Gift of the Korper Family > A Time and a Place, 1969, lithograph, 2015.115.33, in memory of Hazel Priest Korper Gift of Bob Stana and Tom Judy Price, Ken, American, 1935–2012 > Mildred, 1991, glazed earthenware Rothenberg, Susan, American, born 1945 > The Hairy Who, , 1967, color > Puppet Series #1–#4, 2008, four mezzotints, offset lithograph, 2016.46.1, Anonymous Gift > Fireworm, 1991, glazed earthenware > Casper, 1991, glazed earthenware 2015.138.5–8, Gift of Gemini G.E.L., LLC and the Artist Oldenburg, Claes, American, born Sweden, 1929 > North of El Prado, 1991, glazed earthenware, Ruscha, Ed, American, born 1937 > Sneaker Lace Sculpture, 1990, cast stainless steel, 2015.138.1, 2, 4, 2015.139.22, Gift of Gemini G.E.L. > OH/NO, 2008, volume with gilded silver edges and hand-painted and the Artist airbrushed text on fore-edge, 2016.145.4, Gift of > Thrown Ink Bottle with Fly and Dropped Quill, 1991, Graphicstudio/University of South Florida and the Artist color lithograph, 2016.63.4, 5, Gift of Gemini G.E.L. Puryear, Martin, American, born 1941 and the Artist > Untitled (from “The MoCA Portfolio”), 1999, etching Saar, Alison, American, born 1956 > Butt for Gantt, 1990, color lithograph and screen- and aquatint on chine collé, 2016.72.1, Fund in Honor > Blue Plate Special, 1993, color etching, lithograph, print with embossing, 2016.146.6, Gift of Gemini of Marta Horgan and Ailsa Mellon Bruce Fund and chine collé, 2016.148.45, Gift of Bob Stana and G.E.L. and the Artist, in honor of Andrew Robison Radziwill, Franz, German, born 1895 Tom Judy > Geometric Mouse Pyramid as an Image of the Electoral > The Prophet, 1919/1920, woodcut Saar, Betye, American, born 1926 System, Doubled, 1976, color lithograph, 2016.148.34, > Turning Away, 1921, woodcut > Blow Top Blues, The Fire Next Time, 1998, color Gift of Bob Stana and Tom Judy > Mother and Child, 1920, woodcut, 2015.141.12–14, lithograph and collage, 2015.115.42, Gift of Bob Stana Oliveira, Nathan, American, 1928–2010 Gift of Christopher and Beverly With in memory of and Tom Judy > Man and Drum, 1956, color lithograph, 2015.115.34, Karl and Gerda With Gift of Bob Stana and Tom Judy

62 NATIONAL GALLERY OF ART

Salamé, Soledad, American, born Chile, 1954 Twiggs, Russell, American, 1898–1991 > Seated Figure, 1919/1920, woodcut on Japanese paper > Gulf Distortion XII, 2011, color screenprint on Mylar, > The First Act, 1950s, color screenprint, 2016.148.51, > Seated Figure, 1919/1920, woodcut on Japanese paper 2016.148.46, Gift of Bob Stana and Tom Judy Gift of Bob Stana and Tom Judy > Seated Figure, 1919/1920, woodcut on Japanese paper Saul, Peter, American, born 1934 Van Hoesen, Beth, American, 1929–2010 > Seated Figure, 1919/1920, color woodcut on gray > White Sex, 1966, lithograph, 2015.115.43, Gift of > The Nude Man, 1965, portfolio of twenty-five mica paper Bob Stana and Tom Judy intaglios, 2015.115.54.1–25, Gift of Bob Stana > Seated Figure, 1919/1920, color woodcut on and Tom Judy Japanese paper Scacciati, Andrea, Italian, 1725–1771 > Seated Figure, 1919/1920, color woodcut on > The Musical Contest between Apollo and Pan (after Various Artists Japanese paper Bartholomaeus Spranger), c. 1766, etching and > Rubber Stamp Portfolio, 1976–1977, portfolio of thirteen > Seated Figure, 1919/1920, woodcut on Japanese paper paste-manner lavis, printed in blue, 2016.137.1, rubberstamp prints, each stored in a separate envelope, > Woman Seated at Table, 1919/1920, color woodcut Gift of Andrée and Jonathan Bober, in honor of 2015.115.2.1–13, Gift of Bob Stana and Tom Judy on Japanese paper Andrew Robison Various Artists, Domenico de Rossi, Italian > Woman Seated at Table, 1919/1920, color woodcut Scharff, Edwin, German, 1887–1955 1627–1640 (publisher), and Paolo Alessandro Maffei on Japanese paper > Männer im Boot I, 1918, drypoint (author), Italian, 1653–1716 > Woman Seated at Table, 1919/1920, color woodcut > Männer im Boot II, 1918, drypoint, 2015.209.1, 2, > Raccolta di Statue Antiche e Moderne (Rome, 1704), on Japanese paper Ailsa Mellon Bruce Fund two bound volumes with 163 engravings combined, > Woman Seated at Table, 1919/1920, color woodcut Segall, Lasar, Lithuanian, 1890–1957 2015.142.2.1–2, Gift of David H. McDonnell on Japanese paper > Praying Boy, 1921, woodcut on buff paper, Various Artists after Ennemond Alexandre Petitot, > Woman Seated at Table, 1919/1920, woodcut on 2015.141.15, Gift of Christopher and Beverly With French, 1727–1801, and Giambattista Bodoni Japanese paper in memory of Karl and Gerda With (printer), Italian, 1740–1813 > Head, 1919/1920, color woodcut on Japanese paper > Head of a Man, 1919/1920, color woodcut on Segantini, Gottardo, Italian, 1882–1974 > Descrizione delle feste celebrate in Parma l’anno MDC- CLXIX (Parma, 1769), bound volume with one etched Japanese paper > Giovanni Segantini, 1914, etching and aquatint on > Head and Shoulders of Figure, 1919/1920, color buff paper, 2015.194.1, Ailsa Mellon Bruce Fund frontispiece, one etched and engraved title-page vignette, thirty-six etchings (six double-spread), four woodcut on Japanese paper Serra, Richard, American, born 1939 etched headpieces, nineteen etched and engraved > Head and Shoulders of Figure, 1919/1920, color > Carnegie, 1986, screenprint and Paintstik on coated tailpieces, and eight etched initials, 2016.86.1, woodcut on Japanese paper paper, 2016.63.2, Gift of Gemini G.E.L. and the Artist Purchased as the Gift of Vincent J. Buonanno > Crouching Nude, 1919/1920, woodcut on Japanese paper Sessler, Alfred A., American, 1909–1963 > Nude with Upraised Arm, 1919/1920, woodcut on Various Artists and Jean Duchesne Ainé (author), Japanese paper > Thorny Crown II, 1958, color woodcut, 2016.148.47, French, 1779–1855 Gift of Bob Stana and Tom Judy > Standing Nude, 1919/1920, color woodcut on > Musée Français: Recueil des plus beaux tableaux, statues, Japanese paper Sheets, Millard, American, 1907–1989 et bas-reliefs qui existaient au Louvre avant 1815 > Standing Nude, 1919/1920, woodcut on > Horse Frightened by Lightning, 1939, color lithograph, (Paris, 1815), a set of four bound volumes containing Japanese paper 2015.115.44, Gift of Bob Stana and Tom Judy 366 engravings, including the illustrated titles, head- > Figure Composition, 1919/1920, color woodcut Sintenis, Renée, German, 1888–1965 pieces, and tailpieces in each, 2016.54.2.1–4, Gift of on Japanese paper > Fox, 1947, drypoint, 2015.141.19, Gift of Christopher David H. McDonnell > Cubist Head, 1919/1920, color woodcut on and Beverly With in memory of Karl and Gerda With Various Artists and Ricky Jay (author), American, Japanese paper Soldner, Paul, American, 1921–2011 born 1948 > Cubist Head, 1919/1920, color woodcut on > Untitled, c. 2000, lithograph, 2016.148.48, Gift of > The Magic Magic Book, 1994, set of two bound vol- Japanese paper Bob Stana and Tom Judy umes with eight prints in various media, 2016.16.1–8, > Rabbi Reading, 1919/1920, color woodcut on Gift of Lin Lougheed Japanese paper Stanczak, Julian, American, born 1928 Vasi, Giuseppe, Italian, 1710–1782, and Various Artists > Rabbi Reading, 1919/1920, color woodcut on > Filtration Eleven, 1977/1978, color screenprint, Japanese paper 2016.148.49, Gift of Bob Stana and Tom Judy > Depictions of the Celebrations of the Chinea, 1726–1785, one bound album with fifty-three etch- > Rabbi Reading, 1919/1920, woodcut with hand coloring Statsinger, Evelyn, American, 1927–2016 ings, one disbound album of thirty-seven etchings, > Seated Woman, 1919/1920, color woodcut on > Untitled (Abstract) #22, 1958–1959, color etching and sixty-five loose etchings, 2016.121.1–67, Gift of Japanese paper and aquatint, 2016.148.50, Gift of Bob Stana and Vincent Buonanno in Honor of Andrew Robison > Seated Woman, 1919/1920, color woodcut on gray Tom Judy mica paper Velde, Esaias van de, I, Dutch, 1587–1630 > Seated Woman, 1919/1920, color woodcut Suavius, Lambert, Flemish, c. 1510–1567 > Landscape with a Meadow and a Village Church, > Sibyl Seen from the Back, Looking Downward to the > Seated Woman, 1919/1920, color woodcut on c. 1615, etching, 2016.36.3, Purchased as the Gift of Japanese paper Left, c. 1550, engraving, 2016.105.1, Purchased as Ann and Matthew Nimetz the Gift of David A. Krol in Memory of his Brother > Mother and Child, 1919/1920, color woodcut Anthony J. Krol Jr. Villon, Jacques, French, 1875–1963 on Japanese paper > Les Femmes de Thrace, 1907, etching > Mask, 1919/1920, color woodcut on Japanese paper Subleyras, Pierre-Hubert, French, 1699–1749 > Minne Reclining in a Rocking Chair, 1907, drypoint, > Mask, 1919/1920, color woodcut on Japanese paper > The Feast in the House of Simon, 1738, etching, 2015.204.1, 2016.74.1, Evelyn Stefansson Nef Fund > Invocation, 1919/1920 (possibly printed 1956), 2015.193.1, Ailsa Mellon Bruce Fund Voulkos, Peter, American, 1924–2002 woodcut on Japanese paper Suyderhoff, Jonas, Dutch, c. 1613–1686 > Untitled, c. 1975, color lithograph, 2016.148.52, > Study (Woman Reading), 1919/1920, color woodcut > René Descartes (after Frans Hals), 1650s, engraving, Gift of Bob Stana and Tom Judy on Japanese paper 2016.43.1, Purchased as the Gift of Lawrence Lawver > Meditation, 1920, color linoleum cut on Weber, Max, American, born Poland, 1881–1961 Tischbein, Johann Heinrich Wilhelm, German, Japanese paper > Essays on Art, 1916, bound volume with two woodcuts > Meditation, 1920, linoleum cut on Japanese paper 1751–1829, Homer (author), Greek, active before 700 > Frieze, 1919/1920, woodcut on Japanese paper B.C., and Christian Gottlob Heyne (author), German, > Three Figures Reading, 1920, color linoleum cut on > Frieze, 1919/1920, color woodcut on Japanese paper Japanese paper 1729–1812 > Nude with Upraised Arm, 1919/1920, color woodcut > Homer Nach Antiken Gezeichnet (Göttingen, 1801), > Prayer, 1920, color linoleum cut on Japanese paper on Japanese paper > Rabbi, 1920, color linoleum cut on Japanese paper bound volume with sixty-four etched and engraved > Standing Nude, 1919/1920, color woodcut on illustrations, 2015.203.1, William B. O’Neal Fund > Mother Love, 1920, woodcut on Japanese paper China paper > Mother Love, 1920 (printed 1950), color woodcut Toorop, Jan, Dutch, 1858–1928 > Two Figures, 1919/1920, woodcut on Japanese paper on Japanese paper > Venise sauvée, 1895, lithograph (proof before letters), > Two Figures, 1919/1920, woodcut on Japanese paper > Mother Love, 1920, color woodcut on Japanese paper 2016.108.1, Purchased for the Virginia and > Rabbi Reading, 1919/1920, woodcut on Japanese paper > Head, 1920, color linoleum cut on Japanese paper Ira Jackson Collection > Seated Figure, 1919/1920, color woodcut on > Head, 1920, linoleum cut on Japanese paper Japanese paper > Reclining Nude, 1924, woodcut on Japanese paper

63 ACQUISITIONS

> Primitives, 1926, bound volume with eleven woodcut Woodruff, Hale, American, 1900–1980 > San Quentin Point, no. 38 illustrations, including one on handmade paper, with > Blind Musician, 1935 (printed posthumously in 1981), > San Quentin Point, no. 40 poems by Max Weber woodcut, 2016.14.1, Gift of Auldlyn Higgins Williams > San Quentin Point, no. 40G > Max Weber, 1930, bound volume with one lithograph and E. T. Williams Jr. in honor of Alma Arrington > San Quentin Point, no. 40I > The Workers, 1937/1940 (printed c. 1973), linoleum Brown and in memory of Ronald Harmon Brown > San Quentin Point, no. 40J cut on Japanese paper Wright, John Buckland, British, 1897–1954 > San Quentin Point, no. 42, 1982–1983, gelatin silver > Seated Figure, 1951/1952, woodcut on Japanese paper > Composition No. 5, 1935, wood engraving on prints, printed 1985, 2015.131.1–25, Gift of > Figure, 1951/1952, woodcut on Japanese paper Japanese paper, 2016.92.1, Purchased as the Stephen G. Stein > Standing Female Figure, 1951/1952, woodcut on Gift of Andrew Robison > There is No Life Outside of These Verona Walls, 1992, Japanese paper silver dye bleach print diptych, 2016.56.1.1–2, Gift of > Standing Figure, probably 1954, woodcut Yoshida, Ray, American, 1930–2009 David Knaus > Standing Figure, 1954, color woodcut on > See, 1995, color lithograph, 2015.115.51, Gift of Bob Stana and Tom Judy Barna, Anna, Hungarian, 1901–1964 Japanese paper > Punished, Paris > Woodcuts by Max Weber, c. 1956, color woodcut >Untitled, Paris on Japanese paper >Onlooker, Paris, c. 1930s, gelatin silver prints, 2016.24.1–3, > Five Prints by Max Weber, 1956, portfolio of three PHOTOGRAPHS Robert Menschel and the Vital Projects Fund linoleum cuts and two woodcuts Abbott, Berenice, American, 1898–1991 > Bing, Ilse, American, born Germany, 1899–1998 Woodcuts and Linoleum Blocks by Max Weber, 1956, > Waldorf Astoria, St. Bartholomew’s Church and G.E. bound volume with thirty-one woodcuts and two > Île Saint-Louis, Paris, 1932, gelatin silver print, Building, 1936, gelatin silver print, 2015.192.1, 2015.136.1, Gift of Russell and Anne Byers, in Honor linoleum cuts, some on Japanese paper Pepita Milmore Memorial Fund > Things, 1960, bound volume with one woodcut of the 25th Anniversary of Photography at the on Japanese paper, 2015.114.1–71, Gift of Jack and Adam-Salomon, Antoine Samuel, French, 1811–1881 National Gallery of Art Margrit Vanderryn > Portrait of a Girl, c. 1850s, salted paper print, Bisson Frères, French, active 1841–1864 2015.170.2, Gift of Alexander Novak Weiditz, II, Hans, German, 1500 or before–c. 1536 > Schweiz, Kanton Wallis, Rhonegletscher (Switzerland, > Emperor Maximilian I (after Albrecht Dürer), 1519, American 19th Century Canton of Valais, Rhône Glacier), c. 1859–1862, woodcut, 2015.191.1, Ailsa Mellon Bruce Fund > View of House with Greenhouse, Virginia, c. 1850, albumen print, 2016.26.1, Pepita Milmore Memorial Fund daguerreotype, 2016.31.1, Robert Menschel and the Boltanski, Christian, French, born 1944 Weiss, Bartholomäus Ignaz, German, 1740–1814 Vital Projects Fund > > Autel de Lycée Chases, 1986, mixed media installation Studies of Eleven Heads, 1770s(?), etching with > Panoramic View of Washington, DC, 1860–1876, five drypoint, 2016.43.4, Ailsa Mellon Bruce Fund of gelatin silver prints, metal biscuit boxes, and lamp, albumen prints, 2015.134.1, Gift of Daniel Wolf and 2015.127.1.1–29 Wells, James Lesesne, American, 1902–1993 Mathew Wolf in memory of Diane Wolf > Le Lycée Chases (Number 14), 1986, mixed media > Primitive Boy, c. 1929, linoleum cut, 2015.115.46, American 20th Century installation of gelatin silver prints, metal biscuit Gift of Bob Stana and Tom Judy > Mug Shot–Walter Heller, n.d. boxes, and lamp, 2015.127.2.1–12 Westerhout, Arnold von, Flemish, 1651–1725; after > Mug Shot–J. M. Simpson, 1936 > Le Lycée Chases (Number 6), 1986, mixed media Giovanni Battista Lenardi, Italian, 1656–1704; and > Mug Shot–Stanley H. Gardner, 1932, gelatin silver installation of gelatin silver prints, metal biscuit John Michael Wright (author), British, c. 1617–1694 prints, 2015.135.1–3, Gift of Robert E. Jackson, in boxes, and lamp, 2015.127.3.1–12 > Ragguaglio della solenne comparsa, fatta in Roma Honor of the 25th Anniversary of Photography at > Le Lycée Chases (Number 12), 1986, mixed media gli otto di Gennaio MDCLXXXVII dall’Illustrissimo… the National Gallery of Art installation of gelatin silver prints, metal biscuit Conte di Castelmaine ambasciadore straordinario > Atomic Bomb Test Sequence, Operation Upshot-Knothole, boxes, and lamp, 2015.127.4.1–12 della Sagra Real Maestà di Giacomo II, all’udienza Nevada Proving Ground, 1953, four gelatin silver > Le Lycée Chases (Number 7), 1986, mixed media di Papa Innocenzo XI (Rome, 1687), bound volume prints, 2015.137.1–4, Gift of Mary and Dan Solomon installation of gelatin silver prints, metal biscuit with seventeen engraved illustrations including one André, Rogi, French, 1905–1970 boxes, and lamp, 2015.127.5.1–12 > frontispiece, one initial, and fifteen plates, 2016.79.1, > Dora Maar, 1941, gelatin silver print, 2015.198.1, Le Lycée Chases (Number 9), 1986, mixed media Purchased as the Gift of Vincent J. Buonanno Robert Menschel and the Vital Projects Fund installation of gelatin silver prints, metal biscuit boxes, and lamp, 2015.127.6.1–12 Westermann, H. C., American, 1922–1981 Antin, Eleanor, American, born 1935 > > Le Lycée Chases (Number 11), 1986, mixed media Death Ship of No Port, 1967, color lithograph, > 100 BOOTS, 1971–1973, fifty-one halftone 2015.115.47, Gift of Bob Stana and Tom Judy installation of gelatin silver prints, metal biscuit photo-postcards with postmark, 2015.205.1–51, boxes, and lamp, 2015.127.7.1–12 Wilke, Ulfert, American, 1907–1987 Pepita Milmore Memorial Fund > Untitled > Zero through Nine, 1977, portfolio of thirteen color Babbitt, Platt D., American, 1823–1879 > Untitled lithographs, 2016.148.53, Gift of Bob Stana and > Niagara Falls, c. 1855, daguerreotype, 2016.30.1, > Untitled, 1984, gelatin silver prints, 2015.127.11–13, Tom Judy Robinson Family Fund in memory of C. David Robinson Gift of Glenstone Foundation Willmann, Eduard, German, 1820–1877 and Clinton and Jean Wright Fund Cartier-Bresson, Henri, French, 1908–2004 > The Four Seasons (after Julius Eduard Mařák), 1871, Baltz, Lewis, American, 1945–2014 > Henri Matisse, Vence, France, 1944 complete set of four etchings, 2016.135.1–4, Gift of > San Quentin Point, no. 1 > Beijing, China, 1948 Dewayne and Faith Perry > San Quentin Point, no. 2 > Shanghai, 1948 Wilson, John, American, 1922–2015 > San Quentin Point, no. 3 > Srinagar, Kashmir, India, 1948, gelatin silver prints, > Martin Luther King, Jr., 2002, etching and aquatint > San Quentin Point, no. 4 2015.120.1–4, Gift of Ann Ford Doyle with scraping and burnishing on chine collé, > San Quentin Point, no. 7 Claudet, Antoine, French, 1797–1867 2016.15.1, Gift of the family of John Wilson in honor > San Quentin Point, no. 8 > Portrait of a Woman, c. 1850, stereo daguerreotype of President > San Quentin Point, no. 10A with applied color, 2015.180.1, Pepita Milmore Wirsum, Karl, American, born 1939 > San Quentin Point, no. 16 Memorial Fund > First Portrait of the Brand New Star, 1969–1970, > San Quentin Point, no. 18 > San Quentin Point, no. 19 Clift, William, American, born 1944 color screenprint > > San Quentin Point, no. 20 Desert Form #1, , 1984, 1984, gelatin silver > Remind Me to Call Off the Dogs, 1974, color screenprint print, 2015.174.1, Gift of Bonnie and Louis Cohen > Inner ‘E’ Stare Bonnet, 1980, color lithograph > San Quentin Point, no. 22 > Blue Burger Quartet, 1994, three-dimensional color > San Quentin Point, no. 24 Core, Sharon, American, born 1965 lithograph construction, 2015.115.9, 10, 48, 50, > San Quentin Point, no. 25 > Early American, Apples in a Porcelain Basket, 2007 Gift of Bob Stana and Tom Judy > San Quentin Point, no. 27 > Early American, Blackberries, 2008 > San Quentin Point, no. 33 > Early American, Lemons, 2007, chromogenic prints, Wolfe, Meyer, American, 1897–1985 > San Quentin Point, no. 35 2015.159.1–3 > Conversation Piece, 1935, lithograph, 2015.115.52, > San Quentin Point, no. 37 > 1665, 2011, inkjet print, 2015.159.5, Gift of the Gift of Bob Stana and Tom Judy > San Quentin Point, no. 37B Heather and Tony Podesta Collection

64 NATIONAL GALLERY OF ART

Crawford, Ralston, American, 1906–1978 > Jimmy Osterberg, the musician Iggy Pop…, 1990, Greene, Myra, American, born 1975 > Rail Yard, New Orleans, c. 1945 gelatin silver print > Untitled #32 > New Orleans Woman, c. 1966 > William Burroughs on roof…, 1953, gelatin silver print, > Untitled #68, 2007, ambrotypes, 2016.25.1–2, > Girders, c. 1970 printed 1984–1997 Charina Endowment Fund > Junk Car Windshield, c. 1958 > John Hammond on his sick-bed…, 1986 > Untitled #82, 2007, ambrotype, 2016.25.3, > Portrait, c. 1965 > Ray Bremser…, 1987 Pepita Milmore Memorial Fund > Fishing Boats, Stornoway, Scotland, c. 1972 > Poet John Giorno & Bill’s secretary Jim Grauerholz…, 1985 Haacke, Hans, German, born 1936 > Diamond Plate, Duluth, c. 1961, gelatin silver prints, > Robert Duncan in his front room…, 1984, gelatin > Live Random Airbourne System, November 30, 1968, 1968 2015.167.1–7, Gift of Neelon Crawford silver prints > Cast Ice: Freezing and Melting, January 3, 4, 5…1969, 1969 Dahlberg, Jonas, Swedish, born 1970 > Louis Marker, Jacksonville Florida…, 1953 > Tokyo Trickle, 1970, gelatin silver prints, 2015.127.8–10, > Untitled (Horizontal Sliding), 2000, single-channel > Gary Snyder Poet & Zen student…, 1963, gelatin silver Gift of Glenstone Foundation video, thirty-eight minutes, looped prints, printed 1984–1997 > Francesco Clemente and Julius Orlovsky…, 1984 Hacker, Francis, American, 1827–1904 > One Way Street, 2002, single-channel video, > Looking Northwest from Westminster Street, Providence, four minutes, looped > Francesco Clemente…, 1985 > Poet Michael & Joanna McClure…, 1984 1858–1860, salted paper print, 2015.200.1, > Three Rooms, 2008, three-channel video, Pepita Milmore Memorial Fund twenty-seven minutes, looped, 2015.159.6–8, Gift of > Self Portrait…, 1987, gelatin silver prints the Heather and Tony Podesta Collection > Hugh MacDiarmid…, 1973 Hale, Luther Holman, American, 1821–1885 > Carl Solomon…, 1983, gelatin silver prints, printed > Portrait of a Mother and Child, c. 1850, daguerreotype, Danh, Binh, American, born Vietnam, 1977 1984–1997 2015.180.2, Pepita Milmore Memorial Fund > Lafayette Hillside Memorial > Irving Rosenthal…, 1984 > Portrait of a Mother and Child and Two Women, > CPL Sean Langevin > Ellie Dorfman…, 1985 c. 1850, daguerreotype, 2015.180.3, Pepita Milmore > Sergeant Patrick McCaffrey > Anna & George Condo…, 1993, gelatin silver prints Memorial Fund > LT Seth Dvorin > William S. Burroughs & Alene Lee…, 1953 > Army PFC James J. Coon Hase, Elisabeth, German, 1905–1991 > Helen Parker’s boys Bruce & Tommy…, 1953 > Self-Portrait, c. 1927 > AMN Jonathan Antonio “Jake” Yelner > Poet Philip Whalen, Jerry Heiserman & student > Army CPL Patrick D. Tillman > Downstairs, c. 1948, gelatin silver prints, 2016.4.1–2, Thomas Jackrell…, 1963, gelatin silver prints, printed Pepita Milmore Memorial Fund > Army SGT Marvin R. Sprayberry III, 2014, 1984–1997 daguerreotypes, 2015.126.1–8, Gift of the Artist > Gelek Rinpoche…, 1993, gelatin silver print Heinrich, Annemarie, Argentinian, born Germany, > Ghost of Tuol Sleng, Genocide Museum # 2, 2008, > All dressed up with tie & tweed jacket…, 1956, 1912–2005 daguerreotype, 2016.39.1, Charina Endowment Fund gelatin silver print, printed 1984–1997 > Serge Lifar, “El espectro de la rosa” (The Spirit of Durand-Brager, Jean Baptiste Henri, French, > Family house living room wall…, 1986 the Rose), 1935, gelatin silver print, 2016.95.1, 1814–1879, and Lassimonne, French, active 1850s > Chaim and Renee Gross…, 1984, gelatin silver prints Pepita Milmore Memorial Fund > Kamiesch: Entrée du Port (2e Vue) (Kamiesch: Port > Peter Du Peru, Neal Cassady, & Natalie Jackson…, 1955 Herbert, H. F., American, 19th century of Entry (2nd View)), c. 1855, salted paper print, > Wise-eyed Alan Ansen…, 1957, gelatin silver prints, > Coll. Church. Prof Long’s Prex Lord’s Sherman 2015.170.1, Gift of Alexander Novak printed 1984–1997 Nunnery, c. 1858, salted paper print, 2015.166.1, Durandelle, Louis-Émile, French, 1839–1917 > Dimitri Prigoff and Bela Akhmadulina…, 1985, gelatin Gift of Lee Gallery, Inc. > Le Nouvel Opéra de Paris (The New Paris Opera), 1875, silver print, 2015.163.1–43, Gift of Gary Davis Kasten, Barbara, American, born 1936 album, 2016.34.1, Pepita Milmore Memorial Fund Gowin, Emmet, American, born 1941 > Amalgam, Untitled 79/17, 1979, gelatin silver print Epstein, Mitch, American, born 1952 > Pivot Agriculture, San Luis Valley, Colorado, 1990 with applied crayon, 2015.184.1, Corcoran General > Massachusetts Turnpike, 1973, chromogenic print, > Agricultural Pivot, San Luis Valley, Near the Great Art Acquisition Fund and the Corcoran Photography printed 2005, 2016.124.1, Gift of Timothy and Sand Dune, Colorado, 1990 Acquisition Fund Suzanne Hyde, in Honor of the 25th Anniversary > Pivot Agriculture on the Snake River Plain near Kertész, André, American, born Hungary, 1894–1985 of Photography at the National Gallery of Art the Confluence of the Snake and Columbia Rivers, > New York, 1939, gelatin silver print, 2015.116.1, Gift Washington, 1991 of The André and Elizabeth Kertész Foundation, in Frank, Robert, American, born Switzerland, 1924 > Pivot Irrigation, near the One Hundred Circle Farm > Park/Sleep, 2012, book maquette with hand and Honor of the 25th Anniversary of Photography at the and the McNary Dam on the Columbia River, National Gallery of Art typewritten text, twenty-seven gelatin silver prints, Washington, 1991 and eight diffusion transfer prints (Polaroid), > Snow Over Pivot Agriculture, near Liberal, Kansas, 1995 Khan, Idris, British, born 1978 2015.186.1, Gift of Jane P. Watkins > Pivot Agriculture, South of Moses Lake, Washington, 1991 > Every…Bernd and Hilla Becher Spherical Type > Coney Island, 1958, gelatin silver print, printed 1970s, > Race Track and Motor Cross Near the Airport, Gasholder, 2004, gelatin silver print, 2015.169.1, 2016.122.1, Gift of Susan and Peter MacGill Albuquerque, New Mexico, 1988 Gift of Mary and Dan Solomon in honor of Sarah Ginsberg, Allen, American, 1926–1997 > Mining Exploration near Carson City, Nevada, 1988 Greenough on the occasion of the 25th Anniversary > Georgian Writers’ Union…, 1985, gelatin silver print > Waterfowl Nesting Site and Wetland Area Restoration of the founding of the Department of Photographs at > Miguel Grinberg…, 1965, gelatin silver print, printed near Sutters Butte, California, 1991 the National Gallery of Art 1984–1997 > Natural Drainages Outlined by Cultivation, Dry Land Lange, Dorothea, American, 1895–1965 > John Giorno, Henry Geldzahler…, 1985, gelatin silver print Wheat Farming near Hermiston, Oregon, 1991 > General Strike, San Francisco, 1934, gelatin silver > Natalie Jackson, San Francisco, 1955 > Golf Course Under Construction, , 1993 print, 2015.183.1, The Diana and Mallory Walker > Me asleep, snapped by Peter Orlovsky…, 1961 > Off Road rafficT Pattern along the Northwest Shore Fund and Robert Menschel and the Vital Projects > Bill Burroughs with camera…, 1961 of the Great Salt Lake, Utah, 1988 Fund, in Honor of the 25th Anniversary of > Charles Olson…, 1963, gelatin silver prints, printed > Old Hanford City Site and the Columbia River, Photography at the National Gallery of Art 1984–1997 Hanford Nuclear Reservation, near Richland, Levinstein, Leon, American, 1910–1988 > Jim Carroll backstage…, 1984, gelatin silver print Washington, 1986 > Houston Street, New York, 1970, gelatin silver print, > Strong Gregory Corso Tangier…, 1961, gelatin silver > Alluvial Fan, Natural Drainage near the Yuma Proving printed c. 1980, 2015.122.1, Gift of Michael Mattis print, printed 1984–1997 Ground, near the Arizona-California Border, 1988 and Judith Hochberg, in Honor of the 25th Anniversary > Patrick Warner in the kitchen…, 1985 > Aeration Pond, Toxic Water Treatment Facility, of Photography at the National Gallery of Art > William Burroughs…, 1985 Pine Bluff, , 1989, gelatin silver prints, > Allen Ginsberg Gregory Corso William Seward 2015.185.1–15, Gift of Jane P. Watkins Levinthal, David, American, born 1949 > Untitled, 1972 Burroughs…, 1985 Graham, Paul, British, born 1956 > Two new wave youths…, 1985 > Untitled, 1972 > Pittsburgh, 2004, series of six inkjet prints, > Untitled, 1974 > Ray Bremser master poet…, 1995 2016.125.1.1–6 > Philip Whalen…, 1984, gelatin silver prints > Untitled, 1973 > Pittsburgh, 2004, series of nine inkjet prints, > Untitled, 1975 > Basil Bunting…, 1973, gelatin silver print, printed 2016.125.2.1–9, Gift of Susan and Peter MacGill, in 1984–1997 > Untitled, 1975 Honor of the 25th Anniversary of Photography at the > Untitled, 1974 National Gallery of Art

65 ACQUISITIONS

> Untitled, 1975 > Roger Mertin Misrach, Richard, American, born 1949 > Untitled, 1975, gelatin silver prints > Joel Meyerowitz > Submerged Lamppost, Salton Sea, 1985, inkjet print, > Untitled, 1987 > Duane Michals printed 2015, 2016.64.1, Gift of Bruce and > Untitled, 1987 > Duane Michals Sharyn Charnas and the Charina Endowment Fund > Untitled, 1987 > Bea Nettles Model, Lisette, American, born Austria, 1901–1983 > Untitled, 1987 > Anne Noggle > Beggar, Paris, 1937, gelatin silver print, 2016.109.1, > Untitled, 1986, internal dye diffusion prints > Bill Owens Pepita Milmore Memorial Fund (Polaroid SX-70) > Paige Pinnell > Untitled, from the series Mein Kampf > Mark Power Moran, John, American, 1831–1903 > Untitled, from the series Mein Kampf > Lee Rice > Broadhead’s Creek, Delaware Water Gap, 1863, > Untitled, from the series Mein Kampf > Charley Roitz albumen print, 2016.29.1, Gift of John P. Coll, > Untitled, from the series Mein Kampf > Charley Roitz in memory of Margaret Canaga Coll and John Owen > Untitled, from the series Mein Kampf > Naomi Savage Reilly Coll, 2016 > Untitled, from the series Mein Kampf > Arthur Siegel Muniz, Vik, American, born Brazil, 1961 > Untitled, from the series Mein Kampf, 1994, > Ed Sievers > New York City, after George Bellows, 2011, dye diffusion transfer prints (Polacolor) > Ed Sievers chromogenic print, 2015.125.1, Gift of Nion McEvoy, > Untitled, 1975, gelatin silver print, 2015.123.1–22, > Ed Sievers in Honor of the 25th Anniversary of Photography at Anonymous Gift > Art Sinsabaugh the National Gallery of Art > Dallas 1963, 2013, inkjet print, 2015.124.1, > Art Sinsabaugh > Untitled (Matrix for New York City, after George Gift of Donald S. Rosenfeld Jr. > Bellows), 2011, collage of magazine on Foamcore, Lutter, Vera, German, born 1960 > Hank Smith 2015.168.1, Gift of Vik Muniz > Degas Dancers: October 29–31, 2014, 2014, > Fred Sommer Nickerson, Jackie, American, born 1960 2015.129.1, Gift of Vera Lutter > Eve Sonneman > Bryan #2, 2013, chromogenic print, 2015.164.1, Gift > Eve Sonneman of Jackie Nickerson and Jack Shainman Gallery in Maar, Dora, French, 1907–1997 > Doug Stewart > Christian Bérard’s Head Posed at Edge of Basin of Honor of the 25th Anniversary of Photography of the > Larry Sultan National Gallery of Art Water, Appearing to Float in the Water at the House > Chuck Swedlund of la Vicomtesse de Noailles, 1930s, gelatin silver print, > John Szarkowski Nixon, Nicholas, American, born 1947 2015.197.1, Robert Menschel and the Vital Projects Fund > Arthur Tress > Beaumont Newhall, Albuquerque, 1973, gelatin silver Mandel, Mike, American, born 1950 > Jerry Uelsmann print, 2015.175.1, Gift of Nicholas Nixon > Harold Allen > Paul Vanderbilt > The Brown Sisters, Wellfleet, Massachusetts, 2015, > Harold Allen > Ron Walker gelatin silver print, 2016.38.1, Randi and > Oscar Bailey > Jack Welpott Bob Fisher Fund > Oscar Bailey > Minor White Norfolk, Simon, British, born Nigeria, 1963 > Michael Becotte > Lee Witkin, 1975, offset lithographs, 2015.173.1–79, > The Lewis Glacier, Mt. Kenya, 1987 > Michael Becotte Gift of Sarah Greenough > The Lewis Glacier, Mt. Kenya, 1963 > John Benson > Michael Becotte > The Lewis Glacier, Mt. Kenya, 1934 (B) > John Benson > Van Deren Coke > The Lewis Glacier, Mt. Kenya, 1934 (A) > Don Blumberg > Linda Connor > The Lewis Glacier, Mt. Kenya, 2004 (A) > Don Blumberg > Liliane DeCock > The Lewis Glacier, Mt. Kenya, 1963 (B) > > Jacob Deschin > The Lewis Glacier, Mt. Kenya, 2004 (B), 2014, > Cornell Capa > Bill Edwards chromogenic prints, 2015.133.1–7, Gift of Theresa > Carl Chiarenza > Arnold Gassan Luisotti, in Honor of the 25th Anniversary of > Van Deren Coke > Len Gittleman Photography at the National Gallery of Art > Al Coleman > Joe Jachna Parks, Gordon, American, 1912–2006 > Linda Connor > Joe Jachna > Washington, D.C., Mrs. Ella Watson, a Government > Linda Connor > Les Krims Charwoman, 1942, gelatin silver print, 2015.119.1, > Arnold Crane > Richard Link Gift of Julia J. Norrell > Barbara Crane > Duane Michals > Bob Cumming > Ira Nowinski Ringl and Pit, German, active 1930–1933; Grete > Imogen Cunningham > Timo Pajunen Stern, Argentinian, born Germany, 1904–1999; > Darryl Curran > Bart Parker Ellen Auerbach, American, born Germany, 1906–2004 > Robert Doherty > Linda Parry > Walter and Ellen Auerbach, 1931 > Jim Dow > Tom Porett > Soapsuds, 1930 > Bill Edwards > C. J. Pressma > Eckstein with Lipstick, 1930, gelatin silver prints, > Bill Eggleston > C. J. Pressma 2015.199.1–3, Pepita Milmore Memorial Fund > Elliott Erwitt > John Schulze Rosler, Martha, American, born 1943 > Bob Flick > Art Sinsabaugh > Roadside Ambush, from the series, House Beautiful: > Dave Freund > Larry Sultan Bringing the War Home, 1967–1972, inkjet print, > Laura Gilpin > Al Sweetman printed 2007, 2015.121.1, Gift of the Artist and > Peter Gowland > Al Sweetman Mitchell-Innes and Nash > Jim Hajicek > Edmund Teske Ruwedel, Mark, American, born 1954 > Scott Hyde > Ron Walker > Wonder Valley #33, 2005 > C. Jansen > Geof Winningham, 1975, offset lithographs, > Apple Valley #6, 2007 > Harold Jones 2015.176.1–28, Gift of Philip Brookman > Wonder Valley #69, 2008 > Ken Josephson Mann, Sally, American, born 1951 > Antelope Valley #145, 2008 > Les Krims > Deep South, Untitled, (Scarred Tree), 1998, gelatin > Wonder Valley #55, 2006 > Bill Larson silver print, 2016.112.1, Alfred H. Moses and > Wonder Valley #83, 2008 > Bill Larson Fern M. Schad Fund > Wonder Valley #77, 2008 > Richard Link Marsovszky, Elemérné de, Hungarian, active > Wonder Valley #47A, 2006 > Joan Lyons > Lucerne Valley #37, 2008 > Margery Mann 1930s–1940s > Untitled (Woman Sitting Next to Gloves), c. 1930s, > Antelope Valley #207B, 2008 > Grace Mayer > Wonder Valley #70, 2008 > Roger Mertin gelatin silver print with collage, 2016.94.1, Pepita Milmore Memorial Fund > California Valley #21A, 2011

66 NATIONAL GALLERY OF ART

> Central Pacific #11, 1994 > Today, 1937, gelatin silver prints, 2015.137.5–7, > Spokane Portland and Seattle #2, 1994 Gift of Mary and Dan Solomon > Spokane Portland and Seattle #36, 2001 > Untitled (press photographs covering the assassination > Virginia and Truckee #2, 1996 of John F. Kennedy), c. 1963, nineteen gelatin silver > California Eastern #4, 1998 prints, 2015.208.1–19, Pepita Milmore Memorial Fund > Chicago Milwaukee St. Paul and Pacific #18, 2004 Whitney, Joel E., American, 1822–1886 > Colorado Midland #7, 1996 > Fort Snelling, c. 1865, albumen print, 2016.111.1, > Central Pacific #6, 1994 Clinton and Jean Wright Fund > Northern Pacific #13, 2005 > Tonopah and Tidewater #17, 2002 Williamson, Charles H., American, 1826–1874 > North Yakima and Valley #1, 2001 > Portrait of a Boy, c. 1850, daguerreotype, 2015.118.1, > Tonopah and Tidewater #1, 1995, gelatin silver prints, Gift of William L. Schaeffer, in Honor of the 25th 2016.50.1–12, Gift of John Divola Anniversary of Photography at the National Gallery of Art Sander, August, German, 1876–1964 > Peasant Woman, 1912, gelatin silver print, 2015.132.1, Willis, John, American, born 1957 Gift of Kent and Marcia Minichiello, in Honor of the > Vern Sitting Bear and His Niece’s Pet Wolf, 2004 25th Anniversary of Photography at the National > Victoria Chipps of the Horn Chipps Lineage of Gallery of Art Medicine Men on her 90th Birthday with her Great Grand-daughter, 2005 Sherman, Cindy, American, born 1954 > The Merrival Family’s Buffalo Ranch, 1984 > Untitled, 1975, gelatin silver print, 2016.9.4, Gift of > Pine Ridge, 2004, gelatin silver prints, 2015.130.1–4, Anne and Joel Ehrenkranz Gift of Jeanne and Richard S. Press Siskind, Aaron, American, 1903–1991 Winogrand, Garry, American, 1928–1984 > Martha’s Vineyard 116, 1954 > Mummer’s Parade, Philadelphia, c. 1960 > Chicago 10, 1965, gelatin silver prints, 2015.165.1–2, > Democratic National Convention, Los Angeles, 1960 Gift of Richard and Ronay Menschel > Los Angeles, 1983 Stieglitz, Alfred, American, 1864–1946 > New York, c. 1960 > Untitled (exhibition of Georgia O’Keeffe’s paintings at > Ivar Theater, Los Angeles, 1980–1983 An American Place), 1930s, forty-seven negatives on > Untitled, c. 1979 plastic, printed later, 2015.207.1–47, Anonymous Gift > Miami Beach, Florida, 1976 > Untitled, 1930s, five glass negatives, 2015.207.48–52, > Location for the Film “Annie,” 1981, gelatin silver Anonymous Gift prints, printed 2012, 2014.180.1–8, Gift of the > Untitled, 1930s, 1,265 gelatin silver prints, printed Randi and Bob Fisher Fund later, 2015.207.53–1317, Anonymous Gift > Minsky’s Burlesque, New Jersey, c. 1954 > Untitled, 1930s, thirteen pieces of ephemera and > New York, c. 1961 seventy-eight gelatin silver prints, printed later, > Political Meeting, New York, c. 1960 2016.119.1–91, Anonymous Gift > New York, c. 1952 Strand, Paul, American, 1890–1976 > New York, c. 1969 > Alfred Stieglitz, Lake George, New York, 1929, gelatin > Los Angeles, 1964 silver print, 2016.123.1, Gift of Gary and Ellen Davis, > Austin, c. 1975 in Honor of the 25th Anniversary of Photography at > New , c. 1975, gelatin silver prints, the National Gallery of Art printed 2012, 2014.180.9–16, Gift of the Blavatnik Family Foundation Sutton, Thomas, British, 1819–1875 > Venice Beach, Los Angeles, 1980–1983 > Landscape with Ships and Castle, c. 1850, salted > Los Angeles, c. 1974 paper print, 2016.32.1, Robert Menschel and the > New York, c. 1963 Vital Projects Fund > John F. Kennedy International Airport, New York, c. 1967 Tripe, Linnaeus, British, 1822–1902 > Chicago, c. 1972 > Bridge near Collector’s House, Shungavellor, India, > Watergate Hotel, Washington, D.C., c. 1975 December 1857–January 1858, paper negative, > Los Angeles, c. 1979 2016.62.1, Gift of Betsy Karel > New York, c. 1975, gelatin silver prints, printed 2012, Unknown 2014.180.17–24, Gift of the Robert and Mercedes > Untitled (silver cup bearing an inscription “To Alfred Eichholz Foundation Stieglitz from his fellow members of The Camera Club > Democratic National Convention, Los Angeles, 1960 in recognition of his distinguished services in founding > Houston, 1976–1977 ‘Camera Notes’ 1898”), 1898, silver cup, 2016.120.1, > Political Meeting, New York, c. 1961 Gift of Sarah Greenough > New York, c. 1962 > Dallas, 1964 Unknown 20th Century > Los Angeles, 1980–1983 > Untitled, 1973 > Farmer’s Market, Los Angeles, 1980–1983 > Untitled, 1973 > Los Angeles, 1980–1983, gelatin silver prints, printed > Untitled, 1973, chromogenic prints, 2015.135.5–7, 2012, 2014.180.25–32, Gift of the Trellis Fund Gift of Robert E. Jackson, in Honor of the 25th Anniversary of Photography at the National Gallery of Art > Boys Pointing Guns, n.d., gelatin silver print, 2015.135.4 > Gun on the Car, n.d., chromogenic print > Men with Target Practice, n.d., internal dye diffusion print (Polaroid SX-70), 2015.135.8–9, Gift of Robert E. Jackson, in Honor of the 25th Anniversary of Photography at the National Gallery of Art > 5:15 pm, Thursday > 5:25 pm, Thursday

67 CHANGES OF ATTRIBUTION

The following changes of attribution are PAINTINGS 1951.16.183 the result of scholarly research utilizing 2015.143.18 Old: Attributed to John Sell Cotman, River with the latest art historical investigations and The Judgment of Midas Bridge and Distant Castle New: James Bulwer, after John Sell Cotman, scientific examinations. It is the policy of Old: School of Peter Paul Rubens, c. 1634 New: Jan van den Hoecke, c. 1640 Bridge at Knaresborough the National Gallery of Art to publish these changes regularly. The following changes 1951.16.185 of attribution were proposed by Gallery SCULPTURES Sketch of Buildings with Cart and Horses in Foreground curators and approved by the Gallery’s Old: Attributed to John Sell Cotman 1952.5.100 New: John Sell Cotman Board of Trustees during fiscal year 2016. Ciborium for the Sacrament Each list is arranged in alphabetical order Old: Desiderio da Settignano, c. 1429–1464 1951.16.190 New: Florentine 15th Century, possibly after a model Landscape with Trees according to former attribution. Changes of by Desiderio da Settignano, 1460s–c. 1470 (stem with title and/or date are included if they were a Old: Attributed to John Sell Cotman integral base); Florentine 19th Century, probably 1860s– New: after John Sell Cotman part of the attribution change. c. 1870 (dome, enclosure, base beneath enclosure); Florentine 19th Century, 1870s (finial, bottom plinth) 1951.16.191 A Dry Dock 1939.1.328 Old: Follower of John Sell Cotman Saint Peter New: John Sell Cotman Old: Andrea della Robbia, c. 1480 New: Imitator of Andrea della Robbia, c. 1900/1925 1951.16.192 (figure); Probably Italian 16th Century, c. 1550 Landscape with Church (framing garland) Old: Follower of John Sell Cotman New: John Sell Cotman

DRAWINGS 1989.65.1 1951.16.159 Seated Faun Sailboat on a Beach Old: Antoine Coypel Old: British 19th century New: Louis de Boullogne the Younger New: John Varley 1985.1.43 1951.16.198 Old: Attributed to Albert Joseph Moore, Studies for Ragland Three Figures Old: British 19th century New: British 19th century, Studies for the Raising of the New: Attributed to James Bulwer Daughter of Jairus

1951.16.195 2011.117.1.a, b Bridge near Waters-Meet-Lynton View of the Janiculum Hill Seen from the Tiber (recto); Old: British 19th century The Church of S. Gregorio Magno of the Celian Hill (verso) New: Attributed to James Bulwer Old: Netherlandish 16th Century New: Anton van den Wyngaerde 1951.16.196 Castle on a Hill 1995.43.1 Old: British 19th century Nocturne New: Attributed to James Bulwer Old: Joseph Stella New: Leon Louis Dolice 1951.16.200 Old: British 19th century, Tower Overlooking Water 2009.70.246 New: William James Müller, The Bauern Turm, Cologne A Scholar Writing Old: Cornelis Visscher 1951.16.179 New: Flemish 17th Century Old: Attributed to John Sell Cotman, Cottage with Pigs in the Foreground New: after John Sell Cotman, Cottage at Diss

68 EXHIBITIONS AND LOANS

During the fiscal year, 279 lenders from Made possible through the generous support of the > Recent Acquisitions of Dutch and Flemish Drawings eighteen countries and thirty-two states Trellis Fund July 3, 2016–January 2, 2017 Also made possible through the Ryna and Organized by the National Gallery of Art loaned 1,329 works of art to eighteen Melvin Cohen Family Foundation Margaret Morgan Grasselli, curator exhibitions. The Gallery also worked on Additional funding kindly provided by Kate and Supported by the Thaw Charitable Trust another forty exhibitions scheduled to open Wes Mitchell > Damien Hirst: The Last Supper in the next five years and administered the > Louise Bourgeois: No Exit August 13, 2016–November 27, 2016 tour of seven exhibitions. United States November 15, 2015–May 15, 2016 Organized by the National Gallery of Art Government Indemnity was secured for Organized by the National Gallery of Art Judith Brodie, curator Judith Brodie, curator three exhibitions on view in fiscal year > In the Tower: Barbara Kruger > 2016, resulting in savings of more than Power and Pathos: Bronze Sculpture of the September 30, 2016–January 22, 2017 Hellenistic World Organized by the National Gallery of Art $3,303,392 in insurance premiums. December 13, 2015–March 20, 2016 Molly Donovan, curator Organized by the National Gallery of Art, Washington; Made possible by the Tower Project of the > Recent Acquisitions of Italian Renaissance Prints: the J. Paul Getty Museum, Los Angeles; and the National Gallery of Art Ideas Made Flesh Fondazione Palazzo Strozzi, Florence > Los Angeles to New York: Dwan Gallery, 1959–1971 Continued from the previous fiscal year to Jens M. Daehner, Kenneth Lapatin, and September 30, 2016–January 29, 2017 October 4, 2015 Carol C. Mattusch, curators Organized by the National Gallery of Art Organized by the National Gallery of Art Supported by Bank of America, national sponsor James Meyer, curator Jonathan Bober, curator of this touring exhibition Supported by the Robert and Mercedes Supported by the Thaw Charitable Trust Made possible through a generous gift from an Eichholz Foundation anonymous donor > Gustave Caillebotte: The Painter’s Eye Additional support provided by the Marshall B. Coyne > Photography Reinvented: The Collection Continued from the previous fiscal year to Foundation through the Fund for the International of Robert E. Meyerhoff and Rheda Becker October 4, 2015 Exchange of Art September 30, 2016–March 5, 2017 Organized by the National Gallery of Art and the Supported by an indemnity from the Federal Council Organized by the National Gallery of Art Kimbell Art Museum, Fort Worth on the Arts and the Humanities Sarah Greenough, curator Mary Morton, curator Made possible through the leadership support of the > Tom Hunter: Life and Death in Hackney Leonard and Elaine Silverstein Family Foundation February 7, 2016–August 7, 2016 LENDERS TO EXHIBITIONS Generous support provided by the Robert and Organized by the National Gallery of Art Mercedes Eichholz Foundation Diane Waggoner, curator Private Collections Additional funding kindly given by Count and > Three Centuries of American Prints from Ambassador of France, London Countess de La Haye St. Hilaire the National Gallery of Art Robert Bass Supported by an indemnity from the Federal Council April 3, 2016–July 24, 2016 Susan Bay-Nimoy on the Arts and the Humanities Organized by the National Gallery of Art Rheda Becker Amy Johnston and Judith Brodie, curators > Pleasure and Piety: The Art of Joachim Ms. Katrin Bellinger Supported by Altria Group in celebration of the 75th Wtewael (1566–1638) Lawrence B. Benenson Anniversary of the National Gallery of Art Continued from the previous fiscal year to Sandra Berler Funding for the international tour of the exhibition October 4, 2015 The Honorable Max N. Berry provided by the Terra Foundation for American Art Organized by the Centraal Museum Utrecht; the James and Elise Blair Additional support provided by the Exhibition Circle National Gallery of Art, Washington; the Museum Jean Bonna of the National Gallery of Art of Fine Arts, Houston; and the Sarah Campbell Mary Boone Blaffer Foundation > In Celebration of Paul Mellon Carolyn Brody Arthur Wheelock, curator May 8, 2016–September 18, 2016 Matthias Brunner Made possible through the Exhibition Circle of the Organized by the National Gallery of Art Buttonwood Holdings, LP National Gallery of Art Andrew Robison, curator Russell and Anne Byers Supported by an indemnity from the Federal Council > Norman and Carolyn Carr on the Arts and the Humanities Intersections: Photographs and Videos from the National Gallery of Art and the Corcoran Gallery of Art Chris Carter and Dori Pierson > Vermeer’s “Woman in Blue Reading a Letter” from May 29, 2016–January 2, 2017 Rosemarie Castoro the Rijksmuseum Organized by the National Gallery of Art Joseph M. Cohen Continued from the previous fiscal year to Sarah Greenough and Philip Brookman, curators Earl Davis December 1, 2015 Supported by the Trellis Fund Gary S. Davis Organized by the National Gallery of Art Additional funding provided by Brian and Mr. de Royere Arthur Wheelock, curator Paula Ballo Dailey Mrs. I. A. L. Diamond John Divola > The Serial Impulse at Gemini G.E.L. > Hubert Robert, 1733–1808 Virginia Dwan October 4, 2015–February 7, 2016 June 26, 2016–October 2, 2016 Bruno Eberli Organized by the National Gallery of Art Organized by the National Gallery of Art, Washington; Lawrence Ellison Judith Brodie and Adam Greenhalgh, curators and the Musée du Louvre, Paris Randi and Bob Fisher Made possible by the Exhibition Circle of the Margaret Morgan Grasselli and Yuriko Jackall, curators Aaron I. Fleischman National Gallery of Art Made possible through the Leonard and Elaine Silverstein Family Foundation > Celebrating Photography at the National Gallery of Art: David and Susan Gersh Additional funding provided by the Exhibition Circle Recent Gifts Gregory and Aline Gooding of the National Gallery of Art November 1, 2015–March 13, 2016 Anna and Michael Haas Supported by an indemnity from the Federal Council Organized by the National Gallery of Art Harry Waldron Havemeyer on the Arts and the Humanities Sarah Greenough, curator Michael Heizer

69 EXHIBITIONS AND LOANS

Paul Hertzmann DENMARK Minnesota Jeffrey E. Horvitz Copenhagen: Ny Carlsberg Glyptotek : Bardo Museum, Tunis Minneapolis: Minneapolis Institute Candace and Michael Humphreys of Art; Walker Art Center Timothy and Suzanne Hyde FRANCE UNITED KINGDOM–ENGLAND Missouri Charles Isaacs Beaune-la-Rolande: Commune de London: The British Museum; Kansas City: The Nelson-Atkins Robert Jackson Beaune-la-Rolande The National Gallery Museum of Art Mr. and Mrs. Conrad Janis : Musée de Grenoble St. Louis: Saint Louis Art Museum Michael Jesselson Le Havre: Musée Malraux UNITED STATES Lorraine and Renaud Jordan Montpellier: Musée Fabre Nebraska Betsy Karel Paris: Bibliothèque Nationale de Arizona Lincoln: Sheldon Museum of Art, Nancy Reddin Kienholz France; École Nationale Supérieure des Tucson: University of Arizona Museum University of Nebraska-Lincoln David Knaus Beaux-Arts; Kraemer Collection; Musée of Art Omaha: Joslyn Art Museum Robert and Arlene Kogod Carnavalet; Musée d’Orsay; Musée du Arkansas New Hampshire Joseph Kosuth Louvre; Musée du Petit Palais; Musée Bentonville: Crystal Bridges Museum Manchester: Currier Museum of Art Barbara Kruger Marmottan Monet; Musée national d’art of American Art Myron Kunin moderne, Centre Georges Pompidou; New Jersey Jon Landau California Newark: Newark Museum Sceaux; Musée de l’Ile de France : Museum of Contemporary Art Larry Lasser Versailles: Musée national des Châteaux Princeton: Princeton University San Diego Art Museum de Versailles et de Trianon Los Angeles: California African Richard and Jeanne Levitt American Museum (CAAM); Frederick New Mexico Phyllis and William Mack GERMANY R. Weisman Art Foundation; Gemini Santa Fe: The Holt-Smithson Linda and Harry Macklowe Berlin: Staatliche Museen zu Berlin, G.E.L.; The J. Paul Getty Museum; Foundation MAFG Art Fund LLC Kunstbibliothek Los Angeles County Museum of Art; David Mahoney Darmstadt: Hessisches Landesmuseum New York The Museum of Contemporary Art, Tom Marsico Darmstadt : Frankfurt: Städelsches Kunstinstitut Los Angeles Ithaca: Herbert F. Johnson Museum Pasadena: Norton Simon Museum Nion McEvoy und Städtische Galerie of Art, San Francisco: Fine Arts Museums Robert E. Meyerhoff Hamburg: Hamburger Kunsthalle New York: Vilcek Collection; Howard of San Francisco, de Young, Legion Marlene Meyerson Remagen: Arp Museum Bahnhof Greenberg Gallery; Hans P. Kraus, Jr., of Honor; San Francisco Museum of The Honorable J. William Middendorf II Rolandseck Inc.; The Metropolitan Museum of Art; Modern Art Dr. and Mrs. Kent Minichiello The Morgan Library & Museum; The Ron Miyashiro GREECE Connecticut ; Pace/MacGill Rotraut Klein Moquay Athens: Ephorate of Underwater Hartford: Gallery; Penn Foundation; Estate of Robert Robert Morris Antiquities; National Archaeological Museum of Art Smithson; Solomon R. Guggenheim Adam Nathanson Museum New Haven: Yale University Art Gallery Museum; The Assadour O. Tavitian Corinth: Archaeological Museum Westport: Michael Shapiro Photographs Trust U/A dated October 28, 2004; Whitney Museum of American Art Judy Norrell of Corinth District of Columbia Claes Oldenburg Iraklio: Herakleion Archaeological Purchase: Neuberger Museum of Art Washington: Hirshhorn Museum and Rochester: Memorial Art Gallery of the Mr. Ivan E. Phillips Museum Sculpture Garden; National Gallery of Anthony Podesta Rhodes: Kalymnos Archaeological University of Rochester Art Library; Smithsonian American Art Utica: Munson-Williams-Proctor Arts John and Lisa Pritzker Museum Museum; The Phillips Collection Private Collector Thessaloniki: Archaeological Museum Institute Phyllis Rappaport and Jerome Lyle of Thessaloniki Florida North Carolina Mary Robinson Palm Beach: Hall Collection Inc. Raleigh: North Carolina Museum of Art Fayez Sarofim West Palm Beach: Norton Gallery and Winston-Salem: Reynolda House ITALY School of Art Brindisi: Museo Provinciale Francesco Museum of American Art William L. Schaeffer Ribezzo, Brindisi Georgia Mr. and Mrs. Michael Scharf Chieti: Museo Archeologicao Nazionale Atlanta: High Museum of Art Cincinnati: Cincinnati Art Museum Jean-Pierre Selz d’Abruzzo Columbus: The Columbus Museum Edward Shein Cleveland: The Florence: Galleria degli Uffizi; MAN Oberlin: Allen Memorial Art Museum, Theodore P. Shen Florence; Museo Nazionale del Bargello Stephen G. Stein Chicago: The ; Oberlin College Naples: Museo Archeologico Nazionale Terra Foundation for American Art Toledo: Toledo Museum of Art Stephen G. Stein Employee Benefit Trust de Napoli Laurie Tisch Pompeii: Soprintendenza Speciale per i Indiana Pennsylvania Bruce E. Toll Beni Archeologici di Pompei, Ercolano Bloomington: Indiana University Art Philadelphia: Pennsylvania Academy Allen and Lynn Turner e Stabia Museum of the Fine Arts; Philadelphia Museum Neal Turtell Rome: Museo Nazionale Romano of Art Pascal Vincent-Bertillon Maine Salerno: Museo Archeologico Portland: Portland Museum of Art Diane von Furstenberg Tennessee Provinciale di Salerno Memphis: J. R. Hyde III Family Foundation Jane P. Watkins Maryland Andrea Woodner JAPAN : The Baltimore Museum Texas Dian Woodner Tokyo: The National Museum of of Art; The Dallas: Western Art Potomac: Glenstone Museum Fort Worth: Amon Carter Museum; Kimbell Art Museum Public Collections Massachusetts NETHERLANDS Houston: The Menil Collection; The Andover: Addison Gallery of American Art Rotterdam: Museum Boijmans Museum of Fine Arts, Houston AUSTRIA Boston: Isabella Stewart Gardner Van Beuningen Vienna: Albertina; Kunsthistorisches Museum; Museum of Fine Arts, Boston Virginia Museum, Antikensammlung SPAIN Cambridge: Harvard Art Museums Norfolk: Chrysler Museum of Art Ephesos Museum : Museo Nacional del Prado; Waltham: Rose Art Museum Richmond: Virginia Museum of Fine Arts Museo Thyssen-Bornemisza Williamstown: Sterling and Francine CANADA Washington Clark Art Institute Seattle: Seattle Art Museum Montreal: Montreal Museum of Fine SWITZERLAND Arts; Power Corporation of Canada Geneva: Petit Palais, Musée d’Art Wisconsin Art Collection Moderne Genève : The Detroit Institute of Arts Milwaukee: Milwaukee Art Museum Ottawa: National Gallery of Canada Toronto: Art Gallery of Ontario

70 NATIONAL GALLERY OF ART

VATICAN CITY Collection of Louis and Georges Candida and Rebecca Smith Augustus Saint-Gaudens > Vatican City: Musei Vaticani de Ménil “The Puritan” (Deacon Samuel Chapin) Anthony Caro >Black-White Forward >Samuel Gray Ward >Prairie >Blue Construction >Robert Louis Stevenson (square format) >Robert Louis Stevenson (horizontal format) LENDERS OF WORKS Fioratti Collection Robert H. Smith >Victory/Peace DISPLAYED WITH THE Giovanni Minello Manner of Pugin NGA COLLECTION >Bust of a Woman >Marble Octagonal Pedestal (2 Works) Dian Woodner Louise Bourgeois Anonymous Collection of Smithsonian American Art Museum >Germinal Nicolaes Pietersz Berchem Foundation, Inc. Sir >An Italianate Landscape with Figures Helen Frankenthaler >Marchesa Elena Grimaldi-Cattaneo NGA LOANS TO TEMPORARY Gerrit Adriaensz Berckheyde >Mountains and Sea French 13th Century EXHIBITIONS >The Grote or St. Bavokerk in Haarlem >Angel Holding a Cross and the Crown Gerard ter Borch the Younger Glenstone Museum, Potomac, of Thorns The department of loans and the >The pressing invitation to drink Maryland >Bishop Blessing National Lending Service administered German 18th Century Katharina Fritsch >Heraldic Panel the loans of 1,104 works of art to 228 >Pair of Female Figures >Hahn/Cock >Vita Contemplativa sites during fiscal year 2016. This Jacopo Palma il Giovane Jan Anthonisz Ravesteyn number includes the loan of 908 >Venus and Cupid at the Forge of Vulcan Collection of the Artist >Judith Langley works to temporary exhibitions at 189 Georgia O’Keeffe Jasper Johns institutions and the extended loan of >A Black Bird with Snow-Covered >Dancers on a Plane Mrs. Frederick M. Stafford 186 Gallery works to 32 sites. Seven Red Hills >Field Painting Claude Lorrain works from the Gallery’s collections were Charles Ethan Porter >No >Landscape with Apollo and Mercury on short-term loan to the permanent >Cherries >Target collections of five museums. U.S. Department of the Interior, Collection of Roger Arvid Anderson Richard and Elaine Kaufman National Park Service, Saint-Gaudens *Works in National Lending Service Possibly Germain Pilon National Historic Site, Cornish, >Veiled Mourner with Torch >Buste d’Annette IX New Hampshire Augustus Saint-Gaudens Canberra, National Gallery of Australia Ambassador Elizabeth Frawley Bagley The Honorable and Mrs. Ronald S. >Study Head of a Black Soldier (6 works) Loan to National Gallery of Australia Rembrandt van Rijn Lauder >Preliminary Sketch for Shaw Memorial permanent collection >Portrait of an Old Man Ellsworth Kelly >Shaw Memorial March 1, 2014–March 17, 2016 >Blue Green >Early Study of the Allegorical Figure for Barnett Newman The Morris and Gwendolyn Cafritz the Shaw Memorial >Yellow Painting Foundation The Leiden Collection, New York David Smith Jan Lievens Rose-Marie and Eijk van Otterloo Melbourne, National Gallery >Cubi XI >Self-Portrait Collection Jan van Mieris Caesar van Everdingen of Victoria Degas: A New Vision Calder Foundation >A Traveler at Rest >Bacchus and Bacchantes June 24, 2016–September 18, 2016 Alexander Calder Rembrandt van Rijn >An Offering to Venus Edgar Degas >Aztec Josephine Baker >Study of an Elderly Woman in a Aert van der Neer >Horses in a Meadow >Cheval Rouge White Cap >A Snowy Winter Landscape >Alexander and Bucephalus >Cheval Rouge (maquette) Jan Steen Esaias van de Velde I >Fallen Jockey (study for “Scene from the >Descending Spines >The Prayer Before the Meal >An Elegant Company in a Garden Steeplechase: The Fallen Jockey”) >Eucalyptus >Head of the Fallen Jockey (study for >Louisa’s 43rd Birthday Present The The White House “Scene from the Steeplechase: >1 Red, 4 Black plus X White Unknown Artist Paul Cézanne The Fallen Jockey”) >Rat >Hubbard and Broekman Reproduction >Hamlet at Payannet, near Gardanne >Racehorses (study for “Scene from the >Red Panel of a Pascal Taksin Harpsichord (Hameau à Payannet près de Gardanne) Steeplechase: The Fallen Jockey”) >Small Feathers >Houses on a Hill, Provence [Maisons >The Dance Class >Sphere Pierced by Cylinders The Metropolitan Museum of Art sur un colline] >The Big Ear Francesco di Giorgio Martini >Tom’s >The Nativity Mr. and Mrs. Erving Wolf AUSTRIA >Tower with Orange Band Anna Hyatt Huntington Vienna, Albertina >Untitled Robert and Jane Meyerhoff Collection >Yawning Panther “From End to Beginning”—Pointillism >Untitled Brice Marden Frederick William MacMonnies and Pointillisms in Europe >Untitled >Cold Mountain 5 (Open) >Nathan Hale September 15, 2016–January 8, 2017 >Untitled >Pan of Rohallion Camille Pissarro >Untitled Musée du Louvre, Réunion des Paul Manship >Hampton Court Green >Untitled Musées Nationaux, Paris >Actaeon >Untitled Venetian 16th Century >Atalanta CANADA >Boy on a Dolphin >Briseis Montreal, Montreal Museum of Fine Arts The Catholic University of America, >Flight of Europa Metamorphosis: The Studio of Rodin Oliveira Lima Library National Museum of Health and >Flight of Night May 26, 2015–October 18, 2015 Frans Post Medicine, Institute of Pathology >Oriental Dancer: Vase Circulated to: Virginia Museum of >Brazilian Landscape, Probably Thomas Eakins >Panther leaping at deer (Bronze Relief Fine Arts Pernambuco >Dr. John H. Brinton from the New York November 17, 2015–March 13, 2016 Flower Boxes) Circulated to: Peabody Essex Museum Cooper-Hewitt, National Design North Carolina Museum of Art >Salome May 14, 2016–September 5, 2016 Museum, Smithsonian Institution Paris Bordone Edward McCartan Auguste Rodin Giovanni Domenico Tiepolo >Portrait of Man in Armor >Bacchus >The Sirens* >The Immaculate Conception >Nymph and Satyr Anita and Burton Reiner Mel Bochner >Classical Head >Master of the Universe

71 EXHIBITIONS AND LOANS

Ottawa, National Gallery of Canada Le Cannet, Musée Bonnard Henri Rousseau Le Douanier: Le Paris, Musée national d’art moderne, Monet: A Bridge to Modernity Entre chiens et chats. Le Bestiaire Douanier Rousseau. L’innocence Centre Georges Pompidou October 30, 2015–February 15, 2016 de Bonnard archaique Beat Generation Claude Monet July 2, 2016–November 6, 2016 March 21, 2016–July 17, 2016 June 22, 2016–October 3, 2016 >The Bridge at Argenteuil Pierre Bonnard Circulated to: Národní galerie v Praze Robert Frank >Still Life with Basset Hound September 16, 2016–January 15, 2017 >From the Bus, New York Toronto, Art Gallery of Ontario Prior-Hamblin School >From the Bus, New York Camera Atomica Le Havre, Musée d’art moderne André >Little Girl with Slate* (displayed in >From the Bus, New York July 8, 2015–November 15, 2015 Malraux France only) >From the Bus, New York Robert Frank Normandy Impressionist Festival American 19th Century >From the Bus, New York >Hoover Dam, Nevada April 16, 2016–September 26, 2016 >Lexington Battle Monument* (displayed >From the Bus, New York >Halifax Infirmary Eugène Boudin in France only) >From the Bus, New York Richard Misrach >Jetty and Wharf at Trouville Redpath Allen Ginsberg >Princesses Against Plutonium, Nuclear >Mounting of the Guard* (displayed in >Herbert E. Huncke, author “The Evening Test Site, Nevada Montpellier, Musée Fabre France only) Sun Turned Crimson,”…, 1953. Frédéric Bazille and the Birth of American 19th Century >Carl Solomon in his Prince Street…, 1953. DENMARK Impressionism >Still Life of Fruit (displayed in >Gary Snyder, his small house-garden Aarhus, ARoS Aarhus Kunstmuseum June 25, 2016–October 16, 2016 France only) on Nishinomiya-cho, Kita-ku section…, Monet and the French Impressionists Jean-Baptiste-Camille Corot Henri Rousseau 1963. October 9, 2015–January 10, 2016 >The Artist’s Studio >Tropical Forest with Monkeys* >From roof of Brahmin’s house wherein Claude Monet Berthe Morisot we’d rented Third floor room six months >Cliffs at Pourville >The Harbor at “Au rendez-vous des poetes” Apolli- December to May 1963…, 1963. Frédéric Bazille naire et la naissance de l’art moderne >Gregory Corso, Paul Bowles, William Copenhagen, Statens Museum for Kunst >Young Woman with Peonies April 5, 2016–July 18, 2016 Burroughs, behind him shades of Ian Christoffer Wilhelm Eckersberg >The Ramparts at Aigues-Mortes* Summerville, Cambridge mathematics October 9, 2015–January 31, 2016 >Edmond Maître* >Football Players student, Bill’s cut-up tech assistant, and Circulated to: Hamburger Kunsthalle Claude Monet Michael Portman, eighteen-year-old February 11, 2016–May 16, 2016 >Sainte-Adresse All that Glitters: Paris and the Dawn Public School aristocrat admirer of Circulated to: Fondation Custodia, >Bazille and Camille (Study for of Impressionism, 1852–1870 Naked Lunch…, 1961. Collection Frits Lugt “Déjeuner sur l’Herbe”) September 26, 2016–January 16, 2017 >Allen Ginsberg, utility man,…, 1947. June 1, 2016–August 14, 2016 Paul Guigou Pierre Puvis de Chavannes >We went uptown to look at Mayan Christoffer Wilhelm Eckersberg >Washerwomen on the Banks of >Rest Codices… 1953 >View of the Cloaca Maxima, Rome the Durance >Work >“Now Jack as I warned you…,” 1953. Henri Fantin-Latour >Robert LaVigne, painter at 1010 Mont- Fleeting Moments—Drawings by >Pansies Paris, Musée du Louvre gomery Street, San Francisco…, 1955 Auguste Rodin Hubert Robert, 1733–1808 >Neal Cassady and his love of that year September 22, 2016–January 15, 2017 Paris, Galeries nationales du March 9, 2016–May 30, 2016 the star-cross’d Natalie Jackson…, 1955 Auguste Rodin Grand Palais Circulated to: National Gallery of Art >Jack Kerouac wandering along East 7th >Nude Woman Carrying Vase on Head Élisabeth-Louise Vigée Le Brun June 26, 2016–October 2, 2016 Street…, 1953 >Figure Facing Forward (1755–1842) Hubert Robert >Bob Donlon (Rob Donnelly, Kerouac’s >Two Figures September 21, 2015–January 11, 2016 >The Ponte Salario Desolation Angels), Neal Cassady, Circulated to: The Metropolitan >Architectural Fantasy with a myself…, 1956 Humlebaek, Louisiana Museum Museum of Art Triumphal Bridge >Paul Bowles preparing mint tea…, 1961 of Modern Art February 10, 2016–May 15, 2016 >My front room 1010 Montgomery…, 1955 Yayoi Kusama—a Survey Show Circulated to: National Gallery of Edme Bouchardon de sanquine et >Bill Burroughs and Jack Kerouac locked September 18, 2015–January 24, 2016 Canada de marble in Mortal Combat…, 1953 Circulated to: Henie Onstad Art Center June 10, 2016–September 12, 2016 September 12, 2016–December 5, 2016 >Jack Kerouac, Villa Mouneria Garden February 18, 2016–May 15, 2016 Élisabeth-Louise Vigée Le Brun Edme Bouchardon Wall, Tangier…, 1957 Circulated to: Moderna Museet >The Marquise de Pezay, and the >Head of a Boy >Peter Orlovsky legs crossed…, 1961 June 10, 2016–September 11, 2016 Marquise de Rougé with Her Sons Alexis >Rocaille Fountain with Venus, Amorini, >Dr. Timothy Leary meeting Neal Yayoi Kusama and Adrien and Swans Cassady…, 1964 >Infinity Nets Yellow Paris, Musée d’Art Moderne de la Ville Paris, Musée du Luxembourg Magritte, la trahison des images FINLAND de Paris Fragonard in Love September 21, 2016–January 23, 2017 Helsinki, Ateneum Art Museum, Albert Marquet September 16, 2015–January 24, 2016 René Magritte Finnish National Gallery March 24, 2016–August 21, 2016 Jean-Honoré Fragonard >The Blank Signature* Alice Neel—A Retrospective Albert Marquet >A Game of Hot Cockles June 10, 2016–October 9, 2016 >Posters at Trouville >Love as Folly Rouen, Musée des Beaux-Arts de Rouen Alice Neel >Diana and Endymion* Normandy Impressionist Festival >Loneliness Paris, Musée d’Orsay >The Bedroom (Le Coucher or Ma April 16, 2016–September 26, 2016 >Hartley Splendeurs et misères des courtisanes. Chemise brule) Auguste Renoir Images del la prostitution en France >Angelica Is Exposed to the Orc >Claude Monet FRANCE 1850–1910 Giverny, Musée des impressionnismes September 21, 2015–January 20, 2016 Henri Fantin-Latour (1836–1904) GERMANY Giverny Circulated to: Van Gogh Museum September 14, 2016–February 12, 2017 Berlin, Staatliche Museen zu Berlin Caillebotte, Painter and Gardener February 19, 2016–June 19, 2016 Henri Fantin-Latour Botticelli Re-Imagined March 25, 2016–July 3, 2016 Edouard Manet >Self-Portrait September 24, 2015–January 24, 2016 Circulated to: Museo Thyssen- >Plum Brandy Circulated to: Victoria and Albert Bornemisza >Masked Ball at the Opera* Paris, Musée Jacquemart-André Museum July 19, 2016–October 30, 2016 Monet, Renoir, Pissaro, Boudin, March 5, 2016–July 3, 2016 Gustave Caillebotte Who’s Afraid of Women Photographers Gauguin…in Normandy. Open-Air Sandro Botticelli >Skiffs* October 13, 2015–January 25, 2016 Studio >Portrait of a Youth Helen Levitt March 18, 2016–July 25, 2016 Robert Rauschenberg >New York Auguste Renoir >Swim/ROCI USA (Wax Fire Works) >The Mussel Harvest

72 NATIONAL GALLERY OF ART

“El Siglo de Oro.” Spanische Malerei Venice, Gallerie dell’Accademia NORWAY Zurich, Kunsthaus Zürich und Skulptur des 17. Jh Manutius, the arts and publishing. Oslo, Munch Museet Joan Miro—Wall, Frieze Mural July 1, 2016–October 30, 2016 The Venetian Renaissance Johns|Munch October 2, 2015–January 24, 2016 El Greco (Domenikos Theotokopoulos) March 19, 2016–July 31, 2016 June 18, 2016–September 25, 2016 Circulated to: Schirn Kunsthalle Frankfurt >Saint Martin and the Beggar Lorenzo Lotto Jasper Johns February 26, 2016–June 12, 2016 >Study for the “Madonna della Scodella” >Perilous Night Joan Miró Dusseldorf, Museum kunst palast [recto] >Between the Clock and the Bed >The Farm Zurbarán. Meister der Details >Allegory of Virtue and Vice >Between the Clock and the Bed October 10, 2015–January 31, 2016 Cima da Conegliano >Spring Picabia: A Retrospective Francisco de Zurbarán and Workshop >Saint Helena June 3, 2016–September 20, 2016 >Saint Jerome with Saint Paula and QATAR Francis Picabia > Saint Eustochium JAPAN Doha, Gallery Alriwaq The Procession, Kyoto, Kyoto Municipal Museum of Art Luc Tuymans UNITED KINGDOM–ENGLAND Essen, Museum Folkwang Essen October 25, 2015–January 30, 2016 René Magritte: The Search for the London, Barbican Art Gallery The Shadow of the Avantegarde Luc Tuymans Absolute Strange and Familiar: Britain as October 17, 2015–January 17, 2016 > July 11, 2015–October 12, 2015 Dead Skull Revealed by International Photographers Henri Rousseau René Magritte >Tropical Forest with Monkeys* March 16, 2016–June 19, 2016 >The Blank Signature* SPAIN Robert Frank >La condition humaine Frankfurt, Städelsches Kunstinstitut und Madrid, Instituto de Cultura, >City of London Fundación MAPFRE >City of London Städtische Galerie Renoir Image of Women Masterworks in Dialogue. Eminent Pierre Bonnard (1867–1947). >London March 19, 2016–June 5, 2016 Painting Arcadia >Caerau, Wales Guests for the Anniversary Auguste Renoir October 6, 2015–January 24, 2016 September 19, 2015–January 10, 2016 >Wales, Ben James >Woman with a Cat Jan van Eyck Circulated to: California Palace of >Wales, Ben James >Mlle Charlotte Berthier the Legion of Honor, The Fine Arts >The Annunciation >Wales, Ben James and His Family >Child with Toys—Gabrielle and the Museums of San Francisco >Wales, Ben James and His Wife Artist’s Son, Jean February 6, 2016–May 15, 2016 Maniera. Mannerism in Medici >Caerau, Wales Pierre Bonnard Florence >Caerau, Wales Nagoya, Aichi Prefectural Museum of Art > February 24, 2016–June 5, 2016 Nude in an Interior >Wales, Ben James The Secret of Picasso’s Genius > Agnolo Bronzino Walking at the Lake, Bois de Boulogne >Wales, Ben James January 3, 2016–March 21, 2016 > >The Holy Family Work Table >Caerau Coal Mine, Wales Circulated to: Abeno Harukas Museum >Caerau, Wales April 9, 2016–July 3, 2016 Hamburg, Hamburger Kunsthalle Madrid, Museo Nacional del Prado >Caerau, Wales Pablo Picasso Ingres Manet: Painting the Gaze >Lady with a Fan* May 27, 2016–September 4, 2016 November 24, 2015–March 27, 2016 London, The National Gallery >Peonies Edouard Manet Jean-Auguste-Dominique Ingres Goya: The Portraits > >Madame Moitessier October 7, 2015–January 10, 2016 Masked Ball at the Opera* Tokyo, Tokyo Metropolitan Art Museum >Tama, the Japanese Dog Francisco de Goya Botticelli and His Time “Georges de La Tour” >Bartolomé Sureda y Miserol January 6, 2016–February 25, 2016 February 23, 2016–June 12, 2016 Munich, Museum Brandhorst >Thérèse Louise de Sureda Sandro Botticelli Georges de La Tour Painting 2.0: Expression in the Infor- >Portrait of a Youth > mation Age The Repentant Magdalen London, Royal Academy of Arts November 14, 2015–April 30, 2016 In the Age of Giorgione Yokohama, Yokohama Museum of Art Circulated to: Museum moderner El Bosco March 12, 2016–June 5, 2016 Mary Cassatt Retrospective May 31, 2016–September 25, 2016 Cariani Kunst Stiftung Ludwig June 25, 2016–September 11, 2016 June 4, 2016–September 25, 2016 Hieronymus Bosch >Portrait of a Venetian Gentleman Circulated to: The National Museum of >Death and the Miser Modern Art, Kyoto >Untitled (I Am a Man) Abstract Express September 27, 2016–December 4, 2016 Madrid, Museo Thyssen-Bornemisza September 20, 2016–January 2, 2017 Mary Cassatt Edvard Munch Mark Rothko ITALY >Children Playing on the Beach* October 6, 2015–January 17, 2016 >Interior* Ferrara, Exhibit Halls, Palazzo dei Edvard Munch >Untitled > Diamanti NETHERLANDS The Kiss (Der Kuss) Robert Motherwell > De Chirico a Ferrara 1915–1918. Pittura Amsterdam, Rijksmuseum The Kiss >In Plato’s Cave No. 1 Metafisica e avanguardie europee Asia in Amsterdam November 14, 2015–February 28, 2016 October 15, 2015–January 18, 2016 The Illusion of the American Frontier >Salut Tom Circulated to: Staatsgalerie Stuttgart Circulated to: Peabody Essex Museum November 3, 2015–February 7, 2016 March 18, 2016–July 3, 2016 February 27, 2016–June 5, 2016 George Catlin London, Tate > René Magritte Balthasar van der Ast Buffalo Dance–Mandan* Alexander Calder: Performing > > La condition humaine >Basket of Fruits Buffalo Chase in the Snow Drifts— Sculpture >Basket of Flowers Ojibbeway* November 9, 2015–April 3, 2016 > Rome, Scuderie del Quirinale Rembrandt van Rijn Buffalo Chase—Bulls Protecting Alexander Calder Correggio e Parmigianino. Arte a >Abraham Francen (displayed in the Calves* >Triple Gong > Parma nel Cinquecento Massachusetts only) Dying Buffalo Bull* March 11, 2016–26 June 2016 Pieter Claesz Georgia O’Keeffe Correggio SWITZERLAND >Still Life with Peacock Pie (displayed in July 6, 2016–October 30, 2016 > Riehen/Basel, Fondation Beyeler The Mystic Marriage of Saint Catherine Massachusetts only) Alfred Stieglitz >Study for the “Madonna della Scodella” Jean Dubuffet—Everything is >From the Back-Window—291 [recto] Landscape ‘s-Hertogenbosch, Noordbrabants Museum >Paul Rosenfeld Circle of (Possibly January 31, 2016–May 8, 2016 Hieronymous Bosch Anniversary >John Marin Correggio) Jean Dubuffet Exhibition >Claudia O’Keeffe > >Façades d’immeubles (Building Façades) Madonna and Child February 11, 2016–May 8, 2016 >Rebecca Salsbury Strand Hieronymus Bosch >Barn & Snow >Death and the Miser >Lake George

73 EXHIBITIONS AND LOANS

>Door to Shanty, Lake George >From “Bizzarie di varie Figure” >Two Bowlers (with Questioning Person) Electric Paris >Portrait of Georgia, No. 2 >From “Bizzarie di varie Figure” [right panel] May 14, 2016–September 4, 2016 >Lake George Pavel Tchelitchew >Jump (with Volcano) Jean Béraud >From the Shelton, New York (Room >Tree into Double Hand (Study for >One and Three Persons (with Two >Paris, rue du Havre* 3003) Looking Southeast Hide-and-Seek) Contexts—One Chaotic) >New York from An American Place Georgia O’Keeffe >Money (with Space Between) New Haven, Yale University Art Gallery >From the Shelton, New York, Looking East >Wall with Green Door >Accordionist (with Crowd) Early American Elegance: Rhode >Georgia O’Keeffe at 291 >French Horn Player (with Three Island Furniture, 1650–1830 >Georgia O’Keeffe Los Angeles, The J. Paul Getty Museum Context—One Uncoded) August 19, 2016–January 8, 2017 >Georgia O’Keeffe Natural Creation: Théodore Rousseau’s >Two Sunsets (One with Square John Goddard >Georgia O’Keeffe—Torso Landscape Art Blue Moon) >Card Table >Georgia O’Keeffe—Torso June 21, 2016–September 11, 2016 >Keys (with Intrusion) >Georgia O’Keeffe Théodore Rousseau Julie Mehretu New London, >Georgia O’Keeffe >Landscape with Boatman >Myriads, Only by Dark [entire polyptich] J. Alden Weir and American >Georgia O’Keeffe—Breasts >Mountain Stream in the Auvergne Susan Rothenberg Impressionism in Eastern Connecticut >Georgia O’Keeffe >Puppet Series #1 May 7, 2016–September 11, 2016 >Ida and Georgia O’Keeffe Los Angeles, Los Angeles County >Puppet Series #2 Julian Alden Weir >Georgia O’Keeffe Museum of Art >Puppet Series #3 >U.S. Thread Company Mills, Georgia O’Keeffe The Serial Impulse at Gemini G.E.L. >Puppet Series #4 Willimantic, Connecticut >Line and Curve September 11, 2016–January 1, 2017 >Obweebetuck >Sky with Flat White Cloud David Hockney San Diego, San Diego Museum of Art >No. 14 Special >Rain Coney Island: Visions of an American District of Columbia >Winter Road I >Sun Dreamland, 1861–2008 Washington, American University >Wall with Green Door >Wind July 11, 2015–October 11, 2015 Museum at the Katzen Arts Center >Snow Circulated to: Brooklyn Museum William Dunlap: Look at It—Think London, Victoria and Albert Museum >Lightning November 20, 2015–March 13, 2016 About It Captain Linnaeus Tripe: Photographer >Mist Circulated to: Chrysler Museum of Art April 2, 2016–May 29, 2016 of India and Burma, 1852–1860 Michael Heizer June 8, 2016–September 4, 2016 William Dunlap June 24, 2015–October 11, 2015 >Scrap Metal Drypoint #1 Robert Frank >Spring Storm—Valley Series Linnaeus Tripe >Scrap Metal Drypoint #2 >Coney Island >Tanjore: Great Pagoda, Entrance >Scrap Metal Drypoint #3 Kevin MacDonald Looking Outwards >Scrap Metal Drypoint #4 The Art of Music April 2, 2016–May 29, 2016 >Madura: The Vygay River, with >Scrap Metal Drypoint #5 September 26, 2015–February 7, 2016 Kevin John MacDonald Causeway, across to Madura >Scrap Metal Drypoint #6 Thomas Wilmer Dewing >Rooftops >Quarterdeck of HMS “Impregnable” >Lady with a Lute >8th Grade Dance >Amerapoora: Toung-lay-lou-tiy Kyoung >Club Onyx—Seven Steps Jasper Johns >Tsagain Myo: Ruined Tazoung >Arbeit Macht Frei >Dancers on a Plane Washington, Hirshhorn Museum and >Tsagain Myo: View near the Irrawadi River >Clinton Plaza Sculpture Garden >Rangoon: View near the Lake >Arundel Castle San Francisco, Fine Arts Museums of San Marvelous Objects: Surrealist >Pugahm Myo: Carved Doorway in >Die Fahne Hoch! Francisco, de Young, Legion of Honor Sculpture from Paris to New York Courtyard of Shwe Zeegong Pagoda >Marriage of Reason and Squalor Jewel City: Art of the Panama-Pacific October 29, 2015–February 15, 2016 >Rangoon: Near View of the Shwe >Tomlinson Court Park International Exposition Alberto Giacometti Dagon Pagoda >Getty Tomb October 17, 2015–January 10, 2016 >The Invisible Object (Hands Holding >Amerapoora: Doorway of Pyathat on >Bethlehem’s Hospital Paul Strand the Void)* East of Maha-too-lo-Bounghian Kyoung Ellsworth Kelly >Panama-Pacific Exposition, >No More Play >Amerapoora: South Ditch of the City Wall >Light Green Panel San Francisco Jean Arp >Amerapoora: Ouk Kyoung >Dark Red-Violet Panel Karl Struss >The Forest >Pugahm Myo: East Facade of >Yellow Panel >Columbia University, Night >Shirt Front and Fork Damayangyee Pagoda >Gray Panel Marcel Duchamp >Amerapoora: West Gate of the Residency >Red Panel Colorado >Fresh Widow Enclosure >Red-Orange Panel Denver, Denver Art Museum Joseph Cornell >White Panel Working among Flowers: French Still >Caravaggio Prince, Medici Slot UNITED STATES >Black Panel Life in the 19th Century Machine Variant Arkansas >Dark Blue Panel July 19, 2015–October 11, 2015 Bentonville, Crystal Bridges Museum of >Dark Green Panel I Edouard Manet Washington, National Building Museum American Art >Dark Green Panel II >Flowers in a Crystal Vase Exhibition on the work of Oehme, From Tierra Del Fuego to the Arctic: Vija Celmins Paul Gauguin Van Sweden & Associates in the Americas >Concentric Bearings, B >Still Life with Peonies October 27, 2015–May 1, 2016 October 1, 2015–January 31, 2016 >Concentric Bearings, D Pieter de Hooch Charles Sheeler >Concentric Bearings, C Andrew and Jamie Wyeth at Work >A Dutch Courtyard >Classic Landscape >Concentric Bearings, A November 8, 2015–February 7, 2016 Circulated to: Museo Thyssen Washington, National Portrait Gallery Alfred H. Maurer: At the Vanguard >Untitled Bornemisza Loan to the America’s Presidents Gallery of Modernism >Untitled March 1, 2016–June 19, 2016 April 1, 2016–September 4, 2017 October 10, 2015–January 4, 2016 >Untitled Gilbert Stuart Alfred Maurer >Untitled >Snow Flurries >George Washington (Vaughan portrait) >Young Woman in Kimono >Untitled >The Oak >George Washington >Untitled California >Untitled Connecticut Washington, Arthur M. Sackler Gallery Berkeley, Berkeley Art Museum & Pacific >Untitled Greenwich, Bruce Museum of Arts Red: Ming Dynasty/Mark Rothko Film Archive, University of California >Untitled and Science September 3, 2016–February 20, 2017 Architecture of Life >Untitled The Sins: Pride Mark Rothko January 28, 2016–May 29, 2016 >Untitled June 6, 2015–October 4, 2015 >Untitled (Seagram Mural sketch)* Giovanni Battista Bracelli John Baldessari Pieter van der Heyden, after Pieter >From “Bizzarie di varie Figure” >Two Bowlers (with Questioning Person) Bruegel the Elder [left panel] >Pride

74 NATIONAL GALLERY OF ART

Washington, The Phillips Collection Charles Goodwin >Synecdoche (Andy Prashad) Easton, Academy Art Museum : A Retrospective >Coverlet >Synecdoche (Anita Guldimann) Robert Rauschenberg—Selections from June 4, 2016–September 11, 2016 >Shaker Shirred Rug >Synecdoche (Ann Torke) the National Gallery of Art William Merritt Chase >Sewing Table >Synecdoche () November 22, 2015–March 1, 2016 >Study of Flesh Color and Gold George V. Vezolles >Synecdoche (Annmarie Maxwell) Robert Rauschenberg >Shaker Sugar Chest >Synecdoche (Anthony White) >Copperhead Grande/ROCI CHILE Florida >Shaker Pegs and Candlestand >Synecdoche (Antonie Wright) >Urban/Interior Network/ West Palm Beach, Norton Gallery and >Bronze Powder Flask >Synecdoche (Arlan Huang) ROCI VENEZUELA School of Art >Corner Cupboard >Synecdoche (Arlette Hernandez) >Cuban Acre/ROCI CUBA New Women: Four New York >Corner Cupboard >Synecdoche (Autumn McDonald) >Bach’s Rocks (Bachs Steine)/ Modernists, 1910–1935 >Shaker Rug >Synecdoche (Barbara Arledge) ROCI BERLIN February 18, 2016–May 15, 2016 Orville A. Carroll >Synecdoche (Barbara Lapcek) >Bach’s Rocks (Bachs Steine)/ Circulated to: Portland Museum of Art >Glass Bottle >Synecdoche (Barbara Rigney) ROCI BERLIN [panel 2] June 23, 2016–September 18, 2016 Edward D. Williams >Synecdoche (Baruch Friedman) >Pegasits/ROCI USA (Wax Fire Works) Georgia O’Keeffe >Shaker Cabinet >Synecdoche (Bing Lee) >Narcissus/ROCI USA (Wax Fire Works) >Jack-in-Pulpit–No. 2 Lon Cronk >Synecdoche (Bissoon Persaud) >Seminole Host/ROCI USA (Wax >Jack-in-the-Pulpit No. 3 >Shaker Dining Table and Chairs >Synecdoche (Blair Thurman) Fire Works) >Jack-in-the-Pulpit No. IV William Paul Childers >Synecdoche (Bob Bojdak) >Jack-in-Pulpit Abstraction–No. 5 >Foot Warmer >Synecdoche (Bob Brady) Massachusetts >Jack-in-the-Pulpit No. VI American 20th Century >Synecdoche (Bob Lee) Boston, The Institute of Contemporary Art >Toy Bank >Synecdoche (Bob Skerker) Leap Before You Look: Black Winter Park, The George D. and Harriet Alois E. Ulrich >Synecdoche (Bobby Henry) Mountain College 1933–1957 W. Cornell Fine Arts Museum >Coverlet >Synecdoche (Bobby Sneed) October 7, 2015–January 24, 2016 In the Light of Naples: The Art of >Synecdoche (Brad Brooks) Circulated to: UCLA at the Armand Francesco de Mura Maine >Synecdoche (Brian Lipke) of Art and September 17, 2016–December 11, 2016 Brunswick, Bowdoin College Museum >Synecdoche (Brice Marden) Cultural Center Francesco de Mura of Art >Synecdoche (Bruce Reinoso) February 21, 2016–May 14, 2016 >Alexander Condemning False Praise This is a Portrait if I Say So: >Synecdoche (Bum Chan Oh) Circulated to: Wexner Center for the Reimagining Representation in >Synecdoche (Byron Kim) Arts, The Ohio State University Georgia American Art, 1912–Today >Synecdoche (Byung Chun Kim) September 17, 2016–January 1, 2017 Savannah, Telfair Museum of Art June 25, 2016–October 18, 2016 >Synecdoche (C. W. Kim) Theodoros Stamos Monet and American Impressionism Alfred Stieglitz >Synecdoche (Carlos Martinez) >North Carolina Landscape October 16, 2015–January 24, 2016 >Portrait—K. N. R., No. 1 >Synecdoche (Carmen Camacho) Claude Monet >Portrait—K. N. R., No. 2 >Synecdoche (Carmen Sanchez) Boston, Isabella Stewart Gardner Museum >Bridge at Argenteuil on a Gray Day >Portrait—K. N. R., No. 3 >Synecdoche (Carol Greene) Carlo Crivelli and the Power of Images >Portrait—K. N. R., No. 4 >Synecdoche (Carol Wallace) October 22, 2015–January 25, 2016 Illinois >Portrait—K.N.R., No. 5 >Synecdoche (Caroline Fitzgerald) Carlo Crivelli Chicago, The Art Institute of Chicago >Portrait—K. N. R., No. 6 >Synecdoche (Carolyn Farris) >Madonna and Child : Multiple Dimensions Jasper Johns >Synecdoche (Carolyn Yorston) >Madonna and Child Enthroned with Donor February 1, 2016–May 3, 2016 >Viola >Synecdoche (Carriane Worlund) Circulated to: Smithsonian American Byron Kim >Synecdoche (Charlayne Haynes) Boston, Museum of Fine Arts Art Museum >Synecdoche (Aaron Dunkel) >Synecdoche (Charles Cochrane) Rank and Status in the Age of June 5, 2016–September 6, 2016 >Synecdoche >Synecdoche (Charlie Banta) Rembrandt and Vermeer Martin Puryear >Synecdoche (Ada Mejicanos) >Synecdoche (Chris Karp) October 11, 2015–January 18, 2016 >Untitled >Synecdoche (Adalberto Arez) >Synecdoche (Chris Parrott) Circulated to: The Nelson-Atkins >Synecdoche (Adam Lowenbein) >Synecdoche (Christiana Shafidiya) Museum of Art Van Gogh’s Bedrooms >Synecdoche (Adayalise Caraballo) >Synecdoche (Christine Forester) February 20, 2016–May 22, 2016 February 14, 2016–May 10, 2016 >Synecdoche (Adeline Kim) >Synecdoche (Bob Greene) Paulus Potter Vincent van Gogh >Synecdoche (Adriane Jaeckle) >Synecdoche (Charles Balbach) >A Farrier’s Shop >Self-Portrait >Synecdoche (Agnieszka Pienczykowska) >Synecdoche (Akiko Enokido) >Mushton Shlushley, the Lyric Poet >A Lady Writing American Painting in the 1930s >Synecdoche (Alan Greenwood) and Aestheticurean Isack van Ostade June 5, 2016–September 18, 2016 >Synecdoche (Alberto Batista) >Workmen before an Inn Charles Sheeler >Synecdoche (Alex Campos) Maryland >Classic Landscape >Synecdoche (Alex Feldesman) Baltimore, The Walters Art Museum Della Robbia: Sculpting with Color >Synecdoche (Aleya Saad) Traces of the Poet, Artist, and Patron in Renaissance Florence Chicago, Museum of Contemporary Art >Synecdoche (Alfredo Maldonado) in the Age of Islamic Empires August 9, 2016–December 4, 2016 Kerry James Marshall Retrospective >Synecdoche (Alice Yang) November 8, 2015–January 31, 2016 Andrea della Robbia April 23, 2016–September 16, 2016 >Synecdoche (Alicia Beach) Circulated to: Asian Art Museum of San >Madonna and Child with Cherubim Kerry James Marshall >Synecdoche (Alison Keane) Francisco >The Adoration of the Child >Voyager >Synecdoche (Alison Loerke) February 26, 2016–May 8, 2016 Giovanni della Robbia >Synecdoche (Alphonso O’Neill-White) Hendrik Goudt after Adam Elsheimer >Pietà Kentucky >Synecdoche (Altagracia Fernandez) >The Flight into Egypt Luca della Robbia Louisville, Frazier History Museum >Synecdoche (Alton Gooden) Northwest Indian 17th Century >The Nativity Kentucky by Design: Material Culture, >Synecdoche (Alyson Monaghan) >Scenic Animal Carpet Regionalism, and the New Deal >Synecdoche (Amy Hsu) North Adams, Massachusetts Museum August 6, 2016–February 12, 2017 >Synecdoche (Amy Podmore) Carlo Crivelli, A Renaissance Original of Contemporary Art Ada Barnes >Synecdoche (Andrea Munoz) February 28, 2016–May 22, 2016 Sol LeWitt: A Wall Drawing Retrospective >Log Cabin Quilt >Synecdoche (Andrew Harper) Carlo Crivelli November 14, 2008–November 14, 2033 Elbert S. Mowery >Synecdoche (Andrew Klein) >Madonna and Child Sol LeWitt >Silk Quilt >Synecdoche (Andrew Lyndon) >Madonna and Child Enthroned >Wall Drawing No. 681 C/A wall >Pioneer Salt Gourd >Synecdoche (Andrew Zimmerman) with Donor divided vertically into four equal squares >Shaker Rug >Synecdoche (Andy Bality) separated and bordered by black bands. Ralph N. Morgan >Synecdoche (Andy Goldstein) Within each square, bands in one of four >Silk Quilt (Hexagonal Pattern) >Synecdoche (Andy Hort) directions, each with color ink washes superimposed.

75 EXHIBITIONS AND LOANS

Salem, Peabody Essex Museum Cooperstown, Fenimore Art Museum, Jean Dubuffet Danny Lyon American Impressionist: Childe New York State Historical Association >Jean Paulhan >National Guard Arrest, Sit-in, Hassam on the Isles of Shoals A Perfect Likeness: Folk Portraits and >Vache (Cow) Cambridge, Maryland July 16, 2016–November 6, 2016 Early Photography >Café au damier Childe Hassam October 10, 2015–December 31, 2015 >L’Arnaque (The Swindle) North Carolina >Poppies, Isles of Shoals Horace Bundy >Cycliste Nue (Nude Cyclist) Raleigh, North Carolina Museum of Art >A North East Headland >Vermont Lawyer* The Worlds of M. C. Escher Erastus Salisbury Field New York, The Museum of Modern Art October 18, 2015–January 24, 2016 Wellesley, Davis Museum and >Paul Smith Palmer* Joaquin Torres-Garcia: The Arcadian M. C. Escher Cultural Center >Mrs. Paul Smith Palmer and Her Twins* Modern >Belvedere The Krieg Cycle: Kathe Kollwitz Royall Brewster Smith October 25, 2015–February 15, 2016 >Eight Heads and World War I >Eliza R. Read* Joaquín Torres-García >The Fall of Man September 16, 2015–December 13, 2015 >John G. Read* >Untitled Composition >Street in Scanno, Abruzzi Käthe Kollwitz >Senglea, >The Widow I (Die Witwe I) New York, Acquavella Contemporary Marcel Broodthaers Retrospective >Verbum >Self-Portrait (Selbstbildnis) Art, Inc. February 14, 2016–May 15, 2016 >Encounter >The Survivors (Die Uberlebenden) Jean Dubuffet: Anticultural Positions Marcel Broodthaers >Magic Mirror >Never Again War (Nie Wieder Krieg) April 15, 2016–June 10, 2016 >Panneau de Moules (Panel of Mussels) >Bond of Union Jean Dubuffet >Still Life with Spherical Mirror Michigan >Barbe des combats (Combat Beard) Degas: Impressions >Covered Alley in Atrani Detroit, The Detroit Institute of Arts March 26, 2016–July 24, 2016 >Scarabs The Art of American Dance New York, David Zwirner Gallery Edgar Degas >Snakes March 20, 2016–June 12, 2016 Giorgio Morandi >Mlle Bécat >Escher’s Father, G. A. Escher Circulated to: Denver Art Museum November 6, 2015–December 19, 2015 >Woman Reading (Liseuse) >Self-Portrait in a Chair July 10, 2016–October 2, 2016 Giorgio Morandi >The Road (La route) >Puddle Thomas Eakins >Still Life >Three Studies of Ludovic Halévy Standing >Study for “Negro Boy Dancing”: >Three Studies of Ludovic Halévy Standing American Impressionist: Childe The Boy* New York, The Edgar Degas, executed in collaboration Hassam on the Isles of Shoals >Study for “Negro Boy Dancing”: The Renaissance Workshop in Action: with Vicomte Lepic March 19, 2016–June 19, 2016 The Banjo Player* Andrea del Sarto >The Ballet Master (Le maître de ballet) Circulated to: Peabody Essex Museum George Caleb Bingham October 6, 2015–January 10, 2016 July 16, 2016–November 6, 2016 >The Jolly Flatboatmen Andrea del Sarto Bruce Conner (1933–2008) Childe Hassam Abastenia St. Leger Eberle >Head of Saint John the Baptist July 3, 2016–October 2, 2016 >Poppies, Isles of Shoals >Girls Dancing Bruce Conner >A North East Headland Van Dyck: The Anatomy of Portraiture >Book Pages Minnesota March 2, 2016–June 5, 2016 Winston-Salem, Reynolda House Minneapolis, Minneapolis Institute of Art Sir Anthony van Dyck New York, Solomon R. Guggenheim Museum Museum of American Art Eugène Delacroix and Modernity >Queen with Laszlo Moholy-Nagy Retrospective Grant Wood and the American Farm October 18, 2015–January 10, 2016 Sir Jeffrey Hudson June 10, 2016–September 7, 2016 September 9, 2016–December 31, 2016 Circulated to: The National Gallery >Head of a Young Man László Moholy-Nagy Grant Wood February 17, 2016–May 22, 2016 >Portrait of a Man Standing >Z VII >Haying Eugène Delacroix >New Road >Arabs Skirmishing in the Mountains New York, The Metropolitan Museum New York, The Frédéric Bazille of Art Unfinished: Thoughts Left Visible Ohio >Young Woman with Peonies John Singer Sargent: Artists, Writers, March 1, 2016–September 4, 2016 Cincinnati, Taft Museum of Art Edgar Degas Actors and Musicians Francesco di Giorgio Martini Daubigny, Monet, Van Gogh. >Alexander and Bucephalus June 29, 2015–October 4, 2015 >Saint Jerome Impressions of Landscape John Singer Sargent Edgar Degas February 19, 2016–May 29, 2016 Missouri >Marie Buloz Pailleron >Scene from the Steeplechase: Circulated to: National Galleries Kansas City, The Nelson-Atkins (Madame Édouard Pailleron) The Fallen Jockey of Scotland Museum of Art June 25, 2016–October 2, 2016 Thomas Hart Benton and Hollywood Andrea del Sarto’s Borgherini New York, Miriam and Ira D. Wallach Camille Pissarro October 10, 2015–January 3, 2016 Holy Family Art Gallery, Columbia University >Orchard in Bloom, Louveciennes Circulated to: Amon Carter Museum October 13, 2015–January 10, 2016 Rembrandt’s Changing Impressions February 6, 2016–May 1, 2016 Andrea del Sarto September 9, 2015–December 12, 2015 Cleveland, The Cleveland Museum of Art Circulated to: Milwaukee Art Museum >Charity Rembrandt van Rijn Painting the Modern Garden: Monet June 9, 2016–September 5, 2016 >Clement de Jonghe to Matisse Thomas Hart Benton The World in Play: Luxury Cards, >Clement de Jonghe October 11, 2015–January 3, 2016 >Trail Riders* 1430–1540 >Woman Sitting Half Dressed beside Circulated to: Royal Academy of Arts January 19, 2016–April 17, 2016 a Stove January 30, 2016–April 17, 2016 New York German 15th Century >Jacob Haaringh (Young Haaringh) Camille Pissarro Brooklyn, Brooklyn Museum >Playing Card (Pieter Haaringh) >The Artist’s Garden at Eragny From San Juan to Paris and Back: >Playing Card Henri Matisse Francisco Oller, His , and >Playing Card New York, Whitney Museum of >Palm Leaf, Tangier the Era of Impressionism >Playing Card American Art Claude Monet October 2, 2015–January 3, 2016 Master PW of Cologne Frank Stella: A Retrospective >The Artist’s Garden in Argenteuil Circulated to: Museo de Arte de >The Jack of Parrots October 30, 2015–February 7, 2016 (A Corner of the Garden with Dahlias) Puerto Rico Italian 15th Century Circulated to: Modern Art Museum January 29, 2016–April 24, 2016 >Playing Cards of Fort Worth Columbus, Wexner Center for the Arts, The Camille Pissarro Master E. S. April 17, 2016–September 4, 2016 Ohio State University >A Creek in St. Thomas (Virgin Islands)* >The Knight of Men Frank Stella Noah Purifoy: Junk >Two Women Chatting by the Sea, >Chodorow II January 30, 2016–April 10, 2016 St. Thomas* New York, The Morgan Library Noah Purifoy & Museum Danny Lyon: Message to the Future >Untitled (Assemblage) Dubuffet Drawings, 1935–1962 June 17, 2016–September 25, 2016 September 30, 2016–January 2, 2017

76 NATIONAL GALLERY OF ART

Toledo, Toledo Museum of Art Texas >Untitled* Williamsburg, Muscarelle Museum of Art Degas and the Dance—a Focus Dallas, Dallas Museum of Art >No. 8* Building the Brafferton—The Founding, Exhibition International Pop >Untitled* Funding and Legacy of America’s October 15, 2015–January 10, 2016 October 11, 2015–January 17, 2016 >Untitled (Harvard Mural sketch) * Indian School Edgar Degas Circulated to: Philadelphia Museum >Untitled* September 9, 2016–January 8, 2017 >Dancers in the Wings (Danseuses of Art >Untitled* Pieter de Hooch dans la coulisse) February 18, 2016–May 15, 2016 >Red Band* >A Dutch Courtyard >On Stage I Roy Lichtenstein >Untitled (Seagram Mural sketch) * >Dancers in the Wings >Look Mickey >Untitled* Washington >The Dance Lesson Christo >Untitled* Seattle, Seattle Art Museum >Package 1961 >Untitled* Intimate Impressions Oklahoma >Untitled* September 20, 2015–January 10, 2016 Tulsa, Gilcrease Museum Jackson Pollock: Blind Spots >Untitled* Jean-Baptiste-Camille Corot Painted Journeys: The Art of John November 15, 2015–March 20, 2016 >No. 5* >The Artist’s Studio Mix Stanley Jackson Pollock >Untitled* Edgar Degas October 1, 2015–January 4, 2016 >Number 7, 1951* >Untitled* >The Races Circulated to: Tacoma Art Museum >Untitled >Untitled* >Dancers Backstage February 1, 2016–April 29, 2016 >Untitled >Untitled* >Horses in a Meadow John Mix Stanley >Untitled >Untitled* >Self-Portrait with White Collar >The Trapper’s Cabin >Untitled >Untitled Edouard Manet >Untitled >Untitled >At the Races Pennsylvania >Untitled >Untitled (Brown and gray) >George Moore in the Artist’s Garden Philadelphia, The Barnes Foundation >Untitled >Untitled (brown and gray) >Oysters Picasso: The Great War, Experimentation >Untitled >Untitled (vase of flowers) [obverse] >A King Charles Spaniel and Change >Untitled (Betty Parsons Invitation) >Untitled >Tama, the Japanese Dog February 13, 2016–May 9, 2016 Jean-Louis Forain Circulated to: Columbus Museum of Art Fort Worth, Kimbell Art Museum Pleasure and Piety: The Art of >Behind the Scenes* June 10, 2016–September 11, 2016 Gustave Caillebotte: The Painter’s Eye Joachim Wtewael (1566–1638) Auguste Renoir Pablo Picasso November 8, 2015–February 14, 2016 November 1, 2015–January 31, 2016 >Head of a Young Girl >Harlequin Musician Gustave Caillebotte Joachim Anthonisz Wtewael >Woman with a Cat >Skiffs* >Moses Striking the Rock >The Mussel Harvest Philadelphia, Pennsylvania Academy of >The Judgment of Paris >Madame Henriot the Fine Arts The Brothers Le Nain: Painters Attributed to Joachim Anthonisz Wtewael >Madame Monet and Her Son Procession: The Art of Norman Lewis of 17th-Century France >Mercury and Argus >Picking Flowers November 13, 2015–April 3, 2016 May 22, 2016–September 11, 2016 >Young Woman Braiding Her Hair Circulated to: Amon Carter Museum Louis Le Nain >Peaches on a Plate June 4, 2016–August 21, 2016 >Landscape with Peasants Bennington, The Bennington Museum >Claude Monet Norman Lewis >Peasant Interior Milton Avery’s Vermont Pierre Bonnard >Untitled (Alabama) July 2, 2016–November 6, 2016 >Two Dogs in a Deserted Street Houston, The Museum of Fine Arts, Houston Milton Avery >The Cab Horse Philadelphia, Philadelphia Museum Mark Rothko: Works from the >Mountain and Meadow >The Green Table of Art Collection of the National Gallery of >Avery Sketchbook (Jamaica, Vermont) >Table Set in a Garden Audubon to Warhol: The Art of the Art, Washington >Bouquet of Flowers* American Still Life September 20, 2015–January 24, 2016 Virginia >Stairs in the Artist’s Garden* October 15, 2015–January 10, 2016 Mark Rothko Charlottesville, The Fralin Museum of >The Artist’s Studio Circulated to: Art Museum >Orange and Tan Art, University of Virginia Art Museums >Red Plums February 12, 2016–May 8, 2016 >Untitled (Seagram Mural sketch)* : Icons >Paris, Rue de Parme on Bastille Day Rembrandt Peale >Untitled (Seagram Mural sketch)* May 20, 2016–September 18, 2016 Eugène Boudin >Rubens Peale with a Geranium >Untitled (Seagram Mural sketch)* Attributed to Piero della Francesca >Beach at Trouville William Michael Harnett >Untitled* >Saint Apollonia >Women on the Beach at Berck >The Old Violin >Untitled* >Yacht Basin at Trouville-Deauville Samuel Lewis >Phalanx of the Mind* Norfolk, Chrysler Museum of Art >Festival in the Harbor of Honfleur >A Deception >Aquatic Drama* Collection Conversations: The Chrysler >Coast of Brittany Charles Bird King >Personage Two* and the National Gallery >Beach Scene at Trouville >Poor Artist’s Cupboard >Untitled* June 30, 2015–October 18, 2015 >Washerwoman near Trouville >Untitled (still life in front of window)* >Concert at the Casino of Deauville South Carolina >Street Scene* >Baby (Cradle) Claude Monet Columbia, Columbia Museum of Art >Untitled (man and two women in a Arshile Gorky >Argenteuil Georgia O’Keeffe: Her Carolina Story pastoral setting) * >The Artist and His Mother Berthe Morisot October 2, 2015–January 3, 2016 >Untitled* >One Year the Milkweed >The Artist’s Sister at a Window Georgia O’Keeffe >The Omen of the * >Organization Camille Pissarro >Second, Out of My Head >Antigone* >Orchard in Bloom, Louveciennes >No. 20–From Music–Special >Underground Fantasy* Collection Conversations: The Chrysler >The Fence* >No. 2* and the National Gallery Georges Seurat REMIX: Themes & Variations in >No. 18* October 28, 2015–January 3, 2016 >Study for “La Grande Jatte” African American Art >No. 7* Georgia O’Keeffe Alfred Sisley February 5, 2016–May 1, 2016 >Untitled* >Jack-in-Pulpit–No. 2 >Boulevard Héloïse, Argenteuil Romare Bearden >No. 10* >Jack-in-the-Pulpit No. 3 >Meadow >The Fall of Troy >Untitled* >Jack-in-the-Pulpit No. IV >Flood at Port-Marly >No. 8* >Jack-in-the-Pulpit No. VI Henri de Toulouse-Lautrec Greenville, Bob Jones University Museum >No. 6 (?)* >Line and Curve >Carmen Gaudin & Gallery >Untitled* >Sky with Flat White Cloud Edouard Vuillard The Art of Sleuthing >No. 9* >Child Wearing a Red Scarf October 23, 2015–May 28, 2017 >No. 7 [or] No. 11* >The Conversation Imitator of Johannes Vermeer >No. 10* >Woman in Black >The Smiling Girl >Two Women Drinking Coffee

77 EXHIBITIONS AND LOANS

>The Yellow Curtain Francis Cotes Auguste Renoir Secretary of Education >The Artist’s Paint Box and Moss Roses >Mrs. Thomas Horne >Child with Blond Hair Mark Rothko >Vase of Flowers on a Mantelpiece Thomas Gainsborough >Child with Brown Hair >Rural Scene >Landscape of the Ile-de-France >William Yelverton Davenport John Ferneley >Untitled >Self-Portrait, Aged 21 >Heaton Park Races >The Pugilist Paul Cézanne London, Wallace Collection Style of Benjamin Marshall >Woman Reading >The Battle of Love* Sir Thomas Lawrence >Race Horse and Trainer >Untitled (still life with vase and >Still Life with Milk Jug and Fruit* >Francis Charles Seymour-Conway, Walt Kuhn two statues) >Three Pears 3rd Marquess of Hertford >Zinnias Thomas Chambers Vincent van Gogh Lydia Field Emmet >Bay of New York, Sunset >Flower Beds in Holland UNITED STATES >Olivia Paul Gauguin Secretary of Energy >Self-Portrait Dedicated to Carrière Alabama The White House John Woodhouse Audubon Antoine Vollon Birmingham, Birmingham Museum American 19th Century >Black-Footed Ferret >Mound of Butter of Art >Chief Jumper of the Seminoles Leonid Henri Fantin-Latour Anders Zorn Winslow Homer >Faraduro, Portugal > >Three Peaches on a Plate Hugo Reisinger >Sunset George Catlin >Self-Portrait California George Catlin >Distinguished Crow Indians >Still Life with Grapes and a Carnation Oakland, Oakland Museum >A Crow Chief at His Toilette >Two Unidentified North American Odilon Redon Mark Rothko >Cheyenne Village Indians >Breton Village >Untitled >A Small Cheyenne Village Francis A. Beckett >Village by the Sea in Brittany >Pawnee Indians Approaching Buffalo >Blacksmith Shop Johan Barthold Jongkind District of Columbia >Game of the Arrow—Mandan J. W. Bradshaw >The Towpath The Library of Congress >A Foot War Party in Council—Mandan >Plains Indian Georges Seurat Carl Milles >An Ojibbeway Village of Skin Tents after William John Wilgus > >Seascape (Gravelines) Head of Orpheus >Ball-Play Dance—Choctaw >Ichabod Crane and the Headless >Buffalo Chase Horseman Tacoma, Tacoma Art Museum Meridian International Center >Buffalo Chase, with Accidents Edvard Munch and the Sea Léon Bonnat >Catlin and Indian Attacking Buffalo Secretary of Health and Human Services > April 9, 2016–July 17, 2016 Henry White** >K’nisteneux Indians Attacking Two French 19th Century Edvard Munch Grizzly Bears >Woman and Two Children in a Field >Lovers at the Seaside (Liebespaar National Museum of American History >Grassy Bluffs, Upper Missouri American 19th Century am Strande) Charles Peale Polk >Camanchees Lancing a Buffalo Bull >Bucks County Farm Outside > >Girls Bathing (Badende Madchen) General Washington at Princeton >Mired Buffalo and Wolves Doylestown, Pennsylvania >Summer Evening (Sommernacht) >Grizzly Bears Attacking Buffalo >Alpha’s Despair National Portrait Gallery Raoul Dufy Office of Management and Budget, >Moonrise Irving R. Wiles >The Basin at Deauville** The White House > >Omega’s Death Miss Julia Marlowe Leon Polk Smith Mark Rothko >Omega’s Flight >Stretch of Black III >Untitled >Shoreline Sketch U.S. Commission of Fine Arts Edward Corbett >Untitled >Attraction II Alice Neel >Washington, D.C. November 1963 III >Contemplation > >Anxiety William Walton Jasper Johns >The Source >Lovers in the Waves >Numerals, 0 through 9** >Untitled (four figures in a plaza) >Girls on the Pier Office of Senate Leadership, Sam Francis >Woman United States Capitol >White Line** Supreme Court of the United States >Separation II Franklin C. Courter Mark Rothko > >Two Human Beings Lincoln and His Son, Tad** >The Party Chief Justice John Roberts >No. 17 [or] No. 15 Gilbert Stuart Office of Vice President of the United States >No. 3 >George Washington Dietz Edzard Richard Diebenkorn George Cuitt the Younger EXTENDED LOANS FROM > Flowers in a Vase >Berkeley No. 52** >Easby Abbey, near Richmond THE NGA COLLECTION >Three Flowers in a Vase Hans Hofmann >Staccato in Blue** Justice Ginsburg All works part of the National Lending >Marble Mantel Ed Ruscha Mark Rothko Service unless indicated by ** Mark Rothko >I Think I’ll…** >Untitled >Untitled (two women at the window) > FRANCE Robert Mangold The Omen American 19th Century > Paris, Musée du Louvre 1/2 W Series (Medium Scale)** >The Start of the Hunt > Severo da Ravenna 1/2 V Series (Medium Scale)** Justice Kennedy >The End of the Hunt > Berthe Morisot >The Christ Child** 1/2 X Series (Medium Scale)** John Wesley Jarvis Ad Reinhardt >Girl in a Boat with Geese > Commodore John Rodgers >Untitled (Yellow and White)** French 17th Century IRELAND John Vanderlyn >Untitled (Red and Gray)** >Flowers in a Classical Vase Dublin, United States Embassy Residence >John Sudam Susan Rothenberg Gilbert Stuart American 18th Century > > Butterfly** Justice O’Connor Counsellor John Dunn >Attack on Bunker’s Hill, with the George Catlin Burning of Charles Town ITALY >Model for “Sky Covenant”** >Buffalo Chase, Sioux Indians, A. Hashagen Giorgio Morandi Upper Missouri Florence, Casa Buonarroti >Ship “Arkansas” Leaving Havana after Michelangelo >Still Life** >After the Buffalo Chase—Sioux John Neagle >Still Life** >A Crow Village and the Salmon >Damned Soul** > Colonel Augustus James Pleasonton Pat Steir River Mountains UNITED KINGDOM–ENGLAND >After Winslow Homer I** >Two Blackfoot Warriors and a Woman London, United States Embassy Residence Residence of the Vice President of the >Waterfall with Rose Petals** >An Apachee Village Sir William Beechey United States Alice Neel >Lieutenant-General Sir Thomas Picton John Singer Sargent >Loneliness** >Mary Crowninshield Endicott Chamberlain (Mrs. Joseph Chamberlain)

78 NATIONAL GALLERY OF ART

Justice Stevens Georgia O’Keeffe Studio of Franz Xaver Winterhalter >Jack-in-the-Pulpit No. IV >Queen Victoria >Jack-in-the-Pulpit No. VI C. Gregory Stapko after Henri Matisse >A View of Salisbury Cathedral** >Open Window, Collioure Alphonse Legros Illinois > Hampstead Heath Chicago, The Art Institute of Chicago George Catlin June 22, 2015–May 6, 2016 > Scene from the Lower Mississippi Edgar Degas Maurice Utrillo >Scene from the Steeplechase: > Street at Corté, Corsica The Fallen Jockey American 19th Century >Portland Harbor, Maine Indiana Bloomington, Indiana University Justice Sotomayor Art Museum Mark Rothko October 6, 2015–April 10, 2016 >Street Scene Paul Gauguin >Untitled (subway) >The Invocation* >Untitled >Untitled (woman in subway)** New York New York, The Metropolitan Maryland Museum of Art Solomons, Annmarie Garden Sculpture February 28, 2008–March 13, 2016 Park & Arts Center Francesco di Giorgio Martini James Rosati >God the Father Surrounded by Angels >Untitled** and Cherubim George Rickey >Cluster of Four Cubes** LIBRARY LOANS Missouri Kansas City, The National World War 1 Museum UNITED STATES Robert Ingersoll Aitken District of Columbia > Lambs Club Memorial** Hirshhorn Museum and Sculpture Garden Marvelous Objects: Surrealist Pennsylvania Sculpture from Paris to New York Doylestown, James A. Michener October 29, 2015–February 15, 2016 Art Museum >Cahiers d’art vol. 11, no. 1 Edward Hicks >Dictionnaire abrégé du surréalisme > The Landing of Columbus >Minotaure no. 1 Joseph Goodhue Chandler >Minotaure no. 3–4 > Girl with Kitten >Surrealisme au service de la revolution #3 Virginia Maine Fairfax, George Mason University Brunswick, Bowdoin College Museum Lila Pell Katzen of Art >Antecedent This is a Portrait if I Say So: Identity Alfredo Halegua in American Art, 1912–Today >America June 25, 2016–October 23, 2016 >The Little Review, winter 1922 Charlottesville, The Fralin Museum Maryland of Art, University of Virginia Baltimore, Walters Art Museum Jean Arp Pearls on a String: Artists, Patrons, >Oriforme** and Poets at the Great Islamic Courts November 18, 2015–January 31, 2016 John Young TEMPORARY LOANS TO >A Series of Portraits of the Emperors MUSEUM COLLECTIONS of Turkey, from the Foundation of the Monarchy to the Year 1815 *Works in National Lending Service

UNITED STATES Connecticut Hartford, Wadsworth Atheneum Museum of Art September 15, 2015–December 8, 2015 Titian >Ranuccio Farnese District of Columbia Washington, The Phillips Collection September 1, 2014–December 31, 2015

79 PUBLICATIONS AND MEDIA

During the fiscal year the Gallery released EXHIBITION CATALOGS EXHIBITION FILMS two online scholarly catalogs through > Three Centuries of American Prints from the National > Power and Pathos: Bronze Sculpture of the the digital imprint National Gallery of Art Gallery of Art Hellenistic World Online Editions and produced twelve book- Judith Brodie, Amy Johnston, Michael J. Lewis, et al. Narrated by Liev Schreiber (360 pages, 206 illustrations, hardcover edition; Directed by Carroll Moore length print publications, including a 75th- English, Czech, and Spanish editions) Published in Edited by David Hammer anniversary volume of the Gallery, a gift book association with Thames & Hudson (20:41 minutes, color, captioned) in honor of the Mellons, a new collection > Hubert Robert Made possible by the HRH Foundation highlights book (in five languages), five Margaret Morgan Grasselli, Yuriko Jackall, et al. > Barbara Kruger: in her own words exhibition catalogs, and books for CASVA (296 pages, 140 illustrations, hardcover edition) Narrated by Barbara Kruger and the library. Several major publications Published in association with Lund Humphries Produced and edited by David Hammer (5:58 minutes, color, captioned) were in progress for publication in 2017. In > Stuart Davis: In Full Swing Harry Cooper and Barbara Haskell Made possible by the HRH Foundation addition to labels and wall texts for all fiscal (260 pages, 209 illustrations, hardcover and > Los Angeles to New York: Dwan Gallery year 2016 exhibitions and the reopening of softcover editions) Published in association with Narrated by Holly Twyford the East Building galleries, the publishing DelMonico Books • Prestel Directed by Carroll Moore office edited online features and produced > Dwan Gallery: Los Angeles to New York, 1959–1971 Edited by David Hammer the biannual Gallery Bulletin, more than two James Meyer with Virginia Dwan and Paige Rozanski (23:32 minutes, color, captioned) Made possible by the HRH Foundation hundred education projects, and more than (408 pages, 418 illustrations, hardcover edition) Published in association with the University of seven hundred pieces of Gallery ephemera, Chicago Press ranging from press releases and invitations EXHIBITION ONLINE FEATURES > Photography Reinvented: The Collection of Robert E. to brochures for the new installations in the Meyerhoff and Rheda Becker > The Serial Impulse at Gemini G.E.L.: Artists at Gemini East Building and a redesigned Gallery map in Sarah Greenough et al. > Intersections: Photographs and Videos from the five languages. The department of exhibition (120 pages, 71 illustrations, hardcover edition) National Gallery of Art and the Corcoran Gallery of Art programs produced three documentary Published in association with Princeton University Press > Celebrating Photography at the National Gallery of Art: films and five digital online programs in Deborah Luster’s “One Big Self: Prisoners of Louisiana” conjunction with special exhibitions in fiscal CENTER FOR ADVANCED STUDY > Power and Pathos: Bronze Sculpture of the Hellenistic year 2016, and additional projects were in IN THE VISUAL ARTS (CASVA) World: Casting Bronze Statues in Ancient Greece progress for exhibitions in 2017. PUBLICATIONS > Hubert Robert, 1733–1808: Roman Sketchbook > The Civil War in Art and Memory Studies in the History of Art, Volume 81 PUBLICATIONS RELATED TO THE Edited by Kirk Savage DIGITAL AND SOCIAL MEDIA PERMANENT COLLECTION (292 pages, 145 illustrations) Distributed by In 2016 the digital media division was established to >Italian Paintings of the Thirteenth and Fourteenth Yale University Press further the Gallery’s digital integration plans. During the year the division of imaging and visual services, Centuries > A Generous Vision II: Samuel H. Kress Professors, media production department, and Gallery website (http://www.nga.gov/content/ngaweb/research/online- 1995–2016 editions/italian-paintings-of-the-thirteenth-and- Edited by Therese O’Malley, introduction by department continued to document the Gallery’s fourteenth-centuries.html) Elizabeth Cropper (108 pages, 60 illustrations) collections and exhibitions, promoted open access to Miklós Boskovits high-quality, color-accurate digital images, provided > Center 36 NGA Online Editions digital moving media and audio to the public, and Annual report, print and online versions released a refreshed home page on the Gallery’s > American Paintings, 1900–1945 website to reflect a greater focus on visitors. The (http://www.nga.gov/content/ngaweb/research/online- EXHIBITION BROCHURES Gallery’s website had more than six million visits editions/american-paintings-1900-1945.html) during the fiscal year, an increase of four percent from Robert Wilson Torchia et al. > A Lasting Legacy: Paintings and Sculptures from the fiscal year 2015. NGA Online Editions Paul Mellon Collection, produced by the departments The education division continues to manage the > The Mellon Legacy: Andrew W. Mellon, Ailsa Mellon of education publications, exhibitions programs, and Gallery’s social media accounts, including Facebook, Bruce, Paul Mellon the publishing office Twitter, and Instagram. Social media has proven to (108 pages, 32 illustrations, hardcover, limited edition) > In the Tower: Barbara Kruger, written by Molly be a powerful tool through which online audiences > America’s National Gallery of Art Donovan and produced by the department of connect more deeply with the educational mission Philip Kopper and the publishing office of the exhibition programs and the publishing office of the institution and gain a better understanding of National Gallery of Art > Selections from the Dwan Gallery and Virginia Dwan works of art in the Gallery’s collection. (404 pages, 730 illustrations, hardcover edition) Archives, written by Yuri Long and Paige Rozanski Digital Imaging Published in association with Princeton University Press and produced by the publishing office The Gallery posted 41,771 new and replacement > Highlights from the National Gallery of Art, > Growth and Development of the Salon Livret, written images to the Gallery’s website this year. Using highly Washington by Yuri Long and produced by the publishing office sophisticated imaging techniques, the division of Curatorial staff > The Convergence of Commerce and Instruction in imaging and visual services created and posted online (360 pages, 435 illustrations, flexibound edition; Art, written by Yuri Long and produced by the 332 ultra-resolution images, allowing the public to pan English, French, Spanish, Japanese, and Chinese publishing office and zoom at extremely close detail. New master digital editions) Distributed by the National Gallery of Art files for 828 objects were made including 158 new > Documenting the Salon: Paris Salon Catalogs, acquisitions. Publication-quality images were made 1673–1945 for the following eight Gallery exhibitions, catalogs, John Hagood et al. and books: (236 pages, 33 illustrations, hardcover edition)

80 NATIONAL GALLERY OF ART

>Three Centuries of American Prints from the National >Gustave Caillebotte: The Painter’s Eye >—, “European Art before 1900,” in The Collections. Gallery of Art American Association of University Presses Book, The University of Texas, ed. Andrée Bober (Austin, >In Celebration of Paul Mellon Jacket, and Journal Show 2016), 110–123. >The Memory of Time: Contemporary Photographs at the >Intersections: Photographs and Videos from the National >—, “The Artist’s Print in Venice and the Veneto,” Gallery of Art and the Corcoran Gallery of Art National Gallery of Art AIGA 50 DC; American Association of University in Myth, Allegory, and Faith: The Kirk Edward Long >Hubert Robert, 1733–1808 Presses Book, Jacket, and Journal Show; Washington Collection of Mannerist Prints (Milan, 2016), 65–91. >Photography Reinvented: The Collection of Publishers Book Design and Effectiveness Robert E. Meyerhoff and Rheda Becker Competition, Second Place >Lynne Cooke, “Paint and Plaid,” in Painting 2.0: Expression in the Information Age, ed. Manuela Ammer, >In the Tower: Barbara Kruger Film Awards Achim Hochdoefer, and David Joselit (Munich, 2015), >Los Angeles to New York: Dwan Gallery, 1959–1971 >Power and Pathos: Bronze Sculpture of the 254–258. >America’s National Gallery of Art Hellenistic World 50th Annual U.S. International Film & Video Festival: >Harry Cooper, “Disillusion and Dissolution,” in Second Place Silver Screen Award in category of Fred Sandback (Glenstone, 2016). Media Productions Education: Writing and Concept; 49th WorldFest, > During the year, the Gallery produced 164 audio and 67 Houston International Film Festival: Special Jury Costanza Cucci, John K. Delaney, and Marcello Picollo, video podcasts. NGA videos were viewed 315,942 times, Remi Award; 37th Annual Telly Competition: Silver “Reflectance Hyperspectral Imaging for Investigation which equates to 1,077,379 minutes of content viewed, Award (the top award) in the category of Charitable/ of Works of Art: Old Master Paintings and Illuminated and NGA audio content was played 449,398 times. Not-for-profit Programs, Bronze award in the Manuscripts,” Accounts of Chemical Research, http:// These films and videos, among others, were posted to category of Documentary Programs, and Bronze pubs.acs.org/doi/abs/10.1021/acs.accounts.6b00048. the website and aggregates to highlight art and artists in award in the category of Cultural Programs >Elizabeth Cropper, “Pietro Testa: Sandrart’s Shy Stoic the Gallery’s permanent collection and newly renovated >Drawing in Silver and Gold: Leonardo to Jasper Johns East Building: Friend,” in Aus aller Herren Länder: Die Künstler der 50th Annual U.S. International Film & Video Festival: Teutschen Academie von Joachim von Sandrart, ed. >Mark Ruwedel | nga Certificate in Creative Excellence in the category Susanne Meurer, Anna Schreurs-Morét, and Lucia >Allan McCollum | nga of Education: Editing; 49th WorldFest, Houston Simonato (Turnhout, 2015), 154–163. International Film Festival: Gold Remi Award; 37th >Julie Mehretu | nga Annual Telly Competition: Bronze award in the >John K. Delaney, Paola Ricciardi, Lisha Glinsman, >Don Perry | nga category of Cultural Programs, Bronze award in the Michael Palmer, and Julia M. Burke, “Use of Near >Jennifer Reeves | nga category of Documentary Programs; 8th Annual Infrared Reflectance Imaging Spectroscopy to SENE Film, Music, and Arts Festival: Official >From Private Setting to Public Garden Map Wool and Silk Fibers in Historic Tapestries,” selection for screening at the Warwick Museum of Analytical Methods, http://pubs.rsc.org/en/content/ >Photographing “Little Dancer” Art, Rhode Island articlelanding/2016/ay/c6ay02066f#!divAbstract. >Technicolor at 100: The Road to Color Film Production >El Greco: An Artist’s Odyssey > >American Sign Language at the National Gallery of Art 34th International Festival of Films on Art, Montreal: John K.Delaney, Mathieu Thoury, Jason G. Zeibel, Selection for 2016 showcase Paola Ricciardi, Kathryn M. Morales, and Kathryn A. >Diaghilev and the Ballets Russes Dooley, “Visible and Infrared Imaging Spectroscopy Social Media Statistics Zhejiang Art Museum, Hangzhou, People’s Republic of Paintings and Improved Reflectography,”Heritage of China: Selected for screening by Ping Pong Science 4, no. 6 (2016), https://heritagesciencejournal. Participation on the Gallery’s social media networks springeropen.com/articles/10.1186/s40494-016-0075-4. has continued to rise. The Gallery’s Facebook account Productions, dedicated to bringing China and the saw a 90 percent increase in likes, while the number rest of the world together through performance art; Lincoln Center for the Performing Arts, New York: >Eric Denker, “Félix Bracquemond: Impressionist of Instagram followers increased by 220 percent. In Innovator—Selections from the Frank Raysor total, the Gallery now serves an audience of more than Selected for screening in the Bruno Walter Auditorium; Art Film Festival: Selected for screening Collection,” Nineteenth-Century Art Worldwide: An one million users on Facebook, Twitter, Instagram, Online Journal of Nineteenth-Century Visual Culture 4, and Pinterest. During the year, more than 109 million no. 3 (Autumn, 2015), http://www.19thc-artworldwide. impressions were generated through social media. STAFF PUBLICATIONS org/autumn15/denker-reviews-felix-bracquemond- The Gallery’s posts sparked more than 3.2 million > impressionist-innovator. engagements, which include actions such as comments, Susan MacMillan Arensberg, “Notes on the Presentation of Heaven and Earth: Art of Byzantium likes, shares, and retweets. >—, “The Boy with the Piercing Eyes: Titian’s In celebration of the Gallery’s 75th anniversary, a special from Greek Collections at the National Gallery of Art,” in Viewing Greece: Cultural and Political Agency in Pesaro Altarpiece in the Frari,” Smithsonian Journeys hashtag was launched that encouraged visitors to share (Autumn, 2015): 106–107. their experiences on social media. Since the launch, the Medieval and Early Modern Mediterranean, ed. Sharon E. J. Gerstel (Belgium, 2016), 261–277. more than 3,500 public posts on Instagram have been >Eric Denker and William Wallace, “Seats of Power: tagged with #myngadc. Many of the Gallery’s Instagram >—, “Hellenistic Bronzes from Italian Collections,” Images from the Life of Michelangelo,” Artibus et posts have been reposted, increasing the community’s Historiae, no. 72 (2015): 199–210. participation with and appreciation of the collection. in Power and Pathos at the National Gallery of Art (Embassy of Italy and the Ministero dei Beni e delle Attività Culturali, Rome, 2016), 8–29. >C. D. Dickerson III, review of The Eternal Baroque: AWARDS Studies in Honour of Jennifer Montagu, ed. Carolyn H. Print, Design Awards >Barbara H. Berrie, “Mining for Color: New Blues, Miner, The Burlington Magazine 158 (August 2016): Yellows, and Translucent Paint,” Early Science and 648–649. >Piero di Cosimo: The Poetry of Painting in Medicine 20, no. 4–6 (2015): 308–334. Renaissance Florence >—, “Préface,” in Les écrits de Jacques Thuillier. Vol. PROSE Awards, Honorable Mention >Barbara Berrie, Marco Leona, and R. McLaughlin, 4, Les frères Le Nain, ed. Serge Lemoine (Paris, 2016): >The Altering Eye: Photographs from the National “Unusual Pigments Found in a Painting by Giotto (c. ix–xii. Gallery of Art 1266–1337) Reveal Diversity of Materials Used by American Alliance of Museums Publications Medieval Artists,” Heritage Science 4, no. 1. >C. D. Dickerson III and Esther Bell, The Brothers Le Design Competition, First Place, Exhibition Catalog; Nain: Painters of Seventeenth-Century France (Fine Arts Washington Publishers Book Design and >Mattia Biffis, “A Rediscovered ‘St Jerome’ on Copper Museums of San Francisco, San Francisco, 2016). Effectiveness Competition, Third Place and Its Early Provenance,” The Burlington Magazine 158 (August 2016): 610–615. >C. D. Dickerson III and Anthony Sigel, “Bernini/Not >Drawing in Silver and Gold: Leonardo to Jasper Johns Bernini: Reflections on the Role of Technical Evidence AIGA 50 Books/50 Covers; American Association > in the Attribution of Bernini’s Terracottas,” in Material of University Presses Book, Jacket, and Journal Jonathan Bober, “Domenico Pellegrini in the Rijksprentenkabinet, Amsterdam,” Master Drawings 53 Bernini, ed. Evonne Levy and Caroline Mangone Show; Washington Publishers Book Design and (New York, 2016), 187–218. Effectiveness Competition, Honorable Mention (2015): 431–434. 81 PUBLICATIONS AND MEDIA

>Kathryn A. Dooley, James Coddington, Jay Krueger, >—, “The Accademia di San Luca between >Tana E. Villafana, John K. Delaney, Warren S. Warren, Damon M. Conover, Murray H. Loew, and John K. Educational and Religious Reform,” in The Italian and Martin C. Fischer, “High-resolution, Three- Delaney, “Standoff Chemical Imaging Finds Evidence Academies, 1525–1700: Networks of Culture, Innovation, dimensional Imaging of Pigments and Support in Paper for Jackson Pollock’s Selective Use of Alkyd and and Dissent, ed. Jane E. Everson, Denis V. Reidy, and and Textiles,” Journal of Cultural Heritage 20 (2016): Oil Binding Media in a Famous ‘Drip’ Painting,” Lisa Sampson (Oxford, 2016), 170–185. 583–588. Analytical Methods, http://pubs.rsc.org/en/content/ articlelanding/2016/ay/c6ay01795a#!divAbstract. >Margaret G. MacDonald, Michael R. Palmer, Matthew >Arthur K. Wheelock Jr., review of Van Dyck: The R. Suchomel, and Barbara H. Berrie, “Reaction of Pb(II) Anatomy of Portraiture, The Burlington Magazine 158 >Teresa T. Duncan, Barbara H. Berrie, and Richard and Zn(II) with Ethyl Linoleate to Form Structured (July 2016): 585–586. G. Weiss, “Colloidal Properties of Aqueous Poly(vinyl Hybrid Inorganic-Organic Complexes: A Model for acetate)–Borate Dispersions with Short-Chain Glycol Degradation in Historic Paint Films,” ACS Omega 1, >—, “Sea Change: The Acquisition of Backhuysen’s Ethers,” ChemPhysChem 17, no. 16 (2016): 2535–2544. no. 3 (2016): 344–350. Ships in Distress off a Rocky Coast,” in Collecting for the Public: Works that Made a Difference, ed. Bart Cornelis, >Jamie Gabbarelli, catalog entries 29–31, in Marcantonio >Ronel Namde, “Consolidation of Four Gelatin Glass Ger Luijten, Louis van Tilbourgh, and Tim Zeedijk Raimondi, Raphael, and the Image Multiplied, Plate Negatives from the University of Colorado,” Topics (London, 2016), 114–119. ed. Edward Wouk (Manchester, 2016), 166–168. in Photographic Preservation 16 (2015): 256–257.

>Sarah Greenough, “Touching the Centre: Georgia >Therese O’Malley, “Models in this Art: Tracing the O’Keeffe and Alfred Stieglitz’s Artistic Dialogue,” in Brownian Landscape Tradition in America,” Garden Georgia O’Keeffe, ed. Tanya Barson (London, 2016), History 44 (Autumn 2016): 73–86. 50–59. >—, “The American Summerhouse: Amusing, >Ann Hoenigswald, “Degas the Perfectionist,” Gallery, Instructive & Friendly,” in Follies, Function and Form: The National Gallery of Victoria Magazine (July/August Imagining Olana’s Summer House (Olana State Historic 2016): 30–31. Site, Hudson, 2016), 8–11.

>—, “Merging and Emerging Images: >—, review of Gardens of the World, Site/Lines: Metamorphosis of Picasso’s Paintings in a Broader A Journal of Place 12, no. 1 (Fall 2016): 23–24. Context,” in Proceedings of Revoir Picasso Symposium, Musée Picasso, March 23–24 (Musée Picasso, Paris, >Debra Pincus, “Dante Speaks from the Tomb: The 2015), 1–7. Epitaph on the Monument in Ravenna and Veneto Epigraphy,” in Encountering the Renaissance: Celebrating >—, “Une question de fond: observations sur les Gary M. Radke and 50 Years of the Syracuse University couches de préparation de tableaux du XIXe siècle,” Graduate Program in Renaissance Art, ed. Molly Bourne in Peindre au temps des impressionnistes: L’apport de and A. Victor Coonin (Ramsey, NJ, 2016), 293–308. l’étude matérielle des toiles, ed. Bénédicte Trémolieres (Normandy, 2016), 11–32. >—, review of Sacred Plunder: Venice and the Aftermath of the Fourth Crusade, by David M. Perry, >Koen Janssens, Geert Van der Snickt, Matthias Alfeld, The Catholic Historical Review 102 (2016): 391–392. Petria Noble, Annelies van Loon, John K. Delaney, Damon M. Conover, Jason G. Zeibel, and Joris Dik, >—, review of The Sculpture of Tullio Lombardo, “Rembrandt’s ‘Saul and David’ (c. 1652): Use of Multiple by Anne Markham Schulz, Renaissance Quarterly 69 Types of Smalt Evidenced by Means of Non-Destructive (2016): 253–255. Imaging,” Microchemical Journal 126 (2016): 515–523. >Kimberly Schenck, “Defined by Light,” inDegas: A >Franklin Kelly, “Asher B. Durand’s Imaginary Strange New Beauty, ed. Jodi Hauptman (Museum of Landscapes,” The Walpole Society Notebook (2015): Modern Art, New York, 2016), 62–65. 83–104. >—, “Technical Observations of Three Drawings by >—, “The Legacy of ’s Imaginative Raphael from the National Gallery of Art,” in Raphael Creations,” in Thomas Cole: The Artist as Architect, as Draughtsman, January 18–20, 2013, ed. Joachim ed. Annette Blaugrund (New York, 2016), 81–103. Jacoby and Martin Sonnabend (Frankfurter Städel Museum, Frankfurt, 2016), 49–60. >Alison Luchs, “The Washington Ciborium Attributed to Desiderio da Settignano: Quattrocento, Ottocento, >Eike D. Schmidt, Dylan D. Smith, Alison Luchs, Shelley or Both?,” in Encountering the Renaissance: Celebrating Sturman, Karen Serres, Emily Pegues, Katherine Gary M. Radke and 50 Years of the Syracuse University May, Judy Ozone, and Simona Cristanetti, “Bronze, Graduate Program in Renaissance Art, ed. Molly Bourne Boxwood, and Ivory in the Robert H. Smith Collection and A. Victor Coonin (Ramsey, NJ, 2016), 186–200. of Renaissance Sculpture,” The Burlington Magazine (2015). >—, review of The Sculpture of Tullio Lombardo, by Anne Markham Schulz, Sculpture Journal 24.3 (2015): >Vincenzo Sorrentino, “Giovanni Antonio Dosio nella 431–434. cappella Del Riccio in San Giovanni dei Fiorentini a Napoli,” Bollettino d’Arte 100, no. 26 (2015): 53–68. >Eleonora Luciano, “She Launched a New Era of Portraiture: Raphael’s Portrait of ‘Elisabetta Gonzaga,’” >Geert Van der Snickt, Ana Martins, John K. Delaney, , November 14, 2015. Koen Janssens, Jason G. Zeibel, Michael Duffy, Christopher McGlinchey, Birgit Van Driel, and Joris >Peter M. Lukehart, “Nuda veritas: The Afterlife Dik, “Exploring a Hidden Painting Below the Surface of of Michelangelo’s Indecorous Figures in the Last René Magritte’s ‘Le Portrait,’” Applied Spectroscopy 70, Judgment,” in After 1564: Michelangelo’s Legacy in Late no. 1 (2016): 57–67. Cinquecento Rome, ed. Marco Simone Bolzoni, Furio Rinaldi, and Patrizia Tosini (Rome, 2016), 36–55.

82 STAFF LIST Staff as of September 30, 2016

OFFICE OF THE Assistant Producers Lighting Shop Specialists Development Associate Senior Event Planner Curatorial Assistant DIRECTOR David Hammer Juan Garedo Eowyn M. Mays Maria E. A. Tousimis Michelle Bird Elizabeth Laitman Hughes Charles Sthreshley Director Assistant to Chief Event Planner ITALIAN AND SPANISH Earl A. Powell III Staff Assistant Head of Paint Shop Development and Melissa Goodman PAINTINGS Nicholas Velez Dennis Bult Corporate Relations Curator and Head of Chief of Staff & Executive Officer Budget Specialist Department Assistant Graduate Intern Painters/Finishers Melissa Brashear Benjamin Masri-Cohen David Alan Brown Angela M. LoRé John Wang Wilber Bonilla Derrick Duarte Development Assistant Event Planning Specialist Associate Curator Staff Assistants DESIGN AND for Operations Chelsea Souza Gretchen Hirschauer Celina B. Emery INSTALLATION DEVELOPMENT Wayne Henson Carson Shelton Invitations and Protocol Chief Development and Curatorial Assistant Senior Curator and Chief Development Assistant Keri Lyn Michalke of Design Corporate Relations David Essex Chief Internal Auditor for Annual Giving Mark Leithauser Officer Christie Johnson Laura Hyson Christine Myers OFFICE OF Exhibition Research Deputy Chief and Head of Assistant Internal Auditor Development Assistant THE DEPUTY Exhibition Production Deputy Chief Susannah Rutherglen Steve Elsberg for Major Gifts DIRECTOR/ Development Officer Gordon Anson Rose Pallone CHIEF Kay Casstevens MODERN ART SPECIAL PROJECTS CURATOR Office Manager CORPORATE Curator and Head of Congressional Liaison Bryant Johnson Senior Development Deputy Director and Department Officer and Director of Officer for Major Gifts RELATIONS Chief Curator Harry Cooper Special Projects Architects/Designers Cathryn Dickert Scoville Deputy Corporate Franklin Kelly Delia Gerace Scott Andrea D’Amato Relations Officer Associate Curator Donna Kirk Senior Development Cristina Del Sesto Administrator for Policy Molly Donovan Special Projects Associate Officer for Major Gifts and and Programs Sarah Bohannan Design Assistant Foundation Giving Senior Officer for Elizabeth Driscoll Pochter Research Associate Rachel Schechtman Patricia A. Donovan Corporate Relations Jennifer Roberts Special Projects Assistant Jeanette C. Beers Administrative Assistants John W. Hobson Design Coordinator Senior Development Nancy Moncure Deiss Curatorial Assistants Deborah Clark-Kirkpatrick Officer for Annual Giving Corporate Relations Kerry Rose Wallin Kerry Rose EXHIBITIONS Hilary Freestone Assistant Paige Rozanski Production Coordinators Emi Kitawaki AMERICAN AND Chief of Exhibitions Linda Daniel Senior Development BRITISH PAINTINGS NORTHERN BAROQUE D. Dodge Thompson Elizabeth Parr Officer COMMUNICATIONS Nathan Peek Giselle Larroque Obermeier Curator and Head of PAINTINGS Chief of Communications Exhibition Officers Andrew Watt Department Curator and Head of Anabeth Guthrie Jennifer F. Cipriano Development Associate Nancy K. Anderson Department Naomi R. Remes Production Assistant for Reports and Record Arthur K. Wheelock Jr. Publicists Ann B. Robertson Brian Sentman Integrity Associate Curators Isabella Bulkeley Rachel Greiner Charles Brock Assistant Curator Sarah Edwards Holley Office Manager/Assistant Photographer Sarah Cash Alexandra Libby Laurie Tylec to the Chief of Exhibitions Rob Shelley Development Associate Wendy Battaglino for Annual Giving Curatorial Assistant Curatorial Assistant Web Designer/Systems Head of Graphics McGowin Ey Zoë Samels Kristin Gonzales Developer Assistants for Exhibition Barbara Keyes Dwayne Franklin Administration Development Associate Andrew W. Mellon Exhibitions Research Elizabeth Dent Graphic Design/ for Special Projects Postdoctoral Curatorial Assistant Communications Allison Keilman Silkscreen Production Stephanie Ross Fellow Henriette Rahusen Coordinator Olivia Wood Lisa Farrell John A. Tyson Domini LeNoir Artis Christopher Lempke Development Associate NORTHERN Exhibition Programs Jeffrey Wilson for Major Gifts Graduate Intern Interns RENAISSANCE Stefan Wood Kate Conrad Abby Eron Head of Department Shannon Brown PAINTINGS Susan MacMillan Arensberg Gabrielle Chapman Head of Exhibits Shop Development Associate Volunteer Curator and Head of Maeve Dare Department Deputy Head of Randy Payne for Stewardship and Ellen Layman Addison Weingard John Oliver Hand Department and Communications Associate Curator Exhibits Shop Specialists Sarah Hyde FRENCH PAINTINGS SPECIAL EVENTS Lynn Matheny Lester Dumont Curator and Head of PHOTOGRAPHS William Ferguson Development Associate Chief of Protocol and Department Senior Curator and Head Associate Curator George Grello for Annual Giving Special Events Mary Morton of Department Margaret Doyle George McDonald Deborah Berg Carol W. Kelley Sarah Greenough Robert Motley Associate Curator Audiovisual Production Development Associate Executive Assistant Kimberly A. Jones Curator of Nineteenth- Specialist Head of Lighting Shop for Research Annie Gray Miller Century Photographs Carroll Moore Robert Johnson Elise Roberts Assistant Curator Diane Waggoner Yuriko Jackall

83 STAFF LIST

Associate Curator Curatorial Assistant Senior Loan Officer Education Publications Supervisor, Art PUBLISHING OFFICE Andrea Nelson Mary Lee Corlett Lisa MacDougall and Resources Information Volunteer Editor in Chief Department Head Operations Judy Metro Consulting Curator SCULPTURE AND Assistant Loan Officer Sarah Durkee Marta Horgan Philip Brookman DECORATIVE ARTS Carol Nesemann Deputy Publisher and Administrator, Docent Curator and Head of Senior Publications Production Manager Collections Management Associate Registrar for Manager and Volunteer Programs Chris Vogel Associate Department Exhibitions Katherine Gottschalk C. D. Dickerson III Donna Mann Andrea Hackman Melissa Stegeman Design Manager Writer and Interpretive School Tour Scheduler Wendy Schleicher Curatorial Research Curator of Early European Associate Registrar for Jennifer Cross Sculpture and Deputy Projects Manager Associate Collections Jennifer Riddell Managing Editor of Anna Wieck Head of Department Lehua Fisher Senior Educator and Alison Luchs CASVA Publications Associate Projects Manager, Art Around the Cynthia Ware Cataloger for Corcoran Assistant Registrar Manager Corner Collections Associate Curator Holly Garner Sara Lesk Eleonora Luciano Melanie Spears Harper Senior Editors Larissa Leclair Tam Curry Bryfogle Registration Assistant Head, Education Museum Educator Julie Warnement Curatorial Assistant Curatorial Assistant Meredith Kablick and Coordinator of Emily Pegues Resources Anne Davis Leo J. Kasun Professional Development, Associate Senior Editor Art Services Manager Art Around the Corner John Strand Graduate Intern Joseph F. McCrindle Daniel Shay Julie Carmean Foundation Graduate Manager, Resources Danielle Operations, and Affiliate Editor Curatorial Intern Senior Art Services Museum Educator, Julia Silverman Loan Coordinator Caroline Weaver PRINTS AND Specialists Frances Duhart Art Around the Corner DRAWINGS James Clark Meghan Lally Assistant Editor Graduate Intern Joan Ganzevoort Andrew W. Mellon Senior Media Program Lisa Shea Vincenzo Sorrentino Andrew Krieger Education Assistant, Curator of Prints and Technician Daniel Randall Art Around the Corner Drawings Alastair McPherson Senior Book Designer Volunteer David Smith Emily Mendonca Andrew Robison Debra Pincus Bradley Ireland William Whitaker Graduate Intern Studio Assistant, Office Manager Sarah Molina Graphic Designer SPECIAL PROJECTS Art Services Specialists Art Around the Corner Susanne L. Cook Rio DeNaro IN MODERN ART Francis Adams Jill Oakley School, Family, and Joseph Hoffman Curatorial Assistant Senior Curator Adult Programs: Gallery Image Coordinator Carson Murdach Senior Educator and Mollie Berger Lynne Cooke and Studio Learning Sara Sanders-Buell Michael Russell Manager of Family and Exhibition Assistant Lewis Schlitt Department Head Teen Programs Old Master Prints Heidi Hinish Budget Coordinator Meryn Chimes Nathalie Ryan Jaime Lowe Curator and Head of EDUCATION Department CURATORIAL Senior Educator and Museum Educator and Division Head Manager of Teacher Print and Digital Jonathan Bober RECORDS AND FILES Administrator, Family and Lynn Pearson Russell Programs Production Associate Teen Programs John Long Associate Curator Head of Department Julie A. Springer Sarah Kra Administrator Gregory Jecmen Nancy H. Yeide Kim Hodges Museum Educator, Production Assistant Museum Educator and Mariah Shay Assistant Curator Associate Teacher Programs Program Coordinator, Staff Assistant Ginger Hammer Anne L. Halpern Justina Yee Adult Workshops Carolyn Bevans Program Assistant Gwendolyn Fernandez Katharine Brennan Andrew W. Mellon Curatorial Coordinator Senior Educator and Manager of Accessible Postdoctoral Curatorial for Digital Content Manager of High School Museum Educator and Programs Mark Rothko Catalogue Fellow Jennifer Henel Programs Program Coordinator, Lorena Bradford Raisonné for Works on Jamie Gabbarelli Elisa Patterson Family Programs Paper REGISTRATION Dena Rapoport Manager of Planning Old Master Drawings AND LOANS Education Assistant, High Associate Curator and Evaluation School Programs Senior Lecturer and Adam Greenhalgh Curator and Head of Chief Registrar Paula Lynn Marjorie Johnson Manager of Gallery Talks Department Michelle Fondas and Lectures Project Coordinator Margaret Morgan Academic Programs Senior Educator and Eric Denker Laili Nasr Grasselli Registrar for Exhibitions Theresa Beall Department Head Manager of School Tour Faya Causey and Docent Programs Senior Lecturers Research Associates Associate Curator Elizabeth Diament Diane Arkin Jessica Stewart Stacey Sell Collections Information Systems Coordinator Administrator David Gariff Ingrid Yeung Ali Peil Senior Educator and Assistant Curator Susan Finkel Manager of Adult Adult Programs Tour DIGITAL MEDIA Amy Johnston Collections Information Program Administrator Program Volunteers Scheduler DIVISION for Internships and Dianne Stephens C. Arlette Raspberry Modern Prints and Systems Assistant Chief, Imaging, Website, Fellowships Drawings Elizabeth Concha and Media Mattie M. Schloetzer Museum Educator and FILM PROGRAMS Alan Newman Curator and Head of Registrar for Loans Coordinator, School Tour Department Program Assistant for and Docent Programs Department Head and Judith Cline Gallery Website Judith Brodie Lectures Deirdre Palmer Film Curator Department Assistant Registrar for Loans Sarah Battle Margaret Parsons Associate Curators Shannon Schuler Website Producer Carlotta Owens Film Programmer Guillermo Saenz Charles Ritchie Joanna Raczynska

84 NATIONAL GALLERY OF ART

Website Developer Administrative Librarian/ Vertical Files Volunteer Painting Conservation Conservation Technician Assistant Administrator Carolyn Campbell Head of Technical Judith Bernanke Head of Department and Mira Patel for Budget and Services Senior Conservator Accounting Website Coordinator Roger C. Lawson Serials Assistants Jay Krueger Textile Conservation Jeannette Shindell Dacia Massengill Tammy Hamilton Head of Department and Program Staff Library Systems Manager Bruce B. Hebblethwaite Senior Conservators Senior Conservator Chelsea Cole Website, Special Projects Karen P. Cassedy Ann Hoenigswald Julia Burke John Gordy Department of Image Michael Swicklik Elise Ferone Office Manager Danielle Horetsky Collections Elizabeth Walmsley Preventive Conservation Media Production Jennifer Smith Elizabeth Kielpinski Chief, Library Image Head of Department and Department Associate Conservators Jen Rokoski Collections Senior Conservator Technical Services Dina Anchin Catherine Southwick Department Head Gregory P. J. Most Bethann Heinbaugh Vicki Toye Acquisitions Assistants Joanna Dunn Research Staff David Diaz Deputy Chief and Image Senior Conservators Lacey Baradel Supervisory Audiovisual Amanda Kim Specialist for Architecture Conservation Technician of Frames Mattia Biffis Production Systems Mary Lazarenko Andrea R. Gibbs Douglas Lachance Richard Ford Lara Langer Specialist Jeffrey Leone Stephan Wilcox Lorenzo Pericolo Brian Dooda Image Specialist for Graduate Intern Silvia Tita Acquisitions Student Modern Art Kathryn Harada Associate Preventive Benjamin Zweig Audiovisual Production Assistant Meg Melvin Conservator Specialists Katherine Monroe Paper Conservation James Gleason John Conway Image Specialist for Members, Center for Adam Enatsky Catalogers American and British Art Head of Department and Advanced Study in the Scientific Research Olivia Powers John P. Heins Andrew L. Thomas Senior Conservator Visual Arts, Academic Department Frank Tutko Bary Johnson Kimberly Schenck Year 2015–2016 Adam Williams J. Bryan Lane Image Specialist for Head of Department Senior Conservator Samuel H. Kress Professor Cathy F. Quinn Italian Art and Senior Conservation Marian Dirda Iain Boyd Whyte Information Technology Paula L. Zech Melissa Beck Lemke Scientist Manager Barbara H. Berrie Andrew W. Mellon Suzanne Sarraf Cataloging Assistants Image Specialist for Conservator Professor Gretchen Berkman Special Projects Michelle Facini Senior Imaging Scientist Paul B. Jaskot Division of Imaging and Vada Komistra Lisa M. Coldiron John K. Delaney Visual Services Matting and Framing Specialists Edmond J. Safra Visiting Bindery Assistant Image Specialist for Research Conservator for Caroline Danforth Professor Digital Imaging Services Jane E. Higgins French Art Paintings Technology Shan Linde Thomas Kren Department Nicholas A. Martin E. Melanie Gifford Reader Services Jenny Ritchie Department Head Paul Mellon Senior Fellow Peter Dueker Acting Head of Reader Image Specialist for Senior Conservation Conservation Technician Mary Miller Services Spanish Art Scientists Thomas A. O’Callaghan Jr. Michelle Stein Permissions Coordinator John Hagood Suzanne Quillen Lomax William C. Seitz Senior Barbara Goldstein Wood Christopher Maines Andrew W. Mellon Fellow Reference Librarian for Image Specialist for Advanced Training Fellow Angela Miller Image Permissions, NGA Interlibrary Loan Northern European Art Conservation Scientists Molli E. Kuenstner Josefine Werthmann Collections Jacqueline L. Protka Lisha Deming Glinsman Samuel H. Kress Senior Peter Huestis Kathryn Morales Fellows Circulation Desk Photograph Conservation Interlibrary Loan Michael R. Palmer Morten Steen Hansen Technician Digital Imaging Cataloger Assistants Head of Department and Mauro Mussolin Kate Mayo Faye Karas Carrie A. Scharf Senior Conservator Photographic Materials Thomas F. J. McGill Jr. Constance McCabe Scientist Ailsa Mellon Bruce Senior Student Assistant Photographic Services Matthew Clarke Fellows Kamaria Hatcher Department Interlibrary Loan Senior Conservator Barbara E. Mundy Sarah S. Wagner Department Head Volunteer Charles E. Culpeper Mabel O. Wilson Lura Young Volunteers Advanced Training Fellow Lorene Emerson Kari Allegretto Conservator Robyn Hodgkins Millon Architectural Sheldon Grossman Rare Book Librarian Alisha Chipman History Guest Scholar Color Management Myra Moffett Specialist Yuri Long Samuel H. Kress Imaging Mauro Mussolin Object Conservation Fellow Ken Fleisher CONSERVATION Circulation Assistants Head of Department and Giorgio Trumpy Ailsa Mellon Bruce Photographers Charlotte Donvito Chief of Conservation Senior Conservator National Gallery of Art Rodrick McElveen Mervin Richard Ric Blanc Shelley Sturman CENTER FOR Sabbatical Curatorial Ian Roberts Fellow Lee Ewing ADVANCED Greg Williams Conservation Administrator Senior Conservators Melissa Beck Lemke Circulation Student Michael Skalka STUDY IN THE Tricia Zigmund Daphne Barbour VISUAL ARTS Assistant Judy L. Ozone Paul Mellon Visiting Kristen Sieck Conservation Program Senior Fellows Visual Information Dean Assistants Elizabeth Bartman Specialists Conservator Elizabeth Cropper Debbie Adenan Vertical Files Librarian Emma Kirks Katherine May Maria Clelia Galassi Anne Simmons Michelle LeBleu Lynn A. Jones Christina Moore Associate Deans Nicola Wood Nassos Papalexandrou John Schwartz Research Conservator, Peter M. Lukehart Vertical Files Student Robert H. Smith Bronze Alison Locke Perchuk Assistant Therese O’Malley LIBRARY Study Project Marianna Stell Ailsa Mellon Bruce Dylan Smith Center Administrator Executive Librarian Visiting Senior Fellows Helen Tangires Neal T. Turtell Cynthea J. Bogel

85 STAFF LIST

Tom Gunning Ailsa Mellon Bruce Lead Support Services Architects/Project Facilities Management Building Maintenance Ruth E. Iskin Predoctoral Fellowships Specialist Managers Processes Specialist–IT Deputy Chief Amy Helene Kirschke for Travel Abroad for Bryan Durham Bruce D. Condit Vasily Lazarenko David Houser Karen Lang Historians of American Art Christopher Ruffing Juliana Barton Support Services Special Projects Production Center A. W. Mellon Postdoctoral Annika K. Johnson Specialists Construction Project Coordinator Foreman Fellows Jeff Richmond-Moll Janine Davis Manager William Cabeza Charlie DiPasquale Lihong Liu Lemuel Jamison Juan Radulovic Fernando Loffredo Anthony Mearite Special Projects Workers OFFICE OF THE Carpenter Shop Frances Moffatt Construction Field Paul Cotton ADMINISTRATOR PREDOCTORAL Anthony Proctor Representatives Anthony Givens Supervisor Stephen M. Brown Allan Scheufele FELLOWS IN Administrator RESIDENCE Supply Technician Abby Frankson Work Control Center Darrell R. Willson Ulrick Vilmenay Wood Crafter Leader Facilities Services David E. Finley Fellow Interior Designer Carl Sturm Manager Robert Fucci Deputy Administrator Printing Services Irwin Gueco John Haughey John Robbins Specialist Wood Crafters Paul Mellon Fellow Michael Austin Program Analyst Lynn C. Edwards Work Control Esther Chadwick Deputy Administrator for Lauren Huh José Guerra Coordinators Capital Projects and Chief Printing Services Clerk Burt Parks John Platt Samuel H. Kress Fellow Architect Anushirvan Aazami Program Specialist Howard Thompson John Todd Kelli Wood Susan Wertheim Hillary Lord Lead Telecommunications Paint Shop Engineering Technician Wyeth Fellow Executive Assistant Specialist EQUAL EMPLOYMENT Fernando Restrepo Supervisor Monica Bravo Erin Fisher Daniel Ryntz OPPORTUNITY Paul Zappulla Ittleson Fellow Financial Analyst Building Services Telecommunications Painters Eiren L. Shea Melanie Smith Specialists Equal Employment General Foreman Opportunity Officer Victor Bercian Elijahwon Brunson Frank Conto Dennis Garner Andrew W. Mellon Fellow Assistant to the Asheley McDonald Marisa Marinos Brendan C. McMahon Administrator for Budget James Miller Haywood Turnipseed Supervisors Troy Patterson Analysis FACILITIES Anthony Dickey Jill Dunham Twenty-Four-Month Property, Logistics, and MANAGEMENT Sylvia Dorsey Chester Dale Fellow Mason Shop Transportation Chief Deborah Hamilton John R. Blakinger Budget Analyst David Samec Angela Lee Supervisor Salima McClain Supervisor Gino Ricci Anthony Thomas PREDOCTORAL Office Manager Leaders Systems Manager Gerald Carthorne Mason Leaders FELLOWS NOT IN Lead Support Services Hilary Evans G. Lee Cathey Devigar Dozier Tony Lowe RESIDENCE Specialists Andre Gordon Patrick Verdin Mohamed Gasmi Staff Assistant David E. Finley Fellows CAD Team Sheldon Malloy Anthony Sean Hilliard Qula Wilder María Lumbreras Martin Livezey Darlene Middleton Masons Phil Taylor Timothy Spencer Dennis Colella Motor Vehicle Operators Entomologist Custodians and Laborers Daniel DePaz Frank Armstrong Darryl Forest Paul Mellon Fellows Staff Assistant (CASVA Frederick Braxton Mauricio Diaz Magdalene Breidenthal housing) Kevin King Engineering Quinzella Chambers Miguel Jimenez Seth Estrin Gwendolyn Murphy Wendy Contreras Leonard Pagliaro Materials Handler Deputy Chief Rosario Cordero Conrad Solomon Jorge Johnson Samuel H. Kress Fellow ADMINISTRATIVE Shelly Arnoldi Erek Cowins Charles Sydnor Denva Edelle Jackson SERVICES Michael DeVeaux Support Services Senior Mechanical/ Chief Carris Fields Building Operations Wyeth Fellow Specialist Physical Plant Engineer Winifred E. Turner Oliver Fowler Deputy Chief Michael Kubo Kevin Grays Ngoc (Ted) Huynh O’linda Harris Rodney Stringer Carolyn Harvey Deputy Chief Supply Technician Ittleson Fellow Engineers Brock Hawkins Arlington Walker Nathan Howell Assistant Operations Michelle McCoy James Cromwell Jamar Hill Chris Lovejoy Manager–Mechanical Administrative Officer Alice Holloman Noel Ashton Andrew W. Mellon Fellow ARCHITECTURE AND Scott Stephens Craig Jenkins Aaron M. Hyman ENGINEERING Engineering Technicians Sharon Jenkins Bryan Allen Energy Manager and Program Specialist Senior Engineer/Senior Michon Jenkins-Savoy Assistant Operations Twenty-Four-Month Wade Brightwell Tyrese Davis Program Manager Teresa Lee Manager–Electrical Chester Dale Fellow Michael Ottmers Alison Hunt Paul Marshall David Matthews Leslie Wilson Program Specialist (Travel Gail Maxfield Building Automation Coordinator) Senior Architect/Senior Darryel Parker Assistant Energy Manager Twelve-Month Chester System Manager Marie Joy Borja Program Manager Tambra Parks Brock Manville Dale Fellow Carl M. Campioli Brian McGivney Tony Reese Alice Isabella Sullivan Program Assistant Leora Richardson Assistant Building Supervisory Engineering Christy Williams Fire Protection Engineer/ Cassandra Smith Technician Robert H. and Clarice Automation System Program Manager Anthony Stewart Larry Smith Smith Fellow Manager Printing, Mailroom, Robert Wilson Angeline Sutton Jason E. Nguyen Michael Smith Records, Supply, and Dawn Thompson Supervisors Telecommunications Architects/Program Donnell Williamson David Gali Managers Facilities Services Tasha Wilson Supervisor James Gant William H. Cross Jr. Deputy Chief Ronald Winston Dionne Page James Hamilton Michael Gavula Dan Hamm Judy Renfrew

86 NATIONAL GALLERY OF ART

Leaders Gardener Leader Training Officer Supply Clerk Eugenio Velazquez Larita Dodson Wayne Atchison Anthony Ferrell Judith Frank Paul Gresham Laverne Whitted James Doye Artemas Edwards Robert Edwards David Trent Gardeners Training Specialist Exhibition Aides Command Center Edward Foster Charles Bauduy Nikkia Anderson Courtney Blanchard Apprentice Operators William Gill A/C Equipment Wayne Buckner Michelle Bond Keith Roseburough Ryan Goolsby Mechanics Shaun Kelsey Staff Assistant Deanna Boyd Altina Sumter Peter Henderson Jr. Gregory Curry Devin Sampson Jaki Johnson Sarah Buchanan Donna Hinton Timothy Dawson Christian Sherlock Linda Byron Commanders Mildred Holeman Jerry Dicks Willie Townes PROCUREMENT AND Kami Farrie Timothy Fortt David Jackson Jerry Dobbs Judith Walsh CONTRACTS Emily Francisco Quellan Josey Eugene Johnson Joseph Green Dale Wimberly Angela Gerstein David Lee Ottis Johnson Jr. (Union Mark Teed Chief Stephen Hanson Quinyardo McClain Representative) Sahlu Teklesadik Volunteers Rodney C. Cartwright Angela King Jeroboam Powell Eliot Jones Wilbert Thompson Martha Davidson Elizabeth Moore Felisha Jones Jeremy Wojciechowski Philip Davis Deputy Chief Brittany Strupp Lieutenants Aaron Kinchen April Gifford Michael Benavides Tammy Tran Alphonso Brown III Albert Lawrence Insulators Robin Gordon Amy West Thomas Gorman Franklin Lewis Contracting Officers James Deal Randy Harris Dennis Hill David Logan Dean Koepp Dewayne Queen Yvon Jensen Technical Services Joseph Hudson Jr. Richard Lydick Ethan S. Premysler Hannah Mazer Vernon Morton Rodney Madison David Reindl Deputy Chief Pipefitters Lourine Musto Dexter Moten Rodney Mathew LaVonne Shingler William Cato Jr. Gabriel Adebayo Scarlett Presley James Murphy Isaac Mathis III Geoffrey Spotts Leif Bair Sharon Schneider Marlene Tucker Oumar Mbodj Janet Wu Supervisor Lara Szypszak William Shaw Gerald Walker Wayne Morris Jr. Controls Shop Robert Tarasovic Sheila Wright Darrin Moyer Financial Management Jacob Neal Supervisor Analyst Senior Electronics MUSIC Sergeants Beverly North Anthony Brooks Kenneth Baksys Technician Jeffrey Blaher Marcus Reeves Music Program Specialist Louis Wagner Jr. Brian Bowman Lonnie Robertson Technicians Danielle DeSwert Hahn Purchasing Agents Wesley Branon Linda Roché Nicholas Carter Gregory Champlin Electronics Technicians Jerry Doss Sr. Loretta Roy Eugene Givens Music Specialist James Wortham Ty Cullins Alonzo Fountain Michael Simpson Anthony Hayes Robert Hanson Christian Havecker John Stisted Carolyn Groce John Smith PROTECTION John Eric Jackson Timothy Smith Music Program IT Specialist SERVICES Franklin Jess Michael Strong Electric Shop Coordinator Bradley Hnatt Chief William McLaughlin Bawasim Tchalim Supervisor Kathleen Chau Mark E. Wallace Identification John Rogers Joselito Tungcod Chris Fioravanti Kevin Taylor Larry Turner Concert Aides Reppard Powers III Raymond Tyndle Marian Vaughn Vrejoohie Armenian Assistant Chief Brannock Reilly Leader Gregory Tyson Gregory Watson Mary Carter Genia Reaves Vladimir Solomykov Timothy Maxwell Andre Vaughn Ricardo Watson Cathy Kazmierczak Willie Wright Raymond White Deputy Chief for Policy Risk Management Electricians and Programs James Wilcher PERSONNEL Troy Cahill Ellen Bryant Deputy Chief Security Driver John Wilcher Curtis Headlee Chief Alton C. Limbaugh Jr. Carlos Dubose Harold Williams Richard Thomson Douglas Goodell Staff Assistant Lee Williams Steven Uanna Lori Allen Safety and Occupational Police Officers Lynn Williams Deputy Personnel Officer Health Specialist Lamont Banks Mitchell Wright Jr. Electrical Worker Luis Baquedano Investigations Robert Casper Allen Billingslea Earl Ashford Demetrius Britt Gallery Protection Officers Investigator Supervisory Human Fire Protection Specialist Hosea Bynum Anani Abalo Enis Pinar Continuous Resources Specialist Glenn Hnatt Ernest Higginbotham Rukan Ahmed Conditioning Shop Terri Sosa-Gayles Patrick Lundgren Aaron Alexander Investigative Technician Operations Jason McCowin Belinda Anderson Engineering Technician Keith Hightower John Yasem Personnel Systems Major Tyrone Ramsey Michael Arant Specialists Larry Kaylor Bryan Sheehan Jose Aviles Michele Caputo Administration and Robert Baker Mechanical Engineering Visitor Services Technician Darryl Cherry Captain Special Police Officers Ronnie Baker Seong-Mo An Deputy Chief Karen Perry Wayne Alexander Roan Bascoe Staffing Specialists Elizabeth Thomas Calvin Allen Brian Bates HORTICULTURAL Jamaal Carrington Security Specialist Roger Allen Jules Bell Sutton Davis Program Analyst Irene Anderson-Thomas Robert Bell Jr. SERVICES Steven Butler Jr. Terrence Snyder Cheryl Miller Leonard Bashful Zurriane Bennett Chief Command Center Lead Wiziri Belcher Kathryn Boyd Cynthia Kaufmann Gallery Representative Program Specialist Operators Charles Berkley Jr. David Bradley Sr. Sarah Montgomery Andrea Bajrami Philip Arnett Vander Blount Jacqueline Brown Deputy Chief Johanna Speight Neil Braithwaite Kelly Brown Julianna Goodman Human Resources Office Assistant David Weston Jr. Roy Brown Jr. Shaun Brown Specialists Jesus Jimenez Jr. Vincent Brown Michael Bryant Horticulturists Miriam Berman Command Center George Burgess Richard Byrd Solomon Foster Todd Wheeler Gallery Support Specialist Operators Slats Carter Timothy Carter Sr. David Gentilcore Mendi Cogle Wingfield Dina Mukhutdinova Chester Hall Jr. Edward Chapman Paul Cawley Kimberley Mead Barbara Height Venus Cristwell James Chase Jr. Chris Myers Human Resources Supply Technician Denise Milburn Dominic Dangerfield David Clark Jeff Nagle Assistant Michelle Cameron James Townsend Edwin Diamola Jr. Cheryl Coach Annette Brown 87 STAFF LIST

Ivy Cooper Jason Scriber Systems Analyst/ Fulfillment Specialist Accounting Technicians OFFICE OF THE David Corso Willie Sims Programmer Tonia Dawes-Minnis Nicole Glaude SECRETARY AND Marcus Crowell Wayne Small Alexander Bloshteyn Kevin C. Oberman GENERAL Larry Dailey Andrew Smith Brenda M. Stevenson OFFICE OF COUNSEL Robert Darling Daniel Starr Retail Systems Assistant Samuel Dauzat Alexander Stephens Long Nguyen THE TREASURER Stephanie L. Thorpe Secretary and General Randolph Davis Christopher Stuart Valerie M. Wright Counsel Treasurer Stephen Dobbs Brian Sumner Visual Presentation Nancy Robinson Breuer William W. McClure Antonio Dorsey Timothy Sutton Manager Payroll Robert Dudley Jonathan Swinson S. Kendall Bradford Senior Associate General Executive Assistant Payroll Personnel Counsel Patrick Dumsch Damien Toler Specialist Visual Presentation Judy Shindel Julian F. Saenz Charles Faulkner Justin Vaughn Emma G. Moses Casey Flynn Paris Vaughn Technicians Melissa Cherry Staff Assistant Associate General Jerry Foley Donald Ward Jr. Payroll Technician Noelle E. Wigginton Brittany Counsels Raynard Forte II Verda Whitlow Margaret Myers David Fortunoff Agnes Whittle Carolyn G. McKee Chief of Investments and Olympia Frazier Joshua Wiley Store Manager Isabelle Raval Cash Management TECHNOLOGY Tameka Gaines Barry Williams Nancy G. Vibert George-Ann Tobin Sherice Garedo Stephen Williams SOLUTIONS Legal, Administrative and Russell Gaskins Jr. Vincent Williams Assistant Store Managers Chief Information Officer Governance Specialist Manager of Fine Arts Risk Lita Goings Weldon Williams Frenzetta Coward Linda K. Stone Joanna Gatta and Special Projects Debra Graham Phillip Williamson Kelly Song Guziewski Nancy Hoffmann Richard Green Andre Wilson Coy K. Mayle Jr. Information Systems Staff Assistants Dennis Hairston Chantay Wilson Naomi Morgulis Security Officer Carol Christ Chief Planning and Dorothy Harper Steven Wimbush Nabil Ghadiali Alexandra Liopiros Budget Officer Burley Harris Anthony Wright Category Specialists James Gaglione Jamal Hassan Patricia Wright Mary Heiss IT Planning & Budget GALLERY ARCHIVES Lemuel Hillian Philip Young Jr. Mary Powell Analyst Acting Chief Senior Budget Analysts Fred Holmes Jr. Christopher Siron Susan Farr Michele Willens Vicki Zobisch Cundiff Priscilla Hopkins Gallery Aides Frank McCarthy Robert Hyer Marie Akridge Lead Cashiers User Services Archivist Darrel Jackson Brandon Allen Charlene Conlon Kurt Helfrich Budget Analysts Manager David Jakes Rachel Borgman Linda Peterson Richard Eckert Chris Usher Victor Jamison Lauren Davidson Volunteer Cashiers Eileen Ng Darrell Johnson Kristyn Hodges Technical Lead Sarah Rouse David Johnson Karima Hurt Maria Aragon Senior Manager Financial Kristhian Senzano Krystal Johnson Derrick Johnson Laura Brown Reporting, Analysis and Nathnial Kefale Sr. Symphony Johnson Pamela Coleman VOLUNTEERS Policy Instructional Technologist Gabriel Kelley Marian Lee Tania Cooks Kelly Liller Christina Waldron Joel Ulmer Steven T. Corbin Docents Tameka Kyles Patricia Valdez Eric Davis Ann Allen Senior Financial Systems New Initiatives William LaMaupin Michael Wallover Marni Dropkin Lee Allen Manager Marketa Lassiter Mary Eaglin IT Program Manager Joan Barkin Leslie Braxton Michael Lewis RETAIL OPERATIONS Nanci Fox-Miller Laszlo Zeke Carol Bellonby Robert Lewis Lara Ghelerter Valerie Bernat Chief Financial Systems Tyrone Lewis Terry Gibson Architect, Lead Susan Bollendorf David A. Krol Administrator Joseph Loy Jennifer Harvey Applications Developer Marlene Bolze Lynn Li Ramesh Malhotra Marnier Manley David Beaudet Irene Bortolussi Office Manager Charles Manuel III Bonnie McBride Marina Bradfield Laura A. Fitzgerald Financial System Rusty Mason Kristofer M. O’Bryant Principal Developer Jill Brett Specialist Eric McCollum Kim Peacock Cindy Peng Maureen Fallon Bridgeland Staff Assistants Steven Wilson Toi-Lynn McKenzie Tam-Chinh Pham Gail Briggs Miriam Dameron Henry McKinnon Jr. Aaron Seaboch Senior Applications Florence Brodkey Therese Stripling Financial Reporting Lawrence Meyers Mildred Shivers Developer Ana Maria Brown Manager Margaret Nelson Monique Turner Svetlana Reznikov-Velkovsky Debra Brown Service Contracts Julianne Ehrman Willie Norman Timothy Turner Richard Burke Manager Roy Ottley Melissa Winter IT Project Managers Karen Campbell Anne Valentine Joyce Palmer GENERAL Eli Bhattacharyya Valerie Carleton Theodore Panglao Web Store Manager ACCOUNTING Katherine Blackwell Leonard Coburn Product Development Marian Parker Ryan Sloneker Shivansh Goel Carol Cochran Manager Comptroller Ronald Piekarski Theresa Daly Noriko Bell David J. Rada Pamela Pitts Product Photographer/ Operations Gerard de la Cruz Carey Porter Jr. Web Fulfillment Assistant Bela Demeter Book Buyers Deputy Comptroller Manager Oliver Pugh III Bridgit Day Anna Dixon Dennis E. Callaghan Myles Burgess Alex Wu Robert Pugh Jr. Cynthia Dormont Donald L. Henderson Willie Pugh Warehouse Manager Accounts Payable/Retail Infrastructure Manager Sandra Dugoff Akin Richardson Kenny Sykes Alice Ellington Buyers Accounting Manager Katherine Green Kelvin Richmond Marilyn Farrington Nancy A. Sanders Michael Chapman Johnny Ridgeway Lead Materials Handler Sharon Feldman Rachael Valentino Network Engineers Calvin Roberts Marvin M. Walton Accountant Orlando Lewis Victoria Feldman Michael Robinson Paula Ferdinand Inventory Control/ William French Nobel Philip William Rodriguez Materials Handlers Brooke Fink Reorder Buyer Sean Rohe Mioril Andoque Harriet Finkelstein Lisa P. Perkovich Applications Administrators Eric Sadler James B. Everett Wenling Bao Virginia Flavin Getachew Michael Howard Fogt

88 NATIONAL GALLERY OF ART

Stephenie Frasher Katy Senkus Omid Fattahi Deborah McDonald Jeanette Van Wormer Barbara Freeman Judy Shulman Ileana Fernandez Margaret McDonald Ward Van Wormer Maureen Gevlin Ruth Sickel Barbara Fisher Sarah Beth McKay Suzanne Vaughn Thomas Gilday Trudi Small Marjorie Fisher Irma Jean (I. J.) McNelia Gene Venzke Joan Gottfried Marie-France Smith Marcy Ford Susan Mekkawi Ellen Villa Gail Gregory Celia Steingold Alan Friedman John-Paul Menez Shawn Vreeland Laura Hagood Christine Stinson James Furnish Barbara Meyers Catherine Wagner Alyson Hardy Elizabeth Sullivan Betty Sue (Suzi) Gallagher Alejandro Milberg Linda Wagner Mary Harms Traer Sunley Chhanda Ganguly Elaine Miller Harry Walsh Jan Haugen Laura Symcak Joyce Gentile Amelia Montjoy Diane Wapner Shannon Hobbs Diedre Tillery Bowen Gerry Carolyn Morse Michael Weaver Patty Hohwiesner Paula Tosini Martin Gerstell Flavia Thomsen Mostazo Virginia Weschler George Holliday Shu Chen Tsai Marcia Gibson Elizabeth (Betty) Mullen Joan Wessel Adriana Hopper Diane Tucker Carolyn Gichner Diane Munro Elizabeth (Penny) White Marta Madrid Horgan Susan Van Nice Bernard (Benny) Glenn Luzie Nahr Diane Wood Marilyn Horwood Eleanor Wang Joan Goldwasser Rebecca Neumann Maria Ilona Wood Merry Hunt Josephine Wang Gretchen Goodrich Sherry Nevins Vinnie Zagurski Michaela Johnson Maria Elena Weissman Lucille (Lucy) Gordon Mary Niebuhr Evelyn Katz Margaret Wesbecher Judith Hadley Joan Novell Nancy Keefe Sue Wickwire Janice Hallman Anne Odland Carolyn Kelloff Brooke Wilding Tawney Harding Patricia Orr Marney Kennedy Michael Winer Jean Hay Carol O’Shaughnessy Carol King Maria Wood Jo Ann Hearld Arnold Palley Ilze King Constance Wynn Erin Heffernan Athena Papamichael Ann Klein Joan Zeizel Maria Higgins Susan (Suzi) Pease Michelle Koerner Kathryn Zoeller Nancy Hirshbein Camille Pellegrino Audrey Kramer Gianna Zucchi Barbara Hodges Stephen Pelszynski Andrea Kraus Celia Hoke Mary L. Regan Bonhee Ku Art Information Charlotte Hrncir Gail Ridgway Naomi Kulakow Volunteers Gail Huh Arlene Ring Olga Kushnir Liane Kathleen Jackson Dorothy Robinson Julien LeBourgeios Rosalie Baker Irene Jacoby Martha Rogers Rosalie Lesser Jay Ball Joan Janshego Wynefred Rogerson Susan Lewis Valerie Ballard Tera Jones John Thomas Rooney Paula Litvak Anika Belinfanti Paula Kahn Gabrielle Rooz Dianne Maffia Catherine (Kittie) Beyer Herb Kaplan Emily Roper Pinette Barbra Mann Margaret Ann Booth Melissa Kass Eugene (Gene) Rosenfeld Anne Marie Marenburg Ann Breiter Henrietta (Henri) Keller Shirley Rosenfeld Patricia Martin Betsy Brener Rosemary Kelly Carol Russell Luba Marx Elizabeth Buchanek Hyeran (Alissa) Kim Kalina Schneider Marylin Mathis Arthur Bugler Jr. Stephen Klatsky Susan (Sue) Schneider Patricia Mattimore Diane Cabe Bonnie Kleinhans Roberta Schneidman Ursula McKinney Josephine (Jody) Cabezas Michael Kolakowski Sonja Schulken Patricia McMurray Dianne Callan Peter Koltay Suzanne Scott Linda Meer Elizabeth (Beth) Callsen Christie Kramer Nancy Searles Sandra Mitchell Nancy Cammack Ruth Kurzbauer Arlene Selber Margaret Morrison Ann Carroll George Lader Anastasia Sheveleva Joan Morton Colleen Casey Stephen Lake Kathleen Shuman Joan Mulcahy Catherine Chae Rosary Lalik Chaya Siegelbaum Laurie Nakamoto Joan Chapin Emily Lanza James Silverwood Akemi Nishida Zie Wei (Susan) Chen Marion H. Lebanik Esther Slaff Olga Nosova Rhonda Chocha Barbara Lenhoff Ann Snuggs Nur Nossuli Vivian Chu Rebecca Leopold Carol Snyder Yasuko Okuno Aimee Cipicchio Barbara Lesser Molly Snyder Mary O’Neill Lynn Cleary Allen M. Lewin Claire Southerlin Patty Owens Angela Clexton Guenter Lewy Mary K. Stoufer Hedwig Pasolini Pat Clopper Ilse Lewy Sheridan Strickland Deborah Pietras Evelyn Coburn Feifei Li Linda Sundberg Karen Piper Carolyn Codamo Marlane Liddell Bonita Sutler Nancy Porter Dina Cotlier Susan Lightsey Michele Sutton Ludmila Pruner Michael Crowley Shania Lin James (McKim) Symington Jr. Maria Amelia Ramaciotti Deborah Davenport Karen Livornese Ann Szabo Patricia Ramirez-Gomez Elaine Dawes Mary Ann Lucey Barbara Szoradi Pickett Randolph Susan Dawson Pat Lynagh June Tancredi Lucia Jean Reynolds Sue Degnan Marion Macdonald Ragan Tate Cynthea Riesenberg Joanne DeSiato Theresa Maciejewski Judith Terry Janet Roberson Clare Donelan Cynthia (Cindy) Major James (Jim) Thurston Eileen Romano William Eddy Rikki Marshall Marylee Tinsley Susan Rudy Shirley Edelman LeeAnn Matthews Alicia Tisnado Sheila Ruffine Sibyl Nye Erdman Roy Matthews Anna Tucker Cathy Ryan Rose Evans Marshall McBeth Barbara Twigg Lois Sacks Elizabeth Fagan Chuck McCorkle Garry Tyran Joyce Schwartz Susana Fainbraun-Shapiro Joan McCormick Kathy Udell Steven Selden Erin Fairhead Carolyn McDevitt Adrienne Umansky

89 GIFTS/DONORS

The support of the federal Family of Edith K. Bralove André and Elizabeth Kertész Foundation, Alice and Richard Schoen government and private sector Philip Brookman in Honor of the 25th Anniversary of Susan Schwalb Photography at the National Gallery of Art enables the Gallery to fulfill Andrew Brown Anne H. Simmons David Knaus Vincent Buonanno, in honor of General William Y. Smith † its mission to collect, exhibit, Korper Family in memory of Andrew Robison Kenneth Snelson interpret, and preserve works of art Hazel Priest Korper Russell and Anne Byers, in Honor of the Mary and Dan Solomon at the highest possible standard. 25th Anniversary of Photography at the Lee Gallery Inc. Bob Stana and Tom Judy While the federal government National Gallery of Art Robert and Mary M. Looker Stephen G. Stein provides an annual Faya Causey, in memory of Philip Conisbee Family Collection Saul Steinberg Foundation for the Gallery’s operation and Bruce and Sharyn Charnas Lin Lougheed Bill and Peg Steiner maintenance, works of art in the Bonnie and Louis Cohen Theresa Luisotti, in Honor of the 25th Anniversary of Photography at the Ruth Carter Stevenson † collection, the two buildings, and John P. Coll in memory of Margaret National Gallery of Art Donald Stone the sculpture garden are made Canaga Coll and John Owen Reilly Coll, 2016 Vera Lutter Stephen and Andrew Trachtenberg in possible through private gifts, as Neelon Crawford Susan and Peter MacGill loving memory of Honey Trachtenberg Weiss and Henry Weiss are numerous educational and Binh Danh Susan and Peter MacGill, in Honor of the Garry Trudeau scholarly programs. The Gallery Gary Davis 25th Anniversary of Photography at the National Gallery of Art Jack and Margrit Vanderryn extends its gratitude to both the Gary and Ellen Davis, in Honor of the federal government and the many 25th Anniversary of Photography at the Michael Mattis and Judith Hochberg, in Dorothy and Herbert Vogel Collection National Gallery of Art Honor of the 25th Anniversary of Beatrix von Hoffmann generous donors listed here who Photography at the National Gallery of Art Frauke de Looper Beatrix and Ladislaus † von Hoffmann, in made gifts during fiscal year 2016. David H. McDonnell Eric Denker honor of Andrew Robison These private contributions have Nion McEvoy John Divola Auldlyn Higgins Williams and E. T. allowed the Gallery to enhance Richard and Ronay Menschel Williams Jr. in honor of Alma Arrington Ann Ford Doyle † its art collections, build its Kent and Marcia Minichiello, in Honor of Brown and in memory of Ronald library holdings, present special Virginia Dwan the 25th Anniversary of Photography at Harmon Brown Merritt Porter Dyke, in honor of exhibitions, undertake conservation the National Gallery of Art John Wilmerding in honor of Jo Ann and Andrew Robison Jutta Mosse, in memory of Edith Steinfeld Julian Ganz and research, offer comprehensive Anne and Joel Ehrenkranz Jutta Mosse, in memory of Rudolf Mosse Family of John Wilson in honor of educational initiatives, and pursue The Epstein Family Collection Joan and Daniel Mulcahy President Barack Obama scholarly endeavors. Thanks to Sam Francis Foundation, California; Vik Muniz Christopher and Beverly With in memory Bequest of Robert Shapazian of Karl and Gerda With the ongoing commitment of Jackie Nickerson and the Jack Shainman its supporters and the federal Gemini G.E.L. Gallery, in Honor of the 25th Anniversary Wolfgang Wittrock government, the Gallery continues Gemini G.E.L. and John Baldessari, of Photography at the National Gallery Daniel Wolf and Mathew Wolf in memory to serve the American people. Jonathan Borofsky, Richard Diebenkorn, of Art of Diane Wolf David Hockney, Jasper Johns, Ellsworth Nicholas Nixon Catherine Woodard and Nelson Blitz Jr. Kelly, Elizabeth Murray, and Claes Julia J. Norrell Woodner Collection, Gift of Dian Woodner GIFTS TO THE NATIONAL Oldenburg Alexander Novak Rufus Zogbaum and Reina Schatter GALLERY OF ART Gemini G.E.L. and John O’Brien (October 1, 2015–September 30, 2016) Glenstone Foundation Milly and Arne Glimcher Ainslie and Keith Peoples in memory of LIBRARY GIFTS Barbara Frost Harkness Graphicstudio/University of South GIFTS OF ART Dewayne and Faith Perry The following individuals and institutions Florida and Mark Dion, Alex Katz, made significant gifts to the National Ivan E. and Winifred Phillips in memory The Gallery’s collection is the result of Allan McCollum, and Ed Ruscha Gallery of Art Library and its image col- of Neil Phillips private generosity. Unlike other national Nicholas and Margaret Morgan Grasselli, lections department in fiscal year 2016: museums throughout the world, the in honor of Andrew Robison Heather and Tony Podesta Collection Gallery receives no government funds for Sarah Greenough Helen L. Porter and James T. Dyke Library the acquisition of art. Works of art were Jeanne and Richard S. Press added to the Gallery’s collection in fiscal Liane Atlas Prouté Family, in honor of Andrew Robison year 2016 through the generosity of the Cynthia Hadzi, in honor of Dimitri Hadzi Miles Chappell Riddick Family: Michael, Elizabeth, friends listed here. Al Held Foundation, Inc. in memory of Christine Kermaire Nan Rosenthal Christian, and Francesca Werner Pfeiffer Anonymous Marion F. Houstoun Ingrid Rose, in memory of her husband Harry Rand John and Laurie Adams Timothy and Suzanne Hyde, in Honor of Milton Rose Andrew Robison Katherine and Alexandra Baer the 25th Anniversary of Photography at Donald S. Rosenfeld Jr. Elizabeth Whiteley Silvana Tagliavini Bareggi in memory of the National Gallery of Art Martha Rosler and Mitchell-Innes and Nash Riccardo Bareggi Oliver L. Jackson Trust Trina and Lee G. Rubenstein Jean-Luc Baroni Robert E. Jackson, in Honor of the Fred Sandback Archive in honor of Image Collections 25th Anniversary of Photography at the Virginia Dwan Andrée and Jonathan Bober William Craft Brumfield National Gallery of Art William L. Schaeffer, in Honor of the Andrée and Jonathan Bober, in honor Elizabeth Cropper of Andrew Robison Betsy Karel 25th Anniversary of Photography at the Richard † and Elaine Kaufman National Gallery of Art Diane DeGrazia Mel Bochner in honor of Lamia Doumato Dr. James Meyer The Scharffenberger Family

90 NATIONAL GALLERY OF ART

John Hand Estate of Ruth Cole Kainen Lionel and Ariane Sauvage Barbara Spangenberg in memory Mrs. Michael Horn Dr. Mihael and Mrs. Mahy Polymeropoulos Jordan D. Schnitzer of Kim Heist Diane Modestini Jon and Mary Shirley Foundation James D. and Kathryn K. Steele Elizabeth and George Stevens Jr. Innis Shoemaker Trellis Fund Thaw Charitable Trust Mr. and Mrs. Roger D. Stone Scott Sullivan Mrs. Robert M. Weidenhammer Matthew A. & Susan B. Weatherbie Michele and Glenn Sutton Charitable Foundation Eileen and Michael Tanner $50,000–$99,999 The Tulgey Wood Foundation Dr. Shailendra S. Vaidya CORPORATE GIFTS Anonymous Christiane and James Valone Charitable Fund of the Hampton Roads Community The Gallery is grateful to the following The Ahmanson Foundation $1,000–$9,999 corporations for their generous support Foundation Max N. Berry Anonymous in fiscal year 2016: Mrs. Eric W. Weinmann Louise and John Bryson Lynn K. Altman Altria Group, Inc. The J. and H. Weldon Foundation Estate of Theodore A. Cooper Ann M. Askew BP America Andrea Woodner Mrs. Martha Gil-Montero and Aileen Athy Mr. Joseph A. Page Andrew Athy Jr. BENEFACTORS Virginia Cretella Mars Dr. Darryl Atwell COLLECTORS COMMITTEE OF R. K. Mellon Family Foundation Mr. and Mrs. James R. Beers Benefactors are those who have made THE NATIONAL GALLERY OF ART cumulative gifts of art and/or funds at Park Foundation Mrs. W. Tapley Bennett The Collectors Committee serves the level of $5,000,000 or more. The Kate Rothko Prizel Marguerite H. Benson a vital role in broadening the scope of following names were added to this Sharon and John D. Rockefeller IV Mrs. Aldus H. Chapin the Gallery’s modern collection. distinguished list during fiscal year 2016: Christopher Rothko Robert H. and Monica M. Cole Foundation Committee members provide invaluable Mr. and Mrs. B. Francis Saul II Combined Federal Campaign support with their annual gifts of Greg and Candy Fazakerley Mr. and Mrs. Albert H. Small Paula Cooper and Jack Macrae $20,000, $40,000, and more for the Deborah and Ed Shein acquisition of modern art. Michelle Smith Deloitte & Touche Terra Foundation for American Art Hester Diamond Cochairs Robert Menschel and the Vital Clarence and Anne Dillon Dunwalke Trust INDIVIDUAL AND Kyle J. Krause Projects Fund Randi and Bob Fisher FOUNDATION GIFTS Denise Saul Wyeth Foundation for American Art Elizabeth E. Fontaine Gifts of $1,000 or more for art acquisition, special exhibitions, education, Embassy of France $25,000–$49,999 Members outreach, conservation, research Peter A. and Barbara W. Freeman initiatives, and unrestricted support were Anonymous Virginia Fulton Anonymous received from the following generous Adrienne Arsht Gamblin Artists Colors Co. Howard and Roberta Ahmanson donors during fiscal year 2016: Mr. Thomas W. Barwick Professor Joseph L. Gastwirth Ann Ames Nelson Blitz Jr. and Catherine Woodard Ann and Gordon Getty Foundation Adrienne Arsht $1,000,000 or more Buffy and William Cafritz Family Gottfried Family Mr. and Mrs. E. William Aylward The Lee and Juliet Folger Fund Foundation Dr. John C. Harbert Mary-Randolph Ballinger The Andrew W. Mellon Foundation Grega and Leo A. Daly III Fund for Harman Cain Family Foundation Anne T. and Robert M. Bass Architectural Books Richard King Mellon Foundation Mrs. Amos B. Hostetter Jr. Eli and Edythe Broad Estate of George W. Elliott Edmond J. Safra Foundation Mr. James A. Johnson Jr. and Calvin and Jane L. Cafritz Matthew and Ann Nimetz Victoria and Roger Sant Mr. Frank L. Spencer Constance R. Caplan Mary L. Robinson in memory of The Walton Family Foundation David A. Krol Joseph M. Cohen C. David Robinson Lawrence Lawver Gregory M. Connors Deborah and Ed Shein $500,000–$999,999 Jacqueline and Marc Leland Foundation Mr. and Mrs. Michael M. Connors William and Sarah Walton Robert and Arlene Kogod Larry and Dee Levinson Edwin L. Cox Julia M. Wilkinson Clarice Smith Robert B. Loper Davis/Dauray Family Fund Dian Woodner Robert H. Smith Family Foundation Estate of Franchia Loren Barney A. Ebsworth Mr. and Mrs. James B. Martin $10,000–$24,999 Mrs. Donald G. Fisher $250,000–$499,999 Susan McCabe Aaron Fleischman and Lin Lougheed Anonymous Anonymous Bruce McKittrick and Wendy Wilson Norma Lee and Morton Funger, Charina Endowment Fund Mr. and Mrs. Frederick W. Beinecke Estate of Lucy G. Moorhead The Funger Foundation Brian and Paula Ballo Dailey Robert & Mercedes Eichholz Foundation C. Jay Moorhead Foundation Mr. and Mrs. Carl S. Gewirz The Max and Victoria Dreyfus Foundation Bernard and Sarah Gewirz Arnold and Augusta Newman Foundation Pam and Bob Goergen Louisa C. Duemling HRH Foundation NGA Volunteer Travel Lenore S. and Bernard A. Greenberg Virginia Dwan Samuel H. Kress Foundation Ms. Margaret B. Parsons Peggy and Richard Greenfield Samuel Freeman Charitable Trust Henry Luce Foundation H. O. Peet Foundation Agnes Gund The Gottesman Fund in memory of Fund given in honor of Dewayne and Faith Perry Mr. and Mrs. Andrew S. Gundlach Milton M. Gottesman Derald Ruttenberg’s Grandchildren Ivan E. and Winifred Phillips Mr. † and Mrs. Frederic C. Hamilton Melvin Henderson-Rubio The Leonard and Elaine Silverstein William A. Prezant Mr. and Mrs. Richard C. Hedreen Mark and Carol Hyman Fund Family Foundation Anthony Quinn Foundation Marguerite S. Hoffman Johnson Family Foundation Mallory and Diana Walker Henry and Anne Reich Family Foundation Wilhelmina Holladay Mrs. George M. Kaufman Jane P. Watkins Lola C. Reinsch Robert and Arlene Kogod Alexander M. and Judith W. Laughlin Toni A. Ritzenberg Wendy and John Kostrencich $100,000–$249,999 George Preston Marshall Foundation The Lois Roth Endowment Jill H. Kramer Miller & Long/John and Dade McMahon Anonymous Dr. Richard A. Simms Kyle J. and Sharon Krause Estate of Julienne M. Michel Sally Engelhard Pingree and The Richard and Judith Smooke Mary Looker Charles Engelhard Foundation Mr. and Mrs. Thomas A. Saunders III Estate of Barbara R. Sobernheim Chris and Lois Madison

91 GIFTS/DONORS

Joan and David Maxwell Dr. and Mrs. LaSalle D. Leffall Jr. Mrs. Barbara K. Gordon Mr. and Mrs. Richard I. Burnham The Honorable Bonnie McElveen-Hunter Thelma and Melvin Lenkin Mr. and Mrs. Temple Grassi Conrad and Ludmila Cafritz Mr. and Mrs. Edwin Van R. Milbury Jacqueline B. Mars Patrick W. and Sheila Proby Gross Thomas and Robin Clarke Mary V. Mochary Virginia Cretella Mars Mr. † and Mrs. Frederic C. Hamilton Andrea B. Currier H. Tony & Marti Oppenheimer and James R. and Suzanne S. Mellor The Heinz Family Philanthropies Mr. and Mrs. Gary Davis The H. Tony and Marti Oppenheimer James H. and Zoe Moshovitis Mr. and Mrs. Joseph W. Henderson III Lisa and Porter Dawson Foundation Mrs. Pat Munroe Lynne and Joe Horning Dr. Joseph P. DiGangi John and Mary Pappajohn Scott Nathan and Laura DeBonis Mr. Clark F. Hoyt and Ms. Linda Kauss Philip G. Dufour and Todd S. Andochick Catherine C. Partridge The George L. Ohrstrom Jr. Foundation J. W. Kaempfer Elizabeth W. Edgeworth Sally Engelhard Pingree Alan and Marsha Paller Linda H. Kaufman Lionel C. Epstein and Elizabeth P. Tony Podesta John and Mary Pappajohn Nancy and Jorge Kfoury Streicher Cynthia Hazen Polsky and Leon Polsky Wes † and Jackie Peebles Mark and Ann Kington Elinor K. Farquhar Prince Charitable Trusts Sally Engelhard Pingree Lee G. Kirstein Mr. and Mrs. Alan H. Fleischmann Mr. and Mrs. Mitchell P. Rales Dr. Mihael and Mrs. Mahy Polymeropoulos Michael R. Klein and Joan I. Fabry Keith Forman and Mary Morton Burton Reiner Prince Charitable Trusts Susan and John Klein SaraJane Foster Sharon and John D. Rockefeller IV Sharon and John D. Rockefeller IV Judith and Alexander Laughlin Gerry and Lynne Gabrys, Guest Michele Rollins and Monique Rollins Mr. and Mrs. Robert M. Rosenthal The Lemon Foundation Services, Inc. Don and Mary Beth Roth Victoria and Roger Sant Edward Lenkin and Roselin Atzwanger Elizabeth and Michael Galvin Mr. and Mrs. C. Arthur Rutter III Mr. and Mrs. B. Francis Saul II Larry and Dee Levinson Professor Joseph L. Gastwirth Victoria and Roger Sant The Leonard and Elaine Silverstein The Honorable Frederic V. and Honorable Joseph and Alma Gildenhorn Louisa Stude Sarofim Family Foundation Marlene A. Malek Mr. and Mrs. Henry H. Goldberg Mr. and Mrs. Andrew Saul Robert H. Smith Family Foundation Mr. and Mrs. Richard E. Marriott Dr. Cheryl Gorelick Jon Shirley Mr. Benjamin F. Stapleton III The Honorable and Mrs. Thomas F. Helen Lee Henderson Michelle Smith Shannon and Bennett C. Stichman/ McLarty III Mr. and Mrs. William A. Homan III Roselyne Chroman Swig Stichman Family Foundation The Honorable and Mrs. William A. Nitze William L. Hopkins and Richard B. Leopoldo Villareal George Wasserman Family Foundation Diane A. Nixon Anderson † William and Sarah Walton Diane B. Wilsey Dr. James D. Parker John K. Hoskinson and Ana I. Fábregas Mr. and Mrs. Stanford S. Warshawsky Rachel Tinsley Pearson Mrs. Sherrill M. Houghton Mr. and Mrs. Gerald Petitt Robert and Elizabeth Huffman THE CIRCLE OF THE NATIONAL Dr. and Mrs. Jerold Principato Mr. and Mrs. Evan Jones THE EXHIBITION CIRCLE OF THE GALLERY OF ART Toni A. Ritzenberg The Fannie and Stephen Kahn Charitable NATIONAL GALLERY OF ART Foundation The Gallery extends thanks to the Mr. and Mrs. Thomas D. Rutherfoord Jr. LaSalle D. Leffall III The Gallery wishes to thank the members of the Circle for their generous Ellen and Gerry Sigal members of the Exhibition Circle for annual gifts of $1,000, $2,500, $5,000, Dr. Abigail Spangler Jack and Betty Lou Ludwick their generous support at the level of or $10,000 or more, which provide Dick and Jane Stoker John and Mary Lee Malcolm unrestricted funding for a range of $20,000 or more, which provides Barry S. and Evelyn M. Strauch Mr. Forrest E. Mars Jr. † funding for special exhibitions each year. activities throughout the Gallery. Dr. Charlotte K. Telford and Tom and Charlene Marsh Family Mr. Kevin F. Telford Foundation Mr. and Mrs. Michael Arpey Chair Mr. and Mrs. Eugene V. Thaw The Honorable John J. Medveckis Mr. and Mrs. Frederick W. Beinecke Gail L. Jacobs Anne and Peter Thomas Mr. Robert B. Menschel Mr. and Mrs. Ronald M. Bradley Mr. and Mrs. John V. Thomas Robert E. Meyerhoff and Rheda Becker Brown-Forman Corporation Patron Members Mallory and Diana Walker Jim and Tracy Millar The Clark Charitable Foundation and ($10,000 and above) Marvin F. Weissberg Joan and Dan Mulcahy A. James † & Alice B. Clark Mr. and Mrs. Robert B. Newlin Ms. Debbie K. Alex and Mr. David Harris Frederica Wheeler and Charles E. Johnson Bonnie and Louis Cohen/Rubenstein Matthew and Sandy Newton Charitable Foundation Terri and Tom Barry Mr. and Mrs. Erving Wolf Mr. and Mrs. David D. Norton Mike and Julie Connors Mr. † and Mrs. Lawrence N. Brandt Ken and Dorothy Woodcock The Honorable Stephen W. Porter and Marc H. and Vivian S. Brodsky Judith and Leo Zickler Ron and Barbara Cordover Mrs. Susan Porter Ruth H. Buchanan Donald and Barbara Zucker Family Louisa C. Duemling Mr. Richard J. Price Mr. and Mrs. Landon V. Butler Jr. Foundation Irwin and Ginny Edlavitch Jacqueline Rizik Russell and Anne Byers Dr. Mark Epstein and Amoretta Hoeber Mr. David Rockefeller Mr. and Mrs. Carter Cafritz Sustaining Members Shannon Fairbanks Mr. and Mrs. Charles C. Shelleman Jr. Giuseppe and Mercedes Cecchi ($5,000–$9,999) Greg and Candy Fazakerley Mr. and Mrs. Anthony F. Shelley Ellen MacNeille Charles Ms. Denise Gwyn Ferguson Anonymous (2) Mr. and Mrs. Robert Bland Smith Judy and Richard Cohen The Lee and Juliet Folger Fund Carolyn Small Alper Elizabeth M. Strafford Suzi and David Cordish C. Boyden Gray Aileen Athy Mr. and Mrs. Maurice B. Tobin Marshall B. Coyne Foundation, Inc. Monica Lind Greenberg Andrew Athy Jr. Jay and Toshiko Tompkins Lavinia M. Currier Sylvia Greenberg Jamie Baldinger Judge Thomas B. Wells and Mr. Newman T. Halvorson Jr. Mrs. Richard England Gay and Tony Barclay Mrs. Mary Jo Wells Mrs. Amos B. Hostetter Jr. The Roger S. Firestone Foundation Miriam and Eliezer Benbassat JM Zell Partners, LTD. Gail and Benjamin Jacobs Nancy M. Folger and Sidney L. Werkman † Grace and Morton Bender Mr. and Mrs. Reuben Jeffery III Betsy and Pete Forster Mr. and Mrs. Douglas J. Besharov Supporting Members Betsy Scott Kleeblatt Marina Kellen French Mrs. Robert O. Blake ($2,500–$4,999) Robert and Arlene Kogod Dale and Suzi Gallagher Marshall and Anne Brachman Anonymous (7) Jo Carole and Ronald S. Lauder Mr. and Mrs. Gordon P. Getty Andrew Brown Susan L. Agger and Richard D. Budson The Leonard and Dr. Margaret A. Goodman Barlow Burke and Elizabeth Holleman James and Lynn Alexander Foundation

92 NATIONAL GALLERY OF ART

William B. Alsup III and Sunny Jung Alsup Mrs. Martha Gil-Montero and Anne L. Metcalf Tower Project Members Ruth and Sam Alward Mr. Joseph A. Page Iris and Lawrence Miller ($2,500 and above) Nancy Glassman Leslie S. Ariail Fenner Milton Rory and John Ackerly Mr. and Mrs. Ian Glenday Mr. Joseph Asin and Ms. Beryl Gilmore Jane S. and James K. Mitchell James Alefantis Susan Sachs Goldman Captain and Mrs. Sverre Bach Mr. and Mrs. F. Joseph Moravec Carolyn Small Alper Richard and Mary L. Gray Mr. and Mrs. James R. Beers Catherine Murray Jamie Baldinger Harry Grubert Mr. and Mrs. Robert S. Bennett Michael and Sharon Nemeroff Mr. and Mrs. Brendan Bechtel Nicole Alfandre Halbreiner Marguerite H. Benson Melanie and Larry Nussdorf Mrs. Martha Lynette Bellas Barbara and Bob Hall Roberta Matthews Bernstein Leslie and John Oberdorfer Dr. Susan Bennett Patti and Mitchell D. Herman Lili and Jon Billings Stanley and JoAnn Pearlman Miss Elizabeth S. Bizic Ms. Maria C. Higgins Miss Elizabeth S. Bizic Mr. and Mrs. John E. Pflieger Jr. Martha Blalock and Christine L. Delucchi Louise Hilsen and Donald Foley Mr. and Mrs. James I. Black III Mr. and Mrs. John Ely Pflieger Sr. Elizabeth H. Bolen Richard and Pamela Hinds Susan Bloom and Dr. Benjamin Natovitz Dr. and Mrs. Alan G. Pocinki Christopher R. Boutlier and Barbara D. Boggs Dr. and Mrs. John W. Holaday The Honorable Trevor Potter and James S. Meyer Mr. and Mrs. Stephen A. Bou James and Diana Holman Mr. Dana Scott Westring Faya Causey Joan and Jack Bray Beth and Larry Horowitz Whayne and Ursula Quin Paula Cooper and Jack Macrae Fleur S. Bresler John Peters Irelan Susan Rappaport Brian and Paula Ballo Dailey Anna Brooke Lorna Jaffe Lola C. Reinsch Joan Danziger Mr. and Mrs. Wiley T. Buchanan III Dr. Dirk C. † and Lois U. Jecklin Ms. Cary Ridder and Mr. David Alberswerth Dr. Joseph P. DiGangi Frances Ann Bufalo Pamela Jenkinson Douglas and Katherine Rigler Myrna L. Fawcett Frances and Leonard † Burka Anne Hale Johnson Mrs. Mary W. Roddy Carole Feld and David C. Levy Mrs. Mary C. Burrus Mr. James A. Johnson Jr. and Mr. and Mrs. Frederick S. Rolandi Neil and Izette Folger Mr. Frank L. Spencer Thomas and Alison Cassels Mr. and Mrs. Bruce C. Ross-Larson The Jones Wajahat Family Mrs. Ford A. Kalil Carmen and Tony Caver Roberta O. Roumel Mr. and Mrs. Christopher Landau Dr. Jay and Lynn Katzen M. E. Challinor and H. S. Richardson Jim Rowe and Lisa Adams Mr. and Mrs. Mark A. Myers Mrs. Myrtle Katzen Mrs. Aldus H. Chapin Ms. Amy Sabrin and Mr. Evans Witt Cheryl G. Numark Margot Kelly The Honorable John E. Chapoton and James J. Sandman and Elizabeth D. Mullin Mr. Robert C. Rea David and Justine Kenney Mrs. Chapoton Richard and Ellen Sandor Mr. and Mrs. Marc Salama-Caro Helen and David Kenney Marion Oates Charles Mrs. Frances Way Schafer Mr. and Mrs. Ryan Schwarz Robin and Carol King Annetta J. Coffelt Mr. Christopher M. Schroeder and Judith Seligson and Allan Greenberg Mr. and Mrs. Paul Koches Ms. Alexandra H. Coburn Robert M. Coffelt Jr. Jack Shainman Michael Kolakowski Ambassador and Mrs. Theodore Sedgwick Mark Colley and Deborah Harsch Paul So David A. Krol Judy and Jerry Shulman T. A. Cox Kathryn and Robert Stewart Mr. and Mrs. Michael Landow Sylvia and David Silver Warren and Claire Cox Henry L. Thaggert III Stephen and Maria Lans Elaine Snider Joan Danziger Mr. and Mrs. Peter Toren Mrs. Anthony A. Lapham James and Devereux Socas The Charles Delmar Foundation Annette and Walter Vandaele, Ph.D. John and Anne Dickerson Arthur Lazarus Jr. Barbara Spangenberg Virginia Lee David G. Speck and Marcia Neuhaus Speck Dean and Margarita Dilley Contributing Members Edith R. Dixon Leon Fund of The Community Peter and Jennie Stathis Foundation Serving Richmond and ($1,000–$2,499) The William H. Donner Foundation Christine J. Steiner Central Virginia Mr. Ryan Drant and Mr. and Mrs. Guy T. Steuart III Anonymous (8) Elissa Leonard and Jay Powell Mrs. Charis Menschel Drant Robert Stockho and Dr. Veronika Jenke Iris Aberbach Willee and H. Finlay Lewis Douglas Drysdale and Elaine Hadden Michele and Glenn Sutton Mr. and Mrs. Dana T. Ackerly II Rob Liberatore and Debra Kraft Helen and Ray DuBois Mr. and Mrs. Edward Symes III Mr. and Mrs. Timothy D. Adams Jerome and June Libin Sandra Dugoff and Richard Geltman Ms. Barbara H. Szoradi Mr. and Mrs. Tom Adams Mr. and Mrs. Daryl A. Libow Virginia Dwan Paul and Chandler Tagliabue Theo Adamstein Dr. and Mrs. Keith M. Lindgren Mr. and Mrs. Merritt P. Dyke Eileen and Michael Tanner Mr. and Mrs. Mario A. Aguilar Carol and Eugene Ludwig Mr. and Mrs. LeRoy Eakin III Drs. Lillian and Leonard Taylor Drs. Katherine Alley and Richard Flax Tamera Luzzatto and David Leiter Mr. and Mrs. Edward L. Emes Jr. Mr. and Mrs. George Valanos Dr. Clement C. Alpert † Dr. and Mrs. Michael Maccoby Louise Engle Emily and Antoine van Agtmael Mr. and Mrs. Robert Anderson Dr. and Mrs. Bruce K. MacLaury Mr. and Mrs. James W. Evans Victoria and Michael Vergason Dr. Joel Ang and Dr. Alex Castro The Honorable John D. Macomber Mrs. John Dwight Evans Jr. Mr. and Mrs. G. Duane Vieth Betsy and Harvey Applebaum Wendy W. Makins Tom and Tania Evans Emily and Frank Vogl Judy Areen and Richard Cooper Paul Malamud in memory of Ann and Tony and Kathryn Everett Mr. John W. Warner IV Alexandra Armstrong and Jerry J. McCoy Bern Malamud Frank and Mary Fahrenkopf Peggy and Ted Weidlein Linda Arret Anne and John Marion Barbara G. Fleischman Mr. and Mrs. Dennis Weitzel Mr. and Mrs. Hank Asbill Tim and Jane Matz Mr. and Mrs. David Morgan Frost The Honorable E. Allan Wendt and Allie and Ellen Ash Drs. Isaak and Deborah Mayergoyz Anne and Paul Gambal Que D. Nguyen Ann M. Askew Susan McCabe Mrs. Renée Gardner and Ms. Simonetta Edwin and Kathe Williamson Mrs. Martin Atlas Ms. Sophia McCrocklin and Brandolini d’Adda Professor John Wilmerding Mr. William Isaacson Miss Gillian Attfield Deborah Garza Vickie and Ken Wilson Ms. Cynthia Adler McKee Mr. and Mrs. Stephen J. Atwood Mr. and Mrs. James C. Gerber Alan F. Wohlstetter Darina and Allan McKelvie Ms. Merribel S. Ayres Steven B. and Katrina H. Gewirz Mr. and Mrs. Kevin Wrege Irma Jean McNelia and John F. McNelia Mr. and Mrs. John W. Bachmann Thomas Gibian and Christina Grady Lenore G. Zinn Laurel and Robert Mendelsohn, M.D. Thayer and Kevin Baine D. James Baker and Emily Lind Baker

93 GIFTS/DONORS

Mr. and Mrs. Geoffrey B. Baker Deborah and Jeremiah Buckley Mr. Bosworth Dewey and Epstein Becker & Green/The Honorable Colonel Owen C. Baker and Barbara Baker Susan Buffone Ms. Liz Barratt-Brown Stuart M. Gerson Marion Scattergood Ballard Janet C. Bullinger Julia Diaz-Asper Mr. Martin H. Gerstell Mr. and Mrs. Michael Baly III Ms. Betty Bullock and Mr. John Silton Mr. and Mrs. James F. Dicke II Thomas and Gabrielle Gerth Mary and Ed Bartlett David Bushnell and Ellen Bloom Mrs. C. Douglas Dickerson Jr. Mr. and Mrs. Michael K. Gewirz Dr. and Mrs. Maxwell Barus Mr. and Mrs. James Butler Robert and Allison Cryor DiNardo Mr. and Mrs. Lawrence B. Gibbs Mr. Carl G. Becker and Mr. L. Headley Butler and Ms. Noa Gimelli Michael and Betsy Dingman Mrs. Barbara J. Gibby Ms. Christine Gutleben William E. Cain and Barbara Harman Mr. and Mrs. Joseph Dorn Nathalie Gilfoyle John and Priscilla Becker Adam S. Caldwell and Dahlia Neiss Mr. and Mrs. Paul C. Dougherty Gardner and Stevie Gillespie William and Virginia Becker The Honorable John Thiers Calkins Kitty and Robert Dove David and Lorna Gladstone Foundation Carl Bedell Nora L. Cameron Joanna and John Driggs Denise and Peter Glassman Donna and Burkey Belser Dr. and Mrs. Christopher Cannova Mr. and Mrs. Larry D. Droppa Gene and Patricia Godley Mr. and Mrs. Jackson Goodwin Bennett Jerome W. and Dorothy A. Canter John and Elizabeth Dugan Mary Anne Goley Mrs. W. Tapley Bennett Vince Careatti Mr. and Mrs. F. John Duncan Jr. Rose and Jean-Pierre Gombay Suzanne Reynolds Bennison Ms. Courtney Carlson and Mr. David Yarkin Jennifer Duncan and Richard Bach Mr. John L. Goodman and Ms. Laurie Effron Elizabeth Benson Mr. and Mrs. Stephane Carnot Mr. † and Mrs. H. Stewart Dunn Jr. Mrs. Gretchen Goodrich Mr. John M. Benziger and Kelly Carr and Bryan Sherbacow Diana B. Dunnan Elizabeth Marsteller Gordon Ms. Elizabeth Young Ms. Connie Carter Alan and Becky Dye Lucile M. and Jack B. Gordon Kathleen Bergen and Alexander Bastos Julie D. Carter and James M. Roberts E & B Family Trust Mr. and Mrs. J. C. Gore Ms. Dava Berkman Henry and Diana Cashen William and Donna Eacho J. Gottfried Philip D. Berlin and Olivia Adler Mr. and Mrs. James F. Caughman Susan and Charles Edson Mary and Kingdon Gould Mrs. Ellen R. Berlow Faya Causey Mr. and Mrs. Daniel Edwards Drs. David S. Granite and Michele and Allan Berman Caroll J. Cavanagh Daniel and Marina Ein Mary Lou Oster-Granite The Honorable and Mrs. Stuart Bernstein Mr. and Mrs. J. Patrick Cave Marjorie and Anthony Elson Alexandra and John Graubert Elizabeth G. Berry Ken and Cynthia Chase Ms. Catherine B. Elwell Ms. Dorothy S. Gray Mr. and Mrs. Michael R. Beschloss Helen and Craig Chason Anne L. Emmet William S. and Betty K. W. Greenberg Judah Best and Emily Sopensky Dr. and Mrs. Alexander C. Chester Jacqueline and Christian P. Erdman Nelse L. Greenway Mark and Shelley Betts Mr. and Mrs. G. M. Chester Jr. Richard and Sibyl Erdman Dr. Sally Ann Greer Mr. and Mrs. Albert J. Beveridge III Mrs. P. P. Childs Jean M. Esswein Dee Ann Gretz Gene Bialek and Arlene Brown Ms. Tracy Church and John and Elizabeth Ey Mr. and Mrs. Carter Griffin Mr. and Mrs. Mark Bierbower Mr. Dominic Mancini Tere and Doug Ey George and Christina Griffin Elaine and Richard Binder Drs. Thomas and Judith Chused Mrs. Rodney E. Eyster Elisabeth Griffith Mrs. Alison B. Birney Kate Clark and Miles Carlisle Dorothy Fall Mr. Vincent J. Griski and Richard and Suzanne Bissell Barbara Clemens Ms. Karen Fawcett and Mr. Pedro Ortiz Mr. Cameron W. Knight Dr. Helen E. Blumen and Mr. Jan P. Acton Lindsay Kudner Coates Reed and Elizabeth Fawell Nina B. Griswold William C. and Posey Boicourt Mr. and Mrs. Eli A. Cohen Jean Taylor Federico Corbin and Pamela Gwaltney Countess Clarissa Bonde Suzanne F. Cohen Robert and Betsy Feinberg Jill and Ridgway Hall Sophia Louise Bonde Colb Family Marcia Feinstein Leda McIntyre Hall Mr. and Mrs. Lawrence K. Bou Mr. and Mrs. Terence Winslow Collins Mr. and Mrs. Hugh Ferridge Linnea Hamer and Darren Lisse Blair and Josh Bourne Bertrand and Caroline Collomb Deborah B. and Gerald B. File James and Kristina Hamilton Dr. Rosemary T. Bowes Mr. and Mrs. James Conaway Mr. and Mrs. Thomas A. Fink Joseph Handwerger Susan Boyd Ms. Janet T. Conroy Mrs. Carl Finkelnburg Ms. Heather Hanks and Mr. Paul Foster Nomita von Barby Brady Ambassador Frances D. Cook Will Fischer Tawney Harding and Michael Weaver Mr. and Mrs. Charles M. Brain Dr. and Mrs. John Cooper Ms. Gail S. Fleder John and Gail Harmon Robert and Hilary Brandt Jay and Margaret Costan David and Jackie Fowler Mr. and Mrs. Peter D. Hart Mr. and Mrs. Raymond E. Brann Jr. Mr. and Mrs. Brian Coulter Florence Bryan Fowlkes Andrea Hatfield and Buck O’Leary Rita Braver and Robert Barnett Mr. and Mrs. John Courtright Ann Franke and Dan Alpert Larry Hawk Edith H. Brewster Deborah Cowan Mark Frantz and Megan McNelia Frantz Mr. and Mrs. John T. Hazel Jr. Mr. and Mrs. John DeQ. Briggs Mr. and Mrs. Robert H. Craft Jr. Frank and Judy Franz Lisa and Phil Herget Mr. and Mrs. James Brodsky Teresa Yancey Crane Mr. and Mrs. Howard Friedenberg Sally M. and Stephen A. Herman Robert D. Broeksmit and Mr. and Mrs. Edward A. Crawford Mr. and Mrs. N. Rickard Frisbie Anita G. Herrick Susan G. Bollendorf Ms. Nancy Crisman Mr. Kevin Fromer and Mrs. Paige Christy and Fred Hertz Jere and Bonnie Broh-Kahn Ann Crittenden and John B. Henry Ralston Fromer Shaye Hester Dr. Peter F. Bross and Dr. Lisa Rarick Rebecca Cross Cynthia Fry Joe Higdon and Ellen Sudow Fund Ms. Ann Carol Brown and The Honorable and Mrs. Walter L. Cutler James T. Fuller III and Catherine T. Porter Mr. Richard T. Pascale Mr. and Mrs. Peter High Mrs. Stuart C. Davidson Mr. Arik Gabbai Elizabeth and Ben Brown J. Catherine Hirsch Philip and Sara Davis Ms. Caroline D. Gabel Ira Don Brown Lisina M. Hoch Mr. Dale Dean Bob and Megan Gabriel Mr. and Mrs. Vincent Browning Christian and Nora Hohenlohe Dr. Jean Karle Dean Ms. Bonnie L. Gallagher Anthony and Collette Bruce Wilhelmina Holladay The Honorable and Mrs. Whitney Mr. David Gallalee Leigh and Patrick Holley Ms. E. Ann Brugger and Dr. Len Kogan Debevoise David L. Gardner and Pete Williams Shari K. Bryan Frauke de Looper Ms. Mary Cox Garner Mr. and Mrs. John Hollis Prince John Landrum Bryant and Amanda and Carter Hood Cristina Del Sesto Wendy and William Garner Patricia Bauman Mr. and Mrs. Stephen A. Hopkins Joy Alexandra de Ménil and Mr. and Mrs. Michael C. Gelman Mr. and Mrs. John G. Buchanan III Laird Scott Townsend Reed The Horchow Family

94 NATIONAL GALLERY OF ART

Charles Horn and Jane Luxton Mr. and Mrs. François M. J. Lampietti Mark McConnell and Leslie Delagran Mr. and Mrs. Hubert K. O’Bannon Sari Hornstein Barbara Lanahan and James G. Mauro Cathy and Scot McCulloch Giselle Larroque Obermeier and Mr. and Mrs. Outerbridge Horsey Lonie and Rich Landfield Ms. Margaret McDonald and Stephen J. Obermeier Mr. and Mrs. Richard C. Hotvedt Bruce and Leslie Lane Mr. William Gruen Deedy Ogden Rosemarie Russi Howe Jean and John Lange Ms. Joan M. McEntee and Roger H. Ogden Philip and Fiona Huber Ms. Dina R. Lassow Mr. Thomas Brooks Mr. and Mrs. Christopher Ohrstrom Mr. and Mrs. Richard Miller Huber Jr. Ms. Emily Lawson and Mr. and Mrs. Mark McFadden Sydney J. Olson Betty Hudson and Boyd Matson Mr. R. Thomas Amis Carol and Mike McGarry Nancy Bradford Ordway Major General and Mrs. Ira A. Hunt Jr. Mr. and Mrs. Mark P. Lay Tracy and Gregory McGillivary Mr. and Mrs. John Osborne James and Lisa Hunt Barbara and Robin Lee John and Martha McGrane Ms. Carol V. O’Shaughnessy Carolyne T. Hyde Hillary and Wayne Lee Cynthia McGrath Mr. and Mrs. David Osnos Mr. and Mrs. William K. Ince Lewis and Pat Leibowitz Ms. Elizabeth McGrath Gail Kern Paster Dr. Melda Isaac Jacqueline and Marc Leland Foundation Mr. and Mrs. John A. McGraw Jr. Alma and John Paty Mr. Max Isaacoff Emily Lenzner and Peter Cherukuri Ms. Katlin E. McKelvie and Judge and Mrs. Michael T. Paul Mr. Sam Backfield Mr. and Mrs. Adam Isles Jonathan Lenzner and Matea Gold Ernestine Pauley Roderick McKelvie and Claire McCarthy Joy Jacobson and Gerald F. Warburg Mr. and Mrs. Terry Lenzner Malcolm and Pamela Peabody Caroline and Hollis McLoughlin Joan and Garry Jewett Ms. Marie Lerch and Mr. Jeff Kolb Jonathan and Jill Pearlman B. A. McNamara Carolyn Johnson Herb and Dianne Lerner Mr. and Mrs. Charles Pease Amy and Marc Meadows Barbara J. Jones Jennifer L. Levin Robert Andrew Peccola and Rona and Allan Mendelsohn Patrick Dupre Quigley Boisfeuillet and Barbara Jones Leon Levy Foundation Ilia Menocal Mr. and Mrs. Ronald H. Peele Jr. Hal Jones and Anne- Auclair-Jones Mr. and Mrs. Michael M. Levy David and Anne Menotti Jean Perin Mr. and Mrs. Peter H. Jost Richard H. Levy and Lorraine Gallard Ms. Sabina Menschel and Mr. and Mrs. Bruce Coleman Perkins Peter J. Kadzik and Amy Weiss Allen Lewin Mr. Edward Priestap Mr. James Cowan Peva S. Kann Sons Co. Foundation Clayton and Susan Lewis Mrs. James G. Mersereau Malcolm and Margaret Pfunder Julius and Ann Kaplan Ms. Toby Devan Lewis Mr. and Mrs. James W. Mersereau Mr. and Mrs. Devereaux Phelps Mr. and Mrs. Peter E. Kaplan Jr. Donald V. Lincoln Mr. and Mrs. David A. Metzner Mr. and Mrs. Franklin C. Phifer Sally B. Kaplan Ms. Katharine Lister Ms. Catie Meyer Pinnacle West Capital Corporation Mr. and Mrs. Russell Katz Bill and Elizabeth Livingston Salma G. Mikhail, Ph.D. Ms. Clarissa Pintado Mr. and Mrs. Sheldon Katz David Lloyd, Realtor Maxine Whalen Millar Dr. and Mrs. David A. Pistenmaa Ms. P. Ann Kaupp Janet and Wingate Lloyd LTC Dennis Miller, Ret. and Liz and Greg Platts Joëlle M. Kayden Mr. and Mrs. Gene Locks Judge Christine O. C. Miller, Ret. Mr. and Mrs. R. Alan Plishker Ms. Kitty Kelley Bonnie and Ham Loeb Dennis and Patricia Miller Mr. and Mrs. Scott S. Plumridge Mrs. William J. Kelnhofer Joe and Pat Lonardo Edward and Noël Miller Sydney M. Polakoff and Carolyn Goldman Anne and David Kendall William and Barbara Lynch Karl and Elaine Miller Ms. Annette Polan J. Keith Kennedy Jed and Blythe Lyons Henry A. and Judith R. Millon Warren and Janice Poland Mrs. Roger G. Kennedy John and Susan Magill Myra and Toby Moffett Helen Porter and James T. Dyke Ms. Catherine P. Kerkam Mr. and Mrs. Peter L. Malkin Marilyn B. and John H. Montgomery Jeff and Elizabeth Powell Edward and Arleen H. Kessler Barbra and Phillip † Mann Mr. and Mrs. Robert L. Moore Jr. JoAnne Powell Dr. and Mrs. Kenneth A. Kessler Mr. and Mrs. Richard Mann Ann and Geoff Morrell Alexandra Preston Andrea and James Kiernan Mr. and Mrs. Jan W. Mares Teresa and Grant Morris Judy Lynn Prince David Kiernan and Mandy Locke Mr. and Mrs. John F. Mars Bailey Morris-Eck Charles W. Quatt, Ph.D. Paul Killian and Carole Goodson Frank Marshall and Florence Auld Kent and Dale Morrison Dr. and Mrs. Charles E. Rackley William and Ilze King Lydia Micheaux Marshall Pearl and Seymour Moskowitz Mr. and Mrs. Paul Raffensperger Lila W. Kirkland Christine Martin Mr. and Mrs. John L. Motley III Ms. Wanda Rappaport and Michael and Evelyn Kitay Mr. and Mrs. I. Guyman Martin III Ms. Diane H. Munro Mr. George Mueller Mr. and Mrs. Lyle Kleinhans Mr. and Mrs. James B. Martin James J. and Susan D. Murphy Earl and Carol Ravenal Peter Koffsky, Ph.D. Mr. C. Raymond Marvin Robert Muse and Jie Xiao Mr. and Mrs. John Daniel Reaves Mr. and Mrs. James L. Koltes Mr. and Mrs. Mike Massie Mr. and Mrs. Donald B. Myer Cynthia T. Redick and Robert Brent Mr. and Mrs. Daniel Korengold Charles T. Matheson Georgia Chafee Nassikas and Patricia Reilly Matt Korn and Cindy Miller The Pierre and Tana Matisse Foundation John N. Nassikas III Mrs. Nancy B. Reuter Patricia and John Koskinen Roy and LeeAnn Matthews Jane and Marc Nathanson Mr. and Mrs. R. Roland Reynolds Stephen P. Koster, Esq. Gary and Lynette Matz Mr. and Mrs. Robert A. Nelson Mrs. Lynn Rhomberg Mary Lynn and Nick Kotz Mr. and Mrs. Marshall L. Matz Christine Neptune and Robert Brown Ron Richard and Dale Stafford Audrey and Kenneth Kramer Eileen C. Mayer Louis and Sherry Nevins John and Nina Richardson Christie Kramer and Charles Kirby Michael and Hannah Mazer Mr. and Mrs. Robert C. Nicholas III C. Jackson Ritchie Jr. and Jane Sloat Ritchie Mr. and Mrs. M. Kipp Kranbuhl Mr. and Mrs. O. Louis Mazzatenta Dane A. Nichols Gretchen and Michael Robbins Mel and Andrea Kraus Dr. Lucy McBride and Mr. Thad McBride Mr. and Mrs. Gregory Nikodem Mrs. Glenn Roberts Carl Kravitz and Elizabeth Werner Patricia M. McCarrick Akemi Nishida and S. Paul Selavko Cara W. Robertson Mr. and Mrs. Gary Arthur Kret Mr. and Mrs. Timothy McCarthy Paul and Jane Nitze Camilla McCaslin Dr. William W. Robertson Jr. and Kirstin and Andreas Kristinus Gail and Gary Nordheimer Karel Dierks Robertson Edith and John Kuhnle April McClain-Delaney and Floyd L. Norton and Kathleen F. Patterson John Delaney Jane Washburn Robinson Dr. and Mrs. Julian Kulski Ms. Susan S. Norwitch Dennis K. McClellan and Michaela and Robert Robinson The Honorable Philip Lader and Jeffrey Nuechterlein Steven E. Deggendorf Mr. and Mrs. Richard Roeckelein Mrs. Lader Charles and JoAnn Nulsen

95 GIFTS/DONORS

Anne and John Rollins S. S. Steiner, Inc. Mr. and Mrs. William E. Warren Robert Hunt Berry in memory of R. K. Eileen Dugan Romano Ms. Joanne M. Sten Anne Webb Mellon, Ormond E. Hunt, and Paul Mellon Shirley and Bill Rooker Mr. and Mrs. Elton B. Stephens Jr. Virginia A. Weil Thomas T. Bishop and Clifford L. Gregory Evie and Fred Rooney Samuel A. Stern Amy Weinberg and Norbert Hornstein The Honorable † and Mrs. William McCormick Blair Jr. Mrs. Milton Rose Ms. Pamela Stern-Green and Mrs. Eric W. Weinmann Ambassador and Mrs. Donald Blinken in Mr. and Mrs. James S. Rosebush Mr. Richard Green Angela Caveness Weisskopf memory of Maurice H. Blinken Christy Halvorson Ross and Garth Ross Mr. and Mrs. Edward R. Stettinius Georgia E. Welles Deidre Bosley Helen G. Ross Mr. and Mrs. Guy Steuart Susanne and W. Harrison Wellford Jay Bowyer and Christopher Greer Ms. Nancy L. Ross Elizabeth and George Stevens Jr. J. Tullos Wells Kathryn Brooke † Ms. Marcia Rounsaville Betsy Stewart Kathy and Bob Wenger Andrew Brown David and Carolyn Ruben Natalie Stewart Joan S. Wessel Ruth H. Buchanan Dr. and Mrs. J. R. Rudzki Mr. and Mrs. Terence P. Stewart Eileen Shields West Frances Ann Bufalo Hattie Ruttenberg and Jonathan Molot Whitney Stewart Mr. Larry J. West and Ms. Diana King Vincent J. Buonanno Lois and David Sacks Mr. and Mrs. Richard P. Stifel Jr. Ms. Leslie T. Westreich Gilbert Butler Louise and Arnold Sagalyn Linda Klieger Stillman Dorothy B. Wexler Mr. and Mrs. W. Russell G. Byers Jr. Ms. Diane C. Salisbury Bayard T. Storey, Ph.D. Frances C. Wheeler Buffy and William † Cafritz Betty H. Sams Mr. and Mrs. Donald A. Stoufer Elizabeth A. White John P. Cahill Mr. John A. Sargent Leila Straus Mr. and Mrs. John R. Whitmore Norman and Carolyn K. Carr Ms. Ann Satterthwaite Mr. Douglas Struck Mrs. Natalie Wilensky and Faya Causey Savitt Family Fund of Tides Foundation Amy and Peter Sturtevant Mr. Robert B. Bellinger Dr. Gerald Cerny Dr. and Mrs. Joseph Scalea Mr. George H. Sullivan Mr. and Mrs. John Wilkinson Chuck L. Chandler Alison and Edith Schafer Lila and Brendan Sullivan Linda and Stephen Willard Bruce and Sharyn Charnas Susan Schaffer and Michael Rogan Nuzhat Sultan and Anil Revri Suzanne and Richard Willett A. James Clark † and Alice B. Clark Bob and Patricia Schieffer Steven M. Sumberg Williams Family Foundation of Georgia, Inc. Thomas and Robin Clarke Ms. Tara Schonhoff Martin and Meredith Sumner Betsy Williams and Tom Moore T. A. Cox Mr. and Mrs. Samuel A. Schreiber Ms. Margery Anne Swanson and Mrs. Elsa B. Williams Mr. Charles G. Brown Ian and Annette Cumming Jill A. Schuker Joanne S. and Walter C. Wilson Elizabeth and Alain Taghipour Ted Dalziel Mr. and Mrs. Guillermo M. Schultz Ms. Margot Dinneen Wilson Jake and Carrington Tarr Joan Danziger Alan E. and Marianne Schwartz Ambassador Curtin and Ann Winsor Ragan S. Tate and Bobby Stone Muriel G. Davidson Dr. and Mrs. Andrew Schwartz David and Page Winstead Topsy Taylor Roy † and Cecily Langdale Davis Rhea Schwartz and Paul Martin Wolff Mr. and Mrs. Robert Winters Mrs. Waverly Taylor Shirley Ross Davis Mr. and Mrs. Ryan Schwarz Sharon Wolpoff Dr. Stanley Tempchin Virginia L. Dean Mr. and Mrs. Mark Scott Mr. Steven J. Wunder and Mr. Rod Hastie Mr. and Mrs. Harry Teter Jr. Alexandra D. de Borchgrave Cathryn Dickert Scoville and Mavis L. Wylie, Ph.D. Cristina Del Sesto Thomas Scoville Mr. and Mrs. Robert H. Thompson Ms. Anita Yaffe Dr. Lois de Ménil and Dr. Georges de Ménil Professor R. Mark Scowcroft Ms. Joy A. Thornton Robert and Linda Yahn Mr. Harry DeMott and Dr. Samantha Aldred Ann and Tom Scully William R. and Norma K. Tiefel Dr. and Mrs. Bing Yao Marion F. Deshmukh Joan Searby Margaret L. Tomlinson Penny and David Yao Mr. and Mrs. James F. Dicke II Mr. and Mrs. Stephen R. Senkus Lalie and Michael Tongour Mrs. Herrick J. Young † Dr. J. Robert DiFulgo Mr. and Mrs. Peter Sharp Jessica and Henry Townsend Lois and Ira Young Dr. Joseph P. DiGangi Nona F. Shepard Mr. and Mrs. Andrew J. Travers Mr. and Mrs. Anthony Zelano Roger and Barbara Ditman Linda and Stanley Sher Ms. Laura Travis-DePrest and Margot and Paul Zimmerman Mr. Geert DePrest Patricia A. Donovan Mrs. Stephen F. Sherwin Dario and Gió Zucchi William E. Trueheart and Carol A. Word Robert W. † and Louisa C. Duemling Joan Shorey Dr. Anna Tucker and Judge John Rooney Virginia Dwan Dr. Irwin Shuman and Mrs. Elaine Feidelman John and Susan Ulfelder THE LEGACY CIRCLE Merritt P. Dyke Jennifer Urquhart and Mike Edwards † Mr. Barney A. Ebsworth Dr. and Mrs. Hugh V. Sickel Legacy Circle members are those who Nancy and Simon Sidamon-Eristoff Bob Van Heuvelen and have decided to include the Gallery in Joan M. Eckert Elizabeth Van Heuvelen Manuel and Fanchon Silberstein their estate plans through various means. Jean Efron Jane Stuart Vander Poel and Barry and Beth Simon Anne and Joel Ehrenkranz Edoardo Lenzetti Madlen and Marc Simon Anonymous (40) Mr. and Mrs. Gerry Elliott The Honorable Margaret G. Vanderhye The Adels Family Virginia F. Harrison Elliott † and J. L. H. Simonds and Robert Vanderhye Seena and Joseph Aisner, M.D. George W. Elliott † Charles J. Simpson Jr. and Mr. and Mrs. George D. Vassiliou Pamela Raymont-Simpson Carolyn Small Alper Ms. Jane Engle Mr. and Mrs. Michael E. Vaughn Esther Slaff Dennis Alter The Epstein Family Collection Melanne and Philip Verveer Mr. and Mrs. Robert B. Smart Lynn K. Altman Family Trust Dr. K. Bolling Farmer Ellen and John Villa Hayes and Jill Smith Mrs. Martin Atlas Lee and Ann Fensterstock Sally von Summer Hedrick Smith and Susan Zox-Smith Merribel S. Ayres Aaron I. Fleischman The Honorable Jenonne Walker Mr. and Mrs. Matthew C. Smith Ann M. and Thomas W. Barwick Peter T. Foley Professor John S. Walker and Mr. and Mrs. Frederick W. Beinecke Michael C. Forman and Jennifer S. Rice Mr. and Mrs. T. Eugene Smith Mrs. Mary B. Walker Mr. L. Graeme Bell III Douglas and Pamela Fowler Mr. and Mrs. Richard W. Snowdon III Dr. and Mrs. Ken Walker Professor John Andrew Bernstein Barbara W. Freeman Mr. and Mrs. William C. Sonneborn Bill and Irene Wallert The Honorable Max N. Berry and Howard and Shirlee Friedenberg Mr. W. Cannon Spotswood and Harold G. and Barbara B. Walsh Mr. William Allen Mrs. Berry † Maryann and Alvin † Friedman Ms. Mary Warren

96 NATIONAL GALLERY OF ART

David Morgan Frost Angela M. LoRé in memory of her Donald D. Stone Morton and Norma Lee Funger parents, Charles and Alice LoRé Robert T. and Bonnie Sweet Suzi Gallagher Nan Gillies Lower Stanley and Barbara † Tempchin Jo Ann and Julian Ganz, Jr. Jack and Betty Lou Ludwick Eugene V. Thaw William H. Gerdts and Abigail Booth Gerdts Susan and Peter MacGill Ann Van Devanter Townsend and Mr. and Mrs. Carl S. Gewirz Joan and David Maxwell Lewis Raynham Townsend † Kay Giddens Glenday Ellen McPeake Christiane and James Valone Milly and Arne Glimcher Marlene Nathan Meyerson Daniel and Winifred van der Rijn Mary Anne Goley Mr. Harvey Shipley Miller and Mr. J. Jack and Margrit Vanderryn Randall Plummer Dr. Margaret A. Goodman André-François H. Villeneuve Kent and Marcia Minichiello Cheryl O. Gorelick Dorothy and Herbert † Vogel Lucy G. Moorhead † Joyce Z. Greenberg in memory of her Bettye S. Walker husband, Jacob Greenberg Diane L. Morris Ambassador Jenonne Walker Lenore and Bernard Greenberg Ann Mosca Mrs. Patricia A. Walters Sarah Greenough The Honorable Alfred H. Moses and David Warnock Fern M. Schad The Grinstein Family Jane P. Watkins Robert B. and Tanni D. Newlin Harry Grubert Michael H. Weaver Jeffrey Hugh Newman Agnes Gund Mrs. Robert M. Weidenhammer Diane A. Nixon Helena Gunnarsson Angela Caveness Weisskopf Stephen and Claudine Ostrow The Stephen Hahn Family Collection The Honorable Allan Wendt and Mary and John Pappajohn Denise Hale Que D. Nguyen Mr. and Mrs. J. B. Riggs Parker John C. Harbert, M.D. Mr. and Mrs. J. Bruce Whelihan Elisa M. Patterson Harry W. Havemeyer Elizabeth A. White Dewayne and Faith Perry Richard C. and Elizabeth A. Hedreen Malcolm Wiener Ivan E. and Winifred Phillips Helen Lee Henderson Professor John Wilmerding Judith D. Pomeranz Dennis E. Henley and Nora L. Shea Christopher and Beverly With in Helen Porter and James T. Dyke memory of Karl and Gerda With Judith F. Hernstadt Richard and Jeanne Press Andrea Woodner Maria C. Higgins Richard J. Price Dian Woodner William L. Hopkins and Richard B. Anderson † Judy Lynn Prince David F. Wright in memory of my good friend, John Taylor Arms IV Jeffrey E. Horvitz Francis H. Rasmus Judy and Leo Zickler Timothy and Suzanne Hyde Carol Bird Ravenal, Ph.D. Charles S. and Elynne B. Zucker Arthur C. G. Hyland Mary L. Regan Earle Hyman in memory of Rolf Sirnes Anita † and Burton Reiner Pamela Jenkinson Mr. † and Mrs. George W. Riesz † Deceased Mr. James A. Johnson Jr. The Rizik Family Every effort has been made to create a Susan Roberts Robert Alan Johnson † complete and accurate list of contributors. Paul M. Kanev Mary and David † Robinson Due to limited space, gifts under $1,000 Linda Lichtenberg Kaplan Andrew Robison are not listed. Betsy Karel David Rockefeller Kasper Gifts to the Gallery may be made in the form of cash, securities, or real Jak Katalan Diane Rosacker and personal property, and may be Trina and Lee G. Rubenstein Gift of Kaufman Americana directed toward specific programs or be Foundation in honor of George M. † Gwendolyn Russell designated as unrestricted. Some donors and Linda H. Kaufman The Honorable Arnold A. † and make outright gifts, while others elect Richard and Elaine Kaufman Joan Saltzman to make deferred gifts to help provide Judith Keenan Irving and Lucy Sandler for the future. All gifts and bequests are Ellsworth Kelly † Douglas Schaller deductible, within the limits prescribed Thomas and Kathleen Koepsell Deanna J. Schupbach, Ph.D. by law, for applicable federal tax purposes. Robert and Arlene Kogod David P. Schuyler For further information, please call the development office at (202) 842-6372. Michael W. Kolakowski Charles and Helen Schwab Alice S. and William K. Konze Joyce Pomeroy Schwartz Christie Kramer and Charles Kirby Deborah and Ed Shein Julie LaFave Ruth and Hugh Sickel Evelyn † and Leonard Lauder Gerald and Ellen Sigal Jo Carole and Ronald S. Lauder Iris Silverman Alexander M. and Judith W. Laughlin Leonard and Elaine Silverstein Arthur Lazarus Jr. Albert and Shirley Small Virginia Lee in memory of Dr. and Robert H. † and Clarice Smith Mrs. Chai-Chang Choi Mary and Dan Solomon The Honorable and Mrs. Marc E. Leland Robert M. Stana and William T. Judy Jr. Lynne R. Levin James D. and Kathryn K. Steele Simon and Bonnie Levin Stephen G. Stein Donald V. Lincoln Mrs. Walter J. Stoessel Jr. Robert † and Mary Looker

97 Copyright ©2017 Board of Trustees, National Gallery of Art, Washington. All rights reserved.

Produced by the National Gallery of Art, Washington

www.nga.gov

ISBN 978−0−89468−409−8

Photograph of Frederick W. Beinecke: Shannon Finney

Photograph of the Chief Justice of the United States: Steve Petteway, Collection of the Supreme Court of the United States

Photographs by Rob Shelley: front cover, inside front cover, pages 5, 10–11, 22−23, 24, 26, 27, 28, 29, 30, 31, 34, 37, 39, 42−43, 44, 46, 47, 49, 50−51

Photograph by Charles Bauduy: pages 2−3

Photographs by Rebecca Clews: pages 32−33, 38, 40

Photograph by Ed Berger: page 36

Photograph by Wil Scott: inside back cover

Works of art in the collection of the National Gallery of Art have been photographed by the division of imaging and visual services.

Design: Pentagram

98 75 YEARS

COLLECTING EXHIBITING EDUCATING PRESERVING NATIONAL GALLERY OF ART

WASHINGTON, DC