DOCSLIB.ORG

Slugmag.Com 1 2 Saltlakeunderground Slugmag.Com 3 Saltlakeunderground • Vol

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Slugmag.Com 1 2 Saltlakeunderground Slugmag.Com 3 Saltlakeunderground • Vol slugmag.com 1 2 SaltLakeUnderGround slugmag.com 3 SaltLakeUnderGround • Vol. 23 • Issue #282 • June 2012 • slugmag.com Publisher: Eighteen Percent Gray Marketing Coordinator: Editor: Angela H. Brown Karamea Puriri Managing Editor: Marketing Team: Ischa Buchanan, Jeanette Jeanette D. Moses D. Moses, Stephanie Buschardt, Giselle Contributing Editor/Napalm Flesh Editor: Vickery, Veg Vollum, Emily Burkhart, Jeremy Ricky Vigil Riley, Sabrina Costello, Taylor Hunsaker, Tom Editorial Assistant: Esther Meroño Espinoza, Grason Roylance, Kristina Sandi, Junior Editor: Alexander Ortega Brooklyn Ottens, Angella Lucisano Office Coordinator: Gavin Sheehan Copy Editing Team: Jeanette D. Moses, Social Networking Coordinator: Rebecca Vernon, Ricky Vigil, Esther Meroño, Grason Roylance Liz Phillips, Rio Connelly, Alexander Ortega, Mary Enge, Cody Kirkland, Hannah Christian, Distribution Manager: Eric Granato Johnathan Ford, Eleanor Scholz, K.C. Hutton, Distro: Eric Granato, Tommy Dolph, Tony Alex Cragun Bassett, Joe Jewkes, Nancy Burkhart, Joyce Bennett, Adam Okeefe, Ryan Worwood, Cover Illustration: Sean Hennefer Jennifer Quintana, John Ford, Kristina Sandi, Lead Designer: Joshua Joye Cody Kirkland, Nate Brooks Design Team: Eric Sapp, Nic Annette Miller Design Intern: Jeremy Riley Senior Staff Writers: Mike Brown, Mariah Ad Designers: Kent Farrington, Sumerset Mann-Mellus, James Orme, Lance Saunders, Bivens, Christian Broadbent, Kelli Tompkins, Jeanette D. Moses, Bryer Wharton, Peter Maggie Poulton, Eric Sapp, Brad Barker, Lind- Fryer, James Bennett, Ricky Vigil, Gavin Hoff- sey Morris, Paden Bischoff, Maggie Zukowski, man, Jon Robertson, Esther Meroño, Rebecca Thy Doan Vernon, Sam Milianta, Jimmy Martin, Ben Tren- Website Design: Kate O’Connor telman, JP, Tyler Makmell, Princess Kennedy, Office Interns: Jeremy Riley, Kia McGinnis Sean Zimmerman-Wall, Cody Hudson, Shawn Illustrators: Ryan Perkins, Phil Cannon, Benji Mayer, Rio Connelly, Courtney Blair, Dean O. Pierson, Maggie Zukowski, Sean Hennefer, Hillis, Jessie Wood, Chris Proctor Robin Banks, Timm Paxton, Dylan Chadwick, Monkeys with Computers: Brian Kubarycz, Eleanor Scholz Elliot Secrist, Jemie Sprankle, Some Cop Photographers: Katie Panzer, Dave Brewer, Dude, Alexander Ortega, Nate Housley, Sam Milianta, Barrett Doran, Adam Heath, Madelyn Boudreaux, Gavin Sheehan, Levi Jesse Anderson, John Barkiple, Chad Kirk- Rounds, Dylan Chadwick, Megan Kennedy, land, Melissa Cohn, Gage Thompson, Megan Mary Ryder, Mame Wallace, Tom Winkley, Kennedy, Michael Schwartz, Brent Rowland, Henry Glasheen, Kia McGinnis, Johnny Logan, Eric Scott Russell Lauren Paul, Gregory Gerulat, Westin Porter, Videographers: Mary Catrow, Slugger, Diane Hartford, Cody Kirkland, Timo H., Ryan Andrew Schummer, Brock Grossl, Candida Hall, Jory Carroll, Brighton Metz, Ischa B., Alex Cragun, Amanda Nurre, Kendal Gillett, Dirk Duran Hogan, Meera Masud, Alex Springer, Nate Ad Sales: SLUG HQ 801.487.9221 Perkins, Brinley Froelich, Justin Gallegos Angela Brown: SLUG Magazine’s Official Podcast: [email protected] Soundwaves from the UnderGround Mike Brown: Host: JP [email protected] Producer: Gavin Sheehan Jemie Sprankle: Executive Producer: Angela H. Brown [email protected] Associate Producers: Jeanette D. Moses, Ricky Vigil, Esther Meroño, JP About the Cover: When we saw the cover art by Santos for Torche’s new album, Harmonicraft, we were inspired. We comissioned SLUG illustrator, Sean Hennefer (you may recognize his work from our John Waters cover in October ‘11), with the task of coming up with a cover based on that magical work of art. The result is our own technicolored masterpiece. Check out Torche at Urban Lounge on June 15. DISCLAIMER: SLUG Magazine does not necessarily maintain the same opinions as those found in our articles, interviews or advertisements. If you are easily offended, please do not blame us. We are a carrier for the voice of the people and it is not our fault if you don’t like people. Content is property of SLUG Magazine. Please do not use without permission, or we will hunt you down and make you pay for your sins. Now that’s a promise. Contributor Limelight Maggie Zukowski – Designer Maggie Zukowski is a motorcycle ridin’, cat fosterin’, pink-hair rockin’, kick-ass SLUG designer. She came to us from Minnesota in October 2011, and we’ve kept that fluorescent mane close ever since. Using her mad illustrative skillz, Maggie designed our Blue Dress Birthday Party poster back in February, and each month she designs a handful of ads for the magazine, putting an extra edge on her work to make them stand out. Check out her work on the ads for Unhinged, Johnny’s and Dr. Sketchy’s in this issue to get a first-hand glimpse at this design-guru’s magic touch. Known as Miss Maggie Bliss to some, she has also hosted Dr. Sketchy’s SLC each month since January 2011, putting her B.A. in Fine Arts from the University of Minnesota to use with some artistic community service. Go say hello at the “Tribute to Betty Paige” themed Dr. Sketchy’s on June 26 at Metro ... Maggie’s a tough one to miss. 4 SaltLakeUnderGround slugmag.com 5 Dear Dickheads, Trees—I like them the same way I like, er, Taio Cruz. If you want the Early in May, Hope Woodside of real Provo scene, go see a Despite Fox 13 did a story about how Club Despair house show. Velour is the “center of the scene.” Now, no offense to the owners and –Ernie Sanchez employees of Velour—I’m sure that they invest a lot of effort into what Dear Ernie, they do, and Provo is undoubtedly Hope Woodside may have won fortunate to have them around to a City Weekly’s “Best Of” award for degree … But what the fuck does Best Anchorwoman 15 times in a Hope Woodside know about “the row, but no offense Ernie, you’re scene?” The story boasted that a fucking moron if you’re going to four LOCAL bands have made it to trust any anchor man or woman major-label fame through the help from a Fox station to give you a of Velour, which is great, but the foot- balanced and unbiased dish on age of their local shows just showed any “local scene.” a bunch of white kids standing around listening to some other white That said, Provo is lucky to kids strum guitars gently like they’re have a venue like Velour for the at a goddamn Ben Kweller concert. same reasons that Salt Lake I’m sorry, but if the club’s owner, is lucky to have a venue like Corey Fox, is looking at new bands Kilby. Venues like this encourage as “starters” (as he said in this story) people to start bands by giving to tailor them to sound like Neon them a place to play—which will Trees, that’s not local music: That’s ultimately encourage a scene to pop-culture bureaucracy that doesn’t keep moving forward. As I’m sure generate any sort of character or you know, any “scene” is multi- “sound,” so to speak, for Utah. faceted. A kid who is interested in standing quietly and bobbing his The story also said that this “center head to some acoustic folk pop is of the scene” is not Salt Lake City. not the same kid with the bright Granted, there is a definite dearth pink mohawk and too much of all-ages venues in our capital, metal shit hanging off his face. with Kilby taking on a huge load to Consider the diversity of Utah’s carry, but if I can’t go see something music scene a blessing. I’m sure aside from singer-songwriter-indie the bands and fans do. hogwash that’s not pushing the envelope, I’d rather hit the stinky xoxo, dive bar. And not to hate on Neon SLUG Mag FAX, SNAIL MAIL OR EMAIL US YOUR LETTERS! Fax: 801.487.1359 • Mailing Address: Dear Dickheads c/o SLUG Mag 351 Pierpont Ave. Ste. 4B SLC, UT 84101 or [email protected] 6 SaltLakeUnderGround slugmag.com 7 8 SaltLakeUnderGround slugmag.com 9 point in my life, I’m listening to a lot of obscure delta to their record that came out last year, Double straightforward approach hasn’t changed—they For many people, bluegrass is a tough pill to blues, guys like Mississippi John Hurt, who is a Down. It’s a good time, and it’s honest and down to still try to be better musicians, and have only gotten swallow, but the Puddle Mountain Ramblers have a major influence on me. If you go back and research earth. I truly get the impression that if they never got tighter as a band. way of making this seemingly ancient music come some of these old bluesmen, they influenced people paid and if no one ever came to their shows, they’d alive for an audience today. like Woody Guthrie and Bob Dylan. I guess that’s still be doing it. “The better we get, the more fun it becomes,” says the definition of roots music.” Ligman. “We learn songs faster and we get people “I’ve had conversations with people who tell Puddle Mountain Ramblers who appreciate what we’re putting out there. After me that they have never liked bluegrass,” says Disinterested in pursuing a career in music, neither playing this long, we read each other well and we’re Uriona, “but they say they had a great time at our musician was planning on starting a band, but Beau Uriona – Banjo making each other better all the time.” show. It’s pretty hard to not have a good time when their paths crossed, it was apparent that they Nicko Baron – Fiddle at a bluegrass show. It’s a very inviting scene. It had a connection through their mutual passion for Matt Ligman – Upright Bass Stellar musicianship in a bluegrass band is doesn’t exclude anybody.” country and blues. The two met when Brandenburg Nick Boyer – Guitar essential.
Load more

Recommended publications
  • Marlboro College
    Potash Hill Marlboro College | Spring 2020 POTASH HILL ABOUT MARLBORO COLLEGE Published twice every year, Marlboro College provides independent thinkers with exceptional Potash Hill shares highlights of what Marlboro College community opportunities to broaden their intellectual horizons, benefit from members, in both undergraduate a small and close-knit learning community, establish a strong and graduate programs, are doing, foundation for personal and career fulfillment, and make a positive creating, and thinking. The publication difference in the world. At our campus in the town of Marlboro, is named after the hill in Marlboro, Vermont, where the college was Vermont, students engage in deep exploration of their interests— founded in 1946. “Potash,” or potassium and discover new avenues for using their skills to improve their carbonate, was a locally important lives and benefit others—in an atmosphere that emphasizes industry in the 18th and 19th centuries, critical and creative thinking, independence, an egalitarian spirit, obtained by leaching wood ash and evaporating the result in large iron and community. pots. Students and faculty at Marlboro no longer make potash, but they are very industrious in their own way, as this publication amply demonstrates. Photo by Emily Weatherill ’21 EDITOR: Philip Johansson ALUMNI DIRECTOR: Maia Segura ’91 CLEAR WRITING STAFF PHOTOGRAPHERS: To Burn Through Where You Are Not Yet BY SOPHIE CABOT BLACK ‘80 Emily Weatherill ’21 and Clement Goodman ’22 Those who take on risk are not those Click above the dial, the deal STAFF WRITER: Sativa Leonard ’23 Who bear it. The sign said to profit Downriver is how you will get paid, DESIGN: Falyn Arakelian Potash Hill welcomes letters to the As they do, trade around the one Later, further.
    [Show full text]
  • May • June 2013 Jazz Issue 348
    may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher.
    [Show full text]
  • Bertus in Stock 7-4-2014
    No. # Art.Id Artist Title Units Media Price €. Origin Label Genre Release Eancode 1 G98139 A DAY TO REMEMBER 7-ATTACK OF THE KILLER.. 1 12in 6,72 NLD VIC.R PUN 21-6-2010 0746105057012 2 P10046 A DAY TO REMEMBER COMMON COURTESY 2 LP 24,23 NLD CAROL PUN 13-2-2014 0602537638949 FOR THOSE WHO HAVE 3 E87059 A DAY TO REMEMBER 1 LP 16,92 NLD VIC.R PUN 14-11-2008 0746105033719 HEART 4 K78846 A DAY TO REMEMBER OLD RECORD 1 LP 16,92 NLD VIC.R PUN 31-10-2011 0746105049413 5 M42387 A FLOCK OF SEAGULLS A FLOCK OF SEAGULLS 1 LP 20,23 NLD MOV POP 13-6-2013 8718469532964 6 L49081 A FOREST OF STARS A SHADOWPLAY FOR.. 2 LP 38,68 NLD PROPH HM. 20-7-2012 0884388405011 7 J16442 A FRAMES 333 3 LP 38,73 USA S-S ROC 3-8-2010 9991702074424 8 M41807 A GREAT BIG PILE OF LEAVE YOU'RE ALWAYS ON MY MIND 1 LP 24,06 NLD PHD POP 10-6-2013 0616892111641 9 K81313 A HOPE FOR HOME IN ABSTRACTION 1 LP 18,53 NLD PHD HM. 5-1-2012 0803847111119 10 L77989 A LIFE ONCE LOST ECSTATIC TRANCE -LTD- 1 LP 32,47 NLD SEASO HC. 15-11-2012 0822603124316 11 P33696 A NEW LINE A NEW LINE 2 LP 29,92 EU HOMEA ELE 28-2-2014 5060195515593 12 K09100 A PALE HORSE NAMED DEATH AND HELL WILL.. -LP+CD- 3 LP 30,43 NLD SPV HM. 16-6-2011 0693723093819 13 M32962 A PALE HORSE NAMED DEATH LAY MY SOUL TO.
    [Show full text]
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • HOW BLACK IS BLACK METAL [JOURNALISMUS] Nachrichten Von Heute
    HOW BLACK IS BLACK METAL [JOURNALISMUS] nachrichten von heute Kevin Coogan - Lords of Chaos (LOC), a recent book-length examination of the “Satanic” black metal music scene, is less concerned with sound than fury. Authors Michael Moynihan and Didrik Sederlind zero in on Norway, where a tiny clique of black metal musicians torched some churches in 1992. The church burners’ own place of worship was a small Oslo record store called Helvete (Hell). Helvete was run by the godfather of Norwegian black metal, 0ystein Aarseth (“Euronymous”, or “Prince of Death”), who first brought black metal to Norway with his group Mayhem and his Deathlike Silence record label. One early member of the movement, “Frost” from the band Satyricon, recalled his first visit to Helvete: I felt like this was the place I had always dreamed about being in. It was a kick in the back. The black painted walls, the bizarre fitted out with inverted crosses, weapons, candelabra etc. And then just the downright evil atmosphere...it was just perfect. Frost was also impressed at how talented Euronymous was in “bringing forth the evil in people – and bringing the right people together” and then dominating them. “With a scene ruled by the firm hand of Euronymous,” Frost reminisced, “one could not avoid a certain herd-mentality. There were strict codes for what was accept- ed.” Euronymous may have honed his dictatorial skills while a member of Red Ungdom (Red Youth), the youth wing of the Marxist/Leninist Communist Workers Party, a Stalinist/Maoist outfit that idolized Pol Pot. All who wanted to be part of black metal’s inner core “had to please the leader in one way or the other.” Yet to Frost, Euronymous’s control over the scene was precisely “what made it so special and obscure, creating a center of dark, evil energies and inspiration.” Lords of Chaos, however, is far less interested in Euronymous than in the man who killed him, Varg Vikemes from the one-man group Burzum.
    [Show full text]
  • The Schematic of God
    The Schematic of God For The First Time An Extraordinary Journey Into Humanity’s Nonphysical Roots Warning! Reading this material may change your reality. William Dayholos January/2007 © E –mail address: [email protected] ISBN: 978-1-4251-2303-1 Paperback copy can be ordered from Trafford Publishing – www.trafford.com Illustrations by Wm. Dayholos ©Copyright 2007 William Dayholos II Acknowledgments The value of ones existences can always be measured by the support they receive from others. Be it family or not it is still unselfish support for another human being who is asking for help. Thank you Rose Dayholos, Marjory Marciski, Irene Sulik, Grace Single, Janice Abstreiter, and Robert Regnier for your editing help. This book is dedicated to my partner in life. To me a partner is one whom you can share your ideas with, one who can be trusted not to patronize these ideas, one who can differentiate their own truth from yours. A person who has an equal spiritual level and understanding, and encourages only through support of your ideas and not to through expectation. A true partner is one who balances out any weaknesses you have in the same fashion as you do for them. One’s weakness is the other’s strength, together you create a whole, a relationship that is stronger than the individuals themselves. In true fashion my partner has both helped and supported this book’s creation. Without this partner’s help it might have run the risk of being too much “me”! This was never the reason for the book.
    [Show full text]
  • Alzheimer's Association
    Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA1077314 Filing date: 08/24/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91245121 Party Plaintiff Alzheimer's Disease and Related Disorders Association Correspondence SHIMA ROY Address BAKER & MCKENZIE LLP 300 E RANDOLPH STREET SUITE 5000 CHICAGO, IL 60601 UNITED STATES Primary Email: [email protected] Secondary Email(s): [email protected] 312-861-8005 Submission Testimony For Plaintiff Filer's Name Shima Roy Filer's email [email protected], [email protected] Signature /Shima Roy/ Date 08/24/2020 Attachments Wendy Vizek NOTICE OF FILING EXHIBITS T-AA.pdf(361075 bytes ) EXHIBIT T - Part 1- annual-report-2019.pdf(4034396 bytes ) EXHIBIT T - Part 2- annual-report-2019.pdf(3320276 bytes ) EXHIBIT T - Part 3- annual-report-2019.pdf(3558381 bytes ) EXHIBIT T - Part 4- annual-report-2019.pdf(4500187 bytes ) EXHIBIT U - Corporate Philanthropy Report.pdf(96077 bytes ) EXHIBIT V - P2P2016.pdf(487285 bytes ) EXHIBIT W - P2P30-2017-RELEASE-2.25.18.pdf(94516 bytes ) EXHIBIT X - P2P_Top_30_2018_Quick_Reference_Guide.pdf(875439 bytes ) EXHIBIT Y - P2P2019.pdf(2540882 bytes ) EXHIBIT AA - AA000270-000271.pdf(117213 bytes ) IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD : Alzheimer’s Disease and Related : Disorders Association, Inc. : : Opposer, : : Opposition No. 91245121 v. : : Alzheimer’s New Jersey, Inc. : : Applicant. : : OPPOSER'S NOTICE OF FILING OF EXHIBITS T-AA IN SUPPORT OF TRIAL TESTIMONY OF WENDY F. VIZEK PLEASE TAKE NOTICE that pursuant to 37 C.F.R.
    [Show full text]
  • Electrical Workers and Operators
    The Journal ot Electrical Workers and Operators OFFICIAL PUBLICATION OF THE International Brotherhood of Electrical Workers Affiliated with the American Federation of Labor and all Its Departments. OWNED AND PUBLISHED BY THE INTERNATIONAL BROTHERHOOD OF ELECTRICAL WORKERS CHAS. P. FORD} International Secretary, GENERAL OFFICES: REISCR BUILDING SPRINGFIELD, ILL. Subscription, 26c per year, in advance. This Journal will not be held responsible for views exprelllled by corre8ponden•• The tenth of each month is the closiq date; an copy must be in our handa on or Won. Second Cia•• prhilejre applied for at the Post omc.. at Sprin",eld, IDlDOia. under Act of June I.th, 18e•• INDEX. A Quarter Century of Progress. .. 221-227 Around the Circuit. ................................... 271-272 Classified Directory .................................. 287-288 Correspondence ..................• . .. 245-271 Editorial ............................................. 237-241 Elementary Lessons ........................•......... 275-277 Executive Officers ................................... 235 In Memoriam ........................................ 228-234 Local Union Official Receipts .......................... 241-244 Local Union Directory .........._...................... 278-286 Notices ..................•••.....•................... 235-236 Things Electrical .................................... 272-275 THE JOURNAL OF ELECTRICAL WORKERS AND OPERATORS OFFICIAL PUBLICATION OF THE INTERNATIONAL BROTHERHOOD OF ELECTRICAL WORKERS Second CI ... privilege applied for at the Post Office at Springfield. Illinois. under Act of June 26th. 1906 Sinille Copies. 10 Cenb \70';.,. XVI, No.4 SPRINGFielD, ILL., NOVEMBER 1916. 25< per • Year in advance A Quarter Century of Progress ,p Twenty·five years ago this month, No­ c\About September 1st, 1890, a few men vember 21st, 1891, to be exact, the Broth· came together and against bitter and erhood was born. Attendants at the most senseless opposition formed what is birth pronounced it a bright hardy now Local No.
    [Show full text]
  • 207 096 1917 FAX:(310) 913-1517 EMAIL:[email protected] »
    3 Years Hollow Critical Hit Heartist MXPX* Soil 10 Years Crobot Heaven’s Basement* New Years Day* Special Blend 9electric Darkest Hour Heavygrinder Nonpoint Spineshank* Ace Frehley** Darkness Divided Hed PE One Eyed Doll Still Remains* Adelitas Way Dave MacPherson Hollow Earth Outside The Coma Stitched Up Heart Adrenaline Mob Death Angel Hoobastank P.O.D Static Summer Aeges Devildriver Ill Nino* Pat Travers Band Sumo Cyco Alien Ant Farm Devil You Know INME Pearl Superjoint Ritual Altitudes & Attitude Diamond Plate Islander Phil Campbell’s All Starr SycAmour American Head Charge Diamante It Dies Today Band Tantric Angra Diecast Janus Powerman 5000 Taproot Anthrax Dope Jared James Nichols Psychostick The Ataris* Armored Saint Double Vision Tour Joanne Shaw Taylor Queensrÿche The Bosshoss Ashes Doyle Kaleido Randy Bachman The Coffis Brothers Avatar Drowning Pool Karnivool RED The Damned Things Bad Seed Rising Duff McKagan’s Loaded Katastro Rev Theory The Defiled Beyond Threshold Earthtone9* Kelley James Revoker The Last Vegas Bachman and Turner Eddie Money* Kill Devil Hill Righteous Vendetta The Missing Letters Billy Squier Empty Hearts Kingdom Of Giants Robby Krieger of The Doors Thousand Foot Krutch Black Tide Even the Dead Love a Parade Kittie** Robin Zander Band Thomas Nicholas Band* Blue Öyster Cult Eyes Set to Kill Kobra and The Lotus Romantic Rebel Threat Signal Breed 77* Fates Warning Kottonmouth Kings Ronnie Spector Twiztid ^ Brett Scallions Fear Factory Kris Roe* The Ronettes Ugly Kid Joe Bridge To Grace Fireball Ministry Life
    [Show full text]
  • Integrating Differentiated Instruction & Understanding by Design
    Integrating Differentiated Instruction & Understanding by Design: Connecting Content and Kids by Carol Ann Tomlinson and Jay McTighe Chapter 1. UbD and DI: An Essential Partnership What is the logic for joining the two models? What are the big ideas of the models, and how do they look in action? Understanding by Design and Differentiated Instruction are currently the subject of many educational conversations, both in the United States and abroad. Certainly part of the reason for the high level of interest in the two approaches to curriculum and teaching is their logical and practical appeal. Beset by lists of content standards and accompanying “high-stakes” accountability tests, many educators sense that both teaching and learning have been redirected in ways that are potentially impoverishing for those who teach and those who learn. Educators need a model that acknowledges the centrality of standards but that also demonstrates how meaning and understanding can both emanate from and frame content standards so that young people develop powers of mind as well as accumulate an information base. For many educators, Understanding by Design addresses that need. Simultaneously, teachers find it increasingly difficult to ignore the diversity of learners who populate their classrooms. Culture, race, language, economics, gender, experience, motivation to achieve, disability, advanced ability, personal interests, learning preferences, and presence or absence of an adult support system are just some of the factors that students bring to school with them in almost stunning variety. Few teachers find their work effective or satisfying when they simply “serve up” a curriculum—even an elegant one—to their students with no regard for their varied learning needs.
    [Show full text]
  • Rifraf Magazine
    32 EARTEAM Julia Holter ‘Have You In My Wilderness’ Domino De muziek van Julia Holter – homebase: Los Angeles – is oneindig veel sprook- jesachtiger dan de ouput van Lana Del Rey, minder over the top dan de platen van Kate Bush en bij momenten zo vreemdsoortig apart als het eigen wereldje van Laurie Anderson. Sinds ‘Loud City Song’ uit 2013 heeft Holter de voordelen van een professionele studio ontdekt. Al neemt ze niet volledig afstand van haar vroege homerecordings. Zo herwerkt ze op haar vierde album ‘Have You In My Wilderness’ enkele oudere nummers als ‘Betsy On The Roof’ en ‘Sea Calls Me Home’. Opnieuw in het ge- RifRaf Magazine - Mensuel zelschap van engineer/producer/grammy-winnaar Cole Greif-Neill die ook al van de partij was om de op- names van ‘Loud City Song’ in goede banen te leiden. Muzikale rijkdom, mee ingekleurd door klasbakken van muzikanten, is de uitkomst op ‘Have You In My Wilderness’. Soms denk je aan de klasse van Scott Walker-arrangementen of neemt de muziek je mee op sleeptouw richting Mazzy Star in een jazzy, psyche- delische roes. En altijd is er die tot de verbeelding sprekende stem. Ook als Holter een meer poppy koers vaart (opener ‘Feel You’). ‘Have You In My Wilderness’ is het bewijs dat vakmanschap & ontroering en am- bitieuze gelaagdheid & ingetogen schoonheid elkaar niet hoeven uit te sluiten. Prachtplaatje. (bvm) © Tonje Thilesen Franz Ferdinand) ten spijt, al beter Michael Head met Nigel Godrich (je Paul Kalkbrenner werk gehoord van John Grant. Zijn de- & The Strands weet wel, de Radiohead- ‘7’ buut ‘Queen Of Denmark’ met Midlake ‘The Magical World Of The Strands’ knoppendraaier).
    [Show full text]
  • Montana Kaimin, September 7, 2012 Students of the Niu Versity of Montana, Missoula
    University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 9-7-2012 Montana Kaimin, September 7, 2012 Students of The niU versity of Montana, Missoula Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Students of The nivU ersity of Montana, Missoula, "Montana Kaimin, September 7, 2012" (2012). Montana Kaimin, 1898-present. 5540. https://scholarworks.umt.edu/studentnewspaper/5540 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. MK fridaykaimin NOTALONE Emerging from the shadows of mental illness Volume CXV Issue 8 September 7, 2012 UM’s Independent Campus Newspaper Since 1898 @KaiminNews Montana Kaimin 2 OPINION Friday, September 7, 2012 SCIENCE COLUMN EDITORIAL CARTOON THE HUME’N EXPERIENCE Stop the stereotypes, save the wolves By Alice Martin Missoulians are immersed in an environmental culture that tends to worship at the shrine of nature — while the rest of Montana is full of ranchers and hunters upset by wolves attacking their livestock and de- pleting elk populations. Yet the issue of wolves isn’t just hippies versus rednecks. That debate boils down to two schools of thought: Wolves are either slavering beasts with a demonic intent to slaughter and devour, or “noble savages” whose relationship with Mother Earth symbolizes the mystical connections of all nature.
    [Show full text]