The Christian Hell in a World Religion Context
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Rehabilitating the Witch: the Literary Representation of the Witch
RICE UNIVERSITY Rehabilitating the Witch: The Literary Representation of the Witch from the Malleus Maleficarum to Les Enfants du sabbat by Lisa Travis Blomquist A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS OF THE DEGREE Doctor of Philosophy APPROVED, THESIS COMMITTEE Dr. Bernard Aresu Dr. Elias Bongmba, Professor ofRe · ious Studies Holder of the Harry and Hazel Chavanne Chair in Christian Theology HOUSTON, TX DECEMBER 2011 ABSTRACT Rehabilitating the Witch: The Literary Representation of the Witch from the Malleus Maleficarum to Les Enfants du sabbat by Lisa Travis Blomquist The representation of the witch in French literature has evolved considerably over the centuries. While originally portrayed as a benevolent and caring healer in works by Marie de France, Chretien de Troyes, and the anonymous author of Amadas et Ydoine, the witch eventually underwent a dramatic and unfortunate transformation. By the fifteenth century, authors began to portray her as a malevolent and dangerous agent of the Christian Devil. Martin Le Franc, Pierre de Ronsard, Joachim du Bellay, Fran9ois Rabelais, and Pierre Comeille all created evil witch figures that corresponded with this new definition. It was not until the eighteenth century, through the works of Voltaire and the Encyclopedistes, that the rehabilitation of the witch began. By the twentieth century, Anne Hebert, Jean-Paul Sartre, Maryse Conde, and Sebastiano Vassalli began to rewrite the witch character by engaging in a process of demystification and by demonstrating that the "witch" was really just a victim of the society in which she lived. These authors humanized their witch figures by concentrating on the victimization of their witch protagonists and by exposing the ways in which their fictional societies unjustly created identities for their witch protagonists that were based on false judgments and rumors. -
Volk, Devils and Moral Panics in White South Africa, 1976 - 1993
The Devil’s Children: Volk, Devils and Moral Panics in White South Africa, 1976 - 1993 by Danielle Dunbar Thesis presented in fulfilment of the requirements for the degree Master of Arts (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Prof Sandra Swart Faculty of Arts and Social Sciences March 2012 Stellenbosch University http://scholar.sun.ac.za DECLARATION By submitting this thesis/dissertation electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2012 Copyright © 2012 Stellenbosch University All rights reserved i Stellenbosch University http://scholar.sun.ac.za ABSTRACT There are moments in history where the threat of Satanism and the Devil have been prompted by, and in turn stimulated, social anxiety. This thesis considers particular moments of ‘satanic panic’ in South Africa as moral panics during which social boundaries were challenged, patrolled and renegotiated through public debate in the media. While the decade of the 1980s was marked by successive states of emergency and the deterioration of apartheid, it began and ended with widespread alarm that Satan was making a bid for the control of white South Africa. Half-truths, rumour and fantasy mobilised by interest groups fuelled public uproar over the satanic menace – a threat deemed the enemy of white South Africa. -
University of Alberta
University of Alberta Masks in Magic-Realist Chilean Drama: 1968-1 993 lvhn H. Jimhez Williams @ A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Comparative Literature Department of Comparative Literature, Film, Religious and Media Studies Edmonton, Alberta Spring 1999 Nationa! Library Bibliothkque nationale 1*1 of Canada du Canada Acquisitions and Acquisitions et Bibliogtaphlc Services services bibliographiques 395 Wellington Street 395. rue Wellington Ottawa ON K1A ON4 OttawaON K1AON4 Canada Canada Your fib vmrbYfenca Our lSle Notre rslfdrenw The author has granted a non- L'auteur a accorde me licence non exclusive licence allowing the exclusive pennettant a la National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distribute or sell reproduire, preter, distribuer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. la fonne de microfiche/film, de reproduction sw papier ou sur format electronique. The author retains ownership of the L'auteur conserve k propriete du copyright in this thesis. Neither the droit d'auteur qui protege cette these. thesis nor substantial extracts &om it Ni la these ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent &re imprimes reproduced without the author's ou autrement reproduits sans son permission. autorisation. A// that is in the heart is written in the face. --African Proverb I dedicate this thesis to my parents, Guillermo Jimhez Espinosa and Maria Williams de Jimenez, as well as to my brother, Guillermo Jimenez Williams. -
MUSE, Volumes 39, 40, & 41, 2005-2007
MVSE VOLUMES THIRTY-NI NE, FORTY & FORTY-ONE 2005 - 2007 Annual of the Museum of Art and Archaeology University of Missouri MVSE VOLUMES THIRTY-NINE, FORTY & FORTY-ONE 2005 - 2007 Annual of the Museum of Art and Archaeology University of Missouri 1 Pickard Hall Columbia, MO 65211 Telephone: (573) 882-3591 Web site: http:/ /maa.missouri.edu Jane Biers editor Sarah Carter editorial assistant MU Printing Services graphic design © 2008 by the Curators of the University of Missouri ISSN 0077-2194 ISBN 0-910501-35-1 The Museum of Art and Archaeology is open from 9:00 a.m. to 4:00 p.m. Tuesday through Friday and from noon to 4 :00 p.m. Saturday and Sunday. Admission is free. The museum is closed on Mondays, from December 25 through January 1, and on University of Missouri holidays: Martin Luther King Day, Memorial Day, Independence Day, Labor Day, Thanksgiving Day and the Friday following. Guided tours are available, if scheduled two weeks in advance. The Museum Store is open from 10 :00 a.m. to 4:00 p.m. Tuesday through Friday and from noon to 4:00 p.m. Saturday and Sunday. Back numbers of Muse are available from the Museum of Art and Archaeology. All submitted manuscripts are reviewed. Front cover: Ed Paschke (American, 1939-2004) Kiss I Oil on linen Gilbreath-McLorn Museum Fund (97.17) Back cover: Anonymous (French, fifteenth century) January page from a Book of Hours (recto), ca. 1460 Ink, pigments, and gold on parchment Gilbreath-McLorn Museum Fund (2003.2) TABLE OF CONTENTS Directors' Report 2005 - 2007 Jane Biers, Alex W. -
The Black Mass the Satanic Mass Witchcraft Destroys Minds and Reaps Souls Coven 1969
The Black Mass The Satanic Mass Witchcraft Destroys Minds and Reaps Souls Coven 1969 The sources for the first Black Mass What is unique about Coven's Black Mass, is that it developed completely independently from the newly formed Church of Satan (founded in 1966), even though it was created at about the same time (the late 1960s). Instrumental in the creation of this original Black Mass, was Coven's producer Bill Traut. Traut supported Chicago based bands (like Coven), with his record company Dunwich Records (named after the town in horror novelist H. P. Lovecraft's story, The Dunwich Horror, which Traut was a dedicated fan of), which he started in 1965. Traut was involved with another Chicago occult enterprise, the psychedelic band H. P. Lovecraft, founded in 1967, which also drew its inspiration from the writings of H. P. Lovecraft. When Traut found Coven (who had been performing a shorter version of a Black Mass on stage as part of their show before they met him) in 1968, he seems to have seen another occult band opportunity, but this time, in the realm of Satanism. In the case of Coven, the main novelist inspiration was not H. P. Lovecraft, but Dennis Wheatley. Traut himself put together the Black Mass that Coven performed, taking most of the English language dialogue directly from two of Dennis Wheatley's Satanic novels, To the Devil a Daughter (1953) and The Satanist (1960). Coven was scheduled to perform together with Anton LaVey from the Church of Satan, in the October 31, 1969 Detroit Black Arts Festival. -
Bestial Summoning Sadomatic Rites
Bestial Summoning Sadomatic Rites Unconfused Jeffie presanctified unproportionably. Earle still expropriating erringly while hiveless Garry planish that argali. If miscreant or demoralising Octavius usually approved his negligibility Hebraized revealingly or achromatizing consecutively and across-the-board, how pomaded is Rudolf? Misfits tribute band! Summoning The Bloodred Moon 53 Cult Of Daath Temple Of. Grau Shop Vinyl Page 3 Grau Mailorder. 2003 Sadomator DK Sadomatic Goat Cult LP 34min 6 or Promo. Visa MasterCard American Express PayPal Apple pay Amazon Pay Download on the App Store thought it on Google Play Redbubble All Rights Reserved. The rites do you on hold because of a ritual for commercial approach here, and endlessly destructive, stel ze me? It also features intricate descriptions of rituals and illustrated. Black Metal. Hansoloshotfirst Sputnikmusic. Satanik nuklear warstrike Dezembro 200. ABOMINATTION 2000 Rites of the mosquito Hate ABOMINATTION 2003. Sun blanket instructions tennessee business constitute gross receipts pay potting table house depot bestial summoning sadomatic rites do you talk to form notice on. Reviews TIMPANI ALLO SPIEDO 'ZINE. Winamp Generated PlayList die or kill. Including a cover version of the classic Sadomatic Rites by Beherit. 'Lord help the Shadows and Goldenwood' summoning a bestial Aura of. CD Iron Scourge. Vomit Angel Sadomatic Evil 2016 Bestial BlackDeath Metal in English. SS02 Scribd. Vomit Angel was formed in 2014 as a solo-project by Necrodevil ex-Sadomator Sadogoat The plan was about do some bestial blackdeath metal. I 1991 Belphegor US Blasphemous Prayers 1993 Bestial Fra Demo. Cd black deathtapes Rockinggr Forum. Levylista Muusikoidennet. Full Album Stream Thy Sepulchral Moon Indignant Force of. -
Devil Worship in the Middle Ages by Denise Horton
Devil Worship in the Middle Ages by Denise Horton The chaos and upheaval that characterized European society in the Middle Ages served as a breeding ground for many peculiar ideas and events. One of the most interesting is undoubtedly the explosion of witch hunts and related activity. This "witch mania" eventually spread throughout most of the continent leaving behind it a trail of death and distorted ideas that made an impression upon popular opinion which is still felt in the 20th century. The scope of this subject is so wide that it cannot be satisfactorily discussed in a paper this size; therefore, it will be necessary to narrow the area of concentration. Devil worship was a very common element in much of the witchcraft controversy of this period, and it is this topic that we will confine our inquiry. At this point it would be helpful to define exactly what is meant by "the devil." For our purposes, the concept will be confined to the devil, the "Satan" of Christianity. The reason for this is that it is in relation to the Christian idea of god that the devil became such a symbol of iniquity. The reasons set forth by scholars for the epidemic of Devil worship are many and varied. One of the most popular is that witchcraft and devil worship could be traced to pre- Christian Europe's ancient religious practices. As Christianity spread in the years following the disintegration of Greco-Roman practices, it is thought that it did not fully penetrate outlying areas for some centuries. -
SATANISM and ASSOCIATED PHENOMENA: a STUDY in the Pmlosophy of EDUCATION
SATANISM AND ASSOCIATED PHENOMENA: A STUDY IN THE pmLOSOPHY OF EDUCATION Herbert Edward Staples B.A., M.Ed., T. T.H.D. Thesis submitted in the Faculty of Education of the Potchefstroomse Universiteit vir Christelike Hoër Onderwys in fulfilment of the requirements of the degree Philosophiae Doctor in Philosophy of Education. Promoter: Prof. Dr. J.L. van der Walt. Potchefstroom 1993 .... ToGod the Giver of every good and perfect gift ... soli Deo gloria. ACKNOWLEDGEMENTS I wish to' express my gratitude ... to the dozens of men who have shaped my thought and honed my ability to think. Most notabie among these have been: Henry Stone, who introduced me to the rich pastures of Christian philosophy and Dooyeweerd ... Hannes van der Walt, who through brilliant academic leadership has become bath a mentor and a friend ... to all who encouraged me in this study: Gwynneth - closest friend and soul-mate ... Shannon, Glenn, Kevin, Gareth - children that evoke gratitude and pride ... a mother who in 77 years has not lost the ability to dream for her children ... adopted parents, Charles and Milly ... Ken Paine - for encouragement and the leave to execute the task ... Leigh Robinson ... to all who helped in the execution of the task: Hannes, to whom the bulk of the credit is due ... EIsa Mentz, a bundie of energy and a computer-statistics boffin ... Prof. Faan Steyn - statistical guidance ... Prof. Monteith - empirical research guidance Fred Shaw and Piet Kruger - vital logistical support ... Library staff at TEMS, PU vir CHO, RAU, JCE, uer, JHB. REFERENCE, HSRC., - the unsung heroes ... Karen Cross, Mandy Everson, Syd Gosher and Louis Kirstein - artists with words .. -
Chapter Five ROSALEEN NORTON's MAGICAL PRACTICE
Chapter Five ROSALEEN NORTON’S MAGICAL PRACTICE Details of Norton’s approach to ritual magic can be gleaned from a range of magazine articles published, for the most part, during the 1950s and 1960s, several of them autobiographical, others written by journalists fascinated by Norton’s persona as ‘the Witch of Kings Cross’.1 There is also data from court hearings and police interviews associated with controversial photographs seized by NSW Vice Squad police in 1955 which showed Norton and Greenlees engaged in what were claimed to be ceremonial rites dedicated to Pan. In addition, there is a small amount of television documentary material2 and photographic documentation (both published and unpublished) to supplement the data provided by Norton herself, both in interviews and autobiographical articles.3 Finally, and not insignificantly, copies of extant unpublished letters written by the distinguished musician Eugene Goossens to Rosaleen Norton describe their shared interest in sex magic and paganism and provide important insights into the activities of Norton’s inner magical circle. The various aspects of Norton’s magical practice can be summarised as follows: a) Individual trance-magic episodes during which Norton sought to venture forth on the ‘astral planes’ in a state of mental dissociation induced by self- hypnosis. It was while on these trance journeys that Norton claimed to encounter the ‘god-forms’ of the principal deities in her magical pantheon. b) Sex magic activities with members of her magical coven, based substantially on practices derived from the magical writings of Aleister Crowley. c) Ritual magic invocations and other ceremonial activities which included improvised elements from Kundalini Yoga, Left-Hand Path Tantra and voodoo. -
06/12/2020 This Catalogue Cancels And
www.endofsilence.net This catalogue cancels and replaces any previous catalogue 06/12/2020 Questo catalogo annulla e sostituisce i cataloghi in data precedente LP (New, Used & Rarities) CD 1917 (Argentina) - Vision - CD, Album, RE, VG/VG+ € 4,90 217 - Atheist Agnostic Rationalist - CD, Album, Sealed M/M € 7,90 3 Inches Of Blood - Advance And Vanquish - CD, Album, Great copy, like new! NM/NM € 7,90 36 Crazyfists - Bitterness The Star - CD, Album, Sealed M/M € 6,90 95-C - Stuck In The past - CD, NM/VG+ € 4,90 A.N.I.M.A.L. - Animal 6 - CD, Album, Like new NM/NM € 7,90 Abominant - Onward To Annihilation - CD, Album, Dig, Sealed M/M € 9,90 ABORYM - Generator - CD - € 9,90 ABORYM - WITH NO HUMAN INTERVENTION - CD - 2003 - G /VG - USED € 5,90 Aborym - Psychogrotesque - CD, Album, Ltd, Dig, M/M € 9,90 Abrasive - Awakening of lust - CD € 6,90 Absolute Defiance - Systematic terror decimation - CD € 4,90 ABYSSUS - Into the Abyss - CD - € 9,90 AC/DC - Dirty Deeds Done Dirt Cheap - CD € 9,90 AC/DC - Dirty Deeds Done Dirt Cheap - CD € 11,90 AC/DC - Let Ther Be Rock - CD € 7,90 AC/DC - Rock or Bust - CD Digi Sealed € 11,90 AC/DC - Stiff upper lip - CD € 7,90 ACCEPT - DEATH ROW - CD - US PRESS 1995 - VG/VG - Used € 9,90 Accept - Hungry years - CD. Used € 6,90 ACCEPT - Metal heart - CD - Remastered Sealed € 9,90 Acheron - Kult Des Hasses - CD, Album, Sli, Sealed M/M € 7,90 ACROSTICHON - Engraved in Black - CD - Memento Mori Rec € 9,90 Action Swingers - More Fast Numbers - CD, EP, NM/VG+ € 4,90 www.endofsilence.net WhatsApp/Telegram/SMS: +39 3518979595 www.endofsilence.net [email protected] Pag. -
A Literary and Psychological Portrait of the Belle Epoque James Difilippo University of Connecticut - Storrs, [email protected]
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 5-26-2015 A Literary and Psychological Portrait of the Belle Epoque James DiFilippo University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation DiFilippo, James, "A Literary and Psychological Portrait of the Belle Epoque" (2015). Doctoral Dissertations. 904. https://opencommons.uconn.edu/dissertations/904 A Literary and Psychological Portrait of the Belle Epoque James Di Filippo, PhD University of Connecticut, 2015 This dissertation depicts the Belle Epoque (1870-1914) whose Zeitgeist was epitomized by the motto, «fluctuat, nec mergitur» (Willms 339). The transformation in the spirit of Europe revealed the emergence of the conscious, the influence of the unconscious and the discovery of psychoanalysis. Although the fin de siècle was a period of degeneration, the epoch also represented hope for a new beginning. The Belle Epoque in Paris displayed a coat of arms that represented a metaphorical emblem of a tumultuous, sailing ship having an unattainable destination. The national self-awareness engendered a collective pathology, self-confidence and pride that characterized the consciousness of an age. In order to appreciate Nana (1880), the ninth volume in the Rougon-Macquart series by Emile Zola (1840-1902), and Divinas palabras: tragicomedia de aldea (1920), heralding from the trilogy, Comedias bárbaras (Aguila de blazón, 1907; Romance -
Occultism in Western Theater and Drama
University of Kentucky UKnowledge Studies in Romance Languages Series University Press of Kentucky 2005 Stages of Evil: Occultism in Western Theater and Drama Robert Lima Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Follow this and additional works at: https://uknowledge.uky.edu/srls_book Part of the Dramatic Literature, Criticism and Theory Commons, English Language and Literature Commons, and the Modern Literature Commons Stages of Evil Studies in Romance Languages: 49 John E. Keller, Editor Occultism in Western Theater and Drama ROBERT LIMA THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2005 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 09 08 07 06 05 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Lima, Robert. Stages of evil : occultism in Western theater and drama / Robert Lima.