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Jaques & Brother, 1848. Abbot, Asahel. Oh

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Box 64 A., E. L. E. Little mendicant’s appeal. For voice and piano. New York: Jaques & Brother, 1848. Abbot, Asahel. Oh weep no more sweet mother: ballad. For voice and piano. Poetry by D. C. D. New York: William Hall & Son, [s.d.]. Abbott, C. D. Rosa dear. Verses for solo voice and refrain for SATB chorus, with piano. No. 10 in “Melodies of the Celebrated Christy Minstrels.” New York: Horace Waters, [s.d.]. Abbot, John M. Softly now the light of day. For SATB chorus and piano, with solos for soprano, tenor, and contralto or baritone. New York: S. T. Gordon, 1866. Absence. For voice and piano. Adapted to the favorite air of Rousseaus dream. New York: Bourne, [between 1827 and 1832]. Absence. For voice and piano. Adapted to the favorite air of Rousseau’s dream. New York: Firth & Hall, [s.d.]. Absence. For voice and piano. Words adapted to the favorite air of Rousseau’s dream. New York: J. L. Hewitt & Co., [ca. 1830]. 2 copies. Abt, F. Agathe. For voice and piano. Arranged and translated from the original score by A. André, Jr. Words in English and German. Words from the “Book of Love” by C. Herlossohn. Philadelphia: G. André & Co., [s.d.]. Abt, F. Agathe. For voice and piano. Arranged by Max Zorer. Words translated from the German by Charles G. Leland. New York: Firth, Pond & Co., 1849. Abt, Francis. Agathe. For voice and piano. Arranged by Matthias Keller. Words from the “Book of Love” by C. Herlossohn. Philadelphia: Lee & Walker, 1846. Abt, F. Agatha. Arranged for two voices and piano by J. A. Getze. No. 8 in “Gems of Vocal Duetts Selected from the Works of Distinguished Authors.” Philadelphia: Lee & Walker, 1854. Abt, Franz. Evening (Gute Nacht). For voice and piano. Words in English and German. English version by J. E. Carpenter. In “Gems from the German: A Collection of the Most Admired Songs of Schubert, Mendelssohn, Abt, and Others.” Boston: Oliver Ditson & Co., [s.d.]. Abt, Franz. Evening (Gute Nacht). For voice and piano. Words in English and German. English version by J. E. Carpenter. New York: Firth, Pond & Co., [s.d.]. Abt, Franz. Good night. Arranged for four male voices and piano. In “Brainard and Cos. Collection of Quartetts by Various Authors.” Cleveland: S. Brainard & Co., [s.d.]. 1 Abt, Frank. The herdman’s mountain home (Der Schweizerbue). For voice and piano. Words in English and German. English version by J. E. Carpenter. No. 9 in “Gems of German Songs, with English Words.” Philadelphia: Lee & Walker, [s.d.]. Missing pages; copy consists of front cover and pages 3-6 of score. Abt, Franz. The herdsman’s mountain home (Der Schweizerbue). For voice and piano. Words in English and German. English version by J. E. Carpenter. In “Gems from the German: A Collection of the Most Admired Songs of Schubert, Mendelssohn, Abt and Others.” Boston: Oliver Ditson & Co., [s.d.]. Abt, F. Mein Gedenken (You ask me if I think of thee), op. 105, no. 3. For voice and piano. Words in German and English. [s.l.: s.n., s.d.]. Plate no. 839.6. Missing front cover. Abt, F. Mein Gedenken (You ask me if I think of thee), op. 105, no. 3. For voice and piano. Words in German and English. No. 3 in “Four Songs by Franz Abt. Louisville, KY: D. P. Faulds & Co., [s.d.]. Abt, Franz. Night in slumber cradles thee. For voice and piano. Words in English and German. Translated from the German of Schuester by S. W. L. No. 11 in “Gems of German Song with English Words, Seventh Series.” Boston: G. P. Reed & Co., [s.d.]. Abt. O ye tears! O ye tears! For voice and piano. Words by Dr. Mackey. In “Vocal Gems from the German with English and German Words.” Cleveland: S. Brainard & Co., [1859]. Abt, Franz. O ye tears! For voice and piano. Words by Dr. Mackay. No. 47 in “Gems of German Songs with English and German Words.” New York: Firth, Pond & Co., [s.d.]. Abt, Franz. O ye tears! O ye tears! For voice and piano. Words by Dr. Mackay. In “The Germania: New Vocal Gems from the German.” Boston: Oliver Ditson & Co., 1860. 2 copies. Abt, Franz. O’er the wave and far away. For voice and piano. Words by C. H. Curtis. In “Melodies, Series No. 2.” New York: Jaques & Brother, 1849. Cover features color lithograph of the Cape of Good Hope, printed by Sarony & Major. Abt, F. Schwabisches Liedchen (The Earth it loves rain), op. 105, no. 2. For voice and piano. Words in German and English. No. 2 in “Four Songs by Franz Abt.” Louisville, KY: G. W. Brainard & Co., [s.d.]. Abt, Fr. Der Schweizerbue (The herdsman’s mountain home), op. 107, no. 10. For voice and piano. Words in German and English. “Illustrated Popular Songs, No. 4.” Philadelphia: G. André & Co., [between 1858 and 1861]. Abt, Franz. Spring morning ballad. For voice and piano. Words by J. E. Carpenter. Boston: G. P. Reed & Co., [1848]. 2 Abt, Franz. When the swallows homeward fly. For voice and piano. San Francisco, CA: Rasche & Sons, [s.d.]. Abt, Franz. When the swallows homeward fly (Wenn die Schwalben heimwarts zieh’n). For voice and piano. Words in English and German. [s.l.: s.n., s.d.]. Missing front cover. Abt, Franz. When the swallows homeward fly (Wenn die Schwalben heimwarts zieh’n). For voice and piano. Words in English and German. No. 17 in “Vocal Beauties: A Selection of Choice Songs Etc. From Distinguished Authors.” Cleveland: S. Brainard & Co., [s.d.]. Abt, Franz. When the swallows homeward fly (Wenn die Schwalben heimwärts zieh’n). For voice and piano. Words in English and German. No. 10 in “Universal Favorites by Eminent Composers.” New York: G. B. Demarest, [between 1857 and 1859]. Abt, Franz. When the swallows homeward fly (Wenn die Schwalben heimwärts zieh’n). For voice and piano. Words in English and German. In “Gems from the German: A Collection of the Most Admired Songs of Schubert, Mendelssohn, Abt and Others.” Boston: Oliver Ditson, [s.d.]. Abt, Franz. When the swallows homeward fly (Wenn die Schwalben heimwärts zieh’n). For voice and piano. Words in English and German. No. 11 in “Gems of German Song from the most Admired Compositions of Beethoven, Spohr, Schubert, Weber, Küchen, and Others.” New York: William Hall & Son, [s.d.]. Abt, Franz. When the swallows homeward fly (Wenn die Schwalben heimwärts zieh’n). For voice and piano. Words in English and German. No. 6 in “Gems of German Songs with English Words, Second Series.” New York: William Hall & Son, [s.d.]. Abt, Franz. When the swallows homeward fly (Wenn die Schwalben heimwärts zieh’n). For voice and piano. Words in English and German. Boston: G. P. Reed & Co., [1851]. Abt, Franz. When the swallows homeward fly (Wenn die Schwalben heimwärts zieh’n). For voice and piano. Words in English and German. New York: Horace Waters, [s.d.]. Adam, A. Beneath cool shades reposing (Assis au pied d’un hêtre). Pastoral in the admired opera “Le postillion de lonjumeau.” For voice and piano. Words in English and French. New York: Hewitt & Jaques, [between 1837 and 1841]. Adam, A. Friends, come draw near and hear the story (Mes amis écoutez l’histoire). From the opera “The Postillion of Lonjumeau.” For voice and piano. Words in English and French. Philadelphia: A. Fiot, [1845]. Adams. Don’t be angry mother. For voice and piano. Baltimore: G. Willig Jr., 1852. Addison, J, arr. Dear happy Tyrol. From the score of Henry R. Bishop. For voice and piano. New York: E. S. Mesier, [s.d.]. Cover features lithograph printed by E. S. Mesier’s Lith. 3 Addison, J., arr. The laughing trio. Arranged from Marini’s Terzetto. For three voices and piano. New York: Dubois & Stodart, [s.d.]. 3 copies. Adler, C. A. Song of the ocean child. For voice and piano. Boston: Oliver Ditson, 1850. Ahlstrom. The herdsman’s song (Herde Säng). The celebrated echo song sung by Madlle. Jenny Lind. For voice and piano. New York: Saml. C. Jollie, 1850. Ahlstrom. Pasture; or, Herdsman’s echo song. For voice and piano. Words by J. Wrey Mould. In “American Edition of Jenny Lind’s Swedish Melodies.” New York: William Hall & Son, [s.d.]. Cover features lithograph printed by Sarony & Major. Aldridge, H., arr. The fairy’s festival. Music by T. W. For voice and piano. New York: Firth & Hall, [s.d.]. Cover features lithograph. Alexander, Dr. O. C. Must I bid thee farewell my dear mother. For voice and piano. Boston: Oliver Ditson & Co., 1858. Alford, J. I know who! For voice and piano. Boston: E. H. Wade, 1854. All the blue bonnets are over the border. A favourite Scotch song arranged for voice and piano. New York: E. S. Mesier, [s.d.]. Allan Percy. For voice and piano. Boston: Russell & Tolman, [between 1858 and 1861]. Allan Percy. For voice and piano. Louisville, KY: Peters, Webb & Co., 1849. Allan Percy. For voice and piano. Boston: G. P. Reed & Co., 1851. Allan, Rosalbina Caradori. Lay of the sylph (Sono il silfo). For voice and piano. Words in English and Italian. Boston: Oliver Ditson, 1847. 2 copies. Allen, B. D. Good night! Little daughter good night! For voice and piano. Words by C. E. R. P. Boston: Oliver Ditson, [s.d.]. Allen, George N. The ocean burial. For voice and piano. New and improved edition. Boston: Oliver Ditson, 1850. 9 copies. Alma mater o. An American student-song: as sung at Yale College. For two voices and piano. No. 5 in “Student-Songs, Edited by Richard Storrs Willis.” New York: Firth, Pond & Co., [between 1848 and 1855].
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  • Universal Oneness an Anthology of Magnum Opus Poems from Around the World (360 Poems by 360 Poets from 60 Countries)

    Universal Oneness an Anthology of Magnum Opus Poems from Around the World (360 Poems by 360 Poets from 60 Countries)

    Universal Oneness An Anthology of Magnum Opus Poems from around the World (360 poems by 360 poets from 60 Countries) Universal Oneness An Anthology of Magnum Opus Poems from around the World (360 poems by 360 poets from 60 Countries) Editor Vivekanand Jha Worldwide Circulation through Authorspress Global Network First Published in 2019 by Authorspress Q-2A Hauz Khas Enclave, New Delhi-110 016 (India) Phone: (0) 9818049852 E-mail: [email protected] Website: www.authorspressbooks.com Universal Oneness An Anthology of Magnum Opus Poems from around the World (360 poems by 360 poets from 60 Countries) ISBN 978-93-89110-19-7 Copyright © 2019 Editor All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior consent of the authors. Printed in India at Krishna Offset, Shahdara To The land and the people of Mithila, Maithili and Maithil Where lies my root Where lies my feat, my truth Where lies my flop, my bogus Where lies my magnum opus Where lies the wind of my last breath. An Invocation O Supreme being the primordial seed that you had sown has grown up to a tree that has blossomed has borne fruits has given shelter has danced in the spring has suffered the harsh winter but has again become green the cycle continues and the tree still evolving. It’s time we all leave behind the past seeking patterns and trends commonalities and universalities stop looking outwards and look within and look for a greater synthesis Going Beyond from the Heart of Darkness to the Divine Light through integration and unification.