Discovering Romanity in Seneca's De Otio and De Brevitate Vitae Joshua Dean Wimmer [email protected]
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Commentary on Englert Martha Nussbaum I Admire Englert's
Commentary on Englert Martha Nussbaum I admire Englert's paper. I find its major conclusions entirely convincing: (1) the analysis of the difference between Epicurean and Stoic attitudes to suicide; (2) the account of the original Stoic position; (3) the argument that Seneca is an orthodox Stoic about suicide; and (4) the very interesting claims about the role of dif- ferent sorts of freedom in Seneca's arguments. Although I am persuaded by his analysis, I am inclined to be somewhat more critical of the Stoic position than he seems inclined to be: for I think that in a crucial way it is internally incoherent. In what follows, therefore, I want to focus on a problem in the Stoic account itself, with respect to the ambivalence the suicide theory reveals toward the importance of externals. I shall do this by focusing on one line of argument leading to suicide, in Seneca's De Ira.l 1. The Stoics famously hold that only virtue is worth choosing for its own sake. And virtue all by itself suffices for a complete- ly fulfilled and fulfilling human life, that is, for eudaimonia. Virtue is something unaffected by external contingency—both, apparently, as to its acquisition and as to its maintenance once acquired? Items that are not fully under the control of the 1. My interpretation of this work is developed at greater length in Nussbaum 1994. My general account of Stoic virtue theory and its relationship to the call for the extirpation of passion is in chapter 10, my detailed analysis of the argu- ments about anger in the De Ira in chapter 11. -
CLAS 4000 Seminar in Classics on Seneca's Thyestes and LATN 4002 Roman Drama
CLAS 4000 Seminar in Classics on Seneca’s Thyestes and LATN 4002 Roman Drama http://myweb.ecu.edu/stevensj/CLAS4000/2016syllabus.pdf Prof. John A. Stevens Spring 2016 Office: Ragsdale 133 [email protected] Office Hours: TTh 11-1:30 and by appt. (252) 328-6056 Objectives. Upon completion of this course, you will be able to: • Situate Senecan tragedy in the contexts of Roman literature, history and political philosophy • Analyze the elements of Roman Stoicism present in Seneca’s Thyestes • Characterize contemporary literary approaches to the play • Evaluate the play’s literary and philosophical elements as an integral whole Writing Intensive (WI) CLAS 4000 is a writing intensive course in the Writing Across the Curriculum Program at East Carolina University. With committee approval, this course contributes to the twelve-hour WI requirement for students at ECU. Additional information is available at: http://www.ecu.edu/writing/wac/. WI Course goals: • Use writing to investigate complex, relevant topics and address significant questions through engagement with and effective use of credible sources; • Produce writing that reflects an awareness of context, purpose, and audience, particularly within the written genres (including genres that integrate writing with visuals, audio or other multi-modal components) of their major disciplines and/or career fields; • Understand that writing as a process made more effective through drafts and revision; • Produce writing that is proofread and edited to avoid grammatical and mechanical errors; • Ability to assess and explain the major choices made in the writing process. • Students are responsible for uploading the following to iWebfolio (via Courses/Student Portfolio in OneStop): 1) A final draft of a major writing project from the WI course, 2) A description of the assignment for which the project was written, and 3) A writing self-analysis document (a component of our QEP). -
Senecan Tragedy and Virgil's Aeneid: Repetition and Reversal
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 Senecan Tragedy and Virgil's Aeneid: Repetition and Reversal Timothy Hanford Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/427 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SENECAN TRAGEDY AND VIRGIL’S AENEID: REPETITION AND REVERSAL by TIMOTHY HANFORD A dissertation submitted to the Graduate Faculty in Classics in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 ©2014 TIMOTHY HANFORD All Rights Reserved ii This dissertation has been read and accepted by the Graduate Faculty in Classics in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Ronnie Ancona ________________ _______________________________ Date Chair of Examining Committee Dee L. Clayman ________________ _______________________________ Date Executive Officer James Ker Joel Lidov Craig Williams Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract SENECAN TRAGEDY AND VIRGIL’S AENEID: REPETITION AND REVERSAL by Timothy Hanford Advisor: Professor Ronnie Ancona This dissertation explores the relationship between Senecan tragedy and Virgil’s Aeneid, both on close linguistic as well as larger thematic levels. Senecan tragic characters and choruses often echo the language of Virgil’s epic in provocative ways; these constitute a contrastive reworking of the original Virgilian contents and context, one that has not to date been fully considered by scholars. -
The Meditations of Marcus Aurelius Antoninus
The meditations of Marcus Aurelius Antoninus Originally translated by Meric Casaubon About this edition Marcus Aurelius Antoninus Augustus was Emperor of Rome from 161 to his death, the last of the “Five Good Emperors.” He was nephew, son-in-law, and adoptive son of Antonius Pius. Marcus Aurelius was one of the most important Stoic philosophers, cited by H.P. Blavatsky amongst famous classic sages and writers such as Plato, Eu- ripides, Socrates, Aristophanes, Pindar, Plutarch, Isocrates, Diodorus, Cicero, and Epictetus.1 This edition was originally translated out of the Greek by Meric Casaubon in 1634 as “The Golden Book of Marcus Aurelius,” with an Introduction by W.H.D. Rouse. It was subsequently edited by Ernest Rhys. London: J.M. Dent & Co; New York: E.P. Dutton & Co, 1906; Everyman’s Library. 1 Cf. Blavatsky Collected Writings, (THE ORIGIN OF THE MYSTERIES) XIV p. 257 Marcus Aurelius' Meditations - tr. Casaubon v. 8.16, uploaded to www.philaletheians.co.uk, 14 July 2013 Page 1 of 128 LIVING THE LIFE SERIES MEDITATIONS OF MARCUS AURELIUS Chief English translations of Marcus Aurelius Meric Casaubon, 1634; Jeremy Collier, 1701; James Thomson, 1747; R. Graves, 1792; H. McCormac, 1844; George Long, 1862; G.H. Rendall, 1898; and J. Jackson, 1906. Renan’s “Marc-Aurèle” — in his “History of the Origins of Christianity,” which ap- peared in 1882 — is the most vital and original book to be had relating to the time of Marcus Aurelius. Pater’s “Marius the Epicurean” forms another outside commentary, which is of service in the imaginative attempt to create again the period.2 Contents Introduction 3 THE FIRST BOOK 12 THE SECOND BOOK 19 THE THIRD BOOK 23 THE FOURTH BOOK 29 THE FIFTH BOOK 38 THE SIXTH BOOK 47 THE SEVENTH BOOK 57 THE EIGHTH BOOK 67 THE NINTH BOOK 77 THE TENTH BOOK 86 THE ELEVENTH BOOK 96 THE TWELFTH BOOK 104 Appendix 110 Notes 122 Glossary 123 A parting thought 128 2 [Brought forward from p. -
Humanism and Neo-Stoicism." War and Peace in the Western Political Imagination: from Classical Antiquity to the Age of Reason
Manning, Roger B. "Humanism and Neo-Stoicism." War and Peace in the Western Political Imagination: From Classical Antiquity to the Age of Reason. London: Bloomsbury Academic, 2016. 181–214. Bloomsbury Collections. Web. 26 Sep. 2021. <http:// dx.doi.org/10.5040/9781474258739.ch-004>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 26 September 2021, 04:18 UTC. Copyright © Roger B. Manning 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 4 H u m a n i s m a n d N e o - S t o i c i s m No state . can support itself without an army. Niccolò Macchiavelli, Th e Art of War , trans. Ellis Farneworth (Indianapolis, IN : Bobbs-Merrill, 1965; rpr. New York: Da Capo, 1990), bk. 1, p. 30 Rash princes, until such times as they have been well beaten in the wars, will always have little regard for peace. Antonio Guevara, Bishop of Guadix, Th e Diall of Princes , trans. Th omas North (London: John Waylande, 1557; rpr. Amsterdam: Th eatrum Orbis Terrarum, 1968), fo. 174v Th e Humanist response to the perpetual problems of war and peace divided into the polarities of a martial ethos and an irenic or peace- loving culture. Th ese opposing cultures were linked to an obsession with fame or reputation, honor, and the military legacy of ancient Greece and Rome on the one hand, and on the other, a concern with human dignity, freedom, and a stricter application of Christian morality. -
No One Errs Willingly: the Meaning of Socratic Intellectualism
Created on 21 September 2000 at 13.38 hours page 1 NO ONE ERRS WILLINGLY: THE MEANING OF SOCRATIC INTELLECTUALISM HEDA SEGVIC κν κν µαρτον, ο κ ρνσοµαι. (Willingly, willingly I erred;I won’t deny it.) [Aeschylus], Prometheus Bound, 266 Video meliora proboque, deteriora sequor. (I see what is better and approve of it, but pursue what is worse.) Ovid, Metamorphoses,7.20 Concepts, just like individuals, have their history and are no more able than they to resist the dominion of time, but in and through it all they nevertheless harbour a kind of homesickness for the place of their birth. Sren Kierkegaard, The Concept of Irony, 13. 106 I The Western philosophical tradition is deeply indebted to the fig- ure of Socrates. The question ‘How should one live?’ has rightly been called ‘the Socratic question’. Socrates’ method of cross- examining his interlocutors has often been seen as a paradigmatic form of philosophical enquiry,and his own life as an epitome of the philosophical life. What philosophers and non-philosophers alike have often found disappointing in Socrates is his intellectualism. A prominent complaint about Socratic intellectualism has been mem- orably recorded by Alexander Nehamas: ‘And George Grote both expressed the consensus of the ages and set the stage for modern ã Heda Segvic 2000 I am grateful to Myles Burnyeat, David Furley, John McDowell, and Julius Morav- csik for their helpful comments on earlier versions of this paper. I also wish to thank the editor of Oxford Studies in Ancient Philosophy for his generous criticisms and corrections. Created on 21 September 2000 at 13.38 hours page 2 2 Heda Segvic attitudes toward Socrates when he attributed to him “the error . -
The Stoics and the Practical: a Roman Reply to Aristotle
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 8-2013 The Stoics and the practical: a Roman reply to Aristotle Robin Weiss DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Weiss, Robin, "The Stoics and the practical: a Roman reply to Aristotle" (2013). College of Liberal Arts & Social Sciences Theses and Dissertations. 143. https://via.library.depaul.edu/etd/143 This Thesis is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. THE STOICS AND THE PRACTICAL: A ROMAN REPLY TO ARISTOTLE A Thesis Presented in Partial Fulfillment of the Degree of Doctor of Philosophy August, 2013 BY Robin Weiss Department of Philosophy College of Liberal Arts and Social Sciences DePaul University Chicago, IL - TABLE OF CONTENTS - Introduction……………………..............................................................................................................p.i Chapter One: Practical Knowledge and its Others Technê and Natural Philosophy…………………………….....……..……………………………….....p. 1 Virtue and technical expertise conflated – subsequently distinguished in Plato – ethical knowledge contrasted with that of nature in -
Rhetoric on Rhetoric: Criticism of Oratory in Seneca’S Troades
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ELTE Digital Institutional Repository (EDIT) RHETORIC ON RHETORIC: CRITICISM OF ORATORY IN SENECA’S TROADES TOBIAS DÄNZER While statements criticizing contemporary rhetoric are considerably few in the prosaic work of the younger Seneca, there is clear evidence for harsh criticism in his tragedies. This paper draws attention to the word battle between Ulysses and Andromache in the Troades (vv. 522–814), where the protagonists appear to quarrel over the fate of little Astyanax, son of Andromache and Hector and potential avenger of Troy. The true matter of the rhetorically organised dispute, however, is rhetoric itself. Ulysses presents himself as a shrewd and ruthless advocate in a lawsuit, trying to reveal the boy’s true whereabouts, in order to kill him. He accuses Andromache, who tries to save her child, of rhetorical tricks, grandiloquence and obstinacy. By embellishing his criticism with myth and poetry, Seneca has found a way to accuse contemporary rhetoric of political ineffectiveness, forensic uselessness, and moral turpitude. The literature of the 1st century AD knew various interpretations concerned with the circumstances that caused the decline of contemporary rhetoric.1 The elder Seneca, who was the first to advance arguments on the topic, saw the rhetoric of his age in decline for three main reasons. To him, the decline began soon after Cicero’s time and was due either to the decadent lifestyle of his contemporaries, to the fading prospects of honour, or to the persistent and natural change of greatness and depravity.2 1 Literature on the topic is abundant: HELDMANN (1982) dedicates a detailed study on the subject; good overviews are given by CAPLAN (1944), FANTHAM (1978), WILLIAMS (1978: 6–51), KENNEDY (1972: 446–464), FAIRWEATHER (1981: 132– 148) and KENNEDY (1994: 159–200, esp. -
The Stoic Invention of Cosmopolitan Politics1
For the Proceedings of the Conference "Cosmopolitan Politics: On The History and Future of a Controversial Ideal" Frankfurt am Main, December 2006 THE STOIC INVENTION OF COSMOPOLITAN POLITICS1 Eric Brown Department of Philosophy Washington University in St. Louis According to ancient Stoics, a polis is a place, a system of human beings, or both of these things,2 and it is a system of human beings—not just a loose collection—because it is put in order by law.3 But Stoics do not mean by 'law' the decree of a duly constituted authority. They define 'law' as "right reason," which provides "the standard of right wrong, prescribing to naturally political animals the things that ought to be done and proscribing the things that ought not."4 In point of fact, they think that no extant 1 This essay is only a lightly revised version of the programmatic lecture I delivered at the conference. Its first two thirds, which sketch an account of the Chrysippean Stoic's attachment to a cosmopolitan way of life, receive fuller development and defense in Brown (forthcoming), and the last third is more provocation than settled argument. I hope that the many people who have helped me will not be offended if I single out for special thanks Elizabeth Asmis, Pauline Kleingeld, and Martha Nussbaum; their criticisms and encouragement over many years have been invaluable to me. I also thank the organizers and the other conferees in Frankfurt for an excellent experience, and the editors of the proceedings for their patience. 2 Stobaeus II 7.11i 103,17-20 Wachsmuth. -
Neostoic Anger: Lipsius's Reading and Use of Seneca's Tragedies And
Chapter 5 Neostoic Anger: Lipsius’s Reading and Use of Seneca’s Tragedies and De ira Jan Papy Quid ratio possit? Vicit ac regnat furor, potensque tota mente dominatur deus. What can reason do? Passion’s conquered and reigns, And a potent god commands my whole heart. Seneca, Phaedra, 184–185 The Roman Stoic Seneca was omnipresent in the humanist Justus Lipsius’s scholarly career and life.1 This life was situated in the middle of the terrors of the religious wars which tore Europe apart; this life was traumatized by the civil unrest and Spanish rule in the Low Countries.2 In Lipsius’s time death was arbitrary, freedom of speech unthinkable, fear and anger daily experi- ence. Stoicism, that philosophy always looked for in periods of crisis, was, so Lipsius argued, the welcome therapy and remedy.3 Seneca’s dramas and prose works staged death and how to face it courageously while, if possible, even strengthening one’s ability to maintain one’s consistent self-command when facing fate’s adversities and calamities. 1 Morford M., Stoics and Neostoics: Rubens and the Circle of Lipsius (Princeton: 1991) 139–80; Lagrée J., Juste Lipse et la restauration du stoïcisme. Étude et traduction des traités stoïciens De la constance, Manuel de philosophie stoïcienne, Physique des stoïciens (extraits) (Paris: 1994). 2 See, for instance, The World of Justus Lipsius: A Contribution Towards his Intellectual Biography, ed. M. Laureys et al. (= Bulletin de l’Institut historique belge de Rome 68 [1998]); Mouchel C. (ed.), Juste Lipse (1547–1606) en son temps (Paris: 1996). -
Apocolocyntosis De Providentia
Sêneca Apocolocyntosis De Providentia Belo Horizonte FALE/UFMG 2010 Diretor da Faculdade de Letras Sumário Luiz Francisco Dias Vice-Diretor Introdução . 5 Sandra Bianchet Heloísa Maria Moraes Moreira Penna Comissão editorial Apocolocyntosis Divi Clavdii / Apocoloquintose . 8 Eliana Lourenço de Lima Reis De Providentia / Da Providência . 35 Elisa Amorim Vieira Lucia Castello Branco Maria Cândida Trindade Costa de Seabra Maria Inês de Almeida Sônia Queiroz Capa e projeto gráfico Glória Campos Mangá – Ilustração e Design Gráfico Revisão e normalização Eduardo de Lima Soares Taís Moreira Oliveira Formatação Eduardo de Lima Soares Janaína Sabino Revisão de provas Martha M. Rezende Ramon de Araújo Gomes Endereço para correspondência FALE/UFMG – Setor de Publicações Av. Antônio Carlos, 6627 – sala 2015A 31270-901 – Belo Horizonte/MG Telefax: (31) 3409-6007 e-mail: [email protected] Introdução Na literatura latina, há diversos escritores que muito produziram e influenciaram as gerações posteriores com inúmeras e densas obras. Impressionam até hoje a prosa moral de Cícero, a irreverência lírica de Catulo, a grandiosidade épica de Virgílio, o rigor formal de Horácio, a ousadia contemporânea de Ovídio e a potência filosófica e trágica de Sêneca, só para citar alguns dos grandes nomes dessa literatura abrangente. É desse último autor de textos filosóficos, dramáticos e satíricos que vamos tratar na presente publicação. Lúcio Aneu Sêneca é um dos escritores mais lidos e comentados da literatura latina. Seus textos têm conteúdo atemporal por tratarem da alma humana, dos problemas que a afligem em qualquer época, e por servirem de conselheiros aos espíritos atormentados pelas questões existenciais. É fato que nascera numa época privilegiada e que tirara disso grande proveito: após a chamada Idade de Ouro da literatura latina, em que figuraram poetas de obras imortais, tais como Virgílio, Horácio, Propércio, Tibulo e Ovídio. -
Magis Rythmus Quam Metron: the Structure of Seneca's Anapaests
Magis rythmus quam metron: the structure of Seneca’s anapaests, and the oral/aural nature of Latin poetry Lieven Danckaert To cite this version: Lieven Danckaert. Magis rythmus quam metron: the structure of Seneca’s anapaests, and the oral/aural nature of Latin poetry. Symbolae Osloenses, Taylor & Francis (Routledge): SSH Titles, 2013, 87 (1), pp.148-217. 10.1080/00397679.2013.842310. halshs-01527668 HAL Id: halshs-01527668 https://halshs.archives-ouvertes.fr/halshs-01527668 Submitted on 24 May 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Magis rythmus quam metron : the structure of Seneca's anapaests, and the oral/aural nature of Latin poetry 1 Lieven Danckaert, Ghent University Abstract The aim of this contribution is twofold. The empirical focus is the metrical structure of Seneca's anapaestic odes. On the basis of a detailed formal analysis, in which special attention is paid to the delimitation and internal structure of metrical periods, I argue against the dimeter colometry traditionally assumed. This conclusion in turn is based on a second, more methodological claim, namely that in establishing the colometry of an ancient piece of poetry, the modern metrician is only allowed to set apart a given string of metrical elements as a separate metron, colon or period, if this postulated metrical entity could 'aurally' be distinguished as such by the hearer.