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+91-9990955738 Wedding Matt https://www.indiamart.com/wedding-matt-delhi/ India is a richest country in terms of diversity of cultures. The culture of India is the way of living of the people of India. India's languages, religions, dance, music, food, and costumes differ from place to place within the country which is ... About Us India is a richest country in terms of diversity of cultures. The culture of India is the way of living of the people of India. India's languages, religions, dance, music, food, and costumes differ from place to place within the country which is mainly shown in our festivals and occasions. Weddings are festive occasions in India with extensive decorations, colors, music, dance, costumes and rituals that depend on the religion of the bride and the groom, as well as their preferences. The nation celebrates about 10 million weddings per year. Wedding celebrations starts with the shopping of new cloths for Bride and Grooms and all relatives. Women clothing in India varies widely and is closely related to local culture, religion and climate. Traditional Indian clothing for women are the sarees or the salwar kameez and also Ghaghra cholis (Lehengas). Indo-western clothing is the fusion of western and sub-continental fashion. India – known for its hand-woven textiles, richly embroidered fabrics, authentic drapes in exclusive designs have been prized by western civilization for centuries. Indian men and women have always loved to dress up in their traditional costumes, attires and accessories during festivals and other occasions which are an integral part of Indian life. Recently, Indian costumes have been successful in attracting the attention of and capturing the global market. Our efforts are to introduce the versatility of Indian traditions... For more information, please visit https://www.indiamart.com/wedding-matt-delhi/aboutus.html SUITS P r o d u c t s & S e r v i c e s Latest Salwar Kameez Beautiful Salwar Kameez Indian Salwar Kameez Polyester Salwar Kameez TROUSERS AND PALAZZO P r o d u c t s & S e r v i c e s Crape Palazzo Royle Blue Palazzo Palazzo Pants Crape Palazzo EARRINGS P r o d u c t s & S e r v i c e s Earring Beautiful Silver Earring Fashionable Earring -17 Fashionable Earring WEDDING SAREES P r o d u c t s & S e r v i c e s Rajguru Lehenga Saree Indian Wedding Saree Zari Work Wedding Saree Rajguru Wedding Saree SKIRTS P r o d u c t s & S e r v i c e s Crape Skirt Egular Wear Skirt Beautiful Skirt WEDDING JEWELLERY P r o d u c t s & S e r v i c e s Beautiful Golden Kaleera Golden Kaleera Wkag01050 Punjabi Chura P r o OTHER PRODUCTS: d u c t s & S e r v i c e s Designer Salwar Kameez Hot Red Palazzo Golden Plated Earring Party Wear Saree OTHER PRODUCTS: P r o d u c t s & S e r v i c e s Party Wear Black Saree Bollywood Style Lehenga Embroidery Bridal Lehenga F a c t s h e e t Nature of Business :Retailer CONTACT US Wedding Matt Contact Person: Kapil E6 Third Floor, Main Road, Kalkaji Delhi - 110019, India +91-9990955738 https://www.indiamart.com/wedding-matt-delhi/.

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Rebranding “Made in India” Through Cultural Sustainability – Exploring and Expanding Indian Perspectives
REBRANDING “MADE IN INDIA” THROUGH CULTURAL SUSTAINABILITY – EXPLORING AND EXPANDING INDIAN PERSPECTIVES Thesis for Two year Master, 30 ECTS Textile Management Monica Boța-Moisin Raphael Schreiber Thesis Number: 2021.7.01 Title: Rebranding “Made in India” through Cultural Sustainability - Exploring and Expanding Indian Perspectives Year of publication: 2021 Authors: Monica Boța-Moisin and Raphael Schreiber Supervisor: Hanna Wittrock Abstract This exploratory study is a first attempt to translate the Indian cultural context from a socio- cultural, and legal perspective by identifying the values attributed to Indian textile craftsmanship by Indian textile and fashion stakeholders, and how their perspective is influenced by the global recognition and perception of Indian textile crafts and connotation of “Made in India”. At the same time the study investigates the meaning of “sustainability” in the Indian cultural context, in relation to textile craftsmanship, and how this relates to the Western concept of “sustainability”. Through field research in conjunction with a series of in- depth unstructured interviews, this study reveals that Cultural Sustainability is the dominating narrative in the Indian cultural context due to the prevalence of culturally embedded sustainability practices and the role of textile craftsmanship in sustaining livelihood, being a unique exercise of positioning Indian textile craftsmanship within a framework of cultural heritage as a valuable source of knowledge for sustainable practices in the fashion and textile industry. Unique about this study are the India-centric approach combined with the ethnicity of the subjects interviewed - who are, without exception, Indian nationals, whose work, voice and reputation are shaping India's contemporary textile craft-sustainability narrative (being referred to as the “Indian textiles and fashion elite”) and the framing of traditional craftsmanship from a legal perspective, introducing the notion of legal protection of traditional textile knowledge and traditional cultural expressions.
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Fashion Potential in Traditional Indian Clothing: Legacy Received: 16-03-2019 of Queen Accepted: 20-04-2019
International Journal of Home Science 2019; 5(2): 417-419 ISSN: 2395-7476 IJHS 2019; 5(2): 417-419 © 2019 IJHS Fashion potential in traditional Indian clothing: Legacy www.homesciencejournal.com Received: 16-03-2019 of queen Accepted: 20-04-2019 Dr. Kirti Tewari Department of Clothing & Dr. Kirti Tewari and Shruti Tripathi Textiles, Govt. Maharani Laxshami Bai Girls College Abstract Devi Ahliya Vishawvidhlaya, The present study shows that the eminence of Indian fashion design on global fashion scenario. Indian Indore, Madhya Pradesh, India fashion designers are now focusing on the immense potential of traditional Indian fashion trends to infuse modern style element into diversification of Maheshwari fabric and sarees. The objective of the study Shruti Tripathi was – to create a new market segment for weavers, to give new dimension to the traditional textile, and to Department of Clothing & make artisans create a niche in market according to the fashion trends. The hypothesis of the study was – Textiles, Govt. Maharani To give artisans the exposure of global market scenario by creating the fabric according to designers and Laxshami Bai Girls College Devi Ahliya Vishawvidhlaya, keeping alive the royal heritage with new dimensions. For research Methodology the samples had been Indore, Madhya Pradesh, India taken from Maheshwar, Bagh, Bhairavghar, Tarapur. To study the heredity influence the questioner was prepared and filled by artisans. The design orientation program was conducted to make artisans aware of latest fashion trends and global market. At the end feedback was taken from the artisans regarding the orientation program. The study proves that this will be a strong step in the direction of traditional textile of Madhya Pradesh and will give the exposure of global market.
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Influence of Television Commercials on Clothing in India
Influence of television commercials on clothing in India Barbara Mitra In this article I aim to show that there are some major changes in India because of television regarding clothing. Whilst there is cultural fusion of Indian and western style clothing, this fusion is happening in different ways for different groups. Status in clothing (Campbell 49) is also reflecting other divides. The way that people respond to what they see on television commercials may depend on their gender, age, class or whether they live in a rural or urban context. The research is based on a ten year project which began with in-depth ethnography conducted in India. Most of the research was conducted in the North East of India, though some was conducted in Delhi, Bombay and Bangalore. The ethnography included living with Indian families for long periods of time (ranging from six weeks to six months). Other research methods were also used including questionnaires, interviews and focus discussion groups. Television commercials are having an influence in India and this is clearly seen and noted by those living amongst the changes. Clothing is one visual representation of this. For example, Chake from Malthi village noted that fashion had changed in his village, along with people’s attitudes and he believed that this was mainly due to the influence of television commercials. ‘Television commercials have a great influence on rural culture. Earlier people used to live in a different manner but seeing all these programmes and advertisements people have changed their attitudes. People have changed the way they dress, their hairstyles and attitudes.’ One way that these changes are occurring is by mixing Indian and western style of clothing.
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Traditional Clothes of the Country(Joint
Message froM PRESIDENT Dear Rotaractors, Warm Rotaract Greetings from Rotaract Club of Thane North (RID 3142- India) We are glad sharing an editorial space with you and find great pleasure introducing the Traditional attire of our country. As you know India is a diverse country and has 29 states and 7 union territories. Every state has their own diverse language and traditional attire. We even have diversity in religion maximum people following Hinduism and the rest being Islam, Christianity and Sikhism; leave aside the other tribes which have their own traditional attire. Living in such a diversified country it is difficult to write about the entire traditional clothing, but here I will just try giving you a glimpse of the same. For men, traditional clothes are the Achkan/Sherwani, Bandhgala, Lungi, Kurta, Angarkha, Jama and Dhoti or Pajama. Additionally, recently pants and shirts have been accepted as traditional Indian dress by the Government of India. In India, women's clothing varies widely and is closely associated with the local culture, religion and climate. Traditional Indian clothing for women in the north and east are saris worn with choli tops; a long skirt called a lehenga or pavada worn with choli and a dupatta scarf to create an ensemble called a gagra choli; or salwar kameez suits, while many south Indian women traditionally wear sari and children wear pattu langa. Saris made out of silk are considered the most elegant. Mumbai, formerly known as Bombay, is one of India's fashion capitals. In many rural parts of India, traditional clothes is worn.
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Anupama Prasad
Journal of Studies in History& Culture JSHC / Paper / F-W 2016 Clothing and Fashion: Presenting the Indian Female Body in Early 20th Century by Anupama Prasad Abstract Exploring the clothing practices of Indian women in the first half of the twentieth century, this article analyses the sartorial transformation and gradual introduction of fashion in the context of Indian dressing largely through the fashion columns which appeared in the newspapers and magazines. The article maps how the discourse on clothing in India was framed within the language of nationalism but gradually more individualized notions such as taste, individuality, personality came to be associated with clothing. It shows that Indian women experimented with their clothing as much as men by incorporating styles from the west as well as reforming Indian styles to dress themselves. However, the modernity embedded within the new dressing style and life style of the elite and middle class Indian women was affected by themes such as tradition and modesty. Keywords Clothing, Fashion, Sartorial Reform, Dressing JSHC | Issue 2 | Vol. 2 | Fall Winter 2016 Journal of Studies in History& Culture Introduction Most studies on the history of fashion suggest that it hardly existed in earlier times, and this has led to a debate about its origin and development. Gilles Lipovetsky points out that fashion (as we understand it today) emerged in the west in the latter half of the nineteenth century.1 On the other hand, Elizabeth Wilson traces the emergence of fashion to the fourteenth century which marked the proliferation of more elaborate styles of men and women’s clothing.2 In order to trace a longer history of fashion and dress in the colonial India, I focus on crucial tipping points in women’s clothing from about the nineteenth century.
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Submitted on: 30.07.2018 Women librarians in traditional and modern attires in India: Nationwide scenario Sarika Sawant SHPT School of Library Science, SNDT Women’s University, Mumbai, India E-mail address: [email protected] Copyright © 2018 by Sarika Sawant. This work is made available under the terms of the Creative Commons Attribution 4.0 International License: http://creativecommons.org/licenses/by/4.0 Abstract: India is a country located in southern Asia. With a population of over 1.3 billion people, in 29 states and 7 union territories, India is the most populous democracy in the world. Every state has unique traditional clothes that women wear. However there are three prominent types of clothes worn by women in India i.e. Sari, Salwar Kameez and Kurti. Over time, the sense of dressing has evolved and changed. Due to factors like globalisation and westernisation, today’s women take a modern approach when it comes to dress. The paper focused on female librarians’ clothing in India. The survey was conducted by inviting women librarians in every state to give their opinions about today’s clothing styles and their preferences of clothes for daily use and for special occasions such as conferences/ workshops/meetings, etc. The study also explored piercing and tattooing styles and their preferences, and use of jewellery by women library professionals. It was found that Salwar Kameez, Chudidar/Kurta and Saree were most preferred on weekdays, similar outfits were preferred on weekends or Saturdays including Kurti with jeans. Almost all feel comfortable and confident in the outfits they commonly wear.
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Clothing: a Social History India and the Contemporary World Tight Dressesandcorsetscaused Deformitiesandillnessamongyoung Campaigning Fordressreform
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Indian Cloth Store
+91-9925076200 Indian Cloth Store https://www.indiamart.com/indian-cloth-store/ Trader of sarees, bridal lehengas, kurties and kids wears. About Us Indian clothing for women is something that allures almost everyone’s attention. It is one of the most sensuous yet clothing throughout the globe.Traditional Indian saris that is worn by Indian women is considered serene to be one of the most elegant and beautiful dresses in the world. Indian clothing or dresses represents its culture and tradition. Indian clothes will change with different states and cities. Clothing in India is usually bright and colorful especially for women. Indian wedding dresses are famous for their dazzling beauty and embroidery all over the world. One can see a typical Indian bride in an ornamented ‘Ghaghara’ (skirt) worn with a beautiful ‘choli’ and an ‘odhani’ on her wedding day called “Bridal Lehenga Choli”. Urban Indian clothing has changes in the past few decades and has become more contemporary at par with the global fashion. In rural areas, people still wear traditional dresses according to their lifestyle. In every Indian city one can feel the fresh tinge of color in its clothing and yet the core or the essence will always remain same throughout the country. For more information, please visit https://www.indiamart.com/indian-cloth-store/aboutus.html LEHENGA SAREESTUCK AND DRAPE P r o d u c t s & S e r v i c e s Lehenga Saree Lehenga Saree Lehenga Saree Lehenga Saree DESIGNER SALWAR KAMEEZ1 P r o d u c t s & S e r v i c e s Salwar Kameez Salwar Kameez Salwar
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Heritage India Special
Volume No. 8 July - August 2017 Issue No. 4 From the Editor’s desk… “India is, the cradle of the human race, the birthplace of human speech, the mother of history, the grandmother of legend, and the great grandmother of tradition. Our most valuable and most instructive materials in the history of man are treasured up in India only.” These words of the American author Mark Twain so well express the unique and rich cultural heritage and tradition of India. Heritage India’s history dates back probably to the beginning of human civilisation, in the mysterious culture of the Indus River that flourished in 2500 BC. Our history is punctuated by constant integration India of migrating people from diverse cultures. The evidence of iron, copper and other metals which were widely prevalent in the Indian sub-continent at very early period is indeed indicative of the Special progress that this part of the world had made even then. Geographically, India is a vast country so much so that even one of its states is bigger than many countries of Europe. Amidst the diversity, we do have a cultural unity in India in as much as our philosophy of life, our customs, creeds and traditions are basically, more or less, the same. This issue of Scribbles is an attempt to take a look at the glorious heritage of India. Under this theme, we have looked at eight major topics - Architecture, Food, Education, Literature, Indian-ness of India, Clothing, Arts, and Subjects that originated in India. The eight Sanmartini teams were allotted one topic each.
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History of Apparel Design, from Ancient Time to Covid 19 Situations
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What Is the Best Way to Begin Learning About Fashion, Trends, and Fashion Designers?
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Society's View on Women Wearing Western Outfits
International Journal of Advanced Educational Research International Journal of Advanced Educational Research ISSN: 2455-6157; Impact Factor: RJIF 5.12 Received: 13-11-2018; Accepted: 15-12-2018 www.educationjournal.org Volume 4; Issue 1; January 2019; Page No. 35-38 Society’s view on women wearing western outfits Akshayalakshmi VR1, Sruthi VR2, Abinaya G3, M Suresh Kumar4 1 M.Sc Counselling Psychology, Department of Applied Psychology, RGNIYD, Sriperumbudur, Tamil Nadu, India 2 M.A Gender Studies, Department of Gender Studies, RGNIYD, Sriperumbudur, Tamil Nadu, India 3 Development Policy & Practice, Department of Development Policy & Practice, RGNIYD, Sriperumbudur, Tamil Nadu, India 4 Assistance Professor, Department of Psychology, Central University of Tamil Nadu, Thiruvarur, Tamil Nadu, India Abstract Indian is a country that is diverse in many aspects such as social, cultural, religious etc. and our custom also vary from each other. Traditionally the dress for Indian women devoid of caste, creed and culture is sari and salwar. Due to the westernization and modernization the Indian women started to wear western dress (modern dress includes except sari and salwar). The objective of the study is, to identify the mentality of the society towards women wearing western outfits, to identify if women are restricted to wear dresses of their own choices, to identify if women feel comfortable to wear that dresses. For this purpose the researcher collected data from 20people (10 male &10 female) they belong to 20 -30 years of age category from Rajiv Gandhi national institute of youth development Sriperumbudur, an institute for post graduate students.. The researchers used interview method for data collection.
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