Appreciation of Traditional Indian Costumes - Sfda 1101
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11. Contemporary Traditions a Chronicle of Exhibition Practice of the Jamdani by Abeer Gupta.Pdf
Projects / Processes Volume I Series Editor: Senjuti Mukherjee Constructing Traditions: The Jamdani within Exhibition Practice of Handicrafts Abeer Gupta Installation view of “Weftscapes: Jamdani Across New Horizons” at Serendipity Arts Festival 2019. Photograph by Philippe Calia and Sunil Thakkar. Weftscapes Jamdani Across New Horizons Curated by Pramod Kumar KG Venue Adil Shah Palace Installation view of “Weftscapes: Jamdani Across New Horizons” at Serendipity Arts Festival 2019. Photograph by Philippe Calia and Sunil Thakkar. PROJECTS / PROCESSES Curatorial Note Curatorial By Pramod Kumar KG Curatorial Assistant Ankita Chugh Artists Bappaditya Biswas, Rumi Biswas Exhibition Design Vertex Inc. Weftscapes examines a fresh approach to the creation and making of jamdani fabrics, both in its weaving, choice of raw materials, colour, patterns, designs and the end product – a finished garment. Multiple intertwined yet disparate stories coming together in this contemporary initiative. The versatility of the jamdani weaving technique involves the use of a supplementary weft technique. The idea here is to explore the various possibilities of introducing different yarns, materials, and constructions into the weave. The ingenuity of Indian handlooms and the dexterity of its weavers allows for a unique experiment where diverse materials and objects are strung and woven in by hand through the fabric. Bengal’s history is strewn with references to the Indigo trade and its impact on her people. An important aspect of jamdani was the use of the colour indigo which also lent its name to several lengths of fabric with the iconic Nilambari sari becoming popular across the subcontinent. This project has exclusively used the Indigo palette with its non-traditional yarns being dyed in organic Indigo vats; 10 Constructing Traditions namely in a banana vat, dates vat, and the henna vat. -
DIAGNOSTIC STUDY of AARI TARI CLUSTER (ZARDOZI WORK)
DIAGNOSTIC STUDY of AARI TARI CLUSTER ( ZARDOZI WORK) In JAIPUR ACKNOWLEDGEMENT We wish to offer our sincere thanks to all the artisans and show room owners specially M/s Rana Sarees and Mr. Hazi Abdula of National Embroidery Zari works a veteran of this art and other showroom owners and artisans who have given inputs and contributed directly to in terms of providing the information and data for this cluster study. We are also thankful to. office of the Commissioner of Industries for awarding us the diagnostic study, which is going to be very important for future planning for this sector INDEX S.NO. CONTENT • 1 INTRODUCTION OF CLUSTER – 1.1 Cluster at a glance – 1.2 Aim of Cluster – 1.3 Historical Background – 1.4 Cluster Map – 1.5 Main Activities – 1.6 Industry Analysis – 1.7 Main Turning Point – 1.8 Social Structure – 1.9 Geographical Spread – 1.10 Process for Diagnostic Study INDEX S.NO. CONTENT • 2 THE PRESENT INFRASTRUCTURE AND SWOT ANALYSIS – 2.1 Available Infrastructure – 2.2 Marketing & Distribution Channel – 2.3 The Contribution of Cluster in Local Economy – 2.4 The Stake Holders of Cluster – 2.5 SWOT Analysis • 3 THE ACTION PLAN FOR CLUSTER DEVELOPMENT – 3.1 The Main Problems of Cluster – 3.2 Suggestive Elements – 3.3 Available Information Channel – 3.4 Proposed Action Plan INDEX S.NO. CONTENT • 4 PROPOSED WORKING PLAN WITH FLOW CHART – 4.1 Working Plan With Budget – 4.2 Flow Chart – 4.3 Expected Outcome – 4.4 Implementing Agency – 4.4 Executive Summary of Diagnostic Study • 5 PHOTOGRAPHS • 6 REFERENCES • 7 SURVEY FORM 1. -
Trade Marks Journal No: 1625, 27/01/2014 P`Kasana : Baart Sarkar
Trade Marks Journal No: 1625, 27/01/2014 Reg. No. TECH/47-714/MBI/2000 Registered as News Paper p`kaSana : Baart sarkar vyaapar icanh rijasT/I esa.ema.raoD eMTa^p ihla ko pasa paosT Aa^ifsa ko pasa vaDalaa mauMba[- 400037 durBaaYa : 022 24101144 ,24101177 ,24148251 ,24112211. fO@sa : 022 24140808 Published by: The Government of India, Office of The Trade Marks Registry, Baudhik Sampada Bhavan (I.P. Bhavan) Near Antop Hill, Head Post Office, S.M. Road, Mumbai-400037. Tel:022-24140808 1 Trade Marks Journal No: 1625, 27/01/2014 Anauk/maiNaka INDEX AiQakairk saucanaaeM Official Notes vyaapar icanh rijasT/IkrNa kayaa-laya ka AiQakar xao~ Jurisdiction of Offices of the Trade Marks Registry sauiBannata ko baaro maoM rijaYT/ar kao p`arMiBak salaah AaoOr Kaoja ko ilayao inavaodna Preliminary advice by Registrar as to distinctiveness and request for search saMbaw icanh Associated Marks ivaraoQa Opposition ivaiQak p`maaNa p`~ iT.ema.46 pr AnauraoQa Legal Certificate/ Request on Form TM-46 k^apIra[T p`maaNa p`~ Copyright Certificate t%kala kaya- Operation Tatkal saava-jainak saucanaaeM Public Notices svaIkRit ko puva- iva&aipt Aavaodna Applications advertised before acceptance-class-wise: 2 Trade Marks Journal No: 1625 27/01/2014 vaga- / Class –1 11-24 vaga- / Class –2 25-28 vaga- / Class – 3 29-45 vaga- / Class – 4 46-48 vaga- / Class – 5 49-111 vaga- / Class – 6 112-121 vaga- / Class – 7 122-144 vaga- / Class – 8 145-151 vaga- / Class – 9 152-166 vaga- / Class –10 167-178 vaga- / Class – 11 179-183 vaga- / Class – 12 184-193 vaga- / Class – 13 194-195 -
Uniform and Sportswear
Uniform and sportswear from September 2020 Following feedback from students and parents, and to provide a contemporary new design, we have updated some elements of our uniform and sportswear. Changes to the school uniform are relatively minor and involve adjustments to the style of the kilt, jacket, jumper and Sixth Form suit to allow for better fit and design. There are more significant changes to sports kit allowing students to enjoy representing the school with these new styles. From June 2020, the only new items available to buy will be the uniform and sportswear outlined in this booklet. Students joining the school in September 2020 must only wear this new uniform and sportswear. Other students will be able to continue to wear existing uniform until September 2021. After September 2021 all students will be expected to have the updated uniform and sportswear. Buying uniform and sportswear From June 2020, all branded uniform and sportswear will only be available to buy from schoolblazer.com. The current prices are listed on its website. School Blazer will start selling Woldingham School uniform from 26 June 2020. The school uniform shop is now closed and no new uniform can be bought from the school. Secondhand uniform sales will continue from the autumn term 2020 onwards but will only sell current uniform and kit. We will not sell any secondhand uniform through the school that does not conform to the uniform and kit in this booklet. Some unbranded elements of our school uniform can be bought from School Blazer or other retailers. These are clearly marked in this booklet and in the uniform checklist attached. -
Chapter 3 Methodology…
Chapter 3 Methodology… Methodology….. CHAPTER III METHODOLOGY The research being descriptive and analytical in nature, a longitudinal research design was planned to accomplish the framed objectives. The study had been divided into three different phases. The detailed historical research was conducted during the first phase while the second phase included the collection and documentation of the data. Earnest efforts for the preservation and popularization of the traditional royal costumes were made during the third phase of research. The organized research procedure that would be accomplishing the present study is mentioned as follows: 3.1 Selection of topic The present research had started with an inspiring thought of investigator’s master’s dissertation work and experiences. The researcher had seen various researches and documentation of Indian royal costumes especially of princely states of Rajasthan and Gujarat and found that the dearth of information was available on the royal costumes of Kachchh which led researcher towards its investigation. The present research had taken its shape as a researcher came across royal heritage of Kachchh for taking it into the limelight and preserving it in a decent manner for future generation. Moreover, the statement of the problem identified as Documentation of traditional costumes of rulers of Kachchh. The rulers of Kachchh were not as popular as other princely state rulers. The word “royal costume” provides an impression of luxurious fabrics, embellishments, and royalty. There could be the difference in these elements in royal costumes of Kachchh compared to other ruler’s costume. Kachchh’s geographical location has Rajasthan one end and Sindh Pakistan at the other end as neighboring states which could have influenced the costumes. -
Utilization of 'Urni' in Our Daily Life
International Journal of Research p-ISSN: 2348-6848 e-ISSN: 2348-795X Available at https://edupediapublications.org/journals Volume 03 Issue 12 August 2016 Utilization of ‘Urni’ in Our Daily Life Mr. Ashis Kumar Pradhan1, Dr. Subimalendu Bikas Sinha 2 1Research Scholar, Bhagwant University, Ajmer, Rajasthan, India 2 Emeritus Fellow, U.G.C and Ex Principal, Indian college arts & Draftsmanship, kolkata “Urni‟ is manufactured by few weaving Abstract techniques with different types of clothing. It gained ground as most essential and popular „Urni‟ is made by cotton, silk, lilen, motka, dress material. Starting in the middle of the tasar & jute. It is used by men and women. second millennium BC, Indo-European or „Urni‟ is an unstitched and uncut piece of cloth Aryan tribes migrated keen on North- Western used as dress material. Yet it is not uniformly India in a progression of waves resulting in a similar in everywhere it is used. It differs in fusion of cultures. This is the very juncture variety, form, appearance, utility, etc. It bears when latest dynasties were formed follow-on the identity of a country, region and time. the flourishing of clothing style of which the „Urni‟ was made in different types and forms „Urni‟ type was a rarely main piece. „Urni‟ is a for the use of different person according to quantity of fabric used as dress material in position, rank, purpose, time and space. Along ancient India to cover the upper part of the with its purpose as dress material it bears body. It is used to hang from the neck to drape various religious values, royal status, Social over the arms, and can be used to drape the position, etc. -
Jas Textile, Hooghly
We are counted as one of the most reliable manufacturer, exporter and supplier of premium quality designer sarees. These have massive demand in the market due to their optimal quality and attractive designs. - Profile - Incorporated in the year 2011, at Hooghly (West Bengal, India), we, Jas Textile are involved in manufacturing, exporting and supplying the finest quality range of Designer Sarees. The offered range comprises Classical Embroidery Sarees, Dhakai Jamdani Sarees, Cotton Tangail Sarees, Block with Kantha Stitch Dress Material, Block with Reverse Kantha Stitch, Tant Fabric Sarees, Tant Banarasi Sarees, etc. These are designed with high precision in order to meet the set global standards. Furthermore, the fabric we use in the fabrication purpose is procured from only certified and reliable vendors of the market. The offered range is available in variegated colors, styles and patterns. To meet the diverse requirements of customers, we offer our exclusive range of sarees in numerous customized options. We are offering these products to our esteemed clients at the most competitive prices. To fabricate the finest quality range of products, our organization has established a well-organized state-of-the-art infrastructure facility. This is equipped with all the most recent and essential technology to match the global quality parameters. In addition to this, we have segregated our infrastructure into various departments such as manufacturing, quality testing, warehousing and packaging. Handloom Sarees: The exclusive range of Handloom Sarees offered by us is widely appreciated across the globe due to its designer pallu and border. Our teams of creative designers beautifully design these sarees and suits using zari or kasavu (gold thread work). -
Thursday 7Th July 2016
THURSDAY, 7TH JULY, 2016 The Parliament resumed at 9.35 a.m. pursuant to adjournment. HONOURABLE SPEAKER took the Chair and read the Prayer. PRESENT All Honourable Members were present, except the Honourable Ratu N.T. Lalabalavu; and Honourable Roko T.T.S. Draunidalo. MINUTES HON. LEADER OF THE GOVERNMENT IN PARLIAMENT.- Madam Speaker, I move: That the Minutes of the sitting of Parliament held on Wednesday, 6th July, 2016, as previously circulated, be taken as read and be confirmed. HON. A. SUDHAKAR.- Madam Speaker, I second the motion. Question put. Motion agreed to. COMMUNICATIONS FROM THE CHAIR Welcome- Honourable Members I welcome all Honourable Members to another day of Budget debate. Matter of Privilege Honourable Members, at the outset, I would like to inform you that I have a request for written ruling on a Matter of Privilege, and I will consider this and give my ruling on notice. Acknowledgment of Visitors I also warmly welcome students from Sigatoka Methodist College and members of the public who are joining us in the gallery and those watching proceedings on television, the internet and listening to the radio. Thank you for taking time and interest in your Parliament. Special Welcome As some of our Honourable Members are aware, there are twinning arrangements between the State Legislatures of Australia and New Zealand House of Representatives and their Pacific counterparts. The Fijian Parliament is paired with the Parliament of Victoria and it, therefore, gives me great pleasure to welcome the delegation from the Victorian Parliament, who are in the gallery with us this morning. -
Rebranding “Made in India” Through Cultural Sustainability – Exploring and Expanding Indian Perspectives
REBRANDING “MADE IN INDIA” THROUGH CULTURAL SUSTAINABILITY – EXPLORING AND EXPANDING INDIAN PERSPECTIVES Thesis for Two year Master, 30 ECTS Textile Management Monica Boța-Moisin Raphael Schreiber Thesis Number: 2021.7.01 Title: Rebranding “Made in India” through Cultural Sustainability - Exploring and Expanding Indian Perspectives Year of publication: 2021 Authors: Monica Boța-Moisin and Raphael Schreiber Supervisor: Hanna Wittrock Abstract This exploratory study is a first attempt to translate the Indian cultural context from a socio- cultural, and legal perspective by identifying the values attributed to Indian textile craftsmanship by Indian textile and fashion stakeholders, and how their perspective is influenced by the global recognition and perception of Indian textile crafts and connotation of “Made in India”. At the same time the study investigates the meaning of “sustainability” in the Indian cultural context, in relation to textile craftsmanship, and how this relates to the Western concept of “sustainability”. Through field research in conjunction with a series of in- depth unstructured interviews, this study reveals that Cultural Sustainability is the dominating narrative in the Indian cultural context due to the prevalence of culturally embedded sustainability practices and the role of textile craftsmanship in sustaining livelihood, being a unique exercise of positioning Indian textile craftsmanship within a framework of cultural heritage as a valuable source of knowledge for sustainable practices in the fashion and textile industry. Unique about this study are the India-centric approach combined with the ethnicity of the subjects interviewed - who are, without exception, Indian nationals, whose work, voice and reputation are shaping India's contemporary textile craft-sustainability narrative (being referred to as the “Indian textiles and fashion elite”) and the framing of traditional craftsmanship from a legal perspective, introducing the notion of legal protection of traditional textile knowledge and traditional cultural expressions. -
Fashion Potential in Traditional Indian Clothing: Legacy Received: 16-03-2019 of Queen Accepted: 20-04-2019
International Journal of Home Science 2019; 5(2): 417-419 ISSN: 2395-7476 IJHS 2019; 5(2): 417-419 © 2019 IJHS Fashion potential in traditional Indian clothing: Legacy www.homesciencejournal.com Received: 16-03-2019 of queen Accepted: 20-04-2019 Dr. Kirti Tewari Department of Clothing & Dr. Kirti Tewari and Shruti Tripathi Textiles, Govt. Maharani Laxshami Bai Girls College Abstract Devi Ahliya Vishawvidhlaya, The present study shows that the eminence of Indian fashion design on global fashion scenario. Indian Indore, Madhya Pradesh, India fashion designers are now focusing on the immense potential of traditional Indian fashion trends to infuse modern style element into diversification of Maheshwari fabric and sarees. The objective of the study Shruti Tripathi was – to create a new market segment for weavers, to give new dimension to the traditional textile, and to Department of Clothing & make artisans create a niche in market according to the fashion trends. The hypothesis of the study was – Textiles, Govt. Maharani To give artisans the exposure of global market scenario by creating the fabric according to designers and Laxshami Bai Girls College Devi Ahliya Vishawvidhlaya, keeping alive the royal heritage with new dimensions. For research Methodology the samples had been Indore, Madhya Pradesh, India taken from Maheshwar, Bagh, Bhairavghar, Tarapur. To study the heredity influence the questioner was prepared and filled by artisans. The design orientation program was conducted to make artisans aware of latest fashion trends and global market. At the end feedback was taken from the artisans regarding the orientation program. The study proves that this will be a strong step in the direction of traditional textile of Madhya Pradesh and will give the exposure of global market. -
TENT HANGING, Cotton Painted, Printed and Dyed, Mughal. Late 17Th Or Early 18Th Century
TENT HANGING, cotton painted, printed and dyed, Mughal. late 17th or early 18th century. V+A Part of a floorspread, resist- and mordant-dyed cotton, Mughal, late17th-early 18th century. V+A Mughal flowering plant motifs appear in other arts as well... here marble carvings on walls of Taj Mahal, Agra Cotton floorspread embroidered with silk thread. Mughal, early 18th century. V+A Handpainted, printed + dyed palampores, 18th ce, V+A HANDPAINTING + PRINTING ON TEXTILES TYPICALLY DONE IN TWO WAYS: WOODEN BLOCK (below) OR KALAM (above) Block carver in Sanganeer, Rajasthan Blockprinting workshops in Sanganer, Rajasthan RIGHT: The ties at the side have been made into a decorative feature in themselves, with carefully designed floral motifs made to fit the lappets. Man's robe (jama) made of printed, painted and dyed cotton, possibly made in Burhanpur, 18th century LEFT: This robe is said to have belonged to Tipu Sultan of Mysore (d.1799), although there is only anecdotal evidence for this. The late Mughal style of the robe and its decoration do tally with an 18th-century date. 1658 Mughal painting of nobleman wearing Muslin Jama This man's robe is of the type called a jama, which crosses over the chest and fastens at the side. This example is exceptional in the amount of cloth used for its gathered skirt: it has a circumference at the hem of 65 metres of cloth, and the skirt is made up of 277 triangular panels. It was given to the India Museum (which was amalgamated into the South Kensington Museum, later the V&A) by the Maharaja of Bharatpur in Rajasthan in 1855. -
Himachal Pradesh
CENSUS OF INDIA 196] VOLUME XX-PART VI-No. 24 HIMACHAL PRADESH A Village Survey of CHAUNRI (Kasumpti Tehsil, Mahasu District) Field investigation and draft Supervision, guidance and final draft by by Ohandra Kumar Rikhi Ram Sharma Assistant Superintendent of Census Operations. Editor RAM OHANDRA PAL SINGH oj the Indian Administrative Sermce Superintendent qf Oensus Operations, Himachal Pradesh ....«~ «<~ ~ «<.~ "G«~ «("~ «~ <.<~ «~ I~ <.~(- «<.E- I~r ««- I~ «<~ <l:.* «~ I~ 4 <+- «<4- <<.~ «<#r <*- <("~ .- I© «l.:- I «<~ <.«<:-- «(t-. «<~ «~ I <«(;- I© «<.. <<<"" <<<~ <((~ I I <~ C!4I6- <<<"'- «<+- «~ II «<+ II <<<.+:- I ~II «-«- «(~ «~ II II ......... : f : f fJ Illil I~ II tl I~ ~ \i ~ E ~."" , \\~ . , : : ' , ; ; ; : ; . ...J : : : : : ~ : : : c( : ' - : : : : ; Z . ' . : >-0 : : : : : : : '.. : .: o:t= Z~ :::> <t: I U Contents PAGE Foreword 1 Preface v I. The Village .. 1 Introiluction-·,PhysicaZ Aspects-Flora-Fauna-Legend about the Origin oj the Village, History-ResidentiaJ Pattern • .II. The People 5 Oastes-H ouses-Dress-Ornaments-Fooil Habits-Birth Gustoms-Marriage-Death Customs • ..~.~ .. .. ... 17 Workers and Non-workers-Agriculture-Animal Husbanilry-ViUage Graftl. IV. Social and Cultural Life ... ... 25 Fairs and Festivals-Folk Songs-Legends-Education-Public Health and Sanitation Panohayats Go-operative Movements. V. Conclusion ... ... 50 'M/B(N}3CSOHP-2 FOREWORD Apart ftom laying the foundations of demography in this sub continent. a hundred years of the Indian Census has also produced. ela~o rate and scholarly accounts of the variegated phe~om~na of Indian h.fe sometimes with no statistics attached, but usually wIth Just enough statIs tics to give empirical underpinning to their conclusions ..In a country, largely illiterate where statistical or numerical comprehensIOn of even such a simple thing as age was liable to be inaccurate.