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769 International Journal of Progressive Sciences and Technologies (IJPSAT) ISSN: 2509-0119. © 2020 International Journals of Sciences and High Technologies http://ijpsat.ijsht-journals.org Vol. 22 No. 1 August 2020, pp. 215-224

A Review Report on Traditional Wears in

1MD. Israk Hossain*2Monisha Biswas,3Sharmin Khan Akhi,4Maisha Bente Moshiur,5Nusrat Jahan,6Khadiza Afroz Toma

1(Lecturer, Department of Design, KCC Women's College affiliated by Khulna University, Khulna, Bangladesh),2,3(UG Scholar,Fashion Design Department,Bangladesh),4,5,6( B.sc in Fashion Design, khulna university, Bangladesh)

Abstract – The goal of this study is to identify the traditional Bangladesh wears that are mainly used by the people of this country.To know about the traditional wears of Bangladesh the study is running, that what the fabric of traditional wears are, which wears are include in our tradition, the ethnic‘s traditional wears .I have visited so many locations and have survey on this topic. I have also visited the local markets and places to collect the information. I have found the information of our traditional wears and known how they became as tradition, which people make that statement, which kind of people are still carry this, what kind of fabric they are used etc.

Keywords – Tradition wears,,,rajshahi , (key words)

I. INTRODUCTION Bangladesh is a very small country, but in its little parts are gathered with hidden treasure what have surprised the A country or a nation or its people are rapidly changed whole world day by day, which maximum credit goes to our day by day through some effective elements like culture, fabric and sectors like Tant,Muslin, Silketc.which language, tradition, region, environment etc. Tradition is a birthplaces are in Bangladesh.Many years have been passed little bit different. Fashion with traditional wears is most but tradition is still in their position. The wears which are still popular style or trend in fashion industry. In garments carrying the tradition of Bangladesh are called traditional everything is made according to the requirements, desires wears [1]. design and style, thus make it a fashion of individuals. Tradition and cloth both are connected with each other, and B. Relationship and differences between traditional wears here the discussion started with traditional wears. and people: A. Traditional wears Traditional wears are very important for the people of any nation. Traditional wears reveal the culture to the people and I believe there is one central definition of traditional wears makes the people more capable to know the traditional of in use today (and historically) with in our discipline.Human their own country. The main difference between traditional create tradition through year by year after civilization. In wears and people is traditional wears are made for the people other countries, other religion, other environments have much but people are not made for the traditional wears. Because the difference in tradition.

Corresponding Author: MD. Israk Hossain 215 A Review Report on Traditional Textile Wears in Bangladesh people of a country where those dresses which are today is Bangladesh. And important feature of muslin fabric comfortable to them. And in same occasions, they prefer to s is its ability to drape. The material of muslin was first made wear the traditional wear for own satisfaction. in the city of muslin (Iraq), from which its name is derived [2]. II. REVIEW OF TRADITIONAL WEARS OF BANGLADESH:  Jamdani: A. Basic Information: The Jamdani is one of the Prepare Your Choice in clothing can communicate Bangladesh‘s finest muslin responsibility, status, power and the ability to be successful. produced in , people have to choice their dress to keep similarity with their Bangladesh for centuries. The society, environment,physical structure, economic condition Mughal emperors patronized , weather etc. people choice vary from country to country, the historical production of nation to nation ,religion to religion tribe to tribe. Every Jamdani. This has been nation has their own fashion. They love to those dresses spoken of as Bangladesh‘s which is similar to their society. most artistic silk weavers. In addition to external influences, there are also internal Traditionally woven and created on the , influences in how people select the dress such as personality, Jamdani is fabulously rich in motifs and presently is the most characteristics and salient identities. For example, a teacher attractive textile of Bangladesh and worldwide acclaimed [2]. always chooses light color and light design dressesbecausethis types of dress shows his personality.  : Rajshahi Silk is the name given B. Types of fabric of traditional wears: to silk products produced in Every country has their own dress code. They choose their Rajshahi, located in dress to keep similarity with their weather. In which country Bangladesh‘snorth western part. It is summer is the main season people like to wear light fabric. In a renowned name in the clothing which country winter is the main season people avid light domain, especially in sarees. fabric, they wear heavy fabric. There are different types of Rajshahi Silk is delicate and soft fabric which are mainly used for making cloth .In our produced from cocoons of silk country, we have some own fabric like Muslin, Silk, Jamdani, worm and coated with protein, called Khadi etc. which are mainly used to make cloth and in a sericin. Sarees and other products made out of Rajshahi Silk deciding position for making our traditional wears. are popular by user‘s ill the country abroad. There are several varieties of Mulberry, Eri or Endi etc. depends on their  Muslin: weaves and threads.

Muslin is among the most  Khadi: fascinating, ultra-fine light, exotic and glossy texture Khadi or khaddar is fabric in ancient but handmade, hand spun and also praised another part of hand woven fabric. the world when it was export One of the greatest aspects from Dhaka to the Middle of Khadi fabric is its ability East and much of Europe. to keep the wearer cool Only upper days or royal during the summer and the family desired to wear this same time keeping him or exclusive fabric. Muslin is finely woven light cotton fabric in her warn during the winter. without a and had identical The Khadi wearer gets a threads. It is made in a wide range of weights from delicate royal and distinguishhale look due to its fall and style. It range of weights from delicate sheers to course sheeting. symbolized luxury and uniqueness. Romans were great Early Indian muslin was hand woven by uncommonly admirer of Bangla Khadi and used to import vast amount of delicate hands pun yearn. Especially in the region of what fabrics. The Khadi weaves of Comilla during the Mughal

Vol. 22 No. 1 August 2020 ISSN: 2509-0119 216 A Review Report on Traditional Textile Wears in Bangladesh period were renowned as valuable textile wearer with  Banarasi Shari: distinctive Banarasi Shariwhose history  Cotton: dates bake to the Mughal era in the 16th century has its origin in Cotton fabric is extremely Banaras, a northern city of flexible, whether alone or India. In Bangladesh the mixed, it outsells any other migrated Muslim from Banaras fabric combination fabric. The started making BanarasiShari in nature soft fluffy staple fabric, Dhaka since 1950. The Shari are which comes from the cotton made of finely woven silk and are decorated with an intricate plants seedpod and is used to design and because of these engravings are relatively heavy produce many forms of fabric several varieties are available in Banarasi Shari. They include at any price point. Cotton pure Silk (katan), (kora), and . fabric is common all year round because it is easy to  Kota: wear. Quick any form of or Kota Shari is available fabric can be made one of many formsof Shari from cotton . Usually, cotton fibers are collected from made at Kota, Rajasthan, natural source and composites in cottage by handloom. Latter Muhammadabad and Mau in comfortable and fashionable wearers are made traditional by Uttar Pradesh and it‘s nearly hand driver machine. places. Kota Doria is a hand  : loom cotton fabric renowned for its unique weaving style A plant or fiber called Jute used to produceBurlap,Gunny that makes the final fabric translucent and light. Its lightness, or Hessian cloth. It is one of the most flexible fibers of nature airiness and comfort make it the first option for the summer. used in textile raw materials. Jute fiber fabrics are neutral in It is graceful and part of fashion due to its softness and carbon dioxide, and naturally decomposable. It‘s incredibly transparency. Today it is one of the most popular fabrics that an eco-friendly textile. It grows best in temperate and humid comfort lovers are using. climates. India, Bangladesh and China are the main producers of jute. Its soft fabric structure is known to be very  Assar Silk: comfortable and therefore popularity for jute clothes has Tassar is produced from increased significantly over the last decade. larvae of several species of silk worm. Tassar Silk also  Tant (Hand loom): known as ―‖ Tassar Silk is valued for its rich Tant Shari is a traditional Shari texture and natural deep gold and is commonly used by women in color. This is an economical Bengal. It is traditionally made by the silk and move durable than the other silk varieties. The weavers from all over western precisely finished and designer garments produced from Bengal and Bangladesh but typically Tassar Silk are fail/oils and are exported to various countries few places such as Murshidabad, worldwide. Nadia, Hooghly of Western Bengal and Dhaka. Tangail of Bangladesh is famous for Tant Shari weaving.Tant Shari are woven from cotton threads and distinguished by its lightness and s in transparency. The typical Tant Shari is characterized by a thick floral and other artistic motifs border.

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: cuffs.Panjabi is mainly worn with Panjabi. are usually loose kitting and designed for comfort, using soft Wool fabric is the dry, materials such as cotton or silk or satin. Synthetic material welcoming and extremely soft such as and Lycra are also available. Pajamas are fabric. Wool is comfortable and often worn with bore feet and sometimes without underwear. luxurious too. However, wool They are often worn for comfort by individuals in their living fibers come from a variety of quarters [4]. animal coats and it is crimped, elastic and grows in staples very  Dhuti: extremely soft. Wool is a sumptuous and traditional fashion Dhuti is a men‘s lower garment, fabric suitable to create trendy fits. Woolen fabric have a soft traditional in Bangladesh for Buddhist and feel and fuzzy surface, very little shine or sheen. Hinduism. It is a traditional men‘s garment C. Traditional wears of Bangladesh (Male) worn in many occasions. It is a rectangular piece of unstitched cloth, usually around 4.5 Bangladesh people have unique dress preferences. meters (15ft)long, wrapped around the waist Bangladeshi men traditional wear Panjabi on religious and and the legs and knotted at the waist [4]. cultural occasions. Bangladesh men wear as casual wear and shirt-pant or suits on formal occasions. Dhuti and  Fatuas: Fatuas are also involved in traditional wears from long time Fatua is one kind of men‘s wear ago. which is mainly used for everyday  Lungi: wearing. It is also a traditional wear of Bangladesh worn by men. The half The Lungi is most sleeved fatuas are worn in summer commonly seen dress of season. The fabric which is used for Bangladeshi men, although it making fatuais generally Cotton or is not normally worn for Khadi. It feels comfortable in summer formal occasions. In season. Sometimes, the aged people also wear it in outdoor. Bangladesh, Lungi is worn by men, almost universally  Shirt-Pant: indoors and commonly This is not our cultural costume, but outdoor as well. In a from the long time it is connected to our Bangladeshi wedding, elaborately made cotton or culture. This costume comes from silk are often given to the groom as wedding gifts. The diversified culture. After British colonies traditional Bangladeshi lungi is a seamless tubular shape, in established this subcontinent. People contrast to the single sheet worn in other parts of Southeast gradually connected to British culture and Asia and South. Lungi industry in Bangladesh is concentrated costume. Shirt & pant are very commonly in Sirajganj, Kushtia, Pabna and Khulna. Some famous lungi used costume worldwide. In Bangladesh shirt and pant companies in Bangladesh are Pakiza lungi, ATM lungi, and basically wear as a formal costume. It is very comfortable, Allaher Dan Lungi House [3]. secure unisex costume. Now a day‘s people wear shirt & pant as a daily used purpose.  Panjabi with Pajama: D. Traditional wears of Bangladesh (Female): A typical Panjabi is made of rectangular The women also have a different preference of traditional pieces of fabric with maybe a few gusset wears. The main traditional wears which are mostly worn by inserts and is cut in such a way that no excess women in our country are Shari, Salwar-Kameez. The material is left. The cut is typically simple Muslim women prefer to cover their body with Burka, , although it can be elaborate on decorative Nikab. Some women of Bangladesh follow the western treatments. A typical Panjabi‘s sleeves fall culture and their dresses now a day. straight to the wrist, don‘t narrow sleeves are only hand decorated with hemmed

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 Shari: fitting hat, which is typically made of cotton or polyester and a tube like scarf. Shari is Bangladeshi women‘s national wear. Most married women wear Shari as their E. Other costume of Bangladesh: standard dress while young, unmarried girls Bangladesh people have mixed wear Shari as occasional clothing. The Shari cultural influence due to blessing is worn in all of Bangladesh by women. For of modern technology, internet, & the occasion Shari is the most common dress. seta light channels people also While Jamdani is known worldwide easily connected to other culture and most popular to all women who regional and costume. It‘s to be mentioned variations of both Silk and Cotton, the most that since 80s era gradually common in Bangladesh are DhakaiBanarasi, Rajshahi Silk, Bangladesh started to export TangailTant ,Tassar Silk, Katan Shari [3]. garment to other countries. Day by  Salwar-Kameez: day Salwar Kameez is a traditional, Bangladesh explore their business worldwide, now a women wearing combination outfit. day‘s Bangladesh is very famous for RMG sector .In this Salwars are usually wide at reason Bangladeshi people know very well about other the waist but narrowing down to a countries costumes .In this way Bangladeshi people are also cuffed bottom. They are held up by a familiar with different type of costumes especially Coat, drawstring or elastic belt which blazer . T- Shirt, polo shirt, skirt, trouser& Tang etc.Some causes then to become pleated people of Bangladesh love to wear this type costumes around the waist. The Kameez is a because it is available in our fashion. long shirt or tunic. The sides seams F. The Occasional Wears: are raised up under the waist line, allowing the wearer greater freedom Bangladesh‘s civilization is one hundred years old. Once of movement. The Kameez is usually cut straight and flat, upon a time Bangla as the Indian subcontinent‘s richest older Kameez use traditional cuts [3]. region, that time a lot of countries people came to Bangla and some people stayed permanently in Bangla and married  /Orna: Bangle man. That time Bangle people influenced by different Orna is a common part of the salwar types of cultural day by day they absorb that culture after that, kameez .Without orna salwar kameez is an British starts to arrive in the incomplete costume for Bengali. Basically, subcontinent nearly seventy 1947 East India Company left orna hanging with shoulder and neck cover the subcontinent but many European reaming in Bangladesh/ Kameez upper part. subcontinent. Costumes reflect country cultures. Owing to the influence of mixed culture Bangladeshi dress has mixed

flavors. If we adopt our festivals of history, tradition, faith

and sociality we can see how culturally connected to our  Burka, Hijab,Niqab, Al- Amira: costumes. The Burka is the most concealing of all G. Religious Festival: Islamic . It is a one piece veilsthose corers the face and body, often leaving just a  Eid- ul –Fitar and Eid- ulAzha: screen to see through. The word Hijab It is a most common usually describes the act of coveringup but is religion festival for Muslims. also used to describe what is typically worn As per religion rules all in the west, but it covers the head and neck Muslims wear new dresses, leaving the face visible. The Niqab is a face cover that leaves most of the women‘s in the field open to the eyes. It can must be worn with a separate Bangladesh like to wear Shari eye cover. This is worn with head scarf. and men wear new Panjabi The Al-Amira is two-pronged shield. It consists of a tight and Pajama [5].

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 Durga Puja:  ShahidDibos: It‘s basically a festival of Hindu ShahidDibos means Inter religion; in this festival hindu National Mother Language Day women often wear Shari and men which held on 21 February. In this wear Dhuti and Panjabi [5]. day the Bangladeshi People wear black-white dress to tribute to the

martyr of 1952.

 Christmas Day:  BijoyDibos: Christmas is an annual commemorating the birth of Jesus BijoyDibos or Christ, which was celebrated as a Victory Day is a religious and cultural celebration national holiday in by billions of people around the Bangladesh celebrated world on December 25 [6]. on December 16 to commemorate the  Buddha Purnima: victory of the ailed Buddha‘s birthday is a holiday traditionally celebrates to forces over the Pakistani Forces in the Bangladeshi commemorate the birth of Prince Siddhartha Gautama, later Liberation War in 1971. The people of Bangladesh celebrate the Gautama Buddha and founder of Buddhism. this day wearing dresses which are made with green and red color. Traditional Festival: Marriage Festival:  PahelaBaishakh:  Muslim Marriage: New Year in Bangladesh named Pahela Baishakh. Marriage, in Islam, is a civil Hindu, Buddhist, Christians, arrangement between a man and a all people from different woman. Both the groom and the religion of Bangladesh bride are to consent to the marriage celebrate Pahela Baishakh. of their own free wills [6]. It is a popular Bangladeshi festival. Most of the women  Hindu Marriage: and girls like to wear Shari. Pahela Baishakh Shari has special color and motif, white and Hindu marriage joins two people red combination Shari very preferable for this festival. for life, to encourage them to pursue Symbolic traditional motif is used in Shari like fish, pakha dharma (duty), artha (possessions) and (hand fan), kula, daki ,kolsi, flower, tree, etc. Pahela karma (physical desire). It is the union Baishakh is mainly represent our Bengali tradition [5]. of two individuals as spouses and recognized by law [6].

 PahelaFalgun:  Christian Marriage: 1stday of spring called Pahela Christian marriage is the union of a Falgun. Bengali people celebrates this man and a woman, created and ordained day very colorfully. It is a traditional by God as the lifelong partnership festival of Bangladesh. Women and between ne man as a husband and one girls are basically like to wear Shari. woman as a wife [6]. PahelaFalgunshari has special color basonti (yellowish) Shariwith red and decorative Selvage [5].

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 Buddhist Marriage:  Ethnic Fashion: The Buddhist view of marriage It is fashion that embraces and represents a culture and considers marriage a secular affair and allows one to celebrate her heritage and origin. Ethnic means as such, it is not considered a sacrament something shares a group‘s distinctive cultural features in [6]. society. It relates to a community that shares an ethnic, cultural, social, linguistic or social heritage, regardless of

whether the wearer is still living in her home country. H. Ethnic or Ethnicity: Ethnicity is a social status traditional society. The dress to The word ―ethnic‖ and ―ethnicity‖ come from the Greek reflect ethnicity, explore celebration and expressing the word ethnos, meaning ―people.‖ Many anthropologists prefer culture roots. to use the inclusive term ―ethnic group‖ instead of ‗tribe,‖  Ethnic Dress: Ethnicity is considered to be shared characteristics such as culture, language, religion, and traditions, which contribute The readily identifiable aspect of ethnic dress arises from to a person or group‘s identity. a garment characteristic (such as its silhouette), a garment part (such as a collar or sleeve), accessories, or a textile Ethnicity is focused on a common conception of an ethnic pattern, any of which stems from the group‘s culture heritage. group or community‘s (religional and national) history and Most people think ethnic apparel isn‘t changing. In point of territorial roots, as well as specific characteristics of culture fact, however, change in dress does occur, because as human such as language and religion. Respondents‘comprehension beings come into contact with other human beings, they or opinions on ethnicity, knowledge of their family history, borrow, exchange, and modify many cultural items, including the number of generations they have spent in a region, and items of dress. In addition, human beings create and conceive the length of time after immigration are all potential factors of new ways of making or decorating garments or that influence ethnicity reporting in a census. Ethnicity is accessories, and modifying their bodies. Even through multidimensional and is more a method than a static changes occur and are apparent when garments and definition, so it should be viewed with mobile boundaries for ensembles are viewed over time, many aspects of ethnic dress ethnic classification. do remain stable, allowingthem to be identifiable. In many Ethnicity can be measured using a variety of concepts, parts of the world, ethnic clothing is not worn on a daily basis; including ethnic ancestry or origin, ethnic identity, cultural rather objects are brought out for particular occasions, origins, nationality, race, color, minority status, tribe, particularly during a holiday or ritual event, when an ethnic language, religion or various combinations of these concepts. identity display is a priority and a source of pride. When worn  Location of Ethnic people in Bangladesh: only in this way, ethnic dress may easily be viewed as ethnic costume, since it is not an aspect of everyday identity. The indigenous people of Bangladesh are called Advice (meaning ―first settler‘). According to the 1991 census, they I. Traditional wears of Ethnic people: totaled some 1.3 million people (slightly over 1% of the  The Chakma: population of at that time). However, this census has been The Chakma is the largest ethnic criticized by indigenous leaders for deliberately under group in Bangladesh. They are representing indigenous peoples. The 2001 census gave no concentrated in the central and northern ethnically disaggregated data and actual figures are thought parts of the Chittagong Hill Tracts when to be much higher, and may indeed be as high as three million they live amides several other ethnic out of a now estimated population of 160 million (i.e. just group. under 2%). The census to be held in 2011 will provide data on 27 indigenous groups (called ―ethnic minority group‖ by Women’s wear: Pinons, the government). However, there are approximately 45 Khadi/Hadi. different indigenous groups in Bangladesh. The largest Men’s wear:Khabang, Dhuti [7]. concentration is found in the southeast, in the Chittagong Hill Tracts (CHT), home of 11 different groups with total population of 500,000 (1991 census).

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 The Marmas: Men’s wear:Lengti. Marmas are the second largest ethnic  The Khumi: group in Bangladesh. Historically it is The Khumi believe that their believed that the Arakanse emperor has ancestors lived in the area where invaded in the south-eastern region of the rivers originated. The Khumi is a current Bangladesh [8]. small tribe of Chittagong Hill Tracts. Women’s wear: Rangkai, Thami, Women’s wear:Wanglai. Bedaiungi Men’s wear:Lengti, Trbans. Men’s wear:Deyah, Khyok, Gobang.  The Khyang:  The Tripuras: The Khyang is one Bangladesh‘s The Tripuras are one of the indigenous people living in indigenous groups. They have strong both in the plains and the Chittagong Hill Tracts in desire to live in the hilly region and the Bangladesh [8]. word ―Khyang‖ means desire. Women’s wear:Rikuku, Rignai, Risa. Women’s wear: Embroidered Blouse and Men’s wear:Khabai, Dhuti, Rimati. lungi, white shirt. Men’s wear:Khe, Langkanth, Bong.  The Tangchangya:  The Lushai: The Tanchangya is a small ethnic community living in the Chittagong The word ―Lushai‖ has come from Hill Tracts. Now days, Tanehangya the word ―lusei‖ means long head. The people live in Rangamati, Bandarban, Lushai used to keep their hair long and Roisyabili and Taknaf areas of put up their hair in a bun on their Bangladesh [8]. forehead as a result their head look long. Women’s wear:Fadhua, Khari, Women’s wear:Korehei, Puyandum. Shaloom. Men’s wear: Chador, PuyanRoupui. Men’s wear: Long-sleeve shirt, Pinon.  The Bawm:  The Rakhain: The Bawms are a tiny ethnic In Bangladesh, thirty five community living in the CHT. ethnic groups stay, comprising two percent of the total Women’s wear:KarchaiNufen. population. Most of them live on Men’s wear: Laikor and rentak. tracts in Chittagong Hill because their topographical condition is

favorable for their livelihood.

 The Murong: The Mro people are considered the Women’s wear: Embroidered lungi‘s and Blouses. original inhabitants if the Chittagong Men’s wear:Fatua, . Hill where they migrated from Arakanof Burma from the 14th-15th century [8]. Women’s wear:Wanglai, Lungi.

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 The Garos:  The Mardi: The Garos are an indigenous Tibeto – They live in different areas of Burman ethnic group from the Bangladesh and in the adjacent parts subeantinent, notably found in the of India. Mandis are said to have an neighboring areas of Bangladesh [8]. ancestral relationship with China. Women’s wear: Shari,Blouse, Gena

Men’s wear: Lungi, Shirts. Women’s wear: Share, Dhuti.

Men’s wear: Jana, Nengti.  The Khasia:

Khasia people used to live along the J. Influence of Ethnic Fashion in Bangladesh Fashion: northeast border of Suramganj district. At present they are spread over Ethnic influences on today‘s fashion. One might think that BishwamvarpurTahirpur and Chhatak in fashion is just about clothes, shoes and accessories but where Sunamganj. the inspiration to create them does come from. Knee-high boots, bangles, chandelier earnings did not all just pop up in Women’s wear:Nimakti, Jamapo, Bangladesh. These fashion items came from all over the Chusut. world through designers who were influenced by the different Men’s wear:Marung, Lungi. ethnic fashion, the aim of this project is to open the eyes of many Bangladeshi roots that many designers rely on to create

todays different styles. The review will concentrate on the  The Santals: key factors discovered while studying the subject. While The Santals are known as one of the researching, British &Indian influence seemed to dominate. oldest and largest indigenous Much of the racial influence was discovered on fashion seen communities in the northwestern belt of today in Bangladesh came from British &Indian sub- Bangladesh. They have been living in the continent. America derives the Shari, Chandelier earrings, pristine natural surroundings of the area of Nehru jacket and many others from Indian culture. The thousand years [8]. powers of India started in 1947, and have been here ever since. Though British influence is the main thing for fashion Women’s wear:Panchi, Padhan. industry now, Indian influence is still very high. People still Men’s wear:Dhuti, Nengti. wear Chandelier earrings and silk clothes. People want to get tattoos from India, too. The rest of the ethnic influences are not as common today as they once were, but are still in the  The Manipuri: loop of being very influential on fashion in Bangladesh. The Manipuris are of the major  The Results of this experiment to focus on our ethnic communities of traditional & cultural costume. Bangladesh. They migrated to Bangladesh during the reign of  This experiment increases our cultural value, RajarshiBhagyachandra and traditions, and roots of this culture. process was accelerated by the Manipuri Burma war [8].  World is changing day by day, but culture and tradition never changed have to keep it always with our soul. We don‘t want to lose it.

Women’s wear:Innaphi, Phanek, .  This experiment can be an authentic documentation Men’s wear: Lungi Dhuti,Koyat. about cultural costume of Bangladesh which will help our present generation, and also future generation.

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III. CONCLUSIONS & RECOMMENDATION Http://Www.Bangla2000.Com/Bangladesh/Art-&- Culture.Shtm [Nov 21, 2016] A. Conclusions [3] Clothing. 2015, " Hyperlink Due to upgrading technology systems everything‘s are "Http://Www.Virtualbangladesh.Com/Culture/P changing in the world.Day by day all things will be upgraded. eople-Of- Bangladesh/Clothing" For this reason cultural, traditions, & costumes, fashion will Http://Www.Virtualbangladesh.Com/Culture/ chance continuously. This research will help to knows about People-Of- Bangladesh/Clothing " [Dec 24, our root of culture and costume. Changing is common rules 2016] of the world we cannot stop it, sometimes development is a. Costumes Of Bengal For Men And Women. Gosain, good for culture. We cannot forget about our roots. Parveen. S.L. : Traditional Clothing India, Hyperlink According to the research here, focus about our cultural "Http://Traditionalclothingindia.Blogspot.Com/2013/0 costume heritage which is our main identity of the nation. 3/Costu Mes-Of-Bengal-For-Men-And-Women.Html" Now a day‘s of mixed culture influence young generation Http://Traditionalclothingindia.Blogspot.Com/2013/03/C diverted from their cultural and traditional aspect. It is ostumes-Of-Bengal-For-Men-And-Women.Html harmful in our nation. This research influences our young March 13, 2013 [Dec25, 2016] generation and upcoming generation. [4] Culture and Customs of Bangladesh. Kabir, Hannan, Http://Aboutbangladesh71.Blogspot.Com/2013/04/Cul B. Recommendation ture- And-Customs-Of-Bangladesh.Html [Nov 21, Day by day, the world is changing. Technology updates 2016] and updates our lifestyle a due to blessing of technology; we [5] The Issue Of Divorce Among Christians In Kumasi easily adopt another culture and costume. This research And The Church’s Response: A Study of Some represents what our original root is, what is cultural costume, Selected Churches in the Kumasi Metropolis. Odoi, what our own traditional costume is or what else we got from Agnes. S.L. Researchgate, 2015, another culture and represent our cultural costume heritage to Https://Www.Researchgate.Net/Publication/327665864_ other countries. This research will help the coming generation The_I Ssue_Of_Divorce_Among to know about their own costume. It will increase our awareness of cultural costume heritage and will help fashion [6] _Christians_In_Kumasi_And_The_Church's_Response_ designer as design inspiration for own country. A_Study_Of_Some_Selec Ted_Churches_In_The_Kumasi_Metropolis Acknowledgment [7] An Investigation on Ethnic Fashion of Bangladesh. First of all, my profound thanks to al-powerful Allah who Rahman, Mohammad Faizur. I D#092-32-119, has enabled me to overcome successfully all shortcomings to Https://Www.Scribd.Com/Document/378191745/R complete this report in due time. After that, I would like to ahman-M- 2014-An-Investigation-Ethni C-Of- thank my parents, the students of my working place kcc Bangladesh women‘s college, Khulna & my entire departmental [8] Http://Www.Banglapedia.Indigenouspeople.Com colleague to do this work with great co-operation. Finally, my [May 30, 2013] unconditionally thanks for the knowledge of those persons, I has share to preparing this report with my own pleasure & mentally satisfaction during this working moment.

REFERENCES [1] Bangladesh Culture, Tradition, Art, Famous People, Architecture. S.L. : Bangladesh.Com, Hyperlink "Http://Www.Sundarisarees.Com/Cart/History- Tradition.Htm" Http://Www.Sundarisarees.Com/Cart/History- Tradition.Htm [Nov 21, 2016] [2] Art & Culture. S.L. : Bangla2000, Hyperlink "Http://Www.Bangla2000.Com/Bangladesh/Art-&- Culture.Shtm"

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