Sam Simon Dies at Age 59

Total Page:16

File Type:pdf, Size:1020Kb

Sam Simon Dies at Age 59 Space soprano plans first37 duet from ISS WEDNESDAY, MARCH 11, 2015 In this Saturday, March 7, 2015, file photo, Hindu women stand drenched in colored water as they participate in ‘Huranga,’ during celebrations marking Holi, the Hindu festival of colors, at the Baldev Temple in Dauji, 180 kilometers (113 miles) south of New Delhi, India. During Huranga women playfully hit men with cloth whips as men drench them with buckets of colored water. — AP ‘The Simpsons’ co-creator Sam Simon dies at age 59 am Simon, a co-creator of Fox’s long-running hit animat- Doctors first gave Simon three to six months to live when ed series “The Simpsons” and an ardent philanthropist he was diagnosed with incurable colon cancer in 2012. Simon, Sfor animals, died after a battle with colon cancer, his who had founded the Sam Simon Foundation in 2002, decid- agent said on Monday. He was 59. Simon won nine Emmy ed to give away his fortune, estimated by media at $100 mil- awards for his work as a writer and executive producer of “The lion. “I have a desire to help animals,” Simon told Reuters last Simpsons,” the situation comedy that premiered in 1989 and August. “The question of whether it makes financial sense, it’s won over a global audience with its portrait of a bumbling my money and I get to do what I want with it. It’s an expensive father and his wayward family. hobby I picked up at the end of my life.” Growing up in Beverly Hills, California, Simon embraced art and was selling cartoons to San Francisco newspapers while still a student at Stanford University. In 1988, Simon joined cartoonist Groening and producer James L. Brooks in creating “The Simpsons” prime-time series. He oversaw the writing staff and helped develop the characters populating the dys- functional world around the oafish but endearing Homer Simpson: his dutiful wife, Marge, and their children, bratty Bart, overachieving Lisa and baby Maggie. “Sam helped estab- lish the tone and world of the Simpsons in the early years of this landmark series, and his contributions live on,” Fox Television group said in a statement. The show was a smart social satire built around crass char- acters and it became the longest-running sitcom on American television. After four seasons of “The Simpsons,” Simon negoti- ated a deal to leave the show while retaining a percentage of its future earnings, which would bring him between $20 mil- This Aug 12, 2013 file “The Simpsons” co-creator Matt Groening, who worked lion and $30 million a year. He is still listed as executive pro- photo shows Sam Simon, with Simon to develop the show for Fox’s broadcast channel, ducer in the show’s credits. — Reuters co-creator of ‘The said in a statement, “We will miss Sam’s phenomenal talents, Simpsons,’ at his home in sharp intelligence, and sly sense of humor.” Executive produc- Pacific Palisades, Calif. er and showrunner Al Jean added, “I personally owe him more In this undated publicity photo released by Fox, characters from the animated series, ‘The than can be repaid, but I will do my best to help every animal I Simpsons,’ from left, Maggie, Marge, Lisa, Homer and Bart, are shown. — AP photos can in his memory.” Afghan artist in hiding after sexual harassment protest young Afghan artist who walked through the streets of Kabul wearing a suit of armor featuring large breasts Aand buttocks in protest against sexual harassment has gone into hiding after receiving death threats. Kubra Khademi, 27, had walked around in the costume in central Kabul on February 26 hoping to cast a spotlight on groping and inappropriate touching of women in public spaces in Afghanistan. The suit was fashioned at a cost of 500 Afghanis ($10) by a local blacksmith, said Khademi. She then decided to take it out for a run. After removing her coat in the street, the young artist, who was wearing a hijab, said she found herself harassed from all sides and was forced to flee after jeers and stones were hurled her way. “It did go according to what I was expecting. The crowd was coming at me and sort of pushing me,” she told AFP on International Women’s Day, adding she had to escape the area in a taxi. Khademi said a painful event from her early childhood had evoked her bold protest. “This piece is about what happened to me when I was four or five years old. Somebody touched me and then he just walked away. I was just a female for him. He didn’t care how old I was,” she said. “I was feeling guilty. Afghan artist Kubra Khademi, 27, speaks about a piece of artwork she made as a protest against sexual harassment during an interview with AFP in Kabul. — AFP photos Why did it happen to me? It was my fault. And I said: ‘I wish my underwear were made of iron’.” threats over email and had been forced to leave her home. A were being oppressed by the garment. their shoes, come out on the streets with burqas on,” said Now in hiding in the suburbs of Kabul, Khademi lamented: few days after Khademi’s performance, some male activist car- “We wanted to tell officials that miseries of Afghan women Basir, a 29-year-old activist who goes by one name. “And we “These things happen daily, every moment, every hour in my ried out their own unique form of protest, donning the all- cannot be felt by marking Women’s Day in big halls with emp- also wanted to really experience as a human being how a city.” She added she had received both insults and death encompassing burqa to show solidarity with women they said ty speeches. In order to feel them you have to put yourself in woman feels under a burqa.”— AFP.
Recommended publications
  • Memetic Proliferation and Fan Participation in the Simpsons
    THE UNIVERSITY OF HULL Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons being a Thesis submitted for the Degree of PhD Film Studies in the University of Hull by Jemma Diane Gilboy, BFA, BA (Hons) (University of Regina), MScRes (University of Edinburgh) April 2016 Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons by Jemma D. Gilboy University of Hull 201108684 Abstract (Thesis Summary) The objective of this thesis is to establish meme theory as an analytical paradigm within the fields of screen and fan studies. Meme theory is an emerging framework founded upon the broad concept of a “meme”, a unit of culture that, if successful, proliferates among a given group of people. Created as a cultural analogue to genetics, memetics has developed into a cultural theory and, as the concept of memes is increasingly applied to online behaviours and activities, its relevance to the area of media studies materialises. The landscapes of media production and spectatorship are in constant fluctuation in response to rapid technological progress. The internet provides global citizens with unprecedented access to media texts (and their producers), information, and other individuals and collectives who share similar knowledge and interests. The unprecedented speed with (and extent to) which information and media content spread among individuals and communities warrants the consideration of a modern analytical paradigm that can accommodate and keep up with developments. Meme theory fills this gap as it is compatible with existing frameworks and offers researchers a new perspective on the factors driving the popularity and spread (or lack of popular engagement with) a given media text and its audience.
    [Show full text]
  • Bonny Haseng
    M2100 Westmoreland Street. ,Falls Church, V,irginia2O43: .: 703/532-22I 7 January 2000 Number I Schedule of January Coming In February.... Shabbat Services Shabbat Shemot December 31/January 1 Exodus 1:1-6:1 Shabbat Evening Service 0 6:30 pm Shabbat Vaera - January 7/8 Exodus 6:2-9:35 Family Shabbat with SATURDAY Guest Storyteller 4th Grade sings FEBRUARI 7:30 pm Shabbat Parallel Morning Minyan 5TH 10:15 am TWO ENIQUE Morning Service - 10:30 am Bat Mitzvah of Alida Frey EVENTS WITH Shabbat Bo - January 14/15 Exodus 10:1-13:16 JEWISH ARTIST Federation Shabbat Service 8:15 pm Morning Service - 10:30 am Bat Mitzvah of Robbie Rogart BONNY HASENG Shabbat Shira January 21-22 10:15 AM 8 PM Exodus 13:17-17:16 Shabbal MornIng/lunch & Learn llaulalah Program Tot Shabbat - 6:30 pm The Eyes of Leah: A Kabbalistic Journey to Wasting Time With Harry Davidowitz: Shabbat Evening Service-8:15 pm Funded by the Loeb Cultural Fund Morning Service - 10:30 am the Inner Beauty of Torah Bnot Mitzvah of Share Shabbat with Donny at the Take the musical journey of a Alissa Kur & Caroline Berson Parallel Morning Minyan and lifetime through the eyes of this Shabbat Yitro learn about Kabbalah. Discover awesome performer, in his one- January 28-29 the inner meaning of Torah man show for congregants and Exodus 18:1-20:23 passages. Experience the gift of guests ages 13 and over. We will be Brotherhood Shabbat Service - our mystical teachings through whisked away on a roller coaster 8:15 pm music, stories and Torah com- ride through a musical journey of a Morning Service - 10:30 am Bar Mitzvah of Daniel Direnfeld mentary.
    [Show full text]
  • The Id, the Ego and the Superego of the Simpsons
    Hugvísindasvið The Id, the Ego and the Superego of The Simpsons B.A. Essay Stefán Birgir Stefánsson January 2013 University of Iceland School of Humanities Department of English The Id, the Ego and the Superego of The Simpsons B.A. Essay Stefán Birgir Stefánsson Kt.: 090285-2119 Supervisor: Anna Heiða Pálsdóttir January 2013 Abstract The purpose of this essay is to explore three main characters from the popular television series The Simpsons in regards to Sigmund Freud‟s theories in psychoanalytical analysis. This exploration is done because of great interest by the author and the lack of psychoanalytical analysis found connected to The Simpsons television show. The main aim is to show that these three characters, Homer Simpson, Marge Simpson and Ned Flanders, represent Freud‟s three parts of the psyche, the id, the ego and the superego, respectively. Other Freudian terms and ideas are also discussed. Those include: the reality principle, the pleasure principle, anxiety, repression and aggression. For this analysis English translations of Sigmund Freud‟s original texts and other written sources, including psychology textbooks, and a selection of The Simpsons episodes, are used. The character study is split into three chapters, one for each character. The first chapter, which is about Homer Simpson and his controlling id, his oral character, the Oedipus complex and his relationship with his parents, is the longest due to the subchapter on the relationship between him and Marge, the id and the ego. The second chapter is on Marge Simpson, her phobia, anxiety, aggression and repression. In the third and last chapter, Ned Flanders and his superego is studied, mainly through the religious aspect of the character.
    [Show full text]
  • Los Simpson Versus Trump
    LOS SIMPSON VERSUS TRUMP Graciela Martínez-Zalce Sánchez* Para GAH, quien no conocía a los Simpson y cree conocer a Trump And that is how I became a Democrat HOMERO J. SIMPSON El corto titulado “Donald Trump’s first 100 days in office”,1 publicado el 26 de abril de 2017 como parte de la temporada 28 de Los Simpson en el canal Animation Fox en Youtube, cierra con un negro sarcasmo.2 En una serie, en la que por casi tres décadas se han utilizado los matices y las sutilezas indis- pensables para que los episodios, escritos con gran inteligencia por presti- giosos grupos de guionistas irreverentes,3 tengan como característica sobresaliente tres figuras retóricas, la parodia, la ironía y, sobre todo, la sátira, * Directora e investigadora del Centro de Investigaciones sobre América del Norte de la Universidad Nacional Autónoma de México, <[email protected]>. 1 En este artículo utilizaré los títulos de los capítulos y los nombres que se le han dado a los per- sonajes en español en el doblaje para México (donde la serie comenzó a transmitirse en el canal 13 de Imevisión en marzo de 1991, los martes a las 20:30 horas), pero, en su mayoría, las citas textuales de los diálogos se harán en el original en inglés debido a que el doblaje tropicaliza las alusiones y, por tratarse aquí de los partidos y los políticos estadunidenses, es importante que se conserven. En el caso específico de este corto, puesto que no fue exhibido fuera de Estados Unidos y Canadá, y como la wiki en español aún está consignando la temporada 27, el título del mismo se anota en inglés.
    [Show full text]
  • Isa Does It the Vegan Cooking Queen Reigns Again
    Living passionate Com CThe Mag of MFA. LWinter 2013 ISA DOES IT THE VEGAN COOKING QUEEN REIGNS AGAIN FOIE GRAS FOES MFA’S UNDERCOVER AGENT EXPOSES THE DELICACY’S DARK SIDE WICKED WALMART + JANE INSIDE LOOK AT THE MEGA RETAILER’S PORK SUPPLIERS VELEZ-MITCHELL MEDIA MAVEN ON A MISSION SIMON SAYS TO PROTECT ANIMALS HOLLYWOOD HEAVYWEIGHT TALKS AG-GAG, VEGANISM, AND THE FUTURE producers have shown time and time again, the answer is “a lot.” From sick animals suffering from NEWS bloody open wounds and infections, to workers WATCH viciously beating animals—every time we point our cameras at a factory farm or slaughterhouse, we find appalling abuses. Compassionate Living For over a decade, the work of MFA’s brave VEGANISM: investigators has led to landmark corporate THE FOUNTAIN OF YOUTH animal welfare policy reforms, new and improved Randyproducers Spronk have is theshown president time and of time the again, the And while Americans shouldn’t hold their ContributorsCL 1 4 Dear Friends, laws to protect farmed animals and the Veganism Nationalanswer isPork “a lot.”Producers From sick Council—a animals suffering front frombreath for people like Mr. Spronk to make environment, felony convictions of animal abusers, Vandhana BalaNEWSWATCH bloody open wounds and infections, to workers Hollywood celebrities, from Portia de Rossi to GOES group for factoryIt’s been farmers said that acrosssocial justice the movementscountry. change,increased they consumer should protectionexpect more and food from safety Amy Bradley VIRAL viciously beating animals—every time we point Alicia Silverstone, credit their plant-based diets Mr. Spronk spendsgo through most four distinctof his stagestime pimpingbefore gaining corporationsinitiatives, and that the have closure the of particularlypower, and corrupt ethical Eddie Garza our cameraswidespread at a factory acceptance: farm or first slaughterhouse, they ignore you, facilities.
    [Show full text]
  • The Simpsons' Perspective on Poe's “The Raven”
    Abhijit Mehta w1.d3 10/6/2002 The Twisting of the Twisted: The Simpsons’ Perspective on Poe’s “The Raven” The Simpsons is a popular TV series that is often noted for its satirical treatment of famous literary works. In a segment of the 1990 Halloween episode “Treehouse of Horror,” writer Sam Simon delivers a creative, humorous reworking of Edgar Allan Poe’s classic poem “The Raven.” The primary purpose of The Simpsons is to be entertaining, and in this episode, Simon entertains a wide audience by creating humor on multiple levels. On a superficial level, Simon merely uses the plot of “The Raven” as an excuse to make jokes and amusing visual sequences. On a deeper level, however, Simon uses the poem for satirical purposes. Anyone who is familiar with “The Raven” will appreciate the ironic humor that is caused by Simon’s use of Poe’s original text. Simon also implicitly makes fun of poetry analysis, and anyone who has ever had an overzealous English teacher will appreciate this. Finally, Simon uses satire to provide social commentary. Simon twists the work of the master of intellectually twisted tales to make us laugh at our twisted culture. This episode of the Simpsons consists of Bart, Lisa, (and Maggie) telling each other scary stories in their treehouse on a Halloween night. Simon sets the tone for the story at the beginning of the segment: we see Lisa reading a copy of “The Raven,” and Bart suspiciously notes that it is “a school book.” Lisa replies, “Don’t worry, Bart, you won’t learn anything,” and begins reading the poem.
    [Show full text]
  • Die Welt Der Simpsons« (978-3-86883-261-7) 2014 by Riva Verlag, Münchner Verlagsgruppe Gmbh, München Nähere Informationen Unter
    © des Titels »Die Welt der Simpsons« (978-3-86883-261-7) 2014 by riva Verlag, Münchner Verlagsgruppe GmbH, München Nähere Informationen unter: http://www.rivaverlag.de © des Titels »Die Welt der Simpsons« (978-3-86883-261-7) 2014 by riva Verlag, Münchner Verlagsgruppe GmbH, München Nähere Informationen unter: http://www.rivaverlag.de Der ultimative Episoden-Führer Staffel 1 bis 20 © des Titels »Die Welt der Simpsons« (978-3-86883-261-7) 2014 by riva Verlag, Münchner Verlagsgruppe GmbH, München Nähere Informationen unter: http://www.rivaverlag.de © des Titels »Die Welt der Simpsons« (978-3-86883-261-7) 2014 by riva Verlag, Münchner Verlagsgruppe GmbH, München Nähere Informationen unter: http://www.rivaverlag.de AHOY-HOY, SIMPSONS-FANATIKER! Willkommen zu Die Welt der Simpsons , dem ultimativen Episodenführer (Staffel 1 bis 20), dem bis jetzt größten, dicksten und – so man ihn auf euren Kopf fallen ließe – auch tödlichsten Begleitband zur Serie. In diesem tödlichen Klotz von einem Buch findet ihr Insider-Gags, aufdringliche Wortspiele, subtile Anspielungen, uralte Sprüche, prägnante Handlungszusammenfassungen, obskure Derbheiten und subversive Propaganda, die Die Simpsons in den vergangenen mehr als 20 Jahren so beliebt und nervig gemacht haben. Und regt euch gar nicht erst auf, weil diese mächtige Schwarte etwa aus älteren Simpsons -Büchern zusammengebastelt sein könnte. Jede Folge wurde noch einmal gründlich auf neue versteckte Gags abgesucht, und verflixt noch mal, wir haben noch so einige gefunden! Außerdem haben wir jede Menge zusätzliche Witze einbauen können, für die vorher kein Platz war, dazu unzählige neue Zeichnungen, interessante Statistiken und überaus triviale Details. Blättert ruhig ein wenig in diesem Kompendium während der Werbepausen, wenn ihr die 30.
    [Show full text]
  • From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas ( Compiled by John K
    From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas (http://www.lasalle.edu/library/vietnam/FilmIndex/home.htm) compiled by John K. McAskill, La Salle University ([email protected]) S3752 THE SIMPSONS (USA, 12/17/1989- ) [ANIMATED TV SERIES] Credits: director, varies ; writer, varies. Cast: (voices of) Dan Castellaneta, Julie Kavner, Nancy Cartwright, Yeardley Smith, Harry Shearer. Summary: Animated comedy/satire centering on the dysfunctional Simpson family (Homer, Marge, Bart, Lisa and Maggie). Vietnam references center on Principal Skinner and his war experiences. Bart’s friend falls in love [8F22] ( / / ) Bart’s girlfriend [2F04] (11/6/94) Homer’s barbershop quartet [9F21] (9/30/93) I love Lisa [9F13] (3/11/93) Kamp Krusty [8F24] ( / / ) Lisa the beauty queen [9F02] (10/15/92) Lisa’s sax [3G02] (10/19/97) Lisa’s substitute [7F19] (4/25/91) The principal and the pauper [4F23] (9/28/97) Separate vocations [8F15] (2/27/92) Sweet Seymour Skinner’s baadasssss song [1F18] (4/27/94) Team Homer [3F10] (1/6/96) Alexander, Max. “Lots more to ‘Simpsons’ success than ratings” Variety 339 (May 23, 1990), p. S9. Benson, Jim. “‘Simpsons’ exemption nuked” Variety 346 (Feb 24, 1992), p. 86. _________. “‘Simpsons’ surprised syndicated success” Variety 357 (Nov 28, 1994), p. 35+ [2 p.] Buckley, Linda (see under Waters, Harry F.) Corliss, Richard. “‘Simpsons’ forever!” Time 143 (May 2, 1994), p. 77. Davis, Erik. “Toonburbia” Village voice 35 (Feb 27, 1990), p. 51-2. D’hondt, Ivan. “The Simpsons” Plateau 12/2 (1991), p. 9-10. Elm, J. [Simpsons] TV guide 38 (Mar 17-23, 1990), p.
    [Show full text]
  • Functions of Intermediality in the Simpsons
    Functions of Intertextuality and Intermediality in The Simpsons Der Fakultät für Geisteswissenschaften der Universität Duisburg-Essen zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) eingereichte Dissertation von Wanja Matthias Freiherr von der Goltz Datum der Disputation: 05. Juli 2011 Gutachter: Prof. Dr. Josef Raab Prof. Dr. Jens Gurr Table of Contents List of Figures...................................................................................................................... 4 1. Introduction .............................................................................................. 5 1.1 The Simpsons: Postmodern Entertainment across Generations ................ 5 1.2 Research Focus .............................................................................................11 1.3 Choice of Material ..........................................................................................16 1.4 Current State of Research .............................................................................21 2. Text-Text Relations in Television Programs ....................................... 39 2.1 Poststructural Intertextuality: Bakhtin, Kristeva, Barthes, Bloom, Riffaterre .........................................................................................................39 2.2 Forms and Functions of Intertextual References ........................................48 2.3 Intertextuality and Intermediality ..................................................................64 2.4 Television as a
    [Show full text]
  • Emotionomics: Leveraging Emotions for Business Success
    i Praise for Emotionomics “Dan Hill’s book is a revelation. Marketers have clearly overemphasized the power of rational over emotional factors in their ads, packaging, product design, and sales presentations. We all know that emotions count but we lacked the vocabulary and tools for capturing and quantifying emotional appeals and impacts. Read this book so that your next marketing campaign creates high emotional buy-in.” Philip Kotler, S C Johnson Distinguished Professor of International Marketing Kellogg School of Management, Northwestern University “Emotionomics leads the global business mindset into a new paradigm – one that demands and rewards sensory and emotional connections between the 21st-century corporate entity and its consumers. Dan Hill’s expertise guides business in securing the bonds of empathy that will drive commercial growth over the coming years.” Martin Lindstrom, author of BRAND sense and BRANDchild “Dan Hill’s new book is the most penetrating and playful application of the latest research in the psychology of emotions, human interaction, neuroscience and endocrinology to sales and marketing. Read it – you’ll never think about your brand the same again!” Professor Richard Boyatzis, Departments of Organizational Behavior and Psychology Case Western Reserve University, co-author of Primal Leadership and Resonant Leadership “Dan Hill tantalizes us to the very end! He travels along familiar paths to what we are afraid to know and yet knew all along. Emotionomics compels us to rethink all old assumptions. It captures the heart of capitalism! We must blend our aspirations and business imagination with our heartfelt intentions to truly engage those we serve. This is a ‘must read’ for all great leaders and great followers!” Juli Ann Reynolds, President & CEO, Tom Peters Company ii “Emotionomics is a powerful new work that pushes the limits of research into the emotional dynamics that connect brands with people.
    [Show full text]
  • Sam Simon Remembering a Hero
    FREE Living passionate Com CThe Mag of MFA. LSpring 2015 SAM SIMON REMEMBERING A HERO THE FUTURE OF FOOD WILL CULTURED MEAT END FACTORY FARMING? SUPER NOVA JOAQUIN PHOENIX AND HOLLYWOOD’S A-LIST STAND UP FOR PIGS HORROR IN THE +VIRAL HEARTLAND VEGANISM ONE INVESTIGATOR’S STORY OF MFA’S VIDEOS RACK UP ABUSE ON A WISCONSIN DAIRY FARM MILLIONS OF HITS 1 COMPASSIONATE LIVING WINTER 2013 are loving, curious, sensitive individuals who nurture their babies and form close bonds DEAR with their friends and relatives. The most FRIENDS, egregious abuse of factory farming is that it robs them of all of this, reducing these This issue of CL takes you behind the closed incredible animals with rich inner lives to doors of some of the biggest names in the nothing more than meat machines. food business, including Chick-fil-A, Walmart, and Great Lakes Cheese. As you will see, But factory farming isn’t just cruel; it’s these multinational corporations’ supply unnecessary, archaic, and verging on chains are riddled with unimaginable cruelty obsolete. While human apathy and brutality from beginning to end. are to blame for factory farming, human creativity, inventiveness, and empathy are But the physical abuses you’ll learn about in now moving our world beyond it. We’re this issue account for only a small portion of thrilled to offer in this issue of CL an interview the suffering animals endure day and night with Andras Forgacs, co-founder and chief in factory farms and slaughterhouses. As you executive of Modern Meadow, the first read through the following pages and glance cultured meat company.
    [Show full text]
  • Henry Keazor «Up and Atom!» Superheroes in the Simpsons I. Introduction It Is Generally Agreed That the Cartoon Series the Si
    Originalveröffentlichung in: Kritische Berichte, 39 (2011), Nr. 1, S. 20-33 Henry Keazor «Up and Atom!» Superheroes in The Simpsons I. Introduction It is generally agreed that the cartoon series The Simpsons is an often sarcastic, ironic and biting distorting mirror of contemporary Western society. Originally created in 1987 for a series of short films in the context of the Tracy-Ullmann- show by Matt Groening and then, in 1989, decisively developed as an autono­ mous 30 minutes show by Groening, James L. Brooks and Sam Simon, «America's most dysfunctional family» (as the Simpsons have been often hailed), takes up issues and topics not only related to current political and social discussions, but also to art, literature, music, theatre and popular culture. They have managed to be more than «simply a commentary on culture but an intervention into culture,»> as John Alberti has put it.1 As the highly self­referential title­sequence makes clear, the media, especially television itself, play a decisive role: the opening sequence culminates with an image of the entire family gathering before the television set. The importance of this moment is even enhanced by the fact that the whole sequence is built out of a mix of on the one hand each time recurring elements and of, on the other hand, new ones, changing almost every time. Thus, the succession of scenes depicting how the family members leave their different duties at school, at work or shop­ ping, are interspersed in each and every episode with variations. These alter­ ations to the main substance of the opening sequence include 1) the blackboard­ lines of the son Bart Simpson, which always hint upon his offences, earning him this punishment, 2) daughter Lisa Simpson's saxophone solo, provoking her dis­ missal from the school orchestra and, 3) especially, the so­called «couch gag» which emphasizes the moment the family gathers in front of the TV set by presenting each time a variation on how and despite which obstacles the family manages to take their seat on the sofa.
    [Show full text]