41 2015 Bulletin of British Byzantine Studies
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BYZANTINE CAMEOS and the AESTHETICS of the ICON By
BYZANTINE CAMEOS AND THE AESTHETICS OF THE ICON by James A. Magruder, III A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland March 2014 © 2014 James A. Magruder, III All rights reserved Abstract Byzantine icons have attracted artists and art historians to what they saw as the flat style of large painted panels. They tend to understand this flatness as a repudiation of the Classical priority to represent Nature and an affirmation of otherworldly spirituality. However, many extant sacred portraits from the Byzantine period were executed in relief in precious materials, such as gemstones, ivory or gold. Byzantine writers describe contemporary icons as lifelike, sometimes even coming to life with divine power. The question is what Byzantine Christians hoped to represent by crafting small icons in precious materials, specifically cameos. The dissertation catalogs and analyzes Byzantine cameos from the end of Iconoclasm (843) until the fall of Constantinople (1453). They have not received comprehensive treatment before, but since they represent saints in iconic poses, they provide a good corpus of icons comparable to icons in other media. Their durability and the difficulty of reworking them also makes them a particularly faithful record of Byzantine priorities regarding the icon as a genre. In addition, the dissertation surveys theological texts that comment on or illustrate stone to understand what role the materiality of Byzantine cameos played in choosing stone relief for icons. Finally, it examines Byzantine epigrams written about or for icons to define the terms that shaped icon production. -
The Costume of Byzantine Emperors and Empresses ’
Shaw, C. (2011) ‘The Costume of Byzantine Emperors and Empresses ’ Rosetta 9.5: 55-59. http://www.rosetta.bham.ac.uk/colloquium2011/shaw_costume.pdf http://www.rosetta.bham.ac.uk/colloquium2011/shaw_costume.pdf The Costume of the Byzantine Emperors and Empresses Carol Shaw PhD candidate, 4th year (part-time) University of Birmingham, College of Arts and Law [email protected] The Costume of the Byzantine Emperors and Empresses The first Roman emperors were all members of the senate and continued to belong to it throughout their reigns.1 All the members of the senate including the emperor wore tunics and togas decorated with a wide purple band, the latus clavus, and special footwear.2 During the period of instability in the early third century several emperors were selected by the army.3 Initially this shift in power did not affect court ceremony and dress; but slowly both began to change. Court ceremony became more formal and emperors distanced themselves even from senators.4 During the late third century, Diocletian introduced the new court ceremony of the adoration of the purple; according to Aurelius Victor, the emperor also wore richly brocaded purple robes, silks and jeweled sandals.5 Diocletian’s abdication ceremony illustrates that court ceremony and dress often remained very simple. The only garment closely associated with imperial power at this time was the emperor’s purple robes. In his On the Deaths of the Persecutors, Lactantius records that in AD 305 when Diocletian abdicated, the ceremony consisted of the emperor standing under a statue of his patron deity, 1 Under the law the Lex Ovinia (enacted by 318 BC), censors selected each senator according to certain criteria. -
Bourbouhakis Curriculum Vitae
Curriculum Vitae Emmanuel C. Bourbouhakis Assistant Professor Department of Classics Princeton University 141 East Pyne Princeton, NJ 08544 Tel: 609-258-3951 Email: [email protected] Current Position 2011- Assistant Professor, Department of Classics, Princeton University Previous Employment 2008-2010 DFG Teaching–Research Fellow, Department of History, Albert-Ludwigs Universität Freiburg 2007-2008 Lecturer, Department of the Classics, Harvard University Education 09/1999-10/2006 PhD in Classical and Byzantine Philology, Harvard University 09/1997-06/1999 MA in Classical Philology, University of Western Ontario 09/1989-06/1993 BA in History, McGill University; Liberal Arts College, Concordia University Ancient Languages Latin, Greek (classical & medieval) Modern Languages Greek (modern), English, French, German, Italian Awards, Honours, Fellowships 2010 Gerda Henkel Stiftung Fellowship 2008 Deutsche Forschungsgemeinschaft Forschungsstipendium (German National Research Foundation Fellowship) at the Albert-Ludwigs Universität Freiburg 2005 Harvard University Humanities Dissertation Fellowship 2004 Dumbarton Oaks Junior Fellowship 2003 DAAD Doctoral Fellowship at the Byzantinisch-Neugriechisches Institut, Freie Universität Berlin 2 2002 Canadian Social Sciences and Humanities Research Council Doctoral Grant Academic Service Princeton University 2011-2012 Search Committee, Byzantine Art and Archaeology 2012-2013 Forbes College Academic Advisor 2012-2013 Department of Classics Seniors Adviser 2012-2013 Department of Classics Undergraduate -
Michael Panaretos in Context
DOI 10.1515/bz-2019-0007 BZ 2019; 112(3): 899–934 Scott Kennedy Michael Panaretos in context A historiographical study of the chronicle On the emperors of Trebizond Abstract: It has often been said it would be impossible to write the history of the empire of Trebizond (1204–1461) without the terse and often frustratingly la- conic chronicle of the Grand Komnenoi by the protonotarios of Alexios III (1349–1390), Michael Panaretos. While recent scholarship has infinitely en- hanced our knowledge of the world in which Panaretos lived, it has been approx- imately seventy years since a scholar dedicated a historiographical study to the text. This study examines the world that Panaretos wanted posterity to see, ex- amining how his post as imperial secretary and his use of sources shaped his representation of reality, whether that reality was Trebizond’s experience of for- eigners, the reign of Alexios III, or a narrative that showed the superiority of Tre- bizond on the international stage. Finally by scrutinizing Panaretos in this way, this paper also illuminates how modern historians of Trebizond have been led astray by the chronicler, unaware of Panaretos selected material for inclusion for the narratives of his chronicle. Adresse: Dr. Scott Kennedy, Bilkent University, Main Camous, G Building, 24/g, 06800 Bilkent–Ankara, Turkey; [email protected] Established just before the fall of Constantinople in 1204, the empire of Trebi- zond (1204–1461) emerged as a successor state to the Byzantine empire, ulti- mately outlasting its other Byzantine rivals until it fell to the Ottoman Turks in 1461. -
The Developmentof Early Imperial Dress from the Tetrachs to The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The Development of Early Imperial Dress from the Tetrarchs to the Herakleian Dynasty General Introduction The emperor, as head of state, was the most important and powerful individual in the land; his official portraits and to a lesser extent those of the empress were depicted throughout the realm. His image occurred most frequently on small items issued by government officials such as coins, market weights, seals, imperial standards, medallions displayed beside new consuls, and even on the inkwells of public officials. As a sign of their loyalty, his portrait sometimes appeared on the patches sown on his supporters’ garments, embossed on their shields and armour or even embellishing their jewelry. Among more expensive forms of art, the emperor’s portrait appeared in illuminated manuscripts, mosaics, and wall paintings such as murals and donor portraits. Several types of statues bore his likeness, including those worshiped as part of the imperial cult, examples erected by public 1 officials, and individual or family groupings placed in buildings, gardens and even harbours at the emperor’s personal expense. -
Manuel II Palaiologos' Point of View
The Hidden Secrets: Late Byzantium in the Western and Polish Context Małgorzata Dąbrowska The Hidden Secrets: Late Byzantium in the Western and Polish Context Małgorzata Dąbrowska − University of Łódź, Faculty of Philosophy and History Department of Medieval History, 90-219 Łódź, 27a Kamińskiego St. REVIEWERS Maciej Salamon, Jerzy Strzelczyk INITIATING EDITOR Iwona Gos PUBLISHING EDITOR-PROOFREADER Tomasz Fisiak NATIVE SPEAKERS Kevin Magee, François Nachin TECHNICAL EDITOR Leonora Wojciechowska TYPESETTING AND COVER DESIGN Katarzyna Turkowska Cover Image: Last_Judgment_by_F.Kavertzas_(1640-41) commons.wikimedia.org Printed directly from camera-ready materials provided to the Łódź University Press This publication is not for sale © Copyright by Małgorzata Dąbrowska, Łódź 2017 © Copyright for this edition by Uniwersytet Łódzki, Łódź 2017 Published by Łódź University Press First edition. W.07385.16.0.M ISBN 978-83-8088-091-7 e-ISBN 978-83-8088-092-4 Printing sheets 20.0 Łódź University Press 90-131 Łódź, 8 Lindleya St. www.wydawnictwo.uni.lodz.pl e-mail: [email protected] tel. (42) 665 58 63 CONTENTS Preface 7 Acknowledgements 9 CHAPTER ONE The Palaiologoi Themselves and Their Western Connections L’attitude probyzantine de Saint Louis et les opinions des sources françaises concernant cette question 15 Is There any Room on the Bosporus for a Latin Lady? 37 Byzantine Empresses’ Mediations in the Feud between the Palaiologoi (13th–15th Centuries) 53 Family Ethos at the Imperial Court of the Palaiologos in the Light of the Testimony by Theodore of Montferrat 69 Ought One to Marry? Manuel II Palaiologos’ Point of View 81 Sophia of Montferrat or the History of One Face 99 “Vasilissa, ergo gaude...” Cleopa Malatesta’s Byzantine CV 123 Hellenism at the Court of the Despots of Mistra in the First Half of the 15th Century 135 4 • 5 The Power of Virtue. -
Defining and Perceiving Peoples in the Chronicles of Norman Italy" (2011)
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 6-2011 "Videbantur Gens Effera": Defining and erP ceiving Peoples in the Chronicles of Norman Italy Jesse Hysell Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the European History Commons Recommended Citation Hysell, Jesse, ""Videbantur Gens Effera": Defining and Perceiving Peoples in the Chronicles of Norman Italy" (2011). Master's Theses. 394. https://scholarworks.wmich.edu/masters_theses/394 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "VIDEBANTUR GENS EFFERA": DEFINING AND PERCEIVING PEOPLES IN THE CHRONICLES OF NORMAN ITALY by Jesse Hysell A Thesis Submitted to the Faculty ofThe Graduate College in partial fulfillment ofthe requirements for the Degree of Master ofArts Department of History Advisor: Luigi Andrea Berto, Ph.D. Western Michigan University Kalamazoo, Michigan June 2011 "VIDEBANTUR GENS EFFERA": DEFINING AND PERCEIVING PEOPLES IN THE CHRONICLES OF NORMAN ITALY Jesse Hysell, M. A. Western Michigan University, 2011 The goal ofthis project is to analyze the ways different cultural groups in Sicily and southern Italy were depicted in a set ofhistorical texts associated with the Norman takeover ofthose regions in the eleventh and twelfth centuries. To achieve that aim, I consider social vocabulary applied to three distinct peoples (native Italians, Greeks, and Muslims) in five sources written by Amatus ofMontecassino, Geoffrey Malaterra, William ofApulia, Alexander ofTelese, and Hugo Falcandus. -
Helena Palaiologina (1431-1473) 1
The last Serbian queen: Helena Palaiologina (1431-1473) 1 The last Serbian queen: Helena Palaiologina (*1431- +1473) Galo Garcés Ávalos / University of Lima “In October of the same year [1446], Lady Helene, Lord Thomas’ daughter, departed from Glarentza to travel to Serbia in order to marry Lazar, the son of despot Lord George. The marriage was celebrated.” George Sphrantzes, Chronicle.1 1 SPHRANTZES, George. The Fall of the Byzantine Empire: A Chronicle by George Sphrantzes, 1401-1477. Translated by Marios Philippides. University of Massachusetts Press (Amherst, 1980), p. 56. Serbian Byzantine Society https://serbianbyzantine.wordpress.com/ The last Serbian queen: Helena Palaiologina (1431-1473) 2 This was not the first time a Byzantine married a Serbian. On February 7, 1392, the young lady Jelena Dragaš arrived in Constantinople, the bride-to-be of Emperor Manuel II Palaiologos (1391-1425). A grand-niece of the great Serbian Emperor Stefan Dušan, and daughter of one of the last great lords of the remnants of the Serbian Empire in Central Greece, she would be the last empress-mother of Byzantium, and the mother of the last Palaeologi.2 Her granddaughter, following her example, would become the last Despoina of Serbia.3 Helena’s father, Thomas, was the youngest son of Manuel II Palaiologos and the last Byzantine Despot to rule over the Morea, as well as a fierce advocate of the Union between the Catholic and Orthodox Churches, which he considered was the path for the ultimate salvation of Byzantium. Her mother, Aikaterine Asanina- Zaccaria, was the daughter of the last ruler of Latin Achaea, Centurione Zaccaria, vassal of Ladislas d’Anjou-Durazzo, King of Naples and lord of what remained of Frankish Morea.4 Serbo-Byzantine marriages had occurred many times in the past years, when the Empire was still vast and powerful. -
Abstracts of Papers
45th Annual Byzantine Studies Conference Abstracts of Papers October 17-20, 2019 University of Wisconsin-Madison Sponsored by: UW Madison Anonymous Fund Department of History Department of Classics and Ancient Near East Studies Department of Folklore and Comparative Literature Program in Medieval Studies Program Committee Annie Labatt, Chair, Sweet Briar College Elena Boeck, DePaul University Jeff Brubaker, SUNY Geneseo Craig Gibson, University of Iowa Anthony Kaldellis, Ohio State University Thomas Lecaque, Grand View University Brenda Llewelyn Ihssen, Pacific Lutheran University Jordan Pickett, University of Georgia at Athens Luis Sales, Scripps College Local Arrangements Committee Leonora Neville, Chair Jefferey Beneker Thomas Dale Christopher Livanos 2019 BYZANTINE STUDIES CONFERENCE PROGRAM WEDNESDAY, OCTOBER 16TH 6:00 PM Mike Clover Memorial Lecture “The Contagion of the Gaze: A Persistent motif in Medieval Art and Modern Theory” Professor Anthony Cutler, Penn State Department of Art History, Elvehjem Building THURSDAY, OCTOBER 17TH 3:00 PM, Russian Icons in the Chazen Museum of Art The Chazen Museum of Art has a collection of approximately 40 Russian icons ranging in date from the 16th to 20th centuries. The core of the collection (23 examples) was given to the university by Joseph Davies, who served as ambassador to the Soviet Union (1937-38). This informal workshop will introduce participants to the collection including works not on view in the main galleries and will discuss issues of iconography, authenticity and collecting. 4:30-8:00 PM, Conference Registration Begins The Chazen Museum of Art 5:30-6:30 PM, Public Lecture, The Chazen Museum of Art "Re-Claiming The Original 'Degenerate Art': Disability, Alterity and Byzantine Studies." Professor Elena Boeck, DePaul University, Department of the History of Art and Architecture Mellon-Borghesi Workshop on Thinking Race: Migration, Representation, and Appropriation in the Middle Ages and Beyond. -
Decoding the Habit of the Byzantine Nun
JOURNAL OF MODERN HELLENISM 27-28 2009-2010 Decoding the Habit of the Byzantine Nun -HQQLIHU%DOO 7ZR DVVXPSWLRQV KDYH EHHQ PDGH LQ SDVW VWXG\ DQG XQGHUVWDQGLQJ RI WKH PRQDVWLF KDELW RU schema, of the %\]DQWLQH QXQ %HFDXVH %\]DQWLQH QXQV ZHUH QRW SDUW RIRUGHUVDVZHUHWKHLUVLVWHUVLQWKH0HGLHYDO:HVWVXFK DV &DUPHOLWH QXQV LW KDV EHHQ DVVXPHG WKDW QXQV GLG QRW ZHDU D XQLIRUP 7KH VHFRQG DVVXPSWLRQ LV WKDW QXQV VLPSO\ZRUHEODFNWXQLFVFORDNVDQGYHLOVLQWKHDEVHQFH RIVXFKDXQLIRUP1 This essay will bring together literary DQG SLFWRULDO VRXUFHV WKDW GLVFXVV WKH schema, or habit, of %\]DQWLQHZRPHQUHOLJLRXV,QGRLQJVRDSLFWXUHRIWKH IHPDOH PRQDVWLF KDELW LQ %\]DQWLXP ZLOO HPHUJH WKDW KDG DQLGHQWL¿DEOHXQLIRUPEXWZDVPRUHYDULHGWKDQKDVEHHQ XQGHUVWRRGWRGDWH %HIRUH WXUQLQJ WR FRQWHPSRUDU\ GHVFULSWLRQV RI WKH JDUPHQWVWKHPVHOYHVLWLVLPSRUWDQWWRGH¿QHZKDWLVPHDQW by nunLQWKLVSDSHU,ZLOOEHFDVWLQJP\QHWEURDGO\WR LQFOXGHQRWRQO\WKHFRHQRELWLFQXQZKRWRRNWKHYHLOLQD IRUPDO FHUHPRQ\ EXW DOVR DVFHWLFV DQG RWKHU ZRPHQ ZKR GHGLFDWHG WKHPVHOYHV WR D UHOLJLRXV OLIH HYHQ ZKHQ YRZV ZHUHQRWWDNHQ6XFKUHOLJLRXVZRPHQGUHVVHGGLIIHUHQWO\ IURPOD\ZRPHQDQGWRRNFDUHWRGUHVVDSSURSULDWHO\IRUKHU YRFDWLRQZKHWKHUWKDWZDVRQHRIDVFHWLFVROLWDU\YLUJLQRU YHLOHGQXQ2+HUFORWKLQJV\PEROLFDOO\VXJJHVWHGWRWKHZHDUHU -RXUQDORI0RGHUQ+HOOHQLVP DVZHOODVWKHRXWVLGHZRUOGDZRPDQ¶VUHOLJLRXVYRFDWLRQDQG PD\KDYHSURYLGHGVHFXULW\DQGUHVSHFWQRWW\SLFDOO\JUDQWHG WRZRPHQ7KXVWKUHHW\SHVRIZRPHQZLOOEHDGGUHVVHG LQWKLVVWXG\&RHQRELWLFQXQVZKROLYHGFRPPXQDOO\DQG WRRNYRZVZRPHQZKRSUDFWLFHGVRPHIRUPRIDVFHWLFLVP DQGFURVVGUHVVLQJQXQV:KLOHWKH¿UVWFDWHJRU\LVEHWWHU -
“AFTER the FALL of CONSTANTINOPLE” the Dumbarton Oaks Symposium, 1968. During the Spring of Each Year the Dumbarton Oaks
After the Fall of Constantinople 463 “AFTER THE FALL OF CONSTANTINOPLE” The Dumbarton Oaks Symposium, 1968. During the spring of each year the Dumbarton Oaks Center for Byzantine Studies in Washington, D.C., is the host for a Symposium on some topic related to Byzantium; it is also the opportunity for many friends with similar interests to gather and exchange ideas. The year 1968 was no exception, but it was an unusual year because the topic of the Symposium escapes the traditional chronological limits, and was concerned with the sequal: τά μετά τήν Άλωσιν; it is for this reason that the proceedings will be especially inter esting to the readers of Balkan Studies. As usual, friends appeared from both shores of the Atlantic, and from the area between both coasts of the United States; but many familiar faces were absent, probably because the topic was concerned with events after The Fall of Constantinople. The symposium was under the direction of Professor Kenneth M. Setton (Vilas Research Professor, University of Wisconsin, and Professor Elect, Institute for Advanced Study, Princeton) who opened the session on May 2nd, with a general introduction that set the pace for the activities that were to continue until the afternoon of May 4th : proceedings that would take the participants over the entire spectrum of post-Byzantine studies, and would include discussion of major factors that were to influence the future.1 As was only proper, in a Symposium covering such scope, the first paper dealt with “The Greek Language, 1453-1821.” In his paper, Professor Demetrius J. -
Byzantine Studies Conference
Thirty-Seventh Annual BYZANTINE STUDIES CONFERENCE DePaul University Chicago, Illinois October 20-23, 2011 ABSTRACTS of PAPERS Copies of the Abstracts are available for purchase. Subscriptions for Series 8, nos. 36-40, 2010- 2014 are available for $60 a set, with additional $20 for postage. Orders must be pre-paid in U.S. currency. Make checks payable to the Byzantine Studies Conference and send orders to: Prof. Anna Gonosová Department of Art History Humanities Gateway 2000 University of California, Irvine Irvine, CA 92697-2785 For questions about orders of the Abstracts e-mail Anna Gonosová at: [email protected] This Book of Abstracts was compiled and edited by James Hull, Elena Boeck, and Brian Boeck from papers supplied electronically by the speakers. Copyright © is reserved by the individual speakers. Abstracts of Papers – Byzantine Studies Conference, 1st-1975-Madison, Wis. [etc.] Byzantine Studies Conference Key title: Abstracts of Papers – Byzantine Studies Conference. ISSN 0147-3387 1.Byzantine Empire – Congresses DF 501.5b9a 949.5 77-79346 Library of Congress 77 MARC-S Cover Image: Heraclius, with Heraclius Constantine. 610-641. AV Solidus (20mm, 4.50 g, 6h). Constantinople mint, 10th officina. Struck 629-632. Credit for image is due to http://www.cngcoins.com. Conference Sponsors: DePaul University, the DePaul University Research Council, the Vincentian Endowment Fund, the office of the Dean of the College of Liberal Arts and Social Sciences of DePaul University, the History Department of DePaul University, the Department of the History of Art and Architecture of DePaul University, the Department of Religious Studies of DePaul University, the DePaul University Catholic Studies Department, the DePaul University Center for World Catholicism and Intercultural Theology, the Art Institute of Chicago and the Boshell Foundation Lecture Fund, and the Oriental Institute of the University of Chicago.