List of Compositions and Arrangements
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Ass Spielkarten
Werbemittelkatalog www.werbespielkarten.com Spielkarten können das ASS im Ärmel sein ... Spielkarten als Werbemittel bleiben in Erinnerung – als kommunikatives Spielzeug werden sie entspannt in der Freizeit genutzt und eignen sich daher hervorragend als Werbe- und Informationsträger. Die Mischung macht‘s – ein beliebtes Spiel, qualitativ hochwertige Karten und Ihre Botschaft – eine vielversprechende Kombination! Inhalt Inhalt ........................................................................ 2 Unsere grüne Mission ............................... 2 Wo wird welches Blatt gespielt? ..... 3 Rückseiten ........................................................... 3 Brandneu bei ASS Altenburger ........ 4 Standardformate ........................................... 5 Kinderspiele ........................................................ 6 Verpackungen .................................................. 7 Quiz & Memo ................................................... 8 Puzzles & Würfelbecher ....................... 10 Komplettspiele .............................................. 11 Ideen ...................................................................... 12 Referenzen ....................................................... 14 Unsere grüne Mission Weil wir Kunden und Umwelt gleichermaßen verpflichtet sind ASS Altenburger will mehr erreichen, als nur seine geschäftlichen Ziele. Als Teil eines globalen Unternehmens sind wir davon überzeugt, eine gesellschaftliche Verantwortung für Erde, Umwelt und Menschen zu haben. Wir entscheiden uns bewusst -
English Translation of the German by Tom Hammond
Richard Strauss Susan Bullock Sally Burgess John Graham-Hall John Wegner Philharmonia Orchestra Sir Charles Mackerras CHAN 3157(2) (1864 –1949) © Lebrecht Music & Arts Library Photo Music © Lebrecht Richard Strauss Salome Opera in one act Libretto by the composer after Hedwig Lachmann’s German translation of Oscar Wilde’s play of the same name, English translation of the German by Tom Hammond Richard Strauss 3 Herod Antipas, Tetrarch of Judea John Graham-Hall tenor COMPACT DISC ONE Time Page Herodias, his wife Sally Burgess mezzo-soprano Salome, Herod’s stepdaughter Susan Bullock soprano Scene One Jokanaan (John the Baptist) John Wegner baritone 1 ‘How fair the royal Princess Salome looks tonight’ 2:43 [p. 94] Narraboth, Captain of the Guard Andrew Rees tenor Narraboth, Page, First Soldier, Second Soldier Herodias’s page Rebecca de Pont Davies mezzo-soprano 2 ‘After me shall come another’ 2:41 [p. 95] Jokanaan, Second Soldier, First Soldier, Cappadocian, Narraboth, Page First Jew Anton Rich tenor Second Jew Wynne Evans tenor Scene Two Third Jew Colin Judson tenor 3 ‘I will not stay there. I cannot stay there’ 2:09 [p. 96] Fourth Jew Alasdair Elliott tenor Salome, Page, Jokanaan Fifth Jew Jeremy White bass 4 ‘Who spoke then, who was that calling out?’ 3:51 [p. 96] First Nazarene Michael Druiett bass Salome, Second Soldier, Narraboth, Slave, First Soldier, Jokanaan, Page Second Nazarene Robert Parry tenor 5 ‘You will do this for me, Narraboth’ 3:21 [p. 98] First Soldier Graeme Broadbent bass Salome, Narraboth Second Soldier Alan Ewing bass Cappadocian Roger Begley bass Scene Three Slave Gerald Strainer tenor 6 ‘Where is he, he, whose sins are now without number?’ 5:07 [p. -
Intraoral Pressure in Ethnic Wind Instruments
Intraoral Pressure in Ethnic Wind Instruments Clinton F. Goss Westport, CT, USA. Email: [email protected] ARTICLE INFORMATION ABSTRACT Initially published online: High intraoral pressure generated when playing some wind instruments has been December 20, 2012 linked to a variety of health issues. Prior research has focused on Western Revised: August 21, 2013 classical instruments, but no work has been published on ethnic wind instruments. This study measured intraoral pressure when playing six classes of This work is licensed under the ethnic wind instruments (N = 149): Native American flutes (n = 71) and smaller Creative Commons Attribution- samples of ethnic duct flutes, reed instruments, reedpipes, overtone whistles, and Noncommercial 3.0 license. overtone flutes. Results are presented in the context of a survey of prior studies, This work has not been peer providing a composite view of the intraoral pressure requirements of a broad reviewed. range of wind instruments. Mean intraoral pressure was 8.37 mBar across all ethnic wind instruments and 5.21 ± 2.16 mBar for Native American flutes. The range of pressure in Native American flutes closely matches pressure reported in Keywords: Intraoral pressure; Native other studies for normal speech, and the maximum intraoral pressure, 20.55 American flute; mBar, is below the highest subglottal pressure reported in other studies during Wind instruments; singing. Results show that ethnic wind instruments, with the exception of ethnic Velopharyngeal incompetency reed instruments, have generally lower intraoral pressure requirements than (VPI); Intraocular pressure (IOP) Western classical wind instruments. This implies a lower risk of the health issues related to high intraoral pressure. -
Georgian Country and Culture Guide
Georgian Country and Culture Guide მშვიდობის კორპუსი საქართველოში Peace Corps Georgia 2017 Forward What you have in your hands right now is the collaborate effort of numerous Peace Corps Volunteers and staff, who researched, wrote and edited the entire book. The process began in the fall of 2011, when the Language and Cross-Culture component of Peace Corps Georgia launched a Georgian Country and Culture Guide project and PCVs from different regions volunteered to do research and gather information on their specific areas. After the initial information was gathered, the arduous process of merging the researched information began. Extensive editing followed and this is the end result. The book is accompanied by a CD with Georgian music and dance audio and video files. We hope that this book is both informative and useful for you during your service. Sincerely, The Culture Book Team Initial Researchers/Writers Culture Sara Bushman (Director Programming and Training, PC Staff, 2010-11) History Jack Brands (G11), Samantha Oliver (G10) Adjara Jen Geerlings (G10), Emily New (G10) Guria Michelle Anderl (G11), Goodloe Harman (G11), Conor Hartnett (G11), Kaitlin Schaefer (G10) Imereti Caitlin Lowery (G11) Kakheti Jack Brands (G11), Jana Price (G11), Danielle Roe (G10) Kvemo Kartli Anastasia Skoybedo (G11), Chase Johnson (G11) Samstkhe-Javakheti Sam Harris (G10) Tbilisi Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Workplace Culture Kimberly Tramel (G11), Shannon Knudsen (G11), Tami Timmer (G11), Connie Ross (G11) Compilers/Final Editors Jack Brands (G11) Caitlin Lowery (G11) Conor Hartnett (G11) Emily New (G10) Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Compilers of Audio and Video Files Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Irakli Elizbarashvili (IT Specialist, PC Staff) Revised and updated by Tea Sakvarelidze (Language and Cross-Culture Coordinator) and Kakha Gordadze (Training Manager). -
A Healing Return to the Stage for the Canton Symphony Orchestra by Tom Wachunas
A Healing Return to the Stage for the Canton Symphony Orchestra by Tom Wachunas Reasons to be cheerful: they’re back! The May 23 concert by the Canton Symphony Orchestra marked the first time in more than a year that the ensemble has performed live at Umstattd Performing Arts Hall. This occasion was certainly an important step on the road back to cultural “normalcy” as we recover from the dreadful pandemic shutdown. For a May 21 article by Ed Balint in The Repository (Canton’s daily newspaper), CSO president and CEO Michelle Charles said of the concert, “That’s what we do, that’s what we love and that’s why we exist, to perform music live. You do take for granted how readily available (classical music) is until it’s not. So I think it’s going to be very emotional.” Noting the special significance of the concert to Gerhardt Zimmermann, CSO music director and conductor since 1980, she added, “It’s been so long, and Canton has held a special place in his heart for many, many years. I think it’s going to be more emotional for him than anyone.” The emotional factor becomes even more resonant when considering Zimmermann’s own battle with coronavirus which led to weeks of hospitalization and rehabilitation in 2020. He’s still not at optimal strength, and consequently conducted the program while seated on a raised platform. This short concert (with no intermission) was an altogether unique sensory experience, and not a CSO business-as-usual affair. Zimmermann chose just two works to be on the program: Mendelssohn’s String Octet, and Mozart’s Symphony No. -
List of Works 2003
Christian Mason Full Works List 2003 – Present Date Piece Premiere Premiere Performer(s) / Subsequent Performances Date/Place Artist(s) ORCHESTRA In Preparation From Space the Earth is Blue… TBC Nathalie Forget, Ensemble Concerto for ondes martenot, soloist ensemble (8 l’Itinéraire, Orchestre players), chamber orchestra, female voice choice d’Auvergne and choir In Preparation New Commission 2021 - Lucerne Festival Academy c.20 mins. Donaueschingen Alumni Orchestra Symphony Orchestra, ondes martenot (tbc) Festival, Donaueschingen, Germany 2020 However long a time may pass…All things must 2020, June 4th, Konzerthausorchester Berlin 2020, June 5th – 6th, Berlin Konzerthaus, Germany yet meet again… Berlin Konzerthaus, (cond: Christoph Eschenbach) 21 mins. Berlin, Germany 2020, June 7th, Dortmund Konzerthaus, Germany Symphony Orchestra 2020, June 8th, Hamburg Elbphilharmonie, Germany 2020, June 20th, Mecklenburg-Vorpommern Festival, Germany (tbc) 2019 Eternity in an hour 2019, April 27th, Wiener Philharmoniker (cond: 2019, April 28th, Musikverein, Golden Hall, Vienna, 15 mins. Musikverein, Golden Christian Thielemann) Austria Symphony Orchestra Hall, Vienna, Austria 2019, May 2nd, Berlin Dom, Berlin, Germany 2019 Eternal Return 2019, January 26th - hr-sinfonieorchester (cond: 7 mins. Breitkopf Festival Michal Nesterowicz) Symphony Orchestra Jubilee concert, Kurhaus Wiesbaden, Wiesbaden, Germany 2018 Man Made 2018, May 24th, Royal Philharmonia, Anu Komsi 18 mins. Festival Hall (Music of (soprano) (cond: Gergely Soprano and Ensemble Today series), -
Verklarte Nacht ("Transfigured Night") in D Minor, Op
S:he Jl,cademy o/ St. 511a1itin in the ~efds Chamhe'l Gnsembfe_ KENNETH SILLITO, LEADER KENNETH SILLITO, VIOLIN ROBERT SMISSEN, VIOLA HARVEY DE SOUZA, VIOLIN DUNCAN FERGUSON, VIOLA MARTIN BURGESS, VIOLIN STEPHEN ORTON, CELLO JAN SCHMOLCK, VIOLIN JOHN HELEY, CELLO TUESDAY, FEBRUARY 15, 2005 -PROGRAM "Innocent Ear" The ensemble will play a work unannounced, and invite the audience to guess composer/work with CDs as a prize. Verklarte Nacht ("Transfigured Night") in D Minor, Op. 4 (1905) ARNOLD SCHOENBERG (1874-1951) - INTERMISSION- Octet for Strings in E-flat Major, Op. 20 (1825) FELIX MENDELSSOHN (1809-184 7) Allegro moderato, ma con fuoco Andante Scherzo (Allegro leggierissimo) Presto THIS PROGRAM HAS BEEN PARTIALLY UNDERWRITTEN BY THE GE NEROSITY OF AN ANONYMOUS DONOR IN HONOR OF SHIRLEY AND DAVID TOOMIM. Please turn off all cellphones, pagers and chiming watches. Also, taking photographs (with cameras, phones or any media device) or making recordings is strictly prohibited. Thank you. ARNOLD SCHOENBERG (1874-1951) Verklarte Nacht (Transfigured Night) Most people associate Arnold Schoenberg with development of the "twelve-tone" sys tem of musical composition. However, one of his most popular works, Verklarte Nacht, was composed early in his career (1899) at the age of twenty-five, before his experiments in atonality were evident. Though primarily a self-taught composer, Schoenberg admits to having been greatly influenced by Brahms and Wagner during this period. Verklarte Nacht was unusual in that it was a tone poem composed for a chamber ensemble (string sextet). It was based on a poem written in 1896 by Richard Dehmel, whose work Schoenberg particularly admired. -
The Words Used Commonly Both in Turkish and in Georgian
African Educational Research Journal Vol. 9(2), pp. 290-319, April 2021 DOI: 10.30918/AERJ.92.21.007 ISSN: 2354-2160 Full Length Research Paper The words used commonly both in Turkish and in Georgian Memet Abukan1* and Liana Chkonia2 1Department of Civil Aviation and Cabin Services, Vocational School of Social Sciences, Muş Alparslan University, Turkey. 2Batumi Shota Rustaveli State University, Georgia. Accepted 2 February, 2021 ABSTRACT Strong neighbor relations between Georgia and Turkey have allowed for many interactions to be intensely experienced and maintained in language and culture just as in many areas. The effective communication that both countries established with each other during the historical process has reflected on their vocabulary and enabled thousands of common words to take place in both languages. This interaction continuing between the two communities has become even stronger today and the demand to learn Turkish and Georgian has extremely increased. To this end, in this study it is aimed to determine the words used commonly in Turkish and Georgian in order to enable either Turkish learners or Georgian learners to be better motivated in language acquisition and take the researches for the field a step further. By means of document analysis method many sources were reviewed and thereby a lot of words used commonly in both languages were found. Besides, the study also comprises the changes in the Georgian dialect, which is used in the Adjarian region, an autonomous republic of Georgia, but not used in official Georgian and some field researches to determine this have also partly been done. Accordingly, thousands of common words are found between Turkish and Georgian, but most of these are of Adjarian dialect of Georgian. -
Program Book May 23
WE’RE BACK! CANTON SYMPHONY RETURNS MAY 23, 2021 We are back! Sunday, May 23, 2021 - 7:30pm We are thrilled to welcome you back to Umstattd Hall! Whether you are Gerhardt Zimmermann, Conductor here with us in person or joining us virtually, we are excited to share live classical music with you. Octet for Strings …………………………………….Felix Mendelssohn Thank you to all of you who have supported us this year. We received so 1825 1809-1847 many kind messages from our patrons that kept the staff smiling through it all. The financial support was very much appreciated. You have enabled Allegro moderato ma con fuoco us to be returning stronger than ever. Andante Scherzo: We look forward to seeing you over the summer as we are performing out Allegro leggierissimo in the community and we hope to see you in the hall on Opening Night, October 10, 2021! Symphony No. 29 in A Major, K. 201 …..Wolfgang Amadeus Mozart 1774 1756-1791 Allegro moderato Andante President & CEO Menuetto: Allegretto - Trio Allegro con spirito This concert will be presented without intermission. This concert is made possible by: Gerhardt Zimmermann’s Car: For the safety of all of our musicians and patrons: Masks must be worn the entire time while in the facility. No exceptions. Please practice social distancing. Additional Thanks: To ensure the enjoyment of all of our patrons, please silence all cell phones, pagers, and watch alarms. The use of cameras or recording Live Stream: Pre-Concert Lecture: devices without the express written permission of the management is A. J. -
Nominierte in Der Kategorie Kammermusik – Duo
Nominierte in der Kategorie Kammermusik – Duo Camille & Julie Claudio Bohórquez / Simon Bucher / Gautier Capuçon / Ceeys (Daniel Selke / Helene Dabringhaus Berthollet Peter Nagy Stephanie Szanto Yuja Wang Sebastian Selke) / Fil Liotis Nos 4 Saisons Schumann: Poetica The High Horse Chopin / Franck Hiddensee Der junge Beethoven Duo Brüggen - Plank Duo Gioco di Salterio Duo Ingolfsson - Vilde Frang / Michail Bruno Ganz / Anastasia Grishutina Stoupel Lifits / Esther Valentin Enescu Suoni Amorosi Kirill Gerstein La Belle Époque Paganini & Schubert Amors Spiel R. Strauss: Enoch Arden Nominierte in der Kategorie Kammermusik – Duo Raphaela Gromes / Raphaela Gromes / Eldbjørg Hemsing / Peter Hörr / Lucas und Arthur Klavierduo Ivanova - Julian Riem Julian Riem Simon Trpčeski Liese Klahn Jussen Zagarinskiy Offenbach R. Strauss: Cello Sonatas Ludwig v. Beethoven Bach Mikhail Ippolitov.Ivanov Grieg: The Violin Sonatas Benedict Kloeckner / Danae Gidon Kremer Katia & Marielle Lily & Mischa Maisky Sebastian Manz / Ludwig Mittelhammer / Dörken Labeque Sebastian Studnitzky Jonathan Ware Zwischen Nostalgie und Weinberg Chamber 20th Century Classics Music El Chan Revolution A Bernstein Story Schubert – Wolf - Medtner Nominierte in der Kategorie Kammermusik – Duo Johannes Moser / Alasdair Berit Norbakken Solset / Peter Pachl / Rainer Bruno Philippe / Tanguy Piano Duo Genova & Johannes Pramsohler / Beatson Gro Bergrabb Maria Klaas de Williencourt Dimitrov Roldán Bernabé Felix & Fanny Mendelssohn Gebete für Mitgefangene Melodramen III Prokofiev Rachmaninoff Sonatas for two Violins Duo Praxedis Volker Reinhold / Sofia de Salis / Iryna Silver-Garburg Piano Maurice Steger / Peter Steiner / Constanze Krasnovska Hochwartner Ralph Zedler Duo Sebastian Wienand Carl Rütti Opernphantasien Shades of Love Illumination Sapphire Mr Handel‘s Dinner Nominierte in der Kategorie Kammermusik – Duo Antoine Tamestit / Diana Tishchenko / Jan Vogler / Ismo Masato Suzuki Zoltan Fejervari Eskelinen J. -
Spielanleitung Holzspielesammlung (D).Qxd 15.09.2009 10:44 Uhr Seite 2
Holzspielesammlung (D).qxd 15.09.2009 10:44 Uhr Seite 1 D Spielanleitung Holzspielesammlung (D).qxd 15.09.2009 10:44 Uhr Seite 2 © Philos GmbH & Co. KG Friedrich-List-Str. 65 33100 Paderborn Germany www.philosspiele.de Holzspielesammlung (D).qxd 15.09.2009 10:44 Uhr Seite 3 3 Inhaltsverzeichnis Spielpläne Brettspiele 1 Spielplan Immer mit der Ruhe – Mühle 1 Spielplan Barricade – Halma Schach . 18 1 Spielplan Backgammon – Schach / Dame Häuptling und Krieger . 20 Double-Schach . 20 K.-o.-Schach . 20 Spielmaterial Schlagschach . 20 50 Spielkegel (Holz): 15 blaue, 15 rote, Positionsschach . 20 15 grüne, 5 gelbe Dame . 20 41 Mikadostäbchen (Holz) Polnische Dame . 21 32 Schachfiguren (Holz) Französische Dame . 21 30 Spielsteine (Holz) Eckdame . 21 28 Dominosteine (Holz) Schlagdame . 22 20 Holzstäbchen Blockade . 22 11 Barricade-Sperrsteine (Holz) Contract-Checkers . 22 4 Würfel: 2 rote, 2 weiße Wolf und Schafe . 22 1 Dopplerwürfel Rösselsprung . 22 1 Würfelbecher Mühle . 23 2 Spielkarten-Sets (französisches Blatt) Die Lasker’sche Mühle . 24 Die Springermühle . 24 Würfelmühle . 24 Eckmühle . 25 Treibjagd . 25 Hüpfmühle . 25 Kreuzmühle . 25 Würfel-Brettspiele Halma . 26 Halma Solo . 26 Immer mit der Ruhe . 5 Das Partnerspiel . 5 ✦✦✦ Parken . 6 Crazy India . 6 Knobelspiele (Würfel) Frank und Furter . 6 Orbite . 6 Schaukel . 27 Ausreißer . 7 Nackter Spatz . 27 Barricade . 7 Die böse 3 . 27 Backgammon . 8 Sechzehn-tot . 27 Tric-Trac . 14 Stumme Jule . 28 Puff . 16 6er-Spiel . 28 Catch Me . 16 Zeppelin . 28 Chouette . 17 Hohe Hausnummer . 29 Jacquet . 17 101, aber keine Eins . 29 Doppelsteine . 17 Die lustige 7 . 29 Himmel und Hölle . 29 ✦✦✦ Elf hoch . -
ANADOLU GELENEKSEL NEFESLĠ ÇALGILARI Ve BU ÇALGILAR ÜZERĠNE ÖZGÜN BAĞDALAR A
ANADOLU GELENEKSEL NEFESLĠ ÇALGILARI ve BU ÇALGILAR ÜZERĠNE ÖZGÜN BAĞDALAR A. Serdar KASTELLĠ Sanatta Yeterlik Tezi DanıĢman: Prof. Dr. M. Hakan CEVHER Mayıs, 2014 Afyonkarahisar T.C. AFYON KOCATEPE ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ MÜZĠK ANASANAT DALI SANATTA YETERLĠK TEZĠ ANADOLU GELENEKSEL NEFESLĠ ÇALGILARI ve BU ÇALGILAR ÜZERĠNE ÖZGÜN BAĞDALAR Hazırlayan A. Serdar KASTELLĠ DanıĢman Prof. Dr. M. Hakan CEVHER AFYONKARAHĠSAR 2014 YEMĠN METNĠ Sanatta Yeterlik tezi olarak sunduğum “Anadolu Geleneksel Nefesli Çalgıları ve Bu Çalgılar Üzerine Özgün Bağdalar” adlı çalıĢmanın, tarafımdan bilimsel ahlak ve geleneklere aykırı düĢecek bir yardıma baĢvurmaksızın yazıldığını ve yararlandığım eserlerin Kaynakça‟da gösterilen eserlerden oluĢtuğunu, bunlara atıf yapılarak yararlanmıĢ olduğumu belirtir ve bunu onurumla doğrularım. 07/05/2014 Ahmet Serdar KASTELLĠ ii TEZ JÜRĠSĠ KARARI VE ENSTĠTÜ MÜDÜRLÜĞÜ ONAYI JÜRĠ ÜYELERĠ ĠMZA Tez DanıĢmanı : Prof. Dr. M. Hakan CEVHER ……… Jüri Üyeleri : Prof. Dr. Fırat KUTLUK ……….. Prof. Dr. Öcal ÖZBĠLGĠN ……… Doç. Dr. Uğur TÜRKMEN ……… Yrd. Doç. Dr. Bahadır TUTU ……….. Müzik anasanat dalı sanatta yeterlik öğrencisi A. Serdar KASTELLĠ‟nin, “Anadolu Geleneksel Nefesli Çalgıları ve Bu Çalgılar Üzerine Özgün Bağdalar” baĢlıklı tezi 07/05/2014 tarihinde, saat 10:00‟da Lisanüstü Eğitim Öğretim ve Sınav Yönetmeliğinin ilgili maddeleri uyarınca, yukarıda isim ve imzaları bulunan jüri üyeleri tarafından değerlendirilerek kabul edilmiĢtir. Prof. Dr. Selçuk AKÇAY MÜDÜR iii ÖZET ANADOLU GELENEKSEL NEFESLĠ ÇALGILARI ve BU ÇALGILAR ÜZERĠNE ÖZGÜN BAĞDALAR A. Serdar KASTELLĠ AFYON KOCATEPE ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ MÜZĠK ANASANAT DALI Mayıs 2014 DanıĢman: Prof. Dr. M. Hakan CEVHER Nefesli çalgılar, insanoğlunun müziği keĢfettiğinden beri kullandığı müzik araçlarıdır. BoĢ bir ağaç veya kamıĢ parçası, Ģekil değiĢtirerek çalgıya dönüĢmüĢ, bulunduğu toplumun folklor örüntülerinden birini oluĢturmuĢtur.