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Precio Maketa Punk-Oi! Oi! Core 24 ¡Sorprendete!
GRUPO NOMBRE DEL MATERIAL AÑO GENERO LUGAR ID ~ Precio Maketa Punk-Oi! Oi! Core 24 ¡Sorprendete! La Opera De Los Pobres 2003 Punk Rock España 37 100% Pure British Oi! Música Punk HC Cd 1 Punk Rock, HC Varios 6 100% Pure British Oi! Música Punk HC Cd 2 Punk Rock, HC Varios 6 100% Pure British Oi! Música Punk HC Cd 1 Punk Rock, HC Varios 10 100% Pure British Oi! Música Punk HC Cd 2 Punk Rock, HC Varios 10 1ª Komunion 1ª Komunion 1991 Punk Rock Castellón 26 2 Minutos Valentin Alsina Punk Rock Argentina 1 2 Minutos Postal 97 1997 Punk Rock Argentina 1 2 Minutos Volvió la alegría vieja Punk Rock Argentina 2 2 Minutos Valentin Alsina Punk rock Argentina 12 2 Minutos 8 rolas Punk Rock Argentina 13 2 Minutos Postal ´97 1997 Punk Rock Argentina 32 2 Minutos Valentin Alsina Punk Rock Argentina 32 2 Minutos Volvio la alegria vieja 1995 Punk Rock Argentina 32 2 Minutos Dos Minutos De Advertencia 1999 Punk Rock Argentina 33 2 Minutos Novedades 1999 Punk Rock Argentina 33 2 Minutos Superocho 2004 Punk Rock Argentina 47 2Tone Club Where Going Ska Francia 37 2Tone Club Now Is The Time!! Ska Francia 37 37 hostias Cantando basjo la lluvia ácida Punk Rock Madrid, España 26 4 Skins The best of the 4 skins Punk Rock 27 4 Vientos Sentimental Rocksteady Rocksteady 23 5 Years Of Oi! Sweat & Beers! 5 Years Of Oi! Sweat & Beers! Rock 32 5MDR Stato Di Allerta 2008 Punk Rock Italia 46 7 Seconds The Crew 1984 Punk Rock, HC USA 27 7 Seconds Walk Together, Rock Together 1985 Punk Rock, HC USA 27 7 Seconds New Wind 1986 Punk Rock, HC USA 27 7 Seconds Live! One Plus One -
HIS Voice 3/2009
editorial obsah Glosář Matěj Kratochvíl 2 Sunn O))) Petr Ferenc 4 Tim Hecker Karel Veselý 5 aktuálně Vážení a milí čtenáři, Alio Die Pavel Zelinka 6 již řada čísel našeho časopisu byla věnována V pasti orientalismu Karel Veselý 8 hudbě z různých koutů světa, to aktuální v nasto- lené sérii však pokračuje jen zdánlivě. Zatímco v číslech věnovaných Polsku, Francii či Slovensku Sun City Girls Thomas Bailey 12 jsme mířili za skutečnou hudbou skutečných zemí, Orient na nejnovější obálce v sobě spojuje reálný základ a notnou dávku fantazie. Spíše než o geo- Acid Mothers Temple Petr Ferenc 15 grafickou oblast nám jde o nahlédnutí za oponu téma imaginárního Východu, oblasti, do níž si mnozí hudebníci i posluchači promítají své sny. I když První císař a dialektika Druhého Jan Chmelarčík 18 si v mnoha případech půjčují skutečné nástroje a další hudební prvky, ve vzduchu visí představa pohádkových světů. Hudební Orient má častokrát Vlastislav Matoušek Matěj Kratochvíl 22 podobně neurčitou lokaci jako říše kněze Jana, do níž mířil Baudolino, hrdina stejnojmenné knihy Umberta Eca. „Na nejzazším východě těchto krajů, Georgs Pelēcis Vítězslav Mikeš 28 oddělených od oceánu zeměmi obývanými zrůd- nými bytostmi, jimiž ostatně budeme muset také Postepilog Alfreda Šnitkeho Vítězslav Mikeš 30 projít, se nachází Pozemský ráj. (…) My se tudíž současná kompozice musíme ubírat k východu, nejdřív dorazit k Eufratu, pak k Tigridu a nakonec k řece Ganges, a potom odbočit k dolním krajům východním.“ Střet reál- Christina Kubisch Pavel Klusák 34 ného a imaginárního může mít mnoho různých podob, od dokumentární činnosti značky Sublime Frequencies přes východně-západní hudbu skla- Cuong Vu Jan Faix 38 datele Tana Duna po psychedelický rock japonské skupiny Acid Mothers Temple. -
NAPALM DEATH from Enslavement to Obliteration Mp3, Flac, Wma
NAPALM DEATH from enslavement to obliteration mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: from enslavement to obliteration Released: 1994 Style: Grindcore MP3 version RAR size: 1500 mb FLAC version RAR size: 1571 mb WMA version RAR size: 1184 mb Rating: 4.2 Votes: 815 Other Formats: DTS AHX MPC ADX APE VOC FLAC Tracklist A1 Evolved As One A2 It's A M.A.N.S. World A3 Lucid Fairytale A4 Private Death A5 Impressions A6 Unchallenged Hate A7 Uncertainty Blurs The Vision A8 Cock Rock Alienation A9 Retreat To Nowhere A10 Think For A Minute A11 Display To Me B1 From Enslavement To Obliteration B2 Blind To The Truth B3 Social Sterility B4 Emotional Suffocation B5 Practise What You Preach B6 Inconceivable? B7 Worlds Apart B8 Obstinate Direction B9 Mentally Murdered B10 Sometimes B11 Make Way! B12 Musclehead Other versions Category Artist Title (Format) Label Category Country Year From Enslavement Napalm MOSH 8 To Obliteration (LP, Earache MOSH 8 UK 1988 Death Album) From Enslavement Napalm Relativity, 88561-1066-4 To Obliteration 88561-1066-4 US 1991 Death Earache (Cass, Album) From Enslavement Napalm To Obliteration (LP, MOSH008LP1 Earache MOSH008LP1 UK 2012 Death Album, Ltd, RE, RM, Pin) From Enslavement MOSH 8CD, Napalm Earache, MOSH 8CD, To Obliteration (CD, UK Unknown MOSH 008CD Death Earache MOSH 008CD Album, RE, RP) From Enslavement Napalm MOSH 8 To Obliteration (LP, Earache MOSH 8 UK 2002 Death Album, RE) Related Music albums to from enslavement to obliteration by NAPALM DEATH Napalm Death - The Grindcrusher Tour Napalm Death - Diatribes Various - Grind Madness At The BBC Napalm Death - Inside The Torn Apart Napalm Death - Greed Killing Napalm Death - Nazi Punks Fuck Off Napalm Death - Grind Madness At The BBC - The Earache Peel Sessions Napalm Death - Death By Manipulation NAPALM DEATH - Inside The Torn Apart DIGI Napalm Death - Scum. -
Grindcore.Pdf
Obsah: 1. Úvod..........................................................................................................................2 1.1 Ideová východiska práce.............................................................................2 1.2 Stav bádání, primární a sekundární literatura.............................................3 1.3 Definice grindcore, důležité pojmy.............................................................3 1.4 Členění práce a metodologie.......................................................................6 1.5 Cíl práce......................................................................................................8 2. Historický úvod – žánrová typologie........................................................................9 2.1 Počátky žánru a dva hlavní proudy grindcoru............................................9 2.2 Další vývoj grindcoru................................................................................13 3. Grindcore – hledání extrémního hudebního projevu ….........................................17 3.1 Transformace zpěvu..................................................................................17 3.2 Vývoj rytmu, rytmické sekce....................................................................19 3.3 Vývoj hry na kytaru a baskytaru …..........................................................20 3.4 Vývoj formy a mikrostruktury..................................................................20 3.5 Goregrindové intro....................................................................................22 -
Rotting Christ Til Inferno Metal Festival 2014
ROTTING CHRIST TIL INFERNO METAL FESTIVAL 2014 Greske ROTTING CHRIST er bekreftet til INFERNO METAL FESTVIAL 2014. Bandet startet helt tilbake i 1987 og har gitt ut hele 11 album. Deres nyeste skive, «Kata Ton Daimona Eaytoy», kom ut tidligere i år og er intet mindre enn et mesterverk. Det blir extreme metal på sitt beste når bandet nå vender tilbake til Norge. Tidligere annonserte artister er DIMMU BORGIR, TULUS, SIGH, IMPIETY, BLACK WITCHERY, ORANSSI PAZUZU, FLESHGOD APOKALYPSE, TRISTANIA og NECROS CHRISTOS. ROTTING CHRIST Rotting Christ ble etablert helt tilbake i 1987 og er kjent for å være det første black metal- bandet fra Hellas. Etter 26 år er bandet et av de som har holdt det gående lengst uavbrutt innenfor hele black metal-genren. Bandet har gitt ut en rekke album som i dag blir ansett som klassikere, som de tidlige black metal-skivene «Thy Mighty Contract» og «Non Serviam», samt 90-tallets mer gotisk-pregete «A Dead Poem». Bandet har ikke tapt seg over alle disse årene, men har tvert i mot utviklet seg i en ny retning med album som «Theogonia» (2007) og «AEALO» (2010), som leder opp til årets episke og mørke «Kata Ton Daimona Eaytoy». www.rotting-christ.com INFERNO METAL FESTIVAL 2014 Oslo, 16. - 19. april. Rockefeller / John Dee Rock In – Revolver – Victoria – Blå – De Ville's – Kulturhuset Inferno er en internasjonal extreme metal- festival som arrangeres 16. til 19. april 2014, i Oslo. Omtrent 50 konserter avholdes på Rockefeller og John Dee samt klubbscenene Blå, DeVille's, Rock In, Victoria, Kulturhuset og Revolver. -
L'etang Gisèle Vienne
NOUVELLE CRÉATION 2020 L’Etang Gisèle Vienne Photo Estelle Hanania Production et diffusion / Alma Office Rue du Grand Hospice 34a, B-1000 Bruxelles Anne-Lise Gobin – [email protected] & Camille Queval – [email protected] Tel : +32 2 223 58 45 Administration / DACM Fabrique de théâtre, 10 rue du Hohwald, F-67000 Strasbourg Etienne Hunsinger – [email protected] Tel : +33 (0)9 83 52 62 74 www.g-v.fr L’ETANG L’Etang a été créé en résidence au Théâtre National de Bretagne en novembre 2020 D’après l’œuvre originale Der Teich (L’Etang) de Robert Walser Conception, mise en scène, scénographie, dramaturgie Gisèle Vienne Interprétation Adèle Haenel et Ruth Vega Fernandez Lumière Yves Godin Création sonore Adrien Michel Direction musicale Stephen F. O'Malley Musique originale Stephen F. O’Malley & François J. Bonnet Photos Estelle Hanania Adaptation d’un court texte de jeunesse de l’écrivain suisse Robert Walser, l‘Etang, expose au regard les plis et replis d’une histoire d’amour filial, en distribuant les rôles entre deux comédiennes, Adèle Haenel et Ruth Vega Fernandez. L’Etang est un drame familial qui se distingue du reste de l’œuvre de Robert Walser (1878-1956): c’est un texte privé que le jeune écrivain avait offert à sa sœur et l’unique qu’il écrira jamais en suisse-allemand. C’est l’histoire d’un enfant qui se sent mal aimé par sa mère et simule, au comble de son désespoir, un suicide pour vérifier l’amour qu’elle lui porte. Quels sont vraiment les enjeux ici ? Qu’est-ce qui se joue entre les lignes et sur scène? Quelles sont les différentes strates de langues, des narrations aux paroles, formulables ou non, qui composent notre perception, notre compréhension et nos échanges ? Ces questionnements – depuis longtemps au cœur du travail de Gisèle Vienne – sont mis en abyme à travers le texte de Robert Walser et le dispositif scénique: Adèle Haenel et Ruth Vega Fernandez incarnent respectivement un et deux personnages tout en prêtant leurs voix aux autres. -
Immersion Into Noise
Immersion Into Noise Critical Climate Change Series Editors: Tom Cohen and Claire Colebrook The era of climate change involves the mutation of systems beyond 20th century anthropomorphic models and has stood, until recent- ly, outside representation or address. Understood in a broad and critical sense, climate change concerns material agencies that im- pact on biomass and energy, erased borders and microbial inven- tion, geological and nanographic time, and extinction events. The possibility of extinction has always been a latent figure in textual production and archives; but the current sense of depletion, decay, mutation and exhaustion calls for new modes of address, new styles of publishing and authoring, and new formats and speeds of distri- bution. As the pressures and re-alignments of this re-arrangement occur, so must the critical languages and conceptual templates, po- litical premises and definitions of ‘life.’ There is a particular need to publish in timely fashion experimental monographs that redefine the boundaries of disciplinary fields, rhetorical invasions, the in- terface of conceptual and scientific languages, and geomorphic and geopolitical interventions. Critical Climate Change is oriented, in this general manner, toward the epistemo-political mutations that correspond to the temporalities of terrestrial mutation. Immersion Into Noise Joseph Nechvatal OPEN HUMANITIES PRESS An imprint of MPublishing – University of Michigan Library, Ann Arbor, 2011 First edition published by Open Humanities Press 2011 Freely available online at http://hdl.handle.net/2027/spo.9618970.0001.001 Copyright © 2011 Joseph Nechvatal This is an open access book, licensed under the Creative Commons By Attribution Share Alike license. Under this license, authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy this book so long as the authors and source are cited and resulting derivative works are licensed under the same or similar license. -
Now Exclusively Distributed by ACXDC Street Date: He Had It Coming, 7˝ AVAILABLE NOW!
PRESENTS RELEASES FROM: ACXDC, ARCHAGATHUS, ASSHOLEPARADE, BACKSLIDER, BEARTRAP, BRIAN WALSBY, CAPITALIST CASUALTIES, CHEST PAIN, CONGA FURY, EDDIE BROCK, GET DESTROYED, LAPSE, MAGRUDERGRIND, MALPRACTICE INSURANCE, MEHKAGO N.T., NASHGUL, NOCOMPLY, OSK, P.L.F., RAPE REVENGE, SEX PRISONER, SIDETRACKED, SHITSTORM, SUFFERING LUNA, TORCH RUNNER, TOTAL FUCKING DESTRUCTION, XBRAINIAX Now Exclusively Distributed by ACXDC Street Date: He Had It Coming, 7˝ AVAILABLE NOW! INFORMATION: Artist Hometown: Los Angeles, CA Key Markets: LA & CA, Texas, Arizona, DC, Baltimore MD, New York, Canada, Germany For Fans of: MAGRUDERGRIND, NASUM, NAPALM DEATH, DESPISE YOU ANTI-CHRIST DEMON CORE’s He Had it Coming repress features the original six song EP released in 2005 plus two tracks from the same session off the A Sign Of Impending Doom Compilation. The band formed in 2003, recorded these songs in 2005 and then vanished for awhile on a many- year hiatus, only to resurface and record and release a brilliant new EP and begin touring again in 2011/2012. The original EP is long sought after ARTIST: ACXDC by grindcore and powerviolence fiends around the country and this is your TITLE: He Had It Coming chance to grab the limited repress. LABEL: TO LIVE A LIE CAT#: TLAL64AB Marketing Points: FORMAT: 7˝ GENRE: Grindcore • Hugely Popular Band BOX LOT: NA • Repress of Long Sold Out EP SRLP: $5.48 • Huge Seller UPC: 616983334836 • Two Extra Songs In Additional To Originals EXPORT: NO RESTRICTIONS • Two Bonus Songs Never Before Pressed To Vinyl, In Additional To Originals Tracklist: 1. Dumb N Dumbshit 2. Death Spare Not The Tiger 3. Anti-Christ Demon Core 4. -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Whitehouse, Merzbow, Maurizio Bianchi, the Haters, Hanatarash, the Gerogerigege, Massona, Prurient, John Wiese…
As Loud as Possible As Loud as Possible Concert de Hanatarash, Toritsu Kasei Loft, Tokyo, 1985 (Photos : Gin Satoh) Concert de Hanatarash, Toritsu Kasei Loft, Tokyo, 1985 (Photos : Gin Satoh) Whitehouse, Merzbow, Maurizio Bianchi, The Haters, Hanatarash, The Gerogerigege, Massona, Prurient, John Wiese… Un parcours parmi les grandes figures du harsh noise, au sein de l’internationale du bruit sale de ses origines à nos jours. AS LOUD AS 48 POSSi- 49 bLe. Whitehouse, Merzbow, Maurizio Bianchi, The Haters, Hanatarash, The Gerogerigege, Massona, Prurient, John Wiese… A tour among the major figures in harsh noise, within dirty Noise International—from its inception to the present day. Fenêtre ouverte. Le bruit, c’est ce son fronde, indompta- juste une main pour sculpter, une intention pour guider, Mais comment la musique a-t-elle osé muter en ça ? ble, discordant, une puanteur dans l’oreille, comme l’a écrit à peine une idée pour le conceptualiser. Il n’est pas une Objectivement, si on regarde la tête du harsh noise, son Ambrose Bierce dans son Devil’s Dictionary, ce que tout musique bruyante mais une musique-bruit taillée, pas un nom, il faut tout de même se pencher un peu en arrière, le oppose et tout interdit à la musique. Le bruit sévère, le bruit genre, encore moins un mélange, car s’il est né d’amonts XXe siècle brouhaha, pour comprendre cette « birth-death dur, le harsh noise, c’est, pire encore, le chaos volontaire, la lisibles dans l’histoire de la musique, dans l’histoire du XXe experience », si l’on m’autorise à citer le titre d’un disque de crasse en liberté, même pas la musique de son-bruits rêvée siècle, il n’a dans sa pratique et sa nature d’autre horizon Whitehouse, le premier de surcroît. -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture.