Attendee List As of 11/14/2013 Alphabetical by Name

Total Page:16

File Type:pdf, Size:1020Kb

Attendee List As of 11/14/2013 Alphabetical by Name Attendee List As of 11/14/2013 Alphabetical by Name Anna Ables Tara Aesquivel Director of Marketing and Public Relations Advisory Board The Theatre School at DePaul University Emerging Arts Leaders/Los Angeles Chicago, IL Carson, CA (773)325-7938 (816)806-4831 [email protected] [email protected] www.theatreschool.depaul.edu www.ealla.org @tarajaes Salvador Acevedo ** Principal Elaine S. Akin Contemporanea Communications Director San Francisco, CA Thea Foundation (415)404-6982 North Little Rock, AR [email protected] (501)379-9512 www.contemporanea.us [email protected] theafoundation.org Yasmin A. Acosta-Myers Portland, OR Paula Alekson (406)925-0992 Artistic Engagement Manager [email protected] McCarter Theatre Princeton, NJ Thomas Adkins (609)332-5396 Associate Director of Marketing and Public [email protected] Relations www.mccarter.org Theatre Development Fund New York, NY Alex Alexander (212)912-9770 (321) Student [email protected] Western Michigan University Dept. of Theatre www.tdf.org Kalamazoo, MI (269)387-3220 [email protected] Exhibitor * Presenter ** 1 Attendee List As of 11/14/2013 Alphabetical by Name Dale Allison Francine M. Andersen ** Manager, Business Development Chief of Arts Education Laura Murray Public Relations Miami-Dade County Department of Cultural Vancouver, BC Affairs (604)558-2400 (506) Miami, FL [email protected] (305)375-5024 www.lauramurraypr.com [email protected] @LauraMurrayPR www.miamidadearts.org Sarah A. Altermatt Debra Anderson Director of Public Events Box Office Manager University of Wisconsin Whitewater College of Middlebury College Mahaney Center for the Arts and Communication Arts Whitewater, WI Middlebury, VT (262)472-5943 (802)443-5780 [email protected] [email protected] www.uww.edu/cac/ boxoffice.middlebury.edu/ @H_Sarah Janell Anderson * Teresa Amsbaugh Leader Development Officer PDX Etsy Team Archie Bray Foundation Portland, OH Helena, MT [email protected] [email protected] prunellasoap.etsy.com @prunellasoap Exhibitor * Presenter ** 2 Attendee List As of 11/14/2013 Alphabetical by Name Kate Andries Ingrid Arnett General Manager PR & Communications Manager The Portland Ballet Portland Japanese Garden Portland, OR Portland, OR (503)452-8448 (503)542-0288 [email protected] [email protected] www.theportlandballet.org japanesegarden.com Danielle K. Antoniuk Kyle Arnett Marketing and Communications Executive Director Arts and Heritage St Albert Henderson Area Arts Alliance St Albert, AB Henderson, KY (780)651-5743 (270)826-5916 [email protected] [email protected] www.artsandheritage.ca/ www.haaa.org @ArtsandHeritage @hendersonarts Francisco Arechiga Matthew Arnold Founder and CEO Marketing Manager Soierie Arts Flying House Productions Los Angeles, CA Seattle, WA (323)801-8618 (206)323-0750 (212) [email protected] [email protected] www.soieriearts.com Rebecca E. Astrop Communications Manager The Cleveland Museum of Art Cleveland, OH (216)707-6876 [email protected] @rebeccaastrop Exhibitor * Presenter ** 3 Attendee List As of 11/14/2013 Alphabetical by Name Reyne Athanas Tanuja Bahal Yupiit Piciryarait Cultural Center Coordinator Executive Director University of Alaska Fairbanks, Kuskokwim India Community Center Campus Milpitas, CA Bethel, AK (510)409-3109 (907)543-4538 [email protected] [email protected] Lori Bailey Mary Jane Avans * Seattle University VP, Business Development Seattle, WA SD & A Teleservices, Inc. (707)362-1345 Los Angeles, CA [email protected] (678)904-1583 [email protected] Leigh Baldwin www.sdats.com Director of Communications Southwest School of Art James Baggaley San Antonio, TX Head of Marketing (210)224-1848 Spektrix Limited [email protected] London, ENG 02077856921 Sharon R. Banaszak [email protected] Cultural Marketing Director www.spektrix.com Governors State University University Park, IL Cathy Bagwell Marsh (708)235-2812 Director of Marketing & Sales [email protected] American Shakespeare Center www.centertickets.net Staunton, VA (540)885-5588 [email protected] www.americanshakespearecenter.com Exhibitor * Presenter ** 4 Attendee List As of 11/14/2013 Alphabetical by Name George Barnet * Sandy Bass Director of Digital Strategy Communications Media Associate Grapeseed Media theatreWashington New York, NY Arlington, VA (646)666-0899 (202)337-4572 [email protected] [email protected] www.grapeseed.me @theatreWashDC Aliza Bartfield * Jennifer M. Bauer Client Services Coordinator Marketing Director Grapeseed Media Wilson Center for the Arts New York, NY Brookfield, WI (646)666-0899 (262)373-5034 [email protected] [email protected] www.grapeseed.me www.wilson-center.com Laura Bartoff Mary Bauer Public Relations & Marketing Manager Communications Associate Northwest Film Center Regional Arts and Culture Council Portland, OR Portland, OR (503)221-1156 (503)823-5426 [email protected] [email protected] www.racc.org Sara Baskett Program/Marketing Director Denise M. Baxter Lanesboro Arts Center Executive Director Lanesboro, MN Ashland Art Center (507)467-2446 Ashland, OR [email protected] (541)301-5975 www.lanesboroarts.org/ [email protected] Exhibitor * Presenter ** 5 Attendee List As of 11/14/2013 Alphabetical by Name Jacob Beach Tracey J. Bell * Student Events & Communications Coordinator Western Michigan University Dept. of Theatre University of Oregon Arts & Administration Kalamazoo, MI Program (269)387-3220 Eugene, OR [email protected] (541)343-1759 [email protected] Pamela H. Beezley www.traceyjbell.com Executive Director @traceyjbell Sunriver Music Festival Sunriver, OR Beatrice Benavides (541)593-1084 Marketing Associate - Communications [email protected] Arts Club Theatre Company www.sunrivermusic.org Vancouver, BC (604)687-5315 Julie Begley ** [email protected] Managing Director MoGoArts Marketing & Media Tyler Bennett Corte Madera, CA Regional Acct Exec (415)945-1850 Vendini, Inc. [email protected] San Francisco, CA www.mogoartsmarketing.com (800)901-7173 (782) [email protected] Jonathan Beitler www.vendini.com Owner Barrelhouse Media Houston, TX (832)964-9932 [email protected] @barrelhousetx Exhibitor * Presenter ** 6 Attendee List As of 11/14/2013 Alphabetical by Name Sarah Benvenuti Liza W. Beth Director of Development Director of Communications The Civilians Chorus America Brooklyn, NY Washington, DC (718)230-3330 (704)458-8675 [email protected] [email protected] www.thecivilians.org www.chorusamerica.org @whereissarah @chorusamerica Alexandra Bergen Patrick Bibb Student Marketing Associate Rider University The Cliburn Linden, NJ Ft. Worth, TX (908)577-6095 (817)738-6536 [email protected] [email protected] www.cliburn.org Rebecca Berrios @TheCliburn Community Engagement Manager Metro Nashville Arts Commission Sara Billmann ** Nashville, TN Director of Marketing & Communications (615)862-6737 University Musical Society [email protected] Ann Arbor, MI www.artsnashville.org (734)763-0611 [email protected] www.ums.org Exhibitor * Presenter ** 7 Attendee List As of 11/14/2013 Alphabetical by Name Jessi Black Beth Bobbitt Community Arts Director PR Manager Quad City Arts Walton Arts Center Rock Island, IL Fayetteville, AR (309)793-1213 (103) (479)571-2747 [email protected] [email protected] www.quadcityarts.com www.waltonartscenter.org @walton_arts Diana Blanchard Graduate Student Amanda Bohan ** UNCSA President Winston Salem, NC Amanda Bohan Marketing (352)406-5180 Hoboken, NJ [email protected] (727)224-1853 @dlblan [email protected] Kristy Blosch Alaina Bono Manager, PR, Marketing, & Special Events Marketing Associate Allied Arts The Public Theater Oklahoma City, OK New York, NY (405)278-8944 (209) (516)851-4709 [email protected] [email protected] www.alliedartsokc.com @kristyblosch Hannah J. Bontrager Executive Director Ballet Fantastique Eugene, OR (541)342-4611 [email protected] www.balletfantastique.org Exhibitor * Presenter ** 8 Attendee List As of 11/14/2013 Alphabetical by Name David Booth Kate Brandt Northern IL University Director of Marketing & PR DeKalb, IL Merrimack Repertory Theatre (815)753-1337 Lowell, MA [email protected] (978)654-7595 www.niu.edu/theatre [email protected] www.mrt.org Lauren Boyer New Media and Marketing Manager Heather M. Bray ArtsMemphis Marketing Manager Memphis, TN The Dance Centre (901)578-2787 (302) Vancouver, BC [email protected] (604)606-6412 www.artsmemphis.org [email protected] www.thedancecentre.ca Caitlin E. Bradley Scholarly Publications Melinda Breva University of Oregon Development Manager Eugene, OR Franconia Sculpture Park (407)697-4006 Saint Paul, MN [email protected] (203)253-8932 [email protected] Laura Bradley franconia.org Colorado Mesa University @mindybreva Grand Junction, CO (970)248-1954 [email protected] Exhibitor * Presenter ** 9 Attendee List As of 11/14/2013 Alphabetical by Name Shelby D. Brewer Caroline M. Brooks Media & Communications Manager Program Manager Arkansas Arts Council Sitka Center for Art and Ecology Little Rock, AR Otis, OR (501)324-9349 (541)994-5485 [email protected] [email protected] www.arkansasarts.org www.sitkacenter.org Melody Bridges Alan S. Brown ** Dir. of Marketing, Communications, and Sales Principal Portland Children's Museum WolfBrown Portland, OR San Francisco, CA (503)471-9910 (415)796-3060 [email protected]
Recommended publications
  • Climate Change Communication in Late-Night Comedy Television
    Fordham University Fordham Research Commons Student Theses 2015-Present Environmental Studies Fall 9-14-2020 Live From New York, It’s Environmental Science! Climate Change Communication in Late-Night Comedy Television Serena A. Ingram Follow this and additional works at: https://research.library.fordham.edu/environ_2015 Live From New York, It’s Environmental Science! Climate Change Communication in Late-Night Comedy Television Serena A. Ingram Abstract This thesis explores why traditional climate change communication often fails in the mainstream news media and how late-night comedy television circumvents these problems. These late-night shows provide humorous news coverage that holds politicians and the press accountable for enabling denialist rhetoric. The first chapter sources data from the Intergovernmental Panel on Climate Change, the U.S. Environmental Protection Agency, and the Yale Project on Climate Change Communication to outline the issues of climate change and public understanding of climate science. The second chapter describes how rhetorical analysis can identify effective or ineffective climate communication strategies. It also discusses the emotional factors that surround climate change, and how humor strengthens communication and unifies individuals toward a common goal. The third chapter addresses the issue of politically spun news and information biases in climate reporting. It details how political figures influence news coverage of climate change and spin the news to reinforce their own agendas. The fourth chapter provides examples and analysis of climate change related segments from Last Week Tonight with John Oliver, The Daily Show with Trevor Noah, and Saturday Night Live’s “Weekend Update.” The fifth chapter applies the principles of late-night comedy and climate change communication to potential government policy and more mainstream television news.
    [Show full text]
  • Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
    Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S.
    [Show full text]
  • Topical Monologue Jokes
    Topical Monologue Jokes On Donuts Featuring Dr. Fauci’s Face: Due to the desperate need for facts and science that’s sweeping the Nation in this Coronavirus time, Dr. Fauci is becoming something of a hero. In fact, CNN reported that donuts featuring Dr. Fauci’s face are becoming a hit in NYC…[graphic]: Stephen Colbert: Donuts? New York—you couldn’t think of a healthier food for one second while we’re all trying to stay healthy and improve our immune systems? You couldn’t try carving Dr. Fauci’s face into an eggplant? [Colbert NY accent]: “In honor of this man that provided us with medical truth that ultimately saved the nation from entirely dying out from a deadly virus, here’s some diabetes!" Trevor Noah: People are so into Dr. Fauci right now, it’s crazy. He’s going to become our new mascot, I’m telling you. Like instead of the Easter Bunny, it’ll just be Dr. Fauci sneaking around your house, laying chocolate eggs with his face on them everywhere for you to find. Luckily Christmas will pretty much just be the same: an old white man as the bearer of good things. Fauci isn’t fat like Santa Claus, but after a few of those donuts with his face on them… On Drake’s kid: Trevor Noah: Drake has finally revealed to the public a picture of his kid on social media. [graphic] Here he is: Adonis Graham. Yes, Drake named his kid Adonis—after the mortal that had sex with Aphrodite. Aphrodite! Goddess of love, beauty, and pleasure! ….I see what you’re doing here, Drake.
    [Show full text]
  • (FCC) Complaints About Saturday Night Live (SNL), 2019-2021 and Dave Chappelle, 11/1/2020-12/10/2020
    Description of document: Federal Communications Commission (FCC) Complaints about Saturday Night Live (SNL), 2019-2021 and Dave Chappelle, 11/1/2020-12/10/2020 Requested date: 2021 Release date: 21-December-2021 Posted date: 12-July-2021 Source of document: Freedom of Information Act Request Federal Communications Commission Office of Inspector General 45 L Street NE Washington, D.C. 20554 FOIAonline The governmentattic.org web site (“the site”) is a First Amendment free speech web site and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. Federal Communications Commission Consumer & Governmental Affairs Bureau Washington, D.C. 20554 December 21, 2021 VIA ELECTRONIC MAIL FOIA Nos.
    [Show full text]
  • Case Study Follow-Up Report
    TABLE OF CONTENTS INTRODUCTION 3 CASE STUDIES: FIVE YEARS ON 4 HERE ARTS CENTER 5 LONG WHARF THEATRE 8 OREGON SHAKESPEARE FESTIVAL 1 1 STEPPENWOLF THEATRE COMPANY 14 THE THEATRE OFFENSIVE 17 WOOLLY MAMMOTH THEATRE 20 YOUTH SPEAKS 23 CONCLUSION 26 2 INTRODUCTION Theatre Communications Group (TCG)’s Audience (R)Evolution program, a multi-year project funded by the Doris Duke Charitable Foundation, studies, promotes, and supports successful audience engagement and community development strategies in the U.S. not-for-profit theatre. The program has grown to include reports, case studies, convenings, grants, blogs, and videos, all available on the TCG website. Behind this remarkably diverse series of initiatives at TCG, its partners, and member theatres lies a core-value emphasis on “risk-taking, reflection, experimentation, and collective action toward implementing new strategies” that were originally intended to help theatres cultivate and maintain attendance and have since grown to emphasize building deep, long-term relationships with audiences as well as demand. Round One of the program took place from 2012 to 2015. TCG engaged AMS Planning & Research, a national arts management consulting firm, to create a report based on field surveys and a series of case studies spotlighting audience development strategies identified by AMS at eight theatre companies. The goal of the report was to develop a shared vocabulary around audience engagement; explore audience engagement models and understand how/why the best ones work; and share these successful models with the field. (AMS defined “audience engagement” to include any effort by a theatre to connect to its constituency/ies, sometimes through multiple pathways, with a desire to enhance the experience they share.) The eight original companies were selected by TCG based, in part, on groups that were cited as “best practice” organizations by their peer companies and through the extensive AMS research of the field.
    [Show full text]
  • Technology Guide for Arts & Culture
    NPower’s TECHNOLOGY GUIDE for Nonprofit Leaders A mission support tool for UNDERWRITTEN BY NPOWER’S TECHNOLOGY GUIDE – ARTS AND CULTURE | 1 Contents Welcome 3 Defining the Arts and Culture Sector 5 Impact of Arts and Culture 7 Changes facing the Arts 8 Challenges 9 Opportunities 13 Tools to help you meet your goals 18 Technology solution close-up 20 Conclusion 33 Resources and additional information 34 Acknowledgements 38 NPower is a federation of independent, locally-based nonprofits providing accessible technology help that strengthens the work of other nonprofits. NPower’s mission is to ensure all nonprofits can use technology to expand the reach and impact of their services. We envision a thriving nonprofit sector in which all organizations have access to the best technology resources and know-how, and can apply these tools in pursuit of healthy, vibrant communities. For more information, visit our website at www.NPower.org. UNDERWRITTEN BY THE SBC FOUNDATION 2 | NPOWER’S TECHNOLOGY GUIDE – ARTS AND CULTURE Welcome to... NPower’s “Nonprofit Leader’s Technology Guide: A Mission Support Tool for Arts and Culture.” This is one of four “Technology for Leaders” guides published by NPower, a national organization devoted to bringing free or low-cost technology help to nonprofits, and funded by a grant from the SBC Foundation, the philanthropic arm of SBC Communications Inc. These papers highlight technology innovation in four nonprofit sectors: arts and culture, health and human services, education, and community development. The goal is to inspire nonprofits about the possibilities of technology as a service delivery tool, and to provide nonprofit leaders with real-world examples that demonstrate that potential.
    [Show full text]
  • The Creation of a Gift Shop at Great Lakes Theater Festival
    THE CREATION OF A GIFT SHOP AT THE GREAT LAKES THEATER FESTIVAL A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Mary Chamberlain December, 2011 THE CREATION OF A GIFT SHOP AT THE GREAT LAKES THEATER FESTIVAL Mary Chamberlain Thesis Approved: Accepted: _________________________________ _________________________________ Durand L. Pope Neil Sapienza Advisor School Director _________________________________ _________________________________ Robert Taylor Chand Midha, Ph.D. Committee Member Dean of College of Fine and Applied Arts _________________________________ _________________________________ Neil B. Sapienza George R. Newkome, Ph.D. Committee Member Dean of the Graduate School _________________________________ Date ii TABLE OF CONTENTS CHAPTER Page I. BRIEF HISTORY OF GREAT LAKES THEATER FESTIVAL……………………..1 GLTF’s New Home at the Hanna Theatre………………………………………...4 II. RESEARCHING, SELECTING AND INTERVIEWING THEATRE COMPANIES..6 Theatre Profiles……………………………………………………………………8 GLTF Staff Involvement…………………………………………………………10 III. EVALUATING RESULTS……………………………………………………….…11 Design and Layout……………………………………………………………….11 Operations..………………………………………………………………………11 Marketing…………………………………………………………………..…….12 Inventory…………………………………………………………………………12 Vendors…………………………………………………………………………..13 Budget……………………………………………………………………………14 IV. ESTABLISHING THE GIFT SHOP………………………………………………...15 Recommendations…………………………………………………………..……15 Unrelated Income & Mission-Related Branding…………………………….......16
    [Show full text]
  • The Performance of Intersectionality on the 21St Century Stand-Up
    The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness.
    [Show full text]
  • Emmy Nominations
    2021 Emmy® Awards 73rd Emmy Awards Complete Nominations List Outstanding Animated Program Big Mouth • The New Me • Netflix • Netflix Bob's Burgers • Worms Of In-Rear-Ment • FOX • 20th Century Fox Television / Bento Box Animation Genndy Tartakovsky's Primal • Plague Of Madness • Adult Swim • Cartoon Network Studios The Simpsons • The Dad-Feelings Limited • FOX • A Gracie Films Production in association with 20th Television Animation South Park: The Pandemic Special • Comedy Central • Central Productions, LLC Outstanding Short Form Animated Program Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix Maggie Simpson In: The Force Awakens From Its Nap • Disney+ • A Gracie Films Production in association with 20th Television Animation Once Upon A Snowman • Disney+ • Walt Disney Animation Studios Robot Chicken • Endgame • Adult Swim • A Stoopid Buddy Stoodios production with Williams Street and Sony Pictures Television Outstanding Production Design For A Narrative Contemporary Program (One Hour Or More) The Flight Attendant • After Dark • HBO Max • HBO Max in association with Berlanti Productions, Yes, Norman Productions, and Warner Bros. Television Sara K. White, Production Designer Christine Foley, Art Director Jessica Petruccelli, Set Decorator The Handmaid's Tale • Chicago • Hulu • Hulu, MGM, Daniel Wilson Productions, The Littlefield Company, White Oak Pictures Elisabeth Williams, Production Designer Martha Sparrow, Art Director Larry Spittle, Art Director Rob Hepburn, Set Decorator Mare Of Easttown • HBO • HBO in association with wiip Studios, TPhaeg eL o1w Dweller Productions, Juggle Productions, Mayhem Mare Of Easttown • HBO • HBO in association with wiip Studios, The Low Dweller Productions, Juggle Productions, Mayhem and Zobot Projects Keith P. Cunningham, Production Designer James F. Truesdale, Art Director Edward McLoughlin, Set Decorator The Undoing • HBO • HBO in association with Made Up Stories, Blossom Films, David E.
    [Show full text]
  • 2019 Alumni Notes Newsletter
    ALUMNI & FRIENDS OF ALUMNI NOTES FIORELLO H. LAGUARDIA HS OF 2019 MUSIC & ART AND PERFORMING ARTS "I loved the freedom of going to school where people could be whatever they 1 wanted to be, that the creative 2 side of us was "A family of artists that as important as represented all walks the academic." of life and cultures, – Laurie J. Greenwald were accepting 4 (PA '74) and encouraging 3 of one another and demonstrated what people should be like, what America should be like, what the world should be like." – Rudy Valentine (M&A '67) 7 6 – Marlon Wayans "Going to LaGuardia was a blessing." (LaG '90) 5 1 I would not be frank or human if I did not take pride in this institution and its students. – Mayor Fiorello Henry LaGuardia, 1939 DID YOU KNOW? The bust of Toscanini that once graced the halls of the High School of Music & Art now stands guard opposite the entrance to LaGuardia's Concert Hall. WE’RE Please LIKE and FOLLOW us at facebook.com/AlumniandFriends and on Instagram @lagalumniandfriends. Stay up-to-date on alumni news, reunion information, and 2 SOCIAL! event details. Keep an eye out for FREE tickets to LaGuardia performances! Award and the Florence Mandell Memorial Art Award; Michelle Li (LaG '19), recipient of the Class of M&A 1960 Award and the Class of M&A 1952 Award Michelle Li (LaG '19), recipient of the Class M&A 1960 Award and the Florence Mandell Memorial Art Award; Award Photography to bottom) Rebecca Park (LaG '18), recipient of the Mary Zoe Descoteaux (LaG '18), recipient of the King Sang Wong Frank & Pablo Award; (Top THANK YOU FROM ALUMNI & FRIENDS (A&F) Dear Friends, When I entered LaGuardia in 1985 I was part of the second incoming class at the “new building.” My classmates and I have the distinction of being the first to audition at the LaGuardia building, which was not quite finished.
    [Show full text]
  • Snl Skit Rap Consent
    Snl Skit Rap Consent Calfless and senatorial Fox underpay: which Menard is sportier enough? When Rocky lunch his chaplet pet not ludicrously enough, is Wright slashing? Clive is unceasing and lames monstrously as attendant Artur misrated horizontally and support unattractively. Saturday night live teased fans what he thought the purchase something like crenshaw with snl skit as one album last free to lead their separate ways big time The sketch ends with Palin delivering the trademark opening are from New York. SNL rides for Ruth Bader Ginsburg in fine new rap video 'You summon some. In ram first episode of Shonda Rhimes's romantic period drama we vary as. Staten island wedding in texas democratic party pics, making sure to snl skit rap consent visit our community finance team, seemingly aimed at silive. The two rappers were featured in an SNL skit based on acknowledging and. I'm dye a mission for that ass come first I looking like permission they rap While the booty-seeking duo continues their mission particular visitor Future begins. Entertainment forums at syracuse university for snl skit rap consent is affecting millions of these things! Future And Lil Wayne Star In conspicuous And Respectful 'SNL. The 32 year-old be set the present each week's popular US sketch show. SNL stars Chris Redd and Kenan Thompson played a rap duo called the Booty Kings in a spoof music video That's case whole lot of oxygen B Oh alright Please. The upcoming item before spitting about snl skit rap consent and consent visit our.
    [Show full text]
  • Aziz Ansari Snl Monologue Transcript
    Aziz Ansari Snl Monologue Transcript Clitoral and brave Darryl often sleeved some sectaries unproductively or camphorate tyrannically. Alchemical Karel always slub his blitheness if Andri is epidemic or parch defiantly. Asymmetrically beat, Geoff underdrew raid and tranquilizes savanna. Until chappelle snl transcript has earned him to jump into eating pork, aziz ansari snl transcript has been edited and olivia munn And just literally give him away. Quebecers no bad what is faith. Judaism, Christianity, same God. You have iframes disabled or your browser does not support them. Quebec city health official hateful left came under president obama in this blog cannot cosign that. Crazy couple of human being incredibly honest with. So, if rain were offended by said said you, please give more reach food to your emotional support dog and shut the name up! My first place across a good morning joe biden and he was cancelled. Owned or second season is a critical role. Mind strikes back, he has received an american than win the answer their monologue not. Please peace for best shows that led it becomes political climate change your new president of the monologue transcript has been because he wore. This was funny and, significantly for a show whose writing was wildly undisciplined last week, wisely super short. Equivalency and adam sandler star is bannon. Food in judaism or expand each aggrieved person to do here is what we need more of seven lead changes in hollywood portrayal of snl monologue? Scenes of aziz ansari snl monologue transcript. The all decide for your favorite charities who tackle these black people usually runs around, when she is exactly their web! The other than anyone can do you had entered the barbed wire on mosques, ansari snl monologue transcript.
    [Show full text]